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Delta-Share Charly 728's The Wet Edition.

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With $16 billion worth of airplane straps by us.

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And the next generation radio content in my ears.

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I like to think I'm flying into this genre.

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On casting, it's Adam Curry.

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[ Music ]

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Hey everybody, how you doing?

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Welcome to the Daily Source Code, it's episode number 728

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a special Saturday edition because I just didn't have the energy

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to bring you on on Friday for a food bar,

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but everything you'd expect in a food bar is included in this

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edition and then some.

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No live chat room, no live calls.

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I've been sitting here inside the condo for the past 24 hours,

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and it has been the most atrocious weather I've ever seen.

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We've got 35 mile an hour winds gusting to 55.

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Of course, you know, I'm up here on the 24th floor over looking

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the bay and I'm literally seeing debris flying up

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up to the height of the 24th floor, you know, like paper bags,

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plastic bags, homeless people.

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It's just, it's crazy.

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And I'm here all alone and I'm feeling a little bit

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melancholy and I thought to myself, why don't I share a couple of

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songs in the soundtrack to my life that kind of fit in with the mood

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that I'm thinking of right now because, you know, I'm about five,

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six thousand miles from home, and they said it's not supposed to rain

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in southern or northern California.

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We've got on board a westbound seven, 47,

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[ Music ]

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Yeah, I think you've got to be at least 35 to appreciate most of the songs I've got lined up for the breakups in the game.

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This is definitely one from the 70s, Albert Hammond, it never rains in Southern California or Northern California for that matter.

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Especially sad because today is the Chinese New Year.

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It's what Lisa's being celebrated here in San Francisco and Chinatown actually went out for a walk just before it started to pour down.

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And they were setting up bleachers and all kinds of, all kinds of stuff on Kerney Street for the route and I feel bad, man.

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Paper, dragons and fireworks just don't mix with this kind of weather. It's stormy outside.

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I don't know why, there's no sun up in the sky.

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[ Music ]

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He's raining all the time.

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The wonderful sound of Ella Fitzgerald, not King Cole.

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Stormy weather on Danny Source Code, episode number 728, from a very, very wet San Francisco.

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I've been getting a lot of comments about the new set up, particularly about being able to talk to people live on the show.

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And of course, there's pros and cons to everything.

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And it's really, for those of you who haven't been listening, I mean 728 episodes, it's impossible you heard everything.

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And you may not have been listening from episode one or before we even started counting or before it was even called the Daily Source Code.

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But it's an experimental show, you know, we try stuff out.

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And obviously, I have the capability now to talk to people live.

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That's very cool.

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And now, of course, we've got to have something to actually say.

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So there's pros and cons everyone's picked up on it, but some people love it.

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Some people think it's, ah, some people don't love it so much.

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One thing for sure, though, this business of naked pictures.

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Yeah.

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Oh, great.

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You know, I get no naked pictures.

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Just when I spend for them all the time, you sound like a desperate person.

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That's why you don't fucking get in.

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Don't go in with your money.

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Thank you.

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Hey, James.

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Thank you very much.

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One more like that.

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Hey, Adam, let's David and Jackson go calling again.

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They just wanted to give you a little insight.

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And I know you're growing up.

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I know you probably know this, but when a woman tells you that she's going to

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work on getting some naked trees of it, that means you're getting exactly nothing.

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Just a little helpful hand from a guy who has spent the better part of his life asking

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you know, online chicks for naked pictures of himself.

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It's a pretty fruitless effort.

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So right here.

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Love you.

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Anyway.

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Right, man.

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Yeah, you're right.

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I should stop doing that.

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You know, my wife hates it when I do it.

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Well, she doesn't hate it.

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She thinks I sound like a, oh, kind of what to do.

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Oh, kind of what James said, like an old perv.

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So, of course, we missed the food bar Friday.

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I really, I was just too tired.

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I was, uh, knackered.

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Shall we say.

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But I did, uh, no agenda with the Johnson of Orac Friday evening.

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About six, 15 is when we started to record that.

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And it was a lot of fun.

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You know, we actually ran long like an hour and 10, an hour and 15 minutes.

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And I was just wiped out nothing left to say.

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And I, I didn't have the energy to go and pull everything together.

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And also this time zone.

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It's a very, very difficult time zone to do.

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To, uh, to taste people to do things.

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Because, you know, what is what time is it now?

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It's Saturday night five minutes past eight.

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Look at me.

