1 00:00:00,000 --> 00:00:07,320 Delta Shera Charlie 867 holy crap am I really doing this 2 00:00:07,320 --> 00:00:22,820 this is Batman's adventure. I'm dying. 21st century of radio's dice here. The outline from no justice for God's sake. It's occurring. 3 00:00:22,820 --> 00:00:34,320 I'm going to have to stop for the big ones. 4 00:00:34,320 --> 00:01:57,800 [ Music ] 5 00:01:57,800 --> 00:02:00,600 ♪♪ 6 00:02:00,600 --> 00:02:02,100 2013! 7 00:02:02,100 --> 00:02:03,600 ♪♪ 8 00:02:03,600 --> 00:02:05,600 Thanks for tuning in! 9 00:02:07,500 --> 00:02:10,500 I think I should have scored a try. 10 00:02:16,500 --> 00:02:22,340 and the other than just a full full of excellent music provided to me by DJ Power Boy. 11 00:02:27,000 --> 00:02:29,000 I feel good about it. 12 00:02:33,000 --> 00:02:36,000 I'll probably get a tell you what's going on right after this. 13 00:02:36,000 --> 00:02:40,000 Loves that alone in a buggy march 14 00:02:40,000 --> 00:02:43,000 Totally much alive except for her heart 15 00:02:43,000 --> 00:02:46,000 My pride up in a love special 16 00:02:46,000 --> 00:02:49,000 She totally confused all the pussing 17 00:02:49,000 --> 00:02:53,000 Others that she's up, she's up, she's in my head 18 00:02:57,000 --> 00:02:58,400 She's not! She's not! 19 00:02:58,400 --> 00:03:00,000 She might be a zim! 20 00:03:00,000 --> 00:03:03,000 ♪ ♪ 21 00:03:04,500 --> 00:03:06,780 ♪ Left in love for brain ♪ 22 00:03:06,780 --> 00:04:20,000 [ Music ] 23 00:04:20,000 --> 00:04:22,000 Brethren, it's up United States of America! 24 00:04:22,000 --> 00:04:23,000 Oh, she's so lonely! 25 00:04:28,500 --> 00:04:34,660 TAPM as I said on Wednesday night just did all the show prep for no agenda for the show tomorrow 26 00:04:34,660 --> 00:04:40,580 Which of course is our annual Thanksgiving extravaganza, and I'm just looking through this folder of 27 00:04:40,580 --> 00:04:46,400 Tracks for the pre-stream like man. This is almost like this is perfect for a daily source code 28 00:04:46,400 --> 00:04:51,300 So I figured out just kind of grab them and you know one thing led to another 29 00:04:51,300 --> 00:04:54,580 I'm listening to these tracks and I had purchased a 30 00:04:55,300 --> 00:05:00,660 bottle to take to my friends tomorrow where I'll be joining up with them after 31 00:05:00,660 --> 00:05:03,540 After the show for some Thanksgiving dinner 32 00:05:03,540 --> 00:05:06,100 They've promised me 33 00:05:06,100 --> 00:05:12,980 Cowboys and tranny so looking forward to that and then and the guy at the liquor store gave me a bottle of Glen live at 34 00:05:12,980 --> 00:05:19,380 This is aged 15 years. You know what but like one of those airplane bottles only it's a little bigger 35 00:05:19,380 --> 00:05:24,180 Let me see don't have any lights on here. I mean give you an idea of what the quantity is 36 00:05:25,140 --> 00:05:28,500 Of course, I've got these brand new lenses so I can't see crap 37 00:05:28,500 --> 00:05:30,040 Bye! 38 00:05:30,000 --> 00:05:34,800 I was just saying there is a this is pretty bad. I can't actually read 39 00:05:34,800 --> 00:05:42,000 how what the content of the bottle is. Oh man. Anyway, I've already consumed it as 40 00:05:42,000 --> 00:05:46,160 you know I'm quite a lightweight so that kind of helped me over the