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Log it with your frequent log from GoDaddy.

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It's 6am.

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This is San Francisco.

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Head Delta Sheriff Charlie.

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713.

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16 million dollars worth of airplane strapped to my ass.

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Done the next generation radio content in my ears.

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I like to think I'm flying into the future.

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You're listening to the Daily Source code with Adam Curry.

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And his audience have meant well, love him.

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No, homo.

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Yeah, we're right.

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Running your pants through my hair.

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[ Music ]

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Well, that doesn't open up the deranity and you, I don't know what else will.

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It's uptown, boys, regular, Tyler Burns from the Faud Save Music on the daily source

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code episode 713 coming to you from the curry kind of over about it.

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Now, let me ask you, if there was definitely one thing you wouldn't do when you were

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going on the road, would you change your road base setup?

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I bet you wouldn't, oh man, oh, oops, sorry about that.

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Nice little fade out there, wonderful.

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Yeah, here's what I've done.

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Actually it was Franco from Rokostitalia who turned me on to the new version of Ableton

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Live, which is now up to number seven.

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The line I went back to my email actually and I looked, and I guess maybe the release

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numbers correspond with the year that they were released because it was 2005 when I

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last looked at Ableton Live and just like every other program for the Mac, really,

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I think we've come into a beautiful crux kind of an intersection where everything

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all fits together where we have the processor speed is fast enough, the software is

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lean and mean enough where you can actually just plug in a microphone and there's no latency.

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I mean, there is, there actually is a few milliseconds, maybe it's less than one millisecond

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latency, which the program just needs to keep pace with itself.

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So why don't you be along on the ride with me to find out if they actually hangs together?

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I gotta tell you, it looks pretty, actually, you know what, why don't I make a screenshot

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of it home on a second?

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I think I can do this, who knows what will happen, right?

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All kind.

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Okay.

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I don't know if that worked enough, but it seems like we're still recording, so I'll just

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leave it as it is.

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Yeah, it's actually a little bit past six a.m. it's now about six twenty five.

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I got in last night, or actually yesterday afternoon, now I apologize because the

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first of all, I thought I was going to be able to do a show on Tuesday, turned out

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Tuesday in the city was a lot easier than I expected.

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I didn't get home until relatively late.

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And on the way home, I found out, oh, you know what, I really do need to go to San Francisco.

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And of course, we have one of our infamous board meetings today, actually.

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So, Lickley split, booked a flight, flew out Wednesday morning, flight, of course, was

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nice on eventful.

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I was actually, I slept for a couple hours, which is nice, maybe three, four hours.

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Now, it just started watching this movie, I think it's called Shut Up, I think, or

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it's about a WLDJ PD Green in Washington.

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And I was about twenty minutes into it, and there was sales weasel Greg stand the next

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to my seat, who was on the same flight, he had been in London, he had been working with

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Vanessa, our sales weaselette in the UK office.

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So he went down to the bar.

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I've never actually sat at the bar on Virgin on a Virgin flight, and it was Greg, because

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there was no one else there, and the minute you sit down, they start to serve you, you know,

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it's like, can get you drink, you know, want something to eat, we'll mix them off to

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noon tea, so it was nice, and we chatted for at least an hour and a half, maybe even two

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hours.

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It was good, we really got caught up on a lot of things.

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And of course, I said, hey, you know, I would invite you to ride with me into the city,

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but guess what?

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I'm pretty sure that they're going to flag me and they're going to stop me.

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So we went through customs together, lo and behold, and actually, you know, it happened

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once again.

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Custom guy said, hey, wait a minute, aren't you, um, aren't you, uh, that, uh, I said, yeah,

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the MTV guy.

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Yeah, yeah, yeah, the MTV guys, you know, uh, I thought you would kind of, you know,

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I kind of saw that look and I thought you look familiar and I said, you know, the look

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you have on your face right now.

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I've seen that for the past five times, I've entered the U.S., because you're looking

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at me going, that's the MTV guy.

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How come I've got to put a M on his uh, customs form?

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He said, yeah, I don't know, man, but there's definitely something in there.

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And it's an M, it's definitely an M.

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I'm trying, I know one will tell me what the M stands for, um, I, you know, I, I just,

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I can't even come up with anything.

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So yeah, um, I had to go through, uh, and actually I took a little different approach

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this time, um, you know, I was all smiles and like, hey, how you doing?

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Oh, I guess I should go straight ahead there.

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Yeah, I know where to go and he, you know, once again put my customs form, the little

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blue plastic, uh, clicking on the thing and, uh, and walked me over.

