1 00:00:00,000 --> 00:00:04,000 Delta Sierra Charlie 826 2 00:00:04,000 --> 00:00:09,000 We'll 16.7 minutes and showing 5.9s of time turns 3 00:00:09,000 --> 00:00:12,000 The 21st century of radio starts here 4 00:00:12,000 --> 00:00:14,000 We're not in the city 5 00:00:14,000 --> 00:00:16,000 We're getting me out live 6 00:00:16,000 --> 00:00:19,000 I know it's gonna strip down our podcast 7 00:00:19,000 --> 00:00:21,000 It's a battle curry 8 00:00:21,000 --> 00:00:24,000 We will arrive 9 00:00:24,000 --> 00:03:20,000 [ Music ] 10 00:03:20,000 --> 00:03:21,000 Why don't we go to the gate? 11 00:03:21,000 --> 00:03:22,000 Why don't we go to the gate? 12 00:03:22,000 --> 00:03:23,000 Why don't we go to the gate? 13 00:03:23,000 --> 00:03:24,000 Why don't we go to the gate? 14 00:03:24,000 --> 00:03:25,000 Why don't we go to the gate? 15 00:03:25,000 --> 00:03:26,000 Why don't we go to the gate? 16 00:03:26,000 --> 00:03:27,000 Why don't we go to the gate? 17 00:03:27,000 --> 00:03:28,000 Why don't we go to the gate? 18 00:03:28,000 --> 00:03:29,000 Why don't we go to the gate? 19 00:03:29,000 --> 00:03:30,000 Why don't we go to the gate? 20 00:03:30,000 --> 00:03:31,000 Why don't we go to the gate? 21 00:03:31,000 --> 00:03:32,000 Why don't we go to the gate? 22 00:03:32,000 --> 00:03:33,000 Why don't we go to the gate? 23 00:03:33,000 --> 00:03:34,000 Why don't we go to the gate? 24 00:03:34,000 --> 00:03:35,000 Why don't we go to the gate? 25 00:03:35,000 --> 00:03:36,000 Why don't we go to the gate? 26 00:03:36,000 --> 00:03:37,000 Why don't we go to the gate? 27 00:03:37,000 --> 00:03:38,000 Why don't we go to the gate? 28 00:03:38,000 --> 00:03:39,000 Why don't we go to the gate? 29 00:03:39,000 --> 00:03:40,000 Why don't we go to the gate? 30 00:03:40,000 --> 00:03:41,000 Why don't we go to the gate? 31 00:03:41,000 --> 00:03:42,000 Why don't we go to the gate? 32 00:03:42,000 --> 00:03:49,000 I'm sure we can fill it up with some gems for you. 33 00:03:49,000 --> 00:08:02,000 [ Music ] 34 00:08:02,000 --> 00:08:04,000 Laura Merritt is dreams! 35 00:08:06,720 --> 00:08:19,020 All the flicker, 36 00:08:21,760 --> 00:08:24,220 Regents the Machine? 37 00:08:24,220 --> 00:08:30,960 Before that DJ Lobster dust with Brooklyn rocks as you can tell there is some work going on here at the hilltop watch tower 38 00:08:30,960 --> 00:08:36,880 and the people's Republic of Southern California. This actually is your donations at work 39 00:08:37,880 --> 00:08:42,240 needed to have well, you know, we got kind of an older place that we're renting and need to patch up some stuff 40 00:08:42,240 --> 00:08:46,520 So it doesn't fall down when the earthquake machine is flicked on in Southern California 41 00:08:47,520 --> 00:08:57,920 That is handyman Daniel who didn't exactly have the schedule straight for the source code recordings and live streamings, but I guess we'll just have to live with it 42 00:08:57,920 --> 00:09:00,420 Hey, it's kind of weird day today 43 00:09:00,420 --> 00:09:04,420 Today is my ex-wife's birthday 44 00:09:04,420 --> 00:09:12,220 She turned 61 today and I was in this classic conundrum, you know, what do you do? And you've been on such a good vibe talking to each other and 45 00:09:13,220 --> 00:09:16,220 Listen to that 46 00:09:16,220 --> 00:09:22,220 You know communicating and getting our shits sorted out and I'm like, so what do you do? Do you call do you? 47 00:09:22,220 --> 00:09:30,220 I don't think you should send a text message. That sounds kind of wrong. Do you send flowers and actually talked it over with Miss Mickey? 48 00:09:30,220 --> 00:09:35,220 She says, yeah, totally you got to send flowers. So I did that and of course we have a nine hour time difference. 49 00:09:35,220 --> 00:09:41,220 So I figured I just place a call over it and say, hey, you know, how you doing happy birthday 50 00:09:41,220 --> 00:09:47,220 Her new boyfriend gave her a puppy, which was kind of funny because I know her and I said 51 00:09:47,220 --> 00:09:52,220 Are you happy with your present? She said well, I wasn't really expecting it 52 00:09:54,220 --> 00:10:00,220 Anyway, I said all the flowers arise is like what flowers? Oh, you know, I got so many flowers 53 00:10:00,220 --> 00:10:06,220 Didn't check all the cards yet, so I don't know. I don't didn't know you sent anything and oh, by the way, I'll have to call the journalist back 54 00:10:06,220 --> 00:10:15,220 Who I just told you or total douche bag for not sending me anything nice. See that's how it goes. Some people just never change 55 00:10:17,220 --> 00:10:18,220 That is worst code 56 00:10:19,220 --> 00:10:25,220 I'm sure the vibrator will eventually switch off otherwise you have to pull the plug so we can chat 57 00:10:26,220 --> 00:10:33,220 And we got some cool stuff to talk about today. So things going on talk about this opportunity and the new iPod 58 00:10:34,220 --> 00:10:36,220 Why should I say I vote it? 59 00:10:38,220 --> 00:10:41,220 The best word on the chart like people are people 60 00:10:43,750 --> 00:13:33,750 [ Music ] 61 00:13:42,300 --> 00:13:49,500 I was looking in the mirror this morning, of course the Southern California weather is doing the well finally getting some vitamin D into my system 62 00:13:50,060 --> 00:13:54,060 I feel like I still can't go on on there just from hanging out and 63 00:13:54,940 --> 00:14:02,460 What happened? You know I look like I'm 29. I'm 45. I got to I got so much to do so many things to 64 00:14:03,340 --> 00:14:08,300 To take care of so much so much saving to do and I'm not talking about money 65 00:14:09,020 --> 00:14:11,020 Oh, yes 66 00:14:12,620 --> 00:14:17,900 So some interesting things taken place actually I've reconnected with a couple of people here in Los Angeles 67 00:14:18,300 --> 00:14:23,820 It's been really fun to be here and I'm kind of reaching out now going through the address