WEBVTT

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daily source code for Tuesday,
January 18th, 2005.

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Transmeters, we don't need no
stinkin' transmitters.

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Oh, I'm drowsing casting with
Adam Curry.

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You coming to hear from the
cottage?

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The power of the door, the door,
the door, the door, the door.

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Hey, everyone.

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How you doing?

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Welcome to the daily source
code, as I said today is January
18th, it's Tuesday, 2005.

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That's the new thing we're doing
now, it's help everyone queue up
the new, uh, oops.

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That was interesting.

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You have the new, uh, source
code just by the day to do a
little tag at the beginning of
the show.

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Anyway, it's the power of pure
intellect to work.

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Although that intellect is not
to be found at British Telecom,
or easy nap today.

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Currently, the time is 11 a.m.
here at Curry Cottage in the,

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affluent Surrey Suburb of
Gilford in the UK, and, um,

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I've been on the phone again
this morning trying to get that
last 15 meters of cable
connected to the house here,

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and boy, have a lot of fun not
getting it done, right?

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I'm pissed off about a lot of
things today, so this should be
a good show.

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Look forward to sharing with you
the next 40 minutes is your
daily source code.

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You know, last night, um, I
called, uh, I called a couple
people in the states, uh,

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a couple podcasters, actually I
spoke to, uh, to Drew from, uh,
Don and Drew show,

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and he and I have been actually
been exchanging emails with him
with his lovely wife, Don,

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threatening to call, and of
course, they're so nice and so
polite, they never call me,
right?

01:46.480 --> 01:49.480
Um, and here's the problem that
I run into. I don't know if
anyone who lives over in Europe

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and deals with, um,
communicating with the states in
real time from time to time.

01:55.480 --> 01:59.480
Uh, probably has this, uh, the
same issue is that by the time
it's, you know,

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you're going to call someone,
like Drew gets off work at five
o'clock, um,

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mountain time, I guess there's a
central, whatever, uh, which
means that's 11 p.m. here in the
UK.

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Well, it used to be midnight in,
uh, in Belgium when, uh, when
we're living in the castle.

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And for, well, I mean, so the 11
p.m. is one thing, right,
because it's kind of like the
end of my day.

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I'm getting ready to go to bed.
Um, yes, old and boring at 40,
go to bed at 11. He leaven.

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He leaven, dammit. Um, but in my
case, there's an extra handicap,
because I'm usually pretty much

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baked around 9 p.m. And then
what happens is like, oh, man, I
should call it.

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So I can should call Don Drew. I
should, I want to talk to him,
but then I'm just, oh, man,

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I'm not going to be coherent. I
don't want to be saying, um, and
actually a cop to that,

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uh, to Drew yesterday and he
said, oh, dude, I totally know
what you talk about.

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But you're talking about, so
that's good. So I, so I feel
like, uh, like,

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people understand my pain. Um,
but it really is, it truly is an
issue. Um, the time difference,

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even though it's only five
hours, it's still it's more than
you think. Anyway,

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uh, lots of talk about today. I
got a lot of feedback from
yesterday's show.

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The first thing is a glaring
error that I made. Of course, it
is not Jamie Far, uh,

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who played Ray Charles in, uh,
in the movie Ray, but Jamie
Foxx. I did have in

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living color correct. Uh, that's
the show that he became, uh,

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most famous, uh, or that he
really broke through on, I
guess. Um, and we watched the
Golden Globes

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last night, uh, it was a tape
delay. And, uh, so it was like,
was a three and a half

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out. No, it nine to let that two
and a half hour show. We watched
it here on, uh,

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I guess was on ITV, uh, boring.
God, man, that's gotten so
predictable and just

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boring. Hmm. It's no wonder in
the States, the show, uh,

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the show got kicked in the in
the ratings by Desperate
Housewives. Come on,

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don't you know, does you tell of
his an executives? No, what
people want?

