1 00:00:00,000 --> 00:00:05,000 Check out some of the world's best music video. 2 00:00:05,000 --> 00:00:09,000 Animation at short films from the Manchester International Festival 3 00:00:09,000 --> 00:00:15,000 and brought to you by Sony PlayStation at M-I-F-D-I-C-O-D-C-O-O. 4 00:00:23,000 --> 00:00:26,000 Delta Sierra Charlie, six, five, four. 5 00:00:27,000 --> 00:00:30,000 Sixty million dollars worth of airplane strapped to my ass. 6 00:00:31,000 --> 00:00:34,000 Then the next generation radio content in my ears. 7 00:00:36,000 --> 00:00:39,000 I like to think I'm flying into the future. 8 00:00:40,000 --> 00:00:42,000 Fantastic, it's metal curry. 9 00:00:43,750 --> 00:03:19,000 [ Music ] 10 00:03:19,000 --> 00:03:23,000 Oh, oh, oh, oh. 11 00:03:24,000 --> 00:03:27,000 Fire eggs, a lot of things are using that work. 12 00:03:28,000 --> 00:03:29,000 It's over. 13 00:03:30,000 --> 00:03:34,000 Which is pretty much sums it up for the the curry coast vacation. 14 00:03:35,000 --> 00:03:44,000 And kind of the way I was feeling just before getting ready to do this show, which is coming to you from the the Magnum. 15 00:03:45,000 --> 00:03:47,000 If you don't know what a Magnum is. 16 00:03:48,000 --> 00:03:51,000 I suggest you go to Google and you check out Dodge Magnum. 17 00:03:52,000 --> 00:03:58,000 It is the the only rental car that was available to us and the one that I picked up in Savio, New York, which we've used today. 18 00:03:58,000 --> 00:04:07,000 To cruise over to the Roosevelt field mall, which is in Garden City, New York, about 30 foot, about a 40 minute drive from from Savio. 19 00:04:08,000 --> 00:04:10,000 So we took the ferry 10 o'clock this morning. 20 00:04:11,000 --> 00:04:12,000 I had the whole family. 21 00:04:13,000 --> 00:04:19,000 I've got, of course, the lady Patricia and Christina and then my sister willow and her two darling kids. 22 00:04:20,000 --> 00:04:24,000 Sabina and Mateo, Sabina 7 Mateo is a nine years old. 23 00:04:24,000 --> 00:04:36,000 I have to tell you for two kids who have been pretty much stuck inside the beach house looking out at the waves crashing down upon the breakers because of just horrible horrible weather. 24 00:04:37,000 --> 00:04:39,000 They have been absolutely delightful. 25 00:04:40,000 --> 00:04:46,000 I mean, of course, you know, they've been playing scrabble and thank God for the Disney channel and high school musical too. 26 00:04:47,000 --> 00:04:49,000 Boy, that's a real life saver. 27 00:04:49,000 --> 00:04:53,000 So back to the good old days. Here I am sitting in the car in the parking lot. 28 00:04:54,000 --> 00:04:59,000 I've got the window cracked just a little bit. So, you know, just for some basic air to come in. 29 00:05:00,000 --> 00:05:01,000 I've got the car engine running. 30 00:05:02,000 --> 00:05:10,000 I'm running on battery power. So hopefully, let me just check and see what what I've got left on the old via here one hour and 15 minutes. That should be okay if the time is correct. 31 00:05:11,000 --> 00:05:17,000 I got to tell you, I was pretty down last night yesterday. I was just down in general. You know, of course, the weather wasn't helping. 32 00:05:17,000 --> 00:05:27,000 And when the weather's crap, you know, you figure, well, I'll sit inside. I'll do a little bit of work or maybe I'll prep the show and I think everyone else was inside on the island and was surfing. 33 00:05:28,000 --> 00:05:39,000 In fact, I timed it at 902 AM. That's when I presume everyone's up. The stores that are on the island are open for business and bandwidth goes down to a crunch. 34 00:05:39,000 --> 00:05:47,000 Not just down to a crunch, you know, just to a little drip through a straw, but connections actually breaking. It makes Gmail renders Gmail pretty much useless. 35 00:05:48,000 --> 00:05:58,000 Unless you use the HTML version, even that seems like a long URLs have a real problem in a low slash broken bandwidth environment. 36 00:05:58,000 --> 00:06:15,000 And I was thinking, you know, I worked 12 hours a day, typically. I'm always trying to find a spot, you know, I need about three hours to do the show an hour worth of prep about 40 minutes to an hour worth of recording and then there's always show notes and uploads and all that stuff. 37 00:06:15,000 --> 00:06:29,000 And I was like, man, I might as well not do the show at all. It's almost impossible for me to commit to it. And I was feeling really, really down about it. Just like, you know, crap. Why don't I just focus 100% all my energy, all my time on pod show. 38 00:06:29,000 --> 00:06:42,000 And then when, you know, when things let up a little bit and we have enough people installed and can take over some duties for me, then I'll get back to the source code and I was really, really planning on shutting it down for a little while. 39 00:06:42,000 --> 00:06:48,000 And then I listened to some of the comments that came in today and gosh, I really feel much better. 40 00:06:48,000 --> 00:06:56,000 I had a money and see where I was listening from Camden and London. It's just coming up to one o'clock in the morning. I'm just outside work, lean it. 41 00:06:56,000 --> 00:07:04,000 I'm really satisfied on a PhD student and I've just finished literally four years' worth of practical work like PhDs or where it becomes a lab again. 42 00:07:04,000 --> 00:07:10,000 And I'm the nurse to you. You've been my constant lab buddy for the past years since I started podcasting. 43 00:07:10,000 --> 00:07:21,000 And since you've been around the this time, I thought since you've been around with me with a daily source code that you should probably know that I finished my practical work. 44 00:07:22,000 --> 00:07:25,000 Thanks very much for the show. I'll keep listening. 45 00:07:25,000 --> 00:07:36,000 You know, so first of all, congratulations on finishing the PhD and, you know, you hear stuff like that and there's a whole bunch of other comments that came in and like, wow, there's a lot more going on. 46 00:07:36,000 --> 00:07:45,000 There's a lot more of a relationship between me and you guys out there listening and it would be, it almost be like breaking up with your favorite girlfriend, you know. 47 00:07:45,000 --> 00:07:52,000 So, thank you. That call, that particular call really made a difference it really did. 48 00:07:52,000 --> 00:08:03,000 I just so you know, the setup. I've got my a via my Sony via running cast blaster, of course. I've got the the wireless microphone pair set up. I've got my headphones on. 49 00:08:03,000 --> 00:08:08,000 You know, people are driving by here in the parking lot looking at me like, what is that fool doing? 