book going through 68 00:14:24,620 --> 00:14:26,620 Years worth of email 69 00:14:26,620 --> 00:14:29,340 Luckily all stored up in the Gmail account and 70 00:14:30,460 --> 00:14:36,620 Re-sought to my buddy Rudy Sarzo the Cuban hurricane who's of course played bass with 71 00:14:38,460 --> 00:14:45,020 You name it currently. He he's out on the road a lot with with Deo, but I didn't even know he was doing a couple of television shows 72 00:14:45,020 --> 00:14:48,060 I guess he's on this thing called that metal show on 73 00:14:48,700 --> 00:14:53,020 VH1 a Rudy is probably he's got to be hit in 50. I think he's older than I am 74 00:14:54,060 --> 00:14:57,260 I hope I'm right. I don't know I got to check with him anyway 75 00:14:57,500 --> 00:15:01,500 We you know it's like we picked up our conversation like we had just dropped it off yesterday 76 00:15:01,500 --> 00:15:06,700 You'll probably remember he wrote a book about Randy Rhodes probably three years ago 77 00:15:06,700 --> 00:15:08,700 and we highlighted it on the Charlie 78 00:15:09,260 --> 00:15:11,100 Plugged it a little bit. I have no idea 79 00:15:11,100 --> 00:15:13,500 Yeah, he's self-published. I think is what he wound up doing 80 00:15:13,980 --> 00:15:16,140 Anyway, he's all there's also this new 81 00:15:16,780 --> 00:15:21,580 Television project he's working on which sounds really exciting and hopefully when it catch up with him in person 82 00:15:21,580 --> 00:15:23,820 There's apparently some major 83 00:15:24,700 --> 00:15:28,780 Gathering some schmooze fest Thursday here at the Kodak theater 84 00:15:29,340 --> 00:15:32,700 Which is all all the rock gods are getting back together again 85 00:15:32,700 --> 00:15:36,140 So hopefully he's gonna get me and Mickey on the list and we'll go hang out and 86 00:15:37,180 --> 00:15:40,940 Might be time to break out the old was it the I are 87 00:15:41,900 --> 00:15:46,940 1999 as someone I got that thing around here somewhere. What is that to my little recorder? 88 00:15:46,940 --> 00:15:49,580 I just mine have to do so work on the road again 89 00:15:54,300 --> 00:15:56,700 So this week is all about getting reconnected 90 00:15:58,380 --> 00:16:00,860 Might as well break out the song to celebrate 91 00:16:01,580 --> 00:16:06,140 Stereo mc's as suggested 92 00:16:08,140 --> 00:16:10,140 Through Twitter Adam Curry 93 00:16:11,250 --> 00:20:25,860 [ Music ] 94 00:20:25,860 --> 00:20:27,860 You're gonna look at it, 95 00:20:32,860 --> 00:20:34,860 I don't know man, 96 00:20:34,860 --> 00:20:35,860 Just always love that track, 97 00:20:35,860 --> 00:20:36,860 Stereo MCs, 98 00:20:36,860 --> 00:20:37,860 Make sure you are connected, 99 00:20:37,860 --> 00:20:39,860 Going out on the charcoal, 100 00:20:39,860 --> 00:20:40,860 826. 101 00:20:41,860 --> 00:20:42,860 Which of course is, 102 00:20:42,860 --> 00:20:44,860 Doing a little slide in real time, 103 00:20:44,860 --> 00:20:45,860 And you can know the general stream.com, 104 00:20:45,860 --> 00:20:46,860 If you're listening, 105 00:20:46,860 --> 00:20:47,860 You have the opportunity, 106 00:20:47,860 --> 00:20:49,860 You can always hop on the chat room, 107 00:20:49,860 --> 00:20:50,860 No agenda chat.com. 108 00:20:50,860 --> 00:20:53,860 And of course 109 00:20:53,860 --> 00:20:59,860 And we have a plethora of options for you to listen to, to listen to the show, of course. 110 00:20:59,860 --> 00:21:03,860 If you actually, I should put those into the show notes for daily source code. 111 00:21:03,860 --> 00:21:07,860 You can listen to the no agenda stream on a number of iPhone apps. 112 00:21:07,860 --> 00:21:12,860 Actually, we had our first iPad apps submitted the other day. 113 00:21:12,860 --> 00:21:22,860 I think it should be through any moment now, which basically has the same functionality as the, as the iPhone version of it. 114 00:21:22,860 --> 00:21:32,860 So that's full screen, because I kind of tell you these, these iPhone apps that run in kind of like miniature iPhone emulation on the iPad, it sucks. 115 00:21:32,860 --> 00:21:38,860 It's really, it's not worth it. I'm amazed at how many developers are kind of behind on this. 116 00:21:38,860 --> 00:21:44,860 Now, of course, I might, I will talk about that later, but my own iPhone app and the reason why it's going to be iPhone only at first. 117 00:21:45,860 --> 00:21:56,860 You know, it's like I've been using simply tweet as, as my Twitter application on the iPhone, which I love, and I want them to use it on the iPad, but they don't have an iPad version. 118 00:21:56,860 --> 00:22:02,860 And it doesn't seem like it would be all that hard for them to, well, maybe they've submitted, I don't have no idea. 119 00:22:02,860 --> 00:22:13,860 But it's just unusable in, in the iPad, it's, you know, you can zoom it out to twice its size, so it kind of looks, you know, so it kind of fills up the screen. 120 00:22:13,860 --> 00:22:19,860 It's still basically, let me just, chicks walking through the house. 121 00:22:19,860 --> 00:22:26,860 It's still basically, you know, the old app and it gives you the old keyboard, so it doesn't take advantage of a lot of the new things. 122 00:22:26,860 --> 00:22:28,860 I got to tell you about last night. 123 00:22:28,860 --> 00:22:42,860 So, uh, Miss Mickey has a friend over and, uh, I'm 45, but for the first time my life, um, we all, uh, hopped into the hot tub. 124 00:22:42,860 --> 00:22:44,860 That was cool. 125 00:22:44,860 --> 00:22:47,860 Don't want them hearing when they'm saying this, it was awesome. 126 00:22:47,860 --> 00:22:52,860 Hey, I don't have a jingle for one of our old friends on the Charlie, but he is back and is great to hear. 127 00:22:52,860 --> 00:22:54,860 I'm the Jamaican in New York. 128 00:22:54,860 --> 00:22:55,860 Mr. Curry. 129 00:22:55,860 --> 00:22:56,860 Yes, ma'am. 130 00:22:56,860 --> 00:22:57,860 Jamaican in New York. 131 00:22:57,860 --> 00:22:58,860 Hello. 