WEBVTT 00:00.000 --> 00:04.000 Koji is folks wide. It's so time. 00:04.000 --> 00:06.000 That is curry. 00:06.000 --> 00:08.000 The power of the door. 00:10.000 --> 00:12.000 Yeah. 00:12.000 --> 00:14.000 How did everybody welcome to the Daily Source code? 00:14.000 --> 00:16.000 It's Wednesday. 00:16.000 --> 00:18.000 November 24th, 2004. 00:18.000 --> 00:20.000 Coming to you from Curry Cottage in the United Kingdom. 00:20.000 --> 00:22.000 This is the Daily Source code. 00:22.000 --> 00:24.000 It's hard to say that. 00:24.000 --> 00:26.000 Good morning. Good evening. Good afternoon. 00:26.000 --> 00:28.000 Good evening. 00:30.000 --> 00:32.000 I've got a grit, you know. 00:32.000 --> 00:34.000 Someone called me the It's all going to podcast me out of the day. 00:34.000 --> 00:36.000 So I guess it's fair for me to say. 00:36.000 --> 00:38.000 We've got a really great shoe for everybody. 00:38.000 --> 00:40.000 It's all going to ever say it ever. 00:40.000 --> 00:42.000 I wonder if it's the ever. 00:42.000 --> 00:44.000 Oh man. 00:44.000 --> 00:46.000 Still no bandwidth to speak of. 00:46.000 --> 00:50.000 Looks like that's going to be another seven days from this moment on. 00:50.000 --> 00:54.000 Although my phone line now has officially been verified. 00:54.000 --> 00:56.000 So we're no longer on the professional thing. 00:56.000 --> 00:58.000 We're official, which means. 00:58.000 --> 01:02.000 Eventually we're going to get build for having a 01:02.000 --> 01:04.000 A diet of connection open for 23 hours of the day. 01:04.000 --> 01:06.000 Now we're on the door. 01:08.000 --> 01:10.000 We've got a couple of things lined up for you today, 01:10.000 --> 01:12.000 which I think are kind of cool. 01:12.000 --> 01:16.000 We've got some non-RIA music for you. 01:16.000 --> 01:20.000 Which actually comes from the cottage itself. 01:20.000 --> 01:22.000 So talk about that later on. 01:22.000 --> 01:24.000 Got a couple of comments. 01:24.000 --> 01:26.000 Come on, the net. 01:26.000 --> 01:30.000 Oh, and tonight. 01:30.000 --> 01:32.000 At least it's tonight here. 01:32.000 --> 01:34.000 It's 1026 p.m. 01:34.000 --> 01:36.000 We're going to get Patricia in here to talk about. 01:36.000 --> 01:38.000 Well, another one of Patricia's hippie stories. 01:38.000 --> 01:40.000 Actually, I don't think it's a hippie story. 01:40.000 --> 01:42.000 Actually, we were even married. 01:42.000 --> 01:48.000 I think when this particular instance occurred. 01:48.000 --> 01:52.000 Which should be talking about on today's source code. 01:52.000 --> 01:54.000 Something that I've teased before. 01:54.000 --> 01:58.000 It is a her story about Stevie Nix. 02:00.000 --> 02:02.000 So, I'm going to break the rules for just a second here, 02:02.000 --> 02:04.000 while we get into the mood. 02:04.000 --> 02:06.000 A lot of little bit of feet would make. 02:06.000 --> 02:08.000 Did you learn so bad? 02:08.750 --> 05:36.250 [ Music ] 05:39.720 --> 05:41.680 I thought there's going to be the full version. 05:41.680 --> 05:46.480 It's like the single version, three minutes, forty-six seconds. 05:46.480 --> 05:47.480 Damn. 05:47.480 --> 05:48.480 Did you love so bad? 05:48.480 --> 05:54.040 Fleetwood Mac on your daily source code for Wednesday, November 24th, 2004. 05:54.040 --> 05:57.520 Oh man, so much stuff happening today. 05:57.520 --> 06:01.280 There were some actually a friend of ours, was in the neighborhood you called up 06:01.280 --> 06:02.280 today. 06:02.280 --> 06:08.440 I'm visiting someone else in the neighborhood, had some tea with them, Patricia and I went 06:08.440 --> 06:09.440 out. 06:09.440 --> 06:10.440 Oh man. 06:10.440 --> 06:11.440 What do we do? 06:11.440 --> 06:24.000 We got all kinds of trash, waste baskets, dog food bowls, we had some grocery shopping 06:24.000 --> 06:30.600 and I'm still totally tripping from the flueberg, although it's much better, I had a sweaty 06:30.600 --> 06:38.880 ass night, literally a sweaty ass night, not good and Patricia just put a clean sheets on 06:38.880 --> 06:39.880 the bed too. 06:39.880 --> 06:46.000 Okay, so let me get Patricia, I'm going to turn on the roving mic here, I'll know 06:46.000 --> 06:47.000 what to say. 06:47.000 --> 06:48.000 On? 06:48.000 --> 06:53.600 It's a big advantage of smaller dwellings, there's even here each other when you call 06:53.600 --> 06:54.600 on. 06:54.600 --> 06:55.600 Huh? 06:55.600 --> 06:59.040 Are you there? 06:59.040 --> 07:00.440 Showtime baby. 07:00.440 --> 07:03.240 Come on, we're on the air. 07:03.240 --> 07:06.800 Yeah, come on up. 07:06.800 --> 07:12.320 I have a mic just for you, it's like really professional. 07:12.320 --> 07:20.160 We should take a picture of this right now, that's horrible. 07:20.160 --> 07:26.440 Yes, of course, he is sitting chair, this is like the guest chair, so it's like the 07:26.440 --> 07:27.440 tonight's show. 07:27.440 --> 07:29.920 Can I just put the microphone on you? 07:29.920 --> 07:30.920 Yep. 07:30.920 --> 07:32.920 Who do I say tonight? 