1 00:00:00,000 --> 00:00:04,000 Hey Tony, what are you doing? 2 00:00:04,000 --> 00:00:09,000 Uh, trying to find something good on the tube, you know, just serve in the channels. 3 00:00:09,000 --> 00:00:12,200 Tony, you'll never find anything like that because you're doing it old school. 4 00:00:12,200 --> 00:00:13,200 That's the old channels. 5 00:00:13,200 --> 00:00:16,600 You need to search the new channels, the podshow channels. 6 00:00:16,600 --> 00:00:19,600 Go over to podshow.com, check out the channels. 7 00:00:19,600 --> 00:00:20,600 You got all kinds of channels. 8 00:00:20,600 --> 00:00:22,600 You got geek brief TV. 9 00:00:22,600 --> 00:00:26,000 Ah, that Kelly Lewis really does something to my hard drive. 10 00:00:26,000 --> 00:00:27,000 Uh, yeah. 11 00:00:27,000 --> 00:00:30,000 And you got channels from music, you got channels from video. 12 00:00:30,000 --> 00:00:32,000 Josie Todd's got a whole bunch of channels over there. 13 00:00:32,000 --> 00:00:33,680 So go check those out. 14 00:00:33,680 --> 00:00:34,680 This is the new wave. 15 00:00:34,680 --> 00:00:39,240 It's a new wave of media and it's the new channel surf and riding the new wave. 16 00:00:39,240 --> 00:00:41,200 You know what I'm talking about, Tony? 17 00:00:41,200 --> 00:00:46,400 Just listen to the DSC 643 and Adam's going to tell us all about the channels. 18 00:00:46,400 --> 00:00:47,400 He calls him Cheddar. 19 00:00:47,400 --> 00:00:49,000 The, like, the cheese? 20 00:00:49,000 --> 00:00:50,000 Yeah, Tony. 21 00:00:50,000 --> 00:00:51,000 You're smart as a whip. 22 00:00:52,000 --> 00:00:57,000 With $16 million worth of airplane strapped to my ass. 23 00:00:57,000 --> 00:01:00,000 Then the next generation radio content in my ears. 24 00:01:02,000 --> 00:01:05,000 I like to think I'm flying into the future. 25 00:01:05,000 --> 00:01:08,000 I'm testing you, Adam Curry. 26 00:01:08,000 --> 00:01:11,000 Feet Furrier in of the sun. 27 00:01:11,250 --> 00:01:56,250 [ Music ] 28 00:02:03,750 --> 00:02:26,000 [ Music ] 29 00:02:26,000 --> 00:02:31,000 Let me, all right, we'll watch it in the front of our hearts 30 00:02:31,000 --> 00:02:33,000 Girl, you never want to kiss me 31 00:02:33,000 --> 00:02:35,000 I love you, it's not here for you 32 00:02:35,000 --> 00:02:38,000 Always want you with me, I'll play Bobby and you play with me 33 00:02:38,000 --> 00:02:42,000 If you smoke that smoke too, that's how much I'm in love with you 34 00:02:42,000 --> 00:03:08,000 [ Music ] 35 00:03:08,000 --> 00:03:12,000 We got that I need you, you must have caught at me 36 00:03:12,000 --> 00:03:14,000 Kid, that's why you don't believe me 37 00:03:14,000 --> 00:03:17,000 Look, you need me 38 00:03:17,000 --> 00:03:20,000 Guilty because you are a Car 39 00:03:20,000 --> 00:03:23,000 Guilty that's right a crazy girl 40 00:03:23,000 --> 00:03:24,000 Guilty that's right a girl 41 00:03:24,000 --> 00:03:27,000 Guilty that's right a DJ 42 00:03:27,000 --> 00:03:28,000 Guilty that's right a girl 43 00:03:28,000 --> 00:04:03,420 [ Music ] 44 00:04:03,420 --> 00:04:07,420 Give me, give me, give me. 45 00:04:07,420 --> 00:04:10,420 I don't know what you know for dinner. 46 00:04:11,420 --> 00:04:14,420 I don't want you to die. 47 00:04:14,420 --> 00:04:17,420 Mash that a lino, watching it die. 48 00:04:17,420 --> 00:04:19,420 I'm just thinking of your pipe. 49 00:04:19,420 --> 00:04:21,420 I ain't no for dinner. 50 00:04:21,420 --> 00:04:23,420 And I'm so good. 51 00:04:23,420 --> 00:04:25,420 I ain't no for dinner, sir. 52 00:04:27,420 --> 00:04:28,420 What? 53 00:04:28,420 --> 00:04:29,420 How the hell? 54 00:04:39,420 --> 00:04:42,420 DJ Max entropy. 55 00:04:42,420 --> 00:04:44,420 The funk with my favorite son. 56 00:04:44,420 --> 00:04:47,420 Of course, CCR mixed up with Black Eyed Peas. 57 00:04:47,420 --> 00:04:50,420 Kicking off episode 643 of the Daily Source Code. 58 00:04:50,420 --> 00:04:51,420 Hey, everybody. 59 00:04:51,420 --> 00:04:54,420 I don't know about you, but I am officially neckard. 60 00:04:54,420 --> 00:04:59,420 I don't know if it's the correct use of the word, but man, man, man, man. 61 00:04:59,420 --> 00:05:00,420 You know, this is tough. 62 00:05:00,420 --> 00:05:04,420 I long for the days when all I have to do is just sit around and make a show. 63 00:05:04,420 --> 00:05:07,420 Boy, what I make a great show for you every single day would be so 64 00:05:07,420 --> 00:05:10,420 perfectly pre-produced. 65 00:05:10,420 --> 00:05:12,420 Sorry about yesterday. 66 00:05:12,420 --> 00:05:13,420 I warned you though. 67 00:05:13,420 --> 00:05:15,420 You know, whenever I say, oh, I think I'll do a show later on. 68 00:05:15,420 --> 00:05:18,420 What happens is I don't get home until nine o'clock. 69 00:05:18,420 --> 00:05:19,420 You know, I have my dinner. 70 00:05:19,420 --> 00:05:22,420 Nine o'clock, of course, I got to watch a big brother while the 71 00:05:22,420 --> 00:05:23,420 dinner is rolling. 72 00:05:23,420 --> 00:05:27,420 By the way, I'm still Brian to win on this thing here in the UK. 73 00:05:27,420 --> 00:05:29,420 And, you know, that's 10 o'clock. 74 00:05:29,420 --> 00:05:32,420 And then essentially, we're taking up until one to pre-produce, 75 00:05:32,420 --> 00:05:35,420 produce, and then, you know, do all the post-production, uploading, etc. 76 00:05:35,420 --> 00:05:36,420 It would be like three hours. 77 00:05:36,420 --> 00:05:38,420 It's kind of what it is. 78 00:05:38,420 --> 00:05:40,420 I just didn't have, I just didn't have, I'm an old man. 79 00:05:40,420 --> 00:05:41,420 I'm sorry. 80 00:05:41,420 --> 00:05:42,420 Just don't have it anymore. 81 00:05:42,420 --> 00:05:45,420 Although I, increasingly, I'm finding people still, you know, 82 00:05:45,420 --> 00:05:47,420 will just won't skip an episode. 83 00:05:47,420 --> 00:05:49,420 And some are like a month behind. 84 00:05:49,420 --> 00:05:51,420 So maybe it's a good way to help people catch up. 85 00:05:51,420 --> 00:05:53,420 In that regard, at least it is. 86 00:05:53,420 --> 00:05:55,420 Hey, the music business is really messed up. 87 00:05:55,420 --> 00:05:57,420 I got this link. 88 00:05:57,420 --> 00:05:58,420 What is it? 89 00:05:58,420 --> 00:06:01,420 Actually, by the way, I want to thank Dr. Art for hooking me up with that, 90 00:06:01,420 --> 00:06:05,420 that mashup that we kicked off with today. 91 00:06:05,420 --> 00:06:09,420 And Dr. Art, he's interested in dental medicine. 92 00:06:09,420 --> 00:06:14,420 The next meeting I have with my professionals is to determine 93 00:06:14,420 --> 00:06:16,420 color and size. 94 00:06:16,420 --> 00:06:18,420 If that helps at all. 95 00:06:19,420 --> 00:06:22,420 So apparently, this is from betanews.com. 96 00:06:22,420 --> 00:06:24,420 I'll put a link in the show notes. 97 00:06:24,420 --> 00:06:31,420 There was a subcommittee of Congress about performers royalties 98 00:06:31,420 --> 00:06:33,420 for being played on the radio. 99 00:06:33,420 --> 00:06:36,420 You've got to read this thing because what's happening now. 100 00:06:36,420 --> 00:06:39,420 It's, you know, amidst all of this debate about, you know, 101 00:06:39,420 --> 00:06:45,420 streaming web radio, paying compulsory fees for all music, 102 00:06:45,420 --> 00:06:47,420 which is not just mainstream. 103 00:06:47,420 --> 00:06:50,420 It's not just any one's music licensed, you know, 104 00:06:50,420 --> 00:06:53,420 signed to a record company or not. 105 00:06:53,420 --> 00:06:55,420 Unless you have a pre-existing arrangement, 106 00:06:55,420 --> 00:06:57,420 such as the Pod Save Music Network. 107 00:06:57,420 --> 00:06:59,420 Now, this is about, you know, 108 00:06:59,420 --> 00:07:01,420 basically it's a bunch of old artists. 