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And this time, there was a guy there who had, um, investigated me before.

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And he's like, wow, man, you're still on the list, uh, yeah, this is, uh, well, how come

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you can't get off of this?

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I said, uh, I think you know the answer to that, to know, I have a piece of paper and you

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can send it and I was like, yeah, right, that's the freedom of information, act piece

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of paper that I got in New York the last time.

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He said, yeah, yeah, it doesn't really make any difference.

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Yeah, you're right.

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But anyway, you're okay, go on through how about that, huh?

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How about that for some service?

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Hey Adam, Adam, this is Andrew from the Bay Area, uh, I'm way behind on the episodes, but

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I just want to call you having a discussion about why you appeared on the Homeland Security

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or Customs, no fly list, or at least check you every time you do fly list.

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One thing that I hadn't heard about up yet is the fact that you're a pilot.

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You mentioned that they have this database or this sort of checklist where you check

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a certain number of boxes, then you get put on that list or you get flagged for screening.

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So my guess is, uh, one of the big boxes you check is the fact that you're a pilot, if you

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remember, obviously 911, the guys trained as pilot.

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So, uh, in addition to you, you know, flying in and out of the country a lot, uh, the

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fact that you and yourself are a pilot, okay, that has triggered something in their database.

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Anyway, just not to you.

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Yeah, well, interesting thought, and when I think about a little bit more, yeah, you know,

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if you put it all together, the fact that I've been to Kuwait, uh, Kuwait, sorry, uh,

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the fact that I've been to Iraq, uh, this was, by the way, all my previous passport, but I'm sure

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the information carried over because I had to get visas, at least for Kuwait, I had to get a visa.

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Uh, add to that a pilot's license, uh, remember there's everything from the DMV to the IRS

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and his database and this illegal database, I might point out, which is not supposed to

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exist according to Congress, but it is there.

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Uh, the, the knocking and, uh, and all the, uh, sounds you hear is a combination of me sitting

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at the, uh, at the table, I'm not at the Bakers' rack because basically, all I have now

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was just my Mac, how about that?

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I don't have 15 outboard pieces of gear.

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It's the first time I've come to San Francisco without the Violopt laptop, which includes

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cast blast.

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So I was really taking a risk saying, you know what, if I'm going to do it, I'm just going

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to do it.

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See if I can get this thing to work, uh, hopefully so far.

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So good.

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You know, it was a, um, maybe it was, uh, the beginning of, uh, last week, or maybe even the

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week before that at the end, I was talking about, uh, the Nokia N-810, the internet tablet.

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By the way, uh, I'm the top seller so far, uh, from what I understand, uh, these are

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unofficial numbers, it's actually work and people have purchased it at the best price

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anywhere on the internet, 15% discount if you use the code daily source code, um, and, uh,

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and thank you by the way for those of you who've purchased it for sending me, uh, you know,

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nice little emails about how much you love it.

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I told you I wouldn't steal you wrong on this thing, but, um, so maybe a week ago, two

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weeks ago, I was talking about using log me in on, uh, on the tablet to get to other computers,

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basically, like, uh, kind of like what Apple is trying to do with their, um, uh, back to

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my Mac, which just doesn't work very well across all different networks.

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I mean, I've tried every, every combination, um, and, you know, I really just want to be

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able to take over a control of the screen of at least, you know, four of the computers

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that are in my life.

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Most importantly, the one that my wife uses because, you know, from time to time, she just

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needs some help.

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Hey, Adam, Jesse, and you can't hear you, I say, thinking about the last C had C I heard

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and had a few things to say about it.

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First of all, that log me in services, like in way cool, mm-hmm.

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But because there's something like that to, uh, to help my mother, who, often needs health

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points.

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That's exactly what everyone is saying.

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Everyone says, yeah, man, it was great because, um, my sister, my dad, my mother, my wife,

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whatever, you know, she really needs, he, she, it really needs help.

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And now, from anywhere you have a web browser, you can just connect to the thing.

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It's, uh, and they should be paying me for that.

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I should shut up.

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And, uh, at least in the evening for me to get to our house and having something like that,

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uh, it just works, it's beautiful when something works and it's free to go to home.

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I was thinking about, that's a new to a power issue, mm-hmm.

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And the seeds, the green seeds you're talking about, man.

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They were talking about, uh, uh, was it something, uh,

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who'd be your rod Adams called in.

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We were talking about, uh, new power in the UK.

