WEBVTT

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Hey everybody, who listens to
the Daily Source Code?

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The Daily Source Code podcast.

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It's for everybody.

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Testing.

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All's live.

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Adam Curry.

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Yeah.

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Monday, everybody good
afternoon.

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I you're doing and welcome to
the Daily Source Code.

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Today is Monday.

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It's December 6, 2004.

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I'm out of curry coming to you
from Curry Cottage in the United
Kingdom.

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That's right.

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With a brand new set of new
sounds.

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And lots of reverb by special
requests.

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I'm not even going to get into
the entire set up and exactly
what I've changed.

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But boy, a lot of thought went
into it.

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In fact, Patricia actually spent
a lot of time with me coming up
with the microphone sound.

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It's pretty good.

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In fact, it could be a hell of a
lot worse.

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You know, I could be at
Starbucks right now.

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That's how bad it could be.

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That's interesting.

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Still kind of working on the
entire set up.

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All the pieces and bits.

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Everything that goes together.

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It's all right here.

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This is where users and
developers party together.

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And I kind of feel like a little
bit of a developer.

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If you look at the setup that
I've got going here.

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And part of the reason for this
entire setup is

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I've been catching some some
flack about the sound.

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The, you know, basically the big
room that I had at the castle.

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Some folks seem to actually miss
the kind of echoey reverb thing.

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And sometimes they even are
pretty vocal about it.

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Listen to this that came in on
my iPod or just over the
weekend.

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Hey.

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How are you?

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Okay, how are you?

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Very well.

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So are we recording?

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We are.

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Okay.

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So.

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Oh, this is the sound of
excitement in the background.

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Yeah, exactly.

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So what do you want to say?

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Uh, I don't know.

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I'm not a podcaster, you know.

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So here we are.

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You're not?

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No.

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Are you a podcaster?

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No.

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Okay.

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So we're not good at this off
the coast all the way.

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No.

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We're not going to sit there and
do a David Adam.

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No.

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And did that our way?

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No.

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No.

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Okay.

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So are we here?

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Because Adam insists upon having
some sort of a seat for his iPod
or network.

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Right.

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All right.

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So Adam.

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This will have to do.

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This will have to do.

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All right.

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So, you know, one of those of
you who haven't heard the last
week show down low that one.

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That was a show with Jonathan
Schwartz, right?

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Yeah.

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It got a lot of good reviews
except for people like, you
know, who are concerned about,

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how am I, big ego or HP?

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Well, those complaints happen no
matter what.

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Yeah.

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So I think it was a good show
and I hope people will listen to
all the way through because some
of the stuff towards the end of
some of the best as well.

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All right.

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The point about me, come on.

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Get to me.

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That's what the second I am.

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Stephen, I'm great except.

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Right.

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Yeah.

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Well.

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Okay.

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So what are we going to do next
week?

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We're going to try and do the
full show next week, right?

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Yeah.

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We're going to try and record it
on Monday.

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But we'll have to leave that one
for perhaps another little down
low.

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Okay.

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We're good.

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All right.

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All right.

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So let's hope everybody does go
back.

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Listen to last week's Gilmour
Gang with Jonathan Schwartz,
great show.

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I know I will.

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You know, I will too.

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Okay.

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When Friday rolls around, that's
what I'm going to do.

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Get to the part about me.

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Thanks.

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Yeah.

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Let's hope he gets his broadband
as of noon here on Thursday,
which is when we're recording
this.

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Adam just said email that the
British telecom people have not,
no, whoever it is is not come
through with his DSL line.

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Not as this saying because, you
know, there's just something
different about the sound of
this voice when he's got dial
up.

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Not the attention here.

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It's the bit.

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You know, he needs more reverb.

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Yeah.

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That's it.

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That's it.

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There's something about that
Mike changed that he's done.

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It's just not right.

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We missed the castle.

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It's just not right.

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Well, I, you know, when the
jury's out on the cottage.

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But it doesn't really matter.

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It's what, uh, Adam thinks.

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That's true.

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Oh.

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Okay.

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Steve, have a great weekend.

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And we'll talk to you on Monday.

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Okay.

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Thanks for that.

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So nice of you guys to be
thinking of me.

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And so nice to say that it
sounds like shit now that I'm in
the cottage.

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So I've cranked up the reverb.

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Make sure you guys got plenty of
it.

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Oops.

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Sorry about that.

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Still don't have the windscreen
happening on the new microphone.

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So I think we kind of got this
vibe going.

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You know, I've got the drum
cadence now on the background.

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This is the last time I played
that drum drum line, the drum
cadence.

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I got so many responses that
actually started up an email
thread with Joel Hawksley.

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He said, uh, actually I'll read
this email to you.

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Because I said it was really
awesome.

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A lot of people had commented on
these cadences.

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And I said, you know, how did
you record it?

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He says it turns out the file.

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I sent you a record a while ago.

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My friend Sony microphone and
Sony mini disc recorder.

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And, uh, what it is, he sent me
another one.

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And this is of our shoot.

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What was this?

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I think this is the Michigan
Michigan State drum band.

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Hold on, I'm trying to get my
show notes to scroll up,

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which apparently is going to be
a problem today.

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Let's see.

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Yeah.

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Come on everybody.

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Oh, there we go. Okay.

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Um, right.

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So of course, doesn't tell me
anything about that in the show
notes.

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Uh, before that, uh, as we
opened up, you heard a little
bit of, uh,

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Steve Gilmore and Doug K.

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Apparently there was no Gilmore
gang to be recorded this week.

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And, uh, so that you don't go
running off and start checking
your, uh,

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your iPodder and, uh, your
scripts to see if something
broke.

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You know, there actually just
was no show recorded.

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So hopefully they'll have one,
uh, one up pretty soon.

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Um, okay.

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So this, oh, there we go.

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Uh, street beats.

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It's Florida State.

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Florida State drum line.

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The license is non-R-I-A-A.

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Why did these cats crank?

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Check it out.

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I love that.

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No, I used to love it.

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I really used to love it when,
um, when they'd be doing a, um,
a parade.

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And then they'd walk by and
they'd do, um,

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the theme from entertainment
tonight.

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Have you ever heard of a high
school or college drum band

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or the theme to entertainment?

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Uh, anyway, I'm kind of getting
into drum, uh, drum band.

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Uh, should we be concerned about
me?

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Possibly.

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Good morning and welcome to
today's podcast for December
3rd, 2004.

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This is a brief daily offering
of words for the wise and the
other wise.

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Today's words from an article
Adam Curry read on his
abbreviated daily source code.

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The article by Felicity Lawrence
is a wake-up call for the
Western world's food

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humorous.

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The way we eat is not just
ecologically unsustainable,

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but also morally and even
biologically unsustainable.

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The word is profligate.

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Let's listen.

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Food is flown around the world
to meet the supermarkets
requirements for just in time
ordering.

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Their demand for cosmetic
perfection and a perpetual glow.

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In case you had noticed, this
is, uh, basically me, um,

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fucking up the read that I did
on, uh, what was it, um,

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what was I supposed to get my
broadband? Was that, um, on the
first of December?

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So that was, was that Wednesday,
I think?

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When I, when was I really pissed
off?

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Yeah, something like that.

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And then instead of doing a
daily source code,

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I'd read this article from the
Guardian,

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which I've actually linked to on
ipodder.org.

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And I couldn't get this, this
word right.

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Well, you'll, you'll hear it.

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We'll summer can be met by
producers only if they use
agrochemicals intensively

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and allow for a, uh, prof, uh, a
big fucking word,

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degree of waste.

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A third of Kenyan green beans
are thrown away because they are
the wrong size or shape.

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Prophligate.

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PRO, FLI, G-A-T-E.

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Volume is an adjective that, in
this context,

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means recklessly wasteful,
wildly extravagant.

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It can also be used as a noun to
describe a profligate person.

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Adam, I want to thank you for
reading this editorial to us.

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I think you and Felicity draw
much needed attention to the
very serious problem.

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Um, hope all of your listeners
read this article and hope a few
of mine do too.

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You can find a link to this
article as well as Adam's
reading of it at today's
podcast.com.

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Please email me with questions.

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Scott at today's podcast.com or
send me a voice mail at
435-514-4859.

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Thanks for listening and please
tell your friends about podcast.

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Yeah, right on.

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Okay.

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Thank you very much Scott.

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Send me straight there.

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Profligate.

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I can do that.

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Profligate.

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And it's good to know what words
mean once in a while.

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Profligate.

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So we're sitting here in my new
office in the castle.

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A couple things still wrong with
it.

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I've got this beautiful desk
that's antique desk that's Louis
the 14th desk.

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But my chair doesn't fit under
it.

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I guess the Louis guys were
really small back in the Louis
the 14th day.

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So I kind of like my knees are
banging against the bottom of
the desk.

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So we've got to figure a way to
raise that up to give me a
little more.

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A little more breathing room
perhaps would be good.

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And as you can hear, I'm still
using the new mega mic, the the
sure SM7.

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I've got my reverb set up,
Steve, and Doug, hope you like
that.

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So I get a little bit of that
castle vibe regardless of the
size of the room these days.

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And even though I still don't
have my broadband and you know,

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I'm so past the pissed off
stage.

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I'm just kind of rolling with
the flow on all of that.

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I've kind of relearned how much
I love the concept of
enclosures.

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And the whole iPod or concept
because basically what I've done
now is I've thrown out all my
subscriptions completely.

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All I have is just basically the
pod squad that I subscribe to.

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And of course link to the pod
squad is on the production notes
for today's show.

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And I only have that download
the minute I go to bed.

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So actually the computer wakes
up at 2 a.m. at 2 a.m. at wakes
up.

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And the first thing it does, it
fires up iPodder.

11:26.000 --> 11:30.000
And it goes off and downloads
the pod squad.

