1 00:00:00,000 --> 00:00:23,200 All right, as promised, we've got a special guest on today's Daily Source Code. 2 00:00:23,200 --> 00:00:27,200 First time we've actually turned the Hilltop Watch Tower Crackpot Command Center Studio 3 00:00:27,200 --> 00:00:34,200 into something that actually kind of resembles, kind of like a studio, I guess. 4 00:00:34,200 --> 00:00:35,200 A little bit. 5 00:00:35,200 --> 00:00:36,200 You back and forth, welcome. 6 00:00:36,200 --> 00:00:37,200 Hi, thanks. 7 00:00:37,200 --> 00:00:38,200 Hey, man. 8 00:00:38,200 --> 00:00:39,200 Oh, hold on me. 9 00:00:39,200 --> 00:00:42,200 Let me, uh, let me, uh, just take a wee bit of off for a second. 10 00:00:42,200 --> 00:00:48,200 It's a little weird when we're talking when you got nothing but reverb. 11 00:00:48,200 --> 00:00:54,200 So you, um, actually, uh, I met through, uh, your sister who was working for, uh, for 12 00:00:54,200 --> 00:00:58,200 Mickey and San Francisco said, uh, you know, she's like totally hawk and you're totally 13 00:00:58,200 --> 00:00:59,200 plugging the shit out of your stuff. 14 00:00:59,200 --> 00:01:02,200 Like, oh, you got to listen to CD is really good. 15 00:01:02,200 --> 00:01:06,200 And then, uh, and so, uh, me can't listen to, I was like, wow, this guy's really huge. 16 00:01:06,200 --> 00:01:07,200 Are you sure he's Dutch? 17 00:01:07,200 --> 00:01:11,200 It's like, and the first thing I noticed, man, is your accent is, is impeccable. 18 00:01:11,200 --> 00:01:14,200 I mean, you can almost can't tell your Dutch. 19 00:01:14,200 --> 00:01:15,200 Right, do I can? 20 00:01:15,200 --> 00:01:17,200 But, uh, no, yeah, true, true. 21 00:01:17,200 --> 00:01:21,200 So where did you learn to speak with such a great American accent? 22 00:01:21,200 --> 00:01:22,200 Uh, TV. 23 00:01:23,200 --> 00:01:26,200 Just, we just come a little bit closer to the mic because I can't, it's hard for me to work 24 00:01:26,200 --> 00:01:28,200 the board and everything all the same time. 25 00:01:28,200 --> 00:01:31,200 I only have two hands and, you know, I got to smoke as well. 26 00:01:31,200 --> 00:01:36,200 Um, so now, uh, your, uh, professional musician as in, you do this for a living. 27 00:01:36,200 --> 00:01:37,200 I do. 28 00:01:37,200 --> 00:01:38,200 I do. 29 00:01:38,200 --> 00:01:41,200 And, uh, you're living in the Netherlands, but thinking of maybe giving it a try over here 30 00:01:41,200 --> 00:01:42,200 in the States. 31 00:01:42,200 --> 00:01:45,200 Uh, I'm fan-to-planning it, fan-to-sizing and planning it. 32 00:01:45,200 --> 00:01:46,200 Okay. 33 00:01:46,200 --> 00:01:47,200 Good. 34 00:01:47,200 --> 00:01:48,200 It's like a little recon mission. 35 00:01:48,200 --> 00:01:53,200 And then Mickey actually asked you to come and perform at an art expo that she was doing in Amsterdam. 36 00:01:53,200 --> 00:01:54,200 Yes. 37 00:01:54,200 --> 00:01:57,200 And I was like, and he had, uh, three guys, right? 38 00:01:57,200 --> 00:01:58,200 Yeah. 39 00:01:58,200 --> 00:01:59,200 Or was it just one other guy? 40 00:01:59,200 --> 00:02:01,200 I had one friend of mine with me in a percussion player from Venezuela. 41 00:02:01,200 --> 00:02:04,200 Uh, we've been friends for some time and, uh, you know, 42 00:02:04,200 --> 00:02:05,200 whenever I can, I hire him. 43 00:02:05,200 --> 00:02:09,200 He was just like banging on some piece of wood like he was sitting on a box, you know. 44 00:02:09,200 --> 00:02:14,200 It's called a cahoon and it's, uh, replaces a full drum kit basically and you play. 45 00:02:14,200 --> 00:02:15,200 Really? 46 00:02:15,200 --> 00:02:17,200 You play with two hands, it's got a little snare inside, so it sounds like a kid. 47 00:02:17,200 --> 00:02:18,200 I have two cahoones. 48 00:02:18,200 --> 00:02:19,200 Is that kind of the same thing? 49 00:02:19,200 --> 00:02:21,200 One cahoon, two cahoones? 