WEBVTT

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Well, good morning everybody!

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Welcome to the Daily Source
Code, I'm Adam Curry, coming to
you from Flanders, Belgium

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from Curry Castle and this is
the place where users and
developers party together and I

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apologize for not putting up the
source code for yesterday.

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Actually, I'll tell you what the
plan was.

00:30.500 --> 00:35.500
Since Dave Wein and I were going
to do a trade secrets during the
presidential debate,

00:35.500 --> 00:40.500
I figured by the time I got
home, as you might know
yesterday was a big day for me.

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I had a discussion with a
company that wants to audiobooks
or wants to distribute that

00:47.500 --> 00:48.500
through podcasting.

00:48.500 --> 00:54.500
Lots of really exciting stuff
happening, but I didn't get home
until reasonably late.

00:54.500 --> 01:00.500
In fact, Patricia was also
coming back from Amsterdam, she
had to go to the dentist.

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So we both kind of were
returning to the castle in
different automobiles at
different times.

01:08.000 --> 01:13.000
And so we both decided, well,
you eat at some restaurant there
on the way home.

01:13.000 --> 01:16.000
And I'll eat at this restaurant
here because we were on two
incompatible highways.

01:16.000 --> 01:18.000
And so we got home.

01:18.000 --> 01:24.000
And then I just kind of
discovered after having done
more calculations with time
zones that

01:24.000 --> 01:30.000
if I wanted to watch the debate
with Dave simultaneously and
record it,

01:30.000 --> 01:33.000
I'd have to get up at about
2.30.

01:33.000 --> 01:35.000
And by the time I realized this,
it was like, I don't know, 11.

01:36.000 --> 01:40.000
So I didn't have time to really
put a source code together.

01:40.000 --> 01:43.000
And I apologize because now I
can see on the iPod.

01:45.000 --> 01:46.000
Users and developers both
confuse,

01:46.000 --> 01:49.000
hey, I didn't get the
DailyStore's code yesterday.

01:49.000 --> 01:52.000
And there's something else that
I wanted to mention,

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something that I've noticed.

01:54.000 --> 01:56.000
The way I have it set up, the
way I use

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MarsEdit with RadioUserLand,

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I just post stuff through
MarsEdit,

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but if I want to put an
enclosure in,

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I have to go in through the web
browser interface

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to RadioUserLand to go manually
put in the

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enclosure URL,

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since I haven't really,

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I've put together some
publishing scripts in the past,

02:16.000 --> 02:17.000
but wasn't happy with them,

02:17.000 --> 02:19.000
so I'm still kind of doing
everything manually

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until I know exactly what I want
to do

02:21.000 --> 02:23.000
and what I want the settings to
be

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and the ID3 tags,

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so we're getting pretty close on
a lot of that stuff.

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Shoot, what was my point?

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Oh my God, I'm lost on my own
soliloquy.

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Anyway, forget all that.

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So I did get up at 230 and
connected with Dave and we did
watch the debate together and we

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did comment on it.

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And I have to say,
technologically, this was a
tremendous success.

02:49.500 --> 02:53.500
Although we didn't get the
streaming part set up, we
actually, I reached out to Doug

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Kay of IT Conversations at the
very last minute and said, you
know, hey, we're

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thinking we could take some
calls through Skype and X10 and
whatever else.

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And maybe you could stream it.

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And Doug, unfortunately, had
already gone off to a conference
and he had always

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gear with him, so he couldn't
help us out.

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But it's probably, you know,
well, I don't know, if we had
been streaming it

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live, it might have actually
been pretty interesting if we'd
been able to

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get people on in the
conversation with us.

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But, you know, it's like halfway
through the recording, we said,
you know, I

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don't know if I was going to
give a shit about this.

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Certainly no one who saw the
debate.

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debate is going to care. And
actually stuff that we discussed
right after the debate,

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which was, I don't know, it
probably wasn't even for public
consumption. That was a much

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better conversation. So we just
said, you know what, scrap this.
We're going to try

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and do a wrap up tomorrow.

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of things. And now of course we
have to figure out nine hours
time difference again so we

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can hook up properly. But the
technology of the debate, as I
want to say, that was really

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good because we finally figured
out how to make the X10 SIP
phone sound a bit reasonable,

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found some automatic gain
settings to limit Dave's
microphone so when he talked too

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loud it would crack and break
up. Oh no I want to say about
the RSS feed when I

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update the show. So depending
on, let's say that it's about
just by coincidence,

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I've posted this and I still
have to go back and add the
enclosure URL into

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the post that basically puts
this show into my RSS feed.
Let's say I do it two

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minutes before the top of the
hour. So first it goes through
the motions.

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Probably by the time I've gone
into the web interface to add
the enclosure

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posted the RSS feed without the
enclosure.

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Now I think that what's
happening is that some
aggregators, and maybe some of
the iPodder

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stuff does this, will grab the
RSS file and will certainly
won't wait, won't download

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anything until it's been
updated, which will probably be
in an hour later or something.

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You know have their iPod are set
for twice a day so yeah then
then you're not gonna you know
you're not gonna catch the
you're not gonna get the show.

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So I'm gonna try and publish
simultaneously because I also
have a feeling that maybe some
of these feeds are.

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And people are just missing out.

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So it's something we just got to
be aware of.

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Same goes for trade secrets.

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If I post the show, then I can
post a link to it, but Dave has
to manually put in the

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enclosure URL.

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So that's stuff that we got to
fix, but it is actually
affecting the network.

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Our broadcast network is
affected somewhat by this.

05:48.000 --> 05:50.000
So, forgot to say thank god it's
Friday.

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It's going to be pretty, you
know, slow day for me here.

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I just catching up on some stuff
here at the castle.

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And then tonight at eight
o'clock, Patricia and I are off
to Jolio Blighty.

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We're going to fly to London
City.

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And from there, we're going to
drive to our future home.

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And we're going to spend the
weekend measuring, you know,

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kicking the trees, kicking the
tires, looking around the
neighborhood.