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So pretty much every single day
I've been lucky enough to have
all of the all the files sitting
there waiting for me.

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Because it's not so much that
the bandwidth is slow.

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Because you know, some some
podcasts really because they're
so crunched just by so many
people

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requesting the MP3 files. They
come in pretty slow as is.

11:49.000 --> 11:53.000
The problem with not having the
bandwidth is that you can't
multitask.

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You can't download two things at
the same time.

11:56.000 --> 11:58.000
Because that really of course is
just no bandwidth.

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So it's not so much that's about
the speed of stuff coming in.

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But it's about being able to do
multiple simultaneous parallel
processes.

12:05.000 --> 12:10.000
Like get your email at the same
time check a web page.

12:10.000 --> 12:14.000
So I'm shifting all that stuff
off into the middle of the
night.

12:14.000 --> 12:19.000
So actually where I was telling
you to please send me just a
link to an MP3 file instead of
an attachment.

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I'm back now to attachments.

12:21.000 --> 12:27.000
Please, if you're sending me
something, if you're sending me
a promo to your podcast and I
love playing people's promos.

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Send it to me as an attachment.

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As long as it fits within, I
think it's three or five megs
that my email server allows in.

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Because that, you know,
basically I just look at the
headers and look at the body of
the messages.

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And at night once again, I say
go out and cash all of all of
the attachments.

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So by the time I'm up and we're
going to bed late, you know,

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I'm we're going to bed around 1
a.m. for some reason.

12:52.000 --> 12:54.000
Of course, we're seeing a still
isn't in school.

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Hopefully this coming week looks
like she'll be able to start and
boy,

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she really wants to start.

12:59.000 --> 13:00.000
This is a great kid.

13:00.000 --> 13:01.000
She's like, I want to go to
school.

13:01.000 --> 13:02.000
I'm so bored.

13:02.000 --> 13:08.000
So I then will obviously be
going to bed a little bit more
in a more timely fashion.

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Probably before midnight.

13:11.000 --> 13:18.000
So there's a good nine hours,
you know, of just time for the
computer to do what's work.

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And it's really not that bad.

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What sucks, of course, is when
someone says, hey, check this
out.

13:23.000 --> 13:25.000
And I can't do that in real
time.

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I can't really do Skype calls.

13:27.000 --> 13:30.000
I can, but the Skype calls like
four or five second delay.

13:30.000 --> 13:32.000
So, in fact, what I'm going to
suggest today,

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if now that he more or less has
his voice back,

13:34.000 --> 13:37.000
I'm going to ask if he'll do a
trade secrets with me later this
week.

13:37.000 --> 13:40.000
And what we're going to do is
we're going to do a double
ender,

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the way Don and Drew taught us.

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So Dave will basically record on
his end.

13:44.000 --> 13:45.000
I'll record on my end.

13:45.000 --> 13:48.000
We'll have a communication like
a phone.

13:48.000 --> 13:50.000
Probably, I think that'll be the
best one,

13:50.000 --> 13:51.000
phone to communicate.

13:51.000 --> 13:53.000
And we'll both record our
individual sides.

13:53.000 --> 13:55.000
We'll slap those two bits
together.

13:55.000 --> 13:58.000
And we'll have a trade secrets
and boys time for one.

13:58.000 --> 14:00.000
So much has happened.

14:00.000 --> 14:05.000
A lot of email, a lot of cool
links to non-RIA-based music,

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which, of course, is what we try
to play most of here on the
daily source code.

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For instance, and again, all of
these emails that I'm reading to
you,

14:12.000 --> 14:15.000
all that information is in the
podcast show notes,

14:15.000 --> 14:18.000
email from Joshua.

14:18.000 --> 14:22.000
Josh on the train, actually,
who's listened to the source
code on the train

14:22.000 --> 14:24.000
and it's called me about that
before.

14:24.000 --> 14:25.000
He says, a thought here.

14:25.000 --> 14:30.000
Non-RIA music should be freer,
freer, freer,

14:30.000 --> 14:33.000
F-R-E-F-R-I-A-A,

14:34.000 --> 14:38.000
which stands for F-R-I-A-A,
freer, freer,

14:38.000 --> 14:39.000
I don't know Josh.

14:39.000 --> 14:40.000
I think we've got to work on
that.

14:40.000 --> 14:43.000
I don't know if that's going to
work.

14:43.000 --> 14:45.000
Some freer music that we have
been playing,

14:45.000 --> 14:48.000
that I played a couple times, is
the lascivious bitis.

14:48.000 --> 14:51.000
Bittisforever.com is their
website.

14:51.000 --> 14:56.000
Excuse me, and I've had kind of
an ongoing email conversation

14:56.000 --> 15:00.000
with Leanne from the lascivious
bitis.

15:00.000 --> 15:03.000
And what was really nice is, she
sent me an email,

15:03.000 --> 15:05.000
and she said, I want you to
know,

15:05.000 --> 15:07.000
we've sold a ton of CDs,

15:07.000 --> 15:10.000
and have gotten much more fan
mail than usual

15:10.000 --> 15:13.000
after your podcast of the list
of these bitis.

15:13.000 --> 15:15.000
We've done plenty of radio and
TV,

15:15.000 --> 15:17.000
and I think the only other thing
that got people going

15:17.000 --> 15:19.000
like that was when we did the
Bobby Flasho

15:19.000 --> 15:21.000
on the Food Network.

15:21.000 --> 15:24.000
All right, we're up there.

15:24.000 --> 15:28.000
Podcasting equals Food Network.

15:29.000 --> 15:32.000
Hey, the Food Network's all
right.

15:32.000 --> 15:34.000
And I haven't had the courage
actually

15:34.000 --> 15:36.000
to ask what a ton of CDs means,

15:36.000 --> 15:40.000
but just the fact that by
playing someone's band

15:40.000 --> 15:42.000
on the daily source code that
people are going out

15:42.000 --> 15:44.000
and buying that CD.

15:44.000 --> 15:46.000
They're probably buying it from
the website.

15:46.000 --> 15:48.000
I cannot tell you how good that
makes me feel.

15:48.000 --> 15:50.000
It's the same thing with Leanne
Wilkins,

15:50.000 --> 15:53.000
who we'll talk about later on in
the show.

15:53.000 --> 15:55.000
And Jenny, they're two dogs.

15:55.000 --> 15:57.000
You've probably heard this from
the Friday podcast,

15:57.000 --> 15:59.000
where I basically had him on the
show,

15:59.000 --> 16:02.000
and he's trying to get his dogs
out of jail.

16:02.000 --> 16:04.000
In Atlanta, I total fuck up,

16:04.000 --> 16:08.000
and he's really just too much
money for them to cough up.

16:08.000 --> 16:10.000
I spoke to him this morning,

16:10.000 --> 16:12.000
already they had like $700,

16:12.000 --> 16:15.000
and it was so incredibly cool
that people don't know.

16:15.000 --> 16:17.000
I mean, people are doing $10,

16:17.000 --> 16:21.000
$20, $25 to help them out.

16:21.000 --> 16:24.000
And really, I cannot tell you
how much I appreciate that.

16:24.000 --> 16:26.000
And most people really
understood the,

16:26.000 --> 16:30.000
the issue and really understood
what it means to have

16:30.000 --> 16:34.000
your dogs in jail, basically.

16:34.000 --> 16:37.000
And the people really understood
it donated quite generously,

16:37.000 --> 16:39.000
and that's so incredibly nice.

16:39.000 --> 16:41.000
And what it tells me is that,

16:41.000 --> 16:43.000
hey, wait a minute, we have a
business model.

16:43.000 --> 16:46.000
We have an absolute fucking
business model for podcasting.

16:46.000 --> 16:48.000
I know how to make other people
money.

16:48.000 --> 16:49.000
That's what I know.

16:49.000 --> 16:51.000
I know how to make those serious
bitties money.

16:51.000 --> 16:54.000
I know how to make money for
worthy causes.

16:54.000 --> 16:58.000
That's a real serious business
model that we cannot overlook.

16:58.000 --> 17:01.000
And quite honestly, I'm pretty
fucking proud.

17:01.000 --> 17:04.000
I was sitting to Adam Curry show
last week,

17:04.000 --> 17:05.000
the Tuesday show,

17:05.000 --> 17:07.000
and I was surprised to hear him
play Battalica.

17:07.000 --> 17:13.000
Battalica are a band that take
Battalica as a sort of a style,

17:13.000 --> 17:18.000
and then take the riffs and the
backing music of the Beatles,

17:18.000 --> 17:20.000
in this case it was, hey, Jude,

17:20.000 --> 17:22.000
and sort of mash them together.

17:22.000 --> 17:23.000
He introduced it as a mashup,

17:23.000 --> 17:26.000
although mashups are usually
working with a crawled at works.

17:26.000 --> 17:30.000
And in this case, I would call
it more of a live mashup.

17:30.000 --> 17:34.000
So I thought it'd be interesting
to play a band that I know of in
San Francisco,

17:34.000 --> 17:37.000
called Smashup Derby, who are
actually doing live mashups.

17:37.000 --> 17:40.000
They're doing these actually
live,

17:40.000 --> 17:42.000
and actually playing events,

17:42.000 --> 17:44.000
whereas Battalica, a very
secretive,

17:44.000 --> 17:47.000
and friends I know only do
recordings.

17:47.000 --> 17:51.000
So, here they are taking Franz
Ferdinand,

17:51.000 --> 17:54.000
mixing it with talking heads.
I'll see what you think.

18:03.000 --> 18:05.000
By the way, this is pretty
fucked up, chef.

18:05.000 --> 18:07.000
But I think you're like it.