50 00:02:21,200 --> 00:02:22,200 Yeah, you need big cahoones. 51 00:02:22,200 --> 00:02:26,200 So you don't have, uh, any percussion with you today? 52 00:02:26,200 --> 00:02:27,200 No, it's just me. 53 00:02:27,200 --> 00:02:30,200 And, uh, you've got your fender, uh, strata cast right in my point out. 54 00:02:30,200 --> 00:02:31,200 Uh, you've got it. 55 00:02:31,200 --> 00:02:32,200 What kind of gear? 56 00:02:32,200 --> 00:02:34,200 Because we're plugged directly into the board here, what you got? 57 00:02:34,200 --> 00:02:35,200 Yes. 58 00:02:35,200 --> 00:02:38,200 I brought a little line six device called the, uh, the pocket pod, 59 00:02:38,200 --> 00:02:40,200 which is the smallest version of the, of the line six pod. 60 00:02:40,200 --> 00:02:41,200 Uh-huh. 61 00:02:41,200 --> 00:02:43,200 So it fits in my gig back, so. 62 00:02:43,200 --> 00:02:44,200 Cool. 63 00:02:44,200 --> 00:02:46,200 So when you perform, what do you do? 64 00:02:46,200 --> 00:02:47,200 Your own stuff? 65 00:02:47,200 --> 00:02:48,200 Do you do covers? 66 00:02:48,200 --> 00:02:52,200 Uh, basically I pay what people want and I smile when they pay me. 67 00:02:52,200 --> 00:03:00,200 It's a real treat to have you here, because I think you're a phenomenal musician. 68 00:03:00,200 --> 00:03:01,200 Thank you. 69 00:03:01,200 --> 00:03:04,200 And, uh, you know, I've been trying over the, you know, past day trying to, like, kind 70 00:03:04,200 --> 00:03:08,200 of spury on that just, uh, give up the lowlands and come over here and, uh, 71 00:03:08,200 --> 00:03:11,200 and give it a shot, man, because you, you got a lot of talent, and I think, uh, 72 00:03:11,200 --> 00:03:14,200 when people hear this, they'll really, really enjoy what you're doing. 73 00:03:14,200 --> 00:03:15,200 Thank you. 74 00:03:15,200 --> 00:03:16,200 And, uh, so what are you going to do? 75 00:03:16,200 --> 00:03:19,200 Yeah, I'd love you just to play as much as you feel like playing, because this is, uh, 76 00:03:19,200 --> 00:03:22,200 you know, we don't have to, like, hit the network news or anything on the show. 77 00:03:22,200 --> 00:03:23,200 Yeah. 78 00:03:23,200 --> 00:03:24,200 So, uh, what would you like to do? 79 00:03:24,200 --> 00:03:27,200 I was thinking of, uh, mixing it up, playing a few covers, um, you know, 80 00:03:27,200 --> 00:03:30,200 some well-known stuff, and maybe a few originals as well, just, uh, you know. 81 00:03:30,200 --> 00:03:31,200 Okay. 82 00:03:31,200 --> 00:03:32,200 Let me, yeah. 83 00:03:32,200 --> 00:03:34,200 Just give me a little vocal here, so I can set your reverb back. 84 00:03:34,200 --> 00:03:35,200 Okay. 85 00:03:35,200 --> 00:03:36,200 Go ahead. 86 00:03:36,200 --> 00:03:38,200 Hey. 87 00:03:38,200 --> 00:03:40,200 Mmm. 88 00:03:40,200 --> 00:03:41,200 Mmm. 89 00:03:41,200 --> 00:03:42,200 That's for you. 90 00:03:42,200 --> 00:03:43,200 Nice. 91 00:03:44,200 --> 00:03:45,200 All right. 92 00:03:45,200 --> 00:03:46,200 You better come on. 93 00:03:46,200 --> 00:03:47,200 Take it away, man. 94 00:03:48,750 --> 00:05:09,200 [ Music ] 95 00:05:09,200 --> 00:05:14,200 The thief you kind of spoke. 96 00:05:14,200 --> 00:05:18,200 There are many here on my nerves. 97 00:05:18,200 --> 00:05:23,200 Who know the life is just a joke. 98 00:05:23,200 --> 00:05:27,200 But you will not weave Ben through that, yes. 99 00:05:27,200 --> 00:05:32,200 And this is not our fate, no, no. 100 00:05:32,200 --> 00:05:36,200 So little, snotspeak falls in our arms. 101 00:05:36,200 --> 00:07:33,750 [ Music ] 102 00:07:38,200 --> 00:07:46,200 And of course, you played my theme song here in the watch tower. 103 00:07:46,200 --> 00:07:47,200 I love it, man. 104 00:07:47,200 --> 00:07:48,200 It's awesome. 105 00:07:48,200 --> 00:07:51,200 I just realized we got an audience here. 106 00:07:51,200 --> 00:07:52,200 But they only hear you singing. 