WEBVTT

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Welcome to the Daily Source
Code.

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Something different today.

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New format.

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Yo, there's a word again.

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Works in software.

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Works in all kinds of ware.

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Works in program ware.

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Podcast ware.

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And in this case.

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We're going to do something
different today on the Daily
Source Code.

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And the number of reasons for
that.

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I'm going to talk about that.

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What I want to do is take a walk
with y'all.

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It's just to go out for a walk.

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What I've done here is, let me
tell you a little bit about the
setup.

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I have taken my eye river.

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I've set it to, I don't know
what I set it to.

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I set it to something.

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At any rate, I set it to a
reasonably high record rate.

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I've plugged in my wireless
lovelier microphone with the
transmitter in my back pocket.

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The receiver in the front
pocket.

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I don't really have a straight
in microphone.

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And what's great about this.

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I just figured out.

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And I'll tell you about that in
a second.

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Is that I can plug in my
headphones.

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And I can hear that it's
recording.

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So I can hear the throughput.

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I can hear that the microphone's
working.

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I put my sunglasses on over my
regular glasses.

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You're not a good idea.

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And one additional feature is
that whoops.

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Because I have headphones on
now.

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It kind of looks like I'm on a
cell phone.

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So people don't think I'm a
total fricking idiot walking
around.

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Yappin in the space.

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And of course, here comes the
big story.

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I already did a walk.

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I actually did record some
stuff.

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However, it didn't work.

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Which bites.

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What happened is, even though I
plugged everything in,

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it was still recording on the
internal microphone.

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And my test when I was just
testing it here in the room.

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And I had it all hooked up.

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It sounded great.

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But of course, it was basically
receiving me through the mic

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and this device in my hand.

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And then I put it into my
pocket.

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When I went to my walk,

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it was basically when he stopped
being able to hear anything.

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So what I did get on my walk is
a nice fresh coconut.

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Which the guy who sold it to me
on the street just chopped the
hole

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and it stuck a straw in it for
two bucks.

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Bingo.

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I got some fresh coconut juice.

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Let's make sure we're safe here
on the recording.

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That's always my fear is that
I'll be walking around.

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Well, basically what happened is
that you come back

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and you haven't recorded
anything.

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I was half expecting it.

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So I was already kind of not too
worried if

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if it wouldn't record.

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I knew that it would be a good
exercise for the stuff I wanted
to say

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and it would be able to go back
and do it again

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and maybe a little more concise.

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Mmm.

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God, that's good.

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That coconut milk.

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It's heavy though.

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It's not exactly the easiest
container.

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I'll talk a little bit about
sound today.

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And the reason for that is,
well, first of all, as I said,

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we need to do something new.

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I need to do something new with
a daily source code.

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I could not create another show
for you coming to you

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from the confines of my hotel
room, from my bed.

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I couldn't go through the whole
format again.

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I just wanted to do something
completely different.

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And actually, if you're a
broadcaster and I'm, you know,

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we know the broadcasting podcast
thing.

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It's two sides of the same coin.

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It's just what distribution
mechanism we're using.

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And of course, what confines do
you get when you're
broadcasting?

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Hold on a second.

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Just want to hear this.

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So this is the hotel, but my
hotel room.

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And I've got to blow my nose,
but I walk into the bathroom

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and I have to turn on the light.

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Now listen.

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That's the most irritating fan.

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Shoot me.

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Most irritating fan I've ever
heard.

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Can't even keep it on.

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You can't do anything.

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You can't even be on the phone
when you're in the bathroom.

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You can't do anything.

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It makes such a racket.

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So we're going to be talking
about sound today.

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Ladies and gentlemen, about
sound.

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But first, some of the
background to the change for
today's format.

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I've just said broadcasters.

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I'm walking out my door now.

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And I'm going to turn the corner
on the ground floor.

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So I'm walking right past the
front desk.

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And on my way outside.

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There we go.

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As a broadcaster, whenever you
get responses,

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basically what I learned in
radio and television.

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If the day after you did a
program and that airs,

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and people are still talking
about your program,

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then you've been successful.

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Whether it was positive or
negative.

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More likely than not, it's
probably negative because people
say,

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oh, I can't believe you said
this.

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But the fact is, and this is
something that was pointed out
to me,

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it breakfast this morning.

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If art, or the definition of
art,

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is basically that it elicits a
response.

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So I guess my creative gene
feels really,

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or gets pleasureed when someone
or many people respond

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to something that I've done.

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In the case of yesterday's
podcast with Madge Weinstein,

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there was quite a lot of
response.

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Some very hostile, some negative
comments.

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A lot of stuff that I'm kind of
used to,

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caught me a little bit off guard
because I got attacked

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for some things that I thought
are a little unfair.

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If Madge Weinstein makes a joke
about cancer,

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and maybe it wasn't a joke,

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and it was that to determine.

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That's a nice one.

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A powerful shit.

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It's a liberator in Yankee,
baseball team,

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custom tank job.

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Anyway, so if I then don't
respond to that,

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or just keep the conversation
going,

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I should be ridiculed, you know?

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Don't tell me how I should
respond to that,

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and don't tell me how bad this
illness is with that illness.

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There's a lot of illnesses.

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I don't know.

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That was a little disappointing
the way I got attacked for that.

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I didn't think that was very
fair.

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Maybe people didn't listen very
well to the conversation.

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Quite honestly, Madge and I also
didn't completely connect.

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I didn't sound very much like
Adam,

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maybe as you used to on the
source code,

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and maybe Madge didn't sound
like Madge.

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But it was also, it was phone
call.

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It was the first time we spoke.

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We didn't have any setup or
preamble or pre-interview.

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And that's why it was flawed,

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which is also probably the
beauty of a lot of these things,

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which is maybe like,

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got such an incredible response.

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If we had already set up,

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if we had talked up front and
said,

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okay, here's what I'm gonna ask
you,

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you're just gonna talk about,

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and of course there would have
been genius,

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would have been brilliant,

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but it would maybe not would
have been real.

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So, maybe that's where we got
the response.

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It was real.

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Maybe it was real art,

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and people liked it for that
reason.

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But back to the listening part.

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Because I also believe a lot of
people who responded,

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may not have actually listened
to a Madge Weinstein

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used radio podcast.

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So then you're not gonna get it.

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You don't have enough data to
pass judgment

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or make a judgment or make a
decision

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and whether you like it or not

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or whatever your feelings are.

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And,

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there's another piece to this is
that,

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this is something I've been
learning from Dave,

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a lot of the time we're spending
here together

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is learning,

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well, I'm learning a tremendous
amount.

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I mean, I didn't go to college.

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Yeah, I went to college,

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like a semester,

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really only because they'd let

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freshman on the college radio
station,

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Salem College, Salem West
Virginia,

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every moment.

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And after I was like running the
station

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after a couple months,

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there was nothing left for me to
do.

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I didn't like it.

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I was also far away from home.

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I think I got home sick,

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didn't dig it.

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It wasn't for me.

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College was not for me.

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Not college life, certainly.

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Last thing I needed to come in
from Amsterdam

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was to drink a lot,

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smoke a lot of dope and drive,

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you know,

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didn't have done that.