109 00:07:01,420 --> 00:07:03,420 And you see this happening every year. 110 00:07:03,420 --> 00:07:06,420 Cliff Richard started yamoring about copyrights expiring 111 00:07:06,420 --> 00:07:08,420 in the UK after 50 years. 112 00:07:08,420 --> 00:07:10,420 He wants to extend it to 70 years because his shit's 113 00:07:10,420 --> 00:07:12,420 coming up for public domain pretty soon. 114 00:07:12,420 --> 00:07:14,420 I understand why he's pissed off about it. 115 00:07:15,420 --> 00:07:17,420 You know, what we can't just keep changing the rules 116 00:07:17,420 --> 00:07:19,420 when we get old, you know, and they're like, 117 00:07:19,420 --> 00:07:20,420 oh, well, this is going to fuck me up. 118 00:07:20,420 --> 00:07:23,420 This is what this isn't what I signed up for, you know. 119 00:07:23,420 --> 00:07:24,420 Now, what's it? 120 00:07:24,420 --> 00:07:27,420 What did I see that was a Roger Daltre of the Who 121 00:07:27,420 --> 00:07:28,420 was doing the same thing? 122 00:07:28,420 --> 00:07:30,420 And now, this is a different issue. 123 00:07:30,420 --> 00:07:33,420 Judy Collins, who sang, uh, 124 00:07:33,420 --> 00:07:34,420 send in the clowns. 125 00:07:34,420 --> 00:07:36,420 One of the songs I dislike the most, I have to say, 126 00:07:36,420 --> 00:07:38,420 just by coincidence. 127 00:07:38,420 --> 00:07:39,420 She's saying, look, you know, 128 00:07:39,420 --> 00:07:42,420 we get record companies made millions on this. 129 00:07:42,420 --> 00:07:46,420 And then we got nothing out of it because we didn't get paid 130 00:07:46,420 --> 00:07:48,420 for every single time we were played on the radio. 131 00:07:48,420 --> 00:07:51,420 So here comes the big raging debate is broad. 132 00:07:51,420 --> 00:07:53,420 And by the way, that's only in the US. 133 00:07:53,420 --> 00:07:55,420 It's not the same in other countries because there are 134 00:07:55,420 --> 00:07:58,420 performance royalty organizations such as the 135 00:07:58,420 --> 00:07:59,420 SNA, the SNEA. 136 00:07:59,420 --> 00:08:02,420 And I believe CSAC also does some of that as well. 137 00:08:02,420 --> 00:08:03,420 But that's beside the point. 138 00:08:03,420 --> 00:08:06,420 This is really about the United States in this particular 139 00:08:06,420 --> 00:08:07,420 instance. 140 00:08:07,420 --> 00:08:10,420 And, you know, it's like, so they're saying, well, 141 00:08:10,420 --> 00:08:12,420 you know, we're being ripped off by the broadcasters because 142 00:08:12,420 --> 00:08:13,420 they're getting a free ride. 143 00:08:13,420 --> 00:08:15,420 And I have to kind of take the side of the broadcasters 144 00:08:15,420 --> 00:08:17,420 in this because, you know, it is promotional. 145 00:08:17,420 --> 00:08:20,420 And, you know, and it gives you read this. 146 00:08:20,420 --> 00:08:23,420 It's the most absurd thing you've ever read in your life. 147 00:08:23,420 --> 00:08:25,420 I feel bad for artists getting screwed by their 148 00:08:25,420 --> 00:08:26,420 record companies. 149 00:08:26,420 --> 00:08:30,420 But I totally disagree with this whole idea of, you know what? 150 00:08:30,420 --> 00:08:31,420 Fuck you. 151 00:08:31,420 --> 00:08:32,420 Fuck you, Judy Collins. 152 00:08:32,420 --> 00:08:33,420 I'm not going to play your song. 153 00:08:33,420 --> 00:08:35,420 I'll never play your send in the clowns song. 154 00:08:35,420 --> 00:08:38,420 You know, it's, it is about promotion. 155 00:08:39,420 --> 00:08:42,420 You know, if everybody in the world who does something creative, 156 00:08:42,420 --> 00:08:45,420 you know, it just stands in with a handout. 157 00:08:45,420 --> 00:08:46,420 We're going to get nowhere. 158 00:08:46,420 --> 00:08:48,420 You know, there's got to be some hand-offs. 159 00:08:48,420 --> 00:08:51,420 And, clearly, it works because the pod safe music network is growing. 160 00:08:51,420 --> 00:08:54,420 In fact, got a great story about that at the end of the show 161 00:08:54,420 --> 00:08:56,420 about a new band on the network. 162 00:08:56,420 --> 00:08:57,420 And it works. 163 00:08:57,420 --> 00:08:58,420 You know, they understand that, you know, 164 00:08:58,420 --> 00:09:01,420 making money off of the music alone just isn't the way to do it anymore. 165 00:09:01,420 --> 00:09:04,420 And I'm sorry if you feel that you're too old to go out and do gigs. 166 00:09:04,420 --> 00:09:07,420 You know, there used to be a lot of jobs that no longer 167 00:09:07,420 --> 00:09:08,420 exists. 168 00:09:08,420 --> 00:09:10,420 It's just that we're just what happens. 169 00:09:10,420 --> 00:09:12,420 It's what happens with technological innovation. 170 00:09:12,420 --> 00:09:13,420 It really does. 171 00:09:13,420 --> 00:09:18,420 You know, I used to get paid a lot more than I get paid now to do a lot less work 172 00:09:18,420 --> 00:09:19,420 in broadcasting. 173 00:09:19,420 --> 00:09:21,420 It's just the way it works. 174 00:09:21,420 --> 00:09:25,420 We're in a transitional phase, which could last 10, 15, 20 years. 175 00:09:25,420 --> 00:09:26,420 I don't know. 176 00:09:26,420 --> 00:09:30,420 See, there was some, as a feedback about this actually. 177 00:09:30,420 --> 00:09:33,420 Hey, Adam and listeners of the Charlie Howard Greenstein here in New York. 178 00:09:33,420 --> 00:09:38,420 And I just came across an editorial in the bit player blog on the LA times 179 00:09:38,420 --> 00:09:41,420 about the webcasting royalty issues. 180 00:09:41,420 --> 00:09:46,420 There's some research now that says that the, it came actually from my 365 181 00:09:46,420 --> 00:09:51,420 and said that more than 55% of the music played on its channels came from independent artists, 182 00:09:51,420 --> 00:09:57,420 which is a hugely disproportionate share compared to CD sales and regular airplay, 183 00:09:57,420 --> 00:10:00,420 which is usually about 87% of the major markets. 184 00:10:00,420 --> 00:10:05,420 So basically, people who are doing webcasts on things like live 365 are playing a huge amount 185 00:10:05,420 --> 00:10:13,420 more independent music, which basically translates to the fact that the indie music world 186 00:10:13,420 --> 00:10:16,420 has a lot more incentive to keep webcasting alive. 187 00:10:16,420 --> 00:10:28,420 It has a lot more incentive to have a more rich and open and independent and free set of music 188 00:10:28,420 --> 00:10:35,420 for people to play than the majors and the radio stations and the folks who are basically pushing 189 00:10:35,420 --> 00:10:38,420 for the rate increase for independent web gestures. 190 00:10:38,420 --> 00:10:44,420 So some more fuel for the fire is how Greenstein in New York and I hope everyone has great day. 191 00:10:44,420 --> 00:10:45,420 Yeah, Howard, I appreciate that. 192 00:10:45,420 --> 00:10:47,420 Good friend of the show there, Howard is. 193 00:10:47,420 --> 00:10:52,420 But you know what, Howard and others who are looking at this. 194 00:10:52,420 --> 00:10:54,420 First of all, it's all, it's all food bar. 195 00:10:54,420 --> 00:10:57,420 Every single angle you come at this, it's just a waste of energy. 196 00:10:57,420 --> 00:10:59,420 Route around it already. 197 00:10:59,420 --> 00:11:00,420 Just forget about it. 198 00:11:00,420 --> 00:11:04,420 There's no way you're going to change people's minds and be very careful of the Indies. 199 00:11:04,420 --> 00:11:08,420 Because the Indies are in the big, you know, they're at the big table as well. 200 00:11:08,420 --> 00:11:16,420 And, you know, their Indies doesn't necessarily mean independent people who just put their music up. 201 00:11:16,420 --> 00:11:20,420 You know, these are smaller versions of record companies as they exist today. 