107 00:07:52,200 --> 00:07:54,200 You don't hear as guitar, right? 108 00:07:54,200 --> 00:07:58,200 It's like, and it still sounds good. 109 00:07:58,200 --> 00:08:01,200 Dude, I was just thinking about this. 110 00:08:01,200 --> 00:08:03,200 We got to do something about the name. 111 00:08:03,200 --> 00:08:04,200 I want to make it here. 112 00:08:04,200 --> 00:08:07,200 You could be like, what can we make it? 113 00:08:07,200 --> 00:08:12,200 First of all, I was thinking of cutting off the Birkin and just going with Bosch because it's like a powerful like Bosch. 114 00:08:12,200 --> 00:08:13,200 Yeah. 115 00:08:13,200 --> 00:08:15,200 Although Birkin has a ring to it though. 116 00:08:15,200 --> 00:08:18,200 It's like, you Birkin, you Bosch. 117 00:08:18,200 --> 00:08:19,200 Birkin stock. 118 00:08:19,200 --> 00:08:22,200 Yeah, you'll be big and Berkeley. 119 00:08:22,200 --> 00:08:23,200 Yes. 120 00:08:23,200 --> 00:08:25,200 Okay, we'll work on that. 121 00:08:25,200 --> 00:08:28,200 I'm sure some of the chuckle heads out there might have some ideas. 122 00:08:28,200 --> 00:08:30,200 You want to play one of your own tunes? 123 00:08:30,200 --> 00:08:31,200 Absolutely. 124 00:08:31,200 --> 00:08:33,200 Alright, hold on. 125 00:08:33,200 --> 00:08:35,200 Go for it. 126 00:08:35,200 --> 00:08:41,200 This is a song called Something Good. 127 00:08:41,250 --> 00:12:36,200 [ Music ] 128 00:12:36,200 --> 00:12:40,200 Something good. 129 00:12:40,200 --> 00:12:50,200 Dude, did you like come out of the womb with that voice and the chops like that? 130 00:12:50,200 --> 00:12:52,200 Just like born with it? 131 00:12:52,200 --> 00:12:54,200 Yeah, it's awesome. 132 00:12:54,200 --> 00:12:56,200 That's a great song. 133 00:12:56,200 --> 00:12:58,200 When do you write that? 134 00:12:58,200 --> 00:13:00,200 About 2005, I think. 135 00:13:00,200 --> 00:13:01,200 Really? 136 00:13:01,200 --> 00:13:02,200 Go ahead and have a drink of water. 137 00:13:02,200 --> 00:13:04,200 I'll compliment you while you're doing that. 138 00:13:04,200 --> 00:13:08,200 I've been picking hit songs all my life on the radio. 139 00:13:08,200 --> 00:13:10,200 That is definitely a hit. 140 00:13:10,200 --> 00:13:12,200 That's a great song. 141 00:13:12,200 --> 00:13:14,200 It's hokey, it's nice, it's what I think people are wanting to hear. 142 00:13:14,200 --> 00:13:16,200 You got a record deal or anything like that? 143 00:13:16,200 --> 00:13:18,200 I got nothing. 144 00:13:18,200 --> 00:13:20,200 Yeah, it's talking musician. 145 00:13:20,200 --> 00:13:22,200 We love it. 146 00:13:22,200 --> 00:13:23,200 Perfect. 147 00:13:23,200 --> 00:13:26,200 I'm basically playing tourist bars and Amsterdam doing cover stuff. 148 00:13:26,200 --> 00:13:31,200 I play my own stuff whenever I can, but usually the bartenders like us to play. 149 00:13:31,200 --> 00:13:35,200 The stuff that people know, so they buy more drinks, so the bartenders make more money. 150 00:13:35,200 --> 00:13:36,200 Right. 151 00:13:36,200 --> 00:13:39,200 But yeah, I do a little gigs here and there with my own stuff. 152 00:13:39,200 --> 00:13:42,200 I've done a few bigger things. 153 00:13:42,200 --> 00:13:46,200 I was a finalist on a pretty big live music competition back home. 154 00:13:46,200 --> 00:13:47,200 Yeah, what's that? 155 00:13:47,200 --> 00:13:49,200 That's the Hrotoprace. 156 00:13:49,200 --> 00:13:51,200 This is a sponsored by the government. 157 00:13:51,200 --> 00:13:54,200 It's a cultural department of culture, prize or something. 158 00:13:54,200 --> 00:13:56,200 Yes, it's them in Hainick and I think. 159 00:13:56,200 --> 00:13:59,200 Yeah, that's a Dutch government works with Hainick. 160 00:13:59,200 --> 00:14:00,200 Can you, of course, they do. 161 00:14:00,200 --> 00:14:01,200 All right, cool. 162 00:14:01,200 --> 00:14:02,200 All right. 