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That one was 15,

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and then we get it over with
real quick.

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It's no big deal.

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And then that alone.

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So anyway, the aggression.

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So what I've learned is that

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if you have a feature that's in
a product,

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you can't take the feature out
ever,

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because people will go nuts on
your ass and they'll complain.

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So I've kind of slipped into a
broadcast

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rut almost.

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I feel on the daily source code,

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where I've created this format,

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and of course it feeds upon
itself

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because I've got so many
wonderful

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comments and creative audio bits
and pieces

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that you get used to it, you
know?

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And so now it's gotten to the
point where

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if I don't play the drum cadence
of the day,

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people start to freak out.

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Of course, on the other hand,

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there's that.

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There's so many...

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damn, this isn't alarm.

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Let's just see what this is.

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I can't really locate the sound.

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Oh, gone, okay.

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So on the other hand,

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there are people who say,

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I'm not going to listen to this
source code,

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if you keep playing that cadence
shit,

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which of course is beyond me,

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because isn't the entire point
of this

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or one of the major benefits

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that you can skip past it?

09:51.000 --> 09:55.000
Yeah, so I think that's probably
an idle threat.

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And I know, by the way,

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that consistency is what it's
all about.

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If I have an off day, if I have
an off week,

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if I have an off month,

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as long as I'm there
consistently,

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every single day, every single
week day,

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usually you'll come back.

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Listeners will come back,

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because they hope it'll be
better tomorrow,

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and it's not always, you know,

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it's the things that's great,

10:17.000 --> 10:18.000
the other person they think
sucks.

10:18.000 --> 10:20.000
So that's why you need
consistency.

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That's my motto.

10:21.000 --> 10:22.000
It doesn't have to be every day,

10:22.000 --> 10:23.000
but if you say it's every
Friday,

10:23.000 --> 10:25.000
it's got to be every Friday.

10:25.000 --> 10:26.000
So it's every day,

10:26.000 --> 10:27.000
it's got to be every day.

10:27.000 --> 10:29.000
And then if you slip out once,

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you know, of course,

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your listeners will let you
slide.

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So yesterday was obviously a
break in format,

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because I basically played a
song.

10:41.000 --> 10:43.000
I did play a little bit of
cadence,

10:43.000 --> 10:44.000
couldn't help it.

10:44.000 --> 10:45.000
I love them.

10:46.000 --> 10:48.000
And then I went into the Madge
Weinstein interview.

10:48.000 --> 10:50.000
So it was a big departure,

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but although it really wasn't,

10:51.000 --> 10:54.000
because that's what we used to
do in the beginning of the daily
source code.

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We're doing our kinds of stuff,

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and I, you know,

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I guess when I get accused,

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and I don't take it as an
accusation,

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because I know how this works,

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but when someone says,

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oh, you know,

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you only get on the source code,

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if you mention Adam in your own
podcast,

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and like,

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all right, fuck you.

11:14.000 --> 11:15.000
That's the first of all,

11:15.000 --> 11:16.000
it's not true.

11:16.000 --> 11:17.000
You know,

11:17.000 --> 11:18.000
second of all,

11:18.000 --> 11:19.000
time for me to change

11:19.000 --> 11:20.000
and morph a little bit.

11:20.000 --> 11:22.000
So I want to talk about sound.

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All the people that we're here
with in South Beach,

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all have something to do with
sound

11:31.000 --> 11:34.000
in one way or another in a
professional manner.

11:34.000 --> 11:37.000
Dave used to mix rock bands.

11:37.000 --> 11:40.000
He did some radio as well.

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So he knows what,

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what can be done with sound.

11:46.000 --> 11:48.000
I'm from radio.

11:48.000 --> 11:50.000
Ron is a musician,

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and he's done so much sound.

11:52.000 --> 11:53.000
By the way,

11:53.000 --> 11:55.000
I met the corner of fifth and
columns,

11:55.000 --> 11:57.000
if you know where that is.

11:57.000 --> 11:58.000
So I'm going to hang right.

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I'm going to go up to ocean,

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and we'll walk on the ocean
together.

12:01.000 --> 12:03.000
And here there's a little bit of
wind today.

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It's not too bad.

12:04.000 --> 12:06.000
I'd guess about 15 knots,

12:06.000 --> 12:09.000
which is not too bad.

12:09.000 --> 12:11.000
It's a very beautiful flying
weather.

12:11.000 --> 12:13.000
We want wind by the way when
we're flying.

12:13.000 --> 12:15.000
Construction site here.

12:15.000 --> 12:17.000
So you can tell them about to
walk past.

12:19.000 --> 12:21.000
So,

12:21.000 --> 12:24.000
I think we've forgotten about
sound

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and podcasting is bringing a lot
of it back.

12:26.000 --> 12:27.000
It is for me,

12:27.000 --> 12:29.000
and that's why I want to take
you on this walk

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because although I may be on
your walk,

12:32.000 --> 12:33.000
often,

12:33.000 --> 12:35.000
and we're not really walking
together.

12:35.000 --> 12:36.000
When people walk together,

12:36.000 --> 12:37.000
they talk,

12:37.000 --> 12:38.000
and there's all kinds of sounds,

12:38.000 --> 12:40.000
and you have to stop for a
second,

12:40.000 --> 12:42.000
because there's too much
construction noise,

12:42.000 --> 12:44.000
or whatever it is, right?

12:46.000 --> 12:48.000
But also,

12:48.000 --> 12:50.000
well,

12:50.000 --> 12:52.000
I know that we barely listen to
each other anyway,

12:52.000 --> 12:54.000
and when it comes to just humans
interacting,

12:54.000 --> 12:57.000
it becomes such poor listeners.

12:57.000 --> 13:00.000
Let me see if I can cross over
here.

13:00.000 --> 13:01.000
Well,

13:01.000 --> 13:03.000
some major wind coming through.

13:03.000 --> 13:04.000
Hope I can,

13:04.000 --> 13:05.000
there you go.

13:08.000 --> 13:11.000
But if you listen to radio,

13:11.000 --> 13:13.000
same thing.

13:13.000 --> 13:15.000
We no longer have,

13:15.000 --> 13:17.000
and we're not really making
sound.

13:17.000 --> 13:19.000
We're just pumping bits out.

13:19.000 --> 13:20.000
You know,

13:20.000 --> 13:21.000
we're pumping songs out.

13:21.000 --> 13:23.000
And in the radio business,

13:23.000 --> 13:24.000
there's this concept of dead
air.

13:24.000 --> 13:26.000
You don't want to ever have dead
air.

13:26.000 --> 13:28.000
Dead air means,

13:28.000 --> 13:29.000
essentially,

13:29.000 --> 13:30.000
that there was nothing playing.

13:30.000 --> 13:31.000
Of course,

13:31.000 --> 13:32.000
dead air is not really dead air.

13:32.000 --> 13:34.000
If you've ever heard a station
that had no signal,

13:34.000 --> 13:36.000
you're going to hear all kinds
of stuff.

13:36.000 --> 13:39.000
You'll hear crackling of your
radio,

13:39.000 --> 13:41.000
because it's not always a clean
reception.