50 00:08:08,000 --> 00:08:20,000 Roosevelt Field Mall. Roosevelt Field Mall. Roosevelt Field actually, a very important aviation history. This is the, when it was still a field before they erected this humongoid structure. 51 00:08:20,000 --> 00:08:32,000 It, a lot of famous flights were made here. Probably the most famous was Charles Limberg who took off from here to arrive in Paris, like 33 or 33 and a half hours later. 52 00:08:32,000 --> 00:08:43,000 And yeah, it's kind of interesting to be sitting on, I guess, what formerly were the fields knowing that this was a place of such historic importance in an aviation history. 53 00:08:43,000 --> 00:09:01,000 And I got just tons and tons of comments I want to get to. This is one that I'm very proud of. This is from Blake Morgan. Now, I played, by the way, had I known that the Blake was going to call in. I probably would have, would have downloaded maybe I'm amazed. 54 00:09:01,000 --> 00:09:16,000 Maybe I'm amazed again, because it's such an awesome version of the Paul McCartney classic Blake called in and just really gave me some very exciting news, which is all a part of the pot safe music network and the platform and the revolution that we're all building together here. Listen to Blake. 55 00:09:16,000 --> 00:09:30,000 Adam Curry, daily source code. This is Blake Morgan from New York, Colin in. So your spin of maybe I'm amazed on Tuesday has changed everything here with our release of this record. 56 00:09:30,000 --> 00:09:54,000 And what we're doing at the label on a personal note, first of all, again, you're, I shot you an email about this, but you're, you're call out at the end of the, at the end of the song and something I will never forget. And it's going to be my press kit forever, but much more importantly, the reaction out in the actual world was unbelievable. We had such a humongous bump on iTunes that we're still trying to pick up the pieces. 57 00:09:54,000 --> 00:10:09,000 Maybe I'm amazed has become the most successful download in engine company record history. It's the single most downloaded song of my career and briefly it topped iTunes on Tuesday after your show. 58 00:10:09,000 --> 00:10:22,000 And what's more is that it's carried through for the remainder, you know, for the last couple days, if you go to iTunes and you go to my page, Blake Morgan on the page and you look at my top songs, you're going to see a gigantic bar across the screen. 59 00:10:22,000 --> 00:10:32,000 For maybe I'm amazed and these tiny little, tiny little bars next to it for all the other songs, which is just put, you know, the massive amount of downloads that we've gotten for that song in comparison to everything else. 60 00:10:32,000 --> 00:10:45,000 I did National Radio on Friday, National Syndicated Radio Show, the Lisa Bermback Show, she was terrific, I was on for half an hour and we got absolutely nothing close to the bump that we got from you spinning that song once on your show. 61 00:10:45,000 --> 00:10:54,000 Anyone who thinks that podcasting is not beating out to restroom radio is insane because it absolutely is certainly in this case. 62 00:10:54,000 --> 00:11:05,000 And what's more is that today on e-music, which is the second biggest music retailer in the world, five of the top 20 albums are albums from our record label. 63 00:11:05,000 --> 00:11:13,000 My record that may be on May is on and four others, we have five albums in the top 20 and they have a catalog of 20,000 records. 64 00:11:13,000 --> 00:11:19,000 So we are kicking ass and you have led the charge and really changed the nature of what this release is like. 65 00:11:19,000 --> 00:11:31,000 So I'm here to say thank you and again, if anybody doesn't think that shows like yours and what you're doing and what PMN is doing is really the way of the future and make a different certain thing because it really is. 66 00:11:31,000 --> 00:11:37,000 So thank you and so glad you dug the track and I hope to talk to you soon man. 67 00:11:37,000 --> 00:11:39,000 Be well. 68 00:11:39,000 --> 00:11:41,000 Alright, Blake Morgan, everybody. 69 00:11:41,000 --> 00:11:45,000 They, wow, big difference when the mic cracks, huh? 70 00:11:45,000 --> 00:11:58,000 Well, first of all, I'd like to take thanks for it, but I can't really, I mean, this is the work of thousands of people and of course, thousands of daily source code listeners who were tuned in, you know? 71 00:11:58,000 --> 00:12:11,000 And I think that we are at several tipping points where it's some form of critical mass that's taking place where indeed it makes a lot more sense for you to start your own label to record your own stuff. 72 00:12:11,000 --> 00:12:21,000 Do it at your house, do it on pro tools, get it out there, release it, get the CD on e-muse it or CD baby and put your tracks on iTunes and and then promote it. 73 00:12:21,000 --> 00:12:27,000 There are many different avenues, podcasts, music network being one of them and all these independent shows. 74 00:12:27,000 --> 00:12:43,000 It's phenomenal, it really, really is and I obviously couldn't be more proud of what has happened and encourage anyone who is thinking of doing something in music to check out the different options that are available. 75 00:12:43,000 --> 00:12:52,000 I actually have asked Blake and he's a real busy guy, I've asked him if he could put together some kind of like a small video clip or something. 76 00:12:52,000 --> 00:13:04,000 We're going to produce it, I've asked Mark Yoshimo to help out with that, you know, for him to put together maybe just like a three to five minute blurb that'll be on the podcast music network that shows people. 77 00:13:05,000 --> 00:13:20,000 What steps you need to take to really do something independently, it's not just putting your music on the podcast music network obviously there's a lot more that goes along with that and there's a lot of things that you can do and a lot of them very cheaply if not for free. 78 00:13:20,000 --> 00:13:28,000 So look for that very soon, God, I'm so happy about that and the next show I'm going to play the track again because it's just an awesome awesome version. 79 00:13:28,000 --> 00:13:34,000 So one more day on fire island which besides the weather has been quite delightful. 