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You were listening to the last DSC, you heard Adam talk about the iPhone SDK.

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And I got to tell you, it almost makes you want to quit your job and just develop apps for the iPhone.

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It's like, I know I could do it.

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I know I could be really good at programming this stuff.

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I know all kinds of cool widgets I'd want to make.

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It'll be interesting to see how that plays out.

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We'll have no fear because if you're hearing this, then Adam is back.

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He's not abandon us and he's bringing us the DSC 733.

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Perhaps one of his widget he builds will be making his iPhone a submarine when

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he drops it in the floor.

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The 60 million dollars worth of airplane straps by us.

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To the next generation radio content in my ears.

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I like to think I'm flying into this journey.

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The next generation radio content in my ears.

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I like to think I'm flying into this journey.

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I've guessed it, it's Adam Curry.

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God, I believe it's above and more dead.

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I went out for a ride and I never went back.

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[ Music ]

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Everybody's got a free time

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Oh man, I got to tell you

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Nothing like a bit of the boss to kick off a footballer Friday

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How you doing everybody?

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It is episode number 733 of the Daily Stores Code

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Thank you to the organization, the preservation of the soundtrack of our lives

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We're a bit of a spring-steen there under educational auspices of course

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Hey, I'm back

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You know what?

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One episode this week, it might as well be the football Friday episode

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Correct man

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I got so much to tell you guys, a lot has happened

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And why don't we do it while chillin' out together

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I'm here, I've got the Al Jazeera Bathrobe on

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It's Friday, just a bit past 12 in the afternoon

35
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I needed a bit of sleep, so I'm rested

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I'm really bringing you your football Friday

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Only two big topics today, so make sure you stay tuned to it

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Without the entire episode

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And of course, kick ass tunes

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To wrap up your week and get you ready for the weekend

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From the affluent suburb of Surrey

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It's the west side of Gitan and Gild for upstairs in the attic

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It is the Daily Source Code, the football Friday edition of 733

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Let's bring it on y'all

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We're gonna go, cause I have a way

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Come with tonight

47
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[ Music ]

48
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I was talking too much

49
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I was just gonna be having all this good evening

50
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And chillin' out together

51
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And show me the way

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We're gonna go, cause I have a way

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We're gonna go, cause I have a way

54
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[ Music ]

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let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let

56
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[ Music ]

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go, let's go, let's go, from here, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, they're literally

58
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It's a bit intense, kind of takes away the original vibe of the song, and grow one, the Eagles

59
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Hotel California versus Hustle Athletics San Francisco. Just to keep the football

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train running, you can't check in any time you want. You can never leave.

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Holy moly. All right, everybody. How you doing? Oh, man. It's good to be back home,

62
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been on the road for, for most of the week was home yesterday, but, um, oh, man, it's been so

63
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incredibly busy. Yeah, I got another high frequency pitch tone coming from somewhere. We'll

64
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just leave that for what it is for today. All right, everybody. Well, um, gee, I almost don't know where to

65
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start. Um, I was on the road part of it in support of my, uh, my lovely wife, the lady Patricia,

66
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who, um, has been selected. Actually she's been asked to make selections. Uh, I don't know. I'm sure

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if you live, well, probably it's probably in about 60 countries now. So if you live, um, almost any

68
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way you've probably seen a version of America's Got Talent, or perhaps Britain's Got Talent,

69
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which actually, um, produced an amazing opera singer in the UK. So now there's the Holland's Got Talent

70
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version of the show. And now you know, the, of course, the lady Patricia after, uh, walking around

71
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with, uh, an effective effect that appendix for over a year. She's back. She's back on the sheen,

72
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she's ready to rock and roll. And, uh, this offer came along. She's like, oh, wow, I can be a judge on

73
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Holland's Got Talent. She said, I don't think they got any talents. So that, that should be a pretty

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fun show. And of course it turns out that, uh, there is some talent hidden in those lowlands.

75
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So anyway, um, that was a, I think a three day, uh, three day project for her and she's going back

76
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at the end of the month. I won't be able to join her for that. I was able to take care of a couple

77
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other things that I want to talk about. And of course, while on the road, a lot of things were

78
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happening, uh, uh, back at HQ and San Francisco as well as in London, uh, you probably noticed podshow.com

79
00:11:22,160 --> 00:11:28,400
and BT podshow. Our com have changed brand new, uh, looking field. This is not the coveted version

80
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three V3s we call it. This is more like, uh, V2.5. And, uh, the reasons behind it, I will talk

81
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about later on today because I think it's pretty exciting what's going on. Uh, yes, they, uh, spent a

82
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lot of time on the phone, talking to a lot of people who work with us, um, talking about the transition

83
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that we're making, uh, some of the changes, uh, it affects everybody across the board. But we're really

84
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focused and I'm, I'm extremely happy, uh, at the place that we're in right now because, uh,

85
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man, I think we're, uh, I think the rocket ship is, uh, is lit and we have some lift off.

86
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But boy, interesting working out the payload. Okay, let's see. I got some songs lined up. I

87
00:12:09,040 --> 00:12:12,960
do want to talk about, uh, that ends, and in something else, I've been getting some amazing offers

88
00:12:12,960 --> 00:12:17,120
myself that I just want to share with you because they're so funny. And, uh, one or two, I might

89
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actually, uh, I might actually consider. So I'd love to hear some feedback from you guys.

90
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One of the thing before I forget, of course, that was an agro one mashup that I played for you.

91
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Uh, you know, I spent some time yesterday, Patricia's working on another project.

92
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And, um, she wants to do a version of Martha Reeves and the Van Delas doing heat wave.

93
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And she was playing this, um, you know, the original track for me and she was, uh, saying, okay,

94
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no, I want to do it differently. I want to, uh, I want to, uh, I want to basically shorten this

95
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bit here, uh, move this right after the, uh, to right after the intro. And as she's playing it,

96
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I'm listening to the song and I'm going to jade a bug, uh, jade a bug. And she's like,

97
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wow, you're right. You could do a perfect mashup of Martha Reeves and the Van Delas,

98
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and uh, wham's waking me up before you go go. And like, you know, I'm sure someone has done

99
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that one already. It makes so much sense. I mean, everything about that song is just like

100
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wake me up before you go go. And I did some Google searches. I went to mashuptown.com,

101
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which, of course, is the official supplier of mashups. Um, I did some searches on SeekPod,

102
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absolutely no luck, no joy whatsoever. And I'm amazed. So this weekend, actually, um, my plan is

103
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on Sunday. I'm going to see if I can do my own mashup because I think it'll be a perfect combination.