202 00:11:20,420 --> 00:11:24,420 With smarter marketing plans, I think better packaging ideas, 203 00:11:24,420 --> 00:11:28,420 but essentially the same business model, making money off of the artists. 204 00:11:28,420 --> 00:11:32,420 So, and not, I'm not saying this anything wrong with it, but just be careful. 205 00:11:32,420 --> 00:11:39,420 You know, it's like, it's not like just because independent, independent labels are being played more on web 206 00:11:39,420 --> 00:11:45,420 strip streams that it makes any difference that they would necessarily not want their artists to be compensated per person listening. 207 00:11:45,420 --> 00:11:47,420 I think they probably do in many cases. 208 00:11:47,420 --> 00:11:50,420 Probably because they may actually have a back end deal on that. 209 00:11:50,420 --> 00:11:56,420 So, you know, I don't have the answers, but I do know that whatever we're doing, 210 00:11:56,420 --> 00:12:04,420 it's a lot better in my humble opinion to put all of our energy and resources into routing around this and fire in the entire train wreck. 211 00:12:04,420 --> 00:12:07,420 You know, please, and don't rub or neck while you're driving by. 212 00:12:07,420 --> 00:12:10,420 But let's just drive by. 213 00:12:10,420 --> 00:12:13,420 Today a very exciting day, I think it's been months. 214 00:12:13,420 --> 00:12:20,420 I can't even count the months how long it's been since this savant has been on the show. 215 00:12:20,420 --> 00:12:23,420 And today he returns in true form, my friend. 216 00:12:34,420 --> 00:12:36,420 Hello, I'm Roger here. 217 00:12:36,420 --> 00:12:40,420 You asked us more examples of mainstream media deception. 218 00:12:40,420 --> 00:12:44,420 You have a nice, lovely video called High School House for the intrigue. 219 00:12:44,420 --> 00:12:47,420 There's a thing closely, I noticed it's ever chilly, 220 00:12:47,420 --> 00:12:50,420 you're getting spit roasted with a leaked fat here's old. 221 00:12:50,420 --> 00:12:53,420 But then it seems to be a girl on there, wasn't your age. 222 00:12:53,420 --> 00:12:58,420 So, just another example of a blatant lie surrounding the TV industry. 223 00:12:58,420 --> 00:12:59,420 Why can't this respond? 224 00:12:59,420 --> 00:13:04,420 It's why everyone gets so obsessed about things come for 25 times by a big brother lie. 225 00:13:04,420 --> 00:13:09,420 Yeah, when we spend billions of pounds on a wall based on a lie, no one gives us up. 226 00:13:09,420 --> 00:13:12,420 So, that's something he needs to discuss on your show. 227 00:13:12,420 --> 00:13:13,420 Right now? 228 00:13:13,420 --> 00:13:15,420 Oh, my goodness. 229 00:13:15,420 --> 00:13:20,420 Yes, ladies and gentlemen, a round of applause for Roger Smalls who totally nails it. 230 00:13:20,420 --> 00:13:22,420 What the hell are we thinking? 231 00:13:22,420 --> 00:13:23,420 Yeah. 232 00:13:34,420 --> 00:13:37,420 But you know Roger, and of course your point is so well taken. 233 00:13:37,420 --> 00:13:42,420 Why are we making such a big deal out of being ripped off of a couple of quid for some lies 234 00:13:42,420 --> 00:13:48,420 when there's billions being spent surrounding one huge lie? 235 00:13:49,420 --> 00:13:50,420 Yeah. 236 00:13:50,420 --> 00:13:56,420 By the way, I think the millions still would have spent and we probably still would have gone for a presence in the Middle East. 237 00:13:56,420 --> 00:14:02,420 But the fact that it was brought to us and presented to us as a huge terrifying war on terror lie. 238 00:14:02,420 --> 00:14:05,420 Yeah, that's pretty frickin' offensive for sure. 239 00:14:05,420 --> 00:14:07,420 But I love how you hone right in on that Roger. 240 00:14:07,420 --> 00:14:15,420 By the way, I'm still getting tons and tons of feedback on people's experiences with mainstream media primarily. 241 00:14:16,420 --> 00:14:21,420 And a most banister sent me a great link to a YouTube video which I'll put in the show notes as well. 242 00:14:21,420 --> 00:14:24,420 It's called Reality TV Editing. 243 00:14:24,420 --> 00:14:35,420 If you really want to see the power of television and how you can take one scene, just one scene captured with multiple cameras and how you can edit that to fit the storyline. 244 00:14:35,420 --> 00:14:37,420 I think it's from BBC Four. 245 00:14:37,420 --> 00:14:39,420 So I'm happy that that's up there illegally on YouTube. 246 00:14:39,420 --> 00:14:41,420 Get the link while you can. 247 00:14:42,420 --> 00:14:43,420 It will blow you away. 248 00:14:43,420 --> 00:14:45,420 It's really, really well done. 249 00:14:45,420 --> 00:14:46,420 Just an example. 250 00:14:46,420 --> 00:14:50,420 So the presenter of this show says, okay, so I'm going to tell it really lame joke. 251 00:14:50,420 --> 00:14:52,420 And then he shows two scenarios. 252 00:14:52,420 --> 00:14:55,420 One where people are laughing and the other one where people are going, huh? 253 00:14:55,420 --> 00:15:00,420 And then he shows, okay, I can make this girl look like she's totally coming on to me or like she's totally not interested. 254 00:15:00,420 --> 00:15:06,420 And literally with the same material just by using digital editing techniques, they show you how it's done. 255 00:15:06,420 --> 00:15:08,420 And it's, it's awesome. 256 00:15:08,420 --> 00:15:09,420 Awesome. 257 00:15:10,420 --> 00:15:13,420 It's almost as good as watching the Zen TV experiment. 258 00:15:13,420 --> 00:15:17,420 If you watch Big Brother or any of these reality shows, have a look at this. 259 00:15:17,420 --> 00:15:19,420 And I mean, if look, I love Big Brother. 260 00:15:19,420 --> 00:15:20,420 I know how it works. 261 00:15:20,420 --> 00:15:21,420 I love it. 262 00:15:21,420 --> 00:15:24,420 I totally enjoyed a story unfolding in front of me. 263 00:15:24,420 --> 00:15:25,420 And I do not see it as reality. 264 00:15:25,420 --> 00:15:29,420 I see it as a wonderfully told story done by amazing professionals. 265 00:15:29,420 --> 00:15:31,420 It's no more no less. 266 00:15:31,420 --> 00:15:35,420 That's why it's so easy for me to say Brian to win because I know how this stuff works. 267 00:15:36,420 --> 00:15:38,420 Oh, oh, crikey. 268 00:15:38,420 --> 00:15:41,420 Something from the hell way once again. 269 00:15:41,420 --> 00:15:44,420 We're Mississippi Coast Highway. 270 00:15:44,420 --> 00:15:47,420 And you, my big reggae. 271 00:15:47,420 --> 00:17:22,420 [ Music ] 272 00:17:22,420 --> 00:17:23,420 You suck. 273 00:17:23,420 --> 00:17:25,420 To both the Razzard. 274 00:17:25,420 --> 00:17:26,420 We're fucked. 275 00:17:26,420 --> 00:17:28,420 Both the Razzard. 276 00:17:28,420 --> 00:17:29,420 You suck. 277 00:17:30,420 --> 00:17:31,420 Keep that. 278 00:17:31,420 --> 00:17:32,420 Chiroky. 279 00:17:32,420 --> 00:17:34,420 I think it's pretty clear that Pacifico's 280 00:17:34,420 --> 00:17:36,420 Hellwise has been nominated for a podcast award. 281 00:17:36,420 --> 00:17:40,420 And I have received, probably, 30. 282 00:17:40,420 --> 00:17:41,420 40 different. 283 00:17:41,420 --> 00:17:42,420 Please. 284 00:17:42,420 --> 00:17:43,420 People saying. 285 00:17:43,420 --> 00:17:45,420 Oh, please. 286 00:17:45,420 --> 00:17:46,420 Tell your listeners to vote for us. 287 00:17:46,420 --> 00:17:48,420 This is what I hate about awards. 288 00:17:48,420 --> 00:17:49,420 It's fucking lame. 289 00:17:49,420 --> 00:17:53,420 But I know Mark actually played the music and everything on that song too. 290 00:17:53,420 --> 00:17:55,420 So. 291 00:17:55,420 --> 00:17:56,420 They're not playing it for him. 292 00:17:56,420 --> 00:18:01,220 How many pod show network podcasters are nominated this year? 293 00:18:01,220 --> 00:18:03,260 I wonder, I don't know. 294 00:18:03,260 --> 00:18:06,180 But, you know, it's, I don't believe in awards 295 00:18:06,180 --> 00:18:09,780 that the work this way, I don't believe in awards at all. 296 00:18:09,780 --> 00:18:11,980 I just want to see a nice red carpet show 297 00:18:11,980 --> 00:18:14,180 with hot actresses and beautiful dresses 298 00:18:14,180 --> 00:18:16,460 with millions of dollars worth of diamonds. 