132 00:22:58,860 --> 00:22:59,860 Welcome back to the DSC. 133 00:22:59,860 --> 00:23:00,860 Thank you. 134 00:23:00,860 --> 00:23:01,860 For quite a while. 135 00:23:01,860 --> 00:23:07,860 You know, since since you've been gone for so long, I decided, it'd be a good idea to do a refresher 136 00:23:07,860 --> 00:23:08,860 and pet one. 137 00:23:08,860 --> 00:23:10,860 So I'm going to teach you, and why it's your week. 138 00:23:10,860 --> 00:23:15,860 I'm going to teach a few petal words that maybe you forgot, but you need to know. 139 00:23:15,860 --> 00:23:17,860 You know, I really need to get my ass back to Jamaica. 140 00:23:17,860 --> 00:23:18,860 That's for sure. 141 00:23:18,860 --> 00:23:19,860 It's on the list. 142 00:23:19,860 --> 00:23:24,860 You know, well, if you're going to Jamaica to smoke a slip, you need to know if you pack the 143 00:23:24,860 --> 00:23:25,860 words. 144 00:23:25,860 --> 00:23:26,860 I don't, I don't think I'll be doing that anymore. 145 00:23:26,860 --> 00:23:30,860 I've, I've been away from it from a year, but I still need to know the words 146 00:23:30,860 --> 00:23:31,860 Jamaican New York. 147 00:23:31,860 --> 00:23:32,860 So, let's talk. 148 00:23:32,860 --> 00:23:33,860 Of course. 149 00:23:33,860 --> 00:23:34,860 Since you missed a curve. 150 00:23:34,860 --> 00:23:36,860 Let's talk down through the curse works. 151 00:23:36,860 --> 00:23:37,860 Oh, okay. 152 00:23:37,860 --> 00:23:40,860 Today I'm going to teach you one very valuable curse word. 153 00:23:40,860 --> 00:23:43,860 I'm going to show you how to use it in a sentence. 154 00:23:43,860 --> 00:23:44,860 A valuable information. 155 00:23:44,860 --> 00:23:51,860 Chuckle heads play along because it's always too good to know some petwak curse words. 156 00:23:51,860 --> 00:23:55,860 Today the word word of the day is bummer caught. 157 00:23:55,860 --> 00:23:56,860 What? 158 00:23:56,860 --> 00:23:57,860 No. 159 00:23:57,860 --> 00:23:59,860 Nobody really knows what this word is. 160 00:23:59,860 --> 00:24:00,860 bummer caught. 161 00:24:00,860 --> 00:24:03,860 But it's kind of like saying, oh shit. 162 00:24:03,860 --> 00:24:04,860 Okay. 163 00:24:05,860 --> 00:24:07,860 Slimbapult, bumble caught, bumble caught. 164 00:24:07,860 --> 00:24:08,860 bumble caught. 165 00:24:08,860 --> 00:24:13,360 bumble knows that you didn't get the right clarity HAATION ski. 166 00:24:13,360 --> 00:24:13,860 All right. 167 00:24:13,860 --> 00:24:16,860 bumble beneath thloud. 168 00:24:16,860 --> 00:24:17,860 umbrella. 169 00:24:17,860 --> 00:24:19,860 bumble Blind. 170 00:24:19,860 --> 00:24:20,860 Grabble Punch. 171 00:24:20,860 --> 00:24:21,860 One more time. 172 00:24:21,860 --> 00:24:23,860 Okayil bumble plot, bumble blocked. 173 00:24:23,860 --> 00:24:25,860 I'm much better much better. 174 00:24:25,860 --> 00:24:26,860 No. 175 00:24:26,860 --> 00:24:27,860 Thank you. 176 00:24:27,860 --> 00:24:29,860 Let me introduce it for sentence. 177 00:24:29,860 --> 00:24:30,860 Which has been a sentence for you guys. 178 00:24:30,860 --> 00:24:32,140 And then we try a sentence. 179 00:24:33,140 --> 00:24:35,980 Daniel the handyman's work is bumble plot 180 00:24:35,980 --> 00:24:37,300 when it comes to timing. 181 00:24:37,300 --> 00:24:39,620 Okay, here's a sentence. 182 00:24:39,620 --> 00:24:41,380 bumble plot, bumble plot. 183 00:24:41,380 --> 00:24:42,220 That's it. 184 00:24:42,220 --> 00:24:44,660 See, this is one of those words that you don't need 185 00:24:44,660 --> 00:24:46,780 other words around me to make a sentence. 186 00:24:46,780 --> 00:24:48,940 It sounds alone, it's kinda like Madonna. 187 00:24:48,940 --> 00:24:51,060 You know, bumble plot, bumble plot. 188 00:24:51,060 --> 00:24:52,940 It's an expression you use when you're, 189 00:24:52,940 --> 00:24:55,260 when you see something, you know, like a train crack. 190 00:24:55,260 --> 00:24:56,940 bumble plot, bumble plot. 191 00:24:56,940 --> 00:24:59,020 So, I don't know, this, this is your Jamaican 192 00:24:59,020 --> 00:25:01,620 and the popular word of the big bumble plot. 193 00:25:01,620 --> 00:25:02,820 Use it twice. 194 00:25:02,820 --> 00:25:03,980 I shall use it wisely. 195 00:25:03,980 --> 00:25:04,820 Do you make it in New York? 196 00:25:04,820 --> 00:25:06,300 Thank you so much. 197 00:25:06,300 --> 00:25:07,300 I highly appreciate it. 198 00:25:07,300 --> 00:25:08,780 Look forward to the next installment. 199 00:25:08,780 --> 00:25:12,260 And we will be using the word all over Southern California. 200 00:25:14,660 --> 00:25:16,140 Better Cooper for you. 201 00:25:16,140 --> 00:25:16,980 Classic. 202 00:25:16,980 --> 00:25:19,340 Wish I was born here and barely hills. 203 00:25:19,340 --> 00:25:22,100 So sweet and sad, say. 204 00:25:22,100 --> 00:25:25,100 From floating down, rode on drive. 205 00:25:25,100 --> 00:28:21,500 [ Music ] 206 00:28:21,500 --> 00:28:27,500 She'll hold off instead of the bills, yeah. 207 00:28:27,500 --> 00:28:29,500 Woo! 208 00:28:29,500 --> 00:28:31,500 Alice Cooper, classic Cooper on the Charley, 209 00:28:31,500 --> 00:28:33,500 wish I were born and barely hills. 