WEBVTT

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It's time we've got to get that
band with us.

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Oh, you saw it.

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The laser began as you reach Web
Channel.

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There were times this hit shut
out of your text.

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This is Ranger's final score
last night at 9.

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Really?

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First on 635, I'll be joined.

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It's Adam Curry.

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Adam Curry.

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Coming to you from Miami,
Florida.

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Hey everybody, good morning.

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It is Tuesday.

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It's January 4th, 2004.

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Coming to you from my hotel bin.

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That's right.

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I feel like John Lennon is just
for a minute.

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Hey, it's the source code.

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It's your daily source code.

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We're partying together once
again for this lovely Tuesday.

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Okay, so I got a cop to it.

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Actually, I tried to record this
show last night.

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I got about 20 minutes into it.

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You might have heard me explain
it in the past.

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I have these meters that I hook
up to make sure that I'm, you
know,

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that not only my voice, but also
the sound clips that I'm playing

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are be recorded.

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It's about after 20, 23 minutes.

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You know, I'm laying on the bed.

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It's about midnight because Dave
Ron and I had,

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of course, dinner, dinner,
drinks, you know, coffee, etc.

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I also didn't notice that the
meters are crispy.

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Which is probably all for the
better because, you know,

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if you take the delay, the jet
lag, the delay on the
headphones,

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of course, this is the latency
that we've been talking about

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and learning about.

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By the way, I had a dream about
that last night,

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how I can solve this.

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I need an extra wire.

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I think I need to make a radio
check run today.

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We'll figure that out in a
meantime.

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I'm not too sad about
yesterday's or last night's show

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not completely working out
because

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I fucked up.

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And as I said, it wasn't
sounding good.

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With the delay, with the jet
lag.

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And then, of course, well, you
know,

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you know, I snuck some weed into
the country, right?

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You know, I did that.

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So if you slept weird on the
wrong side of the clock

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and you had a nice dinner and a
nice chat

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and you're laying down on your
bed.

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Hold on a second, what's that?

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Oh, that's the alarm clock.

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Hold on.

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Okay.

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There.

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Everybody.

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What a one point.

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Listen to that.

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Wait.

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I can name your return to the
century fire.

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Yeah, for money, they have to
retrieve the century fire
engine.

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That's radio today, folks.

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All of this.

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I'm gonna be turned this fucker
off.

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Okay.

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Say to 8 a.m.

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A rising shine.

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The show should be up more or
less by,

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I'd say about by 9.30 a.m.
Eastern time,

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which is kind of, well, right on
par, right?

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So anyway, so I've got
everything set up on the bed,

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because in the hotel here,
there's no Wi-Fi.

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Of course, Dave has a linksis
with him,

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and Ron has a linksis.

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I don't have one, but we'll be
hooking all that up today.

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So I've got the hard wired
option,

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but it is screamingly fast here
at the hotel,

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the Incernet.

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Of course, you know, where I'm
coming from,

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anything can be screamingly
fast.

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I got lots to talk about.

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I want to talk about a new
podcast that I've,

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well, actually, not a new
podcast,

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but a podcast I talked about
recently,

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but that I really had a chance
to a scour on,

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on the plane.

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So that's coming up.

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And I'm happy to report that it
was not a fluke.

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It was not a one-off.

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We actually do have it every
single day.

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Ron, Ron, it is of the day.

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Today is Cadence is from the
Purdue University Drumline.

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Yeah, can't give everybody a
good morning.

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You're daily cadence on the
source code.

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If you get the blood pumping
y'all.

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[ Music ]

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Yeah.

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Yeah.

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Yeah.

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That was a role that made in so
good day.

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Okay, we got to work on the
sweepers.

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We got to get the sweepers in
the,

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and the, and the jingles worked
on,

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but lovely great cadence today.

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And of course, we hope to
provide you

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with a new cadence tomorrow.

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So we had,

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uh, excellent start.

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I'd have to say of,

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uh, of our week here in,

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in Miami, which I'm actually
Ron's wife, Marta,

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and I've known Ron Bloom for 10
years.

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I've known Dave a little bit
less than that,

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probably about eight years.

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Ron's wife, Marta, known for a
couple years,

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as well, six years, six years, I
guess.

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So Ron and Marta live here with
his son, Augie,

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in Miami.

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And Marta was listening to a
previous source code

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and said, tell Adam, tell Adam
not to say,

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Miami, it's South Beach.

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So I'm all for South Beach,

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because that is where we are at.

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And that's where you're gonna
hear the podcast

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coming from in the next few
days.

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It's also where the blog post
will be coming from

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and it's where we're just trying
to figure out life.

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Three guys, all middle-aged,
trying to figure out

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what we can do and how can we
can have the most fun

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and involve as many friends and
family

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and fun people as we can to
really do something

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interesting.

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And so it's kind of cool,

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because I know these two guys
both very well

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consider both of them, my
friends.

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And it's fun to watch them, seek
each other out.

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And in a way, it's kind of like
dogs,

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sniffing each other's butt.

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Actually, I think of the butt
sniffing phase as way gone.

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But it's just learning each
other's philosophy in life.

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And from there, I think we'll
have a pretty good

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solid foundation to figure out
what if anything we can do.

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And it's just fun, it's kind of
like,

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it's a bit like Oceans 11.

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Only since Oceans 12 has already
been taped

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and flopped, I guess, would be
Oceans 13.

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Where the old gangs get
together,

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you know, I started in a ran a
company with Ron

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and that was a very successful
for the company.

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It's investors.

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I'd say most of the employees,

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at a certain point after we were
out,

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I think everything that had a
dot com next to it,

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kind of had to cut and fold and
do stuff.

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But we sure had a damn good
time.

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And a lot of people had a good
time with us.

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And I'm happy to report that a
lot of people we work with,

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we still talk to, I dig that.

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Anyway, for today's show, what I
have lined up

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is a couple of things that I was
listening to on the plane.

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And by the way, I want to thank
British Airways

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for taking such great care of
me.

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I had booked a coach class
ticket

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or what they call world traveler
class.

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Which is actually quite nice on
British Airways.

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British Airways is great
airline.

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Not the cheapest airline I have
to say,

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but you do get the service when
you pay for it.

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So if you're in the back of the
bus,

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you're still getting very nice
service, very friendly service.