163 00:14:02,200 --> 00:14:04,200 And did that get you any traction? 164 00:14:04,200 --> 00:14:05,200 Did that work for you? 165 00:14:05,200 --> 00:14:06,200 No, no. 166 00:14:06,200 --> 00:14:07,200 No, no. 167 00:14:07,200 --> 00:14:08,200 No, no. 168 00:14:08,200 --> 00:14:09,200 And free beer. 169 00:14:09,200 --> 00:14:12,200 Well, I got, uh, there was like an events company out there. 170 00:14:12,200 --> 00:14:15,200 They scattered me and they hired me for some cool stuff. 171 00:14:15,200 --> 00:14:16,200 Uh-huh. 172 00:14:16,200 --> 00:14:18,200 For the world famous Johan Krav Foundation. 173 00:14:18,200 --> 00:14:19,200 Okay, sure. 174 00:14:19,200 --> 00:14:20,200 Stuff like that. 175 00:14:20,200 --> 00:14:21,200 Sure. 176 00:14:21,200 --> 00:14:23,200 Got hired to do some promotional stuff for, you know. 177 00:14:23,200 --> 00:14:25,200 But nothing, nothing serious. 178 00:14:25,200 --> 00:14:28,200 So when you look at the music business today, I mean, what do you see the future? 179 00:14:28,200 --> 00:14:31,200 What do you think you'll be doing and what, what approach you're taking? 180 00:14:31,200 --> 00:14:33,200 Because I presume you want to do this, right? 181 00:14:33,200 --> 00:14:35,200 This is what, this is your passion, right? 182 00:14:35,200 --> 00:14:36,200 Oh, yeah. 183 00:14:36,200 --> 00:14:39,200 Well, I've recently got an in touch with some people back home that are wanting to help 184 00:14:39,200 --> 00:14:40,200 me out. 185 00:14:40,200 --> 00:14:44,200 There's like a small group of independent people that are trying to conquer the world, as 186 00:14:44,200 --> 00:14:45,200 we're all trying to. 187 00:14:45,200 --> 00:14:46,200 Sure. 188 00:14:46,200 --> 00:14:50,200 And what I really need right now is I still don't have a recording of my own 189 00:14:50,200 --> 00:14:52,200 stuff that I'm, you know, fully happy with. 190 00:14:52,200 --> 00:14:55,200 So that's the first thing I'm going to do when I go back home. 191 00:14:55,200 --> 00:14:57,200 Let's be pretty easy to find people who can know. 192 00:14:57,200 --> 00:15:00,200 I mean, these days with, you know, max and pro tools and everything that should be 193 00:15:00,200 --> 00:15:01,200 reasonably easy. 194 00:15:01,200 --> 00:15:03,200 I mean, this will, this will be something you can enjoy listening to. 195 00:15:03,200 --> 00:15:06,200 I don't think it's exactly what you want from a demo. 196 00:15:06,200 --> 00:15:08,200 Not quite what you want. 197 00:15:08,200 --> 00:15:09,200 Well, with you on it, my hair. 198 00:15:09,200 --> 00:15:12,200 Well, do whatever we can. 199 00:15:12,200 --> 00:15:17,200 I'd love for you to do a song by request for me, because I heard you do this. 200 00:15:17,200 --> 00:15:21,200 Actually, I talked about this on the show a couple of weeks ago. 201 00:15:21,200 --> 00:15:23,200 I heard you do this at the, at the art expo. 202 00:15:23,200 --> 00:15:26,200 And I was like, oh my god, the first of all, the fact that anyone, 203 00:15:26,200 --> 00:15:28,200 under 40 knows this song. 204 00:15:28,200 --> 00:15:29,200 Right. 205 00:15:29,200 --> 00:15:30,200 Second of all, would play it. 206 00:15:30,200 --> 00:15:31,200 I was like, it just blew me away. 207 00:15:31,200 --> 00:15:32,200 It's a real mother for you. 208 00:15:32,200 --> 00:15:34,200 Johnny Guitar Watson was like, oh, yeah. 209 00:15:34,200 --> 00:15:38,200 I mean, if you always had this in your repertoire, pretty much. 210 00:15:38,200 --> 00:15:41,200 Johnny Guitar Watson is one of my favorite all-time artists. 211 00:15:41,200 --> 00:15:42,200 What happened to him? 212 00:15:42,200 --> 00:15:43,200 Is he still alive? 213 00:15:43,200 --> 00:15:45,200 I think you had a heart attack in Japan on stage, actually. 214 00:15:45,200 --> 00:15:46,200 Really? 