03:50.480 --> 03:52.480
Oh, oh, oh, oh, oh, oh, oh, oh,
oh, oh, oh, oh, oh, oh, oh, oh,
oh, oh, oh, oh,

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um, there was some real
sincerity, though, I like the
way Jamie Foxx, uh,

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accepted his award, uh, because
apparently it wasn't independent
film, uh,

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some independent finance year
pulled $35 million out of his
pocket and said,

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hey, let's go make this movie.
And then it got picked up. I
mean,

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very much the way I see a lot of
podcasts, uh, the way they will
go,

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at least for the foreseeable
future because radio and
television is not dead by a

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long shot, my friends. But I do
see that we'll have some
podcasts,

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casters who will break into the
mainstream, more importantly
probably is that we'll see some

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music breaking into mainstream
and getting a, quote, real
recording contract. I'm looking

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forward to helping a lot of
people getting there. That's one
of the missions that I'm taking

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upon myself for the, for the
next foreseeable future, which
would probably be a part of any

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commercial venture that, that I
take part in, which would get in
close to figuring someone

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that stuff out. Although before
any of that can be figured out,
I have to get my freaking

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broadband, okay? And yesterday,
not a peep out of easy net or
British telecom, no one called

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me. I figured it give him one
day after the weekend after I
was, you know, doing the rounds

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on Friday and easy net, Lee from
easy net. I'm not going to use
last names, but I'll certainly

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use first names. Lee promised
me, oh yeah, we'll keep you up
the speed. Let you know what's
going

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on, fucking bullshit. Bullshit,
okay? So today, I called up at 9
o'clock Lee who has been my

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contact. There's no longer
answering his phone. I figured
that's because I have my caller
ID on

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and he just doesn't want to be
bothered and he's there for,
it's not going to voice Miller
anything

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it's just ringing and ringing
and ringing. So I called the guy
who sold me this wonderful
service,

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his name is Philip. Philip
wasn't in, but I did get through
to somebody and I've decided
that I'm

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going to record every single
phone call with British telecom
and with easy net and replay
them here

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for you so you can hear just how
excellent and how helpful the
friendly fucking services. Let's
see

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what this part is. This is, all
right, I was just put on hold
for a second with this guy was
trying

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to find Philip, the sales guy
that originally sold me the easy
net package. I'm not getting any

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luck on his phone. I'm sending
him an email that you called and
came to get back in touch with
you.

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Well, maybe you can help me. I'm
just really looking for anyone
with an easy net to help me at
this

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point. My line was installed on
January. Listen to the guy, he's
going like, okay, he knows that

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this is the shit call, right?
He's going like, oh fuck, what
if the pick of the goddamn
phone,

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I get the gas holes? Hey, I saw
the like match for a second,
didn't I? You know what? That's
it.

06:32.200 --> 06:35.800
Yeah, I got a real threat for
you in mind. Hold on, let's
listen to the rest of this call.

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May the fourth. Yeah. And
apparently British telecom
neglected to connect the curb to
the new wiring

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in the house. And I've literally
been trying for two weeks to get
anyone to complete this job and
I'm

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not getting a lot of love from
using it. That's for sure. Yeah.
And I need someone to escalate

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this somewhere to get this going
because it's now been two weeks
that the line is literally

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disconnected by 15 meters of
wire. Yeah. Okay. Well, what's
your company name there? I don't
know.

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Okay. So, you know, now it's
like, he should have asked me
what my company name was. The
minute

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before you even try to get the
sales guy. But okay, I'll let
him slide on this. So, of
course,

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I have a great company name,
right? I look on Polder. Okay.
Seven minutes.

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Silicon Polder, you ask? Polder,
POL, DER. Okay. Now listen to
this.

07:40.040 --> 07:45.080
Right. He's looking at the file
now. He's going, oh fuck. This
is the, this is the trouble
case.

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I want to bounce this one away
from you as soon as possible.

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I can give you the number of the
provisioning department.

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Oh, that's not going to do it
for me today. I've been through
all the provisioning
departments.

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They're all saying it's British
telecoms fault. So, I think
it'll come right back to sales.

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The people who sold it to me.
I've been around this loop
multiple times. He's with me
through

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the provisioning now. Oh, no.
Not going to work. Because I
would assume that would be the
best

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assessment that does that. I
want to respond to people for
it. I don't know what they're
saying

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is they're not responsible.
British telecom is responsible
and they hope it'll happen soon.