13:41.000 --> 13:42.000
Rarely is actually.

13:42.000 --> 13:44.000
You just don't hear it when
there's something playing.

13:44.000 --> 13:47.000
You may even hear a slight tone.

13:47.000 --> 13:49.000
I think it's 19 kilohertz.

13:49.000 --> 13:50.000
That's a,

13:50.000 --> 13:51.000
we call that a pilot tone.

13:51.000 --> 13:53.000
Some people can hear it very
well.

13:53.000 --> 13:54.000
Sometimes it's misconfigured.

13:54.000 --> 13:55.000
You can hear it good.

13:55.000 --> 13:56.000
But if the station is on,

13:56.000 --> 13:57.000
and it has no signal,

13:57.000 --> 14:00.000
you can often hear very faint
high pitch tone.

14:00.000 --> 14:01.000
At the pilot tone,

14:01.000 --> 14:03.000
essentially tells you a radio,

14:03.000 --> 14:04.000
that this is a stereo signal,

14:04.000 --> 14:05.000
it needs to split it up.

14:05.000 --> 14:07.000
So there's no such thing as real
dead air.

14:07.000 --> 14:08.000
But of course,

14:08.000 --> 14:09.000
what they're referring to,

14:09.000 --> 14:11.000
you can hear I'm walking towards
the beach now.

14:11.000 --> 14:13.000
I'm going to shield the blanket
a little bit.

14:13.000 --> 14:14.000
What they're referring to,

14:14.000 --> 14:15.000
of course,

14:15.000 --> 14:16.000
is,

14:16.000 --> 14:19.000
we're not making any money on
that airtime.

14:19.000 --> 14:20.000
Because, you know,

14:20.000 --> 14:22.000
we have to feed in four
commercial breaks in each hour,

14:22.000 --> 14:24.000
and which is also the whole
reason.

14:24.000 --> 14:25.000
Or a big part of the reason

14:25.000 --> 14:27.000
for the continuation of the fake
voices

14:27.000 --> 14:30.000
that we've discussed so many
times.

14:30.000 --> 14:31.000
Number one.

14:31.000 --> 14:33.000
Because they've got to compress.

14:33.000 --> 14:35.000
They've got to get the
information out and short burst,

14:35.000 --> 14:36.000
because time is money.

14:36.000 --> 14:38.000
Every single second on the radio
is money.

14:38.000 --> 14:40.000
So the more you're yapping
about,

14:40.000 --> 14:41.000
your personal shit,

14:41.000 --> 14:43.000
the less time there is to make
money essentially.

14:43.000 --> 14:44.000
So we forget,

14:44.000 --> 14:45.000
we don't have time to listen.

14:45.000 --> 14:47.000
One thing I learned from Scott
Shannon,

14:47.000 --> 14:48.000
who was brilliant.

14:48.000 --> 14:49.000
Morning.

14:49.000 --> 14:51.000
This jockey in the 80s.

14:51.000 --> 14:54.000
I was fortunate to work with him

14:54.000 --> 14:56.000
when, you know,

14:56.000 --> 14:58.000
before essentially his format
became old and tired.

14:58.000 --> 15:00.000
And he didn't really grow and
morph.

15:00.000 --> 15:01.000
Nor should he have to.

15:02.000 --> 15:05.000
He would say,

15:05.000 --> 15:07.000
hey, let the room breathe.

15:07.000 --> 15:09.000
And that was a big part of the
success.

15:09.000 --> 15:11.000
You know, you don't always have
to jump

15:11.000 --> 15:13.000
on top of the joke with another
joke.

15:13.000 --> 15:14.000
And, you know,

15:14.000 --> 15:16.000
it doesn't all have to be gafog
or funny.

15:16.000 --> 15:17.000
First of all, it's not funny.

15:17.000 --> 15:18.000
Don't laugh.

15:18.000 --> 15:20.000
And don't pile jump.

15:20.000 --> 15:22.000
And let the room breathe.

15:22.000 --> 15:23.000
You know, sometimes just let the
room breathe.

15:23.000 --> 15:25.000
And the silence will actually

15:25.000 --> 15:26.000
can be the punchline,

15:26.000 --> 15:28.000
or it can be a total thing of
beauty.

15:28.000 --> 15:29.000
I never really forgot that.

15:30.000 --> 15:32.000
Of course, I am related him
totally.

15:32.000 --> 15:35.000
In the 80s, in my radio
ventures.

15:35.000 --> 15:38.000
Certainly in the Netherlands.

15:38.000 --> 15:40.000
And there's so much.

15:40.000 --> 15:43.000
If you ever have a chance to
listen to some BBC stuff,

15:43.000 --> 15:46.000
they still do radio dramas,
documentaries,

15:46.000 --> 15:48.000
where you do hear sound.

15:48.000 --> 15:49.000
I love it when people,

15:49.000 --> 15:52.000
I love listening to journalism,

15:52.000 --> 15:54.000
where people go out.

15:54.000 --> 15:55.000
And not just get soundbites,

15:55.000 --> 15:57.000
but, you know, actually walk
with people.

15:58.000 --> 16:00.000
And, you know, of course,

16:00.000 --> 16:02.000
there's always editing involved.

16:02.000 --> 16:05.000
I'm looking at a huge swing,

16:05.000 --> 16:07.000
but walking right in front of
me.

16:07.000 --> 16:09.000
Let me just tell you where I am.

16:09.000 --> 16:12.000
If you've ever seen South Beach
Miami.

16:12.000 --> 16:13.000
You know, the place where
everyone's

16:13.000 --> 16:14.000
rollerblading.

16:14.000 --> 16:16.000
That's where I'm walking right
now.

16:16.000 --> 16:18.000
There's some beautiful people
here.

16:18.000 --> 16:20.000
And the weather is phenomenal.

16:20.000 --> 16:21.000
It's about 75,

16:21.000 --> 16:23.000
maybe 80 degrees.

16:23.000 --> 16:26.000
And I'm dressed poorly for this.

16:26.000 --> 16:29.000
I have my Gucci loafers on.

16:29.000 --> 16:32.000
I'm such a honky from Europe.

16:32.000 --> 16:34.000
I'm such a white boy.

16:34.000 --> 16:37.000
I did, however, put on a
sleeveless t-shirt,

16:37.000 --> 16:41.000
which, of course, shows off my
incredible physique.

16:41.000 --> 16:44.000
Let's listen to what's happening
here.

16:44.000 --> 16:47.000
It's just a bunch of people
sitting around.

16:47.000 --> 16:49.000
This is my man.

16:49.000 --> 16:51.000
He's got his headphones on.

16:51.000 --> 16:53.000
He's talking to...

16:53.000 --> 16:55.000
He's talking to everyone who
walks by.

16:55.000 --> 16:57.000
I know what, I know what.

16:57.000 --> 16:58.000
I know what.

16:58.000 --> 17:00.000
How are you doing, buddy?

17:00.000 --> 17:05.000
And he's got his buddies. He's a
happy man.

17:05.000 --> 17:09.000
So, part of what I think I was
missing

17:09.000 --> 17:16.000
on the source code or in my own
creative process is sound.

17:16.000 --> 17:18.000
I haven't been able to do enough
with sound.