80 00:13:34,000 --> 00:13:44,000 The vibe is nice, all the people on the island are nice, it's you know it's just in general it's it's really really been nice and well there's some some history to it. 81 00:13:44,000 --> 00:13:49,000 I think I've discussed most of it, but if not here's a here's another call about it. 82 00:13:49,000 --> 00:14:03,000 Hey Adam it's burning, I'm listening to your chat about fire island and it is a beautiful place but a little bit about the unusual history behind it for a long time in the 70s and the 80s and I'm not sure whether it continued on into the 90s. 83 00:14:03,000 --> 00:14:13,000 But fire island was considered to be a gay highway and all of the beaches were predominantly gay beaches so it was that kind of a place. 84 00:14:13,000 --> 00:14:22,000 Doesn't mean it wasn't beautiful but it certainly does have an interesting history beyond the more ancient but the more recent is also of note. 85 00:14:22,000 --> 00:14:29,000 I'm not sure how it is now I'd be curious to hear if you noted anything like that when you were there or whether that history is behind it. 86 00:14:29,000 --> 00:14:35,000 I hope you had a good trip to New York, I'm sorry that I didn't get a chance to hook up with you but maybe the next time you're here, talk to you later. 87 00:14:35,000 --> 00:14:44,000 I'll definitely be in New York again soon, you can count on that and for those of you who know of the TV program Little Britain. 88 00:14:44,000 --> 00:14:54,000 There's this great sketch where there's this guy called David and he says I am the only gay in the village, well guess what we are the only non-gays in the village. 89 00:14:54,000 --> 00:15:11,000 I don't know if it's considered a highway but I think the community there is pretty much 90% gay lesbian and whatever else you can think of in those categories and of course that doesn't make any difference to us. 90 00:15:11,000 --> 00:15:17,000 Actually, if anything, it makes it really nice because everyone's just so friendly. 91 00:15:17,000 --> 00:15:25,000 No one's worried about what people think about you, what you look like the dress code is completely casual, you can go into. 92 00:15:25,000 --> 00:15:35,000 There are a couple of actually I think there's two nice restaurants and you can walk in there and you're in your trunks if you want in your swimming trunks. 93 00:15:35,000 --> 00:15:47,000 The clothing appears to be pretty much optional on the beaches, although you definitely want to wear something with the weather the way it is. 94 00:15:47,000 --> 00:15:56,000 But it's great and I have a feeling that it being a gay hideaway is probably been that way for a long time. 95 00:15:56,000 --> 00:16:01,000 In case in point, we have proof that PW Fenden was here in 1972. 96 00:16:01,000 --> 00:16:03,000 Come to podcasting. 97 00:16:03,000 --> 00:16:06,000 Don't be alarmed or negro. 98 00:16:06,000 --> 00:16:07,000 Two guys in a mic. 99 00:16:07,000 --> 00:16:10,000 What's happening in the world? You all are not ready. 100 00:16:10,000 --> 00:16:15,000 A little bit of sports, a little bit of entertainment, a little bit of comedy, a little bit of seriousness. 101 00:16:15,000 --> 00:16:17,000 And you got two guys in a mic. 102 00:16:17,000 --> 00:16:19,000 EFP and page two. 103 00:16:19,000 --> 00:16:22,000 Senior writer, Elsie Granis and thanks for joining. 104 00:16:22,000 --> 00:16:23,000 Hey, thanks guys for having me. 105 00:16:23,000 --> 00:16:25,000 I think I was on the idea of that. 106 00:16:25,000 --> 00:16:28,000 You know, friendship is a two-way street. 107 00:16:28,000 --> 00:16:34,000 And just as you want with the fear of friendship friends, you want what's best for you. 108 00:16:34,000 --> 00:16:35,000 Right. 109 00:16:35,000 --> 00:16:36,000 That's true. 110 00:16:36,000 --> 00:16:39,000 You know, but you're making a very, have a fit in my collar. 111 00:16:39,000 --> 00:16:44,000 You're making a very intelligent and logical decision in a problem that's within the heart. 112 00:16:44,000 --> 00:16:45,000 Two guys in a mic. 113 00:16:45,000 --> 00:16:50,000 If you were driving under the influence, you need to snatch your hands off the road. 114 00:16:50,000 --> 00:16:53,000 I don't want you running into me killing me or killing my family. 115 00:16:53,000 --> 00:16:56,000 And that rant was brought to you by me. 116 00:16:56,000 --> 00:16:58,000 I got to say one thing. 117 00:16:58,000 --> 00:17:00,000 That's pretty what man loves the show. 118 00:17:00,000 --> 00:17:01,000 Really cool show. 119 00:17:01,000 --> 00:17:03,000 I'll definitely turn in again. 120 00:17:03,000 --> 00:17:04,000 That's two guys in a mic. 121 00:17:04,000 --> 00:17:09,000 Every Tuesday, eight o'clock Eastern on TalkShoot.com. 122 00:17:09,000 --> 00:17:10,000 You know, I got to find out. 123 00:17:10,000 --> 00:17:14,000 That sounded like a combination of Mark Yoshimuna and M.Coff 124 00:17:14,000 --> 00:17:17,000 and Tony Price from Costas World. 125 00:17:17,000 --> 00:17:20,000 I quite sure I definitely got to check that one out. 126 00:17:20,000 --> 00:17:22,000 You know, of all the comments that come in, 127 00:17:22,000 --> 00:17:24,000 and I screen every single one of them. 128 00:17:24,000 --> 00:17:27,000 There's only one person that I will play unconditionally, 129 00:17:27,000 --> 00:17:30,000 without even having listened to the comment as I have not done with this one. 130 00:17:30,000 --> 00:17:32,000 It's just titled Korea. 131 00:17:32,000 --> 00:17:34,000 It could only be from the one and only. 132 00:17:34,000 --> 00:17:35,000 Comics trip. 133 00:17:35,000 --> 00:17:37,000 Comics trip. 134 00:17:37,000 --> 00:17:38,000 Comics trip. 135 00:17:38,000 --> 00:17:39,000 Comics trip. 136 00:17:39,000 --> 00:17:40,000 Comics trip. 137 00:17:40,000 --> 00:17:41,000 Comics trip. 138 00:17:41,000 --> 00:17:42,000 Comics trip. 139 00:17:42,000 --> 00:17:43,000 Comics trip. 140 00:17:43,000 --> 00:17:44,000 Comics trip. 141 00:17:44,000 --> 00:17:45,000 Comics trip. 142 00:17:46,000 --> 00:17:48,000 How the Adam Curry. 143 00:17:48,000 --> 00:17:51,000 Here is your Polish friend, CSP. 144 00:17:51,000 --> 00:17:52,000 Adam. 145 00:17:52,000 --> 00:17:54,000 I have a question for your Uncle Dunn. 146 00:17:54,000 --> 00:17:58,000 I remember a story about Grandmother, 147 00:17:58,000 --> 00:18:01,000 that one Korean friend, Talk nuance. 148 00:18:01,000 --> 00:18:06,000 She was taken to Japan by Japanese and violated. 149 00:18:06,000 --> 00:18:07,000 My question. 150 00:18:07,000 --> 00:18:13,000 Is it true that hatred towards Japanese steel is ripe 151 00:18:14,000 --> 00:18:18,000 in both Korea's North and South? 152 00:18:18,000 --> 00:18:20,000 You're all. 153 00:18:20,000 --> 00:18:22,000 All right, CSB. 154 00:18:22,000 --> 00:18:30,000 Well, as you know, I'm still working on how exactly we're going to capture Uncle Dunn's story telling. 