299 00:18:16,460 --> 00:18:18,980 That's all I really care about when it comes to award shows. 300 00:18:18,980 --> 00:18:21,140 And I'll even look at the magazine 301 00:18:21,140 --> 00:18:23,100 coverage of it later at that, I like, you know, 302 00:18:23,100 --> 00:18:24,340 I like seeing how everybody looks. 303 00:18:24,340 --> 00:18:26,260 That's really what it's for. 304 00:18:26,260 --> 00:18:30,900 You know, from me, who's this from Paul, Paul Parkinson. 305 00:18:30,900 --> 00:18:33,220 Yeah, ITV is admitted that an Alzheimer's patient 306 00:18:33,220 --> 00:18:36,020 who, quote, passes away in the final scene of a documentary 307 00:18:36,020 --> 00:18:37,780 they did actually died three days later. 308 00:18:37,780 --> 00:18:41,380 They're copping to it now, another story of mainstream media 309 00:18:41,380 --> 00:18:42,180 unraveling. 310 00:18:42,180 --> 00:18:44,580 Yeah, it's the big, it's the big deception thing. 311 00:18:44,580 --> 00:18:46,180 How many, there's been so many interesting things 312 00:18:46,180 --> 00:18:49,380 on television, Panorama on the BBC, 313 00:18:49,380 --> 00:18:51,060 did I tell you this? 314 00:18:51,060 --> 00:18:52,900 Maybe I did, no, I didn't, I think. 315 00:18:52,900 --> 00:18:54,180 I think it was Monday night. 316 00:18:54,180 --> 00:18:57,220 They had a huge thing about YouTube 317 00:18:57,220 --> 00:18:59,700 and these happy slap videos where kids are basically 318 00:18:59,700 --> 00:19:00,900 beating each other up. 319 00:19:00,900 --> 00:19:02,660 And other kids' filming on their mobiles 320 00:19:02,660 --> 00:19:06,500 and they put it up on YouTube, which is, you know, 321 00:19:06,500 --> 00:19:08,820 it's not rampant the way it was described. 322 00:19:08,820 --> 00:19:10,260 But yeah, it certainly exists. 323 00:19:10,260 --> 00:19:12,580 And in this country, the happy slapy thing is, 324 00:19:12,580 --> 00:19:15,540 it certainly got a lot of press and was a bit out of control. 325 00:19:15,540 --> 00:19:17,940 I don't think it's all that bad, actually. 326 00:19:17,940 --> 00:19:19,540 School yard fights, I mean, I've been around him, 327 00:19:19,540 --> 00:19:23,140 but just, there was never an audience that was worldwide. 328 00:19:23,140 --> 00:19:25,700 And so I'm not condemning or condoning any of this, 329 00:19:25,700 --> 00:19:27,860 but what was interesting is they went to some 330 00:19:27,860 --> 00:19:30,180 of the big brand sponsors here in the UK, 331 00:19:30,180 --> 00:19:32,420 like O2, a lot of tell-com sponsors, of course, 332 00:19:32,420 --> 00:19:34,100 because, you know, they love advertising on YouTube 333 00:19:34,100 --> 00:19:36,100 and said, hey, you know, here's your brand right next to this kid 334 00:19:36,100 --> 00:19:39,540 getting his head kicked in, how do you feel about that? 335 00:19:39,540 --> 00:19:42,820 So I would say we'd watch some of the profits 336 00:19:42,820 --> 00:19:46,580 of YouTube go down, because I've heard this story 337 00:19:46,580 --> 00:19:48,580 has been repeated in a couple of different countries. 338 00:19:48,580 --> 00:19:50,100 It's being picked up in the States, you know, 339 00:19:50,100 --> 00:19:52,100 advertisers are not stupid. 340 00:19:52,180 --> 00:19:54,420 They do not want to be associated with stuff like that. 341 00:19:54,420 --> 00:19:57,140 That's why I know episodic programming where you have audiences 342 00:19:57,140 --> 00:20:00,020 that are predictable and, and love to be a part of whatever 343 00:20:00,020 --> 00:20:04,020 the community of that show is that that's a valuable property. 344 00:20:04,020 --> 00:20:08,980 You know, just about those, the royalties, 345 00:20:08,980 --> 00:20:12,180 know all that, and the government, and, oh crap, 346 00:20:12,180 --> 00:20:14,740 don't wait, before I get to that, Keith Murray sent me this awesome 347 00:20:14,740 --> 00:20:15,860 picture. 348 00:20:15,860 --> 00:20:18,580 I before and after Photoshop, 349 00:20:18,580 --> 00:20:22,900 I'm almost second, what was this, let me just see. 350 00:20:22,900 --> 00:20:24,420 It was a red book, there you go. 351 00:20:24,420 --> 00:20:26,180 Faith Hill on the cover of red book. 352 00:20:26,180 --> 00:20:28,020 Now I'm not quite sure how they did it. 353 00:20:28,020 --> 00:20:31,300 If they had the original picture or what it was, but 354 00:20:31,300 --> 00:20:34,900 they've done the before, so the before and after the picture 355 00:20:34,900 --> 00:20:36,740 and like an animated gift file. 356 00:20:36,740 --> 00:20:40,020 And so you see Faith Hill who looks stunningly beautiful by the way 357 00:20:40,020 --> 00:20:42,580 without any photoshopping and then you see your photoshopped 358 00:20:42,580 --> 00:20:44,980 and I'm looking at the changes right now and literally 359 00:20:45,060 --> 00:20:49,620 skinnier, shadows, you know, some grooves in her face 360 00:20:49,620 --> 00:20:51,300 diminished a little bit. 361 00:20:51,300 --> 00:20:54,580 Her arm was made much, much skinnier. 362 00:20:54,580 --> 00:20:56,980 Ah, excuse me, it just makes me sick to my stomach. 363 00:20:56,980 --> 00:21:00,580 If ruling a perfectly good woman, ruining her, 364 00:21:00,580 --> 00:21:02,100 and tricking her is all. 365 00:21:02,100 --> 00:21:07,940 Because we want to be tricked by friends, that's why. 366 00:21:07,940 --> 00:21:12,260 So about about the government and royalties and, you know, old people 367 00:21:12,260 --> 00:21:14,580 wanting to change the the laws when they get old 368 00:21:14,580 --> 00:21:17,620 and they affect them negatively, you know, the next presidential elections, 369 00:21:17,620 --> 00:21:18,980 I'm just going to vote for the youngest person. 370 00:21:18,980 --> 00:21:20,660 I don't give a shit who it is. 371 00:21:20,660 --> 00:21:24,340 Just someone who's young, you know, it's sure you don't have the experience. 372 00:21:24,340 --> 00:21:29,620 But, you know, and the youngest person will never win, 373 00:21:29,620 --> 00:21:32,580 but at least we can raise a profile and get something going. 374 00:21:32,580 --> 00:21:34,580 You know, we got to get more young people in politics. 375 00:21:34,580 --> 00:21:35,780 This is crazy. 376 00:21:35,780 --> 00:21:36,980 This is absolutely crazy. 377 00:21:36,980 --> 00:21:38,340 We're not stupid. 378 00:21:38,340 --> 00:21:42,740 Young people in Iran are not stupid, you know. 379 00:21:42,740 --> 00:21:45,700 Now, by the way, I think a lot of our, you know, let the world be 380 00:21:45,700 --> 00:21:50,020 loving, you know, all together, a kumbaya place, that will never work either. 381 00:21:50,900 --> 00:21:55,540 Because there are a lot of stupid people across all countries who could do a lot of stupid things. 382 00:21:56,260 --> 00:22:01,140 But, uh, but no one, no one who's in politics right now represents me whatsoever. 383 00:22:01,140 --> 00:22:02,340 And I'm not even young. 384 00:22:03,300 --> 00:22:08,180 And all these, this shit actually does affect me as a singer, as a blue singer, from, you know, 385 00:22:08,180 --> 00:22:09,540 the old stacks records days. 386 00:22:10,180 --> 00:22:11,300 Hey, Alex Bernie. 