WEBVTT 00:00.000 --> 00:04.000 The Lays there began as you reach web to tackle. 00:04.000 --> 00:09.000 There were chances this hit shut out of your Texas Ranger's final score last night at 9B. 00:09.000 --> 00:11.000 First on 635 OVJ. 00:11.000 --> 00:17.000 It's Adam Curry and it is your daily source code. 00:17.000 --> 00:27.000 And when I say that I'm meeting my friend, my family, my lovers, my world leaders, this is your daily source code. 00:27.000 --> 00:32.000 Coming to you from South Beach, Florida, from my bed. 00:32.000 --> 00:34.000 On the top of the bed, that is from the hotel room. 00:34.000 --> 00:37.000 It's the source code for Wednesday, January 5, 2005. 00:41.000 --> 00:44.000 Okay, I got a one year front. I'm completely unprepared. 00:44.000 --> 00:52.000 Yes, I got some show notes, the typical stuff that I basically collected an outline as I prepare for the show. 00:52.000 --> 00:58.000 But I haven't really done any shifting around or positioning or really haven't formatted it. 00:58.000 --> 01:03.000 I just want to fly a little bit by the seat of my pants because quite honestly, I'm tired. 01:03.000 --> 01:07.000 And it's good because the tiredness comes from all things good. 01:07.000 --> 01:12.000 My body said, yeah, we can do a podcast. My brain said, hmm. 01:12.000 --> 01:15.000 Look at what you want to do, body. 01:15.000 --> 01:20.000 So, it's like a couple of hours. 01:21.000 --> 01:24.000 I just want to wrap a little bit, give you a little update where we're at right now. 01:24.000 --> 01:30.000 Today, as I said, as Wednesday is January 5, 2005, it's about quarter to three in the afternoon. 01:30.000 --> 01:37.000 And got back about 45 minutes ago from breakfast, slash lunch. 01:37.000 --> 01:47.000 And now it wasn't brunch because Dave and I actually intended to get some breakfast, but could not get served at the big pink sucked. 01:48.000 --> 01:51.000 Actually, I got into like a something I never do. 01:51.000 --> 01:56.000 I got angry, I got irritated that we just couldn't get any service. 01:56.000 --> 02:01.000 I don't know, I think with the position the table was bad, but then there was like no apology. 02:01.000 --> 02:03.000 It's just, you know, fuck you. 02:03.000 --> 02:11.000 It's kind of, I guess that sometimes that is a little bit of the attitude, certainly in the extremely hip South Beach quadrant. 02:11.000 --> 02:13.000 But we're having a good time and really good time. 02:14.000 --> 02:19.000 We had a, what I consider, I think, break through day yesterday between Ron, Dave and I. 02:19.000 --> 02:24.000 We really got to a point where we said, okay, yeah, now we've got, you know, now the shit's starting to click. 02:24.000 --> 02:25.000 It's falling into place. 02:25.000 --> 02:30.000 We, you know, this is exactly what we were, we're hoping for what we were expecting. 02:30.000 --> 02:34.000 And, and so that was last night until 11, then I got back. 02:34.000 --> 02:40.000 And really, I intended to go to bed, but I couldn't stop listening to yeast radio. 02:40.000 --> 02:46.000 And I'm glad I did because 33 minutes into the show that, um, aired the day before yesterday. 02:46.000 --> 02:48.000 Mad started talking about Dave. 02:48.000 --> 02:54.000 And, um, if you haven't heard it, let me share that with you right now because, um, this magic is a smart cookie boy. 02:54.000 --> 02:57.000 I tell you, I have to blow my nose and I have the lava layer on. 02:57.000 --> 02:58.000 So cover your ears. 02:58.000 --> 03:06.000 I've got, now I sound like Dave wine and sneezing all over the, driving the car. 03:06.000 --> 03:08.000 I love his podcast, by the way. 03:08.000 --> 03:11.000 I think it's, it's absolutely one of my favorites. 03:11.000 --> 03:15.000 Because it's just, you know, very down in the car. 03:15.000 --> 03:19.000 The way he sort of has this hippie accent and the smell. 03:19.000 --> 03:25.000 And those kinds of, kind of, but let's face the guys, you know, he's, he's got an amazing mind. 03:25.000 --> 03:28.000 And it's sort of like what I was talking about was Nicole Kidman. 03:28.000 --> 03:30.000 And, oh, that's a horrible comparison. 03:30.000 --> 03:31.000 But, no, wait a minute. 03:31.000 --> 03:33.000 I think that's a beautiful comparison. 03:33.000 --> 03:34.000 Dave Winner. 03:34.000 --> 03:35.000 Nicole Kidman. 03:35.000 --> 03:36.000 Dave Winner. 03:36.000 --> 03:37.000 Nicole Kidman. 03:38.000 --> 03:40.000 You know, it's like Nicole Kidman is so beautiful. 03:40.000 --> 03:42.000 It doesn't matter what she does. 03:42.000 --> 03:43.000 It doesn't matter. 03:43.000 --> 03:44.000 Because she's beautiful. 03:44.000 --> 03:45.000 She can be a Kant. 03:45.000 --> 03:46.000 I don't care. 03:46.000 --> 03:47.000 Because she's beautiful. 03:47.000 --> 03:49.000 And she's got a little bit of talent. 03:49.000 --> 03:50.000 But you see, Dave, why? 03:50.000 --> 03:51.000 She got a little bit of talent. 03:51.000 --> 03:54.000 She got a humongous amount of Botox and that forehead match. 03:54.000 --> 03:55.000 Come on, be honest there. 03:55.000 --> 03:56.000 Hmm. 03:56.000 --> 04:00.000 I wouldn't exactly say he's beautiful, but you see, he's got a good brain. 04:00.000 --> 04:04.000 And that entitles him to be kind of, you know, nuts. 04:04.000 --> 04:06.000 And a little bit of a mess or whatever. 04:06.000 --> 04:08.000 And I don't know the guy, so I'm judging him. 04:08.000 --> 04:09.000 And I'm just making examples. 04:09.000 --> 04:12.000 But I'm just talking about what I've, you know, 04:12.000 --> 04:14.000 from what I'm guessing based on his personality. 