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How sad is my life, huh?

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What, what else could you be doing on a Saturday night at eight o'clock?

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I just had my ravioli from Chef Boyardy sat down.

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Pull out a whole bunch of tracks from the soundtrack to my life.

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And of course, I scan the Gmail.

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Because we cannot finish a week without young palettes hit test.

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Oncoming casting with Adam Curry.

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I Adam, who are you ready to be stunked out?

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Because he is the new test.

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Bring it on, baby.

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It's young palettes.

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Hey, Adam.

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This is hit test number 110.

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And we're going to start right away with intro number one.

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Take it.

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Oh, it's all young.

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Oh, you read my mind, man.

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Oh, that's one from my soundtrack, my life.

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That, of course, is Rupert Holmes and him.

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No doubt about it.

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Number two.

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Kind of sounds like like the SOS band or something.

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No, I give up on that one.

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And number three.

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I know it's easy one.

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That would be a bunch of people to keep the faith.

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And I'd recognize that intro anywhere.

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And times up.

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And these are the answers.

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Oh, yeah.

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Answer number one is from 1980.

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I got a signal.

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The window.

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There's a pack of cigarettes.

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[ Music ]

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It's me without me.

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Me.

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Me.

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No.

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That's the answer.

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Answer number one, him from 1980 by Rupert Holmes.

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What's this?

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And this is answer number two.

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Oh.

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Who's human hunting?

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86.

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That's his host.

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Zooming there.

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I read that.

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怎麼 him?

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Oh.

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Zooming.

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Jordan Hammer.

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Zooming.

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Zooming.

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Zooming.

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Zooming.

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Zooming.

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Zooming.

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Zooming.

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Zooming.

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Zooming.

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Zooming.

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Zooming who has answered number two are Rupert Franklin?

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And this is answer number three.

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Oh yeah, from 1992, this is Banjofi.

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Uh-huh.

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Hold on, hold on.

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Let's go get your children.

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That they're tied to your feet.

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Hold on, hold on, hold on.

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Hold on, hold on.

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Hold on, hold on.

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Hold on, hold on.

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Hold on, hold on.

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Hold on, hold on.

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Hold on.

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Hold on.

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Hold on.

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Another great example for the wall of sounds.

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Banjofi and keep the faith.

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Let's answer number three.

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We need this number 110.

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Oh, so Adam, how did you do that?

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Two out of three.

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Yeah, I'm Mr. Rita.

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Sorry.

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The answer is to this hit test and also the iTunes links

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so that you can buy these tracks online

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or to be found at hittest.botsho.com.

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Thank you for playing Adam.

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Next week, I'll be back for hit test number 111.

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So until then,

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have a very nice week.

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And take care.

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Be back.

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Hittest.botsho.com.

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Impolent.com.

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J-N-P-O-L-E-T-T-A-C-O-C-O.

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And the cheese just keeps on coming.

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Another perfect California song.

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This is a wishful thinking.

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Top-down, driving around music.

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Sunshine, and I'm just imagine

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in America's Ventura Freeway.

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Where's it, highway?

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You're gonna be so good.

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Walking down the road.

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There'll be no I long you're gonna stay here, don't.

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[ Music ]

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Now, of course, I must remind you that today's daily source code is brought to you under the educational auspices of the organization

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For the preservation, the soundtrack of our lives, but I know it's up-sol

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You can find out more about up-sol

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Ask her papa's share of Oscar Lima.pacho.com

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In other words, everything I'm playing is illegal

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You can't tell anyone you ever heard the show or I'll just have to kill you

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I'm sorry about it

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Hey, this is Paul Smith

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From Kingsville, Florida

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Here's a little sound for the day's on a 500

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I'm on the backstrapes

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And as you can tell, the cars are going by

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This is the 50th running of the Daytona 500 in Daytona, Florida

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It's not you. Get a kick out of here in the cars go around

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So again, this is Paul Smith

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Check it in from Florida

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41 Mary

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Two kids

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Love the show Adam, right here?

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Love yet? No homo

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How's the singer?

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She stands up

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When she plays

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[ Music ]

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See your bow

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Telling to do

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Yeah, I'll be there

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And I close

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It's been decades since I've heard that song

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Came across that of my first gen iPod

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Which of course is still here at the Curry condo

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Works

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Spurles a singer on daily source code episode 728

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It is the organization for the preservation of the soundtrack of our lives

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Edition

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Curly educational

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And I can remember exactly where I was when I heard the song

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How about you?