104
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Of course, if anyone has a mashup, please let me know before Sunday, fire me off an email or

105
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something like that. Let me know because, uh, I'm sure that whoever has done something,

106
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it's going to be better than what I come up with on one of my first mashup tries. So please

107
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do let me know if you have something out there. Or if you think you can do it because I'd love

108
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to have a version. I'm Sean. I'm Joseph. And we're the ad bastards. The movies convince you

109
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that advertising was the greatest job owner. Well, welcome to your wakeup call podcasting for

110
00:14:01,760 --> 00:14:07,600
the studio and DFW. We've got insights into what's really going on in advertising. So check us out

111
00:14:07,600 --> 00:14:12,080
on iTunes or adbusters.com because, you know, the movies were just a lie.

112
00:14:15,360 --> 00:14:23,120
All right. Yes, I'm sure they are. Adbusters. Uh, ad bastards. You got to listen to that show.

113
00:14:23,120 --> 00:14:27,520
Yeah, I'm a big fan of marketing shows. CC Chapman does one. Uh, Joseph Jaffee, of course,

114
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has across the sound. He celebrated over 100 episodes recently. I believe in these guys

115
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when I want this scene. That's good stuff, man. If you really want to know what's going on with

116
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mainstream and what's happening with advertising, that's the place to listen to them. Okay. So

117
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I'll be talking about some of that myself later on, at least the mainstream portion of it, uh, and

118
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how it's, uh, how it's been, uh, touching my life. So we'll get into that a bit of, of course, it's a

119
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food bar Friday. That means we have to have some surges. He thought he'll be coming up just a little bit.

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And we're already up to episode number 113 of Yon Paul. Let's hit test. Yon, bring it in.

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Good to use the test with Yon Paul.

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Hi, Yon. Hey, Adam. Hi, doing. Um, I'm doing is hit this number 113. And we're going to start

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right away with intro number one. Okay. Oh, dude. Come on, man. I'm a child of the 80s and 90s.

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I would recognize Angel of Harlem by you two in the middle of the night. Number two.

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Whoa.

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Uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh. Okay, that I would not recognize the middle of the night.

127
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And this is intro number three. Oh, Joseph is on a vacation for, um, um, um, um, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh.

128
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I think the titles, Josie, uh, I don't know. And these are the answers. Okay, bring it on. There you go.

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This is from 1980, it's an answer number one. Hell yeah.

130
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Thank you, YouTube.

131
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[ Music ]

132
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Excellent day.

133
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YouTube Angel of Harlem is answer number one.

134
00:16:34,480 --> 00:16:35,480
What was that?

135
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This is answer number two.

136
00:16:37,480 --> 00:16:39,480
From 87 to Gino Vanelli.

137
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Oh man.

138
00:16:51,480 --> 00:16:54,480
What a choice young wildborses man.

139
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I would never have gotten out.

140
00:17:01,480 --> 00:17:04,480
Gino Vanelli and wildborses is answer number two.

141
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And this is answer number three.

142
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This one I know for sure.

143
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Congratulations.

144
00:17:10,480 --> 00:17:11,480
Congratulations.

145
00:17:11,480 --> 00:17:13,480
Congratulations.

146
00:17:13,480 --> 00:17:14,480
Congratulations.

147
00:17:14,480 --> 00:17:26,480
[ Music ]

148
00:17:26,480 --> 00:17:28,480
It's the outfield for sure.

149
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From 1986 outfield for your love.

150
00:17:36,480 --> 00:17:37,480
All right.

151
00:17:37,480 --> 00:17:38,480
Again give me that.

152
00:17:38,480 --> 00:17:40,480
It's number 113.

153
00:17:40,480 --> 00:17:41,480
Yeah.

154
00:17:42,480 --> 00:17:44,480
So Adam, how did you do?

155
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I think I got like one and a half or close to two right.

156
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And not bad.

157
00:17:48,480 --> 00:17:49,480
You're not bad.

158
00:17:49,480 --> 00:17:50,480
All right.

159
00:17:50,480 --> 00:17:51,480
The answers to this hit test.

160
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And also the links to iTunes so that you can buy these tricks online.

161
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And to be found at hittest.potshow.com.

162
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Again, thank you for playing Adam.

163
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Thank you.

164
00:17:59,480 --> 00:18:00,480
Everyone else.

165
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Thank you for listening.

166
00:18:01,480 --> 00:18:05,480
Next week I'll be back for number 114 to until then.

167
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Have a very nice week and take care.

168
00:18:08,480 --> 00:18:09,480
Bye bye.

169
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Be back to test at gmail.com.

170
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info.

171
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Young bullet.com.

172
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JNPOLVT.com.

173
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Oh man.

174
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If you thought my singing on the hit test was bad.

175
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Please look at the American out.

176
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Can I say the obvious before we start,

177
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which is I think you're over 20 years.

178
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All right.

179
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Tell me why you hit that.

180
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If you've ever seen a film for the Wedding singer,

181
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it was a guy who performs a wedding.

182
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That's what he looked like.

183
00:18:36,480 --> 00:18:41,480
What are you going to sing today to prove that you are the next American artist?

184
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Snatch from pushing the musical.

185
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There's a part of me that's been killed.

186
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When I'm weird, I'm always out drinking.

187
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There's something special about you, girl.

188
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If I'm not thinking, I'm all out.

189
00:19:02,480 --> 00:19:04,480
I'm sure you think of it.

190
00:19:04,480 --> 00:19:07,480
I've heard some weird auditions in my life,

191
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but I've got to tell you that it's possibly the weirdest I've ever heard in my life.

192
00:19:11,480 --> 00:19:16,480
I mean, it was like a one year old singing song.

193
00:19:16,480 --> 00:19:18,480
You don't really cut out to be a singer.

194
00:19:18,480 --> 00:19:19,480
I don't think.

195
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I'm a singer of K.

196
00:19:20,480 --> 00:19:21,480
I'm a singer.

197
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You don't.

198
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You don't.

199
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You don't.

200
00:19:24,480 --> 00:19:25,480
Okay.

201
00:19:25,480 --> 00:19:26,480
Zero for effort.

202
00:19:26,480 --> 00:19:27,480
Zero for style.

203
00:19:27,480 --> 00:19:29,480
Zero for stock quality.

204
00:19:29,480 --> 00:19:30,480
And you know what?

205
00:19:30,480 --> 00:19:33,480
I think you just killed my favorite song a little time.

206
00:19:33,480 --> 00:19:35,480
So you think you can sing any better?

207
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Prove it.

208
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Head over the music.potsho.com

209
00:19:38,480 --> 00:19:40,480
and pick out your favorite pot-sake track.

210
00:19:40,480 --> 00:19:44,480
Then go over to thepot5.com for all the details.

211
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We'll be competing against some of the best

212
00:19:46,480 --> 00:19:48,480
and some of the worst singers on the internet.

213
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And who knows?

214
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You may become the next pot-five aisle.

215
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Okay.

216
00:19:57,480 --> 00:19:58,480
There you go.

217
00:19:58,480 --> 00:19:59,480
It could happen.

218
00:19:59,480 --> 00:20:00,480
All right.