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And actually the stewardesses
are prettier in the back.

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I have to say, so are the
stewardes, by the way.

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And I think that, well, first of
all,

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it's a very busy time to come to
Miami.

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It's very expensive.

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I think my ticket was 2,000
bucks as it is just for coach.

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Of course, I took a full fair
coach,

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because I did want some
flexibility

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if I wanted to change my return
ticket, et cetera.

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And I actually thought on Friday
or Saturday, oh, man.

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It's going to be like nine hours
in this plane.

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And I haven't slept too well.

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I'm back hurting already.

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Maybe I should just upgrade to
business class,

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which is what do they call it?

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It's a club class.

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And then I said, you can go
online and you can say,

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it would upgrade me one class of
service.

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And it was like 1,800 pounds.

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It was like more than $3,000
just for one way upgrade.

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So thank you.

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I'll take the new G5, you know,

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they'll just tell that the new
power book, fuck that.

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And good karma, you know,

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because when I got to the
airport,

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I was nice and early and I
checked it.

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And the young lady at the
check-in,

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you're so nice and you said, oh,
you know what?

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Would you like, see, you have a
window seat.

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And like, man, could you try and
get me an aisle

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because I really, you know,
especially in the back

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or thinking, shit, I don't want
people climbing over me.

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I want to be able to get out.

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I don't need to see out the
window, you know,

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I'm a pilot.

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It's not unless I'm looking out
the front window.

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Thank you very much.

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She said, well, I'm sorry.

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I don't have a window.

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I don't have a window.

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An aisle seat available in club.

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So she upgraded me right there.

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And that was really nice.

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And I said, thank you, yeah.

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Of course, they write on your
ticket, no lounge access

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because you didn't really pay
for it.

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And then, as I was boarding the
plane,

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and these are, you know, these
are big mother planes.

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I think it was an airbus.

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And already in the club class,
I'm pretty sure,

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a way as you get a sleeper seat,
you know.

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It's like, it's a, it's a great
deal.

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This, that's what I flew on when
I went to San Francisco,

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I flew club.

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And you can completely recline.

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And I'm six-four, and I can lay
down entirely,

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stretched out on these sleeper
seats.

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And as I walked in, they
upgraded me yet again

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to first class, because I guess
they had to show

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more people in the back or
whatever it was oversold,

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busy time, as I said.

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And so imagine, you know, if
club or business class is so
nice

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and I've flown first class
plenty of times,

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and I've paid for it plenty of
times on British Airways,

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but it's nice to get it for
free.

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And you get them, the Mahagatee
sleeper seat, you know,

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and the free magazine, and you
get your personal video.

10:07.000 --> 10:09.440
So you besides the 18 channels
of the video

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on the TV screen, you can also
order a video tape

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and plot that into your arm rest
player.

10:16.320 --> 10:17.800
So that was just fantastic.

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And I slept, and I slept, and I
was just great,

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and the food was wonderful.

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Although I'm pretty sure that
the flight attendants,

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that they know everyone who's
been upgraded

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and has been kind of bumped up
to the first class cabin.

10:31.480 --> 10:34.480
And I feel that somehow I got a
little less service

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than when I paid for it.

10:35.640 --> 10:36.480
You know what I mean?

10:36.480 --> 10:37.840
It wasn't discurdious or
anything,

10:37.840 --> 10:39.520
but they weren't like all over
my ass,

10:39.520 --> 10:41.760
asking me if I wanted this, if I
wanted that,

10:41.760 --> 10:43.440
I woke up about an hour before
landing.

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Normally, they'll offer you
breakfast, you know,

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so I had to kind of ask for it,
but okay, it's all right.

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It was a good deal, very, very
happy.

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And of course, then I still had
to wait like 45 minutes

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for my bag, you know, which is
not bad,

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but I've had it happen more than
on one occasion

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when you pay for first class,

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and you're still waiting 45
minutes for your bag.

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And that just pisses you off.

11:03.760 --> 11:05.880
So anyway, started on a great
note,

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and I hadn't told Dave when I
was arriving.

11:08.760 --> 11:10.280
He knew I was arriving on
Monday,

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I just said I'll see you on
Monday,

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and he was coming in from St.
Augustine,

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we fucking believe it,

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Ron picked me up at the airport.

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And so, you know, take the 45
minutes into account,

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and all the stuff that we never
coordinated,

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or it certainly wouldn't have
worked

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if we did coordinated,

11:26.000 --> 11:29.120
and Dave was driving down from
St. Augustine 350 miles.

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I was coming in from London.

11:31.320 --> 11:33.240
We arrived at, I mean,
literally,

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we were in the parking lot of
the hotel

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at the same time, love that.

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Just means that we're in St.

11:41.660 --> 11:44.100
You know, it feels good, feels
good.

11:44.100 --> 11:48.100
So anyway, moving along for
today.

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All right, so I was listening to
a whole bunch of podcasts.

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On my I River, by the way,

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even though I loaded up the iPod
with some audio books,

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I basically drag my entire iPod
or download folder

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right onto my I River,

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and I'm really liking this I
River.

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First of all, on one double A
battery,

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you get 40 hours of player time,

12:09.140 --> 12:12.020
40, 40 hours of playing time.

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I didn't even lose one little
LAD on the readout

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from my battery status during
the trip,

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and I had it, I literally was
playing podcast

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throughout the entire trip.

12:21.380 --> 12:24.140
It's nice and small, you can set
it

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so that it loops through A
folder,

12:26.820 --> 12:28.420
you know, or you only place that
folder.

12:28.420 --> 12:31.460
You're basically looking at your
file directory

12:31.460 --> 12:32.420
when you're looking at,

12:32.420 --> 12:34.100
when you're using the interface
on the I River.

12:34.100 --> 12:35.900
It's not bad, it really isn't.

12:35.900 --> 12:38.100
I got to say I'm quite amazed.

12:38.220 --> 12:43.220
And I heard a great, a great
rock and roll geek show.

12:43.220 --> 12:45.700
Of course, American Heartbreak
is as we speak

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on tour in Europe,
unfortunately,

12:47.660 --> 12:50.620
I'm missing the shows in Germany
and the Netherlands,

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but might be able to pick up a
show

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when I get back, so I've got to
figure out exactly

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where they're gonna be.