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I'm not quite sure we talked about the green fees, so please do, do carry on.

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Here in the state of New Hampshire in the US, uh, uh,

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I honestly don't understand them all, but we're, I pay $100 a year and some sort of

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nuclear decommissioning fees, uh, presumably something to do with the, uh,

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because of power plants and seafood in New Hampshire, but for again, hey, man.

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I, I, I'm paying my, uh, decommissioning something that's still operating,

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and I'm still paying my bill on top of that.

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That's pretty crazy.

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Is that, uh, is that from the, uh, from the state government, and they're asking

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you to pay these decommissioning fees, or is that on your energy bill, like, kind of like the

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airlines will put on a special quote, tax for, uh, fuel surcharge, which is basically just

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you paying directly for their cost of doing business, is that, uh, where's it coming from?

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Who's billing you for that stuff?

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Um, so sort of on that note of energy, I'm a guy that works for an oil company, and I'm

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going to work in my hybrid car, uh, sort of interesting.

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So I was thinking a good topic, um, sort of in the old vein of topics she had, like,

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the Metro sexual home, it might be, uh, cars and car tech and, and gadgets.

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I think that's a cool one of the discussions, um, I'd be interested to hear, for example,

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how other people are listening to this, see if they're in their cars, and what sort of

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tech is going on.

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So might just be some good gadgets discussions, where I, I, I, I think that, uh, gadgets and

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car talk would fit in line with your, your audience, make up, I think, anyway, maybe I'll just

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Yeah, I appreciate the thought.

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I, I don't know about that.

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First of all, I don't really give a shit about cars anymore.

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Um, I, I just don't, it's just the, I don't know.

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It happened, uh, probably, you know what had happened when Patricia sold on my cars?

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That's what, that's what, that's what had happened.

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I have that on, uh, on, on video.

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I actually actually put that up.

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She sold every single one of them.

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She said she was sick and tired of it.

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And she was getting rid of all my cars.

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It actually, she left the, uh, the outie at the time.

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I should dig that up.

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Okay, then, mode itself.

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By the way, um, I, I wouldn't mind knowing who a little bit more about you guys, because,

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you know, you're talking about the audience make up of the show.

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I think we've pretty much ruled out the fact that any women listen.

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So it's just us guys.

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What are we, are we like middle aged, uh, middle class, guys?

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Is that, is that what we are?

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Is that who, I mean, it's okay because, um, we're the ones under the most pressure in the

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United States.

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Okay, granted, I'm upper middle class, but that's just, uh, because I've been around

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longer than most of you fuckers, uh, had some time to build up a little, uh, a little nest egg.

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But, uh, where the ones that are driving the economy, where the ones that get squeezed,

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is, is that it?

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Is that us?

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So, you know, maybe now, uh, you let me know how old you are.

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Um, or just say, uh, yeah, this is it.

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So I'd say, uh, love you.

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I mean, if I can remember it all.

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Uh, love you, mean it, great hair.

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Hope you win 43 middle class.

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Something like that.

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Now, maybe not.

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podcasting.

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I need to have no idea in, uh, actual bandwidth, how much I'm using, um, as a heavy, uh, podcast listener,

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but it's got me thinking that I could in the future be seeing a very large bill.

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You know, uh, and this is good.

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Uh, I've been thinking about talking about this for a while and I appreciate you calling in

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with that, Mr. No last name.

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Um, so this is apparently a trial that time Warner, uh,

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cable is doing in Beaumont, Texas.

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And you can laugh about Beaumont, Texas, but I've been to Beaumont, Texas, okay?

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I have been to a roadhouse in Beaumont, Texas, which is, you know,

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that's all the story because I never get to talk about Beaumont.

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At the time, I had, uh, Adam Curry's top 30 hit list.

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It was a syndicated top, you know, basically a countdown show on the radio,

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syndicated throughout the U.S.

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And one of the stations, I forget the actual station, but it was in Beaumont, Texas.

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And, um, you know, um, from time to time, I'd go visit the stations.

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Usually around the time they had their summer jam or some other, you know,

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thing where not just me, but a whole bunch of artists would come in.

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Usually, you know, track artists.

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So, uh, you got to think of, uh, Marky Mark and the funky bunch, you know,

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so no, no, no musicians or typically no musicians, just, you know,

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pure dat tape playing in the singing and dance and on stage.

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And I would introduce them and, you know, participate in the summer jam,

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everybody, Beaumont, Texas.

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And so I arrived in Beaumont, which does have its own, uh,

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it does have its own airport.