219
00:20:00,480 --> 00:20:03,480
The first stop on the football trains coming up after a song

220
00:20:03,480 --> 00:20:05,480
from the pot-sake music network.

221
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Got a couple of those lined up for it.

222
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Because, man, there's some good stuff coming up.

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I'll talk to you on the side of a Sarah Vaughan

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to hard as I got sunshine.

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Living in a dangerous court.

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And it's so hard to find a time

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to really open and need my plea.

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[ Music ]

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436
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446
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447
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448
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451
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456
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458
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459
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460
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Don't lie to me.

463
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Don't lie to me.

464
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Don't lie to me.

465
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He said, I mean, email a while ago, he says, you know, we've got this show and I think

466
00:26:42,680 --> 00:26:43,680
it's perfect for you.

467
00:26:43,680 --> 00:26:46,840
I'd really like you to take a look at the treatment and see if you're interested in doing

468
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the pilot for us.

469
00:26:47,840 --> 00:26:51,240
The first thing I said, of course, is dude, I'm not interested in a mainstream television

470
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career.

471
00:26:52,240 --> 00:26:59,600
I'm not interested in, you know, I don't have no intention of a career in making television

472
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pilots unless they're for pod show and we're making them for online.

473
00:27:03,440 --> 00:27:07,000
That I'm interested in what kind of show is it?

474
00:27:07,000 --> 00:27:08,000
It's a game show.

475
00:27:08,000 --> 00:27:14,000
I'm like, wow, I've always wondered what it would be like to do a game show.

476
00:27:14,000 --> 00:27:18,600
And they've come up with a very interesting, very simple program.

477
00:27:18,600 --> 00:27:22,520
And so they sent me the treatment, read through it, and so I did hook up with them.

478
00:27:22,520 --> 00:27:26,160
And we went through kind of like a version of the game and I got to tell you, I had a lot

479
00:27:26,160 --> 00:27:27,160
of fun.

480
00:27:27,240 --> 00:27:36,040
Really enjoyed, you know, basically being a game show host, it was great because it had

481
00:27:36,040 --> 00:27:41,520
nothing to do with me, nothing to do with, well, actually, the way this thing is set

482
00:27:41,520 --> 00:27:45,880
up, there's a lot of freedom for the host or the presenter to bring a lot of his own

483
00:27:45,880 --> 00:27:49,920
personality and really a lot of freedom of movement, which to me is quite the opposite

484
00:27:49,920 --> 00:27:52,160
of the restrictive environment of television.

485
00:27:52,920 --> 00:27:57,480
You know, I'm a much more an audio guy or a radio guy because I basically control

486
00:27:57,480 --> 00:27:59,480
everything from beginning to end.

487
00:27:59,480 --> 00:28:05,120
And I don't know, you know, if we can strike the right deal, I said, look, I'm not interested

488
00:28:05,120 --> 00:28:06,120
in making a pilot.

489
00:28:06,120 --> 00:28:10,280
If you'll give me a piece of the action, well, yeah, then we can talk.

490
00:28:10,280 --> 00:28:14,480
So I think, I think we got something, we're pulling something together there.

491
00:28:14,480 --> 00:28:18,920
And of course, this is the perfect, you know, almost all game shows you can make derivatives

492
00:28:19,000 --> 00:28:24,320
of the work perfectly online, you know, not a 22 minute or 30 minutes with commercial

493
00:28:24,320 --> 00:28:28,400
version, but I'm pretty sure there's something we could do in a, you know, one to three

494
00:28:28,400 --> 00:28:29,400
minute version.

495
00:28:29,400 --> 00:28:30,880
So I'll keep you up to speed on that.

496
00:28:30,880 --> 00:28:35,760
It was just really interesting to get in touch again with some mainstream media folks

497
00:28:35,760 --> 00:28:38,400
and they're still to say nothing has changed.

498
00:28:38,400 --> 00:28:41,320
And they're all in awe of what we're doing, I might add.

499
00:28:41,320 --> 00:28:46,160
They're all extremely envious of how quickly we can, you know, we as independent producers

500
00:28:46,240 --> 00:28:50,640
can crank out new ideas, test them out, you know, we don't have a pilot season.

501
00:28:50,640 --> 00:28:58,360
We can, I look, as far as I'm considered, or as far as the show is considered, this

502
00:28:58,360 --> 00:29:02,960
is still in pilot phase episode 733 of the pilot.

503
00:29:02,960 --> 00:29:09,160
I am the pilot of the airwaves, 16 million dollars worth of airplane strap to my ass.

504
00:29:09,160 --> 00:29:10,160
What can I say?

505
00:29:10,360 --> 00:29:15,560
I'd like to make a motion to rock this mother out.

506
00:29:15,560 --> 00:29:37,560
[ Music ]

507
00:29:37,560 --> 00:29:40,560
You're out there, what do you say?

508
00:29:41,560 --> 00:29:43,560
You might even come to the end.

509
00:29:43,560 --> 00:29:45,560
Yo, yo, yo.

510
00:29:45,560 --> 00:29:50,560
Yo, how's it going Adam, it's Jersey time, the official musicologist of the Cha Cha.

511
00:29:50,560 --> 00:29:52,560
Dude, I'm a little sad, don't know.

512
00:29:52,560 --> 00:29:55,560
I've got to tell you it's been a rough week with no DSCs.

513
00:29:55,560 --> 00:29:59,560
I don't know how people are getting through, I mean, the economy's going to shit.

514
00:29:59,560 --> 00:30:01,560
The world's just changing.

515
00:30:01,560 --> 00:30:04,560
It's just sad, man.

516
00:30:04,560 --> 00:30:05,560
I need something to cheer me up.

517
00:30:05,560 --> 00:30:06,560
I don't know what I need.

518
00:30:06,560 --> 00:30:08,560
I need the temple of soul.

519
00:30:08,560 --> 00:30:09,560
Check these guys out.

520
00:30:09,560 --> 00:30:10,560
They're out of flooring and man.

521
00:30:10,560 --> 00:30:12,560
If they don't make it happy, nothing will.

522
00:30:12,560 --> 00:30:15,560
Cause they got sunshine in your smile.

523
00:30:15,560 --> 00:30:16,560
They're just...

524
00:30:16,560 --> 00:30:23,560
You know, in this life, there are circumstances that happen beyond our control.

525
00:30:23,560 --> 00:30:26,560
And you can say it.

526
00:30:26,560 --> 00:30:29,560
But no, I love you.

527
00:30:29,560 --> 00:30:32,560
Do you know how it's touching?

528
00:30:32,560 --> 00:30:35,560
We have it.

529
00:30:35,560 --> 00:34:08,560
[ Music ]

530
00:34:08,560 --> 00:34:09,560
You know how it's touching?

531
00:34:09,560 --> 00:34:10,560
You know how it's touching?

532
00:34:10,560 --> 00:34:11,560
You know how it's touching?