155 00:18:30,000 --> 00:18:33,000 This is a question I can ask in regardless, 156 00:18:33,000 --> 00:18:35,000 so I'll be talking to him next week, 157 00:18:35,000 --> 00:18:36,000 and I'll ask him. 158 00:18:36,000 --> 00:18:37,000 I have no idea. 159 00:18:37,000 --> 00:18:40,000 And of course, I think times have probably changed. 160 00:18:41,000 --> 00:18:44,000 So it may not be that way anymore. 161 00:18:44,000 --> 00:18:46,000 If you've been following Curry dot com, 162 00:18:46,000 --> 00:18:49,000 you probably saw I posted, 163 00:18:49,000 --> 00:18:50,000 well, from time to time, 164 00:18:50,000 --> 00:18:52,000 we'll just post channels that people are making with our, 165 00:18:52,000 --> 00:18:54,000 with cheddar, our channel editor, 166 00:18:54,000 --> 00:18:58,000 which is now a feature that is available to every single, 167 00:18:58,000 --> 00:19:00,000 account on potshot.com. 168 00:19:00,000 --> 00:19:02,000 Oh, man, wait until you see the new dashboard 169 00:19:02,000 --> 00:19:04,000 and the stuff that's coming, 170 00:19:04,000 --> 00:19:07,000 which I don't know if we're going to have one big like switch. 171 00:19:07,000 --> 00:19:09,000 I think we'll be rolling pieces out 172 00:19:09,000 --> 00:19:10,000 bit by bit, 173 00:19:10,000 --> 00:19:12,000 but some of them will be pretty drastic, 174 00:19:12,000 --> 00:19:14,000 and I think we've leaked a lot of the, 175 00:19:14,000 --> 00:19:18,000 a lot of the nagging bits of confusing interface, etc. 176 00:19:18,000 --> 00:19:21,000 I found a great channel, 177 00:19:21,000 --> 00:19:22,000 which I think actually it popped up. 178 00:19:22,000 --> 00:19:23,000 How did I find that? 179 00:19:23,000 --> 00:19:26,000 I might have found it through one of my ego filters 180 00:19:26,000 --> 00:19:28,000 or like a filter for pod show or something. 181 00:19:28,000 --> 00:19:30,000 For fantasy football, 182 00:19:30,000 --> 00:19:31,000 which is a great, 183 00:19:31,000 --> 00:19:34,000 a great channel to follow along with, 184 00:19:34,000 --> 00:19:35,000 particularly now the football season 185 00:19:35,000 --> 00:19:37,000 has just begun or about to begin. 186 00:19:37,000 --> 00:19:40,000 And well, the guy who built the channel sent in a comment. 187 00:19:40,000 --> 00:19:42,000 This is Mark, 188 00:19:42,000 --> 00:19:43,000 and this is John, 189 00:19:43,000 --> 00:19:45,000 from Pixkin Radio. 190 00:19:45,000 --> 00:19:50,000 We put together a fantasy football channel on pod show. 191 00:19:50,000 --> 00:19:51,000 That's right, 192 00:19:51,000 --> 00:19:53,000 it's a collection of quality fantasy football podcasts, 193 00:19:53,000 --> 00:19:55,000 along with our show, 194 00:19:55,000 --> 00:19:57,000 a weekly injection of fantasy smack 195 00:19:57,000 --> 00:19:59,000 to feed your addiction. 196 00:19:59,000 --> 00:20:00,000 That's right, 197 00:20:00,000 --> 00:20:02,000 so get on over to 198 00:20:02,000 --> 00:20:05,000 Pixkin.potshow.com 199 00:20:05,000 --> 00:20:07,000 to add the channel to your iTunes 200 00:20:07,000 --> 00:20:10,000 or pod catcher in joy. 201 00:20:10,000 --> 00:20:12,000 Yeah, 202 00:20:12,000 --> 00:20:13,000 and there you go, 203 00:20:13,000 --> 00:20:15,000 a promo for a channel. 204 00:20:15,000 --> 00:20:17,000 It can't get much more nuttyer, 205 00:20:17,000 --> 00:20:18,000 but I think it will, 206 00:20:18,000 --> 00:20:21,000 and as we improve on the channel editor, 207 00:20:21,000 --> 00:20:22,000 by the way, 208 00:20:22,000 --> 00:20:23,000 an idea there is to, 209 00:20:23,000 --> 00:20:25,000 to put a single episode, 210 00:20:25,000 --> 00:20:27,000 like an intro or something at the, 211 00:20:27,000 --> 00:20:28,000 at the front of the channel, 212 00:20:28,000 --> 00:20:30,000 so whenever someone gets it for the first time, 213 00:20:30,000 --> 00:20:31,000 or whenever they get it, 214 00:20:31,000 --> 00:20:32,000 or whenever they refresh it, 215 00:20:32,000 --> 00:20:33,000 basically, 216 00:20:33,000 --> 00:20:35,000 they'll get your new intro to the channel. 217 00:20:35,000 --> 00:20:37,000 There's a lot more that we can do 218 00:20:37,000 --> 00:20:39,000 to help people package this, 219 00:20:39,000 --> 00:20:40,000 and of course, 220 00:20:40,000 --> 00:20:41,000 widgets on the other end, 221 00:20:41,000 --> 00:20:42,000 so you can put it on your page, 222 00:20:42,000 --> 00:20:43,000 anywhere you want to, 223 00:20:43,000 --> 00:20:44,000 and your Facebook, 224 00:20:44,000 --> 00:20:45,000 or your MySpace, 225 00:20:45,000 --> 00:20:46,000 and I'm very, 226 00:20:46,000 --> 00:20:47,000 very excited about that, 227 00:20:47,000 --> 00:20:48,000 and really happy to see that this thing 228 00:20:48,000 --> 00:20:49,000 is gaining traction, 229 00:20:49,000 --> 00:20:50,000 because it's, 230 00:20:50,000 --> 00:20:51,000 well, 231 00:20:51,000 --> 00:20:52,000 it's what I had hoped for, 232 00:20:52,000 --> 00:20:53,000 and it's really changing the way 233 00:20:53,000 --> 00:20:55,000 that people are using RSS, 234 00:20:55,000 --> 00:20:57,000 and without even knowing that they're using RSS, 235 00:20:57,000 --> 00:20:59,000 and mashing stuff together, 236 00:20:59,000 --> 00:21:00,000 coming up with, 237 00:21:00,000 --> 00:21:01,000 with entertainment. 238 00:21:01,000 --> 00:21:02,000 It really is. 239 00:21:02,000 --> 00:21:03,000 You don't even have to, 240 00:21:03,000 --> 00:21:04,000 create a show to, 241 00:21:04,000 --> 00:21:05,000 to entertain, 242 00:21:05,000 --> 00:21:07,000 just put together a channel of great stuff. 243 00:21:07,000 --> 00:21:09,000 It's a fantastic way for other people 244 00:21:09,000 --> 00:21:11,000 to find programming, 245 00:21:11,000 --> 00:21:13,000 and when we start putting our connections together, 246 00:21:13,000 --> 00:21:15,000 you'll see that it's really awesome 247 00:21:15,000 --> 00:21:16,000 when you, 248 00:21:16,000 --> 00:21:17,000 when you find a channel, 249 00:21:17,000 --> 00:21:19,000 see who else is subscribed to that channel, 250 00:21:19,000 --> 00:21:21,000 what other shows they have, 251 00:21:21,000 --> 00:21:23,000 a really reminiscent of the old Napster. 