04:14.000 --> 04:18.000 I guess I'm guessing that he tends to be a little overbearing. 04:18.000 --> 04:20.000 I certainly can relate to this sort of thing. 04:20.000 --> 04:23.000 I have relatives that are overbearing. 04:23.000 --> 04:24.000 I'm certainly not. 04:24.000 --> 04:28.000 I've always tried not to be overbearing in my life. 04:28.000 --> 04:30.000 Because I don't want to repeat the mistakes. 04:30.000 --> 04:32.000 My mother made it. 04:33.000 --> 04:37.000 So you know, I get the impression that he's a little difficult to deal with. 04:37.000 --> 04:40.000 He seems to rub people the wrong way at times. 04:40.000 --> 04:43.000 It sounds like this RSS business was a bit difficult for him, 04:43.000 --> 04:45.000 because a bunch of people basically. 04:45.000 --> 04:46.000 I don't know, but see, this is all. 04:46.000 --> 04:49.000 This is what I'm hearing basically from Dave's own podcast. 04:49.000 --> 04:52.000 And from, you know, that's just the impression I get. 04:52.000 --> 04:55.000 And since I am a lesbian, I'm a little psychic. 04:55.000 --> 04:56.000 So I'm reading this. 04:56.000 --> 04:58.000 It's sort of a reading that I'm giving him for free. 04:58.000 --> 05:00.000 If he's listening, which he probably isn't. 05:00.000 --> 05:01.000 Oh, but match. 05:01.000 --> 05:02.000 That's why you're wrong. 05:02.000 --> 05:04.000 Because of course we're listening to you. 05:04.000 --> 05:05.000 Of course we are. 05:05.000 --> 05:08.000 And well, maybe he isn't. 05:08.000 --> 05:10.000 Because now that I think of it, 05:10.000 --> 05:14.000 I've never seen Dave and Madge together in the same picture. 05:14.000 --> 05:15.000 I don't know. 05:15.000 --> 05:16.000 But anyway. 05:16.000 --> 05:19.000 I don't forget what I was talking about. 05:19.000 --> 05:24.000 So then Madge, unfortunately, did forget to continue the comparison 05:24.000 --> 05:29.000 between Nicole Kidman and Dave Winner and to continue with the psychic reading. 05:29.000 --> 05:32.000 I was totally into the psychic reading. 05:32.000 --> 05:34.000 So anyway, I heard this. 05:34.000 --> 05:36.000 It was like 130. 05:36.000 --> 05:38.000 And I was laughing out loud throughout the whole podcast. 05:38.000 --> 05:39.000 It wasn't just a David. 05:39.000 --> 05:41.000 It was fabulous. 05:41.000 --> 05:45.000 It's almost like Joan Rivers, Howard Stern, and Rush Limbaugh, 05:45.000 --> 05:49.000 not his politics per se, but they had a love child. 05:49.000 --> 05:52.000 And out, you know, pop, Madge. 05:52.000 --> 05:54.000 And I sent Madge an email. 05:54.000 --> 05:58.000 I said, Madge, you know, I worship you. 05:58.000 --> 06:00.000 You are so awesome. 06:00.000 --> 06:03.000 The stuff you say and how you present it, 06:03.000 --> 06:04.000 it does it for me. 06:04.000 --> 06:08.000 And the only place that a podcast like East Radio 06:08.000 --> 06:11.000 would work is in a podcast. 06:11.000 --> 06:13.000 It doesn't work on radio. 06:13.000 --> 06:15.000 The way she talks, what she says, 06:15.000 --> 06:17.000 how she presents it, the language, 06:17.000 --> 06:19.000 which is, you know, 06:19.000 --> 06:21.000 it would never make it past anything. 06:21.000 --> 06:23.000 It couldn't even make it up to 06:23.000 --> 06:26.000 Michael Powell's front door. 06:26.000 --> 06:30.000 He's the chairman of the FCC, by the way. 06:30.000 --> 06:34.000 So I was just totally digging it and I said, 06:34.000 --> 06:37.000 you know, would you please make an appearance on a daily source code? 06:37.000 --> 06:38.000 Could it call you up? 06:38.000 --> 06:41.000 So I was hoping to be able to do it today, 06:41.000 --> 06:42.000 but it's not going to work. 06:42.000 --> 06:44.000 So just a timing issue. 06:44.000 --> 06:46.000 I'm going to call Madge later tonight. 06:46.000 --> 06:49.000 We'll record it and of course we'll use that on the source code for tomorrow. 06:49.000 --> 06:51.000 So you can look forward to that. 06:51.000 --> 06:53.000 I'm certainly looking forward to talking to Madge. 06:53.000 --> 06:55.000 I think it's going to be quite a hoot. 06:56.000 --> 07:01.000 So anyway, this morning at 9 o'clock, 07:01.000 --> 07:03.000 Fox television showed up. 07:03.000 --> 07:05.000 This was pre-arranged, 07:05.000 --> 07:08.000 pre-read, Fox television in Chicago. 07:08.000 --> 07:10.000 Although it wasn't the Chicago folks, 07:10.000 --> 07:14.000 I had spoken to the producer Nina over there at Great Length, 07:14.000 --> 07:17.000 and previously before I even left for the trip, 07:17.000 --> 07:19.000 because they wanted to interview me. 07:19.000 --> 07:20.000 Well, you know, it's like shoot. 07:20.000 --> 07:22.000 I'm here in the States, mine as well, 07:22.000 --> 07:23.000 but I'm not going to come to Chicago. 07:23.000 --> 07:26.000 That's no problem, because what they do then is they send their affiliate, 07:26.000 --> 07:29.000 their local Fox affiliate, which is, 07:29.000 --> 07:32.000 I forget what the call sign is here. 07:32.000 --> 07:37.000 And they said over a really nice young lady, producer, 07:37.000 --> 07:38.000 and she had all the questions. 