387 00:22:11,300 --> 00:22:15,780 And I wanted to call and reply to Captain Adama, who was on. 388 00:22:15,780 --> 00:22:19,380 And you were talking about channels, which I think is a terrific idea. 389 00:22:19,380 --> 00:22:24,900 And he was talking about the fact that he doesn't want podcasts to disappear from his iPod. 390 00:22:24,900 --> 00:22:28,660 But he wants to know whether or not he's listening to them, 391 00:22:28,660 --> 00:22:31,140 and he wants them to kind of fall off the playlist. 392 00:22:31,140 --> 00:22:32,580 This is not a channel thing. 393 00:22:32,580 --> 00:22:34,420 This is just a basic iTunes thing. 394 00:22:34,420 --> 00:22:39,460 Go in and create a smart playlist that says, put all my podcasts on this playlist. 395 00:22:39,940 --> 00:22:41,460 Keep them sorted out by name. 396 00:22:41,460 --> 00:22:44,420 And you can tell it, play count equals zero. 397 00:22:44,420 --> 00:22:47,220 So once you've played something, the play count goes up to one. 398 00:22:47,220 --> 00:22:48,420 And guess what happens? 399 00:22:48,420 --> 00:22:52,100 When you think the iPod again, it falls off of the playlist. 400 00:22:52,100 --> 00:22:56,020 So your playlist is constantly there and just the podcast. 401 00:22:56,020 --> 00:22:57,140 You haven't listened to yet. 402 00:22:57,140 --> 00:22:58,980 I have a shuffle, and that's what you have to do. 403 00:22:58,980 --> 00:23:01,380 You have to create playlists of your podcast, 404 00:23:01,380 --> 00:23:03,780 because the shuffle doesn't support podcasting. 405 00:23:03,780 --> 00:23:05,700 So I had to figure out the way around it. 406 00:23:05,700 --> 00:23:06,660 But you know what? 407 00:23:06,740 --> 00:23:09,460 That'll work for just a regular iPod listener, too. 408 00:23:09,460 --> 00:23:12,020 So channels is still a great idea. 409 00:23:12,020 --> 00:23:16,260 And now you can create a channel and put it into that smart playlist. 410 00:23:16,260 --> 00:23:18,740 And then, as you listen to the stuff on the channel, 411 00:23:18,740 --> 00:23:20,180 it'll fall off that playlist. 412 00:23:20,180 --> 00:23:23,460 So you're still getting that same kind of interactivity. 413 00:23:23,460 --> 00:23:26,660 And you can still have all the cool features of channels. 414 00:23:26,660 --> 00:23:28,020 And not have to worry about it. 415 00:23:28,020 --> 00:23:30,100 I listened to this already, because you know what? 416 00:23:30,100 --> 00:23:31,780 iTunes will help you take care of it. 417 00:23:31,780 --> 00:23:34,180 So keep up the great work, Adam. 418 00:23:34,180 --> 00:23:36,180 Sorry, I kind of dropped off the grid for a while, 419 00:23:36,180 --> 00:23:37,940 but I'm hoping to be back soon. 420 00:23:37,940 --> 00:23:39,940 Look at for a job, if anything's gone out there, 421 00:23:39,940 --> 00:23:40,740 this is burning. 422 00:23:40,740 --> 00:23:41,380 I'll kill you later. 423 00:23:41,380 --> 00:23:42,020 Hey, man, thank you. 424 00:23:42,020 --> 00:23:43,380 Yeah, I got a job for you. 425 00:23:43,380 --> 00:23:47,380 Create some kind of widget or script or something that sets people's iTunes up 426 00:23:47,380 --> 00:23:50,660 for the, for the pod show channels. 427 00:23:50,660 --> 00:23:52,420 I'll pay you for that, man. 428 00:23:52,420 --> 00:23:53,460 Absolutely. 429 00:23:53,460 --> 00:23:55,460 And for Windows, right? 430 00:23:55,460 --> 00:23:57,700 Because Mac, I know we could do an Apple script or something 431 00:23:57,700 --> 00:23:58,420 relatively simple. 432 00:23:58,420 --> 00:23:59,300 How do you do it? 433 00:23:59,300 --> 00:24:02,740 How do you set someone's smart playlist up like that, 434 00:24:02,740 --> 00:24:04,660 you know, automatically, just to get them going, 435 00:24:04,660 --> 00:24:07,380 because this stuff is hard, you know, people are, 436 00:24:07,380 --> 00:24:09,380 are simplistic when it comes to technology. 437 00:24:09,380 --> 00:24:11,540 The majority, you know, if we really want to get big audience, 438 00:24:11,540 --> 00:24:13,380 we've got to make it even easier than that. 439 00:24:13,380 --> 00:24:15,860 And iTunes doesn't funky shit. 440 00:24:15,860 --> 00:24:19,060 They don't actually take information out of your feed about an episode. 441 00:24:19,060 --> 00:24:21,460 They take the information out of the episode, 442 00:24:21,460 --> 00:24:25,380 which is completely contrary to the way everyone else does it. 443 00:24:25,380 --> 00:24:27,940 So we got to work around that. 444 00:24:27,940 --> 00:24:30,820 And, man, I'd love it if we had some kind of set up script. 445 00:24:30,820 --> 00:24:32,660 There's something you like double click on. 446 00:24:32,660 --> 00:24:35,460 It immediately, it says, okay, you know, 447 00:24:35,460 --> 00:24:36,900 what's your channel? 448 00:24:36,900 --> 00:24:38,180 Not even better. 449 00:24:38,180 --> 00:24:40,580 It's like, you want to put your channel on your iPod, 450 00:24:40,580 --> 00:24:42,580 you click a button, it downloads something, 451 00:24:42,580 --> 00:24:45,140 you click it, it installs, it puts your channel on your iPod 452 00:24:45,140 --> 00:24:48,660 with a smart playlist, the playlist, equal play count, equal zero, 453 00:24:48,660 --> 00:24:49,780 all that stuff. 454 00:24:49,780 --> 00:24:51,860 Get that, I'll pay you for it. 455 00:24:53,700 --> 00:24:56,500 Now, of course, this is all about the channel editing functionality. 456 00:24:56,500 --> 00:24:58,820 And I'm seeing some awesome channels popping up. 457 00:24:58,900 --> 00:25:03,220 I learned, by the way, that by putting my channel feed into a grazer, 458 00:25:03,220 --> 00:25:08,420 golfromio AlphaZuluRomio.com, a grazer widget, 459 00:25:08,420 --> 00:25:12,740 it only takes one more click to put that widget onto my Facebook. 460 00:25:12,740 --> 00:25:15,060 And I don't use Facebook at all, other than to test 461 00:25:15,060 --> 00:25:17,060 shit out on Facebook and it worked. 462 00:25:17,060 --> 00:25:19,700 And it's pretty, pretty freaking nifty. 463 00:25:19,700 --> 00:25:23,060 But it's not, it's not really a fully released feature yet. 464 00:25:23,060 --> 00:25:25,220 You know, remember, I'd kind of alluded 465 00:25:25,220 --> 00:25:26,660 that we're keeping this a bit hidden. 466 00:25:26,660 --> 00:25:30,100 It's not really hidden, but it's not in the logical places 467 00:25:30,100 --> 00:25:32,100 where you might expect it. 468 00:25:32,100 --> 00:25:35,300 And well, as one Charlie had found out, it's, you know, 469 00:25:35,300 --> 00:25:37,460 if you don't know where to go, looking for the cheese. 470 00:25:37,460 --> 00:25:40,020 Well, even if you're a rat, you can't find it. 471 00:25:40,020 --> 00:25:42,900 Hey, Adam, John Arnold here from the photo walkthrough podcast, 472 00:25:42,900 --> 00:25:45,700 out photo walkthrough.btpunchow.com. 473 00:25:45,700 --> 00:25:48,260 Dude, just quickly on the subject of channels, 474 00:25:48,260 --> 00:25:51,060 I've had channels on my pot show account since pretty much 475 00:25:51,060 --> 00:25:55,140 our signed up with pot show, which is way less November, I think. 476 00:25:55,220 --> 00:25:57,300 Anyway, so I really like the idea back then, 477 00:25:57,300 --> 00:26:00,660 and I figured it long last, I ought to go in and have a go with this 478 00:26:00,660 --> 00:26:02,580 cheddar thing. 479 00:26:02,580 --> 00:26:05,380 First thing I did was go to the pot show website 480 00:26:05,380 --> 00:26:08,660 and click on my collection at the top of the page, 481 00:26:08,660 --> 00:26:11,060 because I knew enough about channels to know 482 00:26:11,060 --> 00:26:13,780 that there were channels stuff mentioned in the collection page. 483 00:26:13,780 --> 00:26:16,740 So I went to my collection, and I'm searching down the page, 484 00:26:16,740 --> 00:26:19,620 and there's my channels there, and I can see the two channels 485 00:26:19,620 --> 00:26:21,220 I created a way back. 486 00:26:21,220 --> 00:26:25,060 And I can see an ad show button, and that pops up a little window, 487 00:26:25,380 --> 00:26:29,540 that doesn't look anything like cheddar, and I can see a button 488 00:26:29,540 --> 00:26:32,420 for adding a channel, and that pops up a little window, 489 00:26:32,420 --> 00:26:34,660 that doesn't look anything like cheddar. 