12:55.820 --> 12:57.900
I'm on the guest list, you know,
for every single,

12:57.900 --> 13:01.460
American Heartbreak show during
their European tour.

13:01.460 --> 13:03.060
Just like hell, it was
everybody.

13:04.340 --> 13:07.220
But Michael Butler, in case you
hadn't heard on just

13:07.220 --> 13:09.340
the recent Rock and Roll Geek
show,

13:09.340 --> 13:11.300
hosted a concert in his backyard

13:11.300 --> 13:14.540
for 50,000 of his closest
personal friends.

13:14.540 --> 13:16.100
It was kind of like a Barbara
Streisand thing,

13:16.100 --> 13:17.300
you know, except it was a rock
concert.

13:17.300 --> 13:18.940
He had a guy cheap trick there.

13:18.940 --> 13:20.500
He had the nudge there, of
course,

13:20.500 --> 13:22.220
all his podcasts and buddies.

13:22.220 --> 13:25.100
And at a certain point, Michael
Butler comes up on stage

13:25.100 --> 13:27.900
and I'll play this bit for you.

13:27.900 --> 13:29.540
I did a fly by in the
helicopter.

13:29.540 --> 13:31.780
You got to hear the show, you
got to hear it.

13:31.780 --> 13:33.380
So here's Michael Butler, right?

13:33.380 --> 13:34.220
He's on stage.

13:34.220 --> 13:36.060
I got a question for everybody
here.

13:37.060 --> 13:41.860
Everybody here, like to drink
alcohol.

13:41.860 --> 13:42.660
Let's hear it.

13:46.020 --> 13:47.500
Now I got a question here.

13:51.340 --> 13:56.700
Anybody here, like to drink
beer.

13:56.700 --> 13:57.860
Let's hear it.

13:57.860 --> 13:59.180
Yeah.

13:59.180 --> 14:00.420
Yeah, yeah.

14:00.420 --> 14:01.180
We like beer.

14:01.180 --> 14:02.220
Oh, yeah.

14:02.220 --> 14:03.980
I'll like it too.

14:03.980 --> 14:07.540
Now, what kind of beer do you
like to drink?

14:07.540 --> 14:09.740
Did anybody out there like to
drink?

14:09.740 --> 14:10.740
Lionakin.

14:17.220 --> 14:19.380
What's the likes to drink,
Lionakin?

14:19.380 --> 14:23.740
Now you're listening to the guy
who lives on Heineken, right?

14:23.740 --> 14:26.220
So Heineken, I know you're
listening.

14:26.220 --> 14:28.180
I know someone who's listening
to this podcast.

14:28.180 --> 14:30.580
I told you, I called up
Heineken.

14:30.580 --> 14:33.020
I said, you guys, give him a
case

14:33.020 --> 14:34.220
of Heineken a month.

14:34.220 --> 14:37.100
He is the biggest supporter of
your brand.

14:37.100 --> 14:38.020
What happens?

14:38.020 --> 14:40.900
They come out with some like
house techno music show

14:40.900 --> 14:43.460
as a podcast and say, oh, we're
podcasting.

14:43.460 --> 14:45.220
You fucked up in this community
Heineken.

14:45.220 --> 14:45.820
You really did.

14:45.820 --> 14:46.420
And listen to it.

14:46.420 --> 14:47.780
This is what's happening.

14:47.780 --> 14:50.300
Of course, Michael is such a
nice guy that, you know,

14:50.300 --> 14:52.140
he's a nice guy.

14:52.140 --> 14:52.980
He's really is.

14:52.980 --> 14:54.940
And so he's like, yeah, there
you go.

14:54.940 --> 14:56.380
He couldn't leave it at that,
right?

14:56.380 --> 14:57.100
Come on.

14:57.100 --> 14:58.100
Let's hear it from us.

14:58.100 --> 14:59.100
Yeah, come on.

14:59.100 --> 15:00.100
We love the taste.

15:00.100 --> 15:01.100
That's more alive.

15:01.100 --> 15:02.420
But they got to get their ass
out.

15:02.420 --> 15:03.580
They're heads out of their ass.

15:03.580 --> 15:04.580
That's more alive.

15:04.580 --> 15:07.580
That's more like it.

15:07.580 --> 15:12.220
Now, anybody out there like to
smoke the weed.

15:12.220 --> 15:13.220
Yeah.

15:13.220 --> 15:16.220
There you are.

15:16.220 --> 15:17.220
Yeah.

15:17.220 --> 15:18.220
Okay.

15:18.220 --> 15:22.420
It's a great show, by the way,
because he has all these great

15:22.420 --> 15:25.860
life performances by, as I said,
Chief Trick, Ted Nujinta,

15:25.860 --> 15:28.460
all his, all his buddy, all the
rock and roll geek fans

15:28.460 --> 15:29.300
stop by.

15:29.300 --> 15:31.540
And it's a great show to listen
to.

15:31.540 --> 15:33.860
It's rock and roll geek.com.

15:33.860 --> 15:37.060
And of course, you can always
find everything I'm talking
about

15:37.060 --> 15:39.300
on this show in the production
show notes at

15:39.300 --> 15:41.580
curry.com or daily source
code.com.

15:41.580 --> 15:44.180
And as well, of course, all
podcasts,

15:44.180 --> 15:47.220
so they sit in the ipodder.org
directory.

15:47.220 --> 15:49.140
Welcome to the vinyl podcast.

15:49.140 --> 15:50.860
My name is Cody, and on each
show,

15:50.860 --> 15:54.420
I play you a song from my
collection of LPs, 45s,

15:54.420 --> 15:57.660
seven inches, 10 inches, and 12
inches.

15:57.660 --> 16:00.300
I got my 12 inch ready here
myself, actually.

16:00.300 --> 16:03.860
I'm focusing on music that's
currently out of print.

16:03.860 --> 16:07.180
You can find the show on the web
at vinylpodcast.com.

16:07.180 --> 16:09.340
And you can reach me with
comments at Cody

16:09.340 --> 16:11.860
at vinylpodcast.com.

16:11.860 --> 16:13.620
Well, I suppose it's an
inevitable point

16:13.620 --> 16:17.060
that each podcast or reach is
sooner or later.

16:17.060 --> 16:19.300
Now's my turn.