215 00:15:46,200 --> 00:15:47,200 And he passed away? 216 00:15:47,200 --> 00:15:48,200 He died. 217 00:15:48,200 --> 00:15:49,200 What a way to go. 218 00:15:49,200 --> 00:15:50,200 Mid 90s. 219 00:15:50,200 --> 00:15:51,200 Yeah. 220 00:15:51,200 --> 00:15:52,200 But it had like sparks coming out of the guitar. 221 00:15:52,200 --> 00:15:53,200 That would have been even better. 222 00:15:53,200 --> 00:15:54,200 Go down in flames. 223 00:15:54,200 --> 00:15:55,200 Yeah. 224 00:15:55,200 --> 00:15:57,200 It's either on stage or in bed with a beautiful woman, right? 225 00:15:57,200 --> 00:15:59,200 I mean, if you're going to get a heart attack, that's the way to go. 226 00:15:59,200 --> 00:16:00,200 Hear that, Mick? 227 00:16:00,200 --> 00:16:01,200 Yeah. 228 00:16:01,200 --> 00:16:03,200 So who are your heroes? 229 00:16:03,200 --> 00:16:05,200 Is Johnny Guitar Watson one of them? 230 00:16:05,200 --> 00:16:06,200 Uh, yes. 231 00:16:06,200 --> 00:16:10,200 Well, basically, I break my, my musical background down into like three components. 232 00:16:10,200 --> 00:16:13,200 Like, there's the stuff I grew up around because my parents had it, 233 00:16:13,200 --> 00:16:14,200 owned it or listened to it. 234 00:16:14,200 --> 00:16:15,200 Right. 235 00:16:15,200 --> 00:16:16,200 Add the same, sure. 236 00:16:16,200 --> 00:16:17,200 So that's what was that? 237 00:16:17,200 --> 00:16:18,200 What kind of stuff was that? 238 00:16:18,200 --> 00:16:21,200 Uh, that's like the late 60s, early 70s rock. 239 00:16:21,200 --> 00:16:22,200 Okay. 240 00:16:22,200 --> 00:16:23,200 Cool. 241 00:16:23,200 --> 00:16:24,200 You see, I grew up with like peppermint twist and crap like that. 242 00:16:24,200 --> 00:16:26,200 I know all the 50 songs. 243 00:16:26,200 --> 00:16:27,200 No, no. 244 00:16:27,200 --> 00:16:30,200 I was like, uh, yeah, I listened to Rolling Stones, Jimmy Hendrix. 245 00:16:30,200 --> 00:16:31,200 All right. 246 00:16:31,200 --> 00:16:32,200 That kind of stuff. 247 00:16:32,200 --> 00:16:33,200 Right. 248 00:16:33,200 --> 00:16:37,200 And then, uh, when I was a teenager, I was, I was a big fan of Red Hot Chili 249 00:16:37,200 --> 00:16:39,200 Peppers, uh, stuff like that. 250 00:16:39,200 --> 00:16:40,200 Funky, funky stuff. 251 00:16:40,200 --> 00:16:43,200 And then through the funk I discovered, you know, jazz through players like Marcus 252 00:16:43,200 --> 00:16:44,200 Marcus, Marcus, Marcus, Marcus. 253 00:16:44,200 --> 00:16:45,200 Sure, sure. 254 00:16:45,200 --> 00:16:46,200 Yeah. 255 00:16:46,200 --> 00:16:47,200 Yeah. 256 00:16:47,200 --> 00:16:48,200 And he mingus? 257 00:16:48,200 --> 00:16:49,200 Yeah. 258 00:16:49,200 --> 00:16:50,200 Yeah. 259 00:16:50,200 --> 00:16:51,200 Yeah. 260 00:16:51,200 --> 00:16:53,200 The whole, like, the real series, jazzy jazz stuff. 261 00:16:53,200 --> 00:16:54,200 Yes. 262 00:16:54,200 --> 00:16:55,200 Okay. 263 00:16:55,200 --> 00:16:56,200 Right. 264 00:16:56,200 --> 00:16:57,200 I mean, I love it, but I can't do it. 265 00:16:57,200 --> 00:16:59,200 So stay away from requires actual talent. 266 00:16:59,200 --> 00:17:01,200 And, and a lot of drugs, I think. 267 00:17:01,200 --> 00:17:03,200 Those guys must be way high to do that stuff. 268 00:17:03,200 --> 00:17:04,200 I think you have to be. 269 00:17:04,200 --> 00:17:05,200 Yeah. 270 00:17:05,200 --> 00:17:06,200 How about Prince? 271 00:17:06,200 --> 00:17:07,200 You're a fan of Prince. 272 00:17:07,200 --> 00:17:08,200 Well, a huge fan of Prince. 273 00:17:08,200 --> 00:17:09,200 Okay. 274 00:17:09,200 --> 00:17:10,200 Yeah. 275 00:17:10,200 --> 00:17:11,200 And that guy's amazing. 276 00:17:11,200 --> 00:17:12,200 Yeah. 277 00:17:12,200 --> 00:17:13,200 Yeah. 278 00:17:13,200 --> 00:17:14,200 Yeah. 279 00:17:14,200 --> 00:17:16,200 Everybody says you're genius. 280 00:17:16,200 --> 00:17:17,200 But he actually is. 281 00:17:17,200 --> 00:17:18,200 Yeah. 282 00:17:18,200 --> 00:17:21,200 All right. 