490 00:26:34,660 --> 00:26:38,660 And if I click on the text from my channel name, 491 00:26:38,660 --> 00:26:41,300 it says click it to edit this channel, and if I click on that, 492 00:26:41,300 --> 00:26:45,220 it pops up a window that, guess what, doesn't look anything like cheddar. 493 00:26:45,220 --> 00:26:48,660 So I'm sitting here thinking, how the hell do I get to cheddar? 494 00:26:48,660 --> 00:26:51,460 So I start browsing through curry.com, 495 00:26:51,460 --> 00:26:54,420 and I find your post new media, new pot show media channels, 496 00:26:54,420 --> 00:26:56,820 and I click on one of those, and eventually I'm looking at 497 00:26:56,820 --> 00:26:58,580 somebody else's channels, and I'm thinking, 498 00:26:58,580 --> 00:27:02,580 you're hang on a minute, maybe if I click on the person's profile, 499 00:27:02,580 --> 00:27:04,660 and then click on the view my channels button, 500 00:27:04,660 --> 00:27:08,180 then I'll get to the cheddar thing, and guess what, that works. 501 00:27:08,180 --> 00:27:11,140 So I just wanted to give you some feedback that. 502 00:27:11,140 --> 00:27:14,820 You seem to have two interfaces to channels right now on the website, 503 00:27:14,820 --> 00:27:19,220 and it isn't as in so many other things on the pot show website, 504 00:27:19,220 --> 00:27:23,380 entirely natural or intuitive, how you might find these things. 505 00:27:23,380 --> 00:27:25,940 So even though I've been a long time pot show user, 506 00:27:25,940 --> 00:27:27,860 and even though I know the pot show website, 507 00:27:27,860 --> 00:27:30,900 probably better than most, I still couldn't find cheddar, 508 00:27:30,900 --> 00:27:33,060 not without having to do a lot of searching, 509 00:27:33,060 --> 00:27:35,620 way more than your typical users going to want to do. 510 00:27:35,620 --> 00:27:38,420 So I figured I'd just give you that little bit of feedback, 511 00:27:38,420 --> 00:27:40,660 up to you whether you use it on the show, 512 00:27:40,660 --> 00:27:43,700 but in case you do, repill. 513 00:27:43,700 --> 00:27:44,740 All right, sir. 514 00:27:44,740 --> 00:27:45,940 Yeah, back at your buddy. 515 00:27:45,940 --> 00:27:49,460 Yeah, I'm not going to use that on the show because it's too embarrassing. 516 00:27:49,460 --> 00:27:52,660 No, no, as I said, we purposely did not put it anywhere else. 517 00:27:52,660 --> 00:27:54,900 The only way to get to the cheddar functionality 518 00:27:54,900 --> 00:27:58,340 is go to your profile, click on my channels, 519 00:27:58,340 --> 00:28:01,220 and then you'll see edit channel. 520 00:28:01,220 --> 00:28:03,060 From there, you can also create a new channel, 521 00:28:03,060 --> 00:28:05,380 if you click on the edit channels button. 522 00:28:05,380 --> 00:28:07,380 That's the only way to get to it. 523 00:28:07,380 --> 00:28:09,860 But it's also the best way to display your channels, 524 00:28:09,860 --> 00:28:13,540 because that's where all your channels are in one beautiful place. 525 00:28:13,540 --> 00:28:15,300 So yeah, of course, it's not consistent. 526 00:28:15,300 --> 00:28:20,260 And we are working on changing crap around. 527 00:28:20,260 --> 00:28:22,020 Had a very interesting day yesterday. 528 00:28:25,780 --> 00:28:29,460 We found something really nice. 529 00:28:29,460 --> 00:28:32,260 We found that a lot of the shows that we have. 530 00:28:32,260 --> 00:28:34,740 In fact, just about every single show that we have on our network, 531 00:28:34,740 --> 00:28:36,500 I'm talking really about UK only now, 532 00:28:36,500 --> 00:28:38,260 because that's where I've been focusing a lot of my attention 533 00:28:38,260 --> 00:28:40,980 for the past weeks. 534 00:28:40,980 --> 00:28:44,180 There is a print publication out there that loves the content 535 00:28:44,180 --> 00:28:45,220 that that show makes. 536 00:28:45,220 --> 00:28:48,580 So the first example of this new thing that we've kind of discovered, 537 00:28:48,580 --> 00:28:53,220 working as news of the world, huge tabloid, weekly newspaper, 538 00:28:53,220 --> 00:28:56,580 9 million readers, really big. 539 00:28:56,580 --> 00:29:01,620 And Dr. Cockney, as the editor's already had guessed, 540 00:29:01,620 --> 00:29:04,100 completely resonates with their audience. 541 00:29:04,100 --> 00:29:08,340 So we've struck a deal, and this deal is really, really beautiful. 542 00:29:08,340 --> 00:29:10,740 All of these newspapers, all magazines, 543 00:29:10,740 --> 00:29:12,740 they all want to get into the video game, 544 00:29:12,740 --> 00:29:15,540 because it's really the only way they can differentiate 545 00:29:15,540 --> 00:29:18,900 between what they do in print and what they do online, 546 00:29:18,900 --> 00:29:22,180 which is still also just words and pictures. 547 00:29:22,180 --> 00:29:24,180 But they're not set up to do this. 548 00:29:24,180 --> 00:29:26,340 They have no department. 549 00:29:26,340 --> 00:29:28,740 They don't, the bandwidth is too expensive. 550 00:29:28,740 --> 00:29:30,740 You know, all these reasons, but they have the content 551 00:29:30,740 --> 00:29:34,500 and the knowledge of what an existing audience already wants. 552 00:29:34,500 --> 00:29:37,540 So we're forming these partnerships, 553 00:29:37,540 --> 00:29:38,980 and the first one is with the news of the world, 554 00:29:38,980 --> 00:29:42,740 and it's really awesome, because they get Dr. Cockney, 555 00:29:42,740 --> 00:29:45,140 co-branded as a news of the world, 556 00:29:45,140 --> 00:29:46,980 and they promote them in the newspaper. 557 00:29:46,980 --> 00:29:49,780 And then obviously, we have to split revenue with them 558 00:29:49,780 --> 00:29:52,100 on selling ads, but that's really easy. 559 00:29:52,100 --> 00:29:53,780 So we're going to do two more with news of the world. 560 00:29:53,780 --> 00:29:57,700 Yesterday, I met with the editor of OK Magazine, 561 00:29:57,700 --> 00:30:02,660 who, by the way, is Smokin' Hot, 32 Smokin' Hot. 562 00:30:02,660 --> 00:30:03,860 And this was very interesting. 563 00:30:03,860 --> 00:30:08,100 So we went to her building this, the northern shell building, 564 00:30:08,100 --> 00:30:08,820 whatever it is. 565 00:30:08,820 --> 00:30:11,700 It's one big publishing conglomerate, Richmond Desmond, I think, 566 00:30:11,700 --> 00:30:13,300 his name is. 567 00:30:13,300 --> 00:30:17,140 And she said, OK, well, a glad deal here for the meeting. 568 00:30:17,140 --> 00:30:18,100 It's like 130, right? 569 00:30:18,100 --> 00:30:18,900 Just let's go. 570 00:30:18,900 --> 00:30:20,020 So we went out. 571 00:30:20,020 --> 00:30:23,460 And we had a meeting over a bottle of white wine. 572 00:30:23,460 --> 00:30:25,300 And you know, you guys, you know me, I don't drink. 573 00:30:25,300 --> 00:30:27,620 So I, you know, just to be courteous, I drank, 574 00:30:27,620 --> 00:30:29,940 like a whole glass and a half, whatever. 575 00:30:29,940 --> 00:30:31,060 Great meeting. 576 00:30:31,060 --> 00:30:32,900 Totally understands it. 577 00:30:32,900 --> 00:30:34,820 We have some shows that fit into her category, 578 00:30:34,820 --> 00:30:36,900 and she'd actually like to create something with us, 579 00:30:36,900 --> 00:30:37,460 fantastic. 580 00:30:37,460 --> 00:30:40,660 Next meeting is with, 581 00:30:40,660 --> 00:30:43,060 wow, it's a call, the Daily Express. 582 00:30:43,060 --> 00:30:44,820 Another one of these fabulous magazines. 