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Christina's going to stay with
her grandparents.

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And oh, and by the way, we'll be
alone.

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So don't expect me to do any
podcasting over the weekend.

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Yeah, I'll be podcasting,
podcasting something else.

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Anyway, I'm going to play a song
for you to kind of get into the
mood for this Friday.

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As I was watching the debate
last night, I thought to myself,
you know,

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all this conversation about Iraq
and the war in Iraq.

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And if you look in the Stevie
Wonder's Villa, Get It Gela,

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a ghetto village ghetto.

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land then if you live there you
probably wonder dude it doesn't
matter who's

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president I might have to go
it's a JPL remix of Stevie
Wonder's below get it

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land I really it's a little bit
long it's about six minutes if
you want to

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skip through it but

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[ Music ]

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remix of Village Ghetto.

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Friday, October 1st, 2004.

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If you want to hear more of
that, more JPL remixes, more
cool remixes, there's a real

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remix scene here in the
Netherlands.

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You can check it out at
mixfreaks.org.

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Okay, I'm going to go through
the mail bag because I got a lot
of responses to the previous

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show, a couple of things I need
to share with you.

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First of all, my daughter,
Christina, this is interesting.

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She's been using a Manila site
since, oh God, since, man, I'd
have to look at her website,

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but it's been for several years.

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It's Christina.manilasites.com.

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And there's also, she has a
domain name that defaults to
that, which is the land of the

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young and the hopeless.com,
which is, that's a song by her
favorite band Good Charlotte.

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Basically, what she has is a
Good Charlotte, that's a band, a
Good Charlotte weblog.

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And she's a pretty big fan.

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And she was poking around and
she said, you know, dad, I'd
really like a new...

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skin on my weblog and of course
in the manila and radio world we
call skins themes.

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And I found one and she found a
Brian Bell theme, Collins-Sake.

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Was it Collins-Sake is the
theme?

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And she said, well, you know,
can you install that?

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And I said, oh, and initially I
said, sure I can install that,
but then I thought,

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wait a minute, she's not on one
of my servers, she's on the
manila site server.

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And I said, well, really, you
know, that's not being supported
anymore,

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or it's up and it's being
supported, but I don't think
they're doing any more support.

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So you probably have to move it
over to one of my servers and
she's like, yeah,

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but I'll lose the manila
sites.com domain name and all
this stuff.

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Okay, here's the plea to anyone
who's at userland who's
listening.

14:53.500 --> 14:57.500
If you want to do me a solid, if
you could install that theme on
manilasites.com, that

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would be greatly appreciated.

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If not, then I'll have to
convince Christina that it's
time to move domains.

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I met at the first BloggerCon,
so that was two BloggerCon's
ago, if you count the

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upcoming one November 6th.

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I met Gregory Blake and his
weblog is at, let me see,

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ezunes.com, so it's
www.ezoness.com.

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And nice guy.

15:31.500 --> 15:38.500
We had dinner together with a
whole bunch of people after the
BloggerCon.

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We went into a chatting and
we've exchanged email once in a
while.

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And I was hoping that this would
happen.

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And I even emailed Gregory and
said, ah, you're the angel I've
been waiting for.

15:49.500 --> 15:50.500
Gregory says.

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I've been checking out iPodder,
using it, really liking it, but
realized that really the
organization

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of the information on
iPodder.org just doesn't give me
enough.

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I think Gregory is very much a
user.

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He might be more of a developer
than I know, but it doesn't
really matter.

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And he's offered to be the
curator of all things iPodder on
iPodder.org, and I could

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not be happier because I'm just
swamped in the information.

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I really need someone to sift
through it and do that for us.

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So I'm going to set up some
stuff for Gregory and then
hopefully, well, not this
weekend

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because I'll be busy in the UK,
but Monday he'll be able to get
started.

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And we can start cleaning some
of that stuff up, pointing to
the right applications, the

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right spots, because we have at
least three Windows clients for
iPodder coming out in

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the next couple of days, a
couple of which are already
available working and it's just

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like down.

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to install and GUI stuff, which
is the most important thing,

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is how does it look?

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I've seen some screenshots.

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Andrew, Bromina's working on it.

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There's of course that wonderful
plugin for

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oh, what is it?

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Show me, gosh, I can't even
remember now.

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Show me what's on.

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Oh, there's a link to it from
iPodder.org

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but they also do iPodder
functionality.

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That's working.

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It's embedded in a different
application.

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But, well, there you go, even
I'm confused.

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So Gregory is gonna start
helping us out

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and I could not be happier.

17:31.500 --> 17:35.500
And remember I was complaining
about my mac.com email

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and also not just the email but
also my iDisk.

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So I've kind of reached, I find
this,

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finally was an email that came
out from the

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comes with 250 megabytes of Mac
dot Mac mail and iDisk storage
but to thank you for your

17:59.000 --> 18:04.000
for your patronage we're going
to increase your total storage
to one gigabyte for the duration

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of your membership and so this
is what kind of pissed me off so
clearly they were upgrading all

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these accounts and that screwed
screwed stuff up because I could
see it I could see my iDisk

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saying you have no space
available when I knew that I had
plenty of space available so a

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they didn't notify us that they
were doing this they did it
during the day of

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course you know wherever you in
the world it's going to be
during the day sometime

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but it seems like they did it
during the the United States day
which is probably

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not too smart and and and it's
not like email didn't wasn't
arriving in my

18:37.000 --> 18:40.000
account it was bouncing was
actually being returned to
people you know saying

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sorry we can't reach this this
guy's mailbox is full which it's
embarrassing

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really I got a lot of people
laughing at me saying I used to
you dick you know

18:52.500 --> 18:56.500
which is it's a very geekish
thing and sticks and stones etc.

18:56.500 --> 18:59.500
But still, you know, they
embarrassed me as a customer.

18:59.500 --> 19:06.500
On top of that, I had just
purchased an additional 100
megabytes of disk storage

19:06.500 --> 19:09.500
because I saw the errors. I'm
like, well I only have 200
messages.