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But at this point, my business
is severely suffering. Now, you
see, I'm sliding in a little

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something here, which is true,
right? Because remember, I am an
asshole American. We love to

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litigate the fuck out of people.
Oh, I'm really getting, I'm, you
know, how about emotional
distress?

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My marriage is under actual
strain here. BT, eating net
fuckers. And it's past all
promise dates.

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And there were a lot of promises
when I signed up. And, you know,
what needs to happen is

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eating that needs to talk to BT,
which as far as I understand is
a commercial company. And tell

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them that they are out of line
and need to get this done today.
I mean, literally out of line,

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15 meters of line. All these,
I've had three guys here, but
all the wrong guys who can't dig
a

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fucking trench. Oh, boy, I tried
a little bit of humor, but I
slipped. I didn't mean to say

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fucking, but now it's getting a
little frustrated, as you can
understand. What I'm going to do

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then, because when you become an
agent at customer, you get an
account manager and we're really

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through to, I'm going to put you
through to that gentleman. Who
is that? But you haven't got

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one to signed yet, but I'm going
to try and put you through to my
colleague, Mark, if he's free.

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Okay. And, and each of you, I'm
just going to say, Tony, she put
this for you, and then help you

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with your business in the
future. That will be good. Okay,
so be patient with me. I don't
want to see

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a fucking piece. Okay, thank
you. Okay, so far, so far, this
guy's saying all the right
things,

09:42.040 --> 09:46.040
right? I definitely want to have
an account manager. It's
interesting. I didn't have an
account

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manager up until today, and he's
going to help me with my
business, so he's saying all the
right things

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there. You know, this is stuff
that's making me feel really
good. However, this whole music

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didn't make me feel so good.

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We're sorry to keep you racing.
Your call will be handled
shortly.

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Creative, huh?

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So this again was nine 15 this
morning. After I'd already
called the league guy, who said
he would

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keep me posted of anything and
would call me on Monday and
didn't. So I'm figuring this
guy's running

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around and going like, god,
terrible. I got this dickhead on
the phone. Thank you for
holding. Your call will be

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dealt with as soon as possible.
I don't like being dealt with,
man. I don't like being dealt
with,

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I like being helped. I like
being serviced. So you only
wonder what the guy was doing.
You know,

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did he get this guy in the
phone? Did he explain who I was?
Did he explain that I'm a
customer?

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That I don't have a customer
representative yet? No one is
helping with me with my
business.

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Sorry to keep you racing. Your
call will be handled shortly.

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Hmm, now I'm going to be handled
instead of dealt with. All
right. My call was being
handled.

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I could have edited this out,
but it was too much fun to put
you guys to the same pain I went
through this

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morning. So I'm literally just
waiting just waiting. Hello
Adam. Yes. So it's keeping you
an old

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end. Um, I had a discussion with
the, yeah, kind of element
thing. And they said that it's
still kind of

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skills, skills issues. I've just
spoken to Phil. And he's going
to call you back in a minute if
that's okay.

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Okay, you promise me he's going
to come back a minute. Yeah,
what's your number though?

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Oh, okay. So I should fast
forward through that shit night.

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And then he doesn't get my
number right because he, this is
all, I'm not a zero, whatever.

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I'm on zero. Yeah. Yeah, I'm on
one. Yeah.

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The two main numbers in the
mobile swipe. No, I don't know
the zero in there somewhere.

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Okay, that's fine. I'll get to
call you back at him. Okay.
Okay. Thank you.

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Anyway, no problem, cheers. No
problem, cheers.

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Suck my knob. That was two hours
ago. One minute is very long and
easy net term. So we're still

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waiting. And I have the phone
right here actually hoping that
someone will call back during
this

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podcast at which time, of
course, I will, I will put the,
the phone call through and take
it, right?

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And Patricia just walked in here
earlier. And she said that
fairer faucet of Charlie's
Angel's

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fame. And of course, she lived
with the, then she, what was she
married to? What's she married
to?

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Shoot. I don't know. She's a
little bit wacky, but I kind of
like her because she's, because
she's a little bit wacky.

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Now she's more than wacky. I'd
have to say she's extremely
wacky. She is suing.