over kind 41 00:05:46,160 --> 00:05:50,400 of the the hump to do the show. 42 00:05:50,400 --> 00:06:00,400 I saw a time you you what did I know you don't 43 00:06:00,400 --> 00:07:45,000 [ Music ] 44 00:07:45,000 --> 00:07:48,000 I'm against you 45 00:07:49,500 --> 00:08:00,940 I'm just looking at the DSC dot to curry dot com and it says David source code 866 was the last one that I did on August 28 2012 although it actually says 46 00:08:00,940 --> 00:08:09,680 episode 865 on the player I wonder if it was 865 866 let me listen here what can I fucking hear it 47 00:08:09,680 --> 00:08:31,460 I'm not doing this streaming tonight because I can't don't have access to the stream it's a little different without live audience but we'll still give it a try 48 00:08:31,460 --> 00:08:38,460 I'm sure you'll enjoy the podcast edition most people do. 49 00:08:38,460 --> 00:08:51,460 Charlie, my favorite mistake must have been Lance. I'm a little favorite of mine. I'm a good one. 50 00:08:51,000 --> 00:08:53,000 I'm sorry 51 00:08:53,000 --> 00:11:51,000 [ Music ] 52 00:11:51,000 --> 00:11:52,520 ♪ We're all up, we're up ♪ 53 00:11:55,500 --> 00:11:57,020 ♪ I'm like you, but I ♪ 54 00:12:00,000 --> 00:12:04,640 of music radio live here on the Charlie 55 00:12:06,000 --> 00:12:08,080 that you might like and a long time 56 00:12:08,080 --> 00:12:10,080 when the computer necessarily do everything 57 00:12:10,080 --> 00:12:11,680 kind of make it a mix. 58 00:12:13,500 --> 00:12:14,900 I've got to listen to this at night. 59 00:12:16,500 --> 00:12:19,580 I can only listen to this show at like 11 o'clock at night. 60 00:12:19,580 --> 00:12:21,460 I've got all the lights out in the house. 61 00:12:21,460 --> 00:12:22,380 I'm here in the studio. 62 00:12:22,380 --> 00:12:26,100 I don't think I've never done a Charlie in this new studio, 63 00:12:26,100 --> 00:12:30,500 which is very cool because I've got the stand up desk. 64 00:12:30,500 --> 00:12:33,420 The energy is going to be way different than last time we did it, 65 00:12:33,420 --> 00:12:36,180 which was the lunar edition, if you recall. 66 00:12:36,180 --> 00:12:39,540 Wow, it's been that long since I've been on this weekend Tech, too. 67 00:12:39,540 --> 00:12:46,540 ♪ Only tonight so long ago, but I was not so strong ♪ 68 00:12:46,540 --> 00:15:33,000 [ Music ] 69 00:15:33,000 --> 00:15:35,000 Oh 70 00:15:35,000 --> 00:15:36,000 Oh, no. 71 00:15:36,000 --> 00:15:38,000 Oh, you're the best. 72 00:15:40,500 --> 00:15:43,500 ♪♪♪ 73 00:15:45,000 --> 00:15:46,500 ♪♪♪♪ 74 00:15:49,500 --> 00:15:52,400 ♪ Oh, oh, oh, oh, oh, oh, oh ♪ 75 00:15:54,000 --> 00:15:58,480 Mmm. 76 00:15:58,480 --> 00:19:58,500 [ Music ] 77 00:19:58,500 --> 00:20:09,400 Oh man, I almost want to make some beat in a cyst. 78 00:20:09,400 --> 00:20:10,400 I love you. 79 00:20:13,500 --> 00:20:16,500 I'm actually dancing to the house. 80 00:20:16,500 --> 00:20:20,500 I am completely free. 81 00:20:20,500 --> 00:20:23,500 Completely free of any corporate restraints. 82 00:20:23,500 --> 00:20:26,500 To bring you a collection of music 83 00:20:26,500 --> 00:20:29,500 with a bunch of flathers between. 