252 00:21:23,000 --> 00:21:25,000 Remember when you could go into someone's hard drive, 253 00:21:25,000 --> 00:21:27,000 and look at all those songs they had, 254 00:21:27,000 --> 00:21:28,000 after finding one song, 255 00:21:28,000 --> 00:21:29,000 you could just say, 256 00:21:29,000 --> 00:21:30,000 oh, let me see what else this guy, 257 00:21:30,000 --> 00:21:31,000 or gal has, 258 00:21:31,000 --> 00:21:32,000 that's the kind of, 259 00:21:32,000 --> 00:21:34,000 the kind of social network that, 260 00:21:34,000 --> 00:21:35,000 that we've envisioned, 261 00:21:35,000 --> 00:21:36,000 and it really, 262 00:21:36,000 --> 00:21:39,000 really is starting to come true. 263 00:21:39,000 --> 00:21:40,000 All right, 264 00:21:40,000 --> 00:21:41,000 let me see, 265 00:21:41,000 --> 00:21:42,000 I got so much stuff to get through, 266 00:21:42,000 --> 00:21:43,000 let's play this one real quick. 267 00:21:43,000 --> 00:21:44,000 Right, 268 00:21:44,000 --> 00:21:45,000 my name is TQ White. 269 00:21:45,000 --> 00:21:48,000 I think that regarding the eye player issue, 270 00:21:48,000 --> 00:21:50,000 you got it exactly wrong. 271 00:21:50,000 --> 00:21:53,000 The fact that it's a peer-to-peer application, 272 00:21:53,000 --> 00:21:56,000 makes the net neutrality consequences, 273 00:21:56,000 --> 00:21:57,000 even worse. 274 00:21:58,000 --> 00:22:00,000 All right, let me just set this up for a second. 275 00:22:00,000 --> 00:22:02,000 I was talking about the BBC eye player, 276 00:22:02,000 --> 00:22:04,000 when you actually install it, 277 00:22:04,000 --> 00:22:06,000 it installs peer-to-peer software, 278 00:22:06,000 --> 00:22:08,000 which you cannot turn off, 279 00:22:08,000 --> 00:22:09,000 called Kentucky. 280 00:22:09,000 --> 00:22:10,000 So essentially, 281 00:22:10,000 --> 00:22:11,000 your machine, 282 00:22:11,000 --> 00:22:13,000 whenever it's connected to the network, 283 00:22:13,000 --> 00:22:14,000 whether you like it or not, 284 00:22:14,000 --> 00:22:16,000 is a part of the infrastructure 285 00:22:16,000 --> 00:22:18,000 that the BBC is put in place, 286 00:22:18,000 --> 00:22:20,000 so they don't have to pay for bandwidth. 287 00:22:20,000 --> 00:22:23,000 And I don't really have that much of a problem with it, 288 00:22:23,000 --> 00:22:24,000 but, 289 00:22:24,000 --> 00:22:25,000 well, 290 00:22:25,000 --> 00:22:26,000 listen to the rest of the comment, 291 00:22:26,000 --> 00:22:29,000 and I'll tell you why I think peer-to-peer is a virus, 292 00:22:29,000 --> 00:22:31,000 and why it is a problem, 293 00:22:31,000 --> 00:22:35,000 and why it has nothing to do with net neutrality, 294 00:22:35,000 --> 00:22:37,000 rather with that PR, 295 00:22:37,000 --> 00:22:38,000 bad marketing, 296 00:22:38,000 --> 00:22:40,000 and the infrastructure. 297 00:22:40,000 --> 00:22:41,000 Here's what's going on. 298 00:22:41,000 --> 00:22:44,000 People pay for their bandwidth, 299 00:22:44,000 --> 00:22:46,000 to their home computer. 300 00:22:46,000 --> 00:22:50,000 They are supposed to be allowed to use that bandwidth 301 00:22:50,000 --> 00:22:52,000 for whatever the X they want. 302 00:22:52,000 --> 00:22:55,000 If they choose to use it for a peer-to-peer application, 303 00:22:55,000 --> 00:22:57,000 so be it. 304 00:22:57,000 --> 00:22:59,000 That's what they want to do. 305 00:22:59,000 --> 00:23:01,000 In my estimation, 306 00:23:01,000 --> 00:23:03,000 the net neutrality concept says 307 00:23:03,000 --> 00:23:06,000 that we do not want the faceless bureaucrats 308 00:23:06,000 --> 00:23:09,000 in the internet service provider organizations 309 00:23:09,000 --> 00:23:13,000 to be deciding how we use our network bandwidth 310 00:23:13,000 --> 00:23:15,000 that we pay for. 311 00:23:15,000 --> 00:23:17,000 Okay, I just got to stop you there for a second. 312 00:23:17,000 --> 00:23:19,000 Okay, so here's the problem. 313 00:23:19,000 --> 00:23:20,000 The problem is, of course, 314 00:23:20,000 --> 00:23:22,000 that the ISPs, 315 00:23:22,000 --> 00:23:24,000 the people who deliver internet to your home, 316 00:23:24,000 --> 00:23:27,000 never, ever in a million years, 317 00:23:27,000 --> 00:23:30,000 never thought that this would happen. 318 00:23:30,000 --> 00:23:32,000 They would just think, in fact, 319 00:23:32,000 --> 00:23:36,000 it's called ADSL, a synchronous digital subscriber line 320 00:23:36,000 --> 00:23:38,000 because you get just a little bit of upstream 321 00:23:38,000 --> 00:23:40,000 and much more downstream 322 00:23:40,000 --> 00:23:42,000 because they're thinking, 323 00:23:42,000 --> 00:23:43,000 well, people are going to consume. 324 00:23:43,000 --> 00:23:45,000 No one ever thought about people producing 325 00:23:45,000 --> 00:23:47,000 and serving stuff and sending stuff up the pipe, 326 00:23:47,000 --> 00:23:49,000 and they also never really figured 327 00:23:49,000 --> 00:23:52,000 that you might be consuming 24-7. 328 00:23:52,000 --> 00:23:55,000 Like, okay, I'll click on a page, the page comes in. 329 00:23:55,000 --> 00:23:56,000 And of course, 330 00:23:56,000 --> 00:23:58,000 there's a lot of shared resources on these networks, 331 00:23:58,000 --> 00:24:02,000 and the entire internet is based on overselling 332 00:24:02,000 --> 00:24:04,000 the pipes that they have available. 333 00:24:04,000 --> 00:24:07,000 So there's a lot less bandwidth 334 00:24:07,000 --> 00:24:08,000 than they're selling, 335 00:24:08,000 --> 00:24:10,000 because they never expected 336 00:24:10,000 --> 00:24:13,000 for these types of protocols to be put into place. 337 00:24:13,000 --> 00:24:16,000 So, of course, if they had said this 10 years ago, 338 00:24:16,000 --> 00:24:19,000 or maybe, yeah, about 10 years ago 339 00:24:19,000 --> 00:24:21,000 when broadband started to proliferate 340 00:24:21,000 --> 00:24:24,000 and say, well, you can't do this, you can't do that. 341 00:24:24,000 --> 00:24:26,000 It would have been a very different story, 342 00:24:26,000 --> 00:24:27,000 but they never did, 343 00:24:27,000 --> 00:24:29,000 and they can't back out of that now. 344 00:24:29,000 --> 00:24:32,000 But when it comes to the resources of the network, 345 00:24:32,000 --> 00:24:35,000 if everyone is using their network connection that way, 346 00:24:35,000 --> 00:24:37,000 then it'll bring the entire network down, 347 00:24:37,000 --> 00:24:39,000 or at least that segment. 348 00:24:39,000 --> 00:24:42,000 That's just a physical fact I would say. 349 00:24:42,000 --> 00:24:45,000 So, it has nothing to do with net neutrality. 350 00:24:45,000 --> 00:24:49,000 It only has to do with net neutrality. 351 00:24:49,000 --> 00:24:53,000 It only has to do with the fact that they cannot sustain their network. 