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I didn't get the full details,
but she's suing a or, or
multiple cosmetics companies
because

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she's so sick and tired of the
lies they tell, of the fake
commercials. And this is exactly
what

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Patricia says. Every single time
she sees like the remote mascara
commercial come on and just say,

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it's God, the fucking fake fake
eyelashes. They're pretending
that this mascara gives you
these

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beautiful long eyelashes. And
they're fake. They're fake put
on eyelashes. They're not even
real

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eyelashes. And of course, you
know, I said, well, but, you
know, dear, look at Vogue. You
know,

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every single pictures photo
shop. It's models don't have to
lose weight or, or keep their
weight

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down or throw up or smoke
cigarettes at all for their
weight. I mean, they do it
because they're

13:16.600 --> 13:22.120
hooked on this shit, right? No,
they, they just let it, you
know, everything's photoshopped
away.

13:22.120 --> 13:25.960
It's like everything is like the
fake radio voices that have
turned us all on to podcasting
and

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getting into some real real
stuff on on the radio or on your
iPod or MP3 player, just audio
sound,

13:31.800 --> 13:38.440
you know. And so fair fuss that
is pissed off about this and she
wants to sue the entire

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cosmetics industry or something
like that. But I'm going to get
Patricia on that. Maybe tomorrow

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and we'll do a podcast. Well,
I'll have her on as a special
guest that talk about everything

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fake in the cosmetics business,
which she can know about because
she has a cosmetics company.

13:52.600 --> 13:57.400
So that's for tomorrow. Let's
see, brief update on some of the
stuff that happened yesterday on
the

13:57.400 --> 14:03.640
Daily Source Code. We had the
trivia, which was sent to me by
Stuart Hunter. And he, of
course,

14:03.640 --> 14:09.800
as promised, came back to me
today, says Adam, that was fun.
Fun playing it for you. Anyway,

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here are the answers that I
didn't get yesterday. I'm not
going to play all the sound
clips again

14:14.360 --> 14:18.280
for you. But I really hope that
people do this. I mean, let's
keep it to a top three or top
five.

14:18.280 --> 14:23.640
But let's definitely try and
stump me. And let's try and keep
it 80s and 90s. You can do 60s,

14:23.640 --> 14:28.600
70s and 80s. Okay. The 90s, I
was over the hill and I don't
know shit anymore. Maybe some,

14:28.600 --> 14:33.480
but I missed a whole bunch. And
I lived in, you know, in
different countries. So, you
know,

14:33.480 --> 14:38.360
different hits. Very hard for me
to track. But 60s, 70s and 80s.
And I'm from 1964 and I bet

14:38.440 --> 14:44.120
I bet you I could get a lot of
50s tunes, even. That's right.
Here's the challenge. 50s, 60s,
70s and 80s.

14:44.120 --> 14:50.360
Because I'm a disco jockey and I
have all the Lawrence Welk
albums. So, the first song that
I

14:50.360 --> 14:54.360
missed actually was Morrissey,
every day is like Sunday. I'd
never been into Morrissey. So,

14:54.360 --> 14:58.360
that's probably why I didn't
even catch it. Wet, wet, wet,
love is all around. I had wet,
wet, wet,

14:58.360 --> 15:01.400
wet, wet, but at a wrong spot.
Visage, fade, degree, I had
right.

15:01.400 --> 15:05.000
Live it up. I had the title
right, but mental is anything. I
didn't have the band, John Farne

15:05.080 --> 15:09.320
the voice I had. Ice house.
Shit, a little girl. I should
have known that one. The

15:09.320 --> 15:16.840
Connell 74, 74, 75, I think I
got half of that title right.
And then wonderful life. I got
right,

15:16.840 --> 15:23.640
but not black who did it. So,
I'd basically pretty much
sucked. But would like a
rematch. So,

15:23.640 --> 15:29.880
if anyone wants to send in a
stump, the podcaster, stumped
the prince of pod. Then feel
free.

15:29.880 --> 15:34.840
Because that's fun to do. I
really do like it. Ken Gantt
sent me an email. And all these,
of course,

15:34.840 --> 15:39.160
are linked from the show notes,
which I'm contemplating today
putting in the actual web post
itself,

15:39.160 --> 15:44.200
just to make it that much
simpler, so that you can get
right to it and don't have to go
through

15:44.200 --> 15:49.400
OPML or another, I'll still post
it as OPML, obviously, because
I'm hoping that applications are
being

15:49.400 --> 15:54.920
made everywhere. And people are
trying to figure out ways to put
show notes into their iPodder
software.