19:09.500 --> 19:12.500
I don't think it's filled up,
but anyway I'll buy another 100
megs.

19:12.500 --> 19:18.500
And I also bought the 1 gigabyte
disk storage to put up some of
these shows

19:18.500 --> 19:22.500
to even out some of the
bandwidth and also quite
honestly to see how it worked

19:22.500 --> 19:24.500
and for testing purposes.

19:24.500 --> 19:29.500
And I paid for it and I'm sure
somewhere in their system

19:29.500 --> 19:32.500
they're going to refund me that
now that I basically

19:33.000 --> 19:36.000
It's not like I have two
gigabytes all of a sudden
waiting for me.

19:36.000 --> 19:43.000
And I can work all of that out
with them, but man, for them to
announce on their site saying,

19:43.000 --> 19:47.000
oh, we upgraded and a few people
had some mail issues.

19:47.000 --> 19:51.000
Well, if it was only a few
people, could you please send
those few people an email and

19:51.000 --> 19:53.000
say we're sorry?

19:53.000 --> 19:55.000
That's all I wanted.

19:55.000 --> 19:59.000
I'm still going to use your
service, but this pisses me off.

19:59.000 --> 20:01.000
Just I'm a customer.

20:01.000 --> 20:02.000
I'm paying you real money.

20:02.000 --> 20:03.000
Please.

20:03.000 --> 20:07.000
And now I'm going to suck all
your bandwidth by putting all my
shit on my

20:07.000 --> 20:10.000
podcast on my I-disc.

20:10.000 --> 20:13.000
See what we run into there.

20:13.000 --> 20:17.000
See, got a request from Anthony
for more Durewood douche.

20:17.000 --> 20:18.000
I already played a song today.

20:18.000 --> 20:21.000
I'll play Durewood douche on the
next.

20:21.000 --> 20:22.000
I do have an whole album.

20:22.000 --> 20:25.000
Remember that was the song
everybody's fucking but me.

20:27.000 --> 20:28.000
Let me see.

20:28.000 --> 20:29.000
Oh, yes.

20:29.000 --> 20:34.000
The stomach bouncer bit that I
played on the last source code.

20:34.500 --> 20:39.500
podcast. This also comes from
Anthony, says the comedian
telling the joke was Jim Brewer.

20:39.500 --> 20:43.500
He used to be on Saturday Night
Live, currently he's touring the
States with his own show.

20:43.500 --> 20:49.500
So there you go. Very good show,
clearly. What else did we have?
I have a couple of

20:49.500 --> 20:56.500
comments I need to go through
here. Oh yeah. Well, thanks
everybody for responding to

20:56.500 --> 21:01.500
my Mac problems. I told you my
Mac was sick. By the way, the
swan did die and it

21:01.500 --> 21:09.500
was sad and we did have to put
our dog down. That was also all
yesterday.

21:09.500 --> 21:16.500
That wasn't fun. Oh, there's my
wife. Yes, dear.

21:16.500 --> 21:17.500
Okay.

21:17.500 --> 21:20.500
I already had some cereal.

21:20.500 --> 21:23.500
That's Patricia saying, you're
fucking podcasting.

21:23.500 --> 21:24.500
You have to eat before you do
this stuff.

21:24.500 --> 21:25.500
I did.

21:25.500 --> 21:26.500
I did.

21:26.500 --> 21:30.500
So I told you about Mac was
really sick and it was really,
it was on the ropes and the

21:30.500 --> 21:35.500
finder was doing funky stuff and
the doc was doing funky stuff
and it seemed like it

21:35.500 --> 21:37.500
was really, you know, crunching
along on numbers.

21:37.500 --> 21:41.500
And I tried everything that you
could imagine from repairing
disk permissions to cleaning

21:41.500 --> 21:45.500
out caches and setting up PRAM
and desktop rebuilding.

21:45.500 --> 21:49.500
I've been doing that for 15
years with Macs.

21:49.500 --> 21:53.500
And then a couple of people
said, you know, basically what
you got to do is you

21:53.500 --> 21:55.500
just got to reinstall your
system software.

21:55.500 --> 21:57.500
And I, that's not what I wanted
to hear.

21:57.500 --> 22:00.500
I was like, oh, please.

22:00.500 --> 22:04.500
But I bit the bullet since I was
in Amsterdam anyway.

22:04.500 --> 22:07.500
And actually, I don't have to
say it was a very pleasurable
experience.

22:07.500 --> 22:11.500
I thought it was really going to
suck because typically when you
do something

22:11.500 --> 22:15.500
with your system, all your
preferences are hosed and, you
know, applications disappear

22:15.500 --> 22:17.500
and connections that you've
made.

22:18.000 --> 22:19.000
with stuff doesn't work.

22:19.000 --> 22:22.000
So with OS X, I just followed
the instructions,

22:22.000 --> 22:27.000
just put in the booted from the
startup, from the install CD.

22:27.000 --> 22:29.000
It noticed that I had OS X on
it.

22:29.000 --> 22:34.000
It said, look, you do want to
keep all your system folder

22:34.000 --> 22:35.000
and reinstall a fresh copy.

22:35.000 --> 22:38.000
We're going to rename that
system folder to previous
system.

22:38.000 --> 22:42.000
You'll have all your stuff still
there.

22:42.000 --> 22:44.000
And although the one little
tricky bit

22:44.000 --> 22:47.000
is it also then wants to install
another.