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I got no money

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I ain't that close for my daughter

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I'm around

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Yes, got no money

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[ Music ]

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I want to hear your cry

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Oh no, I can't stop

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I want to hear your cry

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This usually makes us perfectly through the controversy

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From the days before it was fashionable to like friends

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I want to be your lover

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You know, I've slept around

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I've slept around one stack of vinyl albums my entire life

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Or at least since my 20s

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And it's all prints

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Never played them to completely virgin

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I got to tell you

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That's probably the guy I

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Waffner can't be the guy that I respect the most

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The music business

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But

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Gosh, do I love the stuff he does

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So for those of you not quite familiar with the concept of

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The soundtrack of our lives

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The idea is when you hear these songs

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And you think about them

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You're like, oh man

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I know exactly where I was when I first heard that

272
00:28:43,000 --> 00:28:45,000
And it doesn't have to be the first time you heard it

273
00:28:45,000 --> 00:28:47,000
Because when I hear this song

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00:28:47,000 --> 00:28:49,000
I always think of

275
00:28:49,000 --> 00:28:51,000
The time I was in Minneapolis

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The Twin Cities

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Manyapolis St. Paul

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00:28:55,000 --> 00:28:57,000
Of all things

279
00:28:57,000 --> 00:28:59,000
Of course, the Mall of America is there

280
00:28:59,000 --> 00:29:01,000
And I was shooting a commercial for

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00:29:01,000 --> 00:29:03,000
Sam Goody's record stores

282
00:29:03,000 --> 00:29:05,000
So they still exist by the way

283
00:29:05,000 --> 00:29:07,000
And so they had it, you know, we're doing the shoot in

284
00:29:07,000 --> 00:29:09,000
In the Mall of America

285
00:29:09,000 --> 00:29:11,000
And I was staying there for a couple days

286
00:29:11,000 --> 00:29:13,000
And the second night of the shoot

287
00:29:13,000 --> 00:29:15,000
I remember I was in my hotel room

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00:29:15,000 --> 00:29:17,000
And I was just watching the Tonight Show

289
00:29:17,000 --> 00:29:19,000
Maybe it was a Letterman

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00:29:19,000 --> 00:29:21,000
And the phone rings

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00:29:21,000 --> 00:29:23,000
And it's midnight

292
00:29:23,000 --> 00:29:25,000
I pick up the phone

293
00:29:25,000 --> 00:29:27,000
And voice in the other and says

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00:29:27,000 --> 00:29:29,000
Yeah, um, it's Adam

295
00:29:29,000 --> 00:29:31,000
Yeah

296
00:29:31,000 --> 00:29:33,000
Listen, prints wants to invite you to a party

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00:29:33,000 --> 00:29:35,000
Paisley Park Studios

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00:29:35,000 --> 00:29:37,000
Are you interested in going

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00:29:37,000 --> 00:29:39,000
And I said

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00:29:39,000 --> 00:29:41,000
Are you kidding me? Yes

301
00:29:41,000 --> 00:29:43,000
Says good because the car's out in front

302
00:29:43,000 --> 00:29:45,000
So I throw on jacket

303
00:29:45,000 --> 00:29:47,000
Going downstairs

304
00:29:47,000 --> 00:29:49,000
It's about a 25 minute drive

305
00:29:49,000 --> 00:29:51,000
From the hotel I was staying in

306
00:29:51,000 --> 00:29:53,000
And you roll up on the highway

307
00:29:53,000 --> 00:29:55,000
Passed the Paisley Park Studios

308
00:29:55,000 --> 00:29:57,000
And it's completely illuminated in purple

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00:29:57,000 --> 00:29:59,000
It was just phenomenal sight

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00:29:59,000 --> 00:30:01,000
You know, rolls up

311
00:30:01,000 --> 00:30:02,000
Walk in the front door

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00:30:02,000 --> 00:30:04,000
It's all pristine white except of course for this

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00:30:04,000 --> 00:30:06,000
Uh, for this purple glow

314
00:30:06,000 --> 00:30:08,000
Over the end and you got this

315
00:30:08,000 --> 00:30:10,000
It was just so spooky, you know

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00:30:10,000 --> 00:30:12,000
Really dark and just this purple building

317
00:30:12,000 --> 00:30:14,000
Which was illuminated

318
00:30:14,000 --> 00:30:16,000
Go through a metal detector first

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00:30:16,000 --> 00:30:18,000
Which was kind of funky

