WEBVTT 00:00.000 --> 00:03.360 source code for January 17th, 2005. 00:05.360 --> 00:09.920 Transmators, we don't need no stinking transmators. 00:13.920 --> 00:15.920 And good morning, good afternoon, good evening. 00:18.240 --> 00:21.920 Hi everybody, welcome to the day of the source code coming to you once again from 00:21.920 --> 00:24.480 Curry Cottage in in the affluence. 00:25.120 --> 00:27.920 Suray, suburb, cold gulfed. 00:29.680 --> 00:31.600 It's the start of a new week and we've got a lot of 00:31.600 --> 00:34.000 lots of stuff to talk about on the source code. 00:34.000 --> 00:36.880 All podcasts related of most of those. 00:39.440 --> 00:44.080 Well, a new start, a new way to kick off the source code. 00:44.080 --> 00:46.080 I've been receiving lots of emails from people. 00:46.080 --> 00:51.040 Now is more and more people are coming online and enjoying podcasts. 00:51.920 --> 00:56.080 It seems that the ID3 tags just aren't enough when searching through 00:56.960 --> 01:00.720 whatever messed up playlist system your particular MP3 player might have. 01:01.920 --> 01:07.440 So the request was, could you just start off by giving a little identification tag so that when someone hits 01:07.440 --> 01:11.120 the play button, they know exactly which source code they're listening to. 01:11.120 --> 01:13.600 Okay, fair enough, January 17th, 2003. 01:13.600 --> 01:24.160 I keep forgetting that when you got headphones on, you can't take your glasses off because you 01:24.160 --> 01:25.520 never get a background again. 01:25.520 --> 01:26.560 Okay, there we go. 01:26.560 --> 01:31.760 All right, 40 minutes approximately that is of all the latest goings on in the podcast 01:31.760 --> 01:36.960 land and lots of responses to the previous podcast from last week. 01:36.960 --> 01:42.320 The first thing I really want to talk about is the amount of response I got about my 01:42.320 --> 01:45.360 easy jet experience traveling with Egypt. 01:45.360 --> 01:50.480 In fact, I'm about to book another easy jet trip for this week to the Netherlands to do a couple 01:50.480 --> 01:52.240 of a couple of meetings. 01:52.240 --> 01:59.120 David Burgess said that he had a similar easy jet experience and he said polite, efficient, 01:59.120 --> 02:05.120 orderly, although the playing was smaller than the Airbus 319 on the one that I flew on. 02:06.080 --> 02:11.760 But I think this is, oh, he goes to this whole story about how people brought their own 02:11.760 --> 02:15.600 champagne on board and how the students were all kind of cool with it and how the other 02:15.600 --> 02:16.720 passengers were cool with it. 02:16.720 --> 02:22.480 All of these, of course, in the production show, it's OPML file, which I'm thinking about 02:23.200 --> 02:30.080 actually posting these in the blog post itself when I create the entry for Eves New Daily 02:30.080 --> 02:31.600 source code. 02:31.600 --> 02:36.880 Just probably need to format a little bit differently or polish it up so it doesn't look 02:36.880 --> 02:38.480 so crappy on a web page. 02:38.480 --> 02:41.120 But otherwise, you'll be able to get to all of those comments. 02:41.120 --> 02:42.120 That's a really good one. 02:42.120 --> 02:44.240 That's why I posted it up there. 02:44.240 --> 02:49.600 Just been trolling through my iPod, I spent most of the weekend downloading stuff. 02:49.600 --> 02:52.000 Of course, downloading automatically, transferring it to my I-River. 02:52.000 --> 02:56.720 I got to tell you, I am completely an I-River guy now. 02:56.800 --> 02:59.920 For some reason, it's just, it works better for me than the iPod. 02:59.920 --> 03:04.720 It certainly is nicer because I have the old iPod, not the mini. 03:04.720 --> 03:07.760 God forbid, not the micro or the, no, what was it? 03:07.760 --> 03:08.760 It's the shuffle. 03:08.760 --> 03:09.760 That's right. 03:09.760 --> 03:11.360 David Letterman had a bit that I saw last night. 03:11.360 --> 03:18.640 He had this little itsy bitsy, like an inch high by an inch wide mock-up of kind of like 03:18.640 --> 03:23.400 the iPod shuffle and he said, look, Paul, this is the iPod micro. 03:24.360 --> 03:26.360 It's like, yeah, exactly. 03:26.360 --> 03:28.600 One podcast, even, that would be perfect, wouldn't it? 03:28.600 --> 03:33.880 It's time once again for America's favorite radio show, the radio and such a subduct of Floyd, 03:33.880 --> 03:36.440 brought to you by ductafloey.com. 03:36.440 --> 03:39.480 This week, we join our heroes as a screen through time and space. 03:39.480 --> 03:59.320 Yeah, you just don't get radio like that anymore, do you? 03:59.320 --> 04:01.880 We were talking about Kennedy, the VJ. 04:01.880 --> 04:09.400 On my last sounding tour down to Starbucks at Gilford and Matthew Bishop, of course, quite 04:09.400 --> 04:13.480 active in the podcast community, checked in, he said, thought like, you know, that former 04:13.480 --> 04:19.880 MTV VJ Kennedy now hosts the game show network show, friends or foe, yeah, well, she probably 04:19.880 --> 04:23.880 has about the same amount of viewers as I have listeners to the source code, so we wish 04:23.880 --> 04:24.880 her well. 04:24.880 --> 04:27.880 It's just never was one of my favorite people, Kennedy. 04:27.880 --> 04:30.400 God, gosh, we got so much to go through. 04:30.400 --> 04:33.320 I have so many different sound clips and so many different things I want to talk about, 04:33.320 --> 04:36.240 particularly about the sound seeing tour, because people are really catching onto this 04:36.320 --> 04:42.400 concept and it's not just a concept that works when you're, well, I don't know, it works 04:42.400 --> 04:50.080 everywhere basically and I was turned on to another podcast, which is actually, it's not 04:50.080 --> 04:54.080 officially a podcast, it's a beer cast, now there are a lot of different beer cast, if you 04:54.080 --> 04:59.440 look at the iPodot org directory, which I heard by the way that the iPodot org is listed 04:59.440 --> 05:05.280 in the top 20,000 of most sites visited ever in the universe of the history of the 05:05.280 --> 05:10.560 Incarnets, and where did I hear that, I heard it on, gosh, this is the problem, you know, 05:10.560 --> 05:16.000 when you're listening to your I-river and open podcast that org for instance is something I 05:16.000 --> 05:20.240 listened to a lot, I subscribe to that, but also podcast brothers and there's so many different 05:22.080 --> 05:25.760 different podcasts that I just think, oh yeah, this is so great, I want to play a piece on my 05:25.760 --> 05:30.160 show, I want to talk about it and what I want is a knob, you know, a knob where I can hit that 05:30.160 --> 05:35.040 button, it