16:19.300 --> 16:23.140
This is the first official Adam
Curry suck up a vinyl podcast.

16:23.140 --> 16:25.260
Ha ha ha ha ha.

16:25.260 --> 16:27.620
Boy, oh, everyone has to go
through it, right?

16:27.620 --> 16:29.020
It's like initiation.

16:29.060 --> 16:31.260
You have to do a suck up.

16:31.260 --> 16:32.220
Ha ha.

16:32.220 --> 16:34.900
It works.

16:34.900 --> 16:38.940
On a show the other day, Adam
played a live version

16:38.940 --> 16:42.540
of Hang On Slupe, performed by
Rick Deringer,

16:42.540 --> 16:46.900
and it reminded me of this
version of the same song

16:46.900 --> 16:49.820
that I had in my collection.

16:49.820 --> 16:52.180
So today I'm going to play Hang
On Slupe

16:52.180 --> 16:55.900
as recorded by David Porter.

16:55.900 --> 17:01.460
It was on his album into a real
thing, released in 1972,

17:01.460 --> 17:04.300
I believe, on Enterprise
Records.

17:04.300 --> 17:08.140
But the version I have is
actually on a 45.

17:08.140 --> 17:12.100
The flip side of which is I'm
afraid the masquerade

17:12.100 --> 17:17.020
is over off of his victim of the
joke LP.

17:17.020 --> 17:21.020
David Porter is most well known
as a songwriter.

17:21.020 --> 17:29.860
He and Isaac Hayes of Shaft and
Chef fame wrote a great deal

17:29.860 --> 17:36.020
of hits for the stacks label in
the 60s and into the 70s

17:36.020 --> 17:40.500
and for the Enterprise
subsidiary that this

17:40.500 --> 17:44.140
and much of Isaac Hayes' work
were released on.

17:44.140 --> 17:46.140
This is a pretty odd version of
the song.

17:46.140 --> 17:49.220
It's nothing like the Rick
Deringer version.

17:49.220 --> 17:51.380
There's lots of strings and
backing vocals

17:51.380 --> 17:56.620
and it's a pretty elaborate
early 70s soul production.

17:56.620 --> 18:01.460
So here is Hang On Slupe,
recorded by David Porter

18:01.460 --> 18:02.620
on the vinyl podcast.

18:03.750 --> 19:02.620
[ Music ]

19:02.620 --> 19:15.760
Hanging up, you got your hands
on me, then baby, hang on, hold
me.

19:15.760 --> 19:28.560
I believe I want to tell you,
why they call my baby a snoop
bag.

19:28.560 --> 19:37.880
I remember one night, we decided
to go out with some friends.

19:37.880 --> 19:46.000
And we went to this big dance,
you know, and we were trying
hard to really enjoy ourselves.

19:46.000 --> 19:52.560
And all of our friends were
looking at us and snooping out,
didn't care, we didn't think

19:52.560 --> 19:53.800
about it.

19:53.800 --> 20:00.400
But you know what happened,
don't go and look, you know what
happened.

20:00.400 --> 20:07.400
The pain that was holding snoop
is dress broke.

20:07.400 --> 20:14.400
People were looking at snooping,
they were looking at all of
snooping itself.

20:14.400 --> 20:21.600
And snooping turned to me and
said, they did, they're laughing
at us, I said yes darling, I
know.

20:21.600 --> 20:27.640
I hope it had nurtured too bad,
and she said to me, no, David,
it had nurtured me.

20:27.640 --> 20:31.920
Because they came really, see,
you see, they're looking at the
outside of me.

20:31.920 --> 20:36.800
But David, you see the inside,
you can see within, because you
know what's really there,

20:36.800 --> 20:44.800
darling, you play it there, and
I just wanted to do some strange
right there, but I didn't.

20:44.800 --> 20:50.200
And I just want to ask the
world, have you ever seen a herd
of a girl?

20:51.200 --> 20:54.000
Like my swoeping.

20:55.000 --> 21:01.200
Hey oooh snoobechube Ella!

21:01.200 --> 21:44.200
[ Music ]

21:44.200 --> 21:47.200
Hey, oh, don't lose your hope

21:47.200 --> 21:49.200
Oh, this loo we got

21:49.200 --> 21:51.200
Let him talk to him

21:53.200 --> 21:57.200
That was hang on snoopy by David
Porter on the vinyl podcast

21:57.200 --> 22:00.200
Adam, if you're listening, hope
you enjoyed that

22:00.200 --> 22:03.200
Dude, I rocked out to it,
totally loved it

22:03.200 --> 22:07.200
You can find the vinyl podcast
on the web at vinylpodcast.com

22:07.200 --> 22:11.200
Where you can listen to or
download past shows

22:11.200 --> 22:14.200
You can also subscribe to the
RSS 2.0 feed

22:14.200 --> 22:17.200
And have future shows delivered
directly to your MP3 player

22:17.200 --> 22:19.200
Excellent, so that's the vinyl
podcast

22:19.200 --> 22:21.200
I must say nice to hear

22:21.200 --> 22:24.200
You know, a needle crackling on
the vinyl

22:24.200 --> 22:25.200
Then that sounds nice

22:25.200 --> 22:29.200
I think it really, yeah, it
makes it, it really does

22:29.200 --> 22:31.200
I've subscribed now to the vinyl
podcast

22:31.200 --> 22:34.200
I think this actually did this
come through

22:34.200 --> 22:37.200
Openpodcast.org, I can't
remember how

22:37.200 --> 22:39.200
Now it might have actually

22:39.200 --> 22:41.200
Anyway, vinyl podcast

22:41.200 --> 22:46.200
And you could check out all the
podcasts in the iPod.org
directory

22:46.200 --> 22:48.200
Let's see a couple updates

22:48.200 --> 22:53.200
The morning at 830 British
telecom was supposed to be at
the cottage

22:53.200 --> 22:57.200
To install the lines so that
easy net

22:57.200 --> 23:00.200
Can give my mega honk and pipe

23:00.200 --> 23:04.200
Hook me up and connect me for my
four megabit connection

23:04.200 --> 23:08.200
Patricia Christina, we're
already, you know, 830

23:08.200 --> 23:12.200
The BT, they sent the
confirmation will be between
830am and 1230pm

23:12.200 --> 23:16.200
Of course, it 805am is when the
guy is knocking on the door

23:16.200 --> 23:18.200
And Patricia was like not
totally ready

23:18.200 --> 23:21.200
So she ran down probably

23:21.200 --> 23:23.200
The guy must have gotten a shock

23:23.200 --> 23:25.200
I don't know what she was
wearing, but it probably wasn't
much

23:25.200 --> 23:28.200
And so hooked it all up

23:28.200 --> 23:31.200
Install the line did all the
stuff necessary

23:31.200 --> 23:34.200
It said, oh yeah, but you know,
you need another phone line

23:34.200 --> 23:35.200
Huh?