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And I was picked up, uh, I'm trying to think the name of the club,

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but the radio station, uh, pick me up in, uh, in a pink Cadillac convertible.

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And I swear to God, with the big long horn on the front.

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I mean, it was completely authentic.

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And the gig was at this roadhouse.

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And literally, if you've seen the movie roadhouse where there's chicken wire up on this,

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on this, uh, and front of the stage and the stage is really elevated about shoulder height

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off of the ground, that's the gig.

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And it was necessary because, you know, it got pretty fraughty and crunchy on the, on the floor.

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But I'll never forget because of this stage being so high up, uh,

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there were these fans on the ceiling ceiling fans.

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And, um, you know, if you were basically on the stage, you were, you know, pretty close to the

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ceiling. I'm not, not like, uh, you know, I'd say probably about a meter,

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yeah, about three feet, uh, from, uh, from the, from the ceiling fans.

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And I remember it was, um, uh, EMF.

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Remember those guys? You're unbelievable.

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And they were unbelievable. They were just out of their mind, you know, that, that was such an explosive

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track. And I think it was pretty much all they did, uh, at least that I can remember.

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And at one point, you know, you may have heard this.

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Oh, I should look this on, I'll be able to go to the, oh, down, down, to, down, to, and the guy gets

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up on, um, a piano stool. And jumps into the air. Yeah, you guessed it.

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His head went right into the fucking ceiling fan. It was, it was quite a trip.

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Excuse me. Anyway, so Beaumont, Texas, they got a real airport. They got real, uh, uh,

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people who enjoy popular music. They got internet. So that's where they're testing this thing out.

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You know what? I think it's a great idea. Excuse me. That's the morning call.

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I think the idea of meter band with this good. The question, of course, is what are we going to

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charge for it? I think right now, if you were to actually measure what most people are using in

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bandwidth and what they're being charged, you're being overcharged right now. Now, not, that's not to

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say that there's, you know, that there's tons of people who use the same pricing. And of course,

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they're downloading a lot more. Um, they may have, uh, some peer-to-peer programs running. I mean,

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this is a lot more used of, uh, of bandwidth. And, and obviously, it's very, very difficult for, um,

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for, uh, ISPs to manage all this traffic, particularly with video traffic. And, you know, I'm not,

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you know, sucking up to the big man here. I think I'm just being very realistic because I do know a lot

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about how, how traffic is routed and what it takes. And particularly what it costs, because it is just

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not free. Now, here's what's interesting. By the way, I like the 4-pay model. And I would say,

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you know, just make it, uh, you know, make it meet it all the way, you know, like, like your phone

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system, uh, like, uh, like so many things. Um, what I like about the payment is kind of like, um,

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like the supermarket, you know, where you get the, uh, you get the supermarket, the shopping cart,

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but you have to stick a quarter or in the UK appound. You have to stick a pound into the,

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into the little thing for it to unlock from the, uh, from the other, uh, carts from the other

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shopping carts. Now, it's only a quarter or pound in, in, as the case may be. And it's not about

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you stealing the cart. It's about you bringing the cart back. So it's cleaned up. That saves so much

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money and aggravation and hassle for everybody. Because, you know, it's, you know, you just do, you want

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your money back. You know, and it's like, uh, for the pound. Yeah, I'm not going to let some other

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smuck it in my pound. I'm going to put the, the cart back in the, in the nice little row. I want

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to get my pound out. So I, I'd like the, um, the psychological effect paying for something has

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on, uh, on people. Now, I think that we're probably overpaying as it is because I know that on the

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other end, when I'm sending ban without, when we're, because we pay for ban with to send you the podcast.

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So it's a really valid question. Um, for each giga bite transferred, right? Um, we, uh, I can't,

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I'm not allowed to tell you the exact price, but it's less than nine cents per gigabyte. Okay,

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significantly. Um, and nine cents is pretty much the norm for anyone who's pushing a lot of

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volume. You can get at least, uh, I'd say a lot of people are around 25 cents, but you know, we

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push so much and the more we push the cheaper it gets, which is the way I believe it should be.

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If I'm a huge user of ban with at home, I should be paying less for, you know, for the,

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for the overage that I use. So it's the, it's all going to come down to the accounting. Um,

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and obviously, you know, it's, they're not going to, I just can't believe that any company with

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any brains is going to try and charge you $200 at the end of the month because you use 10 gigabytes

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of information, uh, excuse me, uh, because it won't fly and then someone else will come in with cheaper

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rates. But that is, that is kind of the industry standard cost of a gigabyte of, of data transfer.