320
00:30:18,000 --> 00:30:20,000
Excuse me and I walk in

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00:30:20,000 --> 00:30:22,000
To this room this huge room

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00:30:22,000 --> 00:30:26,000
Which consisted of it was just a big white space

323
00:30:26,000 --> 00:30:28,000
Along one side was just about the

324
00:30:28,000 --> 00:30:30,000
The longest

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00:30:30,000 --> 00:30:32,000
Buffet snacks and dinner

326
00:30:32,000 --> 00:30:34,000
I'd ever seen

327
00:30:34,000 --> 00:30:36,000
As a DJ

328
00:30:36,000 --> 00:30:38,000
In the middle with

329
00:30:38,000 --> 00:30:40,000
You know it's into that typical DJ set up

330
00:30:40,000 --> 00:30:42,000
Actually none of the middle but over to the other wall

331
00:30:42,000 --> 00:30:44,000
With with speaker stacks

332
00:30:44,000 --> 00:30:46,000
And he was playing this this print stuff

333
00:30:46,000 --> 00:30:48,000
These tracks that I never heard before my life

334
00:30:48,000 --> 00:30:50,000
It was like this

335
00:30:50,000 --> 00:30:52,000
It was just unreleased stuff, you know

336
00:30:52,000 --> 00:30:54,000
And I was wow I can't believe it

337
00:30:54,000 --> 00:30:56,000
And the most beautiful boys and girls in this place

338
00:30:56,000 --> 00:30:58,000
All kind of dancing

339
00:30:58,000 --> 00:31:00,000
And

340
00:31:00,000 --> 00:31:02,000
You know so I hung out and actually

341
00:31:02,000 --> 00:31:04,000
One of the extras who

342
00:31:04,000 --> 00:31:06,000
Who was on the shoot

343
00:31:06,000 --> 00:31:08,000
What was her name again?

344
00:31:08,000 --> 00:31:10,000
Um, willow I think her name was

345
00:31:10,000 --> 00:31:12,000
I guess right willow because I remember

346
00:31:12,000 --> 00:31:14,000
My sister's name

347
00:31:14,000 --> 00:31:16,000
And um, I don't know if she was an extra on the shoot

348
00:31:16,000 --> 00:31:18,000
I'd met her either

349
00:31:18,000 --> 00:31:20,000
Earlier or the day before

350
00:31:20,000 --> 00:31:22,000
And you know so we're talking a little bit

351
00:31:22,000 --> 00:31:24,000
And like wow this is pretty cool

352
00:31:24,000 --> 00:31:26,000
And prints is standing over in the corner

353
00:31:26,000 --> 00:31:28,000
Next one of the speaker stacks

354
00:31:28,000 --> 00:31:30,000
And so I say to Willow

355
00:31:30,000 --> 00:31:32,000
Who I think he actually went out with her for a while

356
00:31:32,000 --> 00:31:34,000
I don't know if it was during that period or before

357
00:31:34,000 --> 00:31:36,000
After whatever

358
00:31:36,000 --> 00:31:38,000
And I said oh I got to go over and say hi to him

359
00:31:38,000 --> 00:31:40,000
Because damn yeah this is very cool that he invited me

360
00:31:40,000 --> 00:31:42,000
And there were a couple people standing around

361
00:31:42,000 --> 00:31:44,000
She said oh no no no you shouldn't do that man

362
00:31:44,000 --> 00:31:46,000
Is it well why not?

363
00:31:46,000 --> 00:31:48,000
Oh you know because you're really tall and you're white

364
00:31:48,000 --> 00:31:52,000
I said I kind of bullshit is that

365
00:31:52,000 --> 00:31:54,000
If he's got a problem with that then I'm leaving

366
00:31:54,000 --> 00:31:56,000
I'm leaving

367
00:31:56,000 --> 00:31:58,000
So I walk over to him

368
00:31:58,000 --> 00:32:00,000
First thing I noticed he's not all that small

369
00:32:00,000 --> 00:32:02,000
He really isn't

370
00:32:02,000 --> 00:32:04,000
Maybe he was wearing some heels but didn't you?