210 00:28:33,500 --> 00:28:37,500 The most emailed YouTube video that I've received this week 211 00:28:37,500 --> 00:28:41,500 I think is actually appropriate and applicable for audio only. 212 00:28:41,500 --> 00:28:48,000 We'll see how it works if you have not seen an old put a link to it in the show notes at dailysourceco.com 213 00:28:48,000 --> 00:28:56,500 It's episode 11 of auto tune the news and these guys really really got a damn it's pure poppy cock 214 00:28:56,500 --> 00:29:03,300 And this of course features high-coo harem on if I'm roboi the president of the United States of Europe 215 00:29:04,500 --> 00:29:07,500 You have the charisma of the damn act 216 00:29:07,500 --> 00:29:10,500 You have the appearance of a bank club 217 00:29:10,500 --> 00:31:47,500 [ Music ] 218 00:31:47,500 --> 00:31:49,500 You're guaranteed a good car 219 00:31:49,500 --> 00:31:50,500 And now 220 00:31:50,500 --> 00:31:51,500 Lunch 221 00:31:51,500 --> 00:31:52,500 Oh, lunch 222 00:31:52,500 --> 00:31:53,500 Oh, lunch 223 00:31:53,500 --> 00:31:54,500 Oh, lunch 224 00:31:54,500 --> 00:31:55,500 Oh, lunch 225 00:31:55,500 --> 00:31:56,500 Oh, lunch 226 00:31:56,500 --> 00:31:57,500 Oh, lunch 227 00:31:57,500 --> 00:31:59,500 Oh, lunch 228 00:31:59,500 --> 00:32:00,500 Oh, lunch 229 00:32:00,500 --> 00:32:02,500 Oh, lunch 230 00:32:02,500 --> 00:32:03,500 Oh, lunch 231 00:32:03,500 --> 00:32:05,240 I once 232 00:32:05,240 --> 00:32:05,500 And now 233 00:32:05,500 --> 00:32:07,500 And now 234 00:32:07,500 --> 00:32:08,500 And now 235 00:32:08,500 --> 00:32:09,500 Because lunch 236 00:32:09,500 --> 00:32:11,500 Oh, lunch 237 00:32:11,500 --> 00:32:12,500 Oh, lunch 238 00:32:12,500 --> 00:32:13,500 Yes 239 00:32:13,500 --> 00:32:15,500 In the afternoon 240 00:32:15,500 --> 00:32:17,500 I'll be this 241 00:32:17,500 --> 00:32:18,500 Brown 242 00:32:18,500 --> 00:32:19,500 Yes 243 00:32:19,500 --> 00:32:20,500 Yes 244 00:32:20,500 --> 00:32:21,500 I don't know 245 00:32:21,500 --> 00:32:23,500 It doesn't 246 00:32:23,500 --> 00:32:25,500 I don't know 247 00:32:25,500 --> 00:32:26,500 Yeah, right 248 00:32:26,500 --> 00:32:27,500 Iround 249 00:32:27,500 --> 00:32:28,500 This is the first time 250 00:32:28,500 --> 00:32:30,500 That's funny. 251 00:32:30,500 --> 00:32:33,500 Maybe it does need the actors to really punch at home. 252 00:32:33,500 --> 00:32:36,500 Whenever you hear the ball, swaggering down the hall. 253 00:32:36,500 --> 00:32:39,500 You know, he's gonna drop a double cup on your tennis ball. 254 00:32:44,500 --> 00:32:46,500 Ain't nothin' wrong with a massive massage, 255 00:32:46,500 --> 00:32:49,500 when you're in the product attack, when somethin' not. 256 00:32:49,500 --> 00:32:52,500 You're too much breathing the bare hood that can't escape. 257 00:32:52,500 --> 00:32:54,500 Try to pretend they don't notice where he eject your head. 258 00:32:54,500 --> 00:32:55,500 Hey! 259 00:32:55,500 --> 00:32:57,500 Over the line. 260 00:32:59,500 --> 00:33:03,500 Auto tuned the news featuring Joel Madden from Good Charlotte, 261 00:33:03,500 --> 00:33:07,500 which I'm not sure if he participated in this willingly. 262 00:33:07,500 --> 00:33:09,500 If they just ripped him off and put him in there, 263 00:33:09,500 --> 00:33:11,500 no matter what. 264 00:33:11,500 --> 00:33:12,500 I love those guys. 265 00:33:12,500 --> 00:33:15,500 I have a link in the show notes at dailysourcecode.com. 266 00:33:15,500 --> 00:33:18,500 Of course, that was Nigel Farage at the very beginning. 267 00:33:18,500 --> 00:33:22,500 Minister of European Parliament for the UK independent party, 268 00:33:22,500 --> 00:33:24,500 who is on the right track, 269 00:33:24,500 --> 00:33:27,500 calling the president of the United States of Europe 270 00:33:27,500 --> 00:33:30,500 a guy with a personality of a damp dish rag. 271 00:33:30,500 --> 00:33:32,500 Totally right. 272 00:33:32,500 --> 00:33:34,500 High coup, Herman. 273 00:33:34,500 --> 00:33:35,500 High coup, Herman. 274 00:33:35,500 --> 00:33:38,500 I'll be talkin' more about him on Noah Genda. 275 00:33:38,500 --> 00:33:39,500 Thursday. 276 00:33:39,500 --> 00:33:41,500 In the morning, I am sure. 277 00:33:41,500 --> 00:33:42,500 Comics trip. 278 00:33:42,500 --> 00:33:44,500 Comics trip. 279 00:33:44,500 --> 00:33:45,500 Comics trip. 280 00:33:45,500 --> 00:33:46,500 Comics trip. 281 00:33:46,500 --> 00:33:48,500 Comics trip. 282 00:33:48,500 --> 00:33:49,500 Comics trip. 283 00:33:49,500 --> 00:33:50,500 Comics trip. 284 00:33:50,500 --> 00:33:52,500 Comics trip. 285 00:33:52,500 --> 00:33:53,500 Comics trip. 286 00:33:53,500 --> 00:33:56,500 So, talking about the European Union here's our correspondent 287 00:33:56,500 --> 00:33:58,500 The UK comic strip blogger. 288 00:33:58,500 --> 00:34:00,500 Hello, Adam. 289 00:34:00,500 --> 00:34:01,500 I like Kerry. 290 00:34:01,500 --> 00:34:03,500 Here is CLB. 291 00:34:03,500 --> 00:34:04,500 Adam. 292 00:34:04,500 --> 00:34:07,500 You remember, you go cast in USA? 293 00:34:07,500 --> 00:34:08,500 Ah, you go cast. 294 00:34:08,500 --> 00:34:09,500 Of course. 295 00:34:09,500 --> 00:34:11,500 I've never owned one, never driven one, wouldn't go near one. 296 00:34:11,500 --> 00:34:12,500 But yes, I recall. 297 00:34:12,500 --> 00:34:14,500 Yugoslavia is no more. 298 00:34:14,500 --> 00:34:17,500 But imagine that Greece, 299 00:34:17,500 --> 00:34:19,500 that if this could happen, 300 00:34:19,500 --> 00:34:21,500 your currency is arrogant. 301 00:34:21,500 --> 00:34:22,500 What? 302 00:34:22,500 --> 00:34:23,500 Hold on a second. 303 00:34:23,500 --> 00:34:25,500 Could you repeat that please? 304 00:34:25,500 --> 00:34:27,500 That this could happen. 305 00:34:27,500 --> 00:34:29,500 Your currency is arrogant. 306 00:34:29,500 --> 00:34:30,500 No. 307 00:34:30,500 --> 00:34:31,500 There's no Greece. 308 00:34:31,500 --> 00:34:32,500 Okay, Gacha. 309 00:34:32,500 --> 00:34:33,500 The country called Macedonia, 310 00:34:33,500 --> 00:34:36,500 that previously was part of Yugoslavia. 311 00:34:36,500 --> 00:34:37,500 Right. 312 00:34:37,500 --> 00:34:38,500 And this country, naturally, 313 00:34:38,500 --> 00:34:40,500 wants to join European Union. 314 00:34:40,500 --> 00:34:43,500 But Greece is blocking it. 315 00:34:43,500 --> 00:34:46,500 Because there's a region in Greece, 316 00:34:46,500 --> 00:34:49,500 a province that is also called Macedonia. 317 00:34:49,500 --> 00:34:50,500 And they say to you, 318 00:34:51,500 --> 00:34:53,500 you can join, but you have to change your name. 319 00:34:53,500 --> 00:34:55,500 You must change your name to not Macedonia. 