23:35.200 --> 23:36.200
Yeah

23:36.200 --> 23:38.200
Well, you need another phone
line

23:38.200 --> 23:40.200
But it's no problem because
we'll run one right up to the
house

23:40.200 --> 23:43.200
Which was the whole point of the
exercise

23:43.200 --> 23:48.200
So that's probably going to
happen later this week

23:48.200 --> 23:50.200
And the minute they do that

23:50.200 --> 23:52.200
And basically they just have to
dig a hole on the street

23:52.200 --> 23:54.200
And run it up to the front door

23:54.200 --> 23:55.200
They don't have to come in

23:55.200 --> 23:58.200
Then they connect it and it
should all work

23:58.200 --> 24:01.200
I'm hoping, folks, I'm hoping

24:01.200 --> 24:03.200
Patricia totally buttered the
guy up, right?

24:03.200 --> 24:06.200
Adam, you know, fed him tea and
crumpets and whatever

24:06.200 --> 24:10.200
And while he was installing all
the wiring inside

24:10.200 --> 24:12.200
So hopefully it will actually
happen

24:12.200 --> 24:14.200
I got the easy net guys on the
case

24:14.200 --> 24:16.200
Hopefully by the time I get back
there

24:16.200 --> 24:19.200
We'll actually be a router
sitting there right next to my
desk

24:19.200 --> 24:22.200
With a big honk and four megabit
incoming line

24:22.200 --> 24:25.200
Oh god, please let it be true,
let it be true

24:25.200 --> 24:30.200
See what else was going to talk
about today

24:31.200 --> 24:32.200
Okay

24:34.200 --> 24:37.200
A new podcast that I've become
totally hooked on

24:37.200 --> 24:41.200
I mean absolutely totally hooked
on is yeast radio

24:41.200 --> 24:43.200
I know I've played a bit of this
before

24:43.200 --> 24:47.200
Mads Weinstein is the host of
yeast radio

24:47.200 --> 24:50.200
And I don't know what Mads looks
like

24:50.200 --> 24:53.200
But just from the way she talks

24:53.200 --> 24:55.200
And what she's saying and
political statements

24:55.200 --> 24:57.200
And a complete liberal

24:58.200 --> 25:02.200
To me it feels like the young to
Rush Limbaugh's young

25:02.200 --> 25:07.200
If you will, you know, very
outspoken

25:07.200 --> 25:10.200
Doesn't hold back and by the way

25:10.200 --> 25:12.200
You can do all this on the
podcast

25:12.200 --> 25:13.200
You can totally be yourself

25:13.200 --> 25:15.200
Which is so wonderful about this
medium

25:15.200 --> 25:17.200
That we're building together
about this

25:17.200 --> 25:20.200
This public spectrum, you know,
these airwaves that are ours

25:20.200 --> 25:22.200
That, well, I guess in a way
they are kind of airwaves

25:22.200 --> 25:24.200
You know, you're receiving them
through Wi-Fi

25:24.200 --> 25:27.200
Receiving them in so different
ways

25:27.200 --> 25:29.200
And Mads is

25:29.200 --> 25:32.200
I don't know just something
about what she says

25:32.200 --> 25:35.200
And the way she says it, you
know, I was laughing out loud

25:35.200 --> 25:37.200
On the plane when I was
listening

25:37.200 --> 25:40.200
I had three podcasts, I had
listened to all of them

25:40.200 --> 25:42.200
And I'm going to play you a
couple of bits

25:42.200 --> 25:44.200
Because it'll give you a real
good idea

25:44.200 --> 25:46.200
Of what yeast radio is about

25:46.200 --> 25:48.200
And also it's all the bits where
I mentioned

25:48.200 --> 25:49.200
Of course, right?

25:49.200 --> 25:51.200
Boeing moments, that's what we
call them, Boeing moments

25:51.200 --> 25:53.200
Shut up so I can start

25:53.200 --> 25:55.200
Oh god, damn it

25:55.200 --> 25:56.200
Shut up

25:56.200 --> 25:58.200
I'm recording you asshole

25:58.200 --> 26:00.200
Hello everybody

26:00.200 --> 26:01.200
Shut up

26:01.200 --> 26:03.200
Hello everybody

26:03.200 --> 26:07.200
This is Mads Weinstein with
another on location

26:07.200 --> 26:10.200
Issue of yeast radio

26:10.200 --> 26:12.200
I'm at the home of Fausto Fernos

26:12.200 --> 26:15.200
Who has a very important
announcement to make

26:15.200 --> 26:18.200
Before we get going on our
conversation

26:18.200 --> 26:20.200
Hi

26:20.200 --> 26:24.200
Oh, Mads, it was so nice
listening to Adam Curry

26:24.200 --> 26:26.200
Talking about your podcast

26:26.200 --> 26:30.200
It's like I haven't been
listening to Adam Curry's
podcast of his own

26:30.200 --> 26:34.200
But when I first heard his
voice, it took me about 10 years

26:34.200 --> 26:36.200
Back to when I was a teenager

26:36.200 --> 26:40.200
And I would spend hours watching
him on MTV

26:40.200 --> 26:42.200
Or was that the H1?

26:42.200 --> 26:44.200
Oh, you be such

26:44.200 --> 26:48.200
Oh man, there's a cup, you know,
I don't care what you say

26:48.200 --> 26:51.200
But the thing that always really
hurts is when people say

26:51.200 --> 26:53.200
Wasn't he on VH1?