283 00:17:23,750 --> 00:18:41,200 [ Music ] 284 00:18:41,200 --> 00:18:55,200 Get to room for the foil. 285 00:18:55,200 --> 00:18:59,200 Got to go to a disco. 286 00:18:59,200 --> 00:19:04,200 And throw your troubles away. 287 00:19:04,200 --> 00:19:08,200 Got to dance, dance to the music and baby. 288 00:19:08,200 --> 00:19:13,200 That's a DJ play. 289 00:19:13,200 --> 00:19:17,200 But then the lights come on, alone. 290 00:19:17,200 --> 00:19:19,200 Just like a new day would. 291 00:19:19,200 --> 00:19:22,200 Like a new day would. 292 00:19:22,200 --> 00:20:01,200 [ Music ] 293 00:20:01,200 --> 00:20:11,200 Get to room for the foil. 294 00:20:11,200 --> 00:20:16,200 Make you want to run for color. 295 00:20:16,200 --> 00:20:21,200 And if you look, you will discover. 296 00:20:21,200 --> 00:20:35,200 [ Music ] 297 00:20:35,200 --> 00:20:44,200 Get to room for the foil. 298 00:20:44,200 --> 00:20:45,200 Oh man. 299 00:20:45,200 --> 00:20:47,200 You got to let your own percussion. 300 00:20:47,200 --> 00:20:48,200 Everything going on there. 301 00:20:48,200 --> 00:20:49,200 The same time is great. 302 00:20:49,200 --> 00:20:50,200 It was tricky. 303 00:20:50,200 --> 00:20:55,200 And do you consider yourself more a guitarist play a singer or a combo? 304 00:20:56,200 --> 00:21:01,200 Generally, I try to stay away from the whole singer songwriter thing, which is technically what I am. 305 00:21:01,200 --> 00:21:03,200 People kind of turn that into a genre. 306 00:21:03,200 --> 00:21:04,200 Yeah, like jewel. 307 00:21:04,200 --> 00:21:07,200 Right, even though it's more of a job description. 308 00:21:07,200 --> 00:21:09,200 Technically, Jimmy Hendrix was a singer songwriter. 309 00:21:09,200 --> 00:21:10,200 Oh, hell yeah. 310 00:21:10,200 --> 00:21:11,200 No, I see. 311 00:21:11,200 --> 00:21:13,200 I'm a guitarist singer singer. 312 00:21:13,200 --> 00:21:14,200 Yeah. 313 00:21:14,200 --> 00:21:16,200 You got to look though, man. 314 00:21:16,200 --> 00:21:20,200 I think you know, you do something with like, I don't know. 315 00:21:20,200 --> 00:21:22,200 What do you wear on stage? 316 00:21:23,200 --> 00:21:25,200 Jeans and shirts. 317 00:21:25,200 --> 00:21:28,200 Girls, we need to give this guy a look. 318 00:21:28,200 --> 00:21:31,200 Yeah, you got it in you know, you really do. 319 00:21:31,200 --> 00:21:32,200 Thank you. 320 00:21:32,200 --> 00:21:35,200 People usually say, I'm like, like Michael McDonald meets Eric Laptant type of thing. 321 00:21:35,200 --> 00:21:36,200 I don't know. 322 00:21:36,200 --> 00:21:38,200 Yeah, I can't see where that comes from. 323 00:21:38,200 --> 00:21:39,200 Yeah. 324 00:21:39,200 --> 00:21:40,200 Yeah. 325 00:21:40,200 --> 00:21:41,200 I'm not old. 326 00:21:41,200 --> 00:21:42,200 No. 327 00:21:42,200 --> 00:21:43,200 You're saying I don't know the compliment. 328 00:21:43,200 --> 00:21:45,200 I'd love to hear some more of your own stuff. 329 00:21:45,200 --> 00:21:46,200 Sure, sure. 330 00:21:46,200 --> 00:21:47,200 Yeah. 331 00:21:47,200 --> 00:21:49,200 Go ahead and have some water there. 332 00:21:53,200 --> 00:21:56,200 Can I get some background vocals on this? 333 00:22:01,200 --> 00:22:04,200 No, because because my sister's there, she knows the song. 334 00:22:04,200 --> 00:22:05,200 But I can't say. 335 00:22:05,200 --> 00:22:07,200 Doesn't matter. 336 00:22:07,200 --> 00:22:11,200 This is a, this is a song called, called You Should Be Here With Me. 337 00:22:11,200 --> 00:22:12,200 And it does. 338 00:22:15,200 --> 00:22:16,200 I don't care. 339 00:22:16,200 --> 00:22:18,200 I don't care. 340 00:22:18,200 --> 00:22:20,200 All right. 341 00:22:20,200 --> 00:22:21,200 All right. 342 00:22:21,200 --> 00:22:23,200 We're getting the whole family involved now. 343 00:22:23,200 --> 00:22:24,200 Exactly. 