84 00:20:29,500 --> 00:20:30,500 For free. 85 00:20:30,500 --> 00:20:32,500 Call the Deathly Source Code. 86 00:20:32,500 --> 00:20:34,500 Very happy to bring it to you. 87 00:20:36,000 --> 00:20:39,200 And I'm not quite sure when I'm gonna release this. 88 00:20:39,200 --> 00:20:41,840 I guess I'll do it for the weekend. 89 00:20:41,840 --> 00:20:48,640 Maybe everyone, the opportunity to most recent know agenda first, 90 00:20:48,640 --> 00:20:53,040 which actually is also part of the inspiration for doing the show. 91 00:20:53,040 --> 00:20:57,440 So we were talking about, well, Bitcoin. 92 00:20:57,440 --> 00:21:03,040 And even though I do not recognize it as a currency and I have my doubts, 93 00:21:03,040 --> 00:21:05,840 I made a deal with a lot of the producers of their show. 94 00:21:05,840 --> 00:21:10,240 I said, listen, why not just do a daily source code and keep that going. 95 00:21:10,240 --> 00:21:14,560 And people donate Bitcoin to keep that show rolling. 96 00:21:14,560 --> 00:21:17,840 And I won't sell it until what I say until it hits 10,000. 97 00:21:17,840 --> 00:21:23,360 I'd set the exact parameters, but it's already over $1,000 today. 98 00:21:23,360 --> 00:21:28,520 So it was like 1,083 last time I checked. 99 00:21:28,520 --> 00:21:32,640 So I wouldn't be publishing a Bitcoin address along with the show notes for this, 100 00:21:32,640 --> 00:21:35,640 You can find it dsc.curry.com 101 00:21:35,640 --> 00:21:37,400 Bye bye. 102 00:21:37,500 --> 00:21:44,160 Go ahead send me some middle Bitcoin to whatever and then by the time that thing 103 00:21:44,160 --> 00:21:48,460 heads 10,000 I'll be a hundred million air and I'll take all of you out for 104 00:21:48,460 --> 00:21:51,380 hookers and blowing bacon 105 00:21:51,000 --> 00:21:52,400 ♪♪♪ 106 00:21:54,000 --> 00:22:04,000 Listen to this, it's from James Brown record. It's instrumental. And wait, it's a dance on the delzea! 107 00:22:06,000 --> 00:22:08,960 ♪♪ 108 00:22:08,960 --> 00:23:13,500 [ Music ] 109 00:23:13,500 --> 00:23:36,420 It's gonna be really weird tomorrow morning playing the same tracks the note didn't prestream. 110 00:23:36,420 --> 00:24:01,060 And of course it is all those pre streams that kind of slowly got me back in the mood. 111 00:24:01,060 --> 00:24:08,060 So much research going on like today getting now Miss Mickey is there working on Los Angeles 112 00:24:08,060 --> 00:24:11,540 coming back into love Saturday. 113 00:24:11,540 --> 00:24:14,980 So I've been of course in the studio. 114 00:24:15,000 --> 00:24:23,520 You know, in the office really researching everything gone so deep on so much that I just needed some relaxation 115 00:24:23,520 --> 00:24:25,480 Damn! 116 00:24:25,480 --> 00:24:33,560 So anyway, so if you do donate to some pieces of bits 117 00:24:33,560 --> 00:24:42,120 Then know that we will all be going to Vegas and well, but at that point I'll even go over to hire this guy 118 00:24:42,600 --> 00:24:44,600 As we enjoy our hope for some blow 119 00:24:44,600 --> 00:24:46,600 Miss the Saturday dance 120 00:24:46,600 --> 00:24:50,600 Her day crowded the floor 121 00:24:50,600 --> 00:24:54,680 Couldn't bear it without you 122 00:24:54,680 --> 00:24:58,440 Don't get around much anymore 123 00:24:58,440 --> 00:25:02,840 Thought I'd visit the club 124 00:25:02,840 --> 00:25:07,320 Got as far as the dog 125 00:25:07,320 --> 00:25:11,000 They have asked you about you 126 00:25:11,000 --> 00:25:27,140 [ Music ] 127 00:25:27,140 --> 00:25:37,120 But nevertheless, why star of memories been invited on the east. 128 00:25:37,120 --> 00:25:41,280 Might have gone but what for? 129 00:25:41,280 --> 00:25:45,340 Awfully different without you. 130 00:25:45,340 --> 00:25:48,820 Don't get around much anymore. 