22:49.500 --> 22:56.500
iChat, iCal, and iTunes and I
deselected those because I knew
that I already had up-to-date
versions

22:57.500 --> 23:03.500
Not only that I purchased the
iLife 04 package so I didn't
want garage band or anything
being messed up

23:03.500 --> 23:07.500
So I just deselected those did
the install it went through the
whole thing

23:08.500 --> 23:10.500
Beautifully rebooted came up

23:11.500 --> 23:18.500
My desktop looked exactly the
same that the computer seemed
completely responsive that you
know that fan wasn't spinning
disk was calm

23:18.500 --> 23:24.500
And then of course had to
download about a hundred and
fifty megabytes of system
updates

23:24.500 --> 23:28.500
Which it does all put it's not
like you get you know 18
different security packages

23:28.500 --> 23:31.500
Just one big macOS update and
then you get a couple more

23:31.500 --> 23:37.500
Along the way so that takes
another probably about another
hour of everything to download
and install and it was great

23:37.500 --> 23:39.500
the only thing that I've had to

23:39.500 --> 23:47.500
Reinstall was the soundflower
sound drivers because those do
sit actually in your system
folder everything else was I
mean all the

23:47.500 --> 23:49.500
Scripts I have running

23:49.500 --> 23:51.500
everything

23:51.000 --> 23:57.000
works. And I've kept the
previous system folder which is
about 4 gigs of God knows what.

23:57.000 --> 24:02.000
Just in case I need something,
but so far it's... no, I'm
extremely happy everything's
working

24:02.000 --> 24:06.000
and yeah, knock on wood for
Murphy there.

24:06.000 --> 24:12.000
So thank you very much for
advising that and I certainly
advise anyone who's using a

24:12.000 --> 24:17.000
Mac if it really starts to act
up and it's getting kind of
crappy, you can easily do

24:17.000 --> 24:20.000
this system reinstall. It won't
kill you.

24:20.000 --> 24:27.000
See I got an update from Martin
Fenroy, that's on the iPodder
Windows.

24:27.000 --> 24:30.000
Actually this is iPodder for
Windows and Mac and Linux.

24:30.000 --> 24:35.000
What do we have on Win32? This
is just some stuff that's coming
up.

24:35.000 --> 24:39.000
System tray icon with different
states, nice interfaces cross...

24:42.000 --> 24:46.000
everyone's working on this
stuff. I mean, I have 40
messages on the iPod or dev list

24:46.000 --> 24:52.000
that I haven't even read yet.
This is absolutely phenomenal.
And I also said, the other day

24:52.000 --> 24:54.000
we were talking about Python as
I was talking about how...

24:55.500 --> 25:02.500
And I thought that Python was a
Dutch invention and indeed Eric
De Jong was sent me a mail

25:02.500 --> 25:10.500
and he says Python was conceived
at the Free University of
Amsterdam by a Dutch guy who's

25:10.500 --> 25:12.500
been living in the States for a
couple of years by now.

25:12.500 --> 25:13.500
So that's cool.

25:13.500 --> 25:14.500
I didn't know that.

25:14.500 --> 25:18.500
Well, I did kind of know it, but
it was nice to have the
confirmation.

25:18.500 --> 25:20.500
It's something to be proud of.

25:20.500 --> 25:21.500
Yes, dear.

25:22.500 --> 25:23.500
Oh.

25:23.500 --> 25:24.500
Huh?

25:24.500 --> 25:27.500
Yeah, you're walking into my
studio.

25:27.500 --> 25:31.500
So then you have to tell me what
you're doing here.

25:31.500 --> 25:32.500
Your telephone.

25:32.500 --> 25:33.500
Okay.

25:33.500 --> 25:35.500
I had the goats.

25:35.500 --> 25:36.500
You're going to the goats?

25:36.500 --> 25:39.500
Okay, and the chickens.

25:39.500 --> 25:43.500
And you need your phone when you
go to the goats and the
chickens?

25:43.500 --> 25:44.500
Yeah.

25:44.500 --> 25:47.500
You're never going to have to go
to my meetings.

25:47.500 --> 25:51.500
On that note, everybody, let me
see.

25:51.500 --> 25:54.500
I had something else queued up
for you here that I wanted to
play for you.

25:54.500 --> 25:55.500
Oh, yeah.

25:55.500 --> 25:56.500
Bumper.

25:57.000 --> 26:02.000
Morgan, that name may not ring a
bell, but you'll remember Dr.
Day from Las Vegas and

26:02.000 --> 26:03.000
Bumper Morgan.

26:03.000 --> 26:08.000
That's not his name I know
because he's another big time
radio guy from way back.

26:08.000 --> 26:14.000
And I think I've met him at like
some river fest in Nashville
when I was hawking my syndicated

26:14.000 --> 26:16.000
countdown show.

26:16.000 --> 26:18.000
And he said, hey Adam, how you
doing?

26:18.000 --> 26:24.000
Heard you a bit about MP3s and
it turns out that Bumper, a
while back, I love this

26:24.000 --> 26:26.000
name, Bumper Morgan everybody.

26:26.000 --> 26:32.000
Bumper had put together a bit
about the history of MP3s and he
sent me a link to it and I'm

26:32.000 --> 26:33.000
going to play that for you.

26:33.000 --> 26:36.000
Now it's about, let me see, it's
got interviews in here.

26:36.000 --> 26:37.000
It's, I haven't really...

26:39.000 --> 26:43.000
I didn't want to listen to the
whole thing first so it's going
to be kind of a surprise.

26:43.000 --> 26:47.000
It really sucks I'll cut it off
but from what I heard the first
couple of minutes it sounded

26:47.000 --> 26:48.000
like it was going to be really
interesting.

26:48.000 --> 26:54.000
So it's part of promotion for
Bumper but it's also a history
of MP3s from a Radio Guys

26:54.000 --> 26:59.000
perspective which of course is
always fun to listen to and it's
also good because

26:59.000 --> 27:02.000
there's a lot of what we're
doing with this podcasting.

27:02.000 --> 27:04.000
Okay so let's hit this and I'll
talk to you in about 8 minutes.

27:04.000 --> 27:07.000
This is the history of MP3 from
Bumper Morgan.

27:09.000 --> 27:13.000
In 1994, there's been a
revolution going on in the radio
industry.

27:13.000 --> 27:18.000
Radio stations can receive their
product at net speed with bumper
production.

27:18.000 --> 27:20.000
So revolution!

27:31.500 --> 27:37.500
for the consumer. It just means
a great way to store great large
amounts of audio on a very small

27:37.500 --> 27:41.500
amount of space. You can put 100
songs on a CD and that's a
wonderful thing.