17:18.000 --> 17:23.000
And basically, I've now fallen
into this spot on the source
code

17:23.000 --> 17:28.000
where people actually send me
inflammatory emails

17:28.000 --> 17:31.000
if they send me an audio comment
and I don't play it.

17:31.000 --> 17:34.000
Or I don't respond.

17:34.000 --> 17:36.000
And that's unfortunate, but
that's...

17:36.000 --> 17:39.000
I basically have created all
these features that people are
getting used to.

17:39.000 --> 17:42.000
So, I might as well break the
pattern now

17:42.000 --> 17:46.000
so that we can remain flexible
because I don't want this to be
set in stone.

17:46.000 --> 17:47.000
How we do this.

17:47.000 --> 17:48.000
There's so much more to explore.

17:48.000 --> 17:51.000
And for me, actually, so much
more to rediscover.

17:52.000 --> 17:56.000
Because I used to be a much
better listener

17:56.000 --> 18:01.000
when I wasn't programmed to just
listen to the hits.

18:01.000 --> 18:04.000
And boy, was I ever programmed
to listen to the hits,

18:04.000 --> 18:05.000
even worse than that.

18:05.000 --> 18:07.000
I was only programmed to listen
to the intro and the outro of
the hits

18:07.000 --> 18:10.000
because when the hits were
playing, I was doing something
else

18:10.000 --> 18:13.000
like prepping the next
commercial break.

18:13.000 --> 18:16.000
So, let me have grown up in the
80s with 80s music,

18:16.000 --> 18:19.000
but I don't think I got to enjoy
it as much as...

18:19.000 --> 18:22.000
Well, that's why I'm so happy to
enjoy it again, I guess.

18:22.000 --> 18:27.000
That's the revival of the 80s
exactly what I was looking for.

18:27.000 --> 18:31.000
But sound, you know, when Dave's
doing his morning coffee notes
in this car

18:31.000 --> 18:34.000
and he says, hold on a second,
I've got to pass this guy

18:34.000 --> 18:38.000
and then he whoops it up as he's
accelerating from 70 to 85 miles
an hour

18:38.000 --> 18:40.000
and you can hear the engine kick
in.

18:40.000 --> 18:42.000
That's exciting stuff.

18:42.000 --> 18:43.000
It really is.

18:43.000 --> 18:44.000
I love listening to that.

18:44.000 --> 18:46.000
It's something about it that...

18:47.000 --> 18:49.000
You just don't hear it anymore,
that maybe that's it

18:49.000 --> 18:51.000
and it's real life and you know
it's real life,

18:51.000 --> 18:53.000
you know it's something going on
there.

18:53.000 --> 18:55.000
Or these guys with guns.

18:55.000 --> 18:58.000
Why do people around here with
guns in Miami?

18:59.000 --> 19:02.000
I've seen marshals, I've seen
coast guard,

19:02.000 --> 19:04.000
and it...

19:04.000 --> 19:06.000
well, people with guns.

19:06.000 --> 19:07.000
Tell you what, where am I now?

19:07.000 --> 19:12.000
I'm at Ocean and I can't quite
see what the cross street is

19:12.000 --> 19:15.000
and they see a little bit
further up and probably around
10th.

19:15.000 --> 19:17.000
What we'll do is we'll walk up a
little further.

19:17.000 --> 19:21.000
And then we're going to do some
sound seeing together.

19:21.000 --> 19:23.000
Which essentially is already
started.

19:23.000 --> 19:25.000
We're already doing a bit of the
sound seeing

19:25.000 --> 19:28.000
by walking up the beach side,

19:28.000 --> 19:31.000
but now we're going to turn back
and we're going to walk down

19:31.000 --> 19:36.000
the cruising side of Ocean
Drive, South Beach, Florida,

19:36.000 --> 19:38.000
which is where all the beautiful
people are.

19:38.000 --> 19:41.000
Let me try and explain if you've
never seen this.

19:41.000 --> 19:44.000
It is so on the opposite side of
the street,

19:44.000 --> 19:46.000
so not on the ocean side of the
opposite side.

19:46.000 --> 19:48.000
It's basically all these deco
art deco buildings

19:48.000 --> 19:51.000
and their restaurants and clubs
and cafes.

19:51.000 --> 19:53.000
And you walk on the sidewalk,

19:53.000 --> 19:57.000
and you can eat on the inside or
you can eat on the sidewalk
side.

19:57.000 --> 19:59.000
Oh man, there's the cutting
down.

19:59.000 --> 20:01.000
There.

20:03.000 --> 20:05.000
What?

20:07.000 --> 20:09.000
Well, I'm on a sec.

20:09.000 --> 20:11.000
I couldn't hear you. What's
that?

20:11.000 --> 20:13.000
I'm already talking about South
Beach.

20:13.000 --> 20:15.000
And you can also get ripped off
by Israeli scumbags.

20:15.000 --> 20:17.000
Oh, really? Did you get ripped
off by Israeli scumbags?

20:17.000 --> 20:18.000
What happened?

20:18.000 --> 20:20.000
Well, he told me he was Israeli,

20:20.000 --> 20:23.000
then he told me he's really
Iraqi because he looked very
similar.

20:23.000 --> 20:24.000
Yeah.

20:24.000 --> 20:26.000
And then it doesn't really mean
to me.

20:26.000 --> 20:27.000
What do you do?

20:27.000 --> 20:30.000
His cousin was killed by an
American Iraq.

20:30.000 --> 20:31.000
And why did he say that?

20:31.000 --> 20:33.000
To listen to response?

20:33.000 --> 20:34.000
Let's fucked up.

20:34.000 --> 20:35.000
Isn't it?

20:35.000 --> 20:36.000
He said, you know what?

20:36.000 --> 20:37.000
He's really going to rock.

20:37.000 --> 20:38.000
He looked very similar.

20:38.000 --> 20:40.000
Well, this is the same desert.

20:40.000 --> 20:41.000
Yeah.

20:41.000 --> 20:42.000
You okay, don't you?

20:42.000 --> 20:43.000
No, he really scared me.

20:43.000 --> 20:45.000
And then he said, why don't you
go?

20:45.000 --> 20:47.000
I'm linking road.

20:47.000 --> 20:48.000
Yeah.

20:48.000 --> 20:49.000
And opened up under the bushes,

20:49.000 --> 20:52.000
which fills the crowd of about a
year old already.

20:52.000 --> 20:53.000
Yeah.

20:53.000 --> 20:56.000
And take some of that stuff off
before someone puts a bomb under
the bed.

20:56.000 --> 20:57.000
Well, how do you feel it?

20:57.000 --> 20:58.000
Well, how do you feel it?

20:58.000 --> 21:01.000
Well, how do you feel about
what's happening over there?

21:01.000 --> 21:03.000
I don't give a shit.

21:03.000 --> 21:04.000
I don't live there anymore.

21:05.000 --> 21:09.000
Here, I still worry about my
condominium.

21:09.000 --> 21:10.000
Mm-hmm.

21:10.000 --> 21:11.000
And my business.

21:11.000 --> 21:12.000
What kind of business do you
have?

21:12.000 --> 21:13.000
catering.