131 00:25:48,820 --> 00:26:09,500 [ Music ] 132 00:26:09,500 --> 00:26:13,700 I might have gone but what for? 133 00:26:13,700 --> 00:26:17,860 Oh, sweet damn friend, where the house is? I had a little bit of a vision. I'm gonna get her up! 134 00:26:18,000 --> 00:26:19,700 ♪ I'm not so long ♪ 135 00:26:19,700 --> 00:26:20,540 ♪ I'm not so long ♪ 136 00:26:22,500 --> 00:26:24,500 I know the guy I met him. 137 00:26:24,500 --> 00:26:25,500 You know it's a party. 138 00:26:25,500 --> 00:26:26,500 We do it in an old school. 139 00:26:26,500 --> 00:26:27,500 Anybody? 140 00:26:27,500 --> 00:26:29,500 Old school, Vegas. 141 00:26:29,500 --> 00:26:32,500 And a disco, twerking crap. 142 00:26:32,500 --> 00:26:35,500 All the drinking scotch and hanging out. 143 00:26:35,500 --> 00:26:38,500 And girls all look pretty and dressed up, 144 00:26:38,500 --> 00:26:40,500 including you girls who become alone. 145 00:26:40,500 --> 00:26:42,500 And basses tree. 146 00:26:42,500 --> 00:26:46,500 Here's a street where all the boys 147 00:26:46,500 --> 00:26:50,500 and the butth folks live down the New Orleans 148 00:26:50,500 --> 00:26:52,500 And the land of life. 149 00:26:54,000 --> 00:26:58,620 No, how nice it seems and not so much a billy means no no no no no no no you're dear to me 150 00:26:58,620 --> 00:27:01,940 Yes, reed 151 00:27:01,940 --> 00:27:07,540 Give me yes reed get you seen baby I can lose 152 00:27:07,540 --> 00:28:49,000 [ Music ] 153 00:28:49,000 --> 00:28:55,000 ♪ 154 00:28:55,000 --> 00:28:59,000 No, no, no, nice to see it. Just a much real amazing. 155 00:28:59,000 --> 00:29:01,220 Hey, I'll see the moon and the moon is pale! 156 00:29:01,220 --> 00:29:03,360 And it looks like they're taking some cat to jail 157 00:29:03,360 --> 00:29:05,160 No, it's the moon is pale, the Sun is... 158 00:29:05,160 --> 00:29:08,760 and then the Sun is gone, and the steam-water coming, and they're splashing, and then they're going... 159 00:29:08,760 --> 00:29:09,480 Whoa whoa! 160 00:29:09,480 --> 00:29:12,120 I bawl the moon and the moon shining! 161 00:29:13,500 --> 00:29:15,020 Oh, it's all smooth. 162 00:29:16,500 --> 00:29:17,940 you tell me. 163 00:29:19,500 --> 00:29:21,020 Oh, steepy down, down... 164 00:29:25,500 --> 00:29:27,000 ♪ Folks, I'm an idiot ♪ 165 00:29:30,000 --> 00:29:31,520 I'm so familiar to him there. 166 00:29:37,500 --> 00:29:46,100 So I'm thinking that maybe we should only make a minor feel. 167 00:29:48,000 --> 00:29:51,000 all the time. 168 00:29:52,500 --> 00:29:58,300 long way things are going with our internet freedoms for a quote unquote 169 00:29:58,300 --> 00:30:04,380 unlicensed music program like this to just go out and kind of an RSS speed of 170 00:30:04,380 --> 00:30:07,060 you store them 171 00:30:07,500 --> 00:30:12,060 fashion should be a huge problem. And what are we going to do? This is going to be playing 172 00:30:12,060 --> 00:30:18,380 music. I'd love to know what you guys think about it. Of