07:33.000 --> 07:33.920 Show. 07:33.920 --> 07:38.920 Let's make sure I can hear you. 07:38.920 --> 07:39.920 Hello? 07:39.920 --> 07:40.920 Hello. 07:40.920 --> 07:43.480 Okay, let me turn you up just a little bit there, let's say. 07:43.480 --> 07:50.320 Okay, so I actually just played the flueberg mic, you do your love so bad. 07:50.320 --> 07:58.760 First of all, what do you think about the United Kingdom, but living here? 07:58.760 --> 08:09.000 Well, so far, I think if I compare it to Holland, I think a lot of Americans think 08:09.000 --> 08:16.000 that Dutch people are so nice, don't you think so and so friendly and we always look like 08:16.000 --> 08:17.000 yeah? 08:17.000 --> 08:19.840 Well, that's because they're confused with Scandinavians. 08:19.840 --> 08:20.840 I think so. 08:20.840 --> 08:21.840 Yeah, or German. 08:21.840 --> 08:25.040 Well, actually, it's the higher up you go the nicer they get when I think they say. 08:25.040 --> 08:28.280 Yeah, Swedes are really nice, and we're dealing with you talking. 08:28.280 --> 08:29.280 Well, it's Dutch. 08:29.280 --> 08:30.280 Oh, he said Dutch now. 08:30.280 --> 08:31.280 No, it's Dutch. 08:31.280 --> 08:32.280 Oh, Holland days. 08:32.280 --> 08:33.280 Oh, yeah. 08:33.280 --> 08:34.280 That's probably confused. 08:34.280 --> 08:37.280 It's the Holland days sauce from Holland? 08:37.280 --> 08:38.280 Yeah, yeah, yeah. 08:38.280 --> 08:39.280 Is it? 08:39.280 --> 08:43.280 But it's so far because we haven't been out a lot. 08:43.280 --> 08:44.280 No, no. 08:44.280 --> 08:45.280 No, because we're unpacking. 08:45.280 --> 08:46.280 Yeah, we've been out. 08:46.280 --> 08:53.280 Between boxes and boxes, we dream of boxes and everybody who moved knows that it's a pain 08:53.280 --> 08:54.280 in the air. 08:54.280 --> 08:55.280 Yeah. 08:55.280 --> 08:56.280 Well, especially international moves. 08:56.280 --> 08:57.280 It's time you're unaware. 08:57.280 --> 08:59.280 You don't know which box it is. 08:59.280 --> 09:00.280 Yeah. 09:00.280 --> 09:04.280 You can't read the things as on it, you know, written by the movers. 09:04.280 --> 09:09.280 See, people just don't understand how horrible that is, particularly for you. 09:09.280 --> 09:10.280 Yeah. 09:10.280 --> 09:12.280 Well, particularly, I think for you. 09:12.280 --> 09:16.280 Yeah, but that's your, you're, you're, you're working very, very organized. 09:16.280 --> 09:17.280 Yeah. 09:17.280 --> 09:18.280 I'm organized. 09:18.280 --> 09:20.280 I am a perfectionist. 09:20.280 --> 09:22.280 I have to say. 09:22.280 --> 09:25.280 And you look lovely in that outfit. 09:26.280 --> 09:27.280 Thank you. 09:27.280 --> 09:36.280 And so it's so hard to sit between all those boxes and, and, can't, it's just not, it doesn't look good. 09:36.280 --> 09:38.280 I, on the other hand, feel right at home. 09:38.280 --> 09:41.280 And we have to say, and they know that we're coming from a castle. 09:41.280 --> 09:42.280 Yeah. 09:42.280 --> 09:44.280 And we try to put the castle in the house. 09:44.280 --> 09:45.280 In the house. 09:45.280 --> 09:46.280 Very difficult. 09:46.280 --> 09:47.280 That's hard. 09:47.280 --> 09:49.280 You know, you can do that. 09:49.280 --> 09:50.280 To say the least. 09:50.280 --> 09:54.280 So what we're going to do is sort of a charity. 09:54.280 --> 09:56.280 We're going to look it up in the yellow pages. 09:56.280 --> 09:57.280 Yeah. 09:57.280 --> 10:00.280 And see if we can, you know, we have to give things away. 10:00.280 --> 10:01.280 Yeah. 10:01.280 --> 10:03.280 Because I was just talking to a friend. 10:03.280 --> 10:11.280 I said, isn't it strange that if you go, say, on vacation or you go in for a weekend, you take one bag. 10:11.280 --> 10:13.280 You have your, you know, your stuff in there. 10:13.280 --> 10:17.280 Your t-shirts and your jeans and, and sort of, and a toilet bag. 10:17.280 --> 10:18.280 And that's it. 10:18.280 --> 10:21.280 And again, and all those days, you never miss anything. 10:22.280 --> 10:24.280 No, you know, well, maybe some clothes, but other stuff. 10:24.280 --> 10:26.280 No, but she don't miss anything. 10:26.280 --> 10:27.280 No. 10:27.280 --> 10:30.280 And look, you know, you're schlepping all this stuff with you. 10:30.280 --> 10:31.280 And find nothing. 10:31.280 --> 10:32.280 Yeah. 10:32.280 --> 10:33.280 Why? 10:33.280 --> 10:35.280 You know, we, we are ants. 10:35.280 --> 10:36.280 Yeah. 10:36.280 --> 10:37.280 Yep. 10:37.280 --> 10:38.280 Yeah. 10:38.280 --> 10:39.280 Money can buy me love. 10:39.280 --> 10:40.280 Exactly. 10:40.280 --> 10:41.280 Okay. 10:41.280 --> 10:42.280 That too. 10:42.280 --> 10:46.280 We brought you here tonight on the daily source code. 10:46.280 --> 10:50.280 And the last time we spoke, we had a hippie story. 10:51.280 --> 10:53.280 The early seven days David Bowie. 10:53.280 --> 10:59.280 And man, thank you again for letting the world know that I am, um, better endowed than, 10:59.280 --> 11:01.280 than David Bowie. 11:01.280 --> 11:04.280 Let me tell you that that has been an incredible go boost. 