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Now, granted, if you go to Akamai or some other content delivery network today, and you say,

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all right, how much you're going to charge me? They'll probably start off at $1.25 per gigabyte

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transferred. So, you know, just by telling him fuck you, you'll get it down to 75 cents. But then

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the rest has really got to come out of volume. Um, so I can actually see where almost like a

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price line.com. You could pool your, your bandwidth usage together, buy and bulk, and then distribute

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that cheaper to the people who are part of the system. I think that really will work because it

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gives everyone a fair shake and everyone's basically paying for what they're using. But the four

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pay model, the meter bandwidth will not work at today's prices, which actually are kind of expensive.

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Does that make any sense? Uh, I'm hoping I'm starting off a debate here. Well, from the book, I drive

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time podcast and the tone ranger. Fuck you. Fuck you. Fuck you. Fuck you. Yeah,

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hi. This is a message for a Jose Martinez. Mr. Martinez. This is Bonnie from Eagle Appraisal Service

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for writer insurance company, or steer motor. All of us this are number 73. Wait a minute. Wait a minute.

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Wait a minute. Wait a minute. What the hell is that? Two, two, four, four, five, four, one. Thank you.

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That's clearly a wrong number. Oh, man. Let's see. Who's this then?

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Adam, I have Charles. Charles. He's over for January. London. I'm very good my friend. Not Charles,

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the drunken Londoner, but sober for January only, but he is Charles, our friend from London.

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I've been away quite some time. Yeah, and do I can show that is? Because I'm an easy. And also,

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the lovely, it like what you gave me has just stopped working. However, I'd saved up and I went out and bought

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myself an iPhone yesterday. Oh, I do with a max book as well since saving hard. Charles, I can't believe

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you didn't go out and get a Nokia N8010 with my 15% discount. Well, you needed a file. That's right.

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It didn't your car get broken into and your laptop and all kinds of, maybe it was. Yeah, I think it was

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you. Did all your shit get stolen, man? Anyway, good to have you back on the scene, Charles. What

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you got for me? And I'm loving them. So, I've just been listening to the latest show. Don't know

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the note which it was on this iPhone. My first podcast on the iPhone. My second phone call on the

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iPhone. In fact, excellent. Someone made a comment. I hope Patricia is recovering well.

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So, we're having a bit of wait for a long time. I have no idea what that comment was about.

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But I just thought I'd drop you a line and say, I also wish Patricia well. I hope that nothing

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serious has happened. And, you know, good hair. Well, I hope you win. Yeah, that's sweet to your

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Charles. Yeah, no, it was a appendicitis that Patricia had been walking around with for a year,

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completely misdiagnosed. We caught it in time. And she went back to the doctor. She's in her recuperation phase.

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She's almost back to normal. And the doctor said, you are lucky because it would not have been

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much like. It could have happened at any moment, basically. She could have, it could have ruptured in.

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Let me tell you, you got more than just a little blowhole of an entry wound there. If that happens,

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then you're going to rip you all the way open. So, she's very lucky. We're very happy. And even

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though, she's still healing. She is so, oh man, she's so happy about just having this pain gone.

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This alien has been taken out of her, which is not, you know, she says that. It's funny because

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reminds me because when my mom was very sick before she passed, she also had a really nasty tumor

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and they had removed it once. And she also spoke of the alien. So, it was a very weird time for us.

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In fact, I'm making sure she goes to visit her mom and her sister to chew out a little bit.

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Because of course, you know my wife, right? She's walking around. She's still healing, you know?

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And she just can't leave stuff alone. She has to have someone else take care of her. And of course,

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so, you know, I can only, I guess I can only do so much. Okay, I've just noticed something here

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on the Ableton Live. By the way, I will post this screenshot. I'm using it in combination with

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something called SoundBite, which is another Mac program, which basically lets you

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put a whole bunch of sound files into racks. So, you can kind of fire them off. Very analogous to

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what Casplaster does for the PC. But I'm noticing on Ableton, I can't actually see how long I've

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been recording for this. The time, I'm sure there's a way to, there must be a way to

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to get the time scale here. Is it 194 something that I've been 194, I can't be minutes,

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crap, I gotta figure this thing out. I do like this, this live thing because

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you look at it for the first time and you look at the interface and you go,

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man, that looks dumb. It looks like something out of Tron. You know, it looks like real

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70s colors. It's not that typical, what do you call it? You know, the typical beautiful

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rendering of a 24 track mixing board and all the knobs are really rendered beautifully,

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quite the opposite. And I understand why now, because in programs like like a

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logic studio, logic studio pro or whatever it is, which has all those beautiful interfaces,

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there's latency that you can't get rid of and this thing, you could actually control the latency.