26:53.200 --> 26:56.200
Seven and a half years at MTV

26:56.200 --> 26:59.200
Now, at the time when I was on
MTV

26:59.200 --> 27:02.200
There were people VJs on VH1

27:02.200 --> 27:07.200
Most notably Tim Bird

27:07.200 --> 27:10.200
And Tim Bird was a radio geek

27:10.200 --> 27:12.200
And he had the whole radio geek
thing going

27:12.200 --> 27:14.200
He also had kind of like
shoulder length hair

27:14.200 --> 27:16.200
I was like, hey everybody,
welcome to VH1

27:16.200 --> 27:18.200
Video hits one, it's Tim Bird
the Birdman

27:18.200 --> 27:21.200
But here's some glorious stuff
on

27:21.200 --> 27:24.200
And then of course there was

27:24.200 --> 27:27.200
The launching of a career on VH1

27:27.200 --> 27:29.200
And I feel partly responsible
for that

27:29.200 --> 27:32.200
Because when she did her
audition for VH1

27:32.200 --> 27:35.200
She basically interviewed me and
took the piss out of me

27:35.200 --> 27:36.200
On camera, which was a great

27:36.200 --> 27:37.200
Rosie O'Donnell

27:37.200 --> 27:39.200
She started on VH1

27:39.200 --> 27:40.200
And it was very funny

27:40.200 --> 27:45.200
And I used to go watch her
comedy clubs in New Jersey

27:45.200 --> 27:47.200
And she crack on my hair and
shit

27:47.200 --> 27:49.200
And about the big MTV logo

27:49.200 --> 27:51.200
I've got stamped on my butt

27:51.200 --> 27:53.200
You know, so

27:53.200 --> 27:56.200
Please, that's the only thing
that gets my goat

27:56.200 --> 27:58.200
It's when people say we're gonna
be in VH1

27:58.200 --> 28:00.200
But anyway, I guess I missed a
show

28:00.200 --> 28:03.200
Because, well listen what
happens next

28:03.200 --> 28:05.200
That was MTV

28:05.200 --> 28:07.200
Now what else did you want to
say?

28:07.200 --> 28:10.200
I'm sorry for calling you a
husband

28:10.200 --> 28:13.200
Because now you reinvented
yourself

28:14.200 --> 28:16.200
Okay, so

28:16.200 --> 28:18.200
Let me go get my dress

28:18.200 --> 28:19.200
My internet guru

28:19.200 --> 28:20.200
Yes

28:20.200 --> 28:21.200
I guess I missed something

28:21.200 --> 28:23.200
There was something something
must have happened

28:23.200 --> 28:25.200
And I didn't quite hear it

28:25.200 --> 28:26.200
I must have been called

28:26.200 --> 28:27.200
It has been

28:27.200 --> 28:29.200
So I've been talking about

28:29.200 --> 28:31.200
I don't think only it was one or
two times

28:31.200 --> 28:32.200
I talked about use radio

28:32.200 --> 28:34.200
But so I was on the plane

28:34.200 --> 28:35.200
Got the I River on

28:35.200 --> 28:37.200
And I'm dozing off in the sleep
right now

28:37.200 --> 28:38.200
So I hear my name

28:38.200 --> 28:39.200
And they're like

28:39.200 --> 28:40.200
What?

28:40.200 --> 28:42.200
And I just wake up

28:43.200 --> 28:44.200
Oh my god

28:44.200 --> 28:46.200
And well, here's the art of what
I live with

28:46.200 --> 28:48.200
I share it on the internet

28:48.200 --> 28:49.200
The internet

28:49.200 --> 28:51.200
And I've got a fabulous show

28:51.200 --> 28:53.200
Lined up for you

28:53.200 --> 28:55.200
Well, to be honest, I haven't
got anything

28:55.200 --> 28:56.200
Lined up for you

28:56.200 --> 28:57.200
Why?

28:57.200 --> 28:58.200
Because I fucking work all day

28:58.200 --> 29:00.200
You think I have nothing better
to do

29:00.200 --> 29:01.200
Than to write up

29:01.200 --> 29:03.200
Of some god damn

29:03.200 --> 29:04.200
OPML

29:04.200 --> 29:06.200
So if you have something to
listen to

29:06.200 --> 29:07.200
And play

29:07.200 --> 29:08.200
Mad, I love you

29:08.200 --> 29:10.200
Now this is what I'm talking
about

29:10.200 --> 29:12.200
Clearly a very serious podcast

29:12.200 --> 29:14.200
You know, into writing up show
notes

29:14.200 --> 29:15.200
Into OPML

29:15.200 --> 29:16.200
And then just

29:16.200 --> 29:17.200
Bitching at everyone about it

29:17.200 --> 29:18.200
I love them

29:18.200 --> 29:19.200
And bitch about

29:19.200 --> 29:20.200
Complain about

29:20.200 --> 29:22.200
No

29:22.200 --> 29:23.200
I got a job

29:23.200 --> 29:24.200
I got a day job

29:24.200 --> 29:25.200
God damn

29:25.200 --> 29:27.200
I think Mad actually manages a

29:27.200 --> 29:28.200
Girl band

29:28.200 --> 29:29.200
Mad

29:29.200 --> 29:30.200
Send me an MP3

29:30.200 --> 29:31.200
I want to hear what

29:31.200 --> 29:32.200
You have what their stuff is
like

29:32.200 --> 29:34.200
You know, let's let's get some

29:34.200 --> 29:37.200
Some pod save tunes going here
on the show

29:37.200 --> 29:38.200
And it's not fucking easy

29:38.200 --> 29:40.200
Then I got to deal with gusty
all day too

29:42.200 --> 29:44.200
I got to support this woman

29:44.200 --> 29:46.200
She works at the path mark

29:46.200 --> 29:48.200
Okay, so then so you got a
little bit

29:48.200 --> 29:49.200
Of background on

29:49.200 --> 29:50.200
I'm Mad's life here

29:50.200 --> 29:52.200
Now here's the part where Mad
started talking about me

29:52.200 --> 29:54.200
And I have a song to play for
Mad

29:54.200 --> 29:56.200
After this so I'll come in

29:56.200 --> 29:58.200
And I'll break into this bit

29:58.200 --> 29:59.200
Once or twice

29:59.200 --> 30:01.200
It's about two minutes

30:01.200 --> 30:03.200
I think you'll enjoy it

30:03.200 --> 30:04.200
Oh, by the way

30:04.200 --> 30:05.200
Not totally safe for work

30:05.200 --> 30:07.200
This used radio stuff, okay?