21:13.000 --> 21:14.000
Okay.

21:14.000 --> 21:16.000
But do you pay taxes then,
right?

21:16.000 --> 21:17.000
What?

21:17.000 --> 21:19.000
You know where some of those
taxes are going?

21:19.000 --> 21:20.000
I don't give a shit.

21:20.000 --> 21:21.000
I live here.

21:21.000 --> 21:22.000
I take care of my business.

21:22.000 --> 21:23.000
Okay.

21:23.000 --> 21:26.000
I still wait for a swimming pool
to come here with tax money.

21:26.000 --> 21:27.000
Okay.

21:27.000 --> 21:29.000
Like to have a new jury.

21:29.000 --> 21:32.000
And New Jersey doesn't have
swimming pools from tax money?

21:33.000 --> 21:34.000
Wow.

21:34.000 --> 21:36.000
I live, I didn't live in the
wild.

21:36.000 --> 21:37.000
I didn't see it.

21:37.000 --> 21:38.000
Okay.

21:38.000 --> 21:39.000
What are you doing here,
Florida?

21:39.000 --> 21:40.000
It's not like you're giving it
to me.

21:40.000 --> 21:41.000
I am.

21:41.000 --> 21:42.000
I'm doing some sound seeing.

21:42.000 --> 21:43.000
Okay.

21:43.000 --> 21:47.000
I'm taking my friends on a sound
seeing tour of a bush.

21:47.000 --> 21:48.000
Drive.

21:48.000 --> 21:50.000
Have you tried Lincoln Road yet?

21:50.000 --> 21:51.000
No.

21:51.000 --> 21:52.000
What's on Lincoln?

21:52.000 --> 21:53.000
I think something.

21:53.000 --> 21:55.000
I know a lot of people like to
watch CNN.

21:55.000 --> 21:56.000
Mm-hmm.

21:56.000 --> 21:57.000
To the news.

21:57.000 --> 21:58.000
Yeah.

21:58.000 --> 21:59.000
I'll tell you what to hear.

21:59.000 --> 22:02.000
I'm a friendly location to
people already.

22:02.000 --> 22:03.000
He did it.

22:03.000 --> 22:04.000
She did it.

22:04.000 --> 22:07.000
Corporate office was because
everywhere.

22:07.000 --> 22:10.000
Corporate office used everywhere
where he did it.

22:10.000 --> 22:11.000
She did it.

22:11.000 --> 22:14.000
At the cross state line from
California to Florida.

22:14.000 --> 22:15.000
And then no one does their job.

22:15.000 --> 22:17.000
There's garbage.

22:17.000 --> 22:18.000
Under.

22:18.000 --> 22:19.000
The bushes.

22:19.000 --> 22:21.000
The garbage.

22:21.000 --> 22:23.000
Inside the planners.

22:23.000 --> 22:25.000
So what you're saying is it's
all the hidden from sight.

22:25.000 --> 22:26.000
It's being hidden.

22:26.000 --> 22:28.000
And they're so upset already.

22:28.000 --> 22:29.000
Who's going to clean it?

22:29.000 --> 22:31.000
That's all I can put a bomb and
do it.

22:31.000 --> 22:34.000
And the reason why I say that
somebody is really.

22:34.000 --> 22:36.000
Are you from the West Bank in
JavaScript?

22:36.000 --> 22:37.000
Are you Israeli?

22:37.000 --> 22:38.000
I'm American.

22:38.000 --> 22:39.000
Are you Jewish?

22:39.000 --> 22:40.000
No.

22:40.000 --> 22:41.000
No.

22:41.000 --> 22:42.000
I converted to Rome with the
file for it.

22:42.000 --> 22:43.000
I used to be Jewish.

22:43.000 --> 22:45.000
I made an even exchange.

22:45.000 --> 22:47.000
Okay.

22:47.000 --> 22:48.000
I made an even exchange.

22:48.000 --> 22:50.000
Are you better off with your
deal?

22:50.000 --> 22:51.000
Yes.

22:51.000 --> 22:52.000
You know why?

22:52.000 --> 22:54.000
Because they told me you don't
have David who

22:54.000 --> 22:57.000
Jesus Christ comes from the
house of David.

22:57.000 --> 23:00.000
You don't have to get married to
a woman.

23:00.000 --> 23:05.000
They'll just take his firm and
give it to the girl.

23:05.000 --> 23:08.000
And see what happens.

23:08.000 --> 23:09.000
And if you know what?

23:09.000 --> 23:11.000
I haven't heard that from
Jewish.

23:11.000 --> 23:12.000
I'll take that first.

23:12.000 --> 23:13.000
What's your name?

23:13.000 --> 23:14.000
David.

23:14.000 --> 23:15.000
I'm Adam.

23:15.000 --> 23:16.000
Nice to meet you, David.

23:16.000 --> 23:18.000
So that's what I'm upset about.

23:18.000 --> 23:19.000
All right.

23:19.000 --> 23:20.000
I'm upset about it.

23:20.000 --> 23:21.000
I'm about to trash.

23:21.000 --> 23:22.000
I'm about to trash.

23:22.000 --> 23:23.000
Because it's literally hit me.

23:23.000 --> 23:24.000
It's not a trash.

23:24.000 --> 23:25.000
Yeah.

23:25.000 --> 23:26.000
You know what?

23:26.000 --> 23:29.000
This isn't as very park.

23:29.000 --> 23:30.000
Right.

23:30.000 --> 23:31.000
I mean.

23:31.000 --> 23:33.000
You know.

23:33.000 --> 23:35.000
A coin island left.

23:35.000 --> 23:37.000
A coin island of 20 years ago.

23:37.000 --> 23:38.000
Lincoln Road.

23:38.000 --> 23:39.000
People hold their whole life.

23:39.000 --> 23:40.000
Work hard.

23:40.000 --> 23:41.000
Yeah.

23:41.000 --> 23:43.000
To make money, to buy an
apartment.

23:43.000 --> 23:44.000
To open a business.

23:44.000 --> 23:47.000
And then they have some staggy
from Club Monica saying,

23:47.000 --> 23:51.000
No, I can't leave my friends gay
to see the bombs in the garbage.

23:51.000 --> 23:52.000
Under the garbage under here.

23:52.000 --> 23:53.000
Because California.

23:53.000 --> 23:55.000
State line rule.

23:55.000 --> 23:57.000
Say I can do whatever I want in
Florida.

23:57.000 --> 23:58.000
What the fuck is wrong with
them?

23:58.000 --> 23:59.000
I don't know.

23:59.000 --> 24:01.000
And that's excuse.

24:01.000 --> 24:02.000
Corporate.

24:02.000 --> 24:06.000
Tell them, you know, Governor
Jeb Bush is a redneck dick.

24:06.000 --> 24:07.000
Okay.

24:07.000 --> 24:14.000
And he doesn't go for this
California state line bullshit
with the state of Florida.

24:14.000 --> 24:15.000
His state.

24:15.000 --> 24:17.000
Don't tell him not.

24:17.000 --> 24:20.000
Stop putting the blame on the
German.

24:20.000 --> 24:23.000
Stop putting the blame on the
Jew.