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If I wanted to, I could actually delay myself or delay any tracking, there's all kinds of stuff in

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here. I think Richard Blusty also uses this program and there's all kinds of routing, so tomorrow

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on Friday, I'll be able to test the routing from the microphone and from the audio tracks

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back in the Skype without feeding Skype back into it. For those of you who have tried that out,

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you'll know what I'm talking about. When we do another no agenda show. Okay, let me see,

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00:29:16,460 --> 00:29:22,140
it's, I can kind of see the time. It's been about 22 minutes. So let's,

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um, oh, when we do something sexy for Thursday, early Thursday morning.

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00:29:29,820 --> 00:29:34,380
Let's bring in Chuck, of course, who was hooked me up with my Grokha Kirstie Hawkshaw, Chuck.

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I told my dad Adam's DSU 712. That was over the time. Yeah, you like that? That was excellent. Thank you.

367
00:29:44,060 --> 00:29:52,060
Then that was just out of control anytime. Anytime. So hey, uh, I launched you a little link

368
00:29:53,180 --> 00:29:59,740
for a vid to check. Um, you remember, uh, DRAMs, the show for back in the day, uh,

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00:29:59,740 --> 00:30:04,940
Kirstie did this awesome remake with, uh, guide of Salt Lake City by the name of Sleep Thief,

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and they did a video as well. I didn't see it, man. You guys? I said I'm near in the email from

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you need to resend the to me. And I didn't see that. I'd love to see that. I'll have to look again.

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00:30:13,740 --> 00:30:17,740
Of course, my email is hoes because it's just so much coming in. Please resend. Well, actually,

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00:30:17,740 --> 00:30:23,500
get a check. Hey, and I just had an inspired thought, um, you know, I was a avid listener of

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uh, Natalie Doganti and uh, texture. Yeah. I mean, I loved it. Yes, she was, she was just a sweet

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her to live room, you're on the show. And, um, you know, I don't know what your plans are for, um,

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for fill in her shoes or, or if you're looking to fill her shoes, but, uh, holy cow, you know,

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I know where this is going. I'd show you K. She's a tech girl. She's a geeky girl. She's all

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about music. You know, how Natalie was there at the plus TV award, mhm, mhm, mingling with all

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the music types. I mean, Jesus, thirsty, you know, those are all those folks. You know,

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I'm liking where this is going, Chuck. I'm like, you know, I, I, I, I, I'm always very careful

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because she's very dedicated to her music and I don't want to get it on a different career path,

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because she's really, really concentrated. Uh, but I am like, are you setting me up, man?

383
00:31:12,780 --> 00:31:19,420
Are you hooked on me up with a personal meeting? I, um, if only I could find a female

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00:31:19,420 --> 00:31:23,660
British singer for this show I have in mind. And what she's a geeky girl, man? Yeah, there's

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a girl. I don't, um, we have someone lined up for texture. Obviously, I think the cat is pretty

386
00:31:28,540 --> 00:31:35,820
much out of the bag. It's, uh, Becky. I don't even want to say any more than that. Um, Becky's

387
00:31:35,820 --> 00:31:41,020
awesome. The only problem with Becky is her timing. Uh, at the very moment, we actually wanted to

388
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bring her in. Uh, she was about to drop, uh, twins, which I believe has happened. So I'll get

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00:31:46,620 --> 00:31:53,100
an update on that, uh, Becky Warley. Yeah, that's who we have slated, but um, I'm digging your idea

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00:31:53,100 --> 00:31:57,260
here, Chuck. And she's cool. Yeah, it's cool. So anyway, that's my inspired top for the day,

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and a career you rock, uh, who comes once again, man. I love you. Me,

392
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need it. Great, right here. I hope you win. Middle-aged middle class 43. There you go. Hey, the, um,

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A, A, I, B, the Air Accident Investigation Branch in the UK has, uh, released an update on British

394
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Airways, uh, flight 38. This is, uh, in addition to their January 17th update, it came in yesterday.