371
00:32:04,000 --> 00:32:06,000
He's not like a midget

372
00:32:06,000 --> 00:32:08,000
Not a big guy

373
00:32:08,000 --> 00:32:10,000
So that was the first thing I noticed

374
00:32:10,000 --> 00:32:12,000
I say hey you know I want to thank you very much for inviting me

375
00:32:12,000 --> 00:32:14,000
And he knew everything

376
00:32:14,000 --> 00:32:16,000
He said oh yeah you know

377
00:32:16,000 --> 00:32:18,000
I'd seen that Halloween episode you did on MTV

378
00:32:18,000 --> 00:32:20,000
And yeah I didn't knew about my daughter

379
00:32:20,000 --> 00:32:22,000
And we talked for I don't know

380
00:32:22,000 --> 00:32:24,000
15 20 minutes and it was just you know

381
00:32:24,000 --> 00:32:26,000
I was but I'm not a fan boy

382
00:32:26,000 --> 00:32:28,000
But I was completely blown away by that

383
00:32:28,000 --> 00:32:32,000
And and then he kind of disappeared after a while

384
00:32:32,000 --> 00:32:34,000
And then probably

385
00:32:34,000 --> 00:32:36,000
I'd say around 2015 to 30

386
00:32:36,000 --> 00:32:40,000
The whole bunch of guys and black suits came into the

387
00:32:40,000 --> 00:32:42,000
Into the into this white room that we're all in

388
00:32:42,000 --> 00:32:44,000
And they started flashing flashlights on the ground

389
00:32:44,000 --> 00:32:46,000
Just like click click click on and off

390
00:32:46,000 --> 00:32:48,000
And everyone just you got it

391
00:32:48,000 --> 00:32:50,000
It was the signal

392
00:32:50,000 --> 00:32:51,000
It was like the bat signal

393
00:32:51,000 --> 00:32:52,000
Everyone got their coats

394
00:32:52,000 --> 00:32:54,000
Put them on and left

395
00:32:54,000 --> 00:32:56,000
It was definitely

396
00:32:56,000 --> 00:32:58,000
Definitely one of the

397
00:32:58,000 --> 00:33:00,000
The coolest show business moments I've ever witnessed

398
00:33:00,000 --> 00:33:02,000
And obviously

399
00:33:02,000 --> 00:33:04,000
A cut right at the beginning

400
00:33:04,000 --> 00:33:06,000
To the soundtrack of my life

401
00:33:08,750 --> 00:33:28,000
[ Music ]

402
00:33:28,000 --> 00:33:30,000
He's trying to tie

403
00:33:30,000 --> 00:33:32,000
Yeah

404
00:33:32,000 --> 00:33:34,000
He's trying to tie

405
00:33:34,000 --> 00:33:36,000
Oh yeah

406
00:33:36,000 --> 00:33:38,000
Oh

407
00:33:38,000 --> 00:33:40,000
How's it going Adam it's jersey time

408
00:33:40,000 --> 00:33:42,000
The official musical just of the chat chat

409
00:33:42,000 --> 00:33:44,000
Hey dude, I know my week off of Valentine's Day

410
00:33:44,000 --> 00:33:46,000
But I wanted to bring you something really nice

411
00:33:46,000 --> 00:33:48,000
For a football Friday

412
00:33:48,000 --> 00:33:50,000
You see on the positive music network

413
00:33:50,000 --> 00:33:52,000
Is a song by David Martin

414
00:33:52,000 --> 00:33:54,000
And the interesting story about David Martin is

415
00:33:54,000 --> 00:33:56,000
That he met his wife when he was 15 years old

416
00:33:56,000 --> 00:33:58,000
And he recently put out an album of

417
00:33:58,000 --> 00:34:00,000
Ten songs all dedicated to his wife

418
00:34:00,000 --> 00:34:02,000
It's an absolutely beautiful album

419
00:34:02,000 --> 00:34:04,000
And he actually calls it the ultimate love letter

420
00:34:04,000 --> 00:34:06,000
I think this is a really really special song

421
00:34:06,000 --> 00:34:08,000
And I think it really really is going to break out

422
00:34:08,000 --> 00:34:10,000
As a mainstream kind of hit

423
00:34:10,000 --> 00:34:12,000
Check this out

424
00:34:12,000 --> 00:34:14,000
It's called Something Your Eyes

425
00:34:14,000 --> 00:34:16,000
The notes this guy hits

426
00:34:16,000 --> 00:34:18,000
He's jersey time

427
00:34:18,000 --> 00:34:20,000
I'll check you next week

428
00:34:20,000 --> 00:37:34,000
[ Music ]