remembers where it was, what file it was, let's me say something so I can, you know, 05:35.040 --> 05:39.680 leave a little audio note to myself, that's gotta be possible, someone, somehow in the, 05:39.680 --> 05:43.840 can someone hack that up in the firmware of the I-river please, I'll gladly pay for it, 05:43.840 --> 05:48.000 make it happen for me. So here's one of those things that I did, 05:48.000 --> 05:52.960 remember to put into today's podcast, this is the beer casting American tour, 05:53.840 --> 06:00.320 you'll be interested to hear this because this is global maybe. Hey Adam, this is Greg from 06:00.400 --> 06:05.200 beer casting.com, it's just right to let you know about the beer casting America tour, 06:05.200 --> 06:10.640 which I am just about to kick off over the next few months. I don't know if you have ever heard 06:10.640 --> 06:15.920 of one of our beer casts, but here's the scoop, what I do is I'm going on tour to a bunch of different 06:15.920 --> 06:20.880 cities, all across the US, I introduce a bunch of new people who have never really met before 06:21.680 --> 06:24.960 to what I call beer casting, podcasting with the buzz. 06:24.960 --> 06:35.440 That's a great slogan. Podcasting with the buzz. Podcasting with the buzz, everybody. 06:35.440 --> 06:39.680 That's what I, in fact, I wanted to call the Daily Source Code just that, the Daily Source Code, 06:39.680 --> 06:47.280 podcasting with the buzz. Beer cast is essentially a podcast that I record live in a bar, 06:47.280 --> 06:52.800 and then use all that RSS goodness to kind of get it out to the world. And I'll let people hear, 06:52.800 --> 06:56.080 you know, what everyone's thinking about, all kinds of random shit from 06:56.960 --> 07:02.240 why men are love cat fights down to politics down to tsunami, everything in between. 07:04.240 --> 07:10.240 The tour actually just got started this week. It's going on. It was out in Worcester, Mass. On Tuesday, 07:10.240 --> 07:15.360 hosted about 14 people out there. Also had a few people down in New York City doing it the same time. 07:17.280 --> 07:22.480 Later on this month, I'll be hitting DC. Next Tuesday, the 18th, Seattle, Washington. 07:22.480 --> 07:28.800 On the 23rd, Portland, Oregon, on the 26th, then goes on to February, and I'll be in Houston, 07:28.800 --> 07:34.720 on the 7th, San Antonio, on the 8th, Austin, on the 9th. The second half of February, 07:34.720 --> 07:40.480 and we'll go shoot down to Florida. Checking out West Palm Beach on the 20th, for Waterdale, 07:41.040 --> 07:46.880 on the 21st, and South Beach, which you know, good and well. In the 22nd. 07:47.680 --> 07:53.600 Seriously, though, the best part for me is not really the travel. The cool thing is that on 07:53.600 --> 07:59.600 every city I visited or talked to or been to, it's somebody down there is helping me organize the event. 07:59.600 --> 08:04.800 You know, they're getting people together to help me find location. I've been to some 08:04.800 --> 08:08.400 most of these places, but you know, I've been there so long. So it's really great that people 08:08.400 --> 08:11.280 come out of water work and they're saying, hey, you know, I love you to come down here to look 08:11.280 --> 08:15.680 if you do it down here. March is, you know, kind of distant dream right now, but already 08:15.680 --> 08:19.680 it looks like California is where I'm going to be. Getting people already sent it, you know, 08:19.680 --> 08:24.960 and invite me to come do it down there. I'm really hoping that if there's any daily source 08:24.960 --> 08:29.280 code listeners out there and one of these cities or someplace that they think it'd be great to do 08:29.280 --> 08:37.120 one, I hope you come out, meet up, shoot me an email. Full schedule's up at www.bearcastin.com, 08:37.120 --> 08:40.720 and you can check out some of the old shows and see how people are going to do it and what 08:40.720 --> 08:47.360 we do and enjoy a lot of fun. You can also email me, graygetbeardcasting.com. Well, 08:47.360 --> 08:51.840 well, thanks for listening and I hope you're a bandwidth get solved real soon. 08:51.840 --> 08:56.560 Oh, great. Oh, please. Oh, the fucking bandwidth. It's killing me, man. It's fucking killing me. 08:58.400 --> 09:03.280 I put a big post on my weblog today. Hopefully to get someone animated to come out and help me 09:03.280 --> 09:09.360 before I start pulling up the curb myself to connect the last 15 meters. The last, you know, 09:09.360 --> 09:16.960 30 feet or so of 50 feet maybe of wire. And when I listen to that, right, and I listen to as many 09:16.960 --> 09:22.080 podcasts I possibly can. Most people, including my wife, my lovely wife Patricia, say, where do you 09:22.080 --> 09:27.680 find the time to listen to all these? Well, actually, it's very clear where I find that time. 09:27.680 --> 09:32.480 It's at Starbucks. Three hours a day is when I'm checking everything out. I'm not just uploading 09:32.480 --> 09:37.760 and also downloading folks. But when I hear stuff like this, right, I'm thinking of myself, hold on. 09:37.760 --> 09:42.000 We got to crank up the reverb here for a second. Ow, let's see if we can do this. Hello, 09:42.000 --> 09:48.480 wait, that's the wrong. I'm doing the wrong thing here. No, I wanted to. Okay, let's see if I can, oh, 09:48.480 --> 09:55.760 oh, oh, oh, oh, let's see. Okay. Hello. Okay. We are now turning the podcast transmitter towards 09:55.760 --> 10:02.640 St. Louis, Missouri. Hello, and heiser Bush. Robert McColley and heiser Bush pay attention. 10:02.640 --> 10:09.600 People are doing beer casts. A perfect moment to underwrite a beer cast. Okay. Let me, yeah, 10:09.600 --> 10:13.680 there we go. Turn on the reverb. Just like, you know, there's opportunity out there. Anyone coming 10:13.680 --> 10:20.000 into the beer space right now could own that in podcasting. And I certainly hope Greg has a good 10:20.000 --> 10:25.600 time on this tour. I wonder what people are drinking. I'm certainly one that's going to be 10:25.600 --> 10:31.040 subscribing to the show and listening to it. Okay, about the sound seeing tour, which is certainly 10:32.000 --> 10:35.680 as you'll find out later on in today's podcast. It's not something that's new, 10:35.680 --> 10:40.800 but it is something that we've kind of forgotten, you know, just sound. What does it sound like when 10:40.800 --> 10:45.520 you're somewhere? In fact, there's a, the new Ray Charles movies coming out, right, with James 10:45.520 --> 10:52.080 at Jamie Far from an living color, who was Jamie Far from Saturday Night Live. In living color, 10:52.080 --> 10:58.480 I guess, right? Who does a fantastic Ray Charles? Absolutely blows me away. Can't wait to see 10:58.480 --> 11:02.560 this movie, but there's a guy who, you know, from age seven, six or seven, I think, 11:03.840 --> 11:10.160 only had sound. And we forget about that. And we forget about how much sound there is. And basically, 11:10.160 --> 11:15.840 on the radio sound is all mushed and mangled into one, you know, big commercial block that kind of 11:15.840 --> 11:21.920 flows towards you, not all radio, of course, but lots of, lots of radio. So people are really 11:21.920 --> 11:26.320 catching on to these sound seeing tours. And I'd love to hear if other people are doing them, 11:26.320 --> 11:30.880 and I'd love to, you know, go on a sound seeing tour of my own, not while recording, but while 11:30.880 --> 11:36.480 listening to someone else. And I've got a lot of response to the last one, and so of course, I did the 11:36.480 --> 11:41.920 my, my first sound seeing tour on South Beach, walking down the ocean drive in, in Florida. 