320 00:34:55,500 --> 00:34:58,500 Otherwise, you will not allow you to join. 321 00:34:58,500 --> 00:34:59,500 Ew. 322 00:34:59,500 --> 00:35:02,500 It's like a domain name dispute almost. 323 00:35:02,500 --> 00:35:04,500 It's like you can have Macedonia.com. 324 00:35:04,500 --> 00:35:05,500 That's ours. 325 00:35:05,500 --> 00:35:07,500 You must change your name, slaves. 326 00:35:07,500 --> 00:35:09,500 And speaking of screwed up, 327 00:35:09,500 --> 00:35:10,500 you're okay in sin. 328 00:35:10,500 --> 00:35:12,500 It is good for export, 329 00:35:12,500 --> 00:35:14,500 based German, 330 00:35:14,500 --> 00:35:15,500 that currency is weak, 331 00:35:15,500 --> 00:35:18,500 and Germany can export more. 332 00:35:18,500 --> 00:35:20,500 And you can see that even 333 00:35:20,500 --> 00:35:22,500 the best situation has positive sides. 334 00:35:22,500 --> 00:35:23,500 Yo. 335 00:35:23,500 --> 00:35:24,500 Yo. 336 00:35:24,500 --> 00:35:33,500 I want a Sunday kind of love. 337 00:35:33,500 --> 00:38:10,500 [ Music ] 338 00:38:10,500 --> 00:38:13,500 I want a Sunday kind of love. 339 00:38:13,500 --> 00:38:14,500 If I just, 340 00:38:14,500 --> 00:38:19,500 made pieces of 341 00:38:19,500 --> 00:38:29,500 three views to say, 342 00:38:29,500 --> 00:38:30,500 fuck you American Idol. 343 00:38:30,500 --> 00:38:39,620 So they kind of love on daily source code episode 826 that is a real talent my friends the stuff that dreams are made 344 00:38:41,250 --> 00:39:00,500 [ Music ] 345 00:39:00,500 --> 00:39:13,380 Say hello to my little friend I love carry I'm a big source code 346 00:39:16,250 --> 00:43:25,500 [ Music ] 347 00:43:25,500 --> 00:43:35,500 We will be very sorry 348 00:43:35,500 --> 00:43:39,500 I realize that made a card no mistake today, starting the Charlie Soleil 349 00:43:39,500 --> 00:43:42,500 I'm competing with Cranky Geeks Dammit 350 00:43:42,500 --> 00:43:49,500 It's just probably just about ended, so for those of you switching over, welcome, you're listening to the Daily Source Code live 351 00:43:49,500 --> 00:43:54,500 Episode 826 streaming at noagendastream.com 352 00:43:54,500 --> 00:44:00,500 And as you know, this program is made possible by donations 353 00:44:00,500 --> 00:44:07,500 To the noagendastream, check it out, I've got a whole sustaining producers page at noagendastream.com 354 00:44:07,500 --> 00:44:12,500 And oh look, here's another old friend of the Charlie 355 00:44:12,500 --> 00:44:14,500 Hello Adam, it's the candyman here 356 00:44:14,500 --> 00:44:19,500 He's still the only contributor to the Daily Source Code, who has a jingle made by Christina Aguilera 357 00:44:19,500 --> 00:44:23,500 I forgot to line that up, how stupid am I, oh well 358 00:44:23,500 --> 00:44:28,500 Just chiming into tell you that I'm very happy to see that the DSC is back in action 359 00:44:28,500 --> 00:44:36,500 And I'm really looking forward to see how it develops and how you are evolving it into its new format 360 00:44:36,500 --> 00:44:42,500 And about that, you know, I think I'm going to go a lot more music heavy, which is what it seems to be 361 00:44:42,500 --> 00:44:54,500 Because the message that I have to project or force upon you is obviously mainly in the music, which is I think the best way to propagate any type of message 362 00:44:54,500 --> 00:45:00,500 Being used by dictators for many, many years, so I think it works 363 00:45:01,500 --> 00:45:07,500 We've had more pod safe stuff that was worth playing though, please always continue to send me stuff adamantcurry.com 364 00:45:07,500 --> 00:45:19,500 Just wanted to give some feedback on people who are commenting that you are talking about donations quite a lot on both noagenda and the Daily Source Code 365 00:45:19,500 --> 00:45:26,500 Yeah, you know, that's kind of interesting because I have seen this being this threads in the forum and noagendaforms.com 366 00:45:26,500 --> 00:45:32,500 And there's always discussion about this, but it doesn't matter what you do, there's always a discussion about it 367 00:45:32,500 --> 00:45:39,500 Whether you have advertising, underwriting, sponsorship, whatever you want to call it, or if you're just asking for donations 368 00:45:39,500 --> 00:45:45,500 There's always going to be someone bitching and moaning about it or complaining about it or, but you know what? 369 00:45:45,500 --> 00:45:47,500 Well, I'll let you finish your comment first 370 00:45:47,500 --> 00:45:55,500 From my own experience, I can just tell them that really if you appreciate what you're hearing on the Daily Source Code 371 00:45:55,500 --> 00:45:59,500 Noagenda then it's just better to donate you feel much better 372 00:45:59,500 --> 00:46:03,500 Yeah, it's exactly, it's like taking a magical pill, you feel much better 373 00:46:03,500 --> 00:46:13,500 Afterwards, I mean, after making a small donation, even you can really have a piece of mind when you're listening to both noagenda and the Daily Source Code 374 00:46:13,500 --> 00:46:18,500 And you don't have to be bothered with the, you talking about donations all the time 375 00:46:18,500 --> 00:46:22,500 First of all, we're not talking about it all the time 376 00:46:23,500 --> 00:46:28,500 And even if I did, you know, we've discovered a new model for podcasting 377 00:46:28,500 --> 00:46:33,500 And it's working okay for us, we see enough potential 378 00:46:33,500 --> 00:46:40,500 And I think that maybe, you know, certainly with maybe not Daily Source Code depends on how you feel about it 379 00:46:40,500 --> 00:46:46,500 But with noagenda, we're clearly providing some value that people value incredibly highly 380 00:46:46,500 --> 00:46:49,500 And I think that's a perfect way to do it 381 00:46:49,500 --> 00:46:54,500 I'm giving you a great product and if you like it, then you give me something in return 382 00:46:54,500 --> 00:46:56,500 A couple of digits through the computer 383 00:46:56,500 --> 00:46:57,500 No, that's all I have to say for now 384 00:46:57,500 --> 00:47:00,500 So I'll be back some other time and I'll back to the show 385 00:47:00,500 --> 00:47:01,500 Bye-bye 386 00:47:01,500 --> 00:47:02,500 Yeah, thank you 387 00:47:02,500 --> 00:47:08,500 And I will remind everybody that of course there's a couple hundred people who are listening to the stream as we do the show live 388 00:47:08,500 --> 00:47:10,500 But you know, it's basically a podcast 389 00:47:10,500 --> 00:47:13,500 There's this thing that, gee, I don't know if Apple patented it 390 00:47:13,500 --> 00:47:15,500 But it's called the Fast Forward button 391 00:47:15,500 --> 00:47:18,500 I mean, you know, it's a concept 392 00:47:18,500 --> 00:47:22,500 You don't want to listen to anything including a song 393 00:47:22,500 --> 00:47:25,500 And give it 394 00:47:25,500 --> 00:47:28,500 It's a simple simple system 395 00:47:28,500 --> 00:47:30,500 Talking about Rudy Sars are earlier 396 00:47:30,500 --> 00:47:35,500 And I'll be played on this track for this is D.O. Rainbow in the dark on 826 397 00:47:36,250 --> 00:50:48,500 [ Music ] 398 00:50:48,500 --> 00:50:52,500 Not a rainbow in the dark 399 00:50:52,500 --> 00:50:55,500 Yeah 400 00:50:55,500 --> 00:50:59,500 You're a rainbow in the dark 401 00:51:00,500 --> 00:51:02,500 Yeah, that takes me back 402 00:51:02,500 --> 00:51:04,500 Do you know rainbow in the dark 403 00:51:04,500 --> 00:51:06,500 Come the Charlie 404 00:51:06,500 --> 00:51:10,500 We've got to mention that if you do find value in this program 405 00:51:10,500 --> 00:51:12,500 Precent support this and other 406 00:51:12,500 --> 00:51:15,500 Show is running on the knowledge and the stream 407 00:51:15,500 --> 00:51:16,500 The knowledge and the stream.com 408 00:51:16,500 --> 00:51:19,500 You can donate by going to knowledge and the internet 409 00:51:19,500 --> 00:51:22,500 Yeah, I think there's a link at knowledge and the stream.com 410 00:51:22,500 --> 00:51:25,500 But it's a devorek.org slash n-a-s 411 00:51:25,500 --> 00:51:27,500 November alpha c-era 412 00:51:28,500 --> 00:51:30,500 And your support is highly appreciated 413 00:51:30,500 --> 00:51:32,500 If you'd like any of the songs that are played on the show 414 00:51:32,500 --> 00:51:34,500 Then you can just head over to the show 415 00:51:34,500 --> 00:51:36,500 Notes of daily source code.com 416 00:51:36,500 --> 00:51:38,500 And I'm basically ever resorted now to 417 00:51:38,500 --> 00:51:41,500 Putting links to the artist's home pages 418 00:51:41,500 --> 00:51:43,500 Because I guess they know best 419 00:51:43,500 --> 00:51:46,500 Where they want you to go by their music 420 00:51:46,500 --> 00:51:49,500 And please, I certainly encourage you 421 00:51:49,500 --> 00:51:51,500 Behind their songs 422 00:51:51,500 --> 00:51:54,500 Let me see 423 00:51:54,500 --> 00:51:57,500 Oh yes, I mentioned on the previous show about the 424 00:51:57,500 --> 00:52:01,500 Sis opportunity for Sis admins and network administrators 425 00:52:01,500 --> 00:52:04,500 I've received a lot more email 426 00:52:04,500 --> 00:52:07,500 And people requesting more information than I expected 427 00:52:07,500 --> 00:52:09,500 Email will go out at the end of this week 428 00:52:09,500 --> 00:52:12,500 Explaining exactly what the opportunity is 429 00:52:12,500 --> 00:52:15,500 Putting together a little army of people 430 00:52:15,500 --> 00:52:17,500 Who I hope to help make some money 431 00:52:17,500 --> 00:52:20,500 Because they do such brilliant work 432 00:52:20,500 --> 00:52:22,500 So 433 00:52:23,500 --> 00:52:25,500 And please, no more submissions 434 00:52:25,500 --> 00:52:27,500 Because I've just got too many already 435 00:52:27,500 --> 00:52:29,500 And we're going to have to phase it in 436 00:52:29,500 --> 00:52:32,500 But it is kind of nice that I now have this nice list of people 437 00:52:32,500 --> 00:52:34,500 That when the shit really hits the fan 438 00:52:34,500 --> 00:52:35,500 I can reach out to him 439 00:52:35,500 --> 00:52:37,500 Looks like we got guys all around the world 440 00:52:37,500 --> 00:52:38,500 Who are more than willing to help 441 00:52:38,500 --> 00:52:41,500 And totally, totally kicks ass 442 00:52:41,500 --> 00:52:44,500 Then one more thing 443 00:52:44,500 --> 00:52:45,500 I want to talk about, well you know what? 444 00:52:45,500 --> 00:52:47,500 I'll talk about my iPhone app next 445 00:52:47,500 --> 00:52:48,500 Then we'll wrap up the show 446 00:52:48,500 --> 00:52:50,500 So let me just play a couple more songs 447 00:52:50,500 --> 00:52:52,500 Yeah, turn on the foam 448 00:52:52,500 --> 00:52:55,500 You want to dance through this one 449 00:52:55,500 --> 00:52:57,500 None of those mashups 450 00:52:57,500 --> 00:52:59,500 Thanks from 451 00:52:59,500 --> 00:53:00,500 To Digi Geek 452 00:53:00,500 --> 00:53:02,500 Who dropped him in a drop.io site 453 00:53:02,500 --> 00:53:04,500 Please do the same 454 00:53:04,500 --> 00:53:06,500 There's anything you want me to 455 00:53:06,500 --> 00:53:08,500 Consider for playing 456 00:53:08,500 --> 00:53:10,500 Go to drop.io 457 00:53:10,500 --> 00:53:11,500 Free 458 00:53:11,500 --> 00:53:12,500 You can upload 100 megs 459 00:53:12,500 --> 00:53:14,500 Send me the link and I'll check it out 460 00:53:14,500 --> 00:53:17,500 Maybe we'll play it on the next 461 00:53:17,500 --> 00:53:19,500 Stabby source code 462 00:53:19,500 --> 00:53:21,500 What's in the morning feeling like pizza 463 00:53:21,500 --> 00:53:22,500 Little girl 464 00:53:22,500 --> 00:53:23,500 Glasses on the door 465 00:53:23,500 --> 00:53:25,500 I'm kind of hit this city 466 00:53:25,500 --> 00:53:26,500 Before I leave 467 00:53:26,500 --> 00:53:28,500 Fresh my teeth with a bottle 468 00:53:28,500 --> 00:53:30,500 Check cause then I leave 469 00:53:30,500 --> 00:56:12,220 [ Music ] 470 00:56:12,220 --> 00:56:15,780 With my hands up, you've got me now 471 00:56:15,780 --> 00:56:18,900 You've got that some, yeah, you've got me 472 00:56:18,900 --> 00:56:23,780 I totally must, I'll walk you, my mer! 473 00:56:25,780 --> 00:56:26,500 Down, down 474 00:56:26,500 --> 00:56:45,500 I must be the son of California Sunshine doing it to me. 475 00:56:45,500 --> 00:56:48,500 That actually keeps the versus queen radio TikTok. 