533
00:34:11,560 --> 00:34:13,560
You know how it's touching?

534
00:34:13,560 --> 00:34:14,560
You know how it's touching?

535
00:34:14,560 --> 00:34:15,560
You know how it's touching?

536
00:34:15,560 --> 00:34:16,560
You know how it's touching?

537
00:34:16,560 --> 00:34:18,560
You know how it's touching?

538
00:34:18,560 --> 00:34:19,560
You know how it's touching?

539
00:34:19,560 --> 00:34:25,960
It was so good that I actually noticed that I had it scheduled I put this song in again for this daily source

540
00:34:25,960 --> 00:34:31,240
Got to find another song in the show with fantastic temple of soul sunshine in your smile

541
00:34:31,560 --> 00:34:38,680
Selected by the official musicologist of the cha cha sir jersey Todd links to the songs of course in the show notes a daily source code

542
00:34:38,680 --> 00:34:44,120
Doctor metal has this is then in order in the shadow side. Bye. This is just a different way to listen

543
00:34:44,120 --> 00:34:45,720
Hi, this is Tommy's dog

544
00:34:45,720 --> 00:34:53,120
Hey, this is Diana. Hey, this is for a good eye. This is staff at Davis from I O I his job for TV team

545
00:34:53,120 --> 00:34:59,120
And you're listening to and you're listening to

546
00:35:01,120 --> 00:35:03,120
That's in the radio chat a new bed

547
00:35:03,120 --> 00:35:06,620
W w w w dot in the radio chat a new good dot com

548
00:35:14,120 --> 00:35:18,320
Try to g coming up back to this next track another one from the pod save music network

549
00:35:18,320 --> 00:37:43,750
[ Music ]

550
00:37:44,120 --> 00:37:47,480
13, jungle juice.

551
00:37:47,480 --> 00:37:50,940
From the pod say music now, work at music dot podshow dot com andウ, of course you can find

552
00:37:50,940 --> 00:37:53,040
a player at Podshow dot com slash music.

553
00:37:53,040 --> 00:37:54,280
Uh, look for crow.

554
00:37:54,280 --> 00:37:58,020
Crazy and uh, I'll put a link in the show notes and you can find it easily.

555
00:37:58,020 --> 00:38:02,860
alright, so uh, we released v2.5 yesterday.

556
00:38:02,860 --> 00:38:05,640
Um, pretty big deal for us.

557
00:38:05,640 --> 00:38:06,640
Um, kind of, yeah.

558
00:38:06,640 --> 00:38:10,720
I mean, uh, we're still a relatively young company, even though man, we've been doing

559
00:38:10,720 --> 00:38:13,860
this for three years now since 2005, we started the company,

560
00:38:13,860 --> 00:38:16,060
the company.

561
00:38:16,060 --> 00:38:20,340
But we're still agile enough to make some fast moves when we really need to make them.

562
00:38:20,340 --> 00:38:23,940
And let me tell you a little bit about what's going on.

563
00:38:23,940 --> 00:38:28,540
If you look at the new site, so this is really a, I even posted it on curry.com.

564
00:38:28,540 --> 00:38:30,260
This is not a face lift, really.

565
00:38:30,260 --> 00:38:32,620
It's more like a Botox injection, if you will.

566
00:38:32,620 --> 00:38:36,900
As we continue our way towards V3, which you'll have more technological improvements.

567
00:38:36,900 --> 00:38:42,700
This really changes the home pages for Potcha.com and VT Potcha.com shows a little bit of

568
00:38:42,700 --> 00:38:46,340
a direction where we want to go with how we're displaying media.

569
00:38:46,340 --> 00:38:50,940
Most of the underlying things are still the same, there's some design changes.

570
00:38:50,940 --> 00:38:55,860
And of course, there's lots of bugs and it should be worked out as you can always expect.

571
00:38:55,860 --> 00:38:58,980
But it has sparked a very good conversation because I believe that people are seeing

572
00:38:58,980 --> 00:39:04,020
that we're now finalizing our strategy and I want to drill down on this today.

573
00:39:04,020 --> 00:39:05,820
So you can think about it over the weekend.

574
00:39:05,820 --> 00:39:11,180
Obviously, I didn't have, I really didn't have the energy, honestly, to go through

575
00:39:11,180 --> 00:39:13,940
voicemail feedback for today's show.

576
00:39:13,940 --> 00:39:16,940
So I'm sure we'll have plenty of it to talk about next week.

577
00:39:16,940 --> 00:39:21,540
And darn, if I don't want to do a five show week next week, man, I really need it.

578
00:39:21,540 --> 00:39:23,700
This was no good.

579
00:39:23,700 --> 00:39:24,700
Again, apologies.

580
00:39:24,700 --> 00:39:26,700
It's just the way it worked out.

581
00:39:26,700 --> 00:39:28,700
Tough.

582
00:39:28,700 --> 00:39:29,700
That's it.

583
00:39:29,700 --> 00:39:30,700
What?

584
00:39:30,700 --> 00:39:31,700
Who needs sleep?

585
00:39:31,700 --> 00:39:36,700
Oh, by the way, I forgot to tell you that I've also been asked to participate in a morning

586
00:39:36,700 --> 00:39:39,500
radio program on a regular basis.

587
00:39:39,500 --> 00:39:43,860
That's the thing I have to say that interests me the most because I've been experimenting

588
00:39:43,860 --> 00:39:44,860
a bit with live shows.

589
00:39:44,860 --> 00:39:46,940
Haven't done one on the Charlie in a while.

590
00:39:46,940 --> 00:39:50,540
But I think I have an idea of how we're going to do it next week.

591
00:39:50,540 --> 00:39:53,060
Because that is another part of what I love doing, man.

592
00:39:53,060 --> 00:39:57,260
I love talking to people live and chatting around.

593
00:39:57,260 --> 00:40:01,660
Anyway, if you look at Pachot.com, if you haven't, maybe if you're not in the car or

594
00:40:01,660 --> 00:40:05,180
if you're not on the road, you could take a look at it now if you haven't seen it.

595
00:40:05,180 --> 00:40:08,380
You'll see here that we're really playing into our strategy.

596
00:40:08,380 --> 00:40:10,780
Let me tell you what that is.

597
00:40:10,780 --> 00:40:15,940
So first of all, about two months ago, maybe three months ago, we really discovered

598
00:40:15,940 --> 00:40:21,900
that we have two lines of business that are absolutely kicking ass and really, really working.

599
00:40:21,900 --> 00:40:24,380
One of them is already making really decent money.

600
00:40:24,380 --> 00:40:25,780
The other one is just about to hit.

601
00:40:25,780 --> 00:40:27,860
So I'll start with that one.

602
00:40:27,860 --> 00:40:30,980
That is online video.