11:04.280 --> 11:05.280 Yes. 11:05.280 --> 11:06.280 It's very important for me. 11:06.280 --> 11:10.280 And I know there are lots of guys out there who understand exactly what I'm talking about. 11:10.280 --> 11:11.280 Yeah. 11:11.280 --> 11:14.280 And tonight, we have another story from Patricia's archives. 11:14.280 --> 11:16.280 Uh, and this is a nice one. 11:16.280 --> 11:17.280 Which one too? 11:17.280 --> 11:19.280 This is, well, thank you. 11:19.280 --> 11:20.280 We have many more, right? 11:20.280 --> 11:21.280 Yeah. 11:21.280 --> 11:22.280 We have plenty. 11:22.280 --> 11:23.280 Right. 11:23.280 --> 11:25.280 So when I run out of shit to say on this show, then I could just bring you in. 11:25.280 --> 11:27.280 Uh, Stevie Nix was, uh, a store. 11:27.280 --> 11:28.280 It's a short one. 11:28.280 --> 11:29.280 Oh. 11:29.280 --> 11:30.280 Okay. 11:30.280 --> 11:31.280 A shorty but goody. 11:31.280 --> 11:32.280 Uh, yeah. 11:32.280 --> 11:33.280 Okay. 11:33.280 --> 11:35.280 It's very short action. 11:35.280 --> 11:41.280 It's, it's, it's not, not really, uh, something, uh, really important. 11:41.280 --> 11:43.280 Am I better endowed than Stevie Nix? 11:43.280 --> 11:45.280 Oh, that's, yeah. 11:45.280 --> 11:46.280 Well, no. 11:46.280 --> 11:50.280 So you have to, this is also about, about size. 11:50.280 --> 11:53.280 Um, I, how long has to go? 11:53.280 --> 11:55.280 We were in LA. 11:55.280 --> 11:56.280 Mm-hmm. 11:56.280 --> 11:58.280 And you had to tape a show for MTV. 11:58.280 --> 11:59.280 Mm-hmm. 11:59.280 --> 12:00.280 Remember that? 12:00.280 --> 12:01.280 We were not married yet. 12:01.280 --> 12:02.280 Oh, we weren't. 12:02.280 --> 12:04.280 Also, this was 1987, 88. 12:04.280 --> 12:06.280 I think it was in the beginning. 12:06.280 --> 12:07.280 Oh, yes. 12:07.280 --> 12:09.280 We just moved to, uh, to New York. 12:09.280 --> 12:10.280 Okay. 12:10.280 --> 12:11.280 So that was 87. 12:11.280 --> 12:12.280 Yeah. 12:12.280 --> 12:15.280 And you had to go out to LA and you took me with you. 12:15.280 --> 12:18.280 Because it was better weather there. 12:18.280 --> 12:20.280 So it was very nice. 12:20.280 --> 12:27.280 And we went out to a lovely restaurant that was one of the famous hot spots that we needed to see. 12:27.280 --> 12:29.280 Which one was that? 12:29.280 --> 12:30.280 The dome? 12:30.280 --> 12:31.280 The dome. 12:31.280 --> 12:32.280 Right. 12:32.280 --> 12:34.280 Oh, it wasn't Lionel Richie there that night as well. 12:34.280 --> 12:35.280 Yeah. 12:35.280 --> 12:36.280 I was so proud of this. 12:36.280 --> 12:40.280 They always said, like, you have to go there because lots, lots and lots. 12:40.280 --> 12:41.280 Yeah. 12:41.280 --> 12:42.280 I don't think it's like that anymore. 12:42.280 --> 12:44.280 I think it's completely, it may not even be there anymore. 12:44.280 --> 12:45.280 Right. 12:45.280 --> 12:48.280 But in these days, you know, it was that day with the sheep. 12:48.280 --> 12:49.280 She hot spot. 12:49.280 --> 12:50.280 Right. 12:50.280 --> 12:51.280 And there we were. 12:51.280 --> 12:52.280 So we were there. 12:52.280 --> 12:53.280 We were in the restaurant. 12:53.280 --> 12:54.280 And who do we with? 12:54.280 --> 12:55.280 Do you remember? 12:55.280 --> 12:57.280 Was it just MTV people Charlie Midnight? 12:57.280 --> 12:58.280 Maybe. 12:58.280 --> 12:59.280 No, no, no, no, no. 12:59.280 --> 13:00.280 I wasn't Charlie Midnight. 13:00.280 --> 13:01.280 I think it was only. 13:01.280 --> 13:02.280 Scott Shannon, maybe. 13:02.280 --> 13:03.280 Dana Miller. 13:03.280 --> 13:05.280 Now, I probably Scott Shannon. 13:05.280 --> 13:06.280 I don't know. 13:06.280 --> 13:07.280 Scott Shannon, everybody. 13:07.280 --> 13:08.280 If I would have. 13:08.280 --> 13:09.280 Back and see you. 13:09.280 --> 13:12.280 Well, maybe it was only the two of us because I told you right away. 13:12.280 --> 13:15.280 You mean just the two of us. 13:15.280 --> 13:16.280 Just the two of us. 13:16.280 --> 13:19.280 Now, so we said there. 13:19.280 --> 13:22.280 And while you ordered, I said have to go to the bathroom quickly. 13:22.280 --> 13:23.280 Ladies, really. 13:23.280 --> 13:26.280 So I have to go to the ladies room. 13:26.280 --> 13:31.280 And while I'm in the ladies room, there were, I think, three doors. 13:31.280 --> 13:33.280 And there were all locked. 13:33.280 --> 13:36.280 One of the doors went open. 13:36.280 --> 13:38.280 And out came Stephen X. 13:38.280 --> 13:40.280 Okay, let me just reset this. 13:40.280 --> 13:42.280 So you walk into the ladies room. 13:42.280 --> 13:43.280 There's three stalls. 13:43.280 --> 13:45.280 All three are busy. 13:45.280 --> 13:46.280 This is it. 13:46.280 --> 13:47.280 Up here. 13:47.280 --> 13:48.280 Did you look underneath to see the fee? 13:48.280 --> 13:49.280 No, no, no, no. 13:49.280 --> 13:51.280 I don't think the doors like that. 13:51.280 --> 13:53.280 No, we don't do that. 13:53.280 --> 13:54.280 Oh, guys do that. 13:54.280 --> 13:55.280 No, no, no, no. 13:55.280 --> 13:56.280 Who the hell? 13:56.280 --> 13:58.280 No, but when you walk in, you want to make sure there's no one in there. 