352 00:24:53,000 --> 00:24:56,000 So, I think we're going to be looking 353 00:24:56,000 --> 00:24:58,000 at an upgrade there for the ISPs, 354 00:24:58,000 --> 00:25:00,000 and of course, as a whole backstory to that, 355 00:25:00,000 --> 00:25:02,000 that the telco has got all this money, 356 00:25:02,000 --> 00:25:04,000 and they should have been spending it 357 00:25:04,000 --> 00:25:06,000 on building out their infrastructure, 358 00:25:06,000 --> 00:25:07,000 which they probably didn't. 359 00:25:07,000 --> 00:25:10,000 They probably spent it on a whole bunch of hogwash marketing, 360 00:25:10,000 --> 00:25:12,000 and which is a shame, 361 00:25:12,000 --> 00:25:15,000 because, you know, as I said on curry.com, 362 00:25:15,000 --> 00:25:16,000 my blog, you know, 363 00:25:16,000 --> 00:25:18,000 I think the broadband in the States 364 00:25:18,000 --> 00:25:20,000 is really pretty lame compared to, 365 00:25:20,000 --> 00:25:23,000 certainly compared to the experiences I've had in Europe, 366 00:25:23,000 --> 00:25:26,000 whiteness the mesh network on Fire Island. 367 00:25:26,000 --> 00:25:30,000 And again, that's just the oversaturation of the network. 368 00:25:30,000 --> 00:25:33,000 So, it's not about net neutrality, it's about lying. 369 00:25:33,000 --> 00:25:37,000 It's about lying that they have this fantastic network, 370 00:25:37,000 --> 00:25:39,000 and all this bandwidth that you can consume, 371 00:25:39,000 --> 00:25:41,000 and they really don't have it. 372 00:25:41,000 --> 00:25:42,000 They've oversold you. 373 00:25:42,000 --> 00:25:44,000 So, I'm down with you on that. 374 00:25:45,000 --> 00:25:48,000 Unfortunately, I just don't buy the net neutrality part. 375 00:25:48,000 --> 00:25:50,000 All they're trying to do is trying to, 376 00:25:50,000 --> 00:25:54,000 basically make their network usable for everybody, 377 00:25:54,000 --> 00:25:57,000 and if you've got a whole bunch of peer-to-peer applications running, 378 00:25:57,000 --> 00:26:00,000 running continuously, that's a problem for them. 379 00:26:00,000 --> 00:26:03,000 So, it's a different fight, okay? 380 00:26:03,000 --> 00:26:06,000 It's not about them determining what content you can, 381 00:26:06,000 --> 00:26:07,000 or you can't see. 382 00:26:07,000 --> 00:26:09,000 And by the way, a lot of the peer-to-peer stuff, 383 00:26:09,000 --> 00:26:11,000 of course, it's illegal. 384 00:26:12,000 --> 00:26:15,000 We'll just say that the BBC stuff is not illegal, 385 00:26:15,000 --> 00:26:18,000 but that's really what the problem boils down to. 386 00:26:18,000 --> 00:26:20,000 I don't think it's about net neutrality. 387 00:26:20,000 --> 00:26:22,000 Let's see what else you have to say in this comment. 388 00:26:22,000 --> 00:26:27,000 The idea that they want the BBC to pay for this bandwidth 389 00:26:27,000 --> 00:26:31,000 is doubly silly, because the BBC isn't doing it. 390 00:26:31,000 --> 00:26:33,000 I suppose that you could imagine, 391 00:26:33,000 --> 00:26:37,000 you could say that the peer-to-peer applications 392 00:26:37,000 --> 00:26:39,000 are sort of a virus to the extent that 393 00:26:39,000 --> 00:26:42,000 an application that gets into someone else's head, 394 00:26:42,000 --> 00:26:46,000 that they want to use that causes them to behave in a way 395 00:26:46,000 --> 00:26:48,000 that is beneficial to the BBC, 396 00:26:48,000 --> 00:26:50,000 is a valid way to look at it. 397 00:26:50,000 --> 00:26:54,000 However, what you've got here is people that are paying for bandwidth 398 00:26:54,000 --> 00:26:57,000 that are using it the way they want to, 399 00:26:57,000 --> 00:26:59,000 and the internet service provider is saying, 400 00:26:59,000 --> 00:27:02,000 hey, well, you happen to be benefiting the BBC, 401 00:27:02,000 --> 00:27:04,000 so they gotta pay. 402 00:27:04,000 --> 00:27:07,000 In fact, I believe that that's wrong. 403 00:27:08,000 --> 00:27:09,000 Hope you're having a good day. 404 00:27:09,000 --> 00:27:11,000 I'd like your vacation. 405 00:27:11,000 --> 00:27:12,000 Nice podcast. 406 00:27:12,000 --> 00:27:13,000 Good luck with your company. 407 00:27:13,000 --> 00:27:14,000 Bye-bye. 408 00:27:14,000 --> 00:27:15,000 I think I appreciate it. 409 00:27:15,000 --> 00:27:16,000 So I believe me. 410 00:27:16,000 --> 00:27:19,000 I'm definitely against the man. 411 00:27:19,000 --> 00:27:22,000 It's just there's a lot of confusion about what net neutrality 412 00:27:22,000 --> 00:27:25,000 is really supposedly about or is supposed to be about. 413 00:27:25,000 --> 00:27:28,000 And I just don't think this is the issue. 414 00:27:28,000 --> 00:27:29,000 This is about them. 415 00:27:29,000 --> 00:27:31,000 Just not having the resources to, 416 00:27:31,000 --> 00:27:34,000 you know, they've sold you a bag of goods, essentially. 417 00:27:34,000 --> 00:27:39,000 So I'd call it false advertising before I call it a net neutrality issue. 418 00:27:39,000 --> 00:27:41,000 Let's roll another promo here. 419 00:27:41,000 --> 00:27:42,000 Hey, you. 420 00:27:42,000 --> 00:27:43,000 Do me a favor. 421 00:27:43,000 --> 00:27:45,000 Go over to your radio, flip it on, 422 00:27:45,000 --> 00:27:47,000 and tell me what you hear. 423 00:27:47,000 --> 00:27:49,000 The same old crap, right? 424 00:27:49,000 --> 00:27:51,000 But what did you expect? 425 00:27:51,000 --> 00:27:52,000 Wait a minute. 426 00:27:52,000 --> 00:27:54,000 Let's take the test right now. 427 00:27:56,000 --> 00:27:57,000 Okay. 428 00:27:57,000 --> 00:27:59,000 Actually, that wasn't too bad. 429 00:27:59,000 --> 00:28:01,000 I'd get a little bit of chocolate cognate, no body. 430 00:28:01,000 --> 00:28:05,000 So let's scan the dial here. 431 00:28:05,000 --> 00:28:06,000 Nothing. 432 00:28:06,000 --> 00:28:07,000 What? 433 00:28:07,000 --> 00:28:08,000 It was real. 434 00:28:10,000 --> 00:28:11,000 What? 435 00:28:11,000 --> 00:28:13,000 Trying to find the speakers. 436 00:28:13,000 --> 00:28:15,000 Okay, that's boring. 437 00:28:15,000 --> 00:28:17,000 What's this? 438 00:28:17,000 --> 00:28:20,000 Z100 boring. 439 00:28:20,000 --> 00:28:22,000 boring. 440 00:28:22,000 --> 00:28:24,000 boring. 441 00:28:24,000 --> 00:28:25,000 Okay. 442 00:28:25,000 --> 00:28:27,000 Yeah, you're right, same old crap. 443 00:28:27,000 --> 00:28:29,000 That's where podcasting comes in. 444 00:28:29,000 --> 00:28:33,000 Look, there's hundreds of thousands of podcasts out there, 445 00:28:33,000 --> 00:28:36,000 and thousands of music podcasts as well. 446 00:28:36,000 --> 00:28:38,000 I'm but one of them. 447 00:28:38,000 --> 00:28:40,000 What do you think I'm doing this promo? 448 00:28:40,000 --> 00:28:42,000 I'm Potcia Radio. 449 00:28:42,000 --> 00:28:45,000 I feature one artist per show. 450 00:28:45,000 --> 00:28:47,000 You're going to hear some music. 