603
00:40:30,980 --> 00:40:37,380
When I say online video, I'm not talking about necessarily YouTube, like user-generated

604
00:40:37,380 --> 00:40:45,060
clips because the real business turns out is independently produced, semi-professionally

605
00:40:45,060 --> 00:40:51,820
produced or even professionally produced because it does work for sites like Hulu.

606
00:40:51,820 --> 00:40:55,660
Short form, I must say, episodic content.

607
00:40:55,660 --> 00:41:00,940
So of course, we have several hundred video programs now on our network that are short

608
00:41:00,980 --> 00:41:06,820
form, that are very targeted and that are formats that are absolutely created for the

609
00:41:06,820 --> 00:41:09,820
online audience and they're working.

610
00:41:09,820 --> 00:41:15,060
What we figured out is how to market those programs and I know I've talked about this

611
00:41:15,060 --> 00:41:16,060
a lot.

612
00:41:16,060 --> 00:41:20,980
You know, it's, yes, there are some advantages that mainstream has because they have

613
00:41:20,980 --> 00:41:21,980
a channel.

614
00:41:21,980 --> 00:41:23,900
There's only so many channels on your television.

615
00:41:23,900 --> 00:41:26,740
It is an ever-expanding universe, I might point out.

616
00:41:26,740 --> 00:41:31,620
So that advantage is slipping away quite rapidly.

617
00:41:31,620 --> 00:41:36,460
But essentially, in the mainstream entertainment business, whether it's music, whether it's

618
00:41:36,460 --> 00:41:41,140
television, whether it's film, it's all about marketing.

619
00:41:41,140 --> 00:41:47,060
If you make a $100 million film and you have a $20 million star in that, the first thing

620
00:41:47,060 --> 00:41:50,780
that's done is that $20 million is considered a marketing cost.

621
00:41:50,780 --> 00:41:53,660
Tom Cruise is an OK actor, but he's not all that great.

622
00:41:53,660 --> 00:41:54,980
Is he really worth $20 million?

623
00:41:54,980 --> 00:41:58,620
Yeah, well, at one point he was because he was a big name draw.

624
00:41:58,620 --> 00:42:01,340
His name will put butts and seats and theaters.

625
00:42:01,340 --> 00:42:02,900
We'll get people buying DVDs.

626
00:42:02,900 --> 00:42:06,140
So that's basically part of marketing.

627
00:42:06,140 --> 00:42:07,980
You make a $100 million movie.

628
00:42:07,980 --> 00:42:15,180
You could easily spend $125 million on marketing the movie all the way throughout its lifespan

629
00:42:15,180 --> 00:42:17,740
from film onto DVD.

630
00:42:17,740 --> 00:42:18,740
Same goes for television.

631
00:42:18,740 --> 00:42:24,140
In fact, when you have a number one hit show, dancing with the stars, it's not like,

632
00:42:24,140 --> 00:42:27,380
oh, we're number one and we just kick back and relax and the audience just keeps coming

633
00:42:27,380 --> 00:42:28,380
back.

634
00:42:28,380 --> 00:42:29,380
Exactly the opposite.

635
00:42:29,380 --> 00:42:33,780
The marketing money is turned up even further because you're going to sell more advertising

636
00:42:33,780 --> 00:42:34,780
at higher prices.

637
00:42:34,780 --> 00:42:36,500
You need to keep those numbers there.

638
00:42:36,500 --> 00:42:42,180
So you start marketing it and there's, oh, man, they spent so much money on it.

639
00:42:42,180 --> 00:42:44,180
Let's just take that show as an example.

640
00:42:44,180 --> 00:42:50,260
Outside of advertisements, promos, you run a promo in your own television network.

641
00:42:50,260 --> 00:42:53,300
I think that's what is dancing with the stars, Fox.

642
00:42:53,300 --> 00:42:54,300
That's not free.

643
00:42:54,300 --> 00:42:57,180
That's, you're using up that airtime instead of a commercial.

644
00:42:57,180 --> 00:42:58,580
So that's a cost.

645
00:42:58,580 --> 00:42:59,580
There's billboards.

646
00:42:59,580 --> 00:43:02,500
There's advertisements and magazines.

647
00:43:02,500 --> 00:43:08,300
There's PR firms that are taking the stars all around to all the different shows, talk

648
00:43:08,300 --> 00:43:10,620
shows, to be talking about their experience.

649
00:43:10,620 --> 00:43:17,020
There's a huge PR machine that's working for the program and it costs a lot of money.

650
00:43:17,020 --> 00:43:21,660
The more successful it is, the more marketing that has to be done to maintain that.

651
00:43:21,660 --> 00:43:29,740
So what sites like YouTube and AOL and now there's really the user generated sites while

652
00:43:29,740 --> 00:43:35,060
extremely entertaining and while there's tons of good stuff and of course a lot of that

653
00:43:35,060 --> 00:43:36,900
good stuff is stolen content.

654
00:43:36,900 --> 00:43:41,300
That's not like you still can't find the daily show on YouTube or the documentary that

655
00:43:41,300 --> 00:43:43,460
aired yesterday that you missed on television.

656
00:43:43,460 --> 00:43:46,500
You can still find that all over YouTube.

657
00:43:46,500 --> 00:43:51,500
In general, brand advertisers, the big boys, the Coca-Cola, the Proctor and Gamble, the

658
00:43:51,500 --> 00:43:58,980
next 10 billion dollars of advertising that's going to come online, has not really come

659
00:43:58,980 --> 00:44:05,140
online yet because they are afraid to advertise in a non-brand safe environment.

660
00:44:05,140 --> 00:44:06,140
What do I mean?

661
00:44:06,140 --> 00:44:07,140
My non-brand safe?

662
00:44:07,140 --> 00:44:14,220
Well, to look at YouTube, they don't want the risk of all of a sudden having their advertising

663
00:44:14,220 --> 00:44:18,300
sitting next to on top of or being pre-rolled in front of someone shooting a firecracker

664
00:44:18,300 --> 00:44:19,300
out of his ass.

665
00:44:19,300 --> 00:44:22,900
It's just not what brands are into.

666
00:44:22,900 --> 00:44:30,020
So of course YouTube did build up a huge audience of eyeballs, but it's unmonitizable.

667
00:44:30,020 --> 00:44:35,300
In fact, I know for a fact that last year, Pod Show made more money on advertising sales

668
00:44:35,300 --> 00:44:36,300
than YouTube.

669
00:44:36,300 --> 00:44:42,500
I think they just got it like an $8 million Microsoft Xbox 360 campaign.

670
00:44:42,500 --> 00:44:43,900
That's obviously a really good deal.

671
00:44:43,900 --> 00:44:49,260
Clearly, that's a brand advertiser who does take the risk and they'll live with it because

672
00:44:49,260 --> 00:44:51,260
it's a gaming industry.

673
00:44:51,260 --> 00:44:56,460
There's a lot of risk already involved in the content that are contained in the games.