18:13.750 --> 21:41.250
[ Music ]

21:42.480 --> 21:45.480
That was talking friends by
SmashUp Derby

21:45.480 --> 21:48.480
Now if you want to find out more
about SmashUp Derby

21:48.480 --> 21:53.480
They have their websites, which
is at www. SmashUp Derby.com

21:53.480 --> 21:56.480
That's Derby or the need Derby
as in Derby and Joan

21:56.480 --> 22:00.480
Now I love that song, I love the
idea of sort of mashing things

22:00.480 --> 22:04.480
That were live, because so often
I'm messing around in acid

22:04.480 --> 22:07.480
Or not on acid, I mean in acid
the problem

22:07.480 --> 22:10.480
And actually trying to get
things to work

22:10.480 --> 22:14.480
And you can do so much more with
a real band

22:14.480 --> 22:19.480
And of course Adrian and Matti C
are both involved with

22:20.480 --> 22:22.480
The club in San Francisco

22:22.480 --> 22:25.480
So they're quite heavily
involved in the bootleg scene

22:25.480 --> 22:28.480
And it's really nice to sort of
hear something that's sort of
live

22:28.480 --> 22:30.480
And something that's quite
dynamic like that

22:30.480 --> 22:32.480
And I would love to see them
alive at some point

22:39.480 --> 22:40.480
Shit

22:41.480 --> 22:43.480
Let me just explain what
happened

22:43.480 --> 22:44.480
Can you take this question
there?

22:44.480 --> 22:46.480
Oh, cool

22:47.480 --> 22:50.480
But I want that, I don't want a
free mouse pad, I want my mouse

22:50.480 --> 22:51.480
By mouse and Matt

22:51.480 --> 22:56.480
Okay, so I was so enthusiastic
about that live mashup

22:56.480 --> 22:59.480
That essentially in my entire
cup of tea

22:59.480 --> 23:02.480
Spilled all over the desk, all
over the Louis 14

23:02.480 --> 23:04.480
The Louis Qatar's

23:04.480 --> 23:05.480
Shit

23:07.480 --> 23:11.480
And Christina was nice enough to
get me a big roll of paper towel

23:11.480 --> 23:14.480
It didn't spill on the keyboard

23:14.480 --> 23:19.480
Fuck, all over the desk, all
over the breakout box

23:19.480 --> 23:23.480
Over the mouse pad

23:23.480 --> 23:24.480
Christina

23:24.480 --> 23:27.480
Okay

23:27.480 --> 23:29.480
All right

23:31.480 --> 23:34.480
Okay, so sometimes shit just
sucks

23:34.480 --> 23:37.480
Let me see what can I do with
like continue to clean up here

23:37.480 --> 23:39.480
Listen to the sports pod, okay?

23:39.480 --> 23:41.480
Yeah, you'll enjoy that

23:44.480 --> 23:46.480
Oh, it's fun, who goes crazy

23:46.480 --> 23:48.480
Down goes crazy

23:48.480 --> 23:49.480
Oh, it's fun

23:49.480 --> 23:52.480
I don't believe what I just
thought

23:52.480 --> 23:53.480
Oh, it's fun

23:53.480 --> 23:55.480
And check the ball

23:55.480 --> 23:57.480
And check the ball

23:57.480 --> 23:58.480
Oh, it's fun

23:58.480 --> 24:00.480
You believe in miracles

24:00.480 --> 24:02.480
Yeah

24:02.480 --> 24:04.480
Okay, we're going to the sports
pod for Friday

24:04.480 --> 24:07.480
December 2,000 and four

24:07.480 --> 24:11.480
Sports pod on demand through pod
task technology

24:12.480 --> 24:14.480
I'm good, it's talking to you at
9

24:14.480 --> 24:15.480
15

24:15.480 --> 24:16.480
10

24:16.480 --> 24:18.480
Yeah, yeah, it's just a good
time

24:18.480 --> 24:20.480
And I want to hear from you

24:20.480 --> 24:21.480
Tech that voice emails

24:21.480 --> 24:22.480
Go to

24:22.480 --> 24:23.480
Curtis

24:23.480 --> 24:24.480
At these sports pod

24:24.480 --> 24:27.480
Okay, so basically I just wanted
to give you a little

24:27.480 --> 24:30.480
Just a little bit of promo there
about the sports pod

24:30.480 --> 24:32.480
I didn't want to play the whole
thing for you. Okay

24:32.480 --> 24:34.480
Hold on, let me just reset the
microphone

24:34.480 --> 24:35.480
Okay, that's better

24:35.480 --> 24:36.480
There we go

24:37.480 --> 24:38.480
Shoot

24:38.480 --> 24:39.480
I hate that

24:39.480 --> 24:40.480
So rocking, man

24:40.480 --> 24:43.480
I was like totally jamming out
to that mashup

24:43.480 --> 24:45.480
And then it's like this huge cup

24:45.480 --> 24:47.480
It's not like a little teensy
weeny

24:47.480 --> 24:50.480
You know, a little wanky tea cup

24:50.480 --> 24:52.480
It's a big, I love my pony
coffee cup

24:52.480 --> 24:54.480
You know, and the whole thing

24:54.480 --> 24:56.480
I just like, I think my
headphone

24:56.480 --> 24:58.480
Wire caught on it or something

24:58.480 --> 25:00.480
Oh, man, totally sucked

25:00.480 --> 25:03.480
Okay, you're still tuned into
the daily source code

25:03.480 --> 25:05.480
Madam Curry coming to you from
the United Kingdom

25:05.480 --> 25:07.480
We're in Guildford

25:07.480 --> 25:10.480
And it disclosed cottage
location

25:10.480 --> 25:12.480
And

25:12.480 --> 25:15.480
I'm still getting lots of email
about

25:15.480 --> 25:19.480
You know, UK culture and who
invented what?

25:19.480 --> 25:21.480
Another email here from

25:21.480 --> 25:23.480
Let's see

25:23.480 --> 25:25.480
I would this email come from

25:25.480 --> 25:28.480
Oh man, it's a long email

25:28.480 --> 25:30.480
That's for sure

25:30.480 --> 25:34.480
Okay, well, can I even tell who
the email is from

25:34.480 --> 25:37.480
But the gist of the email is

25:37.480 --> 25:39.480
Inventors of the TV

25:39.480 --> 25:42.480
Remember we were talking about
this on a previous source code

25:42.480 --> 25:44.480
Well, it's a tie

25:44.480 --> 25:46.480
Okay, Adam, you won't remember
me

25:46.480 --> 25:50.480
But I love when people start off
the emails to me like that

25:50.480 --> 25:52.480
Adam, you won't remember me

25:52.480 --> 25:54.480
However

25:54.480 --> 25:55.480
Oh, a number of years ago

25:55.480 --> 25:57.480
When you needed assistance with
your power book

25:57.480 --> 25:58.480
At Media Plaza

25:58.480 --> 26:01.480
I was the new Mac headed
American webmaster there

26:01.480 --> 26:02.480
Of course I remember

26:03.480 --> 26:07.480
So whoever said that low-key
barred was the inventor of the
television

26:07.480 --> 26:10.480
Only told you part of the truth
apparently

26:10.480 --> 26:12.480
You see it's a little more
complicated than that

26:12.480 --> 26:14.480
Barred invented a technique for
television

26:14.480 --> 26:16.480
Referred to his mechanical
television

26:16.480 --> 26:19.480
And publicly display that in
1924

26:19.480 --> 26:21.480
Now what it is, it used huge
hungs of wood

26:21.480 --> 26:24.480
And a spinning disk kind of like
a flat

26:24.480 --> 26:27.480
Zoatrop to collect the image

26:27.480 --> 26:29.480
Oh, there's all kinds of links
to this shit

26:29.480 --> 26:31.480
So at the same time in 1923

26:31.480 --> 26:32.480
In 1923

26:32.480 --> 26:34.480
A first up towards electronic
television

26:34.480 --> 26:37.480
Developed into today's cathode
rate

26:37.480 --> 26:39.480
Toot patented in 1924

26:39.480 --> 26:41.480
And he called it at the time

26:41.480 --> 26:42.480
The kinoscope

26:42.480 --> 26:45.480
Meanwhile in 22 in the town of
Rigby, Idaho

26:45.480 --> 26:48.480
Philo T. Farnsworth, the high
school science teacher

26:48.480 --> 26:50.480
With no history of electronics

26:50.480 --> 26:51.480
Engineering sketched his design

26:51.480 --> 26:52.480
For electrical engineering

26:52.480 --> 26:55.480
Toot and the high school science
teacher

26:55.480 --> 26:56.480
With no history of electronics

26:56.480 --> 26:57.480
Engineering sketched his design

26:57.480 --> 27:00.480
For electrical engineering

27:00.480 --> 27:02.480
Design for electronic television

27:02.480 --> 27:04.480
The model we used today

27:04.480 --> 27:06.480
So you've got to go through this
email

27:06.480 --> 27:08.480
It's in the podcast show notes

27:08.480 --> 27:11.480
It's just it continues to bugle
my mind

27:11.480 --> 27:13.480
How you grow up

27:13.480 --> 27:15.480
Depending on where you grow up

27:15.480 --> 27:17.480
Thinking that certain people

27:17.480 --> 27:20.480
Usually of your own country,
origin and culture

27:20.480 --> 27:22.480
Discovered certain things

27:22.480 --> 27:24.480
And when you really get down to
it

27:24.480 --> 27:26.480
There seems to be some dispute
about stuff

27:26.480 --> 27:27.480
Some people say, well

27:27.480 --> 27:29.480
Yeah, it depends on how you look
at it

27:30.480 --> 27:33.480
So check that out in the podcast
show notes for today's

27:33.480 --> 27:34.480
DailySource Code

27:34.480 --> 27:37.480
Which can find on
dailySourcecode.com

27:37.480 --> 27:40.480
Hey Adam, hope you're settled in
at the Prairie Cottage

27:40.480 --> 27:43.480
Well, yeah kind of

27:43.480 --> 27:45.480
Patricia said yesterday

27:45.480 --> 27:48.480
She said, we finally unpacked

27:48.480 --> 27:50.480
It doesn't mean we're completely
settled

27:50.480 --> 27:51.480
But we're unpacked

27:51.480 --> 27:54.480
I just wanted to go and tell you
a few things

27:54.480 --> 27:56.480
One struggle comments

27:56.480 --> 27:58.480
Love in your show

27:58.480 --> 27:59.480
You can work ass

27:59.480 --> 28:01.480
Maybe back in MTV

28:01.480 --> 28:03.480
Didn't see her for a while

28:03.480 --> 28:05.480
And I'll get them not seen you
now

28:05.480 --> 28:07.480
But definitely hearing a loud
and clear

28:07.480 --> 28:08.480
Thanks

28:08.480 --> 28:10.480
Number two

28:10.480 --> 28:12.480
I got a little behind on my
podcasts

28:12.480 --> 28:14.480
And so I thought I'd just listen
to them

28:14.480 --> 28:16.480
Oh man, this sounds kind of
crappy

28:16.480 --> 28:17.480
What are you using?