30:08.200 --> 30:11.200
Anyway, I think I'm done talking
about that now

30:11.200 --> 30:12.200
I'm so pleased

30:12.200 --> 30:15.200
Because Adam Curry keeps
promoting me

30:15.200 --> 30:17.200
This is the second time he's
talked about my show

30:17.200 --> 30:18.200
And I'm so touched

30:18.200 --> 30:20.200
And I must say I'm also touched

30:20.200 --> 30:22.200
That his mother is cancer free

30:22.200 --> 30:24.200
I think that's so phenomenal

30:24.200 --> 30:26.200
You know, it's wonderful

30:26.200 --> 30:29.200
When you can have so many people
praying

30:29.200 --> 30:32.200
And hoping for your health of a
loved one

30:32.200 --> 30:33.200
You know, it helps

30:33.200 --> 30:36.200
And I'm not a spiritual person
in the conservative sense

30:37.200 --> 30:40.200
But I do have my own sort of
personal spirituality

30:40.200 --> 30:42.200
Most let's be in the stew

30:42.200 --> 30:44.200
You know, sure I have a few
crystals

30:44.200 --> 30:46.200
And I like to go to short
mountain

30:46.200 --> 30:49.200
And hold hands with some female
to male

30:49.200 --> 30:52.200
Trends gendered with their
breasts locked off

30:52.200 --> 30:53.200
You know, that's part of life

30:53.200 --> 30:55.200
Part of life is hanging out

30:55.200 --> 30:57.200
With your fellow sisters and
brothers

30:57.200 --> 31:01.200
Who've had gender parts removed

31:01.200 --> 31:03.200
Or gender parts added

31:03.200 --> 31:05.200
And yeah

31:05.200 --> 31:07.200
I don't know, I have different
fantasies

31:07.200 --> 31:08.200
Man and I'm sorry

31:08.200 --> 31:10.200
I'm a different kind of lesbian

31:10.200 --> 31:12.200
In order to feel more whole

31:12.200 --> 31:15.200
Which there's a little bit of
irony

31:15.200 --> 31:17.200
That's somewhere I can't figure
it out

31:17.200 --> 31:19.200
Oh Christ

31:19.200 --> 31:20.200
Let's see

31:20.200 --> 31:22.200
Oh do I have to sink my goddamn
iPod

31:22.200 --> 31:26.200
Did I not do my show preparation
for this crap

31:26.200 --> 31:27.200
Oh let's see

31:27.200 --> 31:29.200
Okay, I'm gonna sink the iPod

31:29.200 --> 31:30.200
So I need to belive

31:30.200 --> 31:32.200
And by the way, that was
something wonderful

31:32.200 --> 31:34.200
Matt just said there about my
mom

31:34.200 --> 31:35.200
Thank you very much for that

31:35.200 --> 31:37.200
And I totally agree it is
wonderful

31:37.200 --> 31:38.200
When you get that vibe

31:38.200 --> 31:41.200
And I think everyone who has
been

31:41.200 --> 31:43.200
Thinking about my mom and
praying for

31:43.200 --> 31:44.200
She's home now

31:44.200 --> 31:46.200
She was home before the new
years

31:46.200 --> 31:48.200
And literally the doctor said,
Mrs. Clark

31:48.200 --> 31:50.200
Because that's her maiden name

31:50.200 --> 31:52.200
She no longer goes by curry

31:52.200 --> 31:54.200
Mrs. Clark, you are healed

31:54.200 --> 31:55.200
We're very happy

31:55.200 --> 31:58.200
There's nothing more we need to
do for you

31:58.200 --> 32:00.200
You don't need any radiation or
chemo

32:00.200 --> 32:02.200
Go home, have a great life

32:02.200 --> 32:04.200
We'll see you in a month for a
check-up

32:04.200 --> 32:06.200
That's the power

32:06.200 --> 32:08.200
That was fucking beautiful

32:08.200 --> 32:10.200
Okay, back to Madge

32:10.200 --> 32:12.200
About five more seconds

32:12.200 --> 32:14.200
While I'm trying to get this old
wrapped up

32:14.200 --> 32:16.200
Before the goddamn pizza alarm
comes on

32:16.200 --> 32:19.200
Because if you hear the pizza
alarm

32:19.200 --> 32:21.200
You're gonna hear Madge go scram

32:21.200 --> 32:24.200
And this microphone's gonna fall
on its ass

32:24.200 --> 32:26.200
Well, microphones don't hear
bass

32:26.200 --> 32:27.200
But I show his help too

32:27.200 --> 32:28.200
I got a big fat one

32:28.200 --> 32:30.200
I got a big fat ass

32:30.200 --> 32:32.200
And a hot cond

32:32.200 --> 32:34.200
And ain't nobody gonna take it
away

32:34.200 --> 32:35.200
Hey, baby

32:35.200 --> 32:36.200
I got so much to do

32:36.200 --> 32:38.200
I was sick from work today

32:38.200 --> 32:40.200
And I got to edit some more
stuff

32:40.200 --> 32:42.200
The image is totally into this
editing

32:42.200 --> 32:44.200
Doing opimil show notes

32:44.200 --> 32:46.200
I mean this is a serious podcast

32:46.200 --> 32:47.200
In saying films

32:47.200 --> 32:49.200
You should check out my video
site

32:49.200 --> 32:51.200
In saying films.com

32:51.200 --> 32:52.200
When you can watch me cook

32:52.200 --> 32:56.200
I make my special being dish
called les beans

32:56.200 --> 32:58.200
I also make licorice

32:58.200 --> 33:00.200
You get memorandum. I can get to
this store

33:00.200 --> 33:02.200
In my high-rise building

33:02.200 --> 33:04.200
Before one hour from now

33:04.200 --> 33:06.200
I want to play that nice little
promotion

33:06.200 --> 33:10.200
That I'm curry made for me

33:10.200 --> 33:12.200
You know, if I were ever

33:12.200 --> 33:14.200
To sit on a man's face

33:14.200 --> 33:16.200
I think it would have to be out

33:16.200 --> 33:18.200
I'm curry's face

33:18.200 --> 33:20.200