24:23.000 --> 24:26.000
You're deep, man.

24:26.000 --> 24:28.000
I'm going to keep walking David.

24:28.000 --> 24:29.000
Nice talking to you.

24:29.000 --> 24:30.000
Nice talking to you.

24:30.000 --> 24:31.000
All right.

24:31.000 --> 24:32.000
Listen, friends down the street.

24:32.000 --> 24:33.000
I guess.

24:33.000 --> 24:34.000
You find good places today.

24:34.000 --> 24:36.000
You find good places.

24:36.000 --> 24:37.000
It's all right.

24:37.000 --> 24:39.000
There's one thing that's missing
from South Beach.

24:39.000 --> 24:44.000
And if you know business people
that are interested, it's a
Walmart.

24:44.000 --> 24:45.000
A Walmart.

24:45.000 --> 24:46.000
A Walmart.

24:46.000 --> 24:47.000
You know why?

24:47.000 --> 24:48.000
The wing.

24:48.000 --> 24:49.000
The sort of called wing.

24:49.000 --> 24:52.000
Which tries to do the Walmart
job.

24:52.000 --> 24:53.000
But it's doing it.

24:53.000 --> 24:54.000
At one point you did do it.

24:54.000 --> 24:57.000
Which is a car, 20, 30 people.

24:57.000 --> 24:58.000
Have everything.

24:58.000 --> 24:59.000
We need a Walmart.

24:59.000 --> 25:02.000
We need to get rid of wings of a
Walmart.

25:02.000 --> 25:05.000
You know, and hire the people
that used to work at wing.

25:05.000 --> 25:07.000
I'm going to pass that on.

25:07.000 --> 25:08.000
Take it easy.

25:08.000 --> 25:09.000
Okay.

25:09.000 --> 25:11.000
Wow.

25:11.000 --> 25:13.000
There you go.

25:13.000 --> 25:16.000
Uh.

25:16.000 --> 25:20.000
I think the most important
message I got from our friend
David was that there's an
opportunity

25:20.000 --> 25:21.000
for Walmart down here.

25:21.000 --> 25:24.000
Otherwise, I'm not quite sure
what we just learned.

25:24.000 --> 25:26.000
I'm going to leave it all in
here, though.

25:26.000 --> 25:28.000
Because that's what it is.

25:28.000 --> 25:29.000
That's what happens in real
life.

25:29.000 --> 25:32.000
People stop you on the street
and start talking to you.

25:32.000 --> 25:34.000
And sometimes you have no idea
what they're talking about.

25:34.000 --> 25:36.000
And sometimes you want to walk
away from them.

25:36.000 --> 25:37.000
Sometimes you keep walking.

25:37.000 --> 25:40.000
And hey, that's what happens in
real life.

25:40.000 --> 25:43.000
That by the way, doesn't happen
on radio shows.

25:43.000 --> 25:45.000
If, uh.

25:45.000 --> 25:47.000
If any.

25:47.000 --> 25:51.000
Let's say broadcast radio
program.

25:51.000 --> 25:54.000
Run into that on their sound
seeing tour of South Beach.

25:54.000 --> 25:56.000
They would cut it out.

25:56.000 --> 25:58.000
Because it was too politically
loaded.

25:58.000 --> 25:59.000
And whatever.

25:59.000 --> 26:00.000
I'm leaving that shit in.

26:00.000 --> 26:01.000
Okay.

26:01.000 --> 26:05.000
We're here at the corner of
ninth and ocean.

26:05.000 --> 26:07.000
And we're going to walk down.

26:07.000 --> 26:09.000
And we're going to listen to all
the sounds.

26:09.000 --> 26:11.000
I'm going to narrow it a little
bit of it.

26:11.000 --> 26:13.000
And we're going to listen to
what people say.

26:13.000 --> 26:14.000
And what people offer me.

26:14.000 --> 26:15.000
Because you know what?

26:15.000 --> 26:16.000
Let's go up to 10.

26:16.000 --> 26:18.000
Because I want to get the full
blown.

26:18.000 --> 26:20.000
I want to go as much as
possible.

26:20.000 --> 26:22.000
And also between ninth and ten.

26:22.000 --> 26:24.000
There's the tropical cafe.

26:24.000 --> 26:27.000
Where the girls try to hustle
you to come in.

26:27.000 --> 26:32.000
And they look really cute.

26:32.000 --> 26:35.000
And we're actually, I'm across
the street from the top.

26:35.000 --> 26:37.000
I'm walking up.

26:37.000 --> 26:39.000
And I'm still on the ocean side.

26:39.000 --> 26:42.000
And I'm going to cross over at
10th street.

26:42.000 --> 26:43.000
And then we're going to walk
down.

26:43.000 --> 26:45.000
See, what are we at?

26:45.000 --> 26:47.000
Yeah, it should be just about
perfect.

26:47.000 --> 26:50.000
So we'll probably be another 15
minutes.

26:50.000 --> 26:58.000
We spent a little bit of time
with our friend David there.

26:58.000 --> 27:03.000
So with all this, with the sound
stuff, the sound trip that I'm
on today,

27:03.000 --> 27:07.000
is the theater of the mine,
which I was spoken about before.

27:07.000 --> 27:10.000
If you've never been to South
Beach, you're hearing all these
sounds.

27:10.000 --> 27:13.000
I know that you're hearing it
because I have the head set on.

27:13.000 --> 27:16.000
And I know that the microphone
is great.

27:16.000 --> 27:18.000
I'm really picking up all these
sounds.

27:18.000 --> 27:20.000
So this is good.

27:20.000 --> 27:22.000
And you're going to just listen
with me.

27:22.000 --> 27:25.000
And in your mind, you're going
to draw all these pictures.

27:25.000 --> 27:27.000
And these pictures will be your
pictures.

27:27.000 --> 27:28.000
And they won't be anyone else.

27:28.000 --> 27:29.000
There'll be unique to you.

27:29.000 --> 27:30.000
But you know what?

27:30.000 --> 27:32.000
It's your brain doing some fun
work.

27:32.000 --> 27:33.000
It's your imagination.

27:33.000 --> 27:35.000
It's your creative juices
flowing.

27:35.000 --> 27:38.000
Completely the opposite of
television, by the way.

27:38.000 --> 27:46.000
I pointed again to the zen of
the zen TV experiment on my
weblog curry.com.

27:46.000 --> 27:48.000
Please check it out.

27:48.000 --> 27:52.000
If you haven't read it, do this
because it will not disappoint
you.

27:52.000 --> 27:55.000
In fact, you're going to learn a
lot about yourself.

27:55.000 --> 27:58.000
And that you're not relaxed when
you're in front of television.

27:58.000 --> 28:01.000
You are actually working with
someone else's pictures in
imagination.

28:01.000 --> 28:03.000
And it's very tiring.

28:04.000 --> 28:07.000
And it's actually the equivalent
of sucking on the cock.

28:07.000 --> 28:09.000
A big brother is my friend Don
would say.

28:09.000 --> 28:12.000
This doesn't sound as we now
cross over.

28:12.000 --> 28:15.000
We're going down the other
direction on ocean.

28:15.000 --> 28:19.000
So on the left, I have tables.