583 00:30:44,820 --> 00:30:48,340 And they're looking at some other shows that we have on the network. 584 00:30:48,340 --> 00:30:49,940 They'd also like to work with us on. 585 00:30:49,940 --> 00:30:53,380 And again, the model is, you get the promotion in the newspaper. 586 00:30:53,380 --> 00:30:54,820 The video lives on their site. 587 00:30:54,820 --> 00:30:56,580 It also lives at VT Podgetta.com. 588 00:30:56,580 --> 00:30:57,940 It's all served from the same place. 589 00:30:57,940 --> 00:31:01,540 And we get just tons and tons of new viewers. 590 00:31:01,540 --> 00:31:04,660 And it's unbelievable what's happening with the good doctor. 591 00:31:04,660 --> 00:31:06,100 So the proof is in the pudding. 592 00:31:06,100 --> 00:31:09,140 And then, oh, and by the way, had a beer. 593 00:31:09,140 --> 00:31:12,580 Went to some terrace with this editor, had a beer. 594 00:31:12,580 --> 00:31:14,580 And then the third one was this, 595 00:31:14,580 --> 00:31:15,940 this is named Bill Richardson, I think, 596 00:31:15,940 --> 00:31:20,420 a famous sports editor for the express. 597 00:31:20,420 --> 00:31:21,860 I think the Daily Star was the other one. 598 00:31:21,860 --> 00:31:23,220 He's the express. 599 00:31:23,220 --> 00:31:24,660 Yeah, it was three o'clock in the afternoon. 600 00:31:24,660 --> 00:31:27,380 Oh, let's go out and we'll have some spritzers. 601 00:31:27,380 --> 00:31:28,660 It's like, it's like five o'clock. 602 00:31:28,660 --> 00:31:30,420 It's like, I've done three meetings. 603 00:31:30,420 --> 00:31:31,700 And I'm completely wasted. 604 00:31:31,700 --> 00:31:34,900 And of course, it was a beautiful day yesterday. 605 00:31:34,900 --> 00:31:37,620 So what happens if you, with me is like one glass 606 00:31:37,620 --> 00:31:40,180 alcohol consumed at any time is going to make me woozy. 607 00:31:40,180 --> 00:31:43,780 But then it's warm and you had like three glasses of alcohol. 608 00:31:43,780 --> 00:31:44,820 But what a day. 609 00:31:44,820 --> 00:31:49,060 And then I walked from like, God knows where I was back to the office. 610 00:31:49,060 --> 00:31:49,860 Got lost. 611 00:31:49,860 --> 00:31:53,380 You know, I wanted to walk in the streets of shortage for about an hour. 612 00:31:53,380 --> 00:31:55,620 Finally rolled into the office around six. 613 00:31:55,620 --> 00:31:57,780 You know, the people still work in there. 614 00:31:57,780 --> 00:32:00,420 The portable airco units are on high blast. 615 00:32:00,420 --> 00:32:03,060 You know, basically just recirculating warm air. 616 00:32:03,060 --> 00:32:05,620 I had to take off my shirt and walk around my wife beaters. 617 00:32:05,780 --> 00:32:08,340 It was that that disgusting. 618 00:32:08,340 --> 00:32:12,260 But I'm very, very excited because it seems like we found some perfect matches, 619 00:32:12,260 --> 00:32:17,220 some perfect partnerships to really, really get our network of programming out there. 620 00:32:17,220 --> 00:32:19,540 And what a way to do it. 621 00:32:19,540 --> 00:32:21,060 Never knew that that would work. 622 00:32:21,060 --> 00:32:23,060 Very, very interesting. 623 00:32:23,060 --> 00:32:25,780 So while I'm out here, shit's happening back state side. 624 00:32:25,780 --> 00:32:26,500 Yeah, we had them. 625 00:32:26,500 --> 00:32:30,020 This is John and K.C. calling a long time listener. 626 00:32:30,020 --> 00:32:33,140 Um, do you have a brother in Kansas City? 627 00:32:33,140 --> 00:32:39,780 Because I'm driving here and there is a red Chevy pickup with personalized license plates. 628 00:32:39,780 --> 00:32:42,100 Like to say, pot father on it. 629 00:32:42,100 --> 00:32:44,820 And the dude driving could be your brother. 630 00:32:44,820 --> 00:32:47,140 He looks just like you and blonde hair. 631 00:32:47,140 --> 00:32:48,660 That's kind of scary. 632 00:32:48,660 --> 00:32:52,580 So are you actually just pretending to be over in England? 633 00:32:52,580 --> 00:32:55,460 And you're actually here in the middle of America, uh, podcasting. 634 00:32:55,460 --> 00:32:58,100 Hmm, conspiracies around. 635 00:32:58,100 --> 00:32:58,740 Thanks a lot, man. 636 00:32:58,740 --> 00:32:59,700 Let me show you how to talk about it. 637 00:32:59,780 --> 00:33:02,740 Dude, dude, dude, get a picture already. 638 00:33:02,740 --> 00:33:04,340 You got to get a picture of this. 639 00:33:04,340 --> 00:33:06,020 This is unbelievable. 640 00:33:06,020 --> 00:33:08,980 It's very possible that there's some guy getting late in Kansas City. 641 00:33:08,980 --> 00:33:14,340 And, you know, identity theft is lame when you're getting late for it. 642 00:33:14,340 --> 00:33:16,180 And the original identity doesn't. 643 00:33:16,180 --> 00:33:17,540 That just totally sucks. 644 00:33:19,380 --> 00:33:20,100 Get me a picture. 645 00:33:20,100 --> 00:33:22,340 Kansas City, let's work on this together. 646 00:33:22,420 --> 00:33:31,460 Hey, this is Ron from zip-71101 podcast. 647 00:33:31,460 --> 00:33:33,940 So I'm glad that you are listening to Trucker Tom. 648 00:33:33,940 --> 00:33:38,900 Trucker Tom is a great guy and you'll enjoy his podcast every single day. 649 00:33:38,900 --> 00:33:42,180 Not only that, have you seen Finding America? 650 00:33:42,180 --> 00:33:45,620 His new HD high definition video podcast. 651 00:33:45,620 --> 00:33:47,780 If not, you need to get on board. 652 00:33:47,780 --> 00:33:51,060 It's a great podcast and you'll enjoy every single minute on it. 653 00:33:51,140 --> 00:33:55,780 And while you're at it, come on over to zip-71101.com and take a listen. 654 00:33:55,780 --> 00:33:56,580 See you there. 655 00:34:04,420 --> 00:34:05,780 Hey, Adam, it's Matt from Games Weasel. 656 00:34:05,780 --> 00:34:06,580 Hope you're well. 657 00:34:06,580 --> 00:34:08,820 We've got two rhythm games on the show this week. 658 00:34:08,820 --> 00:34:13,300 We've got Parapama, the rapper on the PSP versus Elite Beat Agents on the DS. 659 00:34:13,300 --> 00:34:16,740 We've also got a great feature on the God of War game for the PSP. 660 00:34:16,740 --> 00:34:20,340 And we're given away Final Fantasy Fables, Choker Boatails for the DS. 661 00:34:20,420 --> 00:34:23,300 Check it out at gamesweasel.btpodshow.com. 662 00:34:23,300 --> 00:34:25,540 Right on Matt, I like that show. 663 00:34:25,540 --> 00:34:27,700 He's doing a video version too, which is going to be pretty cool. 664 00:34:28,420 --> 00:34:30,100 Whole new type of format. 665 00:34:30,100 --> 00:34:31,060 Very, very interesting. 666 00:34:32,180 --> 00:34:34,100 Early in the week, I got a call from me. 667 00:34:34,100 --> 00:34:38,180 It was last week, got a call from Guy and New Zealand who countered me by saying that 668 00:34:38,180 --> 00:34:41,940 Australians are ugly and they sleep with their family members and with sheep. 669 00:34:42,900 --> 00:34:48,260 And I parade and said, but no, I've only seen cute Australians. 670 00:34:49,220 --> 00:34:52,100 Wow, I'll leave it up to those boys and girls down under to respond. 671 00:34:53,140 --> 00:34:55,940 Hey big fellow, I feel Walker calling in from Australia. 672 00:34:56,500 --> 00:35:01,300 I just wanted to take the opportunity to respond to the Kiwi who was on the DSC yesterday. 673 00:35:02,660 --> 00:35:04,100 Let me just say this. 674 00:35:04,100 --> 00:35:06,260 No, I haven't got a mallet. 675 00:35:07,380 --> 00:35:09,540 No, I'm not ugly. 676 00:35:09,540 --> 00:35:11,700 The maybe not as good looking as the big headfag. 677 00:35:13,060 --> 00:35:16,020 Looking at my wife, she's gorgeous. 678 00:35:16,020 --> 00:35:17,060 I couldn't want more. 679 00:35:18,500 --> 00:35:21,780 Three good looking sons, not a mallet to be seen. 680 00:35:23,700 --> 00:35:25,380 Mate, we're just typical Australians. 