course, this is a very interesting 173 00:30:18,380 --> 00:30:24,380 episode because I have no chat room, there's no live stream happening. It's a little weird 174 00:30:24,380 --> 00:30:32,380 because I don't think I've ever done... I mean, it's doing radio and you're doing it in the live 175 00:30:32,380 --> 00:30:39,500 format that I do it, but then without an actual audience is... it's very unfamiliar territory, so... 176 00:30:39,500 --> 00:30:45,820 get this weird feeling about talking to no one, but yes, yet I am talking to you. 177 00:30:45,820 --> 00:30:49,260 It's concerning. 178 00:30:51,000 --> 00:30:56,280 in the coming episodes of this rekindled Charlie you'll be needing it. 179 00:30:58,750 --> 00:33:09,000 [ Music ] 180 00:33:09,000 --> 00:33:15,000 It's your home. 181 00:33:23,750 --> 00:36:33,000 [ Music ] 182 00:36:33,000 --> 00:36:34,520 ♪ I can't find it ♪ 183 00:36:37,500 --> 00:36:43,580 this record not just this song but this entire record the Robby Williams the 184 00:36:43,580 --> 00:36:49,340 it was really genius and at the time I was living in Amsterdam and would be 185 00:36:49,340 --> 00:36:53,900 taking Christina to school and I had a little smart back in the day which is 186 00:36:53,900 --> 00:37:03,500 now when was this this must have been 2002 2000 yeah 2002 2003 and having a 187 00:37:03,500 --> 00:37:10,100 smart in Amsterdam is very very handy it's exactly what you want but it had 188 00:37:10,100 --> 00:37:14,340 an awesome sound system and we'd be blasting this record it wasn't there was 189 00:37:14,340 --> 00:37:18,540 a couple other cities I think somewhere I might have the actual like CDs from 190 00:37:18,540 --> 00:37:24,060 that car which of course I've no idea what happened to it after all the money 191 00:37:24,060 --> 00:37:28,900 went away some things you just kind of lose track of it really don't remember 192 00:37:28,900 --> 00:37:34,180 what happened to that that's a smart car I hope I sold it a couple other cool 193 00:37:34,180 --> 00:37:40,940 tracks that coming up for you actually I'm gonna play this from a YouTube video 194 00:37:39,000 --> 00:37:46,760 which was just released. Tom Kiefer from Cinderella. I hung out with him multiple times. 195 00:37:46,760 --> 00:37:56,840 It's kind of in the Jersey scene back in the, oh man, that must have been really late 80s, 196 00:37:56,840 --> 00:38:04,440 maybe early 90s. So he has a solo record out and I think it's either on Jack Ponty's 197 00:38:05,640 --> 00:38:12,520 record label or his music publishing or I don't know, he might have produced it because I know 198 00:38:12,520 --> 00:38:19,640 Tom Kiefer through Jack Ponty who you got to Google him if you want to talk about Jack. He's 199 00:38:19,640 --> 00:38:25,480 one of a kind. Anyway, so I saw a posting from Jack that Tom has this new album out and I definitely 200 00:38:25,480 --> 00:38:31,880 wanted to play this track. So it's straight from YouTube so you have to take the quality for what it is. 201 00:38:31,880 --> 00:38:32,880 Thanks for watching! 202 00:38:38,750 --> 00:41:57,000 [ Music ] 203 00:41:57,000 --> 00:41:58,520 ♪ In our hearts ♪ 204 00:42:03,000 --> 00:42:08,900 Women are God's greatest gift to our world. Truly beautiful inside and out system. 