28:17.480 --> 28:18.480
On the plane ride

28:18.480 --> 28:22.480
Well, I was listening to one of
your podcast

28:22.480 --> 28:24.480
And it was you on a plane

28:24.480 --> 28:26.480
On your way to Amsterdam

28:26.480 --> 28:28.480
And that's where I was headed to

28:28.480 --> 28:30.480
Just a little funny deja vu

28:30.480 --> 28:32.480
I guess that's the word for it

28:32.480 --> 28:34.480
And number three

28:34.480 --> 28:36.480
I've seen one of you talking
about

28:36.480 --> 28:39.480
The idea of being able to do
podcasts

28:39.480 --> 28:41.480
From like your iPod

28:41.480 --> 28:42.480
Thought I'd let you know

28:42.480 --> 28:45.480
That there is a non iPod
alternative

28:45.480 --> 28:46.480
Okay

28:46.480 --> 28:47.480
Hard to I've played

28:47.480 --> 28:48.480
Not like the little yups

28:48.480 --> 28:50.480
It's the I River

28:50.480 --> 28:51.480
I HP

28:51.480 --> 28:52.480
So

28:52.480 --> 28:54.480
And I'm doing it from that

28:54.480 --> 28:56.480
Actually, I think I ordered one
of those

28:56.480 --> 28:58.480
And are you recording it on the
on the I River?

28:58.480 --> 28:59.480
Damn

28:59.480 --> 29:00.480
I hope it's

29:00.480 --> 29:02.480
I wonder what the is it like

29:02.480 --> 29:05.480
32k or is it 64k?

29:05.480 --> 29:06.480
You need to

29:06.480 --> 29:08.480
Wait, that maybe I can see that

29:08.480 --> 29:10.480
From the info on the file

29:10.480 --> 29:11.480
Let's see

29:11.480 --> 29:12.480
Oh

29:12.480 --> 29:13.480
Data rate

29:13.480 --> 29:14.480
4.8k

29:14.480 --> 29:15.480
Bites per second

29:15.480 --> 29:16.480
Ah

29:16.480 --> 29:17.480
Okay

29:17.480 --> 29:19.480
That explains the quality

29:19.480 --> 29:20.480
So

29:20.480 --> 29:22.480
If you think it sounds like crap

29:22.480 --> 29:24.480
Maybe it's not good for you to
use

29:24.480 --> 29:26.480
But does have a digital

29:26.480 --> 29:28.480
And a analog

29:28.480 --> 29:30.480
Lines and line out

29:30.480 --> 29:32.480
It's pretty nice tool

29:32.480 --> 29:34.480
Okay, that's it

29:34.480 --> 29:35.480
Just wanted to go

29:35.480 --> 29:36.480
And main point was

29:36.480 --> 29:38.480
Thank you for the killer cast

29:38.480 --> 29:39.480
Oh man

29:39.480 --> 29:40.480
Degadise

29:40.480 --> 29:42.480
No, you don't have to thank me

29:42.480 --> 29:43.480
Thank you

29:43.480 --> 29:44.480
Boy or only

29:44.480 --> 29:45.480
Thank you all so very much

29:45.480 --> 29:48.480
More on the source code now

29:48.480 --> 29:50.480
Um

29:50.480 --> 29:52.480
Let's listen to the latest Don
and Drew

29:52.480 --> 29:54.480
Uh show

29:54.480 --> 29:56.480
And a couple things

29:56.480 --> 29:57.480
First of all, it turns out

29:57.480 --> 29:59.480
They're banned in Finland

29:59.480 --> 30:01.480
Apparently

30:01.480 --> 30:03.480
Uh one or multiple

30:03.480 --> 30:05.480
Finish ISPs no longer

30:05.480 --> 30:09.480
Allow access to the
Donandrew.com

30:09.480 --> 30:11.480
Man those fins, you know

30:11.480 --> 30:12.480
There's there

30:12.480 --> 30:14.480
They're so politically correct

30:14.480 --> 30:17.480
Don't try and show a nipple in
Finland

30:17.480 --> 30:19.480
Either everybody

30:20.480 --> 30:22.480
But Dons get really pissed about
all this press

30:22.480 --> 30:23.480
That they're getting

30:23.480 --> 30:26.480
And basically, and this happens
all the time

30:26.480 --> 30:28.480
With people who are married

30:28.480 --> 30:30.480
You know, they'll kind of

30:30.480 --> 30:32.480
Assume or presume

30:32.480 --> 30:34.480
Certainly the press will assume
that you have

30:34.480 --> 30:35.480
Your husband's last name

30:35.480 --> 30:36.480
So

30:36.480 --> 30:38.480
So she's being quoted as

30:38.480 --> 30:40.480
Don Dunkus

30:40.480 --> 30:42.480
So it's Drew

30:42.480 --> 30:43.480
Dunkus

30:43.480 --> 30:45.480
And Don Miss Sally

30:45.480 --> 30:46.480
And she's getting pissed

30:46.480 --> 30:48.480
And we got to watch out, you
know

30:48.480 --> 30:49.480
Journalists out there

30:49.480 --> 30:50.480
Because you know she's going to
stop

30:50.480 --> 30:51.480
She's getting into a half

30:51.480 --> 30:52.480
And then you show a puff off

30:52.480 --> 30:53.480
And she

30:53.480 --> 30:55.480
And she won't want to do any
more podcast

30:55.480 --> 30:57.480
So we got to be careful

30:57.480 --> 30:58.480
Don Miss Sally

30:58.480 --> 30:59.480
It's Don Miss Sally

30:59.480 --> 31:00.480
Everybody

31:00.480 --> 31:02.480
And

31:02.480 --> 31:04.480
There's something else that I
don't

31:04.480 --> 31:05.480
Don't have a queue up for you

31:05.480 --> 31:07.480
But there's something that Don
says

31:07.480 --> 31:09.480
In, uh, let's see

31:09.480 --> 31:11.480
That is the December second
podcast

31:11.480 --> 31:12.480
So the Don and Drew show

31:12.480 --> 31:14.480
Where she says something

31:14.480 --> 31:15.480
There's been haunting my mind

31:15.480 --> 31:17.480
For the longest time

31:17.480 --> 31:19.480
Because it works

31:19.480 --> 31:21.480
You know in order to stop
smoking

31:21.480 --> 31:23.480
And I'm talking about evil smoke

31:23.480 --> 31:25.480
Right cigarette smoke

31:25.480 --> 31:26.480
Let's just forget all other
types of smoke

31:26.480 --> 31:28.480
For the time being

31:28.480 --> 31:31.480
You have to have some kind of
incentive

31:31.480 --> 31:32.480
Death is a good one

31:32.480 --> 31:34.480
That works for a lot of people

31:34.480 --> 31:36.480
It's really hard to stay off
smoking

31:36.480 --> 31:39.480
And I guess for me

31:39.480 --> 31:41.480
The worst part is

31:41.480 --> 31:43.480
In the Netherlands

31:43.480 --> 31:45.480
If you go by a

31:45.480 --> 31:47.480
Prefabricated split

31:47.480 --> 31:49.480
They basically mix the

31:49.480 --> 31:51.480
Marijuana with tobacco

31:51.480 --> 31:53.480
And that's not good

31:53.480 --> 31:55.480
It tastes really good

31:55.480 --> 31:56.480
I got to tell you that

31:56.480 --> 31:57.480
It tastes wonderful

31:57.480 --> 31:59.480
And I can dream about that

31:59.480 --> 32:00.480
But I can't have it

32:00.480 --> 32:01.480
I can't have it

32:01.480 --> 32:03.480
Because I'm an addict

32:03.480 --> 32:04.480
I am a

32:04.480 --> 32:05.480
Nicotine addict

32:05.480 --> 32:06.480
And if I have one of those

32:06.480 --> 32:07.480
Then I basically fall off the
wagon

32:07.480 --> 32:09.480
And then I want to smoke again

32:09.480 --> 32:10.480
And Don said something to me

32:10.480 --> 32:11.480
At a blogger con

32:11.480 --> 32:12.480
Hey, hon

32:12.480 --> 32:13.480
Hello

32:13.480 --> 32:14.480
Can I help you?

32:14.480 --> 32:17.480
No, no, no

32:17.480 --> 32:19.480
It only spilled on the Louis
Cetsware desk

32:19.480 --> 32:20.480
Oh, shit

32:20.480 --> 32:22.480
It did spill on the carpet

32:22.480 --> 32:23.480
Yes

32:23.480 --> 32:24.480
Fuck

32:24.480 --> 32:27.480
It was this whole thing spilled

32:27.480 --> 32:29.480
I'm sorry

32:29.480 --> 32:30.480
I didn't even see it on that

32:30.480 --> 32:32.480
Yeah, that was a bonfire

32:32.480 --> 32:34.480
It's just a little bit

32:34.480 --> 32:36.480
Will that come out?