681 00:35:26,740 --> 00:35:29,940 Not ugly, no mallets, just normal. 682 00:35:29,940 --> 00:35:32,260 An idea saying most Kiwi's are just the same. 683 00:35:33,300 --> 00:35:37,220 I've been thinking about your Kiwi caller and I reckon he's the guy he's been 684 00:35:37,220 --> 00:35:39,540 causing with a trouble in the sheep paddock next door. 685 00:35:40,340 --> 00:35:46,100 So Kiwi, believe those sheep alone, get down to a good Aussie beach or up into the mountains 686 00:35:46,260 --> 00:35:50,420 into the snow and get it with some real good looking Australians. 687 00:35:51,140 --> 00:35:52,420 You might just get a surprise. 688 00:35:53,140 --> 00:35:54,180 Hey, have a great day. 689 00:35:54,980 --> 00:35:57,620 Blue pill, but turning red, oh good, folder. 690 00:35:57,620 --> 00:35:58,180 All right, man. 691 00:35:59,300 --> 00:36:04,500 Yeah, there's always been a bit of an animosity between the Australians and the New Zealanders. 692 00:36:04,500 --> 00:36:05,940 That's why he's calling him a Kiwi. 693 00:36:05,940 --> 00:36:08,180 I love the, the reminding me of the pink Floyd song, though. 694 00:36:08,180 --> 00:36:12,180 I was like, hey Kiwi, leave those sheep alone. 695 00:36:12,500 --> 00:36:13,140 Damn, damn, did him. 696 00:36:13,860 --> 00:36:18,500 I can just hear the recorders clicking on all over New Zealand as we speak. 697 00:36:18,500 --> 00:36:19,460 Yeah, so I'm in trouble. 698 00:36:25,300 --> 00:36:26,580 Come on on, man. 699 00:36:26,580 --> 00:36:27,780 And prolific programmer. 700 00:36:27,780 --> 00:36:29,620 Hi, I am prolific programmer. 701 00:36:29,620 --> 00:36:31,060 Yeah, two things. 702 00:36:31,060 --> 00:36:35,300 First off, one to express me condolences for Yan Polet sauce. 703 00:36:35,300 --> 00:36:41,220 I mean, Yan, you're, you're like, you make the show more worth listening to. 704 00:36:41,220 --> 00:36:45,620 Now, as would be every Friday with your, it tests nine joy playing along. 705 00:36:46,340 --> 00:36:48,740 Second thing, Adam regarding the channels, 706 00:36:48,740 --> 00:36:50,420 editor, your new cheddar feature. 707 00:36:50,420 --> 00:36:54,420 I can't seem to figure out how to activate it on my channels. 708 00:36:55,700 --> 00:36:56,500 That's all. 709 00:36:56,500 --> 00:36:57,380 Cheers. 710 00:36:57,380 --> 00:37:00,020 Oh, I prolific programmer in reverse order there, my friend. 711 00:37:00,020 --> 00:37:05,220 If you have existing channels, then you have to do perform some kind of edit for it to kick in. 712 00:37:05,220 --> 00:37:08,100 So click on, you know, go to one of your existing channels. 713 00:37:08,820 --> 00:37:10,260 Move something around, move it back. 714 00:37:11,140 --> 00:37:12,100 That's how you activate it. 715 00:37:12,100 --> 00:37:14,500 Just have to make one edit, essentially. 716 00:37:14,500 --> 00:37:17,380 There is no save button just with the minute you start editing it does it. 717 00:37:18,580 --> 00:37:23,620 And then, you know, I've received such an outpouring of love and good thinking and 718 00:37:23,620 --> 00:37:28,660 nice thoughts for a Yan Polet producer of the hit test for the daily source code. 719 00:37:29,540 --> 00:37:33,540 He and his wife witnessed a real family tragedy. 720 00:37:33,540 --> 00:37:36,100 They lost a, they lost a unborn baby. 721 00:37:36,820 --> 00:37:40,420 And most comments that come in, people say, 722 00:37:40,420 --> 00:37:43,540 well, actually, here, listen to this one and this is very, very common. 723 00:37:43,540 --> 00:37:47,060 I've received a lot of these and I don't want to do a whole like, you know, 724 00:37:47,060 --> 00:37:48,900 Yan, Yan thing. 725 00:37:48,900 --> 00:37:50,660 But I do, well, listen to the comment. 726 00:37:52,500 --> 00:37:56,900 Adam, I'm so sorry for Yan and his wife. 727 00:37:56,900 --> 00:38:02,740 You recognize long and hard over when you can tell people about something like that. 728 00:38:03,140 --> 00:38:06,740 And when you go public with the idea that you might be having a trial, 729 00:38:06,740 --> 00:38:12,340 and I can only imagine how hard it must have been for Yan to finally come to the conclusion 730 00:38:12,340 --> 00:38:17,620 that, wow, it's not gonna be safe now, I can tell people and then to have something like this happen. 731 00:38:18,420 --> 00:38:23,780 I know that this is probably not gonna make the podcast, and you know what it probably should, 732 00:38:23,780 --> 00:38:29,700 but I know that Yan is a friend of yours and you probably take form in the same way that I would 733 00:38:29,780 --> 00:38:34,500 take for close friends, so I just want to take them home to say, I'm sorry for you, 734 00:38:34,500 --> 00:38:39,300 and then for Yan and for everyone who's touched by this, and I hope everyone is well. 735 00:38:39,300 --> 00:38:41,620 Thanks a lot, it's Bernie and I'll talk to you soon. 736 00:38:41,620 --> 00:38:43,380 Oh, man, it's beautiful, thank you. 737 00:38:43,380 --> 00:38:46,740 And, well, you know my theory about these things. 738 00:38:47,620 --> 00:38:51,060 The good and the bad, it's documented in our memories throughout our lives, 739 00:38:51,060 --> 00:38:55,380 and it usually happens through something that we call the soundtrack to our lives. 740 00:38:55,380 --> 00:38:58,900 And I think that this next song is going to be embedded into this moment 741 00:38:58,900 --> 00:39:03,140 and in my soundtrack forever. Jersey Todd sent this one, he says, Adam, 742 00:39:03,140 --> 00:39:07,300 don't know if you want to check the song out, it's very sad, it involves one of my favorites, 743 00:39:07,300 --> 00:39:09,540 Kevin Birdick who lost an infant daughter as well. 744 00:39:10,820 --> 00:39:14,500 So again, thank everyone for all that outpouring of love, and let's make this a part of the 745 00:39:14,500 --> 00:39:17,940 soundtrack to our lives in memory of Yan and Victorings' daughter. 746 00:39:21,250 --> 00:42:23,540 [ Music ] 747 00:42:23,540 --> 00:42:35,380 For ever embedded in the soundtrack to our lives, Kevin Burtick, too good for this world. 748 00:42:36,420 --> 00:42:39,460 You know, I have some other stuff I was going to play for you, but I think we should just leave it 749 00:42:39,460 --> 00:42:45,220 at that, leave the last tones of Kevin Burtick roaming throughout your mind, because this is what 750 00:42:45,220 --> 00:42:50,260 good friend of mine, Tony Khan, who does a WGBH morning stories and has been involved in this 751 00:42:50,340 --> 00:42:56,820 movement from early on, would call humanity. Here we are, Jersey Todd, a guy, I don't know him, 752 00:42:56,820 --> 00:43:03,140 I've never met him, I've never met John Palette in person, either. Listen to all these people connecting, 753 00:43:03,700 --> 00:43:08,020 people who clearly are connecting at a very deep and very spiritual level with each other 754 00:43:08,020 --> 00:43:13,940 through technology and through art, that we're creating ourselves without any other help or intervention 755 00:43:14,020 --> 00:43:21,220 from any other organization or governmental body. It's a beautiful thing, if I never make a freaking 756 00:43:21,220 --> 00:43:26,820 dime with this stuff, ever again, it won't make a difference because this, this is truly what it's 757 00:43:26,820 --> 00:43:32,500 about, when you can touch someone through media. I'll try and do another one for you tomorrow. 758 00:43:33,300 --> 00:43:38,340 I am flying tomorrow morning, taking the lovely lady Patricia to the Netherlands, so it will be 759 00:43:38,340 --> 00:43:43,780 a late one, but at least I'm home, and I'm not in the city. DannySourceco.com, Adam at podshow.com, 760 00:43:44,500 --> 00:43:46,100 kiss somebody today, will ya?