27:41.500 --> 27:46.500
Bob Ellison from Centrillion
Software, the makers of Cool
Edit Pro.

27:46.500 --> 27:49.500
We've got new products coming
out like the Rio from Diamond
Multimedia,

27:49.500 --> 27:55.500
kind of like a Walkman with MP3
on it. And to the audio
professional for high-end audio

27:55.500 --> 28:00.500
production, MP3 means that you
can trade audio at a very high
quality across the internet.

28:00.500 --> 28:03.500
This is something that really
wasn't possible before because
audio takes up so much room.

28:04.500 --> 28:08.500
And so the quality level and the
compression that we've achieved
has made a great difference.

28:08.500 --> 28:13.500
And of course in radio, the big
difference is being able to
trade actual broadcast quality

28:13.500 --> 28:18.500
samples right across the
internet over email, over the
web, and the other methods that
we're also

28:18.500 --> 28:23.500
used to today on the internet.
Research for MP3 really began in
the late 1970s with a group of

28:27.000 --> 28:30.000
at the University of Erlangen in
Germany.

28:30.000 --> 28:37.000
It has taken a long time, I
think, to arrive at the level of
MP3, what we have today.

28:37.000 --> 28:41.000
And I think it was a
collaboration of really a team.

28:41.000 --> 28:47.000
We started back at the end of
the 70s,

28:47.000 --> 28:52.000
and I made a research proposal
to a research organization

28:52.000 --> 28:59.000
to transmit audio via telephone
lines

28:59.000 --> 29:05.000
with the ISDN 64 kilobit per
second data rate.

29:05.000 --> 29:09.000
But this was considered at that
time to be impossible.

29:09.000 --> 29:14.000
I even had the idea together
with a colleague to file a
patent.

29:14.000 --> 29:21.000
But the guy at the patent office
refused to file it as a patent

29:21.000 --> 29:26.000
because he again said that it's
impossible according to the
state of the knowledge.

29:26.000 --> 29:31.000
And then I asked a young PhD
student,

29:28.500 --> 29:34.500
student at that time, this was
Karlheinz Brandenburg, who is
now the world-leading expert in
that

29:34.500 --> 29:35.500
area.

29:35.500 --> 29:46.500
I asked him to make a simulation
on his computer about 64 kilobit
per second music audio coding.

29:46.500 --> 29:48.500
This was the star.

29:48.500 --> 29:56.500
He tried it and after four weeks
we could listen to some seconds
of coded audio and

29:56.500 --> 29:57.500
the quality was not.

30:00.000 --> 30:05.000
Isn't that interesting that some
guy at the patent office refused
to take the patent for MP3
because he said it's just not

30:07.500 --> 30:12.500
Whoever that guy is, give him a
medal.

30:12.500 --> 30:20.500
And from there we started to
really work seriously on it and
we started with what at that
time

30:20.500 --> 30:27.500
was called transform coding,
which essentially was to bring
the signal from the time domain

30:27.500 --> 30:38.500
in the frequency domain. And
then we immediately had the idea
to imitate the properties of the
human ear,

30:39.500 --> 30:52.500
the human sense of listening,
and to omit those parts of the
signal which could not be heard
by

30:53.500 --> 31:00.500
by the listener, by the human
ear. And this I think this was
what was called at that time

31:02.500 --> 31:07.500
irrelevant. And irrelevant is
just a part of the message which
the receiver

31:09.000 --> 31:24.000
cannot receive and cannot hear
in the case of the ear or if any
other receiver cannot perceive
at all.

31:24.000 --> 31:33.000
So I think this was very good to
do in the frequency domain
because we had the sensitivity
curve of the ear

31:33.000 --> 31:40.000
and with this sensitivity curve
we could determine the amount of
information, the number of data,

31:40.000 --> 31:48.000
the number of bits we needed in
each critical band, which the
acoustic people they know what
critical bands are.

31:48.000 --> 31:56.000
And then we had a clear
understanding how many bits we
would need and we started to
measure with real music this
data.

31:56.000 --> 32:05.000
And at the same time we were
working in the field of
electronics and we were very
strong in developing not only in
relation techniques

32:05.000 --> 32:11.000
but signal processing and we
started to build bits like this.

32:10.500 --> 32:18.500
Then we saw that with symbol
algorithm for the frequency
transform, we could do it in
real

32:18.500 --> 32:19.500
time.

32:19.500 --> 32:23.500
As soon as we had this, this was
in 87.

32:23.500 --> 32:24.500
Then MPEG started.

32:24.500 --> 32:33.500
We made a demonstration to the
MPEG group under the another
Kiraleone.

32:33.500 --> 32:39.500
The people were enthusiastic
about what we had achieved.

32:39.500 --> 32:41.500
Then we went on.

32:41.500 --> 32:49.500
There was a European research
project, what was called BAB,
Digital Audio Broadcasting.

32:49.500 --> 32:58.500
In this project, we developed I
think the concept of perceptual
coding.

32:58.500 --> 33:07.500
In the meantime, also, Hans
Brandenburg, he had been with
the Bell laboratories and
talking

33:12.000 --> 33:18.000
gentleman whose name is Johnson.
I think he's all famous in
perceptual coding. And so we
developed

33:18.000 --> 33:29.000
step by step through the level
that is represented by MP3
today, which is a step by step
refinement

33:29.000 --> 33:31.000
of the original techniques.

33:33.000 --> 33:38.000
From there, the Fraunhofer
Institute in Munich, licenses
the MPEG codex.

33:38.000 --> 33:43.000
We started with the Fraunhofer
Institute in 1985.

33:43.000 --> 33:50.000
This was the foundation of the
Fraunhofer Institute because
before we did it at the
university only.

33:50.000 --> 33:56.000
And the Fraunhofer Institute did
start it with the real-time
implementation.

33:56.000 --> 34:01.000
And it was their first
contribution to do it in
real-time.