344 00:22:26,200 --> 00:22:29,200 So if you just stand in behind me, but that'll be great. 345 00:22:29,200 --> 00:22:31,200 No, a little closer. 346 00:22:31,200 --> 00:22:33,200 We're going to be able to hear it. 347 00:22:33,200 --> 00:22:34,200 All right. 348 00:22:34,200 --> 00:22:35,200 Well, it's, it's real simple. 349 00:22:35,200 --> 00:22:38,200 All you have to do is sing along with me on the courses. 350 00:22:38,200 --> 00:22:39,200 You should be here with me. 351 00:22:39,200 --> 00:22:40,200 You know that song. 352 00:22:40,200 --> 00:22:43,200 Yeah, because this, this is the, the audience participation 353 00:22:43,200 --> 00:22:44,200 Proclamation song. 354 00:22:44,200 --> 00:22:45,200 Yeah. 355 00:22:45,200 --> 00:22:46,200 Doesn't work without. 356 00:22:46,200 --> 00:22:48,200 All right. 357 00:22:48,200 --> 00:22:49,200 So here we go. 358 00:22:49,200 --> 00:22:50,200 Here we go. 359 00:22:51,250 --> 00:23:19,200 [ Music ] 360 00:23:19,200 --> 00:23:28,200 But I'm positive that no one could ever come and take your place 361 00:23:28,200 --> 00:23:33,200 I know you never meant to leave me stranded 362 00:23:33,200 --> 00:23:38,200 You never planned to leave so soon 363 00:23:38,200 --> 00:25:18,200 [ Music ] 364 00:25:18,200 --> 00:25:24,200 Whatever they say, I still need you here tonight 365 00:25:24,200 --> 00:25:29,200 Because you should be 366 00:25:29,200 --> 00:25:34,200 Here with me 367 00:25:34,200 --> 00:25:40,200 You should be here with me 368 00:25:40,200 --> 00:26:22,200 [ Music ] 369 00:26:22,200 --> 00:26:27,200 You should be here with me 370 00:26:27,200 --> 00:26:32,200 You should be here with me 371 00:26:32,200 --> 00:26:35,200 You should be here with me 372 00:26:35,200 --> 00:26:38,200 You should be here with me 373 00:26:38,200 --> 00:26:42,200 You should be here with me 374 00:26:42,200 --> 00:26:47,200 You should be here with me 375 00:26:47,200 --> 00:26:50,200 You should be here with me 376 00:26:50,200 --> 00:26:55,200 You should be here with me 377 00:26:55,200 --> 00:26:57,200 You should be here with me 378 00:26:57,200 --> 00:27:00,200 You should be here with me 379 00:27:00,200 --> 00:27:04,200 You should be here with me 380 00:27:04,200 --> 00:27:06,200 You should be here with me 381 00:27:06,200 --> 00:27:10,200 You should be here with me 382 00:27:10,200 --> 00:27:15,200 You should be here with me 383 00:27:15,200 --> 00:27:19,200 You should be here with me 384 00:27:19,200 --> 00:27:24,200 You should be here with me 385 00:27:24,200 --> 00:27:28,200 You should be here with me 386 00:27:28,200 --> 00:30:36,200 [ Music ] 387 00:30:36,200 --> 00:30:54,200 When I run and hide, need your touch so bad, only your hands can reveal. 388 00:30:54,200 --> 00:31:11,200 I'm sitting here, I'm listening with my eyes closed, I can't place your voice, it's really unique, and this is going to sound really weird, but the closest, does anyone ever compare you to anybody, they say you sound like, 389 00:31:11,200 --> 00:31:21,200 everyone hates when you do that. 390 00:31:21,200 --> 00:31:31,200 When they hear you do stuff, they want to give you compliments, so they like or know, so I usually get, oh, yeah, you have a beard and long hair and a guitar, so you're Eric Clapton, 391 00:31:31,200 --> 00:31:37,200 you know you're John Legend, you know you're Michael McDonald, I get those are few names. 392 00:31:37,200 --> 00:31:47,200 First of all, John Legend is our neighbor here, and he better watch his house, you'll be moving in, but I have to say a white Stevie Wonder. 393 00:31:47,200 --> 00:31:55,200 I had my eyes closed, and it's meant as a compliment, obviously who can be Stevie Wonder, but you've got something, 394 00:31:55,200 --> 00:32:03,200 and by the way, it was a beautiful, beautiful chord jazz, that's really, really nice stuff. Do you place Stevie Wonder, do you do any of his stuff? 