674
00:44:56,460 --> 00:44:57,460
And I think they're right.

675
00:44:57,460 --> 00:44:59,700
I think that is appropriate for that type of advertiser.

676
00:44:59,740 --> 00:45:02,100
You're not going to see cover girl.

677
00:45:02,100 --> 00:45:09,620
You're not going to see Coca-Cola necessarily rolling out brand advertising in a broad way

678
00:45:09,620 --> 00:45:13,020
on user-generated video or on social media sites.

679
00:45:13,020 --> 00:45:19,660
In fact, Google guaranteed a rather large amount of advertising for my space, they can't

680
00:45:19,660 --> 00:45:20,660
fulfill the order.

681
00:45:20,660 --> 00:45:26,420
You know, the traffic is just not valuable enough and it turns out that on these social

682
00:45:26,420 --> 00:45:32,020
media, social sites, social networking sites.

683
00:45:32,020 --> 00:45:33,660
People are getting pretty good at avoiding the ads.

684
00:45:33,660 --> 00:45:34,660
Go figure.

685
00:45:34,660 --> 00:45:35,660
That's because they're ads.

686
00:45:35,660 --> 00:45:41,020
They're not integrated within the content and they're just, they'll still not relevant.

687
00:45:41,020 --> 00:45:42,020
Okay.

688
00:45:42,020 --> 00:45:46,580
So meanwhile, you've got brand advertisers desperate to advertise on video online.

689
00:45:46,580 --> 00:45:50,340
So they wind up eventually going to people who have brand-save video.

690
00:45:50,340 --> 00:45:52,540
So an example is Hulu.

691
00:45:52,540 --> 00:45:56,380
An example, I think juice dual put them in that category even though they don't see

692
00:45:56,380 --> 00:46:01,540
anything to be, you know, quite as on fire as they were and I believe that's because you

693
00:46:01,540 --> 00:46:03,980
have to download a separate application, but that's just me.

694
00:46:03,980 --> 00:46:11,060
But also, I haven't really seen great content from them yet, but you know, they're definitely

695
00:46:11,060 --> 00:46:12,060
in the game.

696
00:46:12,060 --> 00:46:18,740
AOL Yahoo, you know, they do have some independently produced, semi-professionally produced,

697
00:46:18,740 --> 00:46:21,340
or even professionally produced content.

698
00:46:21,340 --> 00:46:25,260
Of course, the independently produced stuff is what interests me the most personally,

699
00:46:25,260 --> 00:46:30,860
because I think it's the most creative and hits the audience right between the eyes.

700
00:46:30,860 --> 00:46:35,580
So with the amount of content we have, with a number of episodic shows and our knowledge

701
00:46:35,580 --> 00:46:39,180
of how to market those shows online, which we've gotten really good at.

702
00:46:39,180 --> 00:46:40,380
Make no mistake and mistake.

703
00:46:40,380 --> 00:46:43,540
We spend real money using other types of networks.

704
00:46:43,540 --> 00:46:44,860
We use Google AdWords.

705
00:46:44,860 --> 00:46:50,700
We use all kinds of different ways to introduce relevant audience to the programming we have.

706
00:46:50,700 --> 00:46:54,500
And if you don't market, yeah, you have organic growth of every single show.

707
00:46:54,580 --> 00:46:55,740
You know, the numbers drop down.

708
00:46:55,740 --> 00:46:57,820
You turn the marketing up, the numbers go up again.

709
00:46:57,820 --> 00:46:59,380
This is just the way media works.

710
00:46:59,380 --> 00:47:03,020
We, you know, people kind of forgot that with these viral videos.

711
00:47:03,020 --> 00:47:06,620
You know, there's no way to advertise on a viral video.

712
00:47:06,620 --> 00:47:11,780
You know, if something all of a sudden goes viral, and let's say it is even brand, brand

713
00:47:11,780 --> 00:47:15,460
safe, you still have to get the rights to sell advertising on it.

714
00:47:15,460 --> 00:47:20,220
And by that time, you know, millions of people have seen it, you know, how can I go to an advertiser

715
00:47:20,220 --> 00:47:23,820
who's trying to plan their advertising campaign and get them to advertise on it?

716
00:47:23,940 --> 00:47:27,020
It's too late, the moment's over.

717
00:47:27,020 --> 00:47:33,740
So it's not a stable, sustainable, or predictable business model with any type of visibility.

718
00:47:33,740 --> 00:47:35,500
So we have one.

719
00:47:35,500 --> 00:47:39,420
And it's gotten so interesting now that there's hundreds of millions of dollars out there

720
00:47:39,420 --> 00:47:45,340
for online video, episodic, brand safe, independently produced.

721
00:47:45,340 --> 00:47:48,340
And these big guys can't fulfill the order.

722
00:47:48,340 --> 00:47:53,460
They just, they just don't have the inventory or they don't have the rights or they

723
00:47:53,500 --> 00:47:56,220
can't promise brand safeness.

724
00:47:56,220 --> 00:47:57,700
Okay, that's what we're coming in.

725
00:47:57,700 --> 00:47:58,700
Come in.

726
00:47:58,700 --> 00:48:03,100
Some of this opportunity is now starting to spill over and start to start to drip into

727
00:48:03,100 --> 00:48:04,100
our lap.

728
00:48:04,100 --> 00:48:06,820
And, you know, it may not take much.

729
00:48:06,820 --> 00:48:10,860
We could be close to a tipping point where a lot could just come streaming in.

730
00:48:10,860 --> 00:48:14,900
Again, we have the ability to fulfill these orders because we know how to market to our

731
00:48:14,900 --> 00:48:15,900
audiences.

732
00:48:15,900 --> 00:48:20,140
We know how to get, you know, a hundred or a hundred and fifty million views in a month.

733
00:48:20,140 --> 00:48:25,100
And we have the knowledge of how to do it and it's working and it's paying off.

734
00:48:25,100 --> 00:48:30,460
And people like the content, co-figure advertisers love the fact that their messages

735
00:48:30,460 --> 00:48:34,260
are relevant, that the audience that we're bringing in to these programs are relevant

736
00:48:34,260 --> 00:48:35,260
and the paying for it.

737
00:48:35,260 --> 00:48:37,940
So that's obviously awesome.

738
00:48:37,940 --> 00:48:41,980
And that's something that we've been focused on for a while and it's a real line of

739
00:48:41,980 --> 00:48:47,580
business for us and we're concentrating a majority of our efforts on that.

740
00:48:47,580 --> 00:48:52,740
Now we have the other side and on the other side would be this side of the house.

741
00:48:52,740 --> 00:48:59,540
Let's just call it podcasts, but it's really mainly audio long-form programming that

742
00:48:59,540 --> 00:49:01,420
is not necessarily brand safe.

743
00:49:01,420 --> 00:49:03,780
I would not call this show brand safe at all.