34:01.000 --> 34:09.000
It was done in 1987 where other
people did the simulation

34:09.000 --> 34:16.000
and could present about 10 to 20
seconds of music which they had
done simulations on for hours.

34:16.000 --> 34:19.000
And we were able to do it in
real-time.

34:19.000 --> 34:26.000
And I think this was a big
breakthrough because then you
could demonstrate to everybody,
you know,

34:26.000 --> 34:35.000
and you could go to evaluations
and present it and everybody
could bring his CD along with
him.

34:34.500 --> 34:37.500
and they will play it through so
I can listen to your...

34:39.000 --> 34:42.000
And I think this was really the
breakthrough

34:42.000 --> 34:44.000
that we could do it in real
time.

34:44.000 --> 34:45.000
And they are convinced of
people,

34:45.000 --> 34:48.000
and you could do a lot of
experiments

34:48.000 --> 34:52.000
with a lot of different pieces
of music,

34:52.000 --> 34:54.000
and you were able to convince
the people.

34:54.000 --> 34:56.000
Then, tell those systems into
the fray

34:56.000 --> 34:59.000
with their new real-time
product.

34:59.000 --> 35:01.000
The Zephyr was the first
commercial product

35:01.000 --> 35:03.000
to incorporate MP3.

35:03.000 --> 35:05.000
And ever since it came out in
1994,

35:05.000 --> 35:07.000
broadcasters have been really
impressed

35:07.000 --> 35:09.000
with both its audio quality and
its convenience.

35:09.000 --> 35:12.000
Kevin Tam of Colo's System.

35:12.000 --> 35:13.000
It really makes the remote sound
like...

35:15.000 --> 35:20.000
And more often than they care to
think, the Zephyr has filled in
as a backup to other
transmissions.

35:20.000 --> 35:24.000
It's also caught on for use by
voiceover talent and also for
mix approval.

35:24.000 --> 35:26.000
The power of MP3 is really
awesome.

35:26.000 --> 35:34.000
And just like analog tapes, when
you make too many doves of MP3
files, your product will suffer
from generation loss.

35:34.000 --> 35:38.000
Well, one of the things to
remember about MP3 is that it is
a lossy format.

35:38.000 --> 35:43.000
Lossy means that when you encode
to that format, you lose a
little bit of fidelity of the
audio.

35:43.000 --> 35:51.000
And MP3 is so good because you
don't lose the pieces of the
audio that are most important to
making it sound just as good as
it was in the original.

35:51.000 --> 36:00.000
But it is a keep in mind because
when you're encoding to MP3,
let's say you take a file and
you encode it, and then you
decode it, and you encode it
again,

36:00.000 --> 36:03.000
and then you decode it to wave
again, and you encode it again.

36:03.000 --> 36:09.000
With each iteration of this
encoding process and decoding
process, you lose more of the
fidelity of the audio.

36:09.000 --> 36:17.000
And all that means is that we
have to think of MP3 as a target
format, a sort of a one-way
street ideally, and use...

36:16.500 --> 36:19.500
This is ENCODE 2 MP3 when you're
done with your audio and you
know you were ready to submit

36:19.500 --> 36:23.500
it for broadcast or archive it
or what have you.

36:23.500 --> 36:26.500
The time has come.

36:28.500 --> 36:31.500
to downloadable promos and
buffers at the speed of net.

36:31.500 --> 36:33.500
So, roll-o-sh!

36:36.000 --> 36:43.000
The most excellent bumper
Morgan. Thank you very much for
that history. I had no idea

36:43.000 --> 36:51.000
So now we know that mp3 was is a
fine German invention and that
if some lonely guy at at the
patent office

36:51.000 --> 36:55.000
I've zoomed in Germany if he
hadn't said I do live on assist
me

36:55.000 --> 37:00.000
I'm going to be a patient
application

37:00.000 --> 37:02.000
Come back another day

37:02.000 --> 37:08.000
They weren't for that we might
have been bogged down with
tremendous boy wouldn't have and
we probably wouldn't have mp3

37:08.000 --> 37:10.000
You know wouldn't be able to use
it

37:10.000 --> 37:13.000
So thank you very much to that
guy. That was fun listening to
that actually

37:14.000 --> 37:21.000
And I didn't know well
conceptually I guess I figured
if you keep re-recording mp3s
then eventually you get
degradation

37:24.000 --> 37:28.000
Haven't noticed too much of that
although if this mp3 is an
example because this did come
from an mp3

37:28.000 --> 37:30.000
Well, then it's true because
that's not pretty

37:31.500 --> 37:37.500
up. But usually when I play
first run stuff from someone
else's podcast, it sounds pretty

37:37.500 --> 37:41.500
good depending on the encoding.
That may also have to do with...
Well, I don't know because

37:41.500 --> 37:47.500
I am setting this digitally
through my sound system. I have
no idea. I have no idea. So

37:47.500 --> 37:51.500
obviously there's going to be
degradation, something we've got
to keep an eye on if

37:51.500 --> 37:52.500
we're doing too much
overdubbing.

37:52.500 --> 37:56.500
Now, let me see. I have two...
Well, we're at 37 minutes. I
missed the show yesterday,

37:56.500 --> 38:00.500
so I guess we can go a little
bit long. There's two things I
wanted to do. I have a

38:00.500 --> 38:04.500
bit of an audio book I wanted to
let you hear. I've finally
gotten around to

38:04.500 --> 38:10.500
listening to Snow Crash, a Snow
Crash written by Neil Stevenson.
Now, I've read

38:10.500 --> 38:14.500
this book in the early, early
90s, so I'm going to say that
it's probably from

38:14.500 --> 38:19.500
the late 80s. And listening to
it, of course, brings back the
book. It was

38:19.500 --> 38:24.500
a pretty significant book. At
one point, I even registered
Metaverse.com,

38:24.500 --> 38:27.500
with Neil Stevenson's approval
as long as I didn't put it on
T-shirts and coffee mugs.

38:28.500 --> 38:32.500
And unfortunately, that went in
with the sale of my company.