13:58.280 --> 13:59.280 So you look underneath. 13:59.280 --> 14:00.280 No, no, no, no. 14:00.280 --> 14:01.280 They were closed. 14:01.280 --> 14:03.280 So Stephen X. 14:03.280 --> 14:04.280 Stephen X. 14:04.280 --> 14:05.280 I'm like, oh, Stephen X. 14:05.280 --> 14:06.280 I'm just going to do like. 14:06.280 --> 14:07.280 What was she wearing? 14:07.280 --> 14:09.280 No, I don't remember. 14:09.280 --> 14:10.280 It's something black. 14:10.280 --> 14:11.280 I remember that. 14:11.280 --> 14:12.280 Okay. 14:12.280 --> 14:13.280 Was it like her flowing clothes? 14:13.280 --> 14:14.280 Of course. 14:14.280 --> 14:15.280 Of course. 14:15.280 --> 14:16.280 And so she came out of there. 14:16.280 --> 14:17.280 The door went out. 14:17.280 --> 14:18.280 Oh, oh, oh. 14:18.280 --> 14:19.280 Oh, she taller than you. 14:19.280 --> 14:20.280 She taller than you. 14:20.280 --> 14:21.280 No, she's tiny. 14:21.280 --> 14:22.280 She's not that big. 14:22.280 --> 14:23.280 Really? 14:23.280 --> 14:24.280 Well, I can't remember. 14:24.280 --> 14:25.280 She's not not a very tall name. 14:25.280 --> 14:26.280 Really? 14:26.280 --> 14:27.280 I thought you were. 14:27.280 --> 14:28.280 No. 14:28.280 --> 14:29.280 Okay. 14:29.280 --> 14:30.280 So she came out. 14:30.280 --> 14:34.280 And actually behind her came sort of a roofed. 14:34.280 --> 14:38.280 So the way terrible smell. 14:38.280 --> 14:42.280 She was like, yeah, she was coming out of the straw. 14:42.280 --> 14:43.280 I was coming out of the straw. 14:43.280 --> 14:45.280 That's the way she came out. 14:45.280 --> 14:48.280 But I had no choice because the other door was. 14:48.280 --> 14:50.280 Stinky Nicks. 14:50.280 --> 14:53.280 Stinky Nicks. 14:53.280 --> 14:54.280 So. 14:54.280 --> 14:56.280 Why are you going? 14:56.280 --> 14:59.280 I had to, you know, go into that door. 14:59.280 --> 15:01.280 You know, in that bathroom. 15:01.280 --> 15:03.280 Because the other one, the other one, 15:03.280 --> 15:04.280 They'll do. 15:04.280 --> 15:05.280 And who was the other one? 15:05.280 --> 15:06.280 Like Oprah. 15:06.280 --> 15:09.760 I don't know if I'm a waltz or something. 15:09.760 --> 15:14.760 So I went into that one and the seat was still hot. 15:14.760 --> 15:17.240 I don't know if I felt very warm. 15:17.240 --> 15:20.840 But we have to say, before I sat down, 15:20.840 --> 15:21.680 I thought you were a... 15:21.680 --> 15:26.680 I saw that it hadn't, she flushed, but it was still there. 15:26.680 --> 15:28.760 So that was a big... 15:28.760 --> 15:30.160 It was a hair. 15:30.160 --> 15:31.360 It was a hair. 15:31.360 --> 15:35.920 Turling, probably too heavy 15:35.920 --> 15:37.600 to flunk. 15:37.600 --> 15:48.440 And then I said, I'm like, Jesus, you know, you're flushed in these turds. 15:48.440 --> 15:49.720 Yeah, right. 15:49.720 --> 15:50.720 Yeah. 15:50.720 --> 15:54.040 So every time I see her, I have to think, too. 15:54.040 --> 15:55.040 Turd. 15:55.040 --> 15:57.040 Excellent. 15:57.040 --> 15:58.040 Hold on a second. 15:58.040 --> 15:59.040 That was excellent. 15:59.040 --> 16:00.040 Thank you. 16:00.040 --> 16:01.640 That was an excellent story. 16:01.640 --> 16:03.640 Aren't you proud of yourself? 16:03.640 --> 16:05.640 Well, you know. 16:05.960 --> 16:10.440 OK, we have some other exciting news that happened today. 16:10.440 --> 16:17.720 Today, we bought the masters of Mamboitulliano, the song that you recorded. 16:17.720 --> 16:20.600 Just two months ago, three months ago. 16:20.600 --> 16:23.960 So I was thinking, first time I'm going to play it on the show. 16:23.960 --> 16:27.960 I was thinking, why don't we make it available for anyone to play on a podcast? 16:27.960 --> 16:28.960 Yeah. 16:28.960 --> 16:29.960 It's a good idea. 16:29.960 --> 16:31.400 So it's a big band. 16:31.400 --> 16:32.960 It's one of the different bands. 16:33.000 --> 16:34.200 Yeah, it's up to tell me about the song. 16:34.200 --> 16:37.040 Tell me about how you got it all set up and... 16:37.040 --> 16:44.480 Well, actually, it is from Mamboitulliano's thing. 16:44.480 --> 16:46.240 That was Dutch. 16:46.240 --> 16:48.640 Yeah, yeah, yeah. 16:48.640 --> 16:50.080 What do you want to say? 16:50.080 --> 16:51.040 It's so clear. 16:51.040 --> 16:51.680 Rose made a clue. 16:51.680 --> 16:52.680 Rose made a clue. 16:52.680 --> 16:54.520 Yeah, it's late. 16:54.520 --> 16:57.080 Yeah, I also have Frank Sinatra did it, too. 16:57.080 --> 16:58.400 I don't think, I don't know. 16:58.400 --> 16:59.520 No, Dean Martin. 16:59.520 --> 17:00.440 I have Frank Sinatra. 17:00.440 --> 17:01.440 No, Dean Martin. 17:01.440 --> 17:02.440 I have Frank Sinatra. 17:02.480 --> 17:04.680 It's a very famous song. 17:04.680 --> 17:05.680 Yeah. 17:05.680 --> 17:06.680 And it's... 17:06.680 --> 17:07.480 I think I have that. 17:07.480 --> 17:09.440 I think a 50's song. 17:12.000 --> 17:13.480 It's always a great. 