15:56.200 --> 16:02.920
But he was sent a listening
diary by Arbitron. These are the
guys that do the ratings for
radio in

16:03.000 --> 16:07.800
America. And he says, hopefully
I'll go down in podcasting.
History is the first person to

16:07.800 --> 16:14.600
document a podcast that's shown
my Arbitron radio diary. So,
this is how the radio ratings
are actually

16:14.600 --> 16:19.080
maintained. Sure, they have
some, some meters that people
carry with them, but I think the
majority

16:19.080 --> 16:25.880
fill out a diary. And your
station even gets points if they
can name the DJ that's on the
show

16:26.760 --> 16:32.360
or on a show or on a station
even. And so he had hoped to
list the daily source code in
the

16:32.360 --> 16:36.040
diary, but couldn't get it
around the fact that one of the
pieces of data they require for
each

16:36.040 --> 16:41.160
entry is whether the show was on
AM or FM. And you was afraid
that listening that daily source

16:41.160 --> 16:49.080
code might invalidate the diary.
So, he did kind of an end
around. He said, my favorite
show is actually

16:49.640 --> 16:54.840
and he did fill out podcast done
by Leo LePort on KFI 640 AM in
Los Angeles. Now, of course,

16:54.840 --> 17:00.760
this is great because he lives
in Louisville, Kentucky, Ken
does. So, there's no way in
hell,

17:00.840 --> 17:08.840
he could have, he could have,
have listened to this show in
Los Angeles. So, let's see,

17:10.280 --> 17:15.240
let's see if if that actually
makes a difference. And maybe we
should get podcasts on the

17:15.240 --> 17:19.800
Arbitron diary. I mean, if it's
a frickin' diary, right? It's, I
don't know, it's just a thought.

17:20.360 --> 17:28.040
Lots about the sound seeing
tour. I'm going to second open
up these outline here.

17:31.560 --> 17:38.600
Lots of people sending in ideas
about how to connect GPS data
with sound files. And I think

17:38.600 --> 17:43.080
fill up to Ron of in gadget has
been working on some of this as
well. I guess what we really
need is

17:43.080 --> 17:51.640
an iPod or an MP3 player that
when you record something,
records the GPS data of where
the recording

17:51.640 --> 17:56.360
was made. I don't think this is
a device that does that. There
will actually there are some
devices,

17:57.240 --> 18:02.600
but they're usually video. And
of course, we need it both ways,
right? It's one thing to
actually

18:02.600 --> 18:08.040
create a database. And for me to
do a sound seeing tour. Oh, by
the way, sound seeing.com was
already

18:08.040 --> 18:15.080
taken. I got sound seeing tour
and sound seeing tours.com. Kind
of the same, I guess. Not really

18:15.080 --> 18:21.000
wanted one. But, and some other
people registered pod sound
seeing and some other things for

18:21.000 --> 18:29.240
which was totally nice to them
to do. And what was it? Oh, this
was an email from Ryan

18:29.960 --> 18:35.160
who says, hi from Snowy Road
Island. Was rather intrigued to
hear the Edward R. Moro clip
posted

18:35.160 --> 18:39.560
from another listener in the
source code yesterday. I said,
don't know if you know about CBS

18:39.560 --> 18:47.000
history or the structure of
radio at that time in the 1940s.
It says that before Edward R.
Moro came

18:47.080 --> 18:52.840
to CBS, radio was very much
scripted and edited down with
little or no live broadcasts at
all.

18:53.560 --> 19:02.600
And really, Edward R. Moro was a
pioneer in the sound seeing
space. And actually wrote a
book,

19:03.160 --> 19:07.800
there was a book that came out
called Edward R. Moro and the
birth of broadcast journalism,

19:07.800 --> 19:11.320
which is something that you
might want to read if you're
interested in, and really how

19:11.400 --> 19:18.440
the first sound seeing tours got
started and that blitz creek
over in England. So that email

19:18.440 --> 19:26.440
and others, including some great
suggestions for something called
geofencing, which Adam Bloom
sent to

19:26.440 --> 19:33.480
me. How twisted is that? Adam
Bloom. It's like Ron Bloom and
Adam Curry had an ugly love
child.