744
00:49:03,780 --> 00:49:07,180
In fact, you don't hear many advertisers on this program do you?

745
00:49:07,180 --> 00:49:13,660
You've got some bold ones like Nokia who of course allow me to sell the Nokia N810 at

746
00:49:13,660 --> 00:49:14,660
a 15% discount.

747
00:49:14,660 --> 00:49:18,140
We've got a new price by the way, go to podshowoffers.com.

748
00:49:18,140 --> 00:49:19,900
The price has been reduced.

749
00:49:19,900 --> 00:49:22,540
Use my checkout code daily source code to get your 15%.

750
00:49:22,540 --> 00:49:26,580
You can't get this thing cheaper anywhere and there's been quite a price war and all kinds

751
00:49:26,580 --> 00:49:30,980
of confusion going on, but podshowoffers.com still has the cheapest price.

752
00:49:30,980 --> 00:49:36,180
If you use my code daily source code, then of course there's also go daddy where you can

753
00:49:36,180 --> 00:49:39,380
use my checkout code DSC3.

754
00:49:39,380 --> 00:49:44,100
Now on all of these and you've heard me do these before, these are, we just call these

755
00:49:44,100 --> 00:49:52,460
our campaigns and we have a large group of producer, producers who make, well, I've got

756
00:49:52,460 --> 00:49:56,820
to call them, you just differentiate their podcasts, you know, I really think the audio

757
00:49:56,820 --> 00:50:01,380
part is, even though there's all kinds of confusion in the marketplace about what

758
00:50:01,380 --> 00:50:07,500
a podcast is, let's just say this is audio only just for the purposes of this discussion.

759
00:50:07,500 --> 00:50:13,700
Now in audio shows and you know, that's, that is the genesis of our company.

760
00:50:13,700 --> 00:50:18,340
A lot of the shows don't have huge audiences, there's not many, in fact, there's only

761
00:50:18,340 --> 00:50:24,620
probably two handfuls of shows that can do over a million listens a month.

762
00:50:24,620 --> 00:50:27,420
And some of the, you know, of course there's always some stuff that there's always some

763
00:50:27,420 --> 00:50:33,100
exception to the rule, but in general, most of the shows, if you were to look at an advertising

764
00:50:33,100 --> 00:50:39,020
ratio where ads are spots are sold at a cost per thousand.

765
00:50:39,020 --> 00:50:43,740
So for video, I think it's between $25 and $35 per thousand.

766
00:50:43,740 --> 00:50:48,860
So if you have 1,000 people listening to the show, we could essentially sell one commercial

767
00:50:48,860 --> 00:50:51,340
and that would get you 25 to 35 bucks.

768
00:50:51,340 --> 00:50:52,340
Okay.

769
00:50:52,340 --> 00:50:56,780
So you can see where that's not going to be a lot of money for most of these producers, however,

770
00:50:56,780 --> 00:51:03,020
the audiences that these shows have, including you chuckle heads out there, are an extremely

771
00:51:03,100 --> 00:51:04,020
loyal.

772
00:51:04,020 --> 00:51:09,540
They listen to the entire program, they catch up, they're involved or as the advertising

773
00:51:09,540 --> 00:51:13,540
business likes to say, they're extremely engaged.

774
00:51:13,540 --> 00:51:20,620
And they're convertible into customers, purchasers of product, either endorsed by the host,

775
00:51:20,620 --> 00:51:23,020
or discussed in the program.

776
00:51:23,020 --> 00:51:29,180
Sometimes even, only Ancillary mentioned the program, but further promoted on the show

777
00:51:29,180 --> 00:51:31,100
side or on a weblogg.

778
00:51:31,100 --> 00:51:35,820
So, and this is what we discovered with music, of course, you know, the Potsay music network

779
00:51:35,820 --> 00:51:40,220
is built on this principle of loyal audiences who will listen to what, you know, their

780
00:51:40,220 --> 00:51:43,620
buddies saying on the show will give something to try, they're willing to try it out,

781
00:51:43,620 --> 00:51:46,820
and they'll provide feedback if they think it sucks.

782
00:51:46,820 --> 00:51:53,580
So I believe in the past trailing 12 months, we sent out over $1.4 million in checks

783
00:51:53,580 --> 00:52:00,500
to this pool of producers who are on these campaigns like GoDaddy, like Nokia, because

784
00:52:00,500 --> 00:52:06,300
over every GoDaddy account they sell, every listener they bring in and convert to becoming

785
00:52:06,300 --> 00:52:07,300
a customer.

786
00:52:07,300 --> 00:52:11,660
Obviously, the host gets a piece of that, gets a piece of the action, and this is really

787
00:52:11,660 --> 00:52:12,660
working.

788
00:52:12,660 --> 00:52:18,780
We've got people with only a couple CPMs, if you will, who are making over $100,000

789
00:52:18,780 --> 00:52:19,780
here.

790
00:52:19,780 --> 00:52:25,700
So, if they're making money, we're making money and I'm extremely excited about how successful

791
00:52:25,700 --> 00:52:26,700
this has become.

792
00:52:26,700 --> 00:52:30,980
Almost, I have to say it's kind of exclusive to what Potsho is doing because it is a lot

793
00:52:30,980 --> 00:52:38,780
like an affiliate sales network, only it includes a programming, which makes so much sense.

794
00:52:38,780 --> 00:52:44,780
It's almost like podcast advertising, you know, it was meant to be this form of hybrid,

795
00:52:44,780 --> 00:52:49,460
and it's really working because you don't have to worry about really what you're doing

796
00:52:49,460 --> 00:52:56,660
on your show or the content of your show and the companies that are driving these campaigns

797
00:52:57,220 --> 00:52:58,700
they're only interested in sales.

798
00:52:58,700 --> 00:52:59,700
They just want to make money.

799
00:52:59,700 --> 00:53:03,460
They really don't care that much how you do it as long as the money keeps rolling in.

800
00:53:03,460 --> 00:53:06,500
And isn't that kind of a beautiful situation?

801
00:53:07,220 --> 00:53:11,540
So, we've got those two lines of business, and they're making money for us and the things

802
00:53:11,540 --> 00:53:13,340
we do with them are profitable.

803
00:53:14,100 --> 00:53:18,940
So, you're going to see Potsho.com focus on those two main features.

804
00:53:18,940 --> 00:53:22,140
And we're making those into many networks.

805
00:53:22,180 --> 00:53:26,700
We're making them into channels where we're going to open up our producer pool.

806
00:53:26,700 --> 00:53:28,740
Much, we're going to open up much wider.

807
00:53:28,740 --> 00:53:32,260
We're going to come up with a whole new set of contracts that makes it much easier for

808
00:53:32,260 --> 00:53:38,340
people to come in, you know, get on our programs, see if they like what we're doing.

809
00:53:38,340 --> 00:53:42,380
Check out some of the deals that they can participate in and make money with.