28:19.000 --> 28:24.000
And on the right, I have tables
on the right.

28:24.000 --> 28:27.000
Other people are going to try
and hustle me to look at their
menu.

28:27.000 --> 28:30.000
And to try and give me free
drinks.

28:31.000 --> 28:33.000
Let's see if we score anything.

28:37.000 --> 28:39.000
Okay, we're now at Cafe Med.

28:44.000 --> 28:46.000
No tunes here.

28:50.000 --> 28:51.000
Okay.

28:52.000 --> 28:54.000
Well, here's the song, what I
plan.

28:56.000 --> 28:59.000
I'll pretend I'm looking at the
food while I listen to the song
with you.

28:59.000 --> 29:01.000
Oops, must go on that.

29:03.000 --> 29:05.000
Yeah, fuck it, can't hear it.

29:08.000 --> 29:09.000
Let's walk out of the further.

29:09.000 --> 29:11.000
Ooh, I want to get us to guard.

29:11.000 --> 29:12.000
Hi.

29:12.000 --> 29:14.000
You have a small cojuva.

29:14.000 --> 29:15.000
Yeah.

29:15.000 --> 29:16.000
That's good.

29:16.000 --> 29:17.000
Yeah, how much is that?

29:17.000 --> 29:18.000
$8.

29:18.000 --> 29:20.000
What a bargain.

29:20.000 --> 29:21.000
What a bargain.

29:21.000 --> 29:23.000
Yes, please.

29:23.000 --> 29:24.000
With love.

29:24.000 --> 29:25.000
I don't know why I don't do that
way.

29:25.000 --> 29:26.000
Let me take it up.

29:26.000 --> 29:27.000
Let me take it up.

29:27.000 --> 29:28.000
$1.20.

29:28.000 --> 29:29.000
Let me change.

29:29.000 --> 29:30.000
But.

29:30.000 --> 29:31.000
No.

29:31.000 --> 29:32.000
No more.

29:32.000 --> 29:33.000
Let me take it up.

29:33.000 --> 29:35.000
Don't just cut it through the
plastic.

29:35.000 --> 29:36.000
No more.

29:36.000 --> 29:37.000
Okay.

29:37.000 --> 29:38.000
Okay.

29:38.000 --> 29:40.000
Not for any dollars cigar.

29:44.000 --> 29:45.000
Okay.

29:45.000 --> 29:46.000
Thank you.

29:50.000 --> 29:51.000
Yeah.

29:51.000 --> 29:53.000
Thank you.

29:53.000 --> 29:54.000
Thank you very much.

29:54.000 --> 29:55.000
Okay.

29:55.000 --> 29:56.000
Bye.

29:56.000 --> 29:56.500
Bye.

29:56.500 --> 30:08.500
So basically it's not a real
Cuban cigar. It's probably from
Honduras or let me throw the
plastic wrap around

30:08.500 --> 30:19.500
There's something about and of
course I'm not going to inhale
this and it's not made by big
brother

30:20.500 --> 30:24.500
So it's not as cock I'm chucking
on. It's not a very big cock
either.

30:31.500 --> 30:35.500
Where am I here? Where are the
locus? No one's sitting at the
locus.

30:36.500 --> 30:37.500
Okay.

30:39.500 --> 30:45.500
So we got a cigar and we're
still cruising down. What is
this? This is the...

30:46.500 --> 30:53.500
Oh man. This is... Oh there it
is. This is the tropical cafe.
Oh it's so cute.

31:00.500 --> 31:05.500
They're wearing all those
nothing and what is what they
are wearing is very tight.

31:06.500 --> 31:08.500
And well we're passing out.

31:09.500 --> 31:15.500
Ninestreet. Okay crossing.
Ninestreet. I don't think we
won't actually go down Lincoln
that our friend David suggested.

31:16.500 --> 31:21.500
We'll just walk down. This is
the prime time, which is the
next place we're passing here.

31:26.500 --> 31:32.500
I think that I have the little
jazz music for. I think that I
have the head set on. People
aren't going to bother me too
much.

31:32.500 --> 31:37.500
I think I'm preoccupied
listening to a fricking podcast.
But we're here. This is cafe
Milano.

31:50.500 --> 31:55.500
You're hearing some of the cars
driving by people. They drive
really slow here.

31:56.500 --> 32:01.500
In fact, you walk faster than
most of the cars because
inevitably there's a car that's
driving very slow

32:01.500 --> 32:14.500
to show off the sound system and
not just the sound system, but
probably also the cool chrome
rims.

32:23.500 --> 32:26.500
It's too much sun. I can't
really tell what this is.

32:27.500 --> 32:36.500
It is a cultural melting pot if
you listen to all the voices. So
you are totally getting your own
imaginary walk.

32:37.500 --> 32:45.500
If I said walking by a sidewalk
cafe right now, you're going to
say, I was a woman looking at
the menu.

32:45.500 --> 32:51.500
It's a couple of talking.
There's a waiter with a bad tie.
Someone just dropped her
silverware.

32:52.500 --> 32:59.500
You're imagining all this stuff
in your own little movie, right?
Your own picture is essentially
what you're seeing.

33:00.500 --> 33:07.500
Even though it's more than
likely completely not what is
actually happening or what it
looks like.

33:07.500 --> 33:21.500
It's not the news cafe now. The
news cafe is pretty much the
place to have lunch. It's on the
corner of eight and an ocean or
deco, I guess. Deco drive, ever.

33:22.500 --> 33:25.500
And they've night eight here the
other day.

33:26.500 --> 33:30.500
Now that we're such hipsters
that we can always get a table,
but we were just early for
lunch.

33:31.500 --> 33:39.500
Okay, don't kill me. Thank you.
It's gross. Here we are now.
This is what is this? This is
wet willys.

33:42.500 --> 33:44.500
What are you looking at?

33:46.500 --> 33:55.500
It's like cops of a door wet
willys to checking ID. Let's be
something really wet willys in
there. Got to check your ID.

33:55.500 --> 33:57.500
Start light hotel.

34:00.500 --> 34:03.500
Okay, and now we're just sea
cafe.

34:06.500 --> 34:08.500
Hi, thank you.

34:09.500 --> 34:17.500
So that's the trick if you don't
want to get hassled. Just put
your head phones on and people
won't talk to you or barely. She
only said hi because it smiled
at her.

34:19.500 --> 34:20.500
Hi.

34:20.500 --> 34:30.500
Where are we now? Oh, this is
the Johnny Rockets. They're
always playing good to them.
They've put it playing right
out.

34:32.500 --> 34:41.500
Oh, chasing the sunshine man.
Get down the night. Get down the
night. Get down the night. Get
down. He lives in Florida.

34:41.500 --> 34:44.500
I'll hang out with Casey.

34:45.500 --> 34:51.500
Pretty cool guy actually. He's
reinvented himself several
times. He's putting all his
money up his nose.

34:56.500 --> 35:09.500
Okay, we're now at building is
called Avalon. Has a Chevy. I
want to say it's a billaire. Is
it a billaire? It has a classic
car park that front.