17:13.480 --> 17:15.720 It's a wonderful, wonderful song. 17:15.720 --> 17:16.560 It's a... 17:16.560 --> 17:19.680 It's a Mambo, which is, of course, more Spanish. 17:19.680 --> 17:22.560 But it's an Italian Mambo. 17:22.560 --> 17:24.240 It's Italian Mambo. 17:24.240 --> 17:26.040 It's an Italian Mambo, yeah. 17:26.040 --> 17:27.240 Okay. 17:27.240 --> 17:28.720 And it's called Mambo. 17:28.720 --> 17:29.720 Well, that... 17:30.520 --> 17:33.600 First of all, this isn't just like some little thing you did here. 17:33.600 --> 17:37.440 You had like everything that all the instruments are real. 17:37.440 --> 17:38.440 Played by the music. 17:38.440 --> 17:39.440 Yeah, it's not like... 17:39.440 --> 17:40.440 It's not like... 17:40.440 --> 17:41.440 It was in real time. 17:41.440 --> 17:43.440 You guys are overdubs. 17:43.440 --> 17:44.800 I thought you recorded that whole thing. 17:44.800 --> 17:45.960 I thought you recorded that whole thing. 17:45.960 --> 17:46.960 Yeah, yeah, yeah. 17:46.960 --> 17:47.960 Life. 17:47.960 --> 17:48.960 I sang it live with it. 17:48.960 --> 17:49.960 Yeah. 17:49.960 --> 17:54.360 And afterwards, I did some backing vocals with Ivan, my sister. 17:54.360 --> 17:55.360 Right. 17:55.360 --> 17:57.080 But I sang it right away with the band. 17:57.080 --> 17:59.520 Like, Frank Sinatra used to do first studio. 17:59.920 --> 18:00.760 That was the band. 18:00.760 --> 18:01.920 That was me. 18:01.920 --> 18:02.760 And... 18:02.760 --> 18:03.760 You did some pickups here. 18:03.760 --> 18:05.080 You must have done some pickups. 18:05.080 --> 18:06.080 Just some insert. 18:06.080 --> 18:07.080 No, no. 18:07.080 --> 18:08.080 I don't know. 18:08.080 --> 18:09.080 No, I don't need some. 18:09.080 --> 18:10.080 I don't know. 18:10.080 --> 18:11.080 That's right, baby. 18:11.080 --> 18:12.080 That's right. 18:12.080 --> 18:13.080 And you're a turd's flush. 18:13.080 --> 18:14.080 All right. 18:14.080 --> 18:15.080 See you. 18:15.080 --> 18:16.080 All right. 18:16.080 --> 18:18.560 So we'll be sure to put this up for download. 18:18.560 --> 18:19.560 Mambo, if you don't know. 18:19.560 --> 18:20.560 I just shot. 18:20.560 --> 18:21.560 Thanks, honey. 18:21.560 --> 18:22.560 Thanks. 18:23.750 --> 20:37.760 [ Music ] 20:37.760 --> 20:38.760 Mambo, if you don't know. 20:38.760 --> 20:39.760 Mambo, if you don't know. 20:39.760 --> 20:40.760 Mambo, if you don't know. 20:40.760 --> 20:41.760 Mambo, if you don't know. 20:41.760 --> 20:42.760 Mambo, if you don't know. 20:42.760 --> 20:43.760 Mambo, if you don't know. 20:43.760 --> 20:44.760 Mambo, if you don't know. 20:44.760 --> 20:46.760 Mambo, if you don't know. 20:46.760 --> 20:47.760 Mambo, if you don't know. 20:47.760 --> 20:48.760 Mambo, if you don't know. 20:48.760 --> 20:50.120 We're gonna go here on the daily source code. 20:50.120 --> 20:51.880 You know, you should do something with your voice, huh? 20:51.880 --> 20:53.840 Oh, I don't know that. 20:53.840 --> 20:56.080 That's awesome. 20:56.080 --> 20:57.880 Oh, my mic. 20:57.880 --> 20:58.880 It's okay, here's another one. 20:58.880 --> 21:03.120 So we'll at least that under the Creative Commons license, 21:03.120 --> 21:08.120 which means anyone can use it non-commercialy. 21:08.120 --> 21:09.360 We'll choose for that one, not no. 21:09.360 --> 21:11.920 Oh, we're gonna have a DVD out soon. 21:11.920 --> 21:12.760 You know what I'm just saying? 21:12.760 --> 21:14.320 Anyone can use this song in their podcast 21:14.320 --> 21:17.480 that can use it non-commercial as long as they create it. 21:17.480 --> 21:19.800 It's ours, so we can do whatever you want to do. 21:19.800 --> 21:20.800 Isn't that fun? 21:20.800 --> 21:21.800 Isn't that fun? 21:21.800 --> 21:22.800 Yeah, I love that. 21:22.800 --> 21:23.800 That's cool. 21:23.800 --> 21:24.800 No. 21:24.800 --> 21:25.800 No. 21:25.800 --> 21:26.800 We cannot do that. 21:26.800 --> 21:27.800 That's cool. 21:27.800 --> 21:28.800 No. 21:28.800 --> 21:30.800 That's cool, baby. 21:30.800 --> 21:31.800 Anything else? 21:31.800 --> 21:32.800 No. 21:32.800 --> 21:33.800 No. 21:33.800 --> 21:34.800 Okay. 21:34.800 --> 21:35.800 It's nice here in your studio. 21:35.800 --> 21:36.800 Yeah, it's nice. 21:36.800 --> 21:37.800 It's very nice. 21:37.800 --> 21:39.800 Why don't you take off your dress? 21:39.800 --> 21:40.800 Oh. 21:40.800 --> 21:41.800 Okay. 21:41.800 --> 21:42.800 Oops. 21:42.800 --> 21:44.800 I'm gonna have a nice cup of tea. 21:44.800 --> 21:45.800 Yes. 21:45.800 --> 21:46.800 Okay. 21:46.800 --> 21:47.800 All right, see? 21:47.800 --> 21:48.800 You take off. 21:48.800 --> 21:50.440 Let's speak something English here. 21:50.440 --> 21:51.440 Oh, but... 21:51.440 --> 21:52.440 Crazy American. 21:52.440 --> 21:53.440 Yeah. 21:53.440 --> 21:54.440 Yeah. 21:54.440 --> 21:55.440 Yeah. 21:55.440 --> 21:56.440 I have to learn some English here. 21:56.440 --> 21:57.440 Well, sweetie, darling. 21:57.440 --> 21:58.440 Go downstairs. 