38:33.000 --> 38:34.000
company that was a part of the
assets.

38:34.000 --> 38:35.000
Damn.

38:35.000 --> 38:38.000
I still would have liked to have
Adam at Mediverse.com.

38:38.000 --> 38:39.000
We even had machines.

38:39.000 --> 38:40.000
If you've read the book, we had
a machine.

38:43.500 --> 38:48.500
pretty into it. When we started
the company, it was Carl Jacobs
who turned me on to that.

38:48.500 --> 38:53.500
He used to work for Sun. Carl
and his brother Chris, they were
out in San Francisco hacking

38:53.500 --> 39:00.500
away at the black Sun machine
for the metaverse. Good days. In
fact, I remember pushing audio

39:00.500 --> 39:07.500
through at the time when we had
just gotten the 96K modem and
through the PC, the PC

39:13.500 --> 39:18.500
M codec, I was able to receive
audio coming from San Francisco
through the

39:18.500 --> 39:25.500
Sun machine over the internet.
At the time I had a regular 56K
dial-up modem,

39:25.500 --> 39:32.500
US robotics, I think. Those were
the days. Anyway, so Snow Crash,
really in its, as

39:32.500 --> 39:35.500
with all science fiction, it's
always fun to look back and say,
okay, so how much

39:35.500 --> 39:37.500
really came to me.

39:39.000 --> 39:46.000
And I guess when this book was
written, Cable was a big deal.

39:46.000 --> 39:48.000
Cable came up in the 80s of
course.

39:48.000 --> 39:53.000
That's what I have a lot of my
fame and fortune to thank for,
is MTV being in over 40 million

39:53.000 --> 39:55.000
households.

39:55.000 --> 40:01.000
And in the book, and it's too
complicated to get into
everything, but there's a cable

40:01.000 --> 40:02.000
television mogul.

40:02.000 --> 40:05.000
And I'm just going to play a
little bit of him.

40:05.000 --> 40:07.000
And by the way, this book isn't
just one reader.

40:07.000 --> 40:08.000
It's multiple voices.

40:08.000 --> 40:10.000
It's some sound effects in
there.

40:10.000 --> 40:12.000
It's just really well done.

40:12.000 --> 40:16.000
But to hear these words that
were written way before we were
really thinking about

40:16.000 --> 40:24.000
any of this, before really the
commercial internet happened,
which at the time,

40:24.000 --> 40:28.000
yeah, I mean it was the World
Wide Web was just, yeah, we just
had the mosaic

40:28.000 --> 40:29.000
browser when I read the book.

40:29.000 --> 40:31.000
So it came out before then.

40:31.000 --> 40:37.000
The foresight really of what
monopolists were going to do
with communications,

40:37.000 --> 40:40.000
telecommunications, and
technology is already all.

40:40.500 --> 40:45.500
over this book. Now hopefully
I've bookmarked it
appropriately. You can do that
with the

40:45.500 --> 40:52.500
AAC format. And this should be
the piece of him, of the cable
television mogul who has

40:52.500 --> 40:58.500
a Texas twang of him talking
about, well just shooting the
breeze. So this is from

40:58.500 --> 41:02.500
Snow Crash. The unabridged
version is from part one. In
total it's about 17 hours

41:02.500 --> 41:10.500
of audio. Very well read. Very
good quality. And I think
totally enthralling from

41:10.500 --> 41:12.500
beginning to end.

41:13.500 --> 41:15.500
Okay, that should have started.

41:15.500 --> 41:22.500
El Bob Reif, Lord of Bandwidth,
is sitting behind his desk
having his mustache waxed.

41:22.500 --> 41:25.500
Not in the sense that women have
their legs waxed.

41:25.500 --> 41:28.500
He's having the curls smoothed
out and restored.

41:28.500 --> 41:33.500
The waxer is a very short Asian
woman who does it so delicately
that it doesn't even

41:33.500 --> 41:38.500
interfere with his talking,
mostly about his efforts to
extend his cable TV network
throughout

41:38.500 --> 41:43.500
Korea and into China, and link
it up with his big fiber optic
trunk line that runs across

41:43.500 --> 41:46.500
Siberia and over the Urals.

41:46.500 --> 41:50.500
Yeah, you know, a monopolist's
work is never done.

41:50.500 --> 41:53.500
No such thing as a perfect
monopoly.

41:53.500 --> 41:58.500
Seems like you can never get
that last one-tenth of one
percent.

41:58.500 --> 42:00.500
Isn't the government still
strong in Korea?

42:00.500 --> 42:03.500
You must have more trouble with
regulations there.

42:03.500 --> 42:05.500
El Bob Reif laughs.

42:05.500 --> 42:12.500
You know, watching government
regulators trying to keep up
with the world is my favorite
sport.

42:12.500 --> 42:14.500
Remember when they busted up Ma
Bell?

42:15.000 --> 42:19.000
Just barely. The reporters are
women in her 20s.

42:19.000 --> 42:23.000
You know what it was, right?
Voice communications monopoly.

42:23.000 --> 42:28.000
Right. They were in the same
business as me. The information
business.

42:28.000 --> 42:33.000
Moving phone conversations
around on little tiny copper
wires one at a time.

42:33.000 --> 42:41.000
Government busted them up. At
the same time when I was
starting cable TV franchises in
30 states.

42:41.000 --> 42:50.000
Can you believe that? It's like
if they figured out a way to
regulate horses at the same time
the Model T and the airplane
were being introduced.

42:51.000 --> 42:54.000
And a cable TV system isn't the
same as a phone system.

42:54.000 --> 42:56.000
At that stage it wasn't.

42:56.000 --> 42:59.000
Because it was just a local
system.

42:59.000 --> 43:05.000
But once you get local systems
all over the world, all you
gotta do is hook them together

43:05.000 --> 43:07.000
and it's a global network.

43:07.000 --> 43:10.000
Just as big as the phone system.

43:10.000 --> 43:14.000
Except this one carries
information 10,000 times faster.