11:41.920 --> 11:46.960 The other one I did last was it Friday. In fact, I went to drop Christina off at, 11:48.640 --> 11:54.800 near the high street yesterday. She was meeting up with some friends from school to go hang out, apparently. 11:54.880 --> 11:58.320 It's pretty pretty harmless, I guess, for them to hang out here and gilford, 11:58.320 --> 12:03.360 can't run into too much trouble. And Patricia called me and said, are you recording? You 12:03.360 --> 12:09.120 should record that when you drop her off and what it's like? Good idea. I will. I certainly, 12:09.120 --> 12:15.040 maybe she's just Mike Christina, and let her go on a sound seeing tour. Sound seeing tour gilford 12:15.040 --> 12:20.320 has a 14-year-old girl. I'm learning so much. We've got, you know, that here in the UK, 12:20.320 --> 12:25.440 so at her school, there are different groups of people. I'm not going to digress on this too much, 12:25.440 --> 12:30.240 but we've got the chaves, and we've got the pikes. And I'm learning more, and more, I think I'm 12:30.240 --> 12:34.240 probably more like a pikesy myself, but we're learning more about these groups every day as we settle 12:34.240 --> 12:37.680 into the English culture. Anyway, so the number one thing people want to know about my 12:38.480 --> 12:43.840 sound seeing tour is the setup. What am I using to record it? And I think that this is really key, 12:43.840 --> 12:48.240 because first of all go through the elements, and then I'll tell you why these are probably the 12:48.320 --> 12:52.320 right elements to use and why they're important. So the recording device is my iRiver, 12:52.320 --> 12:59.200 IFP799. They're several different models. I like this one because it can hold up to a gig 12:59.760 --> 13:07.120 of recording, and if you do, it's, I see I recorded 44 kilohertz on 128 KBPS. That's what I record at, 13:07.120 --> 13:11.040 not what it actually gets sent out as, but I want to have a really high quality recording to start with. 13:11.840 --> 13:16.160 And that's about a megabyte a minute. So if you do, you know, 40 minutes, you're going to be 13:16.160 --> 13:22.320 pretty much around 40 meg. So plenty of plenty of space in there. What I like about the iRiver is you 13:22.320 --> 13:27.440 can, when you put it into record mode, and of course you can lock it, right? So you put this little 13:27.440 --> 13:35.440 iRiver into your pocket, and it won't automatically switch off. It plays the sound through. So 13:35.440 --> 13:39.920 you can crank up the volume, and essentially when you have the earbuds in your ears, you're listening 13:39.920 --> 13:44.800 to exactly what people will hear when they listen to the sound seeing tours. And believe me, 13:44.880 --> 13:48.960 you hear a very different sound scape than when you're just listening with your ears. 13:49.520 --> 13:54.960 So then what I do is I hook up my wireless microphone said. This is the kind, this is a 13:54.960 --> 14:00.960 electro-eli shit. Hold on a second. Let me, let me just grab around my bag and make sure. 14:01.680 --> 14:02.960 Yeah, that's a real good production. 14:02.960 --> 14:14.240 Yeah, here it is. Sorry. I should have that. Prepared for you. This is the, okay, it's the 14:14.240 --> 14:25.440 electro-eli CT-R-O. U-M-1-1-0. This is a set that we picked up, so there's many times before. 14:26.160 --> 14:32.160 When we did a reality show to the Adam's family, and it's of course complete overkill to have 14:32.720 --> 14:37.360 the transmitter in my front pocket, and the receiver in my back pocket hooked up to the 14:37.360 --> 14:47.280 R.I. River. The advantage is this microphone is incredible. The way it picks up audio, 14:47.280 --> 14:52.080 and it has a little lovelier, so you can just clip it onto your collar and no one will really 14:52.080 --> 14:57.520 know that you're recording anything. The sound is phenomenal. That's what everyone hears. You can 14:57.520 --> 15:03.440 hear everything around you. It has a very light compression in it. Of course, garbage and garbage 15:03.440 --> 15:08.880 out. You've got to have the right microphone. This works for me. I'm sure that there are other 15:10.080 --> 15:15.200 mic setups that will work, but that's what everyone wants to know. It's the electro-U-M-1-10 15:15.200 --> 15:22.000 electro-U-HF transmitter receiver pair. Not cheap. I'll tell you that. I think I paid $2,000 15:22.000 --> 15:32.720 euros for that, so that's almost $4,000 these days. Then what I do is I basically connect the 15:32.720 --> 15:42.880 out of the electro receiver up to the input of the I-River, switch it on, and then I can listen 15:42.880 --> 15:49.120 to exactly what I'm recording. Another additional benefit of this setup is that if you hold the 15:49.120 --> 15:53.360 I-River in your hand, and you're left hand, for instance, and of course the wires are hooked 15:53.360 --> 15:58.240 up to your head, right, and there's another wire running into your pocket to the receiver of the 15:58.960 --> 16:04.960 microphone receiver, is that it looks like you're holding onto a cellular phone. Therefore, if you're 16:04.960 --> 16:09.440 walking down the street, talking crap, you know, doing your sound seeing tour, people basically 16:09.440 --> 16:13.680 won't look at you like you're some degenerate idiot, or the villager idiot for the 16:14.320 --> 16:19.200 walking around talking to yourself. Alternatively, you can just keep the hold the cell phone up 16:19.200 --> 16:25.040 to your ear, even though it can be off just pretending like you're talking into it. But I predict 16:25.040 --> 16:28.800 that pretty soon it'll be normal, you know, people are doing sound seeing tours all over the 16:28.800 --> 16:35.200 place, and it'll be a very normal thing to see in the city or village landscape. One additional bit 16:35.200 --> 16:42.720 I would really love to have if it was at all possible. One additional feature would be GPS. 16:44.000 --> 16:50.400 I'm so convinced that if I could connect GPS data to the sound seeing tour, that we'd have 16:50.400 --> 16:56.160 something absolutely phenomenal. Better yet, wouldn't it be great just to have some kind of GPS 16:57.600 --> 17:01.680 it is basically a connection with GPS, so I could do the sound seeing tour. I could, you know, 17:01.680 --> 17:08.320 mark where I make a comment, and you could follow along with that tour, or alternatively, 17:08.400 --> 17:15.440 you could just be walking anywhere, and let's say you had an iPod, an MP3 player with GPS in it, 17:15.440 --> 17:22.880 and it would download GPS data, so let's say we had the sound seeing tour. God damn it, 17:22.880 --> 17:27.680 I should register that domain name. What we're doing that, let me see if that's available. 17:27.680 --> 17:32.560 Sound seeing tour.com, of course, what I would, my computer is not going to like me doing this 17:32.560 --> 17:37.920 while I'm recording. Okay, before I upload the show, I'm checking God damn it, so you can't capture 17:37.920 --> 17:43.920 that from me right away. I'll shoot. Now my computer is completely hoising out. Hold on, let me see if 17:43.920 --> 17:51.040 Firefox will die. Go away. Go, please. Hide. Okay, great. So you basically upload your data. So let's 17:51.040 --> 17:56.560 say I upload the data for a gilford, and if you're walking around gilford, then, you know, your MP3 17:56.560 --> 18:01.200 player will go, bling, you know, we've got a message in this spot, and then I could, you know, click, 18:01.200 --> 18:06.320 and then it would automatically bring me that or play that a sound file for me. Of course, 18:06.320 --> 18:10.800 it seems like this would be logical to have it. Maybe we need to be able to put that into the RSS. 18:10.800 --> 18:19.760 Yeah, there you go. So we need data that we can add into RSS feed along with the enclosure. 18:19.760 --> 18:23.200 So, hey, there's another reason for a name space. Does anyone get what I'm talking about? 18:23.200 --> 18:28.720 Where you can basically have these comments in space, so you could subscribe to sound 18:29.360 --> 18:31.840 something like that. There's something in there that we got to work on. 18:32.720 --> 18:37.440 And I've got a lot of comments and actually a real old fashioned 18:39.680 --> 18:46.720 sound sing tour from the 1940s, but first a word from Patrick. Hey, Adam, this is Patrick from 80s 18:46.720 --> 18:52.240 Airwaves, not a podcast, but a full-time online radio station dedicated to 80s music, movie clips, 18:52.240 --> 18:56.880 and more. Now that you have your bandwidth, check us out as we broadcast live from a bonus room 18:56.960 --> 19:02.560 over the garage at 80sairwaves.com. I just listened to your podcast on last week your sound trip 19:02.560 --> 19:08.160 down ocean drive and south beach. I think it's the best podcast I've heard so far. You mentioned 19:08.160 --> 19:11.760 two things that caused me to put this audio reply together. First, you mentioned how you're 19:11.760 --> 19:15.280 involvement in the music business during the 80s caused you to miss a lot of the great stuff 19:15.280 --> 19:20.000 that came out during that period. Our radio station plays a really wide variety of great music 19:20.000 --> 19:25.680 from the 80s, not just the MTV stuff, but we throw in some scop, punk, rap, hair bands, more. 19:25.760 --> 19:29.280 So I hope you'll check us out and let me know what you think. This could be your chance to 19:29.280 --> 19:35.920 catch up on what you missed back then and Patrick got some cowbells. Second, you sounded pretty 19:35.920 --> 19:41.520 stressed about the response to the interview with Madge from the East Radio person. Personally, 19:41.520 --> 19:46.560 having survived cancer and radiation treatment myself and even having lost my father to cancer, 19:46.560 --> 19:50.080 I personally like to tell people just to chill the fuck out. There are a lot more important 19:50.080 --> 19:55.360 things in life to do than to get up tight about one person has to say about yeast infections. 19:55.440 --> 19:59.200 So chill out people. That's it Adam. Keep up the great work. 19:59.200 --> 20:04.880 Alright, Patrick, excellent. Thanks very much, Madge. Yeah, my mom has a sign on the her, 20:04.880 --> 20:10.720 one of those old fashioned, what do you call it? My great grandmother used to knit them all the time. 20:11.920 --> 20:18.320 Oh, shoot. A sampler is that we call it a sampler? And it's basically it's a crocheted or knit 20:18.880 --> 20:25.280 type thing that hang on the wall and it has little slogan there like the one I remember is the road 20:25.280 --> 20:32.400 to a friend's house is never long. But my mom has one and it's I used to complain about my shoes 20:32.400 --> 20:38.720 hurting my feet until I met a man who had no feet. And yeah, that's obviously true. You know, 20:38.720 --> 20:42.880 I'm bitching and moaning about my bandwidth but the hell of a lot worse that could be happening to me 20:42.880 --> 20:46.560 or you know, could have happened to have been very fucking lucky in the past year. So 20:49.040 --> 20:51.920 you're right, Patrick, there you go. We also just chill out. And by the way, 20:52.800 --> 21:00.080 I've been listening to Madge's recent podcasts. The one about Apple about Steve Jobs keynote is 21:00.080 --> 21:06.480 fucking hilarious. You got to listen to it. Absolutely fantastic. Okay, now let's go back in time 21:07.280 --> 21:11.600 because we're going to listen to well, the introduction speaks for itself. Check this out. You're going to 21:11.600 --> 21:16.640 love this. Hi Adam, this is Jim Widner. I wanted to tell you that first of all how much I've been 21:16.640 --> 21:22.800 enjoying your daily source code sound scene tours. Your recent tour to Starbucks reminded me of an 21:22.800 --> 21:29.120 MP3 file that I have in my collection. It's from a radio series that the BBC and CBS radio 21:30.000 --> 21:37.440 put together in 1940 called London after dark. One of the programs featured CBS radio bureau chief 21:37.440 --> 21:43.760 Edward Armerall standing near Trifagar Square with the air raid sirens blaring, giving listeners a 21:43.840 --> 21:48.560 sort of sound scene of the area during the blitz. So I thought you might be interested in hearing 21:48.560 --> 21:53.040 a clip from the program and I've included it here. I know we take you out of the streets of Black 21:53.040 --> 21:58.800 Outland and downstate Lake Crescent-Shade region streets along south to be Avenue of here to 21:58.800 --> 22:06.320 name into sharing crossroads London's Ken Panale and so to come down this way. Moving there is Edward 22:06.400 --> 22:19.680 Murrow, known to you as Columbia's European director. Come in Ed Murrow. 