21:58.440 --> 21:59.440 Okay, yeah. 21:59.440 --> 22:01.000 Could you make me a cup or two? 22:01.000 --> 22:02.000 A cup or two? 22:02.000 --> 22:03.000 A cup or two? 22:03.000 --> 22:04.000 A cup or two? 22:04.000 --> 22:05.000 A cup or two? 22:05.000 --> 22:06.000 All right. 22:06.000 --> 22:07.480 All right, then. 22:07.480 --> 22:10.680 Patricia Pi, everybody. 22:10.680 --> 22:11.680 Alrighty. 22:11.680 --> 22:13.320 Source code continues. 22:13.320 --> 22:14.320 Let's see. 22:14.320 --> 22:15.320 More comedy. 22:16.320 --> 22:21.000 Hello, and welcome to Adam Curry's One Minute Moving Tip. 22:21.000 --> 22:24.360 Things you need to know when you're moving. 22:24.360 --> 22:28.560 First of all, put all of your worldly belongings into cardboard boxes. 22:28.560 --> 22:32.360 Now be sure to tape them up a nice and tight and the way all the way. 22:32.360 --> 22:33.360 What was that? 22:33.360 --> 22:34.360 Look at the... 22:34.360 --> 22:38.760 Well, it looks like that box needs just a little bit more tailor. 22:38.760 --> 22:39.760 Hmm. 22:39.760 --> 22:43.280 More you're gonna have problems getting that through customs. 22:43.280 --> 22:47.400 Just a little something for you, Adam, to help you get through through this crazy move 22:47.400 --> 22:48.400 to the UK. 22:48.400 --> 22:49.400 Good luck. 22:49.400 --> 22:50.400 Boy on. 22:50.640 --> 22:55.520 When you walked in the door and you changed your shoes, you switched to a sweater 22:55.520 --> 23:00.120 and said, how do you do neighbor? 23:00.120 --> 23:02.720 How do you do? 23:02.720 --> 25:37.720 [ Music ] 25:37.720 --> 25:39.840 Thank you, friend. 25:39.840 --> 25:44.680 She was so pretty. 25:44.680 --> 25:48.320 Hey, Adam, I just want to give you the quote unquote shout out from Nashville, Tennessee. 25:48.320 --> 25:51.600 Love your show, love what you're doing, love this whole podcast thing. 25:51.600 --> 25:53.080 Keep up the good work. 25:53.080 --> 25:54.200 Oh, I am boy online. 25:54.200 --> 25:57.520 Yeah, before that, you heard Lassipia's Bitties. 25:57.520 --> 25:58.920 Yeah, my favorite. 25:58.920 --> 26:01.440 I had their whole new album and I'm allowed to play every single track. 26:01.440 --> 26:05.160 So my does all work through them, digging it that was neighbor. 26:05.240 --> 26:06.320 And you know, you should do that. 26:06.320 --> 26:08.400 You go over and say, how do your neighbor once in a while? 26:08.400 --> 26:09.960 We've got new neighbors now. 26:09.960 --> 26:12.120 We've met the neighbors on the left. 26:12.120 --> 26:15.240 Hope to meet the neighbors on the right pretty soon. 26:15.240 --> 26:16.240 Neighbors are a good thing. 26:16.240 --> 26:17.880 Neighbors are important. 26:17.880 --> 26:23.480 Quick plug for those of you that are new subscribers or, well, actually, the reason I'm doing this 26:23.480 --> 26:27.800 is because, you know, you may only be hearing this on Thursday by the time it gets uploaded. 26:27.800 --> 26:33.240 The BBC's Culture Show will be on BBC 2 Thursday night. 26:33.320 --> 26:35.880 So that's tomorrow night at 7 p.m. 26:35.880 --> 26:36.720 UK time. 26:36.720 --> 26:38.280 So 8 p.m. 26:38.280 --> 26:39.880 You're central European time. 26:39.880 --> 26:45.960 And if you go to bbc.co.uk slash culture, I think that's the link. 26:45.960 --> 26:50.760 I'll make sure I put the correct link in the production notes for today's show. 26:50.760 --> 26:55.360 Then you can probably see a reasonable online archive. 26:55.360 --> 26:59.200 What they do with the BBC is they're kind of in the middle of trying to figure out what 26:59.200 --> 27:00.200 they want to do with download. 27:00.240 --> 27:03.920 So they make a download of a show available for about seven days and they take it off, 27:03.920 --> 27:07.880 which is, I guess, is, you know, some kind of loophole in their own policy. 27:07.880 --> 27:12.200 There's also a couple of people who'll be recording a high quality digital version. 27:12.200 --> 27:15.720 And as soon as I get some links, we'll be sure to put that up so you can see it. 27:15.720 --> 27:16.720 I'm pumped. 27:16.720 --> 27:17.880 I'm hoping that it's going to be good. 27:17.880 --> 27:19.520 You never know. 27:19.520 --> 27:28.360 And I talked yesterday about extending RSS and how I was working with August and 27:28.360 --> 27:35.400 Ray of iPod Rex and of course with Dave on coming up with some, you know, some interesting 27:35.400 --> 27:41.040 ways of, you know, adding stuff that we really need for our podcast. 27:41.040 --> 27:44.800 One of them is, of course, what I'm working on is these OPML production notes. 27:44.800 --> 27:50.040 And how do we include that and how can we make iPoders aware that there's a show notes 27:50.040 --> 27:52.320 included with the show. 27:52.320 --> 27:56.120 And I haven't been able to respond yet because of my bandwidth woes. 27:56.360 --> 27:59.560 By the way, tomorrow, right after the trash guy comes and I help him load up all the 27:59.560 --> 28:04.960 ship we were accumulated, I'm going to go into town and, and really hop on the, on the 28:04.960 --> 28:10.600 high speed, high Wi-Fi because I'm, I really need to catch up with my podcast. 