07:38.000 --> 07:40.000 And I could tell that this was well prepared, 07:40.000 --> 07:42.000 and they did a good job of really lighting the room. 07:42.000 --> 07:44.000 Of course, you know, they want me to, you know, 07:44.000 --> 07:45.000 after you do all the questions, 07:45.000 --> 07:48.000 then they need what they call B-roll. 07:48.000 --> 07:50.000 The term B-roll. 07:50.000 --> 07:52.000 Yeah, I guess B-roll comes from the term, 07:53.000 --> 07:56.000 well, if you look at, you have the A-roll and the B-roll. 07:56.000 --> 07:59.000 So the role, of course, used to be the film role, 07:59.000 --> 08:02.000 and A is pretty much the interview role, 08:02.000 --> 08:04.000 and B-roll is like all the stuff, 08:04.000 --> 08:06.000 you know, of me walking on the street, 08:06.000 --> 08:08.000 of me sitting in front of my computer, 08:08.000 --> 08:10.000 typing on the keypad, you know, 08:10.000 --> 08:12.000 the shit that you've done a million times 08:12.000 --> 08:14.000 when people want to put together a nice little package. 08:14.000 --> 08:17.000 It's really the only reason for the B-roll 08:17.000 --> 08:21.000 is to cover up the edits that they do in the interview. 08:21.000 --> 08:24.000 So of course, they're not going to air the hour and a half 08:24.000 --> 08:26.000 that we spoke about all these different things 08:26.000 --> 08:29.000 about podcasting and about enclosures 08:29.000 --> 08:31.000 and users and developers partying together 08:31.000 --> 08:34.000 in the daily source code and morning coffee notes, 08:34.000 --> 08:35.000 and all this. 08:35.000 --> 08:37.000 So they're going to take a little snippet side of it 08:37.000 --> 08:39.000 because, yeah, who knows how much, you know, 08:39.000 --> 08:41.000 can be made out of the item or how much time 08:41.000 --> 08:43.000 they'll get, maybe, a couple minutes tops. 08:43.000 --> 08:46.000 And so is to not see me, you know, 08:46.000 --> 08:48.000 jumping all over the camera because you're cutting 08:48.000 --> 08:50.000 right in the middle of my, of what I was saying, 08:50.000 --> 08:52.000 or my answers, that's when they paste a bit. 08:52.000 --> 08:53.000 It'd be roll over it. 08:53.000 --> 08:54.000 So you basically hear my voice, 08:54.000 --> 08:56.000 continue underneath the B-roll. 08:56.000 --> 08:57.000 Now in this particular B-roll, 08:57.000 --> 08:59.000 they need a little bit more than just me 08:59.000 --> 09:00.000 working on the computer. 09:00.000 --> 09:03.000 Every single television program, 09:03.000 --> 09:04.000 including the BBC, 09:04.000 --> 09:09.000 always wants to video me doing a podcast. 09:09.000 --> 09:10.000 Personally, I'm not a big fan of this. 09:10.000 --> 09:12.000 I really don't like it. 09:12.000 --> 09:13.000 And why? 09:13.000 --> 09:15.000 Because I believe in theater of the mind. 09:15.000 --> 09:17.000 Theater of the mind is, 09:17.000 --> 09:18.000 if you're good at it, 09:18.000 --> 09:20.000 you can kick ass on radio. 09:20.000 --> 09:22.000 In fact, we used to have theater on radio, 09:22.000 --> 09:24.000 and it was a bunch of guys stay. 09:24.000 --> 09:25.000 I'll never forget my dad. 09:25.000 --> 09:27.000 One of the things I remember that my dad told me 09:27.000 --> 09:29.000 is that he will never forget the day 09:29.000 --> 09:31.000 that he went, he was taken by, 09:31.000 --> 09:33.000 I guess his dad, 09:33.000 --> 09:36.000 to a radio studio to see how they did the old-time drama. 09:36.000 --> 09:38.000 I think I don't know if it was loan-ranger 09:38.000 --> 09:41.000 or, but he was going to be in the studio audience. 09:41.000 --> 09:42.000 And it was so disappointing. 09:42.000 --> 09:44.000 He said, you know, had this entire vision 09:44.000 --> 09:46.000 of how the actors looked and, you know, 09:46.000 --> 09:47.000 and the sound effects. 09:47.000 --> 09:50.000 And, but really, he was pretty much imagining a movie 09:50.000 --> 09:52.000 in his head, which was the theater of the mind. 09:52.000 --> 09:54.000 You know, they created this reality 09:54.000 --> 09:56.000 of what the show should look like. 09:56.000 --> 09:59.000 Very much like when you read a book. 09:59.000 --> 10:01.000 You know, you have a movie that plays in your head 10:01.000 --> 10:02.000 and you see the pictures, 10:02.000 --> 10:03.000 and you can kind of envision that, 10:03.000 --> 10:05.000 which is the beauty of using your mind, 10:05.000 --> 10:07.000 which, by the way, 10:07.000 --> 10:09.000 doesn't happen when you're watching television. 10:09.000 --> 10:10.000 You're polluting your mind, 10:10.000 --> 10:12.000 and I know, because I come from television, 10:12.000 --> 10:14.000 and I used to be a big, 10:14.000 --> 10:18.000 a big polluter, major league pollution dude. 10:18.000 --> 10:20.000 And, so, of course, 10:20.000 --> 10:22.000 they wanted to see me podcasting. 10:22.000 --> 10:23.000 I don't want to, you know, it's like right now. 10:23.000 --> 10:25.000 I say, I'm laying in my bed in my hotel room, 10:25.000 --> 10:27.000 and you have a vision of that. 10:27.000 --> 10:29.000 You know, and maybe you think in this big rest, 10:29.000 --> 10:32.000 waterbed, and have a friendship, 10:32.000 --> 10:33.000 named Jerome. 10:33.000 --> 10:35.000 So maybe you think that, 10:35.000 --> 10:37.000 or maybe you think a fuzzy bed, 10:37.000 --> 10:39.000 or maybe you're thinking, 10:39.000 --> 10:42.000 like, one of those honeymoon porn sweets, 10:42.000 --> 10:43.000 or who knows what you're thinking? 10:43.000 --> 10:45.000 You know, that's your thoughts, 10:45.000 --> 10:48.000 and you have an idea of how I'm sitting or laying down, 10:48.000 --> 10:49.000 or what I'm wearing, 10:49.000 --> 10:50.000 and I want that to be, 10:50.000 --> 10:52.000 you know, that's the magic stuff, 10:52.000 --> 10:54.000 that is a big part of the magic of radio. 10:54.000 --> 10:55.000 Who was it, the other? 