19:34.280 --> 19:39.560
Although Adam Bloom isn't ugly
and he actually is related to
Ron. But he sent me a whole
bunch of

19:39.560 --> 19:43.960
cool links which I've also
posted in the show notes today
that lead to geotracking because

19:43.960 --> 19:48.440
what of course what we need is
the reverse. When you're walking
down the street and you hit a
spot

19:48.440 --> 19:54.280
or let's say you're within 10
meters proximity of a spot where
I recorded something. That's
when

19:54.920 --> 19:59.000
you know, I want you to be able
to access that file or even
better it should probably
already be

19:59.000 --> 20:04.280
downloaded onto your device and
we'll only play when you hit
that spot. I mean that of course
makes

20:04.360 --> 20:08.040
the most sense. And I think some
cell phone people are looking at
ways of doing that

20:10.440 --> 20:15.320
where you're cell phone actually
then either sends you a message
or alternatively I guess could

20:15.960 --> 20:20.440
play some kind of file for you.
So just a quote just thinking
about it would be cool if we can
get

20:20.440 --> 20:28.040
some of that going. But just who
got caught? Well I'm going to
have myself a real good sound
because

20:28.040 --> 20:36.040
I feel alive man. I feel alive.
Like I can take the world. I'm
just turning inside out baby and
floated

20:36.040 --> 20:45.480
around in ecstasy. So don't stop
me now. Don't stop me because
I'm having a good sound.

20:45.480 --> 20:53.640
Hello Adam. It's Paul here from
podcastpool.com. I'd like to
thank you for helping me not to
sleep.

20:54.040 --> 20:59.720
I came across an article of
yours about a month ago on
podcasting and for about a month

21:00.600 --> 21:04.600
I've tried to work out of the
heck to make a podcast and now I
can't stop making them.

21:07.400 --> 21:13.160
My book shows just called
Totally Eighties. It's all about
the 1980s. Actually I didn't
want to do

21:13.160 --> 21:18.600
just about the 1980s. It had
such brilliant response. There's
been 6,000 hits in the last
week.

21:19.480 --> 21:23.880
So thanks very much mate and
love the daily source code
listen to it every day.

21:24.600 --> 21:28.200
Apart from when you're not doing
it. I hope you brought band
connections okay. And the

21:28.200 --> 21:34.600
track that you heard was from my
friend Dan at
dinemosrhythmases.com. They're
not yet signed and

21:34.600 --> 21:40.520
that's why podcast is so good to
promote super bands like that.
All the best mate and as I say

21:40.520 --> 21:46.840
check this out. Totally eighties
it's podcastpool.com. It shows
you're only about 10 minutes or
so.

21:46.840 --> 21:52.120
So you can check it when you go
to work or the band cool
whatever you do. All the best.
Bye

21:52.120 --> 21:57.560
by now. Okay okay so
podcastpool.com and actually
went to the site of the artist
that he mentioned

21:57.560 --> 22:05.400
because I heard a really cool
like lounge version of of Queens
don't stop me now. And the band

22:06.440 --> 22:10.600
has all these great cover songs
that I really really would like
to check out and play for in the

22:10.600 --> 22:16.440
source code. Unfortunately no
MP3 downloads which you know if
you've got an independent band

22:17.000 --> 22:22.280
make sure you can sell your CDs
online. But please make some MP3
available. MP3 is available

22:22.280 --> 22:27.880
for podcasts because we really
want to help out and you know
it's a podcast and good way to
get

22:27.880 --> 22:32.520
your stuff heard you know it's a
good way to get stuff out there.
And there was oh shoot I don't
know

22:32.520 --> 22:36.920
if I still have that article
here I was keeping it for the
longest time and I probably
tossed it out.