451 00:28:47,000 --> 00:28:49,000 You're going to hear the background of the band. 452 00:28:49,000 --> 00:28:51,000 You're going to find out where you can buy their cities 453 00:28:51,000 --> 00:28:53,000 and where you can see them live. 454 00:28:53,000 --> 00:28:57,000 So, after you listen to all the other podcasts, 455 00:28:57,000 --> 00:28:59,000 give me a try. 456 00:28:59,000 --> 00:29:00,000 My name's Brent, 457 00:29:00,000 --> 00:29:04,000 and you can find me over at PotciaRadio.com. 458 00:29:04,000 --> 00:29:07,000 That ground music provided by the band, 459 00:29:07,000 --> 00:29:09,000 46 Bliss. 460 00:29:09,000 --> 00:29:12,000 I love it when people use podcasts, 461 00:29:12,000 --> 00:29:13,000 music and promos, 462 00:29:13,000 --> 00:29:15,000 and credit them in the promo, 463 00:29:15,000 --> 00:29:18,000 which actually melds right into this next question. 464 00:29:18,000 --> 00:29:20,000 Yeah, this is Chris and Philadelphia. 465 00:29:20,000 --> 00:29:21,000 You may not know, 466 00:29:21,000 --> 00:29:23,000 but I'm a digital artist. 467 00:29:23,000 --> 00:29:25,000 I'm working on some video stuff. 468 00:29:26,000 --> 00:29:30,000 I've always been visual person making art in Photoshop. 469 00:29:30,000 --> 00:29:31,000 It's very quiet. 470 00:29:31,000 --> 00:29:32,000 There's no audio. 471 00:29:32,000 --> 00:29:34,000 And now I get up in video. 472 00:29:34,000 --> 00:29:36,000 I need some music in there. 473 00:29:36,000 --> 00:29:40,000 I have a question about the licensing for Pod State music. 474 00:29:40,000 --> 00:29:44,000 If I call my art a show and produce it 475 00:29:44,000 --> 00:29:47,000 and report it as such on the Pod State music network, 476 00:29:47,000 --> 00:29:50,000 can I make a video that includes a soundtrack 477 00:29:50,000 --> 00:29:52,000 that is Pod State? 478 00:29:52,000 --> 00:29:54,000 Is that something I can do just download 479 00:29:54,000 --> 00:29:56,000 from the Pod State music network? 480 00:29:56,000 --> 00:29:58,000 Or do I have to work out something 481 00:29:58,000 --> 00:30:00,000 individually with the artists 482 00:30:00,000 --> 00:30:02,000 which I'm sure would be not too hard either 483 00:30:02,000 --> 00:30:04,000 because it's on the piano. 484 00:30:04,000 --> 00:30:05,000 It's a quick question. 485 00:30:05,000 --> 00:30:08,000 Hopefully you can answer on a show or something like this. 486 00:30:08,000 --> 00:30:09,000 All right, ma'am. 487 00:30:09,000 --> 00:30:10,000 So the short answer is yes. 488 00:30:10,000 --> 00:30:13,000 Of course, that's a valid use of Pod State music. 489 00:30:13,000 --> 00:30:15,000 There's a little bit of a longer answer to it. 490 00:30:15,000 --> 00:30:17,000 I need to know a bit more about what you're doing. 491 00:30:17,000 --> 00:30:20,000 But yeah, you're certainly allowed to do that. 492 00:30:20,000 --> 00:30:22,000 Of course, you do have to credit the artist 493 00:30:22,000 --> 00:30:25,000 in that piece of work and report it back 494 00:30:25,000 --> 00:30:26,000 to the network. 495 00:30:26,000 --> 00:30:28,000 Please, everybody continue to report your plays 496 00:30:28,000 --> 00:30:29,000 back to the network. 497 00:30:29,000 --> 00:30:31,000 It's very, very important for the artists 498 00:30:31,000 --> 00:30:33,000 who are making their art available. 499 00:30:33,000 --> 00:30:35,000 So yeah, it's what we call, I think, 500 00:30:35,000 --> 00:30:38,000 a derivative work, just call it a mashup. 501 00:30:38,000 --> 00:30:42,000 Now, how you use it is where you're probably 502 00:30:42,000 --> 00:30:44,000 your safest bet is to contact the artist. 503 00:30:44,000 --> 00:30:47,000 For instance, if you were to sell these 504 00:30:47,000 --> 00:30:50,000 and duplicate these, there could be some issues there. 505 00:30:50,000 --> 00:30:53,000 So it's always a safe bet just to contact the artist 506 00:30:53,000 --> 00:30:58,000 if you want to do something like something of that nature. 507 00:30:58,000 --> 00:31:02,000 But the whole point is you should be able to use 508 00:31:02,000 --> 00:31:05,000 music for a show regardless of what it is. 509 00:31:05,000 --> 00:31:07,000 If it's a video show or if it's pictures 510 00:31:07,000 --> 00:31:09,000 that you've done would like Ken's burns effect 511 00:31:09,000 --> 00:31:11,000 or if it's in enhanced podcasts, 512 00:31:11,000 --> 00:31:14,000 it's all kind of multiple sides of the same coin. 513 00:31:14,000 --> 00:31:16,000 So should not be a problem, but it's always nice 514 00:31:16,000 --> 00:31:18,000 to reach out to the artist and let them know 515 00:31:18,000 --> 00:31:19,000 what you're doing with it. 516 00:31:19,000 --> 00:31:21,000 And who knows, maybe there's more you can do with that artist. 517 00:31:21,000 --> 00:31:23,000 That's how great connections are made. 518 00:31:23,000 --> 00:31:26,000 It's a really up-point-cost, 519 00:31:26,000 --> 00:31:28,000 it's like a custom on technique, 520 00:31:28,000 --> 00:31:29,000 but it's not scared. 521 00:31:29,000 --> 00:31:30,000 It's a weird point, 522 00:31:30,000 --> 00:31:31,000 I like a point, 523 00:31:31,000 --> 00:31:34,000 net-sniz-tek-gest-reck-cost. 524 00:31:34,000 --> 00:31:44,000 No, you should know it. 525 00:31:44,000 --> 00:31:46,000 Do you see 654? 526 00:31:46,000 --> 00:31:52,000 I should have played that one at the beginning of the show, 527 00:31:52,000 --> 00:31:53,000 Gustav. 528 00:31:53,000 --> 00:31:56,000 I'd have a 10-email thread with Gustav. 529 00:31:56,000 --> 00:31:58,000 He's from Sweden, 530 00:31:58,000 --> 00:32:00,000 and he sent me a message saying, 531 00:32:00,000 --> 00:32:01,000 hey man, I want to do a show. 532 00:32:01,000 --> 00:32:02,000 What software are you using? 533 00:32:02,000 --> 00:32:04,000 I put it into cast blaster, 534 00:32:04,000 --> 00:32:06,000 and then he said, oh, this is fantastic. 535 00:32:06,000 --> 00:32:08,000 I'll let you know what I've my show up and running. 536 00:32:08,000 --> 00:32:10,000 And I said, I sent me a promo. 537 00:32:10,000 --> 00:32:12,000 He said, in Swedish, I said, well, yeah, of course. 538 00:32:12,000 --> 00:32:14,000 Why not? 539 00:32:14,000 --> 00:32:16,000 I didn't understand one word of it, 540 00:32:16,000 --> 00:32:18,000 but yeah, absolutely. 541 00:32:18,000 --> 00:32:22,000 Now, from Sweden to home with the Beatles. 542 00:32:22,000 --> 00:32:23,000 Hello, Adam. 543 00:32:23,000 --> 00:32:26,000 It's a call on my beautiful England long time list 544 00:32:26,000 --> 00:32:30,000 that's from the days when you came in from Belgium, 545 00:32:30,000 --> 00:32:32,000 and moved to Gilford, fabulous show. 546 00:32:32,000 --> 00:32:34,000 Love it, listen to it all the time at the essay. 