22:20.240 --> 22:26.720 This is the loudest where the noise that you hear at the moment is the sound of the air raid sirens. 22:28.000 --> 22:32.080 I'm standing here just on the steps of St. Martin's in the field. 22:32.720 --> 22:42.160 A search light just burst into action often in the distance. Man's single being slipping the sky above me 22:42.160 --> 22:48.480 now. People are walking along that way. We're just at the entrance of an air raid shelter here and I must 22:48.480 --> 22:57.120 move this kid over just to bits so people can walk in. I can see just straight away in front of me Lord 22:57.120 --> 23:06.080 Nelson on top of that big column. There's no search light. Just square behind Nelson's statue. 23:10.400 --> 23:13.440 That's like you listen to the traffic and the sound of the siren for a moment. 23:13.440 --> 23:16.400 I'm in California. Tell your man's steps in front of me to light a cigarette. 23:17.680 --> 23:22.160 There's some kind of those red buses around the corner. Do they look at the fire? 23:22.480 --> 23:29.120 Just a few lights on the top deck. In this blackness it looks very much like a ship that's passing in the knife and you just see the purple. 23:30.320 --> 23:32.880 That was another bus. More search lights come into action. 23:34.720 --> 23:39.520 You see them reach, they have been to the sky in the cave. Maybe they catch a cloud and seem to splash on the bottom of it. 23:43.920 --> 23:51.200 A little traffic lights here just a small cross on the Murrow's blood are now red. The cars pull up and 23:51.200 --> 23:58.160 stop. I'll just ooze down in the darkness here along these steps and see if I can pick up the sound of 23:58.160 --> 24:04.320 people's feet. Do they walk along? One of the strangest sounds one can hear in London these days, 24:04.320 --> 24:08.880 or rather these dark nights. Just the sound of footsteps walking along the screen. 24:10.000 --> 24:15.600 Like ghosts shot with steel shoes. Attachy goes up just in front and stops. 24:16.400 --> 24:19.520 Just waiting for that red light to change to green hole a siren cloud. 24:21.520 --> 24:26.160 There it goes and the cars move off. More search lights are in action. 24:26.960 --> 24:29.840 We've not yet seen any burst of anti-aircraft by a little bit of them. 24:32.240 --> 24:36.880 No parts of this doesn't necessarily mean that there are planes actually over London at this moment. 24:36.880 --> 24:38.560 We've had these warnings before, of course. 24:41.760 --> 24:44.480 Can you hear the siren just dying away in the distance now? 24:44.960 --> 24:52.240 Near red one walks out of this shelter. The shelter there is the crypt underneath this famous old church, 24:52.240 --> 24:57.200 just on the edge of the father's square. The crypt where in days of peace one was many women, 24:57.200 --> 24:59.200 whatever to find a night's slagginger. 25:06.400 --> 25:09.520 Industrial in all the steps of people coming up and to this old church. 25:09.520 --> 25:13.600 And so that went on to hang out square. 25:13.600 --> 25:18.240 How cool is that? Now you may have skipped past some of it because the quality was 25:19.280 --> 25:25.280 well, 1940's quality. Man, if we come a long way with sound quality. But it's not awesome 25:26.320 --> 25:29.760 that then people were blown away by that apparently. Of course they were. I mean, 25:29.760 --> 25:34.960 geez, you were listening to an air raid happening over London, which was thousands of miles away. 25:34.960 --> 25:40.400 And I presume that was live. I'm not sure if it was. But really cool to listen to. 25:40.400 --> 25:45.280 And I really appreciate the MP3 to be able to play that on the source code. 25:47.040 --> 25:52.640 I was going to say, oh yeah, by the way, if you are skipping past, I've noticed on the iRiver, 25:52.640 --> 26:02.080 which is highly configurable, actually. You can adjust the joystick as to how fast it's going to 26:02.080 --> 26:06.000 fast forward when you push it to the right or of course rewind when you push it to the left. 26:06.000 --> 26:09.840 And it does give you the audio as it skips the longs. You can make it go at like 30 seconds of 26:09.840 --> 26:14.160 pop at one second of pop. You can really change. I think it's like four or five different levels. 26:14.160 --> 26:18.960 You can change it for skipping. So another reason to look at the iRiver, I should really get paid by 26:18.960 --> 26:23.680 those fuckers, shouldn't I? Or they should at least fix the firmware so I can do more cool stuff with it. 26:23.680 --> 26:29.280 Anyway, cool. Sound sing tours. Definitely something that I want to hear more of. And I've been 26:29.280 --> 26:37.520 thinking about maybe something I should do is put a new podcast together where all of these 26:37.520 --> 26:41.280 clips that I play or maybe clips, maybe even clips that I don't play is probably better. 26:41.280 --> 26:45.200 Just a short podcast that I like. I can just kind of throw them into one bin and you subscribe 26:45.200 --> 26:49.600 to that and it just brings you all the all the new stuff that I think is worth listening to. 26:49.600 --> 26:54.320 That's something we can do. Oh, here that drunken voice again. That's one thing we haven't solved. 26:54.320 --> 27:01.760 Yep, it's the latency issues. I think there's a, in November, there's a podcast 27:01.760 --> 27:06.320 expo. We'll be held in California that I keep hearing about. I'm not sure. I think that the 27:06.320 --> 27:12.160 podcast brothers are actually organizing that. But they're talking about a place where, of course, 27:12.160 --> 27:16.880 podcasts, there's a come and meet each other. But also, where vendors, and I listen to the podcast 27:16.880 --> 27:21.040 brothers at podcast brothers that org all the time, where vendors will be able to show off their 27:21.120 --> 27:27.520 hard and software solutions for podcasters. Well, I certainly hope we have some by them because 27:27.520 --> 27:33.360 we don't really have them yet, except for mixed cast live, which, well, it works only on Windows with 27:33.360 --> 27:40.320 dot net. But there's so much, so we can do so much better with tools for, for making these podcast. 27:40.320 --> 27:45.680 We really can. And you know me, right? I am the guy who loves the short podcast. 