32:36.480 --> 32:38.480
A T

32:38.480 --> 32:39.480
No, a T won't come

32:39.480 --> 32:40.480
It's like pain

32:40.480 --> 32:41.480
It's like pain

32:42.480 --> 32:44.480
Hold on

32:44.480 --> 32:45.480
We can't hear you

32:45.480 --> 32:46.480
We used to die

32:46.480 --> 32:47.480
Are underwear in there

32:47.480 --> 32:48.480
In T

32:48.480 --> 32:49.480
You're underwear?

32:49.480 --> 32:51.480
Yeah, if you want to have sort
of

32:51.480 --> 32:53.480
Well, who's going to see
underwear?

32:53.480 --> 32:55.480
Skin collar underwear

32:55.480 --> 32:57.480
Well, sometimes you need it
under

32:57.480 --> 32:59.480
Under something that's a little
bit

32:59.480 --> 33:00.480
Yeah, see you

33:00.480 --> 33:01.480
See you through

33:01.480 --> 33:03.480
So you wear something

33:03.480 --> 33:04.480
Wait everybody

33:04.480 --> 33:06.480
Here's clothing tips from
Patricia

33:06.480 --> 33:08.480
You put it in the T

33:08.480 --> 33:09.480
Well

33:09.480 --> 33:10.480
You can now wear my carpet

33:11.480 --> 33:13.480
You can steep it a little bit

33:13.480 --> 33:15.480
And then after we're afterwards

33:15.480 --> 33:17.480
You got beautiful skin color

33:17.480 --> 33:18.480
Underwear

33:18.480 --> 33:20.480
But it's not good on the carpet

33:20.480 --> 33:21.480
No

33:21.480 --> 33:22.480
No

33:22.480 --> 33:23.480
That's not good

33:23.480 --> 33:24.480
That's not going to come out

33:24.480 --> 33:25.480
Is it?

33:25.480 --> 33:26.480
That's going to suck

33:26.480 --> 33:27.480
Ah

33:27.480 --> 33:30.480
It's probably already in there

33:30.480 --> 33:32.480
Oh yeah, it's already leaking

33:32.480 --> 33:33.480
Down towards the very good

33:33.480 --> 33:34.480
I did a good job, huh?

33:34.480 --> 33:35.480
Yeah

33:35.480 --> 33:36.480
I did a good job

33:36.480 --> 33:37.480
Stepping on it with my big boots

33:37.480 --> 33:38.480
You know, and I was in the
shower

33:38.480 --> 33:40.480
I took a nice and relaxed shower

33:40.480 --> 33:41.480
I didn't do anything

33:41.480 --> 33:42.480
I didn't do anything

33:42.480 --> 33:43.480
I didn't do anything

33:43.480 --> 33:44.480
I didn't do anything

33:44.480 --> 33:45.480
I didn't do anything

33:45.480 --> 33:46.480
I didn't do anything

33:46.480 --> 33:47.480
Nothing

33:47.480 --> 33:48.480
Nothing, dear

33:48.480 --> 33:49.480
Okay, thank you

33:49.480 --> 33:51.480
I'll continue with my show now

33:51.480 --> 33:52.480
Love you, mean it

33:52.480 --> 33:53.480
Bye

33:53.480 --> 33:56.480
So Dawn

33:56.480 --> 33:58.480
Let's get back to Dawn for a
second

33:58.480 --> 33:59.480
My other wife

33:59.480 --> 34:01.480
She

34:01.480 --> 34:03.480
She said something that haunted
me

34:03.480 --> 34:05.480
And it just works so well as an
incentive

34:05.480 --> 34:07.480
And I've been to Amsterdam in
the meantime

34:07.480 --> 34:09.480
She said

34:09.480 --> 34:11.480
Smoking cigarettes

34:11.480 --> 34:12.480
Smoking tobacco

34:12.480 --> 34:14.480
Is like sucking on

34:14.480 --> 34:16.480
The man's dick

34:16.480 --> 34:18.480
The man being the man

34:18.480 --> 34:20.480
Not a man, but the man

34:20.480 --> 34:23.480
And she says it again in that
podcast

34:23.480 --> 34:25.480
December 2nd podcast

34:25.480 --> 34:27.480
I'm going to have to drag that
up

34:27.480 --> 34:29.480
Because it's going to work for
other people

34:29.480 --> 34:30.480
I really will

34:30.480 --> 34:31.480
When you hear the way she says
it, it's just like

34:31.480 --> 34:33.480
Whoa, you know, and it makes so
much sense

34:33.480 --> 34:35.480
Because totally, you know, like
you're being addicted

34:36.480 --> 34:38.480
And it's, you know, and it's

34:38.480 --> 34:41.480
They're putting shit in there to
keep you addicted

34:41.480 --> 34:45.480
Okay, so anyway, just want to

34:45.480 --> 34:48.480
Just want to say hi to my other
wife Dawn

34:48.480 --> 34:52.480
And more helpful hints from
around town

34:52.480 --> 34:54.480
People trying to help me out

34:54.480 --> 34:56.480
With my ADSL problems

34:56.480 --> 34:59.480
I actually posted it pretty long

34:59.480 --> 35:01.480
Outline of

35:01.480 --> 35:04.480
What's gone wrong and what my
options are

35:04.480 --> 35:07.480
And it will get fixed obviously,
but it's just

35:07.480 --> 35:09.480
It's a pain, you know, two weeks
without

35:09.480 --> 35:12.480
Any type of real connectivity
sucks

35:12.480 --> 35:14.480
People who have been there can
feel my pain

35:14.480 --> 35:16.480
But I got a great comment

35:16.480 --> 35:19.480
Again on the podcast show notes

35:19.480 --> 35:20.480
Here's all you have to do

35:20.480 --> 35:22.480
Step one, get a shovel

35:22.480 --> 35:25.480
Step two, dig around until you
find a trunk line

35:25.480 --> 35:27.480
Step three, tap into the green
blue yellow

35:27.480 --> 35:29.480
And move white stripe wires

35:29.480 --> 35:33.480
Number four, run those to an RJ
45

35:33.480 --> 35:36.480
On pins 1, 2, 3, 6

35:36.480 --> 35:39.480
And then plug into your switch

35:39.480 --> 35:41.480
Plug into your switch in the
house

35:41.480 --> 35:44.480
And then cover everything with
dirt

35:44.480 --> 35:46.480
Maybe a couple of ferns

35:46.480 --> 35:48.480
And you're good to go

35:48.480 --> 35:49.480
I'm like, uh-huh

35:49.480 --> 35:51.480
Yeah, I want to dry that

35:51.480 --> 35:53.480
Seriously, there are some of
those options

35:53.480 --> 35:55.480
That are pretty similar, there's
the SDSL

35:55.480 --> 35:57.480
I mean, I'm getting a real
education

35:57.480 --> 36:00.480
Different ways you can get
connected to the internet

36:01.480 --> 36:04.480
When I'm hoping most will happen

36:04.480 --> 36:07.480
Just for a short interim is this
WDSL

36:07.480 --> 36:09.480
Which is wireless DSL

36:09.480 --> 36:11.480
Which is should be hearing about
today

36:11.480 --> 36:14.480
So perhaps more on the podcast
tomorrow

36:14.480 --> 36:16.480
And see a gaff

36:16.480 --> 36:19.480
Which means a fuck up on my part
high Adam

36:19.480 --> 36:21.480
Says Tim Biedle

36:21.480 --> 36:22.480
Really enjoying your show

36:22.480 --> 36:24.480
Especially your experiences
adjusting to UK life

36:24.480 --> 36:26.480
So many things we take for
granted

36:27.480 --> 36:30.480
And also I'm sorry I do that
again

36:30.480 --> 36:32.480
So many things we take for
granted

36:32.480 --> 36:34.480
Take on new meaning when we see
it through the eyes of a
stranger

36:34.480 --> 36:35.480
There you go

36:35.480 --> 36:36.480
Just one thing though

36:36.480 --> 36:40.480
BBC SCR does not stand for South
Coast radio

36:40.480 --> 36:43.480
As I said, I was really in my
American mode

36:43.480 --> 36:46.480
I guess it stands for Southern
Counties radio

36:46.480 --> 36:48.480
Love your cockney accent

36:48.480 --> 36:50.480
Better than Dick Van Dykes

36:50.480 --> 36:53.480
I feel so incredibly special

36:53.480 --> 36:55.480
Time for another promo

36:55.480 --> 36:58.480
If you have any promos that you
want to air it on a daily source
code

36:58.480 --> 37:01.480
Which basically just kind of
promotes your podcast

37:01.480 --> 37:02.480
Happy to play them

37:02.480 --> 37:04.480
The more creative, the better
obviously

37:04.480 --> 37:06.480
Just email them to
atamercurry.com

37:11.480 --> 37:12.480
Hey podcast world, this is Greg

37:12.480 --> 37:13.480
And Lisa

37:13.480 --> 37:15.480
And we want to tell you about a
great new podcast

37:15.480 --> 37:18.480
Coming to you from the Deserts
of New Mexico

37:18.480 --> 37:21.480
It's called Viva podcast

37:21.480 --> 37:23.480
So for more information visit us

37:23.480 --> 37:26.480
at vivapodcast.com

37:26.480 --> 37:29.480
That's vivapodcast.com

37:29.480 --> 37:30.480
Adios

37:30.480 --> 37:33.480
Right on

37:33.480 --> 37:36.480
The vivapodcast vivapodcast.com

37:36.480 --> 37:39.480
I don't know if you know who a
peeper del is

37:39.480 --> 37:42.480
Pete is actually the guy who I
think I don't

37:42.480 --> 37:43.480
And Drew started on podcasting

37:43.480 --> 37:44.480
It's all his fault

37:44.480 --> 37:48.480
He responded to the guardian
article

37:48.480 --> 37:51.480
Actually he talked about a lot
about

37:51.480 --> 37:53.480
I call him produce Pete now

37:53.480 --> 37:55.480
About how he cooks

37:55.480 --> 37:57.480
A lot of people took this
article to heart

37:57.480 --> 37:59.480
They were really thinking about

37:59.480 --> 38:01.480
What are we stuffing into our
face these days

38:01.480 --> 38:03.480
And what are we eating and where
is it coming from

38:03.480 --> 38:06.480
And how is it being produced and
how is it being processed