547 00:32:34,000 --> 00:32:36,000 Just thought that it'd be something maybe 548 00:32:36,000 --> 00:32:37,000 of interest to you. 549 00:32:37,000 --> 00:32:40,000 I was on the scope of a show website, 550 00:32:40,000 --> 00:32:42,000 and he demonstrated a new application 551 00:32:42,000 --> 00:32:48,000 to me called the VOD, the EODIA.com, 552 00:32:48,000 --> 00:32:50,000 which allows you to do a live broadcast, 553 00:32:50,000 --> 00:32:53,000 a live video broadcast on your laptop, 554 00:32:53,000 --> 00:32:55,000 which then archives as well. 555 00:32:55,000 --> 00:32:57,000 Which I thought will be great for you. 556 00:32:57,000 --> 00:32:59,000 You know, will be great for us as listeners. 557 00:32:59,000 --> 00:33:01,000 So we're able to see you, perhaps, 558 00:33:01,000 --> 00:33:03,000 through a part of the show. 559 00:33:03,000 --> 00:33:06,000 You can schedule it so we can all watch it a certain time, 560 00:33:06,000 --> 00:33:08,000 and then we can watch the archive, if we miss it. 561 00:33:08,000 --> 00:33:13,000 If you go to www.VODIA.com, 562 00:33:13,000 --> 00:33:15,000 you'll give it to say, 563 00:33:15,000 --> 00:33:16,000 well, it's all about. 564 00:33:16,000 --> 00:33:19,000 I've used it on my blog, 565 00:33:19,000 --> 00:33:22,000 which is the virtual travelcast.com. 566 00:33:22,000 --> 00:33:24,000 Just thought it'd be good, 567 00:33:24,000 --> 00:33:28,000 and I would really like to see you doing something like that. 568 00:33:29,000 --> 00:33:31,000 Anyway, thanks for the show. 569 00:33:31,000 --> 00:33:33,000 I really enjoyed the folder. 570 00:33:33,000 --> 00:33:37,000 I can't imagine what a sponge it does to be honest with you. 571 00:33:37,000 --> 00:33:38,000 Sorry. 572 00:33:38,000 --> 00:33:39,000 Yeah, man, great. 573 00:33:39,000 --> 00:33:40,000 Yeah. 574 00:33:40,000 --> 00:33:43,000 No, if only I had time to figure all that stuff out 575 00:33:43,000 --> 00:33:44,000 and set that up. 576 00:33:44,000 --> 00:33:47,000 One day, one day, we'll get that on some kind of schedule. 577 00:33:47,000 --> 00:33:50,000 Something else I was going to say, 578 00:33:50,000 --> 00:33:52,000 and then I felt my iPhone vibrate in my pocket, 579 00:33:52,000 --> 00:33:53,000 someone's trying to get a hold of me. 580 00:33:53,000 --> 00:33:55,000 God knows what that's all about. 581 00:33:56,000 --> 00:33:59,000 See, I was talking about, no, I don't remember. 582 00:33:59,000 --> 00:34:00,000 It's completely gone. 583 00:34:00,000 --> 00:34:01,000 I'll tell you what. 584 00:34:01,000 --> 00:34:03,000 I've got about 17, not about. 585 00:34:03,000 --> 00:34:06,000 I have exactly 17 minutes of battery power left, 586 00:34:06,000 --> 00:34:08,000 so I can play one more song, say goodbye, 587 00:34:08,000 --> 00:34:12,000 and then if I run inside into the mall next to the Apple store, 588 00:34:12,000 --> 00:34:14,000 where there's a fantastic leather couch, 589 00:34:14,000 --> 00:34:17,000 just by the way, big up, big props to Apple 590 00:34:17,000 --> 00:34:21,000 for having a humongous bandwidth available on Open Wi-Fi. 591 00:34:21,000 --> 00:34:23,000 Here at Roosevelt Field Mall, 592 00:34:23,000 --> 00:34:26,000 really, really appreciate that's Devo. 593 00:34:26,000 --> 00:34:27,000 That's fantastic. 594 00:34:27,000 --> 00:34:28,000 That's the way it should be, man. 595 00:34:28,000 --> 00:34:29,000 I really, really love that. 596 00:34:29,000 --> 00:34:31,000 So then I'll be able to upload. 597 00:34:31,000 --> 00:34:34,000 Well, then it's back to fire on one more night. 598 00:34:34,000 --> 00:34:37,000 We got some sun predicted for tomorrow 599 00:34:37,000 --> 00:34:40,000 and tomorrow evening we fly back to the UK. 600 00:34:40,000 --> 00:34:43,000 So I'm going to leave you with a band from just around the corner, 601 00:34:43,000 --> 00:34:45,000 more or less, from Connecticut, 602 00:34:45,000 --> 00:34:47,000 they're called Echoing August. 603 00:34:47,000 --> 00:34:48,000 I think you'll like this. 604 00:34:48,000 --> 00:34:50,000 It's got a couple of good plays on the pot, 605 00:34:50,000 --> 00:34:51,000 it's a music network. 606 00:34:51,000 --> 00:34:53,000 I'm looking at the pot blazing here. 607 00:34:53,000 --> 00:34:55,000 It's titled, The Song From Yesterday, 608 00:34:55,000 --> 00:34:57,000 on Your Journey. 609 00:35:01,000 --> 00:35:03,000 What should I say to Chuck? 610 00:35:03,000 --> 00:35:05,000 They had a source coming. 611 00:35:05,000 --> 00:35:06,000 I dealt this year. 612 00:35:08,750 --> 00:39:31,000 [ Music ] 613 00:39:31,000 --> 00:39:33,000 Still isn't your head no doubt. 614 00:39:33,000 --> 00:39:35,000 Still isn't your head no doubt. 615 00:39:36,000 --> 00:39:39,360 Well from the timer here on cast blaster, I 616 00:39:39,360 --> 00:39:43,000 thought that song was going to last about a minute and a half longer. 617 00:39:43,000 --> 00:39:46,000 Apparently it's the longest fade out in history, 618 00:39:46,000 --> 00:39:49,000 but just about perfect, to hit our 40 minute mark for this daily source code episode number 619 00:39:49,000 --> 00:39:51,000 604. 620 00:39:51,000 --> 00:39:55,000 With some luck, y'know I might record one on the 621 00:39:55,000 --> 00:39:56,000 plane home. 622 00:39:56,000 --> 00:40:01,000 We've got time tomorrow, I'll see what 623 00:40:01,000 --> 00:40:07,980 Of course Friday over the weekend next week is going to be absolutely chocolate block in London with with meetings 624 00:40:07,980 --> 00:40:11,040 But I guess I'm just going to have to resort back to a little bit of the older format 625 00:40:12,040 --> 00:40:17,420 And just record wherever I can and do whatever I can bringing you the true meaning of source code 626 00:40:17,420 --> 00:40:19,420 Just the crap that's running around in my brain 627 00:40:19,720 --> 00:40:20,520 So 628 00:40:20,520 --> 00:40:24,360 Appreciate you listening. I appreciate you taking the time to subscribe check out 629 00:40:24,360 --> 00:40:28,040 PotShow dot com daily source code dot com for all the show notes at today's episode 630 00:40:28,040 --> 00:40:31,920 And if you got anything to say just drop me an email add them at pot show dot com 631 00:40:31,920 --> 00:40:33,920 We'll be talking very soon everybody 632 00:40:33,920 --> 00:40:38,960 Take care now. Bye-bye another pot show podcast. Stick it in your ear 633 00:40:45,960 --> 00:40:47,960 The best in the brightest 634 00:40:47,960 --> 00:40:51,920 Subdupt daily by the sharpest minds in content delivering pot show and limelight 635 00:40:54,360 --> 00:40:56,440 Are