27:46.320 --> 27:58.080 The legal underground word for the day is resend, which means you aggregate a null, avoid, or cancel 27:58.080 --> 28:05.440 a contract, particularly nullifying a contract by the act of a party, to declare a contract void 28:05.440 --> 28:11.520 in its inception, and to put an end to it, as though it never works. Not merely to terminate it 28:11.520 --> 28:16.800 and release parties from further obligations to each other, but you aggregate it from the beginning, 28:16.800 --> 28:22.000 and restore parties to relative positions, which they would have occupied, and no contract 28:22.000 --> 28:28.720 ever been made. Source, lacks law dictionary, with pronunciations fifth edition. 28:29.600 --> 28:34.240 All right, the legal word for the day is resend. There you go. See, that would be, we could do a 28:34.240 --> 28:38.880 little format where you, you know, put together an OPML file of your shit. That's almost that. 28:38.880 --> 28:43.440 That's a cool application. You could decide if you wanted the word of the day, the sound of the 28:43.440 --> 28:48.080 day, the grout show of the day, or the legal word of the day. I'm telling you, we got a station. 28:48.080 --> 28:52.240 It's very, very close. A couple of things I wanted to mention. First of all, I want to say 28:52.240 --> 28:57.600 hi to Irwin of Irwin's podcast in the Netherlands. I'm not really going to extrovert a piece of 28:57.600 --> 29:01.440 his show, nor do I want to extrovert pieces of all these podcasts that I talk about, but just 29:01.440 --> 29:06.320 want Irwin to know that I listen to his show. It comes out almost every single day, I think, 29:06.400 --> 29:11.600 or at least like four or five times a week. I listen to his show with great joy, not only for the, 29:11.600 --> 29:14.720 you know, the song that he plays every single day, which he's usually is 60s or 70s, 29:14.720 --> 29:21.040 oldies, oldies, too. But also he brings me up the speed within, like, what is it? Five or six 29:21.040 --> 29:25.840 minutes of exactly what's going on in the media landscape in Holland. And I don't even read the 29:25.840 --> 29:29.200 paper anymore. It's Irwin's podcast. I don't know what I'm listening to. I just want to say, 29:29.200 --> 29:34.240 Erwin Iglarse de Frachnallia. Also been exchanging a lot of email with the bitties, 29:34.320 --> 29:38.000 the civiest bitties. You know, my girls from New York City, 29:38.000 --> 29:42.640 bittiesforever.com is where you can find out all about them and their music and we've played them 29:42.640 --> 29:47.360 on the source code many times. There was a cover real special last Thursday, which I didn't 29:47.360 --> 29:50.160 catch until the weekend, but of course, doesn't matter because that's, you know, that's the great 29:50.160 --> 29:54.800 thing about it is your iPod, it will pick it up, you know, no matter when you do your iPod scan. 29:55.520 --> 30:01.760 And it was great to hear them, although God, I chat, socks, it was really quality. And I know that, 30:01.840 --> 30:05.200 yeah, there were apologies at front for the quality of that, but it was an eye chat conversation 30:05.200 --> 30:11.440 between Canada and I guess New York where the girls were. And yeah, it's just not cotton it. 30:11.440 --> 30:16.560 You know, Skype is far superior, but of course, Skype won't work properly on the Mac yet. 30:17.120 --> 30:23.840 And what an incredible opportunity. I mean, the Skype guys could make Skype the podcast tool 30:23.840 --> 30:28.880 do sure, you know, instead of call someone just record it straight to MP3. I hear, 30:29.440 --> 30:33.600 ah, where's that? I had a comment somewhere, which I'll probably won't be able to play today, 30:33.600 --> 30:38.800 because I can't find it right off the bat, but they also have a beta test of voice mail now. 30:39.520 --> 30:44.480 It'll send you an MP3 of voice mail. So even if your computer is not connected, it'll store the message for you. 30:44.480 --> 30:50.160 And then I guess you can retrieve it somehow. You know, so they've got all the bits in place. 30:50.160 --> 30:56.080 And then of course, to be able to call someone who has Skype and do an interview or have a conversation 30:56.160 --> 31:00.960 or conference in multiple people, I mean, it could be your own Gilmore gang set up, you know, 31:00.960 --> 31:05.520 even though, well, look at the stuff that Doug K does. He's got, you know, professional mixing board, 31:05.520 --> 31:09.840 professional audio, you know, phone bridge to hook everyone together. It could be done with Skype, 31:09.840 --> 31:13.520 but I don't know, Skype just isn't, you know, well, maybe they're sticking to their mission, 31:13.520 --> 31:18.960 which is probably a good thing. I am, by the way, about to order one of those Skype phones 31:18.960 --> 31:24.960 that you hook right up to your network. And you can use Skype directly from that phone. I think that'll be great. 31:25.120 --> 31:30.720 Considering that the Netherlands is one of the, except for Afghanistan, which, you know, 31:30.720 --> 31:34.240 you don't want to call Afghanistan. You might want to smoke it, but you don't want to call it. 31:35.360 --> 31:42.160 The Netherlands is the most expensive country to call in the world. What a racket the KPN has going on there, 31:42.160 --> 31:47.200 huh? She especially cell phones and Holland calling them from outside the country, forget about it. 31:47.200 --> 31:51.680 It's more than a pound of minutes. It's almost two bucks a minute just to call a cell phone 31:51.760 --> 31:58.400 from outside of the country. Anyway, so the Bitties, a great interview on coverbill, check it out 31:58.400 --> 32:05.760 coverbill.com, and you recall that when CBS evening news came to interview me in South Beach, 32:05.760 --> 32:15.040 that I set up a little podcast for the interviewer, Sharon, Elfonci, and I used the list of 32:15.040 --> 32:18.960 these Bitties. I want to be famous, which, of course, is the, you know, I thought about it, right? 