205 00:42:10,500 --> 00:42:13,060 song. So much that way life goes. 206 00:42:15,000 --> 00:42:17,000 uploaded to YouTube 207 00:42:18,000 --> 00:42:20,000 the video too. 208 00:42:20,000 --> 00:42:22,000 Stealing on a corner, wow. 209 00:42:22,000 --> 00:42:24,000 Ting on a pretty girl's. 210 00:42:24,000 --> 00:42:26,000 You're right. 211 00:42:26,000 --> 00:42:28,000 And it's one of those videos where I just keep 212 00:42:28,000 --> 00:42:32,000 expecting to see Jack Ponty pop up somewhere in 213 00:42:32,000 --> 00:42:34,000 the crowd. 214 00:42:34,000 --> 00:42:36,000 That would be something for him kind of like a John 215 00:42:36,000 --> 00:42:38,000 Collodner, John Collodner thing. 216 00:42:38,000 --> 00:42:40,000 Very, very cool. Awesome. 217 00:42:40,000 --> 00:42:42,000 Hey, that's the kind of stuff I'd like to do a little 218 00:42:42,000 --> 00:42:44,000 bit more of here on the 219 00:42:44,000 --> 00:42:48,000 Robbie up for a brahming. 220 00:42:48,000 --> 00:42:52,000 Give me some new stuff to listen to once in a while. 221 00:42:52,000 --> 00:42:54,000 That's just an ancient kid. 222 00:42:54,000 --> 00:42:59,000 Hey, 223 00:42:59,000 --> 00:43:02,000 and hello. 224 00:43:02,000 --> 00:43:04,000 Mr. Greer, Mr. Greer. 225 00:43:04,000 --> 00:43:08,000 Are you happy we're doing another Charlie? 226 00:43:08,000 --> 00:43:12,000 You might be. 227 00:43:12,000 --> 00:43:14,000 Danny Shores code 867 228 00:43:14,000 --> 00:43:16,000 to your service. 229 00:43:16,000 --> 00:43:18,000 Shh, you're not gonna get it. 230 00:43:18,000 --> 00:43:19,000 Thanks for watching! 231 00:43:19,000 --> 00:44:43,500 [ Music ] 232 00:44:43,500 --> 00:44:59,580 I know you're not real, man, because I'm loaded, okay? 233 00:44:59,580 --> 00:45:01,260 I've had some experience in that area. 234 00:45:03,000 --> 00:45:04,080 Yours is bull anyway. 235 00:45:09,000 --> 00:45:11,360 Blistering awesome heavy metal 236 00:45:16,250 --> 00:47:46,250 [ Music ] 237 00:47:51,000 --> 00:47:53,000 What the...preathy shit? 238 00:47:53,000 --> 00:47:56,000 And if I wanna dance or take my clothes off... 239 00:47:56,000 --> 00:47:57,000 Or both. 240 00:47:57,000 --> 00:48:05,000 Somehow I missed it when this really was... 241 00:48:07,500 --> 00:48:11,880 I think that was probably mid 90s when I was focused on 242 00:48:13,500 --> 00:48:15,500 making money. 243 00:48:15,500 --> 00:48:16,500 Ahhh! 244 00:48:16,500 --> 00:48:18,500 How fun is we are when we're young? 245 00:48:18,500 --> 00:48:22,500 How little do we truly understand the ways of the world? 246 00:48:25,500 --> 00:48:28,500 How about this? 247 00:48:30,000 --> 00:48:42,120 in control. 248 00:48:42,120 --> 00:48:48,000 I'm going to go. 249 00:48:49,500 --> 00:49:06,000 Oh. Yeah. Oh. Good morning ladies and gentlemen. What's in the fucking girl? She's your captain with no name speaking and I'm here. Don't go away. 250 00:49:06,000 --> 00:53:46,250 [ Music ] 251 00:53:51,000 --> 00:53:53,000 Thanks for watching! 252 00:53:55,500 --> 00:53:57,500 Oh 253 00:53:57,500 --> 00:57:06,060 [ Music ] 254 00:57:06,060 --> 00:57:07,040 Donald Trump 255 00:57:07,040 --> 00:57:07,040 Donald Trump 256 00:57:07,040 --> 00:57:09,520 Donald Trump 257 00:57:09,520 --> 00:57:10,080 Where are you going 258 00:57:10,080 --> 00:57:11,640 Friends 259 00:57:13,500 --> 00:57:16,500 That was so good. 260 00:57:16,500 --> 00:57:20,500 Good being Thanksgiving 2013 and all, almost. 