10:55.000 --> 10:56.000 It was an article, 10:56.000 --> 10:58.000 and I forget who wrote it, 10:58.000 --> 11:00.000 who said, you know, 11:00.000 --> 11:02.000 I don't really don't want to see Adam set up, 11:02.000 --> 11:05.000 because I have the idea of him sitting there with the headphones, 11:05.000 --> 11:07.000 and a big fuzzy microphone in front of him, 11:07.000 --> 11:09.000 and kind of like a dimly lit room with the, 11:09.000 --> 11:12.000 you know, smoke, whisping up from the astray. 11:12.000 --> 11:16.000 You get the, like the Dr. Johnny fever vibe from WKRP, 11:16.000 --> 11:17.000 and Cincinnati. 11:17.000 --> 11:19.000 And so the minute kind of show that, 11:19.000 --> 11:21.000 a lot of it goes away, 11:21.000 --> 11:23.000 and then also basically I have to fake doing a podcast, 11:23.000 --> 11:25.000 because they needed the audio, 11:25.000 --> 11:27.000 so I was wearing my headphones, 11:27.000 --> 11:29.000 but they weren't really plugged in, 11:29.000 --> 11:32.000 because you were hearing the audio coming through the speakers, 11:32.000 --> 11:34.000 and yeah, so it's not entirely, 11:34.000 --> 11:36.000 you know, the stuff I like to do, 11:36.000 --> 11:40.000 but I think with a little bit of luck, 11:40.000 --> 11:43.000 we will get the Sylvia Speedy's played on this, 11:43.000 --> 11:45.000 because I talked about him in the interview, 11:45.000 --> 11:48.000 and I played him in my faux podcast. 11:48.000 --> 11:49.000 I want to be famous, 11:49.000 --> 11:53.000 I want to wear minks and sattens and pearls. 11:53.000 --> 11:56.000 I want to be famous, 11:56.000 --> 12:00.000 more than just any old girl. 12:00.000 --> 12:56.000 [ Music ] 12:56.000 --> 12:58.000 how they'll smile, 12:58.000 --> 13:01.000 and me photo grass to sign. 13:01.000 --> 13:04.000 I will say sorry babe. 13:04.000 --> 13:07.000 Talk to my assistant. 13:07.000 --> 13:09.000 I want to be famous. 13:09.000 --> 13:12.000 Stabloids will print what I eat. 13:14.000 --> 13:16.000 I want to be famous 13:16.000 --> 13:20.000 who I do will be news on the street. 13:20.000 --> 13:36.000 [ Music ] 13:36.000 --> 13:38.000 on my enemies' bed. 13:38.000 --> 13:40.000 All I don't want one in cheese 13:40.000 --> 13:42.000 when I'm famous. 13:42.000 --> 13:44.000 Spameless. 13:44.000 --> 13:45.000 Spameless. 13:45.000 --> 13:47.000 So exhausting. 13:48.750 --> 14:55.000 [ Music ] 14:55.000 --> 14:58.500 Every morning I don't get high on 14:58.500 --> 15:01.500 Colored hills, Margines dry 15:01.500 --> 15:04.500 A little wee and just a touch 15:07.500 --> 15:14.500 I wanna be my famous better than all of my fellow much better than all of her 15:14.500 --> 15:19.500 I wanna be famous, lonely and alone at the end 15:19.500 --> 15:43.000 [ Music ] 15:43.000 --> 15:49.000 I'm famous, I'm famous 15:49.000 --> 15:52.000 So we're freshing to hear the Bitties once again 15:52.000 --> 15:54.000 Check them out at Bittiesforever.com 15:54.000 --> 15:58.000 That's B-I-D-D-I-E-S for number forever.com 15:58.000 --> 16:01.000 And I'm talking to their production manager 16:01.000 --> 16:05.000 On email, who by the way is also a pilot 16:05.000 --> 16:08.000 And he's been recording all kinds of live shows 16:08.000 --> 16:11.000 And he says, standby, I'm gonna bring it to you 16:11.000 --> 16:15.000 I'm very excited about some of the CBS Bitties live music 16:15.000 --> 16:18.000 And just excited about them getting famous 16:18.000 --> 16:20.000 You know they will, you know they will 16:20.000 --> 16:21.000 That's so good. 16:21.000 --> 16:23.000 Talk about music for a second 16:23.000 --> 16:27.000 That seems to be a topic that we've been hitting here in Miami a couple of times 16:27.000 --> 16:28.000 I've been talking about 16:28.000 --> 16:32.000 Now you have to understand that Ron has had quite a 16:32.000 --> 16:34.000 Quite a career as a producer and a writer 16:34.000 --> 16:38.000 A little bit as a performer, certainly as a musician 16:38.000 --> 16:40.000 Oh, by the way 16:40.000 --> 16:42.000 Don't tell anyone 16:42.000 --> 16:47.000 Ron actually lived with Princess Stephanie of Monaco for about two or three years 16:47.000 --> 16:49.000 Okay, don't tell anyone I told you that 16:49.000 --> 16:52.000 He actually produced that horrible record she did 16:52.000 --> 16:55.000 I have to say it wasn't a horrible record 16:55.000 --> 16:58.000 It was a poppy record, that's for sure 16:58.000 --> 17:00.000 I remember because I met Princess Stephanie of Monaco 17:00.000 --> 17:02.000 When she was like she's like my age 17:02.000 --> 17:05.000 And I was 19 or 20 just starting 17:05.000 --> 17:07.000 Television, music television in Holland 17:07.000 --> 17:10.000 At Veronica doing the show Countdown 17:10.000 --> 17:12.000 She came to promote a record 17:12.000 --> 17:14.000 And I did connect with her, she was really nice 17:14.000 --> 17:18.000 Very sweet, you know she spoke very limited English and my French will 17:18.000 --> 17:21.000 Now, as Madge would say 17:21.000 --> 17:23.000 Yeah, French, that's what kind 17:23.000 --> 17:25.000 Right, Madge 17:25.000 --> 17:27.000 Um 17:27.000 --> 17:32.000 But yeah, so anyway that was the long long long ago connection that I had with Ron 17:32.000 --> 17:35.000 But Ron has done some, he done some good stuff 17:35.000 --> 17:37.000 And he's working a lot of different people in the music industry 17:37.000 --> 17:40.000 He's a great musician, he plays guitar and plays piano 17:40.000 --> 17:43.000 He actually, the piece here, the the The La Civius bitties 17:43.000 --> 17:45.000 Let me see if I can pick that piece up here this little 17:45.000 --> 17:47.000 Intro Ludes 17:51.000 --> 17:53.000 All of my thoughts 17:53.000 --> 17:54.000 Yeah, this bit 17:54.000 --> 17:56.000 Yeah, this bit, this is the piano 17:56.000 --> 17:59.000 This is pretty wrong, can play like this 17:59.000 --> 18:01.000 I was imagine Ron playing this before he got married 18:01.000 --> 18:02.000 And I gave him 18:02.000 --> 18:04.720 Don't you come over here to go for your friends when I play a little bit of fun? 18:04.720 --> 18:06.720 Yeah, I will. 18:09.120 --> 18:15.280 But I think we really see, and it's great, because Ron has such a take on how the music industry works. 