395 00:32:03,200 --> 00:32:08,200 I, yeah. I'm going to put you on the spot or anything. 396 00:32:08,200 --> 00:32:12,200 Actually, I used to do superstition. 397 00:32:12,200 --> 00:32:17,200 That's really tricky with that percussion, but maybe some handclaps, we can make it happen. 398 00:32:17,200 --> 00:32:20,200 How about some cowbell? How about some cowbell? 399 00:32:20,200 --> 00:32:24,200 Are you going to glue me into where we do the cowbell, no? 400 00:32:26,250 --> 00:35:20,200 [ Music ] 401 00:35:20,200 --> 00:35:26,200 Superstition in the way. 402 00:35:33,200 --> 00:35:38,200 I'm sorry. 403 00:35:38,200 --> 00:35:45,200 I'm trying to listen to the strings of the guitar. 404 00:35:45,200 --> 00:35:50,200 Now you know why I play the records, not make them. 405 00:35:50,200 --> 00:35:56,200 Do you want to do one more just to play his home, your favorite song? 406 00:35:57,200 --> 00:36:11,200 One of my favorite songs has to be Marvin Gaseong. 407 00:36:11,200 --> 00:40:24,200 [ Music ] 408 00:40:24,200 --> 00:40:37,200 Said I heard it through the grapevine. 409 00:40:37,200 --> 00:40:39,200 All right, that's beautiful, man. 410 00:40:39,200 --> 00:40:40,200 That's great. 411 00:40:40,200 --> 00:40:41,200 Thank you. 412 00:40:41,200 --> 00:40:42,200 So I think I figured it out. 413 00:40:42,200 --> 00:40:45,200 I think it should be, I think you keep the Birkenboss. 414 00:40:45,200 --> 00:40:46,200 Just keep it like Birkenboss. 415 00:40:46,200 --> 00:40:48,200 Not Bosch because they can't figure that out here. 416 00:40:48,200 --> 00:40:50,200 And they say, but you just gotta be John. 417 00:40:50,200 --> 00:40:51,200 Just John Birkenboss. 418 00:40:51,200 --> 00:40:52,200 I mean, it sounds good. 419 00:40:52,200 --> 00:40:56,200 You know, it sounds like like you've got some years under your belt. 420 00:40:56,200 --> 00:40:59,200 You know, you've been around the Mississippi Delta. 421 00:40:59,200 --> 00:41:00,200 All right. 422 00:41:00,200 --> 00:41:01,200 I'm like that. 423 00:41:01,200 --> 00:41:03,200 I'm just saying you see that wall there. 424 00:41:03,200 --> 00:41:04,200 And this wall, this brick wall. 425 00:41:04,200 --> 00:41:05,200 Yeah. 426 00:41:05,200 --> 00:41:09,200 So we got aerosmith, platinum CDs, Michael Jackson, platinum CDs. 427 00:41:09,200 --> 00:41:12,200 Next time you come back, we'll have the John Birkenboss CDs there. 428 00:41:12,200 --> 00:41:13,200 That's a deal. 429 00:41:13,200 --> 00:41:14,200 Yeah. 430 00:41:14,200 --> 00:41:16,200 I mean, really appreciate it. 431 00:41:16,200 --> 00:41:18,200 It's very cool for you to stop by and do this for us. 432 00:41:18,200 --> 00:41:19,200 No, thank you so much. 433 00:41:19,200 --> 00:41:20,200 Yeah, you welcome. 434 00:41:20,200 --> 00:41:21,200 Anytime come back. 435 00:41:21,200 --> 00:41:22,200 And anything we can do for you. 436 00:41:22,200 --> 00:41:24,200 Maybe people will be reaching out to who heard the show. 437 00:41:24,200 --> 00:41:25,200 Where can they reach in? 438 00:41:25,200 --> 00:41:26,200 Do you have email address? 439 00:41:26,200 --> 00:41:27,200 Uh, yes. 440 00:41:27,200 --> 00:41:30,200 The easiest thing to do would be Google my name, which is J-O-E-P. 441 00:41:30,200 --> 00:41:31,200 Yep. 442 00:41:31,200 --> 00:41:34,200 B-E-R-K-E-N-B-O-S-E-H. 443 00:41:34,200 --> 00:41:35,200 And I got a dot com. 444 00:41:35,200 --> 00:41:36,200 I'm on my space. 445 00:41:36,200 --> 00:41:37,200 I'm on Facebook. 446 00:41:38,200 --> 00:41:40,200 All right, I'll put some links in the show notes as well. 447 00:41:40,200 --> 00:41:41,200 DailySourceco.com. 448 00:41:41,200 --> 00:41:42,200 Some people can find you. 449 00:41:42,200 --> 00:41:43,200 All right. 450 00:41:43,200 --> 00:41:44,200 The great you back and bust everybody. 451 00:41:44,200 --> 00:41:45,200 Yay. 452 00:41:45,200 --> 00:41:46,200 Thank you.