I think I got to do a little
boring here

33:20.200 --> 33:22.200
Because I appreciate the thought

33:22.200 --> 33:24.200
I'm sorry, but it would

33:24.200 --> 33:26.200
You know, because he is

33:27.200 --> 33:29.200
Well, I don't want him to blush

33:29.200 --> 33:31.200
Maybe he'll stop listening to me

33:31.200 --> 33:33.200
Oh, never, I'm committed

33:33.200 --> 33:35.200
He's got the kind of face that a
lesbian

33:35.200 --> 33:36.200
Could really sit on

33:36.200 --> 33:38.200
And it's all I'm gonna say

33:38.200 --> 33:40.200
Studies, study, that's the point

33:40.200 --> 33:42.200
That is a bit of each video

33:42.200 --> 33:45.200
Mads Weinstein, this one's for
you darling

33:47.200 --> 33:49.200
It's going to be here

33:49.200 --> 33:51.200
Hello, I'm 160

33:51.200 --> 33:52.200
It's going to be anywhere

33:52.200 --> 33:54.200
Ah

33:54.200 --> 33:58.200
It's good to see a few old wins
that I wake at 9

33:58.200 --> 34:00.200
Yeah

34:00.200 --> 34:04.200
When I'm sitting on your face

34:04.200 --> 34:09.200
Nothing ever can we place the
way

34:09.200 --> 35:04.200
[ Music ]

35:04.200 --> 35:09.200
There is so much I can learn
from us

35:09.200 --> 35:14.200
With cunning linguists like you

35:15.200 --> 35:19.200
I don't mind your more than us

35:19.200 --> 35:23.200
When it's more the wind on the
south

35:23.200 --> 35:52.200
[ Music ]

35:52.200 --> 35:59.200
Watching me sitting on your face

35:59.200 --> 36:02.200
Hello, Airway

36:02.200 --> 36:04.200
How is it big boy?

36:04.200 --> 36:06.200
I remember you, I got wench
mouth

36:06.200 --> 36:08.200
When you're in the twenches

36:08.200 --> 36:10.200
Hello hands

36:10.200 --> 36:12.200
Still nine inches

36:12.200 --> 36:14.200
A while

36:16.200 --> 36:20.200
I've got you white

36:20.200 --> 36:23.200
Where you want me

36:23.200 --> 36:29.200
In my favorite place

36:29.200 --> 36:34.200
In our own ex-weighted show

36:34.200 --> 36:38.200
Me above and you be well

36:38.200 --> 36:43.200
Diving me crazy

36:43.200 --> 36:47.200
On your face

36:47.200 --> 36:49.200
Girl would do shit

36:49.200 --> 36:51.200
Your face all mine

36:51.200 --> 36:53.200
Are we friends?

36:53.200 --> 36:55.200
A big band of blues

36:55.200 --> 36:56.200
Mary Lou

36:56.200 --> 36:59.200
I'm going out to Madge Weinstein
my new girlfriend

36:59.200 --> 37:00.200
Sorry, Don

37:00.200 --> 37:03.200
I got to tell you, Madge got to
go and on

37:03.200 --> 37:05.200
Check out East Radio, y'all

37:05.200 --> 37:09.200
Besides the obvious sexual
content

37:09.200 --> 37:11.200
It's also just fucking cool

37:11.200 --> 37:14.200
There's some really good
statements about

37:14.200 --> 37:16.200
Well, it's very liberal

37:16.200 --> 37:17.200
It's very liberal

37:17.200 --> 37:19.200
And please I invite all you red
status

37:19.200 --> 37:21.200
Please come on and listen

37:21.200 --> 37:23.200
Join the Madge Weinstein East
Radio party

37:23.200 --> 37:25.200
Everybody in the kitchen

37:25.200 --> 37:27.200
I'm taking a bath

37:27.200 --> 37:32.200
I'm taking a bath

37:33.200 --> 37:34.200
Good night

37:34.200 --> 37:35.200
Good night

37:35.200 --> 37:37.200
Everybody

37:37.200 --> 37:39.200
Take care

37:39.200 --> 37:40.200
That's right

37:40.200 --> 37:41.200
I'm going to end it here

37:41.200 --> 37:44.200
Perfect timing just about 40
minutes for today's source code

37:46.200 --> 37:47.200
Oops

37:47.200 --> 37:48.200
Oh, that really sucked

37:48.200 --> 37:49.200
It wasn't so professional

37:49.200 --> 37:51.200
Let's try that again

37:51.200 --> 37:53.200
And yeah, that's it for the show
for today

37:53.200 --> 37:56.200
Everybody for January 4, 2005

37:58.200 --> 37:59.200
Okay

37:59.200 --> 38:02.200
I'm going to go get some
breakfast after a quick
compression

38:02.200 --> 38:03.200
I uploaded the show

38:03.200 --> 38:04.200
And then

38:04.200 --> 38:09.200
Yeah, it's the first full day of
our week here in Miami

38:09.200 --> 38:10.200
I'm sorry

38:10.200 --> 38:12.200
It's south of each

38:12.200 --> 38:14.200
Okay

38:14.200 --> 38:16.200
Oh, bass is covered

38:18.200 --> 38:19.200
Sure, respond

38:19.200 --> 38:21.200
It's Adam and Curry dot com

38:21.200 --> 38:24.200
And it's still going to quite
figure out what's wrong with my
email

38:24.200 --> 38:27.200
I am able to get email and
download stuff

38:27.200 --> 38:32.200
Through the web naced version of
my email server

38:32.200 --> 38:34.200
But for some reason

38:34.200 --> 38:37.200
I don't know, I just can't get
it with my email

38:37.200 --> 38:39.200
I'll leave don't worry

38:39.200 --> 38:40.200
You can always leave a comment

38:40.200 --> 38:42.200
It's at www.curry.com

38:42.200 --> 38:45.200
And tomorrow there will be
certainly another source code

38:45.200 --> 38:47.200
Probably a trade secret sometime
this week

38:47.200 --> 38:50.200
And don't forget to check out
scripting.com for morning coffee
notes

38:50.200 --> 38:53.200
I'll check it tomorrow everybody
have a great day

38:53.200 --> 38:54.200
Bye bye

38:54.200 --> 38:55.200
I'll be back

38:55.200 --> 38:57.200
I'll be back