18:15.280 --> 18:18.640 You know, he actually gets paid from ASCAP via my. That's where he does get money. 18:18.640 --> 18:24.000 In fact, after every Christmas holiday season, after the air supply records, the Christmas 18:24.000 --> 18:27.840 album has been out, you know, Ron received a check. So that system is working for him. 18:27.840 --> 18:33.040 And he approaches it as a musician who's getting paid that way and where the system is working for him. 18:33.040 --> 18:37.680 And we've really gotten deep into this. And we're all very excited about the possibilities. 18:37.680 --> 18:43.920 Did I see Dave post something that he wrote in 2000? Yeah, 2000, I think. Let me just see. 18:45.440 --> 18:48.640 How was it? It was a quote he put on the scripting today. 18:49.520 --> 18:52.880 Um, I'm going to be fine at for you. 18:55.280 --> 19:00.000 Uh, okay, yeah, this was April, April 7th. Was that July 7th? 19:00.000 --> 19:05.600 Oh, dates are such a hard thing to do, man. When it comes to seven. No, that would be 19:05.600 --> 19:09.280 January, March, June, July, okay, July 4th, July 4th. 19:11.280 --> 19:16.960 With that, we'll come new music, a new ways to play it, new ways to explore the emotions it brings up, 19:17.040 --> 19:21.600 and new kinds of community, deep ones, far deeper than those who've been able to create 19:21.600 --> 19:26.720 on the silent web. That's right, ladies and gentlemen, the silent web is no longer silent. 19:26.720 --> 19:31.600 We've gone from silent to talkies. And I think we could be in the space for a little while. We don't 19:31.600 --> 19:37.600 necessarily have to go to video just in just yet. Nor can we. Sure, on a personal basis, you know, 19:37.600 --> 19:43.520 if I wanted a couple people to subscribe to a private podcast feed where I put a, you know, a 19:43.600 --> 19:49.360 500 or 600 megabyte file for for you to enjoy. And I'm not talking about a movie that I'd rip off, 19:49.360 --> 19:52.960 but just maybe something I created, right, or a Mad Weinstein as all kinds of videos. 19:54.640 --> 19:59.440 Problem is, um, that's just too much bandwidth. We don't have the hard drives. We don't have the pipes, 19:59.440 --> 20:02.720 uh, not if you're going to go over like those five people. If you're going to go over, if you 20:02.720 --> 20:06.720 want to have 50,000 people grabbing it, it's not going to work. Not yet. You know, that's, uh, 20:06.720 --> 20:10.320 that's a very important part of what we're doing here. Yeah, sure. This solution is all kinds of stuff. 20:10.320 --> 20:16.000 We've been talking about that, too. You know, I think Bitcoin will play a role in that. So anyway, 20:16.000 --> 20:22.880 regardless of all that, um, it's just been interesting to, to work through all the different issues. 20:22.880 --> 20:26.560 And, you know, I want to work with these people. I want to work with the biddies. I want to, 20:26.560 --> 20:33.520 I really do want to make them famous. I seriously do. And, um, God, we have such a unique combination 20:33.520 --> 20:39.440 of people in this, uh, in this community. And it's going to be great. That's all I can say. God, 20:39.520 --> 20:43.120 dammit. It's just going to be great. See, a man just rubbing off on me. I'm starting to get rank and, 20:43.120 --> 20:50.640 and, and talk crappy and shit. But anyway, I got a, um, an email from Susie, uh, Susie Puggsley 20:50.640 --> 20:57.920 says, uh, I put together this podcast called Hotline. And, uh, of course, in the show notes, 20:57.920 --> 21:07.280 you couldn't, uh, actually have the, the podcast feed right there. And I caught the show before 21:07.280 --> 21:10.880 or she sent me the email, actually. I'm going to just play a little bit for you. Because I think that 21:10.880 --> 21:15.920 this is a podcast that, uh, would probably be very interesting to listen to. And, uh, it's the 21:15.920 --> 21:20.880 type of podcast that needs a little push, um, because, um, well, you can't really have an, you know, 21:20.880 --> 21:25.920 an interaction if you don't have people to interact with. So check out Susie's idea for her podcast. 21:25.920 --> 21:34.800 Hello and welcome to my first official podcast. My name's Susie. S.U. Z. Y. And now what I'm going to do, 21:34.880 --> 21:40.400 I'm basically your, one of the mill average human being, but I just happen to be good 21:40.400 --> 21:46.160 giving advice and helping people out. And it's what I like to do. Um, so basically what I'm 21:46.160 --> 21:52.560 going to do on a weekly basis, I am going to try and help those people who may not have anybody else 21:52.560 --> 21:56.320 to talk to or, you know, just going to problem that they don't, you know, the thing embarrassed 21:56.320 --> 22:01.200 about talking about. And I'm, you know, completely open minded. You can't really shock me, 22:01.280 --> 22:05.360 or, although I'm always up for a challenge. So feel free to try and shock me on that one. I'm sure 22:05.360 --> 22:11.280 it'll give everyone out there all that. Um, so what really I'd like you to do with, if there's 22:11.280 --> 22:15.920 anyone out there who would like to talk or if they've got a certain problem or anything that they're 22:15.920 --> 22:20.720 fascinated about and want to just go. So, you know, just end all, anything general, you know, 22:20.720 --> 22:28.320 topics or problems just give them any mail. And, uh, I'll talk about it or, you know, problems, I'll 22:28.400 --> 22:33.440 help you out and I'll give you some advice of what I think best. And instead, I'm not a doctor. 