429
00:37:34,000 --> 00:37:39,000
Come on, it's all to hold me

430
00:37:39,000 --> 00:37:43,000
Oh, Todd, man

431
00:37:43,000 --> 00:37:45,000
You did it again

432
00:37:45,000 --> 00:37:49,000
David Martin, something in your eyes

433
00:37:49,000 --> 00:37:52,000
From the pod save music network, fantastic

434
00:37:52,000 --> 00:37:57,000
I think I'm going to add that one to my personal soundtrack to my life collection

435
00:37:57,000 --> 00:37:59,000
Cool, man

436
00:37:59,000 --> 00:38:01,000
That was good, that was really, really good

437
00:38:01,000 --> 00:38:05,000
So I'm going to do some extra work on today's show

438
00:38:05,000 --> 00:38:08,000
And I'm going to find links to every single song I played

439
00:38:08,000 --> 00:38:11,000
And with those in the show notes at dailysourcecode.com

440
00:38:11,000 --> 00:38:13,000
So that you can go and purchase them

441
00:38:13,000 --> 00:38:15,000
Because I know what always happens when I play some of these tunes

442
00:38:15,000 --> 00:38:17,000
Just people say, oh, man, I love that song

443
00:38:17,000 --> 00:38:18,000
How can I get a hold of it?

444
00:38:18,000 --> 00:38:20,000
So I'll put in probably Amazon links

445
00:38:20,000 --> 00:38:23,000
So I'll see if I can find MP3s because Amazon sells them

446
00:38:23,000 --> 00:38:24,000
DRM free

447
00:38:24,000 --> 00:38:29,000
And if I have to, I'll resort to the iTunes music store

448
00:38:29,000 --> 00:38:31,000
So it looks like the weather's going to be pretty bad

449
00:38:31,000 --> 00:38:32,000
Tomorrow as well

450
00:38:32,000 --> 00:38:34,000
But Monday, when the week starts off again

451
00:38:34,000 --> 00:38:36,000
You know what happens, right?

452
00:38:36,000 --> 00:38:39,000
You know what happens after the big rain storm

453
00:38:39,000 --> 00:38:41,000
When the sun comes out

454
00:38:41,000 --> 00:38:43,000
From behind the clouds

455
00:38:44,000 --> 00:38:47,000
It's when you see the rainbow, my friends

456
00:38:47,000 --> 00:38:51,000
And that is something you want to connect with

457
00:38:51,000 --> 00:38:53,000
And here's a frog to tell you about it

458
00:38:53,000 --> 00:38:54,000
Why not?

459
00:38:54,000 --> 00:38:59,000
There's so many songs about rainbows

460
00:38:59,000 --> 00:39:05,000
And what's on the other side?

461
00:39:05,000 --> 00:41:31,000
[ Music ]

462
00:41:31,000 --> 00:41:35,000
The lovers, the dreamers, let me

463
00:41:35,000 --> 00:41:38,000
Doesn't get much cheeseier than that

464
00:41:38,000 --> 00:41:40,000
And I love it

465
00:41:40,000 --> 00:41:42,000
And I'm not ashamed of it

466
00:41:42,000 --> 00:41:43,000
Come with the frog

467
00:41:43,000 --> 00:41:45,000
And the rainbow connection

468
00:41:45,000 --> 00:41:48,000
Rappin' up episode 728 of the Daily Source Code

469
00:41:48,000 --> 00:41:50,000
Links to all these songs that show notes

470
00:41:50,000 --> 00:41:51,000
at dailysourcecode.com

471
00:41:51,000 --> 00:41:54,000
I hope you enjoyed listening to this program

472
00:41:54,000 --> 00:41:56,000
on your Saturday night or your Sunday morning

473
00:41:56,000 --> 00:42:00,000
Or, of course, if you're down under on your Wednesday lunch break

474
00:42:00,000 --> 00:42:02,000
I'll be back on Monday for sure

475
00:42:02,000 --> 00:42:04,000
With another edition of the Daily Source Code

476
00:42:04,000 --> 00:42:05,000
I hope you tune in then as well

477
00:42:05,000 --> 00:42:06,000
Adam at podshow.com

478
00:42:06,000 --> 00:42:07,000
Dailysourcecode.com

479
00:42:07,000 --> 00:42:09,000
Live your life with passion

480
00:42:09,000 --> 00:42:11,000
And enjoy your freedom

481
00:42:11,000 --> 00:42:14,000
Another podshow podcast

482
00:42:14,000 --> 00:42:16,000
Stick it in your ear