476 00:56:48,500 --> 00:56:54,500 There's a DJs from Mars bootleg and I'll put a link to some page where you can find that. 477 00:56:54,500 --> 00:56:57,500 I'm the show notes of DaddySourceCode.com. 478 00:57:06,500 --> 00:57:12,500 I think Mickey went over in Cabocht, handyman Daniel's work. 479 00:57:12,500 --> 00:57:15,500 He's been awfully quiet. 480 00:57:15,500 --> 00:57:18,500 So a couple things going on here at the Hilltop Watch Tower, 481 00:57:18,500 --> 00:57:20,500 setting up the studio. 482 00:57:20,500 --> 00:57:24,500 I'm pretty much now becoming the Southern California Outpost from EVO, 483 00:57:24,500 --> 00:57:25,500 which is great. 484 00:57:25,500 --> 00:57:29,500 By the way, your donations are helping me sustain this project. 485 00:57:29,500 --> 00:57:31,500 And it's highly appreciated. 486 00:57:31,500 --> 00:57:33,500 So I'm actually able to do more. 487 00:57:33,500 --> 00:57:34,500 There he is. 488 00:57:34,500 --> 00:57:36,500 You know, do stuff like the Daily Source Code. 489 00:57:36,500 --> 00:57:39,500 Hopefully on a two-day a week mission. 490 00:57:39,500 --> 00:57:45,500 So it's going to be pretty awesome setting up a little video studio with green screen in the garage here. 491 00:57:45,500 --> 00:57:49,500 And a couple other projects that I'm working on. 492 00:57:49,500 --> 00:57:54,500 I've been working on my iPhone app. 493 00:57:54,500 --> 00:57:57,500 And it is specifically at this point in iPhone app. 494 00:57:57,500 --> 00:58:01,500 I'm about ready to submit it to the Apple Store. 495 00:58:01,500 --> 00:58:06,500 And I've been holding back a little bit of course because of the iPad noise. 496 00:58:06,500 --> 00:58:11,500 And although, of course, we'll run and have actually seen it run on the iPad. 497 00:58:11,500 --> 00:58:14,500 It is not intended for the iPad. 498 00:58:14,500 --> 00:58:18,500 In fact, I'm going to have to do a whole separate version just for it. 499 00:58:18,500 --> 00:58:22,500 But I need to understand the device more before I can get to it. 500 00:58:22,500 --> 00:58:24,500 So let me just, I'm not going to tell you again. 501 00:58:24,500 --> 00:58:29,500 I'm not going to exactly what this iPhone app does because it kind of blows the whole experience. 502 00:58:29,500 --> 00:58:31,500 But there's two parts to it. 503 00:58:31,500 --> 00:58:33,500 One is the actual iPhone app itself. 504 00:58:33,500 --> 00:58:37,500 And then there's a continuous updates which come in the form of video. 505 00:58:37,500 --> 00:58:42,500 And that's really the part that is specific for the iPhone and the iPad. 506 00:58:42,500 --> 00:58:46,500 So I'm actually happy that Apple is going to get the iPhone back in the news again. 507 00:58:46,500 --> 00:58:50,500 And I guess tomorrow morning in the morning, 508 00:58:50,500 --> 00:58:56,500 they're going to be talking about the release of the operating system for. 509 00:58:56,500 --> 00:58:59,500 I wish I could talk to you in a little quiet environment. 510 00:58:59,500 --> 00:59:01,500 I could get my thoughts together a little better. 511 00:59:01,500 --> 00:59:06,500 But anyway, I've been working with some old friends and new friends on this thing. 512 00:59:06,500 --> 00:59:11,500 I think I've told you that, you know, I got the iPhone application development for 513 00:59:11,500 --> 00:59:13,500 this book and I got it. 514 00:59:13,500 --> 00:59:20,500 I went to basically do the bookstore and rated everything on the shelf that talks about iPhone app development. 515 00:59:20,500 --> 00:59:22,500 And it's a lot simpler than I thought it would be. 516 00:59:22,500 --> 00:59:26,500 You know, you fire up X code, which is Apple's development environment. 517 00:59:26,500 --> 00:59:27,500 They're tool. 518 00:59:27,500 --> 00:59:30,500 And you kind of like, oh, what's all this stuff? 519 00:59:30,500 --> 00:59:34,500 And what are all these little windows and pains and all this things going on? 520 00:59:34,500 --> 00:59:40,500 But when you really start to focus on it and I do highly recommend the iPhone application development for dummies. 521 00:59:40,500 --> 00:59:44,500 Because, you know, you basically can build an iPhone app within a minute. 522 00:59:44,500 --> 00:59:48,500 You know, it's just, you can even if it just says hello world on the home screen. 523 00:59:48,500 --> 00:59:51,500 And you can put it on your iPhone, you're like, okay, I did something here. 524 00:59:51,500 --> 00:59:53,500 It was just pretty cool. 525 00:59:53,500 --> 00:59:58,500 And you can design your interface and it's got all kinds of drag and drop capabilities. 526 00:59:58,500 --> 01:00:03,500 And what's really nice, of course, with anyone learning a new coding language and the, 527 01:00:03,500 --> 01:00:06,500 then Apple uses something called Objective C. 528 01:00:06,500 --> 01:00:10,500 Is there so much sample code around that you can copy and paste. 529 01:00:10,500 --> 01:00:13,500 You can kind of get something working pretty quickly. 530 01:00:13,500 --> 01:00:15,500 So I had this idea. 531 01:00:15,500 --> 01:00:19,500 And I think something that is absolutely necessary. 532 01:00:19,500 --> 01:00:23,500 If you see the sheer amount of apps that are available for the iPhone, 533 01:00:23,500 --> 01:00:25,500 like something like the numbers vary. 534 01:00:25,500 --> 01:00:30,500 They say 140 to 170,000 applications. 535 01:00:30,500 --> 01:00:32,500 So how do you find your way through all of these? 536 01:00:32,500 --> 01:00:35,500 Well, that's hopefully what my iPhone app will solve. 