28:10.600 --> 28:18.520 So we now have, yeah, we're working on and I'm looking at it right now, the podcast RSS 28:18.520 --> 28:24.440 module, which will be a name space, which I think is going to be really great. 28:24.440 --> 28:27.960 It's really going to give us a lot of the tools that we've been looking for on the 28:27.960 --> 28:33.440 development side of, of ease of use and ease of production and connecting more bits 28:33.440 --> 28:35.040 together in podcasting. 28:35.040 --> 28:40.360 And I guess we'll be releasing this to the iPod of developers list pretty soon. 28:40.360 --> 28:43.040 At first, I, even I had to like, you know, look at this. 28:43.040 --> 28:44.040 Hey, is this right? 28:44.040 --> 28:45.040 Is it really that simple? 28:45.040 --> 28:48.800 This is giving us, if it's giving us everything we want, then it must be wrong. 28:48.800 --> 28:50.440 No, but it was right. 28:50.440 --> 28:52.400 So I'm, I'm way excited about that. 28:52.400 --> 28:55.880 And I just need to get some more bandwidth so I can concentrate a little bit more on this 28:55.880 --> 28:58.600 stuff instead of watching, you know, shit download. 28:58.600 --> 28:59.600 Oh, it's horrible. 28:59.600 --> 29:00.600 Okay. 29:00.600 --> 29:03.720 Boy, we've gone through almost everything I want to do. 29:03.720 --> 29:06.400 Oh, no, there's one thing I wanted to play for you. 29:06.400 --> 29:10.160 And we're currently, what are we at, almost 30 minutes into the show, perfect timing for 29:10.160 --> 29:11.160 today. 29:11.160 --> 29:13.520 And I'll have to look up who sent this to me. 29:13.520 --> 29:19.120 This is like a new, in your face, hard edge kind of poetry. 29:19.120 --> 29:22.360 It's called disillusioned filibuster. 29:22.360 --> 29:26.680 And it's a, I'm pretty sure it's a live performance piece. 29:26.680 --> 29:29.840 It's totally, you know, performance poetry art. 29:29.840 --> 29:34.240 So it's a little bit distorted, so I'll have to work on the levels. 29:34.240 --> 29:38.600 But listen to it and then, you'll catch on pretty quick. 29:38.600 --> 29:44.320 It's, there's no real title to it, but the whole theme of this disillusioned filibuster 29:44.320 --> 29:46.120 is America, your panties are showing. 29:46.360 --> 29:49.240 They're the night outside, we'll be talking about the life in times of really 29:49.240 --> 29:53.120 cars, where one friend checked another friend and said, yo, you're slick of saying 29:53.120 --> 29:58.120 you're saying, well, I'm telling my friend, my country, America, I can't, I can't, I can't 29:58.120 --> 29:59.120 see. 29:59.120 --> 30:00.120 Your slip is hanging. 30:00.120 --> 30:05.560 Somebody is looking at your ass, nation building in Iraq, regime changing in Africa, 30:05.560 --> 30:11.120 closing your eyes to genocide in the far, you are showing, you're ass, you showed it, you 30:11.120 --> 30:15.160 showed it, you showed your ass in territory of war, as when you let refugees from 30:15.160 --> 30:19.160 Cuba come to Miami, but you repatriate the Haitians, what they want to come here, you 30:19.160 --> 30:24.160 said, no, back home, told them they couldn't stay, your slip is hanging America, your 30:24.160 --> 30:28.360 slip is hanging right, you ain't got no problems with Mexicans crossing the barrel 30:28.360 --> 30:32.560 because they can work for you for less than minimum wage, they can get involved in rights 30:32.560 --> 30:37.160 labor, they can get involved in being slaves and indentured servants and that's in 30:37.160 --> 30:41.840 your best interest and number one, they can vote for you, the Mexican vote can get you 30:41.840 --> 30:45.840 elected, so you don't have no problem with them crossing the borders and coming over to 30:45.840 --> 30:50.840 Arizona, no, you don't have no problem with that, America, I can't, I can't, I can't, I can't see, 30:50.840 --> 30:51.840 your slip is hanging. 30:51.840 --> 30:56.840 And you think you think I'm the only one that sees your ass, America, look out the window, 30:56.840 --> 31:01.840 I know this is your house in that, you think you can walk around naked and think you can walk around 31:01.840 --> 31:05.840 disrespecting people, think you can act like you want to, do what you want to because you 31:05.840 --> 31:10.840 in your own house, but America, I can, I can, I can't, I can see, your slip is hanging 31:10.840 --> 31:15.840 and America, I'm not the only one who sees your ass, world of news tonight, so I'll show 31:15.840 --> 31:19.840 you, show your ass in front of the morgue, when you commit a war crimes, breaking the Geneva 31:19.840 --> 31:24.840 contract, show your independence of war on TV, show your independence of war on naked, show 31:24.840 --> 31:29.840 your independence of war being disrespected, show your independence of war, maximize your 31:29.840 --> 31:35.840 slip, your slip is showing America, your slip is