38:06.480 --> 38:09.480
And shoot, it's kind of scary

38:09.480 --> 38:12.480
Just food is basic

38:12.480 --> 38:15.480
If we can get past this idea of
putting

38:15.480 --> 38:17.480
Burning tobacco in our face

38:17.480 --> 38:19.480
We should certainly look at

38:19.480 --> 38:21.480
At all the other things we stuff
in there

38:21.480 --> 38:23.480
Dawn

38:23.480 --> 38:25.480
No, what I mean girl

38:25.480 --> 38:28.480
Here's Pete with the rastery
body

38:32.480 --> 38:35.480
This is rastery body of four

38:35.480 --> 38:36.480
2004

38:36.480 --> 38:38.480
Well, oh two

38:38.480 --> 38:41.480
So why did the British guy

38:41.480 --> 38:43.480
Bring two of hookers into his
robot

38:43.480 --> 38:47.480
Someone told him he needed a
pair of arms

38:47.480 --> 38:49.480
He said

38:49.480 --> 38:51.480
Thank you

38:51.480 --> 38:53.480
And good night

38:53.480 --> 38:55.480
People are living

38:55.480 --> 38:57.480
Rastery body

38:57.480 --> 38:59.480
That is the show for December
2nd 2004

38:59.480 --> 39:01.480
This is the daily source code

39:01.480 --> 39:05.480
I'm out of curry coming to you
from the curry cottage in the UK
and lovely

39:05.480 --> 39:07.480
Guildford and sorry

39:07.480 --> 39:09.480
And not far from here

39:09.480 --> 39:11.480
Todd Maffin was in Berlin

39:11.480 --> 39:13.480
Looking for the Berlin Wall

39:13.480 --> 39:15.480
I've got to play a bit of this
because this is like the tower
of

39:15.480 --> 39:16.480
Where

39:16.480 --> 39:18.480
And you have to listen to this
whole thing

39:18.480 --> 39:19.480
I've put a link to the show

39:19.480 --> 39:20.480
Well, just listen to a bit of it

39:20.480 --> 39:22.480
And then we'll explain what
happens

39:27.480 --> 39:28.480
Hi, I'm Todd Maffin

39:28.480 --> 39:31.480
Thanks for tuning into the
iLoveReadyow.org podcast

39:31.480 --> 39:34.480
Today we are coming to you from
Berlin Germany

39:34.480 --> 39:36.480
And my goal today is to find

39:36.480 --> 39:37.480
The Wall

39:37.480 --> 39:39.480
Or what's left of the Berlin
Wall anyway

39:39.480 --> 39:41.480
Which I understand is not very
much

39:41.480 --> 39:43.480
But I'm

39:43.480 --> 39:45.480
Basically in the wander around
the streets

39:45.480 --> 39:47.480
The Concierge is pointed me
toward the right

39:47.480 --> 39:49.480
Which

39:49.480 --> 39:51.480
Good as the instructions as he
was able to give me

39:51.480 --> 39:54.480
So I'm going to walk along here
and

39:54.480 --> 39:56.480
Follow along as we try and find
the wall

40:01.480 --> 40:03.480
So besides I'm the kick-in

40:03.480 --> 40:05.480
John Lymus

40:05.480 --> 40:07.480
He listened to the cab driver

40:07.480 --> 40:09.480
I think this is it

40:10.480 --> 40:11.480
Oh, who is this English?

40:13.480 --> 40:14.480
We're going to terminate

40:14.480 --> 40:15.480
Do you speak English?

40:22.480 --> 40:23.480
Hello

40:23.480 --> 40:24.480
Do you speak English?

40:24.480 --> 40:26.480
No, but I'm going to kick your
ass

40:26.480 --> 40:27.480
You fucking American

40:28.480 --> 40:30.480
Can you tell me how to find the
wall?

40:33.480 --> 40:34.480
I wonder if did the

40:34.480 --> 40:36.480
Todd, you have to let us know

40:36.480 --> 40:38.480
Did you have like a big fucking
microphone while you're doing
this?

40:38.480 --> 40:40.480
Hi, I'm a fucking American
tourist

40:40.480 --> 40:42.480
Do you know where the fucking
wall is?

40:42.480 --> 40:44.480
The wall, what's left of the
wall?

40:44.480 --> 40:46.480
The wall? What's left of the
wall?

40:46.480 --> 40:48.480
The wall?

40:48.480 --> 40:49.480
It's not here.

40:49.480 --> 40:50.480
Okay, we're in food

40:50.480 --> 40:52.480
And

40:52.480 --> 40:54.480
You see the mirror?

40:54.480 --> 40:56.480
Is he the mirror right here?

40:56.480 --> 40:59.480
He's 50 meters here

40:59.480 --> 41:02.480
How many euros is that for you
to take me?

41:02.480 --> 41:04.480
Okay, now this is the beautiful
part

41:04.480 --> 41:06.480
The cab driver says

41:06.480 --> 41:07.480
And I'm good at this

41:07.480 --> 41:08.480
Because I've lived in Europe

41:08.480 --> 41:09.480
Most of my life

41:09.480 --> 41:11.480
The cab driver is having a real
hard time explaining

41:11.480 --> 41:14.480
But he's saying it's only like
50 meters from here

41:14.480 --> 41:18.480
And Todd says, how many euros
will it cost to get me there?

41:18.480 --> 41:23.480
Now, 50 meters is about, you
know, 55 yards

41:23.480 --> 41:24.480
Basically

41:24.480 --> 41:27.480
So this whole podcast and you
have to listen to this

41:27.480 --> 41:28.480
Because it's hilarious

41:28.480 --> 41:30.480
And I can just imagine him
walking around

41:30.480 --> 41:32.480
With this big ass microphone

41:32.480 --> 41:34.480
Asking people where the wall are

41:34.480 --> 41:36.480
And they're like, oh, the fucker

41:36.480 --> 41:37.480
It's like right there

41:37.480 --> 41:38.480
That's where it was

41:38.480 --> 41:40.480
So of course he finds out

41:40.480 --> 41:42.480
In the end that he really only
had to walk

41:42.480 --> 41:44.480
Like, you know, half a football
field to get there

41:44.480 --> 41:46.480
But an excellent podcast

41:46.480 --> 41:48.480
And I'm considering moving

41:48.480 --> 41:50.480
I love radio

41:50.480 --> 41:52.480
The podcast into the comedy
section

41:52.480 --> 41:54.480
Because it's just really, really
good

41:54.480 --> 41:56.480
All right, time for some free
music

41:56.480 --> 42:00.480
This, let's see, I played

42:00.480 --> 42:03.480
Something a while ago

42:03.480 --> 42:06.480
From, let's see, what was it?

42:06.480 --> 42:08.480
From chosen

42:08.480 --> 42:10.480
I think it was chosen

42:10.480 --> 42:13.480
And I got a whole email

42:13.480 --> 42:15.480
Going on with

42:15.480 --> 42:18.480
The manager

42:18.480 --> 42:21.480
Or the actually the management
and marketing guy

42:21.480 --> 42:24.480
Who does this for these bands

42:24.480 --> 42:25.480
And you just have to read the
email

42:25.480 --> 42:27.480
To get all the background on it

42:27.480 --> 42:29.480
Sent me another song

42:29.480 --> 42:31.480
And I think this is the right
one

42:31.480 --> 42:33.480
I don't know if I have the right
track queue

42:33.480 --> 42:34.480
I'm so frazzled now with all
this tea

42:34.480 --> 42:36.480
Spilling all over the carpet

42:36.480 --> 42:37.480
Here's a track from

42:37.480 --> 42:39.480
Remained to one, our artist

42:39.480 --> 42:41.480
He says, let me know what you
think

42:41.480 --> 42:43.480
The track is called I Candy

42:46.250 --> 44:26.250
[ Music ]

44:26.480 --> 44:27.480
I'm not sure what's going on

44:27.480 --> 44:28.480
I'm going to let you play

44:28.480 --> 44:29.480
For another time

44:29.480 --> 44:30.480
It keeps crapping out

44:30.480 --> 44:31.480
That's no good

44:31.480 --> 44:32.480
I don't know what's up with that

44:32.480 --> 44:34.480
I've heard that her up on a
couple of times

44:34.480 --> 44:35.480
Was it with MP3's

44:35.480 --> 44:36.480
Okay

44:36.480 --> 44:37.480
I can't you will get to that

44:37.480 --> 44:38.480
Another time in the source code

44:38.480 --> 44:39.480
Hope you didn't put the
automatic

44:39.480 --> 44:40.480
Three minutes skip in there

44:40.480 --> 44:42.480
Because now you probably missed
this

44:42.480 --> 44:43.480
Bit and you're already off into

44:43.480 --> 44:44.480
Something else

44:44.480 --> 44:46.480
I got to remember

44:46.480 --> 44:47.480
What was this?