537 01:00:36,500 --> 01:00:38,500 It's going to help you with that. 538 01:00:38,500 --> 01:00:40,500 If that gives you a clue. 539 01:00:40,500 --> 01:00:45,500 And I've been working with the Brent Simmons over at newsgator. 540 01:00:45,500 --> 01:00:49,500 Who I've known since, wow, since the radio user land days. 541 01:00:49,500 --> 01:00:53,500 And he's been instrumental in helping me on some of the coding. 542 01:00:53,500 --> 01:00:56,500 And I'll be talking about his new endeavor in the next coming weeks. 543 01:00:56,500 --> 01:00:58,500 A lot of it on the daily source code. 544 01:00:58,500 --> 01:01:02,500 And also some new guys from rogue sheep who, 545 01:01:03,500 --> 01:01:04,500 help me with the design. 546 01:01:04,500 --> 01:01:07,500 Because if there's anything that I'm not, it's a graphic designer. 547 01:01:07,500 --> 01:01:11,500 And I really wanted to, you know, put some, 548 01:01:11,500 --> 01:01:16,500 put some real effort into the way the, the application looks and functions. 549 01:01:16,500 --> 01:01:21,500 And these guys, they design the award-winning app called poster, 550 01:01:21,500 --> 01:01:23,500 which you might want to take a look at. 551 01:01:23,500 --> 01:01:26,500 It's, well, you'll have, I'm not post or postage. 552 01:01:26,500 --> 01:01:27,500 I'm sorry. 553 01:01:27,500 --> 01:01:29,500 It's a beautiful app. 554 01:01:29,500 --> 01:01:30,500 And we just see the interface. 555 01:01:30,500 --> 01:01:34,500 It does things that I didn't even know you could do in an iPhone app. 556 01:01:34,500 --> 01:01:38,500 And again, your donations, this will be a free app, 557 01:01:38,500 --> 01:01:42,500 by the way, your donations are helping compensate those guys for, 558 01:01:42,500 --> 01:01:44,500 for helping out because they can't work for free. 559 01:01:44,500 --> 01:01:46,500 So it's really, it's going a long way. 560 01:01:46,500 --> 01:01:47,500 And I hope you all enjoy it. 561 01:01:47,500 --> 01:01:51,500 I think I will be submitting it sometime near the end of this week. 562 01:01:51,500 --> 01:01:54,500 And then I'll be moving over to, to the iPad version, 563 01:01:54,500 --> 01:01:58,500 which again, we'll take extra production on the video side. 564 01:01:59,500 --> 01:02:02,500 And I'm wondering if I wanted to say anything about the iPad, 565 01:02:02,500 --> 01:02:06,500 because, you know, I'm reading all these blog posts and, you know, 566 01:02:06,500 --> 01:02:10,500 pros and cons and everything from, oh, it's a magical device. 567 01:02:10,500 --> 01:02:15,500 It's the Jesus tablet to, this is horrible, new world order, 568 01:02:15,500 --> 01:02:17,500 Apple won't let me do anything. 569 01:02:17,500 --> 01:02:21,500 And, you know, I've had a very different experience developing 570 01:02:21,500 --> 01:02:26,500 with Apple's tools along with their, you know, 571 01:02:26,500 --> 01:02:30,500 with the basic of their developer support system. 572 01:02:30,500 --> 01:02:32,500 And I got to tell you, it's outstanding. 573 01:02:32,500 --> 01:02:35,500 And particularly, maybe because I'm new to it. 574 01:02:35,500 --> 01:02:39,500 And I have some, I have my own take as a new developer on, 575 01:02:39,500 --> 01:02:42,500 on how they handle things and all the pros and cons. 576 01:02:42,500 --> 01:02:44,500 And we'll save that for another day. Why don't we do that? 577 01:02:44,500 --> 01:02:53,500 In the meantime, let's rock it out with one last track. 578 01:02:53,500 --> 01:02:58,500 I'm the Charlie. I think Xeroza's future is going on the background on this one. 579 01:02:58,500 --> 01:03:03,500 Mary Magdalene, all the trigger slow, part two. 580 01:03:03,500 --> 01:03:04,500 All right, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, 581 01:03:06,250 --> 01:04:15,500 [ Music ] 582 01:04:15,500 --> 01:04:16,500 I'm losing the baby. 583 01:04:16,500 --> 01:04:18,500 You'll be woken to give me that shit that love. 584 01:04:18,500 --> 01:04:19,500 My soul can give me that shit. 585 01:04:19,500 --> 01:04:21,500 Maybe I'm just gonna show up to my feelings for it. 586 01:04:21,500 --> 01:04:24,500 So all the pain is a pleasure in M.B. and D.E.D. 587 01:04:24,500 --> 01:04:25,500 OCD makes it up with B.C.B. 588 01:04:25,500 --> 01:04:27,500 And put it all together and that B.M.E. 589 01:04:27,500 --> 01:04:28,500 Another casualty. 590 01:04:28,500 --> 01:04:30,500 Your tragic act! 591 01:04:30,500 --> 01:04:31,500 Oh, man! 592 01:04:31,500 --> 01:04:33,500 Seequé me. 593 01:04:33,500 --> 01:04:34,500 Huh? 594 01:04:34,500 --> 01:04:35,500 And let me know. 595 01:04:36,500 --> 01:04:37,500 Yeah! 596 01:04:37,500 --> 01:04:38,500 Ah! 597 01:04:38,500 --> 01:04:40,500 And put it all together. 598 01:04:40,500 --> 01:04:44,500 Boom! 599 01:04:44,500 --> 01:04:46,500 Oh, man! 600 01:04:46,500 --> 01:04:48,500 Oh, man! 601 01:04:48,500 --> 01:04:50,500 Oh! 602 01:04:50,500 --> 01:04:53,500 Oh, man! 603 01:04:53,500 --> 01:05:28,500 [ Music ] 604 01:05:28,500 --> 01:05:58,500 yeah yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah. yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah. Yeah, yeah, yeah, 605 01:05:58,500 --> 01:06:03,240 you can contact me at amodecurry.com if you get a bounce for some reason 606 01:06:03,240 --> 01:06:08,220 at amodemiveo.com daily source code.com as we can find the show notes, links to 607 01:06:08,220 --> 01:06:12,380 all of the artist's home pages for tracks played in the show. Thanks to Daniel 608 01:06:12,380 --> 01:06:16,260 the handyman for the vibrator sounds during this particular episode. Friday 609 01:06:16,260 --> 01:06:19,260 will be back with the FooR Friday. Get your tracks in now and I will speak with 610 01:06:19,260 --> 01:06:23,220 all of you again tomorrow in the morning. Another fine, 611 01:06:23,220 --> 01:06:30,220 preview presentation. Stick it in your ear.