261 00:57:25,500 --> 00:57:30,820 I just want to say, in this context of this program with the Daily Source Code here with 262 00:57:30,820 --> 00:57:35,740 the chuckleheads, I'm really thankful for the fact that there's... 263 00:57:52,500 --> 00:57:55,420 ♪ Blue, yay, and lots of fun ♪ 264 00:58:01,250 --> 01:02:58,500 [ Music ] 265 01:02:58,500 --> 01:03:05,500 the 266 01:03:05,500 --> 01:03:07,380 the 267 01:03:07,380 --> 01:03:10,180 tell you man this is this is this people get up in the morning and this 268 01:03:10,180 --> 01:03:13,300 people get up in the morning and go make really 269 01:03:13,300 --> 01:03:15,740 good really 270 01:03:15,740 --> 01:03:19,180 fun pop records and i got to say that's adam laveen 271 01:03:19,180 --> 01:03:24,820 uh... was maroon five uh... and for that of course uh... cream but 272 01:03:24,820 --> 01:03:28,640 uh... i i don't watch a lot of television that i watch a lot of course i 273 01:03:28,640 --> 01:03:32,380 watch it in the news programs i watch c-span 274 01:03:32,380 --> 01:03:36,460 uh... by watch p b s you know there's lots of television on but that really 275 01:03:36,460 --> 01:03:38,980 sit down watch something for entertainment purposes one of the few 276 01:03:38,980 --> 01:03:41,700 programs i'll watch is the voice 277 01:03:41,700 --> 01:03:46,780 uh... because that to me and and by the way we uh... always record the show 278 01:03:46,780 --> 01:03:49,900 so we can shuttle through not just the commercials or sometimes i'll actually 279 01:03:49,900 --> 01:03:51,940 stop and watch the commercial 280 01:03:51,940 --> 01:03:53,820 if it's entertaining 281 01:03:53,820 --> 01:03:57,480 but so we don't have to win the game element is so uninteresting 282 01:03:57,480 --> 01:03:59,660 you know the uh... the judges 283 01:04:00,000 --> 01:04:07,240 Yeah, usually I'm not interested in hearing what they have to say, but it's a great pop music show. 284 01:04:07,240 --> 01:04:09,600 There's no shit on it, which is what I like. 285 01:04:09,600 --> 01:04:14,240 So it's all though, you know, cutting the songs down to 90 seconds and stuff. 286 01:04:14,240 --> 01:04:15,960 You know, that's very frustrating to me. 287 01:04:15,960 --> 01:04:21,400 But as a music program in prime time, I forget the contest element. 288 01:04:21,400 --> 01:04:21,880 It's good. 289 01:04:21,880 --> 01:04:23,080 It's cool. 290 01:04:23,080 --> 01:04:25,480 And it's Adam Lee Levine guy. 291 01:04:26,000 --> 01:04:34,840 I think I really didn't like him the first time around the first season or whatever it was or the second or I don't know, or third. 292 01:04:34,840 --> 01:04:47,640 But I think he either gave up the Vivance or the changes dosage because he was a little amped out the first, first one or two seasons. 293 01:04:47,640 --> 01:04:50,000 And so now he seems, you know, I don't know. 294 01:04:50,000 --> 01:04:51,320 I have, I kind of like him. 295 01:04:51,320 --> 01:05:01,080 Is something about him that that I find endearing, although he does weird things like he'll do a hug, but with his elbows out, not really hugging somebody and that's that's wrong. 