44:47.480 --> 44:50.480
Was this the last Starbucks
podcast

44:50.480 --> 44:51.480
I guess that must have been

44:51.480 --> 44:52.480
Must have been Fridays

44:53.480 --> 44:56.480
I was trying to get a hold of
Lee Wilkins

44:56.480 --> 44:58.480
Wilkins to talk about his dogs

44:58.480 --> 45:00.480
And I was looking for some

45:00.480 --> 45:02.480
Dialing music and I just
basically hit the first thing

45:02.480 --> 45:03.480
That came up in iTunes

45:03.480 --> 45:05.480
And it was a king of the road

45:05.480 --> 45:07.480
By was it Roger Miller

45:07.480 --> 45:09.480
And I came up with this

45:09.480 --> 45:10.480
With a little lyric

45:10.480 --> 45:13.480
Which was Prince of the pod

45:13.480 --> 45:15.480
And of course you got to figure

45:15.480 --> 45:16.480
Someone wrote lyrics to it

45:16.480 --> 45:18.480
Kim Black did a great job

45:18.480 --> 45:19.480
She says

45:19.480 --> 45:21.480
I'm no songwriter

45:21.480 --> 45:23.480
But here it is

45:23.480 --> 45:26.480
And and I for a long time I
thought

45:26.480 --> 45:28.480
You know what I'm going to do
with this

45:28.480 --> 45:30.480
I should maybe I should

45:30.480 --> 45:32.480
Maybe I should try and do
something

45:32.480 --> 45:33.480
Do a song

45:33.480 --> 45:36.480
Patricia hates it when I sing

45:36.480 --> 45:37.480
And she's right

45:37.480 --> 45:39.480
Because you know it's like I
can't sing

45:39.480 --> 45:41.480
I really cannot sing

45:41.480 --> 45:42.480
I suck at singing

45:42.480 --> 45:44.480
And if you really do know how to
sing

45:44.480 --> 45:45.480
Like she does then

45:45.480 --> 45:47.480
You know that's like painful

45:47.480 --> 45:49.480
And by the way I think most

45:49.480 --> 45:50.480
These jockeys

45:50.480 --> 45:52.480
Really are frustrated singers

45:52.480 --> 45:53.480
Or performers

45:53.480 --> 45:54.480
And whenever

45:54.480 --> 45:55.480
You'll notice this

45:55.480 --> 45:56.480
Whenever DJs

45:56.480 --> 45:57.480
Radio DJs

45:57.480 --> 45:58.480
Have a chance

45:58.480 --> 45:59.480
To sing

45:59.480 --> 46:00.480
They jump right in boy

46:00.480 --> 46:01.480
They love singing

46:01.480 --> 46:02.480
And I have to admit

46:02.480 --> 46:03.480
I have some of that

46:03.480 --> 46:05.480
Not what's not a frustration

46:05.480 --> 46:06.480
But I don't know what to do

46:06.480 --> 46:07.480
I think

46:07.480 --> 46:09.480
Most of it's just the whole
process

46:09.480 --> 46:11.480
Of putting a song together

46:11.480 --> 46:12.480
That is fascinating

46:12.480 --> 46:13.480
Because when you're DJ

46:13.480 --> 46:14.480
You're already into sound

46:14.480 --> 46:15.480
You're into

46:15.480 --> 46:16.480
Into mixing boards

46:16.480 --> 46:17.480
You're into

46:17.480 --> 46:18.480
You know just put

46:18.480 --> 46:19.480
Really your it's in life

46:19.480 --> 46:20.480
It's performance art

46:20.480 --> 46:22.480
It's just what podcasting is

46:22.480 --> 46:23.480
So

46:23.480 --> 46:26.480
When I saw the lyrics

46:26.480 --> 46:28.480
I said well you know all I
really need

46:28.480 --> 46:30.480
And I have garage band

46:30.480 --> 46:32.480
And you know I should be able to

46:32.480 --> 46:33.480
I thought no I can't do that

46:33.480 --> 46:34.480
Because I don't know how to

46:34.480 --> 46:35.480
Fucking play

46:35.480 --> 46:36.480
Yeah

46:36.480 --> 46:37.480
I studied piano for two years

46:37.480 --> 46:38.480
But no way

46:38.480 --> 46:39.480
Am I going to be able to

46:39.480 --> 46:41.480
Even figure out how to do

46:41.480 --> 46:42.480
King of the Road

46:42.480 --> 46:43.480
By the way the piano

46:43.480 --> 46:44.480
Was still sitting in the empty
castle

46:44.480 --> 46:45.480
Life

46:45.480 --> 46:46.480
If you want a piano

46:46.480 --> 46:47.480
Let me know

46:47.480 --> 46:48.480
I need to sell it

46:48.480 --> 46:50.480
Or I have to send it somewhere

46:50.480 --> 46:51.480
Within two weeks

46:51.480 --> 46:52.480
So it's going to be safe

46:52.480 --> 46:53.480
Anyway so

46:53.480 --> 46:54.480
Why not

46:54.480 --> 46:55.480
And Google for

46:55.480 --> 46:57.480
For a MIDI version of King of
the Road

46:57.480 --> 47:00.480
And I actually found something

47:00.480 --> 47:01.480
That was

47:01.480 --> 47:02.480
Let me see

47:02.480 --> 47:03.480
Sequenced

47:03.480 --> 47:04.480
By

47:04.480 --> 47:05.480
Here comes

47:05.480 --> 47:06.480
I'm playing for you now

47:06.480 --> 47:08.480
Harry Todd

47:08.480 --> 47:10.480
I put a link to these original

47:10.480 --> 47:12.480
Page in there as well

47:12.480 --> 47:13.480
And I listen to this

47:13.480 --> 47:14.480
So yeah

47:14.480 --> 47:15.480
That's kind of like

47:16.480 --> 47:17.480
Harps Accord

47:17.480 --> 47:19.480
Like

47:19.480 --> 47:20.480
I like that

47:20.480 --> 47:21.480
If I'm going to do this

47:21.480 --> 47:22.480
I'm going to do it right

47:22.480 --> 47:23.480
Now what I found is

47:23.480 --> 47:25.480
There's a way to

47:25.480 --> 47:27.480
Take a MIDI file

47:27.480 --> 47:29.480
And through another little
program

47:29.480 --> 47:31.480
Which I forget what it's called

47:31.480 --> 47:33.480
Montemedi

47:33.480 --> 47:34.480
Something like that

47:34.480 --> 47:35.480
Montemedi

47:35.480 --> 47:36.480
I mean you could just

47:36.480 --> 47:37.480
Search Google for

47:37.480 --> 47:39.480
Import MIDI into Garage Band

47:39.480 --> 47:40.480
Because Garage Band

47:40.480 --> 47:41.480
Doesn't do it natively

47:41.480 --> 47:42.480
For some reason

47:42.480 --> 47:44.480
So you take this MIDI file

47:44.480 --> 47:46.480
Drag it onto this application

47:46.480 --> 47:48.480
And it does all kinds of magic

47:48.480 --> 47:49.480
And it creates a folder for you

47:49.480 --> 47:50.480
And in that folder

47:50.480 --> 47:53.480
Is all the instruments in
separate files

47:53.480 --> 47:55.480
And you drag that into a Garage
Band

47:55.480 --> 47:57.480
Song and new project

47:57.480 --> 47:59.480
And low and behold

47:59.480 --> 48:00.480
It gives you all these tracks

48:00.480 --> 48:02.480
In this case it had like ten
tracks

48:02.480 --> 48:04.480
And it gave me the opportunity

48:04.480 --> 48:06.480
To then go and select

48:06.480 --> 48:07.480
Different instruments

48:07.480 --> 48:08.480
Because I wanted to

48:08.480 --> 48:09.480
I already had the score

48:09.480 --> 48:10.480
Right

48:10.480 --> 48:11.480
But I needed

48:11.480 --> 48:13.480
I just needed a little more

48:14.480 --> 48:16.480
And just some kick and stuff

48:16.480 --> 48:18.480
A little heavier bass

48:18.480 --> 48:20.480
And some guitars in there

48:20.480 --> 48:21.480
And I'll shut up

48:21.480 --> 48:22.480
And you know

48:22.480 --> 48:24.480
Well, see for yourself

48:24.480 --> 48:26.480
Cast your phone

48:26.480 --> 48:28.480
See your rent

48:28.480 --> 48:30.480
Cut it just left

48:30.480 --> 48:32.480
For 50 cents

48:32.480 --> 48:34.480
No Wi-Fi

48:34.480 --> 48:36.480
And almost no mess

48:36.480 --> 48:37.480
And John

48:37.480 --> 48:38.480
Look, girl

48:38.480 --> 48:39.480
No cigarettes

48:39.480 --> 48:40.480
So that

48:40.480 --> 48:42.480
Two hours of

48:42.480 --> 48:43.480
And whatever money

48:43.480 --> 48:45.480
Makes me a podcast

48:46.250 --> 49:56.250
[ Music ]

49:56.480 --> 49:57.480
And some other

49:57.480 --> 49:58.480
And some other

49:58.480 --> 49:59.480
And some other

49:59.480 --> 50:00.480
And some other

50:00.480 --> 50:01.480
And some other

50:01.480 --> 50:02.480
And some other

50:02.480 --> 50:03.480
And some other

50:03.480 --> 50:04.480
And some other

50:04.480 --> 50:06.480
And some other

50:06.480 --> 50:07.480
And some other

50:07.480 --> 50:08.480
And some other

50:08.480 --> 50:10.480
And some other

50:10.480 --> 50:11.480
And some other

50:11.480 --> 50:12.480
And some other

50:12.480 --> 50:13.480
And some other

50:13.480 --> 50:14.480
And some other

50:14.480 --> 50:15.480
And other

50:15.480 --> 50:16.480
And some other

50:16.480 --> 50:17.480
And some other

50:17.480 --> 50:18.480
And other

50:18.480 --> 50:19.480
And some other

50:19.480 --> 50:20.480
And other

50:20.480 --> 50:21.480
And other

50:21.480 --> 50:22.480
And other

50:22.480 --> 50:23.480
So other

50:23.480 --> 50:24.480
And other

50:24.480 --> 50:25.480
And...