22:33.440 --> 22:39.040 I'm not qualified in any way whatsoever. But I'm a good human being and I'm honest. I'm always 22:39.040 --> 22:45.920 honest, you know, however hard the situation may be and however, you know, complicated the problem might 22:45.920 --> 22:53.760 be. I will give you my, you know, my utmost best to try and help you out. Uh, so my email address 22:53.840 --> 23:05.120 is Suzy at SuzyP.co.uk. Um, feel free to email me with anything, however small or however big. 23:05.120 --> 23:10.560 And I'll talk you through it and mention it next time I do a podcast. I'm going to try and do it 23:10.560 --> 23:16.800 on a weekly basis. So, once a week, once I get all the emails back through. And we'll just see where 23:16.800 --> 23:21.040 we go from there because obviously I'm, you know, I'm free and easy. I quite like helping people. 23:21.040 --> 23:26.960 So it seemed a logical step. So there you go. So my name's Suzy. And if you've got anything you'd 23:26.960 --> 23:33.120 like to talk about, then please feel free to email me. Take care and I hope to have your response. 23:33.120 --> 23:37.840 Okay. Thank you, Suzy. I'm pretty sure that Suzy is going to get some comments and it's kind of like 23:37.840 --> 23:44.240 the idea of a podcasting, right? You're Suzy. I'm pretty glad we did this. Uh, it's kind of like off 23:44.240 --> 23:50.400 the cuff kind of like un-unprepared type show for today because it's, uh, it's even more creative 23:50.400 --> 23:57.680 than it usually is for me. Rick Resowitz, who does the ICM RAW podcast, um, and, um, as you remember, 23:57.680 --> 24:03.040 I played Rick Deringer, played a couple songs, uh, including Hang On Slupee, which started 24:03.040 --> 24:11.120 an entire slupee cover, you know, Mania in podcast space. Oh my god, I said space in podcast 24:11.120 --> 24:16.880 lamb. He sent me a press release with some excellent news. He says that, uh, watch of this press release 24:16.960 --> 24:22.640 came from, uh, Rick Deringer. Uh, he and Rick has the, uh, a request which has the connection with 24:22.640 --> 24:28.080 Rick Deringer. He recorded those live tracks February 5, 2005, Rick Deringer in conjunction with 24:28.080 --> 24:32.800 the John and Twistle Foundation, John and Twistle from the who will present the musicians for 24:32.800 --> 24:38.160 hurricane relief benefit concert. I'm just reading from the, uh, from the, uh, the press release here. 24:38.160 --> 24:42.000 Superstar guitars, Rick Deringer will not only perform at the concert, but as executive music 24:42.000 --> 24:45.920 director, he's been the driving force behind the event, gathering many of his famous friends 24:46.000 --> 24:51.360 joined this very worthy cause. All proceeds from the concert and CD DVD of the event will go to 24:51.360 --> 24:55.840 Florida hurricane relief in the American Red Cross. The event will be held at Universal theme park in 24:55.840 --> 25:03.040 Orlando, Florida. God, wrong month to be here. Um, and, uh, what I understand is that Rick will, uh, 25:03.040 --> 25:07.440 Rick, our Rick, not well, Rick Deringer is also our Rick now. We've been deared him. He's, he's totally 25:07.440 --> 25:12.400 our Rick. Rick Wesowitz is, uh, I think he's going to record this live and, uh, as far, what I understood 25:12.400 --> 25:17.840 from his accompanying email, it will be, um, pod safe. So we'll be able to play anything we want. 25:17.840 --> 25:22.640 And of course, we're going to work on the honor system, uh, and, uh, you know, we're going to 25:22.640 --> 25:27.680 expect that if, you know, if you're listening to that particular podcast that you are, or have donated to, uh, 25:30.240 --> 25:36.080 to the, um, hurricane relief. Why does it say hurricane relief? Right. Okay, a Florida of course, 25:36.080 --> 25:41.920 hurricane. They've donated to the hurricane relief. Now look at this lineup. This is going to blow you away. 25:42.880 --> 25:47.840 Actually, let's play a little game here. Let's play a little game of what does Adam have in his iTunes. 25:48.480 --> 25:54.640 And I certain this is, by the way, is not my entire library. Um, Erasmith's Steven Tyler's going to be there. 25:54.800 --> 26:03.520 Um, hold on. Why did my iTunes start up? What's going on here? Uh, I say, I don't want to 26:03.520 --> 26:08.480 read the, okay, here we go. Because in iTunes, like you can just basically just search and let's see if 26:08.560 --> 26:12.560 anything pops up. Let's see if I had the song. So we can do a little promo here. 26:13.760 --> 26:20.480 God, this is like, fun. Okay. Uh, erasmith's Steven Tyler. Do we have anything by Erasmith? 26:21.760 --> 26:25.440 Yes, I believe we do. Let's see if we have my erasmith. Oops. 26:27.680 --> 26:31.120 Right, sweet emotion. I have another one by erasmith. I got this one. 26:31.760 --> 26:37.840 It's don't pop. I got to come and run DMC here. Oh, okay. Uh, 26:37.840 --> 26:43.840 Banjovies, Richie Sambora. God, do I have Banjovies and, uh, probably do. 26:45.440 --> 26:49.280 Banjovies? What do I have? Oh, yeah, we got all kinds of Banjovies. 