296 01:05:01,500 --> 01:05:10,860 So this of course leads me into the opportunity to play this song which I saw at ACL live. 297 01:05:10,860 --> 01:05:15,900 Austin City limits this past year first time that Miss Mickey and I went. 298 01:05:15,900 --> 01:05:21,700 I really like this. We basically saw one band play all the way through their set. 299 01:05:21,700 --> 01:05:23,700 And it was electric six. 300 01:05:26,250 --> 01:07:56,250 [ Music ] 301 01:08:01,500 --> 01:08:07,420 I mean not just the vocals and the lyrics but the guitar solo is like a murderous like 302 01:08:07,420 --> 01:08:11,900 someone really pissed at Adam will mean a little drum the BN. 303 01:08:11,900 --> 01:08:12,900 Wow. 304 01:08:12,900 --> 01:08:14,980 Come on music. 305 01:08:34,500 --> 01:08:42,020 ♪♪♪♪ 306 01:08:42,020 --> 01:11:21,250 [ Music ] 307 01:11:28,500 --> 01:11:29,500 Morning! 308 01:11:29,500 --> 01:15:16,250 [ Music ] 309 01:15:40,500 --> 01:15:45,260 Kind of dig the stuff after what typically after about three years 310 01:15:45,260 --> 01:15:49,020 That's where you can really start to play songs over again 311 01:15:49,020 --> 01:15:51,860 Now back in the 70s 312 01:15:51,860 --> 01:15:57,980 This was like when I was a kid. This was you know, you're like, wow, you have heard of those guys. That's kind of cool. Yeah 313 01:15:57,980 --> 01:16:06,900 And you would just talk about them in kind of FM album oriented rock kind of way the Alan Parsons project 314 01:16:09,000 --> 01:16:12,360 You could even say, hey man, you heard the latest from the project? 315 01:16:12,360 --> 01:16:14,760 And those in the know, 316 01:16:14,760 --> 01:16:17,560 this would be all over now. 317 01:16:17,560 --> 01:16:25,400 Thanks for watching. 318 01:16:25,400 --> 01:18:17,500 [ Music ] 319 01:18:17,500 --> 01:18:19,500 Oh 320 01:18:19,500 --> 01:18:46,740 Wouldn't wanna be like you Alan Farsen's projects on the daily source code which I think 321 01:18:46,740 --> 01:18:58,060 is probably the first time we've ever played a Sarsen project on the source code. 322 01:19:00,000 --> 01:19:01,500 ♪ This is a good one ♪ 323 01:19:01,500 --> 01:21:38,750 [ Music ] 324 01:21:42,000 --> 01:21:46,300 gonna play one more song for you and by then we'll done almost an hour and a half 325 01:21:46,300 --> 01:21:54,320 not bad for a minor reboot right I really got to get to getting up early to 326 01:21:54,320 --> 01:21:58,140 do the show even though we 327 01:21:58,500 --> 01:22:09,480 So show notes, I'll have my big turn QR code, whatever, money for you. 328 01:22:09,480 --> 01:22:11,980 Did we do more of these shows pretty soon, okay? 329 01:22:11,980 --> 01:22:20,980 There was a boy, a fellow, a man sitting almost in his light. He's a loaded world, and sometimes he's a... 330 01:22:20,980 --> 01:23:12,000 [ Music ] 331 01:23:12,000 --> 01:23:27,360 What you need to do right now is go to Google and Google Jostone and look at the images while 332 01:23:27,360 --> 01:23:29,360 you're listening to the song. 333 01:23:29,360 --> 01:23:43,480 I'm so happy. 334 01:23:43,480 --> 01:25:33,750 [ Music ] 335 01:25:35,840 --> 01:25:37,840 You make this show worth doing. 336 01:25:37,840 --> 01:25:40,120 Alright, juggleheads, talk to you soon. 337 01:25:40,120 --> 01:25:41,920 DSC.curry.com. 338 01:25:41,920 --> 01:25:43,240 Adios, Mofos.