43:14.000 --> 43:20.000
It carries images, sound, data,
you name it.

43:20.000 --> 43:27.000
So eventually of course we know
what happened is we got the
internet and Neil Stevenson at
all.

43:31.500 --> 43:33.500
goggles and you walk around in
it.

43:33.500 --> 43:34.500
Great book.

43:34.500 --> 43:38.500
I really recommend it if you are
going on vacation on a really
long drive and you won't

43:38.500 --> 43:39.500
regret it.

43:39.500 --> 43:40.500
You do have to stop at certain
points.

43:40.500 --> 43:46.500
It just gets so intense and the
visuals that are being created
is like, oh, I don't know,

43:46.500 --> 43:49.500
that's technically possible.

43:49.500 --> 43:51.500
But yeah, totally, totally good
book.

43:51.500 --> 43:56.500
I bought it at audible.com, but
I'm sure you can get it just
about anywhere.

43:56.500 --> 43:57.500
Okay.

43:57.500 --> 43:58.500
One more bit then.

43:58.500 --> 44:00.500
I've been through the blog
digger media feed.

44:00.500 --> 44:06.500
There's been lots of mixes of,
and I kind of like listening to
most of them, of soundbites,

44:06.500 --> 44:09.500
presidential debates, stuff like
that.

44:09.500 --> 44:13.500
And so people are kind of
creating their own story with
the tools that we're all using

44:13.500 --> 44:15.500
today, just desktop tools.

44:15.500 --> 44:21.500
This isn't really one of the
best ones and you'll have to
decide for yourself.

44:21.500 --> 44:23.500
It's only about a minute and a
half.

44:23.500 --> 44:26.500
But it's out there and if I
don't play it now, it won't make
much sense playing

44:26.500 --> 44:29.500
it later on after the election.

44:29.500 --> 44:32.500
So here's, and of course, I
don't know who it's from.

44:33.000 --> 44:38.000
It only says Norrell Preff or
N-O-Rell Preff maybe.

44:38.000 --> 44:40.000
It's titled Liars and Murderers.

44:40.000 --> 44:42.000
I don't like your name.

44:42.000 --> 44:46.000
The government are um, Liars and
Murderers.

44:46.000 --> 44:50.000
I don't like your name.

44:50.000 --> 44:55.000
The government are um, Liars and
Murderers.

44:55.000 --> 44:57.000
I despise your masculinity.

44:57.000 --> 45:00.000
Put yourself in your whole
fucking plan.

45:00.000 --> 45:02.000
Liars and Murderers.

45:02.000 --> 45:11.000
We will bring the Iraqi people
food and medicines and supplies
and freedom.

45:13.500 --> 45:15.500
Something for her to play little
games.

45:16.500 --> 45:17.500
Players.

45:17.500 --> 45:19.500
We're both part of the same
hypocrisy.

45:21.000 --> 45:22.000
And so were we.

45:22.000 --> 45:30.000
In this honest way you pose
yourself and try to pass
yourselves off as decent
Americans.

45:30.000 --> 45:36.000
The Taliban regime in
Afghanistan had given Osama bin
Laden a base.

45:36.000 --> 45:40.000
Khat bin Laden and the Taliban
leader were never caught.

45:40.000 --> 45:44.000
Instead more than 3,000 innocent
people were involved to death.

45:44.000 --> 45:47.000
Some people have to play little
games.

45:47.000 --> 45:49.000
Players.

45:49.000 --> 45:54.000
America's war on terror is about
hypocrisy and double standards.

45:54.000 --> 45:57.000
They don't want the voice of
reason spoken folks because
otherwise we'd be free.

45:57.000 --> 46:01.000
Otherwise we wouldn't believe
their fucking horseshit lies or
the fucking propaganda machine

46:01.000 --> 46:04.000
being streamed in by their
horseshit products that we don't
fucking need

46:04.000 --> 46:08.000
and become a third world
consumer fucking plantation
which is what we're becoming.

46:08.000 --> 46:09.000
Fuck them.

46:09.000 --> 46:11.000
They're liars and murderers.

46:11.000 --> 46:14.000
All governments are liars and
murderers.

46:14.000 --> 46:17.000
I don't like your kind people.

46:17.000 --> 46:18.000
Whoa.

46:18.000 --> 46:21.000
So I get a lot of email people
saying, you know, why do you
play this stuff?

46:21.000 --> 46:23.000
Do you agree with everything?

46:22.500 --> 46:24.500
We'll say, and no, of course
not, not with everything.

46:24.500 --> 46:25.500
I think some of the words are
pretty harsh.

46:25.500 --> 46:27.500
Some of them are right on the
money.

46:27.500 --> 46:31.500
But this is art, you know,
whether it's mixing stuff
together

46:31.500 --> 46:33.500
or painting something, you know,
throwing oil on a canvas.

46:33.500 --> 46:34.500
It's art.

46:34.500 --> 46:37.500
And I think that as long as
we're doing this podcast,

46:37.500 --> 46:40.500
it might as expose as much of it
as possible.

46:40.500 --> 46:42.500
All right, I'm going to leave it
at that for today's source

46:42.500 --> 46:42.500
code.

46:42.500 --> 46:43.500
What do we do?

46:43.500 --> 46:44.500
We did 46 minutes.

46:44.500 --> 46:44.500
Perfect.

46:44.500 --> 46:46.500
I hope you just finished your.

46:49.500 --> 46:53.500
And I will see you on the next
source code which will likely be
right after the weekend.

46:57.000 --> 47:01.000
And this was the show, the Daily
Source Code for today, which was
Friday, October 1st,

47:01.000 --> 47:03.000
2004, as always.

47:12.000 --> 47:21.000
And of course for all the
archives in the latest show,
it's DailySourceCo.com or...

47:27.000 --> 47:29.000
And that is at
DailySourceCo.com.

47:29.000 --> 47:32.000
I hope you enjoyed it.

47:32.000 --> 47:33.000
I'll talk to you soon.

47:33.000 --> 47:34.000
Bye bye.