35:09.500 --> 35:22.500
Let's see, I think it's a
billaire. It's definitely a
Chevy. Well, yeah, I'm going to
say that's a, it's a 57 maybe. I
don't know my car is too well.

35:23.500 --> 35:28.500
Man, the one thing though, there
are women here that have legs
that are so long.

35:28.500 --> 35:47.500
Okay, we just crossed the next
street. So we're at the majestic
the Avalon Hotel 660 on Ocean
and the next little sidewalk
cafe we have here is Casablanca.

35:47.500 --> 36:01.500
So we're lost a guy, walk a by
trying to sell a CD or some CD.

36:02.500 --> 36:06.500
I don't know what the office is.
What is this? This is Park
Central Hotel.

36:06.500 --> 36:16.500
Park Central Hotel. You will
recognize in pictures. There's a
real old-time car parked out
front.

36:17.500 --> 36:27.500
What kind of car would this be?
It's a Buick. Don't know what
the model is. It's kind of like
the gangster model.

36:27.500 --> 36:42.500
We have a dummy in there, which
is dressed up to look like
Humphrey Bogart. And that's what
people basically stand next to
and take pictures. It's a very
Disneylandish type of thing.

36:42.500 --> 37:03.500
Right. So we've pretty much
walked all the way past the
sidewalk cafes. And I guess that
would be it for the sound seeing
Miami walking up on the guy
here. He's also selling CDs.

37:03.500 --> 37:08.500
What's your guy brother? It's
that music from New York. And I
think it's called the world.

37:09.500 --> 37:12.500
What's your car? Do all live. Do
all live as in two.

37:13.500 --> 37:16.500
That's another guy walking
there. That's your partner.
That's my boys.

37:17.500 --> 37:19.500
And it's not in no store, so
that's why we are here for more
in ourselves.

37:20.500 --> 37:22.500
But you should have a boombox or
something to play it.

37:23.500 --> 37:24.500
I've got the headphones. I've
got the headphones.

37:25.500 --> 37:27.500
I can't put blasted off our
headphones.

37:28.500 --> 37:34.500
So you know, we've got anti
stone on an album. We're on tour
with her. She had a house of
blows.

37:35.500 --> 37:37.500
Really? He's opened up for 13
states throughout the US.

37:38.500 --> 37:42.500
We've worked at ACON and got him
on an album, hoody, Alicia Key,
was dead fresh.

37:43.500 --> 37:44.500
Really? Yeah, Jay would have
damaged her.

37:45.500 --> 37:46.500
But you don't have a record
deal.

37:47.500 --> 37:48.500
No, we're doing it
independently.

37:49.500 --> 37:52.500
By choice or you actually
shopped it anywhere. You're
trying to get it everywhere.

37:52.500 --> 37:55.500
You're having a pass. You're
having a pass. You know what?
It's fucking blows.

37:56.500 --> 37:58.500
You know what? You've got a
website where you sell this as
well.

37:59.500 --> 38:02.500
Not yet. You've got to sell on
the website. That's what you got
to do.

38:03.500 --> 38:06.500
So if I told someone I would
really like this CD.

38:08.500 --> 38:12.500
If I told someone I really like
this and I wanted them to go buy
it, where would I send them?

38:16.500 --> 38:17.500
To Miami. Now.

38:18.500 --> 38:20.500
How much is the CD? How much is
the CD?

38:22.500 --> 38:24.500
A couple weeks. Really? You
know?

38:25.500 --> 38:26.500
Do you know what the website
will be called?

38:27.500 --> 38:28.500
Yeah, it's right here. You're a
Dimash Music Group.com.

38:29.500 --> 38:30.500
So what's that's not up now?

38:31.500 --> 38:34.500
No, it's an construction like we
work because this is a new
project so we don't update it
now.

38:35.500 --> 38:36.500
What's your favorite song of the
album?

38:37.500 --> 38:38.500
Do you play on this? You sing on
this? You play on this?

38:39.500 --> 38:40.500
Easy, breezy.

38:41.500 --> 38:44.500
There's one with Andrew Stone.
Andrew Stone is fucking normal
by the way.

38:45.500 --> 38:46.500
So which one do you like?

38:47.500 --> 38:48.500
I'm checking it out.

38:49.500 --> 38:50.500
Some music from New York.

38:51.500 --> 38:53.500
Yeah, from Brooklyn. East New
York.

38:54.500 --> 38:55.500
On the East Coast.

38:56.500 --> 38:57.500
Tell me.

38:58.500 --> 38:59.500
13, yeah.

38:59.500 --> 39:00.500
Eight, half dead.

39:01.500 --> 39:02.500
Number seven. Well, I'm from.

39:03.500 --> 39:04.500
You tell me which one?

39:05.500 --> 39:06.500
Which one?

39:07.500 --> 39:08.500
13.

39:08.500 --> 39:09.500
Just one.

39:10.500 --> 39:11.500
That's a heat.

39:12.500 --> 39:13.500
Easy breezy.

39:14.500 --> 39:15.500
Adam.

39:16.500 --> 39:18.500
Definitely. I'm going to play it
for my friends too.

39:20.500 --> 39:23.500
Okay, do our live, right? Do our
live even better.

39:24.500 --> 39:25.500
Okay.

39:26.500 --> 39:27.500
Cool.

39:28.500 --> 39:29.500
All right.

39:30.500 --> 39:31.500
Well, shoot.

39:32.500 --> 39:33.500
Tell you what?

39:34.500 --> 39:35.500
On a mix of scene right now.

39:36.500 --> 39:37.500
See how much time do we have?

39:38.500 --> 39:39.500
Oh, perfect. Let's play this
song right now.

39:40.500 --> 39:41.500
And that'll take us out.

39:42.500 --> 39:48.500
You're going to listen to do our
live from Brooklyn, New York
from their brand new CD.

39:48.500 --> 39:51.500
The official free lunch mix CD.

39:52.500 --> 39:57.500
When the website is out, you can
find it at
www.redemptionmusicgroup.com.

39:58.500 --> 40:00.500
Yeah, I'll put a link to that in
the show notes.

40:01.500 --> 40:02.500
Here's easy breezy.

40:03.500 --> 40:05.500
Have a great weekend, everybody.
Bye-bye.

40:13.750 --> 42:38.750
[ Music ]

42:39.500 --> 42:42.500
I'm casting, it's Adam Curry

42:42.500 --> 42:43.500
Adam Curry

42:43.500 --> 42:44.500
In the kitchen

42:44.500 --> 42:45.500
In the kitchen

42:45.500 --> 42:46.500
All taking a bath

42:46.500 --> 42:47.500
In the kitchen

42:47.500 --> 42:48.500
Onions are easy, listen

42:48.500 --> 42:49.500
In the kitchen

42:49.500 --> 42:50.500
All making me laugh

42:50.500 --> 42:51.500
In the kitchen

42:51.500 --> 42:53.500
Morning, good night

42:53.500 --> 42:54.500
Good night, in the night

42:54.500 --> 42:55.500
Good night, in the night

42:55.500 --> 42:56.500
In the kitchen

42:56.500 --> 42:57.500
In the kitchen

42:57.500 --> 42:58.500
In the kitchen

42:58.500 --> 42:59.500
In the kitchen