32:18.960 --> 32:23.680 It's the perfect song for the type of piece that I think they're going to make. So I think that 32:23.680 --> 32:27.600 that probably works out just great for them, but it also gives the Bitties another boost and guess what? 32:27.600 --> 32:32.320 CBS is called. They're going to interview them, too. So I cannot be more excited. I'm telling you 32:33.280 --> 32:41.280 Grammys, onstage, Leanne, the girls, it can happen. It may not take that long. 32:42.160 --> 32:50.160 And a quick pointer to Steve Garfield's video blog, Steve Garfield.com, if you've, I don't 32:50.160 --> 32:55.840 think no Steve ever really got into podcasting. I think he's kind of, he wants to do video, 32:55.840 --> 33:01.600 and he is attaching video as enclosures to his RSS feed. So you can certainly subscribe to it. I think 33:02.400 --> 33:07.760 most of the iPodos will probably receive that as well, although if it gets really popular, 33:07.760 --> 33:11.840 I don't know what's he's going to do for bandwidth, because it's a lot, well he's hosting it on his 33:11.840 --> 33:16.560 dot Mac blog. But it's he's doing some interesting stuff. He's basically turning on the camera, 33:16.560 --> 33:21.040 going places with his wife, and they're just hanging out and they're calling it a show, and you 33:21.040 --> 33:26.080 should check it out. Steve Garfield test, Steve Garfield.com. And here's something cool I got in. 33:27.120 --> 33:30.880 This is the kind of audio response I like. It's an interactive one where I actually have to stay 33:30.880 --> 33:36.720 awake during the comment and play along. Hello Adam, Stuart Hunter here. I was really enjoying your 33:36.800 --> 33:43.200 Miami podcast, especially the piece where I think you were in Dave's hotel room, and you were 33:43.200 --> 33:49.680 challenging both Dave and Ron to recognize some music from the intro that you played from your iTunes 33:49.680 --> 33:54.240 playlist. I really enjoyed that. Especially as I was putting my hand up saying, oh, I don't know. 33:55.200 --> 33:59.440 I worked great. Okay. We got to do that more often then, perfect. I did think it was a little 33:59.440 --> 34:05.040 bit unfair, because surely you were the music man of the 80s and 90s probably the most 34:05.120 --> 34:10.320 knowledgeable. Of course, the showmaster always has all the answers, right? I mean, you know, 34:10.320 --> 34:14.400 that's come on. Regis Phil did knows what the answers are in millionaire. 34:14.400 --> 34:18.640 Person about the music of those times. So I thought maybe if she tried to reverse that a little bit 34:18.640 --> 34:25.120 and challenge you on some intros. So I've picked a few little pieces together, and I'm going to play 34:25.120 --> 34:30.560 them for you now. I'm not going to give you the answers right away, because if you don't get them, 34:30.640 --> 34:35.840 I'm sure you will. I'm sure some of your listeners will email the answers. Okay. Oh, great. 34:35.840 --> 34:40.720 This is cool. Okay. And by the way, I have not listened to the expressly. I've not listened to 34:42.240 --> 34:47.440 the songs yet. So we're hearing this for the first time together. Let's see if we can do it. 34:48.880 --> 34:50.080 Let's go. Let's hear it. 35:00.960 --> 35:01.920 Oh, shit. 35:08.320 --> 35:14.880 That from an artist who's still going strong had a big hit in the UK in the past year. Oh, shit. 35:17.920 --> 35:21.040 Okay, I give. I don't know that one. That's the only clue you're going to get. Thank you. 35:21.040 --> 35:29.200 Here's the next one. That's Robbie Williams. Isn't that the kids are all right? 35:30.880 --> 35:35.200 I think that's Robbie Williams. I think I could be wrong. It was about to burst into song myself. 35:35.200 --> 35:39.920 Yeah, because I thought it was coming up. That was the second one. Here's number three. Okay. 35:39.920 --> 35:43.280 They're not named the band. Oh, these are 80s. I mean, I'm good at it. 35:52.000 --> 35:55.200 A visage fade degree. Is that it? 35:57.520 --> 36:04.240 Yeah, long, long, long, long, long. I think. Yeah, there we go. Okay, guys. I think I got that one. 36:04.880 --> 36:10.160 Fizzage fade degree. Oh, we interrupt this test. Yes, dear. 36:12.000 --> 36:20.800 Yeah, yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. 36:20.800 --> 36:25.440 Very quiet. Yeah. I was a layman. I was a long here and I had a bus comedy. Okay. 36:26.560 --> 36:29.040 Okay, you're leaving now? Okay. 36:29.520 --> 36:32.160 Is that she over there that's in my belt? What are you in here? Yeah. 36:33.200 --> 36:39.600 Okay, I love you. No, close the door, please. Don't worry. I'll hear it. Yeah. I'll hear it. I'm almost done. Bye. 36:40.560 --> 36:48.240 We have, okay, bye. Yeah, okay. Sorry. We now continue with the test. 36:52.400 --> 36:57.680 Yeah, that's maybe the easiest one. Yeah, certainly had a great gun. They're of an option too. Yeah. 36:57.760 --> 37:02.000 To guess what that was more. This one's a little bit harder. It's a good bit shorter because the 37:02.000 --> 37:05.600 vocals kick in pretty quick. Okay. So you'll only have a few seconds here it is. 37:08.400 --> 37:13.760 Lay all your hands on me. Short but sweet. Lay all your hands on me. Did not have too many hands on me. 37:13.760 --> 37:17.840 Lay your hands on me. Thank you. Maybe a bit more difficult. Trying to think who they were. 37:17.840 --> 37:23.200 Lay all your hands on me. It's like your hands on me. Whatever the hell we ever did it. 37:23.280 --> 37:29.040 The next one will be very familiar to anyone from Australia. So this one should be fairly easy to guess. 37:31.120 --> 37:32.320 John Farnam, you're the voice. 37:33.360 --> 37:39.120 Boom, boom, boom, boom, boom, boom. Yeah, this is good. All right. I'm feeling a little bit better about myself. 37:39.120 --> 37:41.520 Yeah, I felt really shitty. We get it. 37:44.320 --> 37:45.120 Yeah, that was easy. 37:53.280 --> 38:01.520 Oh, a little bit more than 10 seconds worth of that song. So hopefully I won't get into any trouble 38:01.520 --> 38:05.760 from the R.I. Oh, shut up. Of course you won't. Here's song number six. 38:06.080 --> 38:24.320 What the hell is that? I guess the common thread and the interest on playing here is that the 38:24.320 --> 38:29.120 bands themselves didn't have too many hits. Yeah, or I don't know if this one was a hit. 38:29.120 --> 38:31.840 Is there one? I don't know, but so. 38:42.560 --> 38:51.840 Of course, I know the song. It's 74. 75. It's a file track for me to guess the artist and no 38:51.840 --> 38:54.000 points on that one, I guess. The shot. 38:54.080 --> 38:57.440 Extra points. 38:57.440 --> 39:04.560 Down. It's a wonderful wonderful life by, um, 39:05.760 --> 39:10.800 wonderful wonderful life by, do I get half the points that don't I? 39:10.800 --> 39:17.520 For wonderful life. Maybe it's by wonderful life, um, the wet wet wet or something like that. 39:20.080 --> 39:22.080 This is harder than I thought it would be, actually. 39:24.080 --> 39:27.440 Well, there you go, Adam. I hope you enjoyed the challenge, though. I did. 39:27.440 --> 39:31.200 To be honest, I don't think those intervals will have caused you any problems whatsoever, but 39:31.760 --> 39:36.000 so it was fun to play the name that tune. I hope the listeners enjoyed it. So 39:36.000 --> 39:39.360 okay. Much of good night. Excellent, man. Thank you very much. I look forward to more of those. 39:39.360 --> 39:43.280 Maybe not as long. Maybe you only do top three or so, but the stumped the podcast. 