showing women, when you capture the president of 31:35.840 --> 31:40.840 Iraq and and show them all TV being interrogated, show them all TV appearing weak and 31:40.840 --> 31:45.840 right, right, when he showed us all TV, when they show us all TV, it becomes a 31:45.840 --> 31:51.840 world crime, from America, America, America, I can, I can, I can, I can see, your slip 31:51.840 --> 31:56.840 is hanging, you are showing your ass to the world, and you are showing your ass to the 31:56.840 --> 32:00.840 black caucus too, every time you will meet with you, you are to wrap up, dial up, 32:01.840 --> 32:05.840 take it up in your whole empire, they're lost to it, service can come to the king unless 32:05.840 --> 32:10.840 they are selling, they're showing them respect, instead of showing them kindness, America, 32:10.840 --> 32:14.840 I show them the black caucus, they are ass, and still we are still so vulnerable 32:14.840 --> 32:18.840 to believe that America is the leading authority of morality, do people of morality go 32:18.840 --> 32:22.840 around stripping in front of people, no, no, people of morality go around showing 32:22.840 --> 32:27.840 their ass to everybody they don't like, hey, no, somebody somewhere needs to say 32:27.840 --> 32:32.840 something, somebody somewhere needs to do something, America, America, your slip is 32:32.840 --> 32:37.840 hanging, America, you are showing your ass like you didn't hate it, when a 32:37.840 --> 32:42.840 democratically elected president of Haiti was told he had to leave a coup d'état 32:42.840 --> 32:47.840 maxi, you want to speak this to this, he was told he had to leave, they, America, 32:47.840 --> 32:52.840 got together with guy for leap and committed a coup d'état and took the 32:52.840 --> 32:57.840 credit of Haiti out to him and his wife, Milquid, you got to leave or die, 32:57.840 --> 33:04.840 or die, or die, or die, America, America, America, America, I can see, I can see, 33:04.840 --> 33:09.840 your slip is hanging, you have a fight another country for democracy and yet 33:09.840 --> 33:14.840 when we have democracy, a democratically elected president in another country, you 33:14.840 --> 33:18.840 don't support him, you would join your truth because he's not doing what you 33:18.840 --> 33:23.840 want him to, he's not being manipulated, he want him to, and because of that, 33:23.840 --> 33:29.840 because of that, you commit a coup d'état, America, America, America, 33:29.840 --> 33:34.840 man, man, can see, I can see your slip, your slip, your slip is hanging, 33:34.840 --> 33:38.840 and I'm not doing it, I'm not doing it, I'm not doing it, peace, peace. 33:38.840 --> 33:42.840 Man, that's some powerful stuff, now that is exactly what Paul 33:42.840 --> 33:49.840 Boutin, Boutin, Boutin, Boutin, meant when he was talking about why doesn't 33:49.840 --> 33:56.840 Bano use his incredible voice and power through podcasting to start to change 33:56.840 --> 33:57.840 the world. 33:57.840 --> 34:02.840 Yeah, sure it's great that we can sell a black eye pod with all the YouTube 34:02.840 --> 34:06.840 songs on it, but why don't we add a little something else there, Bano? 34:06.840 --> 34:09.840 Shoot dude, you've got your own freaking eye pod. 34:09.840 --> 34:13.840 Is it just a thought maybe to put something on there? 34:13.840 --> 34:18.840 You know, like, hey, feed the world or something, just put a couple MP3, 34:18.840 --> 34:23.840 I'll do good with you Bano, put an AAC file on there, you know, so it's bookmarkable 34:23.840 --> 34:28.840 and it's D-R-M, perfect, go for it, dude, that would be awesome. 34:28.840 --> 34:33.840 That just blew me away, I mean it's more about Haiti at the end there, but just the whole, 34:33.840 --> 34:37.840 yeah, you know, disillusioned filibuster, pretty interesting stuff. 34:37.840 --> 34:39.840 And that's it for today's source code. 34:39.840 --> 34:43.840 More bandwidth tomorrow as we slipper away the Wi-Fi. 34:45.840 --> 34:49.840 I want to thank you very much for tuning in and subscribing. 34:49.840 --> 34:52.840 I want to thank our guest for today, the Trish and Pie. 34:52.840 --> 35:00.840 By the way, we are married and she does sometimes use my last name, but, yeah, she's a modern woman. 35:00.840 --> 35:09.840 As always, comments are welcome at the Prairie.com. 35:09.840 --> 35:13.840 You know, don't send it to me, you know, just send a link that's probably better, 35:13.840 --> 35:15.840 until I get some real bandwidth. 35:15.840 --> 35:18.840 And again, I'll be downloading lots of stuff. 35:18.840 --> 35:20.840 Tomorrow's, we'll play on the show. 35:20.840 --> 35:21.840 Comments. 35:21.840 --> 35:24.840 You can also leave them on the weblog at Prairie.com. 35:24.840 --> 35:28.840 And of course, the latest source code on the archives or data source code.com. 35:28.840 --> 35:34.840 We can also find out about cast-feed data source code.mums-carSS.com. 35:34.840 --> 35:37.840 We'll check out tomorrow on the source code. 35:37.840 --> 35:38.840 Bye-bye.