26:50.960 --> 26:52.240 I wanted to see this one. Check it. 26:56.240 --> 27:00.080 Okay, we got some Banjovies. AC DCs, Brian Johnson. 27:00.160 --> 27:04.320 Man, this is a great frickin' lineup. Okay, let's see if I got some AC DC. AC DC. 27:04.960 --> 27:10.720 Ooh, how come we don't have AC DC? Oh, please. Please, don't tell me I don't have AC DC because 27:10.720 --> 27:13.440 of course I got some frickin' AC DC. 27:13.440 --> 27:18.240 Banjovies, Banjovies, Banjovies, Banjovies, Banjovies, Banjovies, Banjovies, Banjovies, Banjovies, 27:18.720 --> 27:19.520 One, two. 27:28.160 --> 27:34.160 Okay, uh, else we have almond brothers. Dude, do you think Adam Curry has almond brothers? 27:37.920 --> 27:45.040 Oh. Uh, nope. No almond brothers. Okay. Uh, three dog night. 27:45.120 --> 27:49.760 Uh, who from three dog night's coming Chuck Negrin? Uh, okay. So do we have any three dog night? 27:51.680 --> 27:56.080 Three dog dog. Well, of course we got some three dog night. 28:00.960 --> 28:04.960 This is like the show that's totally gonna be for me. It's gonna be such an awesome show to see. 28:05.840 --> 28:11.840 Let's move it along here. Grand Funk Railroad. Okay, there's anyone who knows a great Grand Funk Railroad 28:11.840 --> 28:18.160 tournament. Well, of course you do. It's some kind of wonderful, oh man, these sounds. 28:18.160 --> 28:23.760 I wish I could play them all for you. I don't need a whole lot of money. 28:25.760 --> 28:34.480 You know how, um, you know how, um, you know how you can mess up the lyrics and you think that 28:34.480 --> 28:41.200 for years sometimes that they're singing one thing and and and you're basically singing another 28:41.280 --> 28:44.640 thing. Let's just see how I do with the rest of the lyrics here. 28:45.520 --> 28:50.960 What have we missed here? Chief trick. Uh, of course we've got my favorite team, Chief Trick 28:50.960 --> 29:03.280 track here. I want you to want me. Okay, uh, Michael Bolton also on the ticket. My 29:03.360 --> 29:10.400 old neighbor, Michael Bolton. He lived next to me, uh, at the apartment on the 56th and Broadway 29:10.400 --> 29:14.640 and when we lived in the symphony house. He was a nice guy. Really nice guy. In fact, I got him 29:14.640 --> 29:19.920 on MTV when he was so totally not frickin' hip to be on MTV. They all wanted him to be on VH1 29:20.720 --> 29:25.760 and uh, after that he got it. He had the big hit with Doc of the Bay and that was kind of 29:25.760 --> 29:28.800 then unfortunately. This is, uh, what was that? That's what loves all about. 29:31.600 --> 29:36.000 Oh, wait. I have a different one, my Michael Bolton. What's that? This is Michael Bolton. 29:36.000 --> 29:39.920 Nobody's home right now, but at the time, please leave a message and they'll get back to you. 29:41.120 --> 29:48.720 I don't know why I have that. Oh, this is, this is possibly, I've done many appearances with, 29:48.720 --> 29:53.520 with this guy. Uh, oh my god, I can't believe it. Don't tell me, 29:53.520 --> 29:56.960 don't have Eddie money in my iTunes. Where's two tickets to Paradise? 29:58.400 --> 30:03.920 Oh, this is horrible. Don't tell me, I don't have shit. Okay, no Eddie money. 30:04.560 --> 30:11.360 Joan Jet, we shared the same manager, Kenny Laguna, Kenny Laguna, uh, used to be, uh, in, uh, 30:11.360 --> 30:16.240 in the Shondales, I think. But Joan Jet's gonna be there. Of course, the classic Joan Jet, 30:16.240 --> 30:20.480 I love rock and roll. Doing pretty good so far, only missed out one. 30:21.360 --> 30:24.800 Um, what do we have? Pat Traverse. I don't think I have any 30:25.360 --> 30:30.720 Pat Traverse. No, no Pat Traverse. Sticks. Yeah, of course. I got some sticks. Of course. Do 30:30.720 --> 30:36.480 little, little, little, little. Yeah, that's my favorite song. It's like three minutes and two seconds. 30:36.480 --> 30:42.720 It's the song you always played at the very end. It's like, babe, I'm leaving. Must be on my way. 30:43.680 --> 30:47.360 My time is drawn in the air. 30:48.640 --> 30:51.840 Just get the first line there, just to enjoy it there. 30:52.960 --> 30:54.960 Oh, here comes the due to the loop loop part. 30:55.680 --> 31:00.160 By the way, as a podcast that does this, uh, the podcast is called as it was played to me. 31:00.560 --> 31:05.520 And it's in the iPod.org directory, and it's essentially the guy does the same thing. I'm doing. 31:05.520 --> 31:09.200 Just talks over the records and, you know, and sings one with lyrics. 31:13.600 --> 31:18.080 Beautiful. Okay. Let me just see what are we doing on time here. Okay. Good. I do have a 31:18.080 --> 31:21.120 couple more things I want to talk to about, but I'm almost through the list. I just 31:21.120 --> 31:26.560 giving you an idea of how incredible this show is going to be on February 5th. Spencer Davis, 31:26.560 --> 31:29.360 well, of course, I could play Steve Winwood and get away with it. 31:31.200 --> 31:35.840 But that's always good to have the original of that give me some love and maybe 31:36.800 --> 31:42.000 the Ham and Oregon man would be three, I guess. When I kick them, this is just 31:42.000 --> 31:44.080 giving me goose bumps. Look at that. 31:51.280 --> 31:58.000 Uh, so we had that. Oh, rig deranger. Okay. Now, I'm going to play something different from rig deranger. 31:58.000 --> 32:05.040 Of course, we, we played two songs, including Hang on Slopey, but the one deranger song, of course, 32:05.040 --> 32:09.440 that I grew up with was rock and roll, whoo cheek, whoo baby. 32:11.280 --> 32:14.640 I asked him, I probably could play the whole thing, but we'll just leave it at this for now. 32:17.840 --> 32:19.200 It also sounds like Randy MC. 32:26.080 --> 32:34.000 Okay. Uh, Connie Wilson. So, Connie Wilson, we'd have to say Wilson Phillips, I guess, right? 