395
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Um, and this is, it's quite interesting. Uh, so let me just get through the Blom Blom Blom Blom

396
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Blom stuff. As previously reported, while the aircraft was stabilized on an iOS approach, which

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means it was coming in on instruments, it was on the instrument landing system with autopilot

398
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engaged. The autoprust system commanded an increase in thrust from both engines. The engines

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both initially responded after about three seconds. The thrust of the right engine reduced some

400
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eight seconds later, the thrust reduced on the left engine to a similar level. This is interesting,

401
00:33:02,140 --> 00:33:06,860
because, um, although I've never flown a triple seven, I'm pretty sure that if, um, if both

402
00:33:06,860 --> 00:33:13,020
engines, uh, they throttled up, but then the right engine reduced after about three seconds, that plane

403
00:33:13,100 --> 00:33:18,300
is going to veer off course. So that could have set a whole bunch of things into motion, which, um,

404
00:33:18,300 --> 00:33:22,860
uh, you know, certainly the pilot would have probably disengaged the autopilot at that point

405
00:33:22,860 --> 00:33:27,820
and taken over manual control, because it'd be, uh, ready to miss the runway, not not coming

406
00:33:27,820 --> 00:33:33,020
up short, but left or right, just missing it, which could have also affected his, um, his glide path

407
00:33:33,020 --> 00:33:39,020
on the speed and, and could have, um, you know, um, negatively impacted the glide that he was trying

408
00:33:39,020 --> 00:33:43,740
to put into, make a, a smoother landing than what to, took place. So some eight seconds later,

409
00:33:43,740 --> 00:33:47,660
the thrust reduced on the left engine to a similar level. The engines did not shut down,

410
00:33:48,540 --> 00:33:54,460
and both engines continued to produce thrust at an engine speed above flight idle, but less than

411
00:33:54,460 --> 00:34:00,460
the commanded thrust. Very interesting, uh, which means, you know, uh, obviously you're still

412
00:34:00,460 --> 00:34:05,660
going to kind of come up short, but with this, uh, um, with the difference between the engines,

413
00:34:05,980 --> 00:34:11,020
that could have really screwed up the glide path. So all possible scenarios that could explain

414
00:34:11,020 --> 00:34:15,180
the thrust reduction and continued lack of response to the engines to throttle lever, inputs are

415
00:34:15,180 --> 00:34:20,620
being examined in close cooperation with Boeing, Rolls Royce, British Airways. Interesting. I love the

416
00:34:20,620 --> 00:34:26,300
fact that these guys are setting out, uh, all of these updates. That's, uh, that's something the, uh,

417
00:34:26,300 --> 00:34:31,100
the NTSP, I don't think they do that do it that way. And, uh, and it's important because we need to

418
00:34:31,180 --> 00:34:38,780
all of these aircraft are safe or not. All right. Um, let's do, um, no, um, you know, tomorrow,

419
00:34:38,780 --> 00:34:42,940
which I may tape tonight, we got to get deep into some stuff like the Fed. We've got all kinds

420
00:34:42,940 --> 00:34:50,380
of banking stuff going crazy. Uh, we had this rogue trader, uh, who, um, at the, um, what's the,

421
00:34:50,380 --> 00:34:55,500
the French bank? Hmm, I can't remember the name of the, uh, I probably have it written down here.

422
00:34:55,500 --> 00:34:59,500
A whole lot of my notes. It's another thing I got to set up. I'll tell you about the second

423
00:34:59,580 --> 00:35:04,220
hold on. Let me just see what the rest of the new stories are. No, I didn't even put it in there.

424
00:35:04,220 --> 00:35:09,820
Anyway, something like, uh, almost five billion pounds that they're writing off. It's like seven,

425
00:35:09,820 --> 00:35:18,220
seven or eight billion dollars. A rogue trader. Yeah. I'd say, um, you know what I'm missing?

426
00:35:18,220 --> 00:35:21,740
And this is the thing that I am going to see if I can score that while I'm out here.

427
00:35:22,300 --> 00:35:26,540
Is I want to control surface? And what that is, because now of course, I don't have a mixing board

428
00:35:27,500 --> 00:35:31,500
and even, uh, with my previous setup, I have a mixer so I can control the levels and

429
00:35:31,500 --> 00:35:35,900
and twist them with my left hand while I'm doing all of the selecting of what I'm playing with my

430
00:35:35,900 --> 00:35:42,060
right hand on the computer. Uh, but of course, now I only have one control input for both function.