39:43.280 --> 39:46.880 So now there's a, there's a segment for you on the Daily Source Code. 39:55.680 --> 39:59.520 Podcrumbs. Number five is out with part two of my interview with singer, 39:59.520 --> 40:04.320 Sawyer, Robert Birkwan. This is the second of four parts of our conversation. 40:04.320 --> 40:10.080 It also features the song you're hearing now, Radio Church from his 2000 CD to this day. 40:10.160 --> 40:14.880 You can find the show as well as last week's first part and all the podcrumbs episodes at our new home, 40:14.880 --> 40:22.320 www.podcrumbs.com. No, it also the feed address has changed and is now www.podcrumbs.com slash 40:22.320 --> 40:28.480 wayindex.xml. Thanks for listening. Okay, seeing that I only have a couple of minutes left on today's 40:28.480 --> 40:33.120 show. I'm not going to be able to play Robert Birkwan's song, Junkman. I'm going to move that 40:33.120 --> 40:38.320 over to tomorrow's show, but of course you can check out podcrumbs number five to get all the latest. 40:38.400 --> 40:42.160 It's actually a guide that's some pretty decent tunes because I did want to leave you with a 40:42.160 --> 40:47.200 couple of comments that came in regarding Andy Hertzfeld's comments on podcasting, 40:47.200 --> 40:53.040 which we've spoken about. And well, a lot of people responded to that. Here's the first one. 40:53.760 --> 40:58.960 Hey Adam is Jack over at Boundcast. Andy Hertzfeld. Last week I set up something with a 40:58.960 --> 41:05.600 Riley to have him interviewed on MacRoll that one Wednesday. I go there. We sit out and right 41:05.600 --> 41:13.280 before the interview he says, me, I'm not much on podcasting. I'm like, well, okay. And 41:13.280 --> 41:18.000 why would we go on and continue the interview and get all the way done and he's a great interview. 41:18.000 --> 41:23.120 And then I put it up on the site last night and the next thing I know I'm on the train coming home 41:23.840 --> 41:29.120 and here's your show and you're like Andy Hertzfeld, interview. I'm like, oh, great! 41:29.120 --> 41:34.720 This is fantastic. And no, it's the scene at an interview about how he does like podcasting. 41:34.720 --> 41:40.960 I'm just blown away by that. So what can I say? And life's full of this quirky kind of ironic 41:40.960 --> 41:47.760 timing. Hi Adam. This is Reed. I just wanted to say about Andy Hertzfeld and what he said about 41:47.760 --> 41:54.160 I have a podcasting. Like I said, my blog, he's just doesn't get it. He's a kind of person who would have 41:54.160 --> 42:00.000 said back in the early 90s that the web was completely unnecessary because HTTP is just a duplication 42:00.000 --> 42:06.480 of existing things like FTP. What do we need to do HTTP for? Yeah, so don't worry about him. 42:06.480 --> 42:11.840 Okay, he just got his head up his ass. Oh, don't say that. Okay, so that's pretty much the range of the 42:11.840 --> 42:19.920 comments and how they went from left to right and many more in between. But then, I guess it's the 42:21.120 --> 42:26.320 what is it? The Wizards of Technology? Do they, Mr. Mark and Digital Bill, I think that's who they 42:26.400 --> 42:31.760 are. They, they caught Phil Schiller, who is, what is he vice president of Apple? He's the 42:31.760 --> 42:36.800 number two guy. I think they caught him outside McRoll Expo and they got his comments on podcasting. 42:45.840 --> 42:52.960 Oh, wait a minute, wait a minute. That was funny. Mark has got so nervous. They started falling 42:53.040 --> 42:57.520 all over himself. Let's listen to that one more time. I don't mean to laugh, but I'm noticing that 42:57.520 --> 43:01.280 now for the first time. It's all right. I sound drunk on my shows. Here, let's try that again. 43:06.880 --> 43:10.960 And listen to him fucking blowing. Oh, no, I'm sorry. I got to go. I've got much, much more 43:10.960 --> 43:15.520 to do over here. You know, I got no time to talk to you a little, this is it, guys. You know, 43:15.520 --> 43:19.440 if you want to, if you want to get these guys, you want to have them look at you 43:19.440 --> 43:24.000 serious, you got to trick them. And you need to have a microphone that has a mic cue on it. 43:24.000 --> 43:28.560 You know, it needs a mic cue, so you look official. And it could say anything on there. As long 43:28.560 --> 43:32.000 as it's a cue that fits up that mic, baby, that's one thing to say, oh, wait a minute, that's 43:32.000 --> 43:37.920 some, and maybe a big windscreen, you know, with your logo on it as well. That is guaranteed 43:37.920 --> 43:41.680 to not get that response. Oh, I'm sorry. I've got to run, guys. I've got to get run. I'm full 43:41.680 --> 44:02.640 of shit. I'm hurt. I broke it. I'm right. I'm believable. He talks just like he does when 44:02.640 --> 44:06.720 he's doing those keynotes when he's on stage. I think it's really cool technology. I think 44:06.720 --> 44:09.920 I'm really happy a lot of people are trying out. This is really wonderful. Where's your 44:09.920 --> 44:13.680 mic cue? I can't see your windscreen. Are you really an official broadcaster? He sounds like 44:13.680 --> 44:31.680 a freaking robot. A fun way to get more programming on your iPod. Interesting. Interesting. 44:31.680 --> 44:37.760 A fun way to get more programming, more programming on your iPod. That's a lot in there, I 44:37.760 --> 44:53.760 feel. Oh, yes. 44:53.760 --> 45:11.280 That's it for the source code for today, January 17th. As always, you can leave us a comment 45:11.360 --> 45:18.640 at umadcurry.com or on the weblogcurry.com. Okay, tomorrow. What's we do tomorrow? 45:19.760 --> 45:23.600 They can talk a little about South Beach. Some of the things that we discussed, of course, 45:24.880 --> 45:29.920 you couldn't imagine most of the things we're thinking about are they commercial nature. 45:30.640 --> 45:34.560 And I'm also going to think about working on that podcast feed of all the different clips I've 45:34.640 --> 45:40.720 done. I quite sure I want to put that together. Oh, and of course, before I upload this show, 45:40.720 --> 45:45.920 I'm totally going to see you sound seeing.com today. So by the time you hear this show, 45:45.920 --> 45:50.640 you'll be registered to me. I hope. All right, everybody. Thank you very much for sending in your 45:50.640 --> 45:56.400 comments. Keep it coming. And tomorrow, I'm another dating source code. Who knows? Maybe with some 45:56.480 --> 46:04.400 broadband if those BT engineers can find it in their hearts to connect the last 15 meters from 46:04.400 --> 46:17.200 the curb to the house. Take care, everybody. I'll see you tomorrow. Bye, bye.