50:25.480 --> 50:26.480
And...

50:26.480 --> 50:46.250
[ Music ]

50:47.960 --> 50:55.160
Okay, Prince of the Pod,
everybody. This will never air
again and no, I'm not going to
put up an MP3

50:55.160 --> 50:56.400
No

50:56.400 --> 50:59.260
Just did it because people were
so nice to do the lyrics and

50:59.740 --> 51:06.140
And basically so nice to put a
MIDI file up there and share and
so I thought I'd share something
back. Don't you love it?

51:08.300 --> 51:11.420
Good and interesting comment
came in from Bill Kennedy from

51:11.820 --> 51:15.180
Indianapolis who of course
followed the Lee will Lee and
Jenny

51:15.900 --> 51:22.620
Story of their of their two, you
know, they're two beautiful
little doggies who have been
caught up in the airline and
quarantine

51:23.020 --> 51:25.660
Hell and he had an interesting
idea. I said

51:26.140 --> 51:30.540
Couldn't a podcast listener in
Atlanta get the dogs out of the
kennel hold them for

51:33.260 --> 51:36.060
For Lee and Jenny until they get
all the money

51:37.500 --> 51:39.500
To get them back to United
Kingdom

51:40.220 --> 51:45.260
In fact, they also could you
know if they could find like a
really good you have family

51:46.060 --> 51:50.620
Because he has the way it works
basically you have to the
animals have to have a rabies
shot

51:50.620 --> 51:55.340
Forget all the other stuff the
passport and the chip and the
neck but they have a rabies shot
and then they have to wait for

51:55.420 --> 52:01.980
Six months before they can enter
the United Kingdom. So six
months after the rabies shot

52:01.980 --> 52:07.740
I presume they've probably had
that rabies shot by now and
they've probably so it's about
like a week or two

52:08.620 --> 52:10.620
Maybe just a full week

52:10.620 --> 52:15.420
But they would have to stay in
the states for another six
months. Maybe there's a really
great family who would want to

52:16.220 --> 52:18.620
You know take care of them
instead of

52:19.260 --> 52:23.900
Bring them over to the United
Kingdom and curing huge costs. I
think it's for two dogs

52:23.980 --> 52:29.420
It'll probably be about five
thousand dollars for the six
months. They have to stay in
quarantine. I'm not kidding you
about this

52:30.940 --> 52:36.540
And you know sure you can visit
them, but they're basically in
jail. You know, so it's just a
thought anyway

52:37.180 --> 52:42.540
But again really cool that
everyone has helping out on at
least getting something going
and getting it back

52:43.500 --> 52:44.860
to the UK

52:44.860 --> 52:48.860
If it all possible within the
next way have another ten days
to go or something

52:49.340 --> 52:54.220
Another email I wanted to share
with you. Hi Adam. I've been
listening to the daily source
code for a few weeks

52:54.220 --> 52:56.220
I've been following the growth
of podcasting

52:56.620 --> 53:01.420
My addiction to podcast will
have to stop cold turkey for a
while since I was strong armed
and my

53:01.420 --> 53:08.140
iPod was stolen this evening
while yes, indeed listening to
your star-bucky and Skype
adventures on the daily source
code

53:09.180 --> 53:15.340
Incidentally says this occurred
on a quiet street in Residential
Menlo Park about two miles away
from the blogger

53:15.420 --> 53:18.620
on three location at Stanford
University. This is freaking me
out

53:22.700 --> 53:26.780
It goes into explaining exactly
how this happened. This is will
by the way

53:28.140 --> 53:31.820
And it's horrible. He was
walking along with his iPod

53:32.380 --> 53:36.620
He said actually a realize later
must have been following me
because I was unaware

53:37.820 --> 53:43.900
And couldn't hear anything over
the exciting beat of the rockman
enough, which of course is the
power of your intellect

53:44.860 --> 53:51.100
And they basically grabbed the
iPod ripped you know ripped it
right off of right off of them

53:51.100 --> 53:56.460
Kind of ripping the headphones
out and boom took off with that.
So, you know

53:57.820 --> 53:59.820
Menlo Park

54:00.620 --> 54:01.660
Sox

54:01.660 --> 54:05.100
Sorry about that dude. I'm
really sorry. Oh good news

54:05.980 --> 54:11.820
The new Jay Potter is out. Jay
Potter is an iPod are variant.
It's based on Java, so it works

54:12.300 --> 54:15.900
On anything that will run Java,
at least that's the promise of
Java, right?

54:16.460 --> 54:20.380
Couple of new features in that
though, and the thing that I
like the most is

54:22.940 --> 54:24.940
The vacation switch

54:25.660 --> 54:29.980
Oh, so I'm just trying to look
at a different email here. I was
talking about this

54:31.580 --> 54:35.020
On the source code. I might even
post it something about it on on
my weblog is

54:35.820 --> 54:39.900
When you have a loss of
connection for a couple days.
You could be on vacation or

54:40.460 --> 54:45.420
Like me you could be without
bandwidth when you go to start
you know syncing up with your
shows

54:45.420 --> 54:49.020
iPod or is going to bring in
everything. Every single iPod
has done this to date

54:49.020 --> 54:54.300
It'll go and try and bring in
every single show that that
you've missed and what we need
is some more

54:55.260 --> 54:59.100
Intelligent content management
and Jay Potter as well as

54:59.820 --> 55:03.420
What is that the bottom feeder
something that I found

55:04.140 --> 55:06.140
Through email

55:06.140 --> 55:09.900
Actually, it's on Apple's
website Apple was had a link to
it

55:10.460 --> 55:12.460
If then soft.com

55:12.460 --> 55:16.460
Also has this feature and you
know, it's it's great to see
that

55:17.100 --> 55:23.260
You know, we're we're helping me
help and a brother out need who
has like no fucking bandwidth

55:25.660 --> 55:27.900
What's this in the daily source
code comment?

55:28.460 --> 55:31.900
What are we? We're like 55
minutes shoot. It's gonna be an
hour long show

55:32.060 --> 55:34.060
That's for sure. Let's check out
the comment

55:34.780 --> 55:42.060
Yeah, this is Kurt from
Minnesota first off. Thank you
for podcasting in the daily
source code

55:42.060 --> 55:45.260
I really enjoyed listening to it
well just about every day

55:46.300 --> 55:52.700
Right now I had downloaded it
onto my i-book and I'm sitting
in a car in a parking ramp in
herndon Virginia

55:53.420 --> 55:56.220
And what you would talked about
with regards to

55:56.380 --> 55:59.260
All nations which I'm like right
please. Please tell me

55:59.980 --> 56:01.980
You have your pants on

56:02.700 --> 56:07.420
Rank true in my situation. I
have no bandwidth during the day
and then I've got great
bandwidth at night

56:08.300 --> 56:13.100
And I thought would really be
great as a feature instead of
having you have a vacation
switch

56:13.420 --> 56:15.020
Is have a bandwidth slider

56:15.020 --> 56:22.860
So you can slide it all over do.
I've got nothing no net to I've
got dial up in which case it'll
prioritize what it downloads up
to

56:22.940 --> 56:26.300
I've got my normal full net set
up so just a thought

56:27.020 --> 56:34.220
I thought I'd voice it as a as a
sound file here. I'm using
garage band for the first time
and it's kind of an interesting
experience

56:34.220 --> 56:38.860
Turning off like the metronome
and some other things, but
anyway, it was just my thought
up for a feature

56:38.860 --> 56:43.420
I thought that would be more
useful than something that just
toggles on and off for vacation

56:43.980 --> 56:50.540
Anyway again, thanks for daily
source code and keep at it. It
sounds great. Yeah, that's a
good idea

56:50.540 --> 56:53.180
So that's actually a very good
interface

56:55.740 --> 57:01.420
So oh, yeah, just say okay,
right now I have X bandwidth and
it's gonna make decisions based
upon your bandwidth

57:01.420 --> 57:05.820
What to do that would be really
cool. I don't know how you set
it up if that's a

57:06.380 --> 57:11.180
Pre-determined matrix that we
come up with or if that's
something you can you should
always be able to configure it
yourself

57:11.180 --> 57:13.180
But good idea

57:13.180 --> 57:15.180
very cool very cool

57:15.580 --> 57:19.500
It's I was like he's sitting in
this in the parking lot in the
car

57:19.580 --> 57:25.020
You know, what is he doing
there? Is he hijacking someone's
Wi-Fi or jacking something else?

57:25.820 --> 57:31.260
You know, we got to get out of
here. It's almost time it's
almost an hour for this show and
and I'm

57:31.260 --> 57:33.820
I have so much to do well
tomorrow

57:33.820 --> 57:36.780
I already have tomorrow show
almost planned and when I look
at it this way

57:38.380 --> 57:42.140
I'm gonna leave you with a
little piece that was sent to me
by

57:42.540 --> 57:46.620
Well, I can't tell you who sent
it to me because he basically
broke the wall by sharing this
with me

57:47.580 --> 57:52.220
And it's definitely I'm breaking
the law too. I'm gonna play it
play it for you. It's a classic

57:53.260 --> 57:58.140
I'm gonna end the show with this
so don't wait for the rock money
off power up your intellect

57:59.100 --> 58:01.500
I'm just gonna play the last
minute of this song

58:01.820 --> 58:09.820
Please listen to the foresight
that these genius musicians had
and I what I mean songwriters
producers musicians

58:10.620 --> 58:15.260
Genius when they wrote this and
they recorded this they knew
that one day

58:15.260 --> 58:19.420
podcasting would be for ever
body