431
00:35:42,060 --> 00:35:46,700
So I need a control surface, which has some sliders and a control surface, basically all it does is it

432
00:35:46,700 --> 00:35:53,500
just sends MIDI commands to the program so that I can then map these, uh, these volume, uh,

433
00:35:53,580 --> 00:35:58,940
faders, these sliders, as you might recognize them, uh, to the individual channel. So, uh,

434
00:35:58,940 --> 00:36:02,620
I'd be able to train, you know, to fade my mic up and down. I'll be able to mix this on the

435
00:36:02,620 --> 00:36:08,140
sounds a little bit better. Uh, it's just a lot of stuff I got to work on. All right. I do have

436
00:36:08,140 --> 00:36:13,900
one more song, which came to us from a mashuptown.com, which is so beautiful for a Thursday morning

437
00:36:13,900 --> 00:36:20,220
where the sun is just coming up in San Francisco. It's just raising up over the bed. I think you'll

438
00:36:20,220 --> 00:36:25,260
like this one. It'll get you into that mood by the bay, everybody.

439
00:36:38,750 --> 00:38:38,720
[ Music ]

440
00:38:38,720 --> 00:38:43,720
Those in the know will recognize mini-ripperton and John Legend.

441
00:38:43,720 --> 00:38:46,720
Brought to you by mashuptown.com.

442
00:38:46,720 --> 00:38:48,720
Oh, what a great track that is.

443
00:38:48,720 --> 00:38:49,720
Love you.

444
00:38:49,720 --> 00:38:50,720
Love you.

445
00:38:50,720 --> 00:38:51,720
Love you.

446
00:38:51,720 --> 00:38:52,720
Love you.

447
00:38:52,720 --> 00:38:53,720
Love you.

448
00:38:53,720 --> 00:38:54,720
Love you.

449
00:38:54,720 --> 00:38:55,720
Love you.

450
00:38:55,720 --> 00:38:56,720
Love you.

451
00:38:56,720 --> 00:38:58,720
Love you.

452
00:38:58,720 --> 00:38:59,720
Love you.

453
00:38:59,720 --> 00:39:00,720
Love you.

454
00:39:00,720 --> 00:39:01,720
Love you.

455
00:39:01,720 --> 00:39:02,720
And that is love it.

456
00:39:02,720 --> 00:39:05,040
Hey, it's almost seven o'clock now.

457
00:39:05,040 --> 00:39:07,720
And that means it's time for our sales call.

458
00:39:07,720 --> 00:39:10,720
So I'm going to get on the phone with the sales Present.

459
00:39:10,720 --> 00:39:14,720
Let me know what you thought of the sound if it works for you.

460
00:39:14,720 --> 00:39:18,720
Obviously, I still got some bugs to work out, some kinks and stuff.

461
00:39:18,720 --> 00:39:24,720
But I think overall I'm pretty pleased and all the still lot more experimentation to go through.

462
00:39:24,720 --> 00:39:26,700
Whop-whop-whop-whop-whop-whop-whop-whop-whop-whop-whop-whop-whop-whop-whop-whop-whop-whop-whop-whop-whop-whop,

463
00:39:26,700 --> 00:39:27,900
told you about the N800's.

464
00:39:27,900 --> 00:39:32,480
Of course, go Daddy, if you want an awesome deal on a domain name, in fact, you can't get

465
00:39:32,480 --> 00:39:33,440
better anywhere else.

466
00:39:33,440 --> 00:39:37,920
There's a couple of code you can use all the DSC, DSC12 or three.

467
00:39:37,920 --> 00:39:41,820
The standard one, DSC3 is if you just want to get a domain name, real quick down, down

468
00:39:41,820 --> 00:39:46,380
and dirty cheap for 695, DSC3 is your checkout code.

469
00:39:46,380 --> 00:39:50,040
Atomoodpodshow.com, dailystorescode.com, I will get the show notes together, of course,

470
00:39:50,040 --> 00:39:54,640
that's another part of the process, that is not as streamlined as with cast blaster.

471
00:39:54,640 --> 00:39:58,960
So I got to figure out how that works and what the heck?

472
00:39:58,960 --> 00:40:00,960
Love you, mean it.

473
00:40:00,960 --> 00:40:04,040
Great hair, hope you win, live life with passion

474
00:40:04,040 --> 00:40:05,040
and enjoy your freedom.

475
00:40:05,040 --> 00:40:06,760
I'll talk to you tomorrow for the Fubar Friday.

476
00:40:06,760 --> 00:40:07,760
Bye, everybody.

477
00:40:07,760 --> 00:40:10,000
Another Pajo podcast.

478
00:40:10,000 --> 00:40:11,400
Stick it in your ear.

479
00:40:11,400 --> 00:40:14,400
I'll talk to you tomorrow for the Fubar Friday.