32:35.040 --> 32:41.440 Do we have any Wilson Phillips? Uh, yeah, of course. We got hold on. Yeah. 32:43.520 --> 32:46.400 God, that thing was huge. That was a big hit. 32:49.120 --> 32:50.160 So it was Kanye. 32:58.080 --> 33:04.480 I got flock of seagulls, shoot. The only song I would have by flock of seagulls is I ran and I don't have that one. 33:05.920 --> 33:09.120 Lauren Hill, uh, don't have Lauren Hill. 33:10.160 --> 33:15.840 That's it. Plus, many more surprised guests to be out of between now and show time. Please join us 33:15.840 --> 33:19.040 and making a difference in the lives of tens of thousands of Floridians who've been forever 33:19.040 --> 33:24.560 changed by the record breaking tragedies of the summer of 2004. My sincerest thanks, Rick Deranger, 33:24.560 --> 33:29.920 executive music director, musicians for Hurricane Relief, excellent. And of course, 33:29.920 --> 33:35.600 I'm going to support you, Rick. You know we will. See, quick email that I got from Stuart Hunter. 33:35.600 --> 33:40.080 We were talking about Tim Bird, the Birdman, everybody. Just the other day. I'm, uh, I'm a sure. 33:40.640 --> 33:45.920 We're talking about real voices and, and, uh, well, oh, no, it's talking about VH1. That's right. 33:45.920 --> 33:52.720 With Tim Bird was on VH1. And Stuart sent in, uh, little note and said, uh, Adam, 33:53.680 --> 34:00.960 Tim Bird, the Birdman is a DJ on sunny 104.3 FM in Palm Beach County, Florida. 34:02.000 --> 34:06.640 I tried, I couldn't receive it on the on the radio here in the hotel room, because I would have been great to 34:06.640 --> 34:12.560 record a little bit. Hey, everybody's Tim Bird Birdman, I just want to go 4.3 FM right here in Palm Beach, 34:12.560 --> 34:21.360 Florida. Rome, Rome, cadence of the day. Today's cadence comes on the USC Trojans to go along with a big 34:21.360 --> 34:23.360 game in the Orange Bowl. 34:23.750 --> 38:36.250 [ Music ] 38:42.420 --> 38:49.420 what we need now is we need a drum cadence of the day, specialized podcast feed and 38:49.420 --> 38:55.980 I've been in touch with Taylor who puts us together and has actually been putting his out 38:55.980 --> 39:02.180 on overpodcast.org, which for Anna, you can subscribe to OpenPodcast.org and you'll get the 39:02.180 --> 39:06.060 drum cadence of the day, but I wanted to have it zone feed and so I'm going to help them set 39:06.060 --> 39:11.060 that up and work on that because it clearly has accents to the stuff, there is an audience, 39:11.060 --> 39:17.240 I know that because everyone says the drum cadence is even day, and I thought the 39:17.240 --> 39:22.180 Dave just loved it kind of for walking, but here's the story that Dave Wiener told me, 39:22.180 --> 39:29.260 he said that he actually is pretty good at drumming because what happened was when he was 39:29.260 --> 39:35.500 back in the day when I guess right after punch cards, when computers actually needed 39:35.500 --> 39:41.380 to compile, he had to wait around for quite a while where the shit was compiling, 39:41.380 --> 39:49.260 it's none of this like F5, and it's compiled business, none of those would take hours 39:49.260 --> 39:55.300 or 10, 20, 30 minutes, I don't know, and to pass the time he would play the drums, and 39:55.300 --> 39:59.620 he can say he got pretty good at it, and there's something about the cadence is that 39:59.620 --> 40:05.740 people just totally dig. Also, I think it's a very American art form, it's probably 40:05.740 --> 40:16.980 the closest thing culturally, it's probably very close to Africa, don't you think? 40:16.980 --> 40:21.740 I mean, I've seen lots, I used to live in Uganda, I was very young, but I remember the rhythm 40:21.820 --> 40:30.260 is kind of the same, digging it, digging it. Alrighty, so what's on the agenda for today? 40:30.260 --> 40:37.180 I think we're going to see if Dave is a welcome from his Nat, then we're going to do some stuff 40:37.180 --> 40:44.420 together, I think, well, maybe a little bit of, look, he's going to work on a podcast, I'm 40:44.420 --> 40:47.460 going to work on some programming, that's what that's basically what our relationship is, 40:47.460 --> 40:54.460 and it really works. That was the drone room cadence of the day. 41:09.460 --> 41:15.460 That's right, and leaving you with this final thought, mad, I'm going to show it tomorrow. 41:17.460 --> 41:24.460 Alright, thanks everybody for listening in, but what are we going to do? Just about right 41:24.460 --> 41:30.460 for me, a little different today, a little different, not bad at all. Okay, oh by the way, 41:30.460 --> 41:38.460 if you didn't see my weblog, the bandwidth has arrived at home. I could not be happier. 41:38.460 --> 41:43.460 I'm going to try and get Christina to hook it up tomorrow and see if it actually works. 41:43.460 --> 41:48.460 So, it looks like the easy net guys that are really good by me, then, of course, I expected that. 41:48.460 --> 41:53.460 Hey, if you've got to comment, leave it for me on the weblog, www.curry.com, 41:53.460 --> 42:00.460 or adamantcurry.com tomorrow, as said, be busy, we've got some people flying in, 42:00.460 --> 42:07.460 that we're going to be talking to here, but on the phone or on Skype, the one, the only badge 42:07.460 --> 42:14.460 I'm staying from you is to radio on the daily source code. Talk to you tomorrow, y'all. Bye bye.