810
00:53:42,380 --> 00:53:47,660
We provide you with training, with tools, with all kinds of support outside of the architecture

811
00:53:47,660 --> 00:53:53,380
of course that you just need to get your show up and running and statistics, et cetera.

812
00:53:53,380 --> 00:53:57,100
And of course, there's the business back and the real infrastructure that was necessary

813
00:53:57,100 --> 00:53:58,100
to do this.

814
00:53:58,100 --> 00:54:04,940
And I'm, although I love doing video, I got to tell you, I'm extremely excited about

815
00:54:04,940 --> 00:54:05,940
this.

816
00:54:05,940 --> 00:54:08,820
And so, you can look forward to a number of campaigns.

817
00:54:08,820 --> 00:54:13,500
Those of you who are already already in the Potsho producer group, we've got a couple

818
00:54:13,500 --> 00:54:17,660
of new campaigns on the way, which are going to blow your socks off directly related

819
00:54:17,660 --> 00:54:23,220
to your audiences, where you're actually in a way, we'll be selling yourself.

820
00:54:23,220 --> 00:54:27,820
Not in the horrors kind of way, but you'll find out that's coming soon.

821
00:54:27,820 --> 00:54:31,780
As I said, we're going to open it up much wider so that, you know, with less restrictions

822
00:54:31,780 --> 00:54:38,180
and I think we'll probably be able to convert most of our existing producers into this

823
00:54:38,180 --> 00:54:44,540
new contract, new agreement, which contains most of what people have been asking for.

824
00:54:44,540 --> 00:54:46,900
You know, easy way in, easy way out.

825
00:54:46,900 --> 00:54:51,260
We've already been really cool about, you know, we don't want to own your shit.

826
00:54:51,260 --> 00:54:53,420
It's your shit to do with what you want.

827
00:54:53,420 --> 00:54:58,700
Here's how you can work with us, here's how you can make money and hear the, and here

828
00:54:58,700 --> 00:55:06,140
are the examples of the quite a large group of people who are actually doing it.

829
00:55:06,140 --> 00:55:10,540
So that affects us in a big way.

830
00:55:10,540 --> 00:55:17,300
So this past week, we've been, yeah, we've really been restructuring, reorganizing, re-shuffling.

831
00:55:17,300 --> 00:55:24,940
We continue to, excuse me, blow full steam ahead to get the, to get V3 out.

832
00:55:24,940 --> 00:55:31,500
I think probably around the 21st, yes, that should be another week or so.

833
00:55:31,500 --> 00:55:34,180
You're going to see stuff coming online continuously.

834
00:55:34,180 --> 00:55:37,380
And of course, stuff will break and there'll be some good stuff and some bad stuff.

835
00:55:37,380 --> 00:55:41,100
And we'll just do what we can, right?

836
00:55:41,100 --> 00:55:45,460
And I look, oh, listen those birds outside.

837
00:55:45,460 --> 00:55:51,100
Oh, man, spring is almost here, except it's really wet, really cold.

838
00:55:51,100 --> 00:55:53,700
It's a UK spring.

839
00:55:53,700 --> 00:55:55,620
What happened to global warming, man?

840
00:55:55,620 --> 00:56:00,060
I thought I was going to have exclusive beachfront access here in the UK.

841
00:56:00,060 --> 00:56:04,260
I, I, I, all right, I want you to think about that over the weekend that if you have any

842
00:56:04,260 --> 00:56:09,180
ideas, or thoughts or feedback, just call it into the voicemail lines, I'm still looking

843
00:56:09,180 --> 00:56:11,980
for a new voicemail jingle, by the way.

844
00:56:11,980 --> 00:56:15,060
The numbers are listed in the show, no, it's a daily source code.com.

845
00:56:15,060 --> 00:56:16,860
Hello, Adam, let's listen to the chart chart.

846
00:56:16,860 --> 00:56:22,100
This is Robert Gold and Toronto, host of the business cast at businesscast on podshow.com.

847
00:56:22,100 --> 00:56:23,860
We just got the anti unjust Smith jingles.

848
00:56:23,860 --> 00:56:28,180
Wait a year, here is latest for the business cast that's business cast by podshow.com, swing

849
00:56:28,180 --> 00:56:35,180
Jeff Swing from a local bagel shop somewhere, it's the business cast.

850
00:56:35,180 --> 00:56:41,620
Grab a hot press, bagel and a cup of Joe, a set you step down, and here we go.

851
00:56:41,620 --> 00:56:54,860
[ Music ]

852
00:56:54,860 --> 00:57:00,460
It's your business, take it to the next level, make it that out of the mess, make it

853
00:57:00,460 --> 00:57:04,420
the next level, make it that out of the list.

854
00:57:04,420 --> 00:57:05,420
Nice.

855
00:57:05,420 --> 00:57:09,940
All right, to wrap up today's Charlie, and then the footballer Friday, this is a track that

856
00:57:09,940 --> 00:57:14,180
was sent to me, or actually brought to my attention by Matthew Eble, of course, good friend

857
00:57:14,180 --> 00:57:15,180
of the Charlie.

858
00:57:15,180 --> 00:57:20,260
This is a couple of his buddies from Nashville that just joined the pod, safe music revolution,

859
00:57:20,260 --> 00:57:27,260
he wants me to share him with you, and I, hey, kick this, fans called the Lila

860
00:57:27,260 --> 00:57:35,540
Y, got a front man with a ten-toned voice, no fool on baby.

861
00:57:35,540 --> 00:57:38,540
Here's walk on by on the footballer Friday.

862
00:57:41,250 --> 01:02:53,380
[ Music ]

863
01:02:53,380 --> 01:03:09,380
The world allows that I can tell you

864
01:03:09,380 --> 01:03:17,380
The world allows that I can tell you

865
01:03:17,380 --> 01:03:27,380
The world allows that I can tell you

866
01:03:27,380 --> 01:03:33,380
The world allows that I can tell you

867
01:03:33,380 --> 01:03:41,380
The world allows that I can tell you

868
01:03:41,380 --> 01:03:53,380
The world allows that I can tell you

869
01:03:53,380 --> 01:03:57,380
The world allows that I can tell you

870
01:03:57,380 --> 01:04:07,380
The world allows that I can tell you

871
01:04:07,380 --> 01:04:13,380
The world allows that I can tell you

872
01:04:13,380 --> 01:04:29,380
The world allows that I can tell you

873
01:04:29,380 --> 01:04:45,380
The world allows that I can tell you

874
01:04:45,380 --> 01:05:01,380
The world allows that I can tell you

875
01:05:01,380 --> 01:05:17,380
The world allows that I can tell you

876
01:05:17,380 --> 01:05:29,380
The world allows that I can tell you

877
01:05:29,380 --> 01:05:45,380
The world allows that I can tell you

878
01:05:45,380 --> 01:05:51,380
The world allows that I can tell you