22:39.320 --> 22:45.240
Elvis Presley is the top of the
charts again here in the UK and
I was trying to dissect why.
Usually

22:45.320 --> 22:49.640
it's because some great you know
back in the 80s you know you'd
have like some fabulous

22:49.640 --> 22:55.080
Levi's 501 jeans commercial and
they'd add like wonderful world
or don't remember it don't know

22:55.080 --> 23:00.680
much about history. Oh I should
see if I have that song for you
actually. And these songs of
course

23:00.680 --> 23:04.520
immediately became hits because
you know they were they were
exposed to a whole new audience

23:04.520 --> 23:08.760
basically the blue jeans buying
audience and these songs stand
by themselves right the great
great

23:08.920 --> 23:15.960
songs. But I didn't think there
was any Elvis commercial that
I'd seen out and Elvis has a

23:15.960 --> 23:21.480
top of the charts now and then I
figured it out. There's all
kinds of let me just see what
was I

23:21.480 --> 23:32.760
trying to get. Don't know much
about history. Wonderful world.
Wonderful world this would be

23:33.240 --> 23:38.520
wonderful world yeah I think I
have at home let's just listen
to that for one second and I've
got to

23:39.240 --> 23:47.240
route my iTunes through okay
yeah I think this is it. Come on
oh yeah now that's not one

23:47.240 --> 23:52.120
I that's that's not what I was
thinking now. Guess I don't have
it. I thought I had that one.

23:52.920 --> 23:58.280
Oh no I'm not stupid. Who was
that? Was it wasn't Louis
Armstrong was it?

23:59.160 --> 24:06.920
Shoot okay don't have it sorry
to disappoint you there. Anyway
and in the paper the other day I

24:06.920 --> 24:11.480
figured it out why you know all
these Elvis tunes being
re-released of course you know
it was

24:11.480 --> 24:19.080
his birthday recently etc. But
in the United Kingdom as with
the same as with I guess most
countries

24:19.080 --> 24:28.040
in the EU copyrights expire
after 50 years. Now you'll
remember a few years ago Sonny
Bono before

24:28.040 --> 24:37.640
he died. Potition to extend that
amount of time in the United
States to 95 years and actually

24:37.640 --> 24:43.480
Sir Cliff Richard is here with
the shadows is is petitioning
around now saying you know oh my
god

24:43.480 --> 24:47.400
you know all these songs that
were big hits for me that I
still make money from are about
to the

24:47.400 --> 24:52.360
copyrights are about to expire
and I'm still alive and you know
and I'm going to stop making
money on them

24:53.240 --> 24:58.760
and of course you feel bad for
Sir Cliff kind of right but on
the other hand you know hey this
is

24:58.760 --> 25:05.480
what it's about you know now
anyone can or should be able to
record this song royalty free

25:07.080 --> 25:12.600
or should be able to record it
on disc royalty free I did say
of course if it's performed

25:12.600 --> 25:17.160
there's still all kinds of
rights very confusing the way
that works but there is a
substantial amount

25:17.160 --> 25:24.200
of income that's about to be
lost from from Elvis Presley so
first of all podcasts are out
there

25:24.840 --> 25:29.800
then now's a great time to you
know record some Elvis tunes and
get them released over here in
the

25:29.800 --> 25:35.080
UK if you record an Elvis tune
you know I will gladly help you
out and if it's good all

25:35.080 --> 25:39.640
certainly play it on the daily
source code but it's not
interesting that that can happen
here

25:39.640 --> 25:46.200
the copyrights expire after 50
years and that it's 95 years in
the States so all kinds of weird
stuff

25:46.280 --> 25:51.640
going on with the with music
business and of course yesterday
I promised you that since I

25:51.640 --> 25:59.160
didn't have time today I would
play that song as was promoted
by what was it's webcrumbs
breadcrumbs

25:59.160 --> 26:04.600
web droppings it's here anyway
here's the song it's Robert
Burke Warren this is from the CD

26:04.600 --> 26:10.920
Lazy I it's all right pod save
music it's called junk man
listen to it right here on the
daily

26:10.920 --> 26:21.240
source code for January the 18
Tuesday 2005 got no bandwidth
see them pretty low

26:23.750 --> 29:07.320
[ Music ]

29:07.320 --> 29:09.320
I gotta help you recall

29:10.320 --> 29:13.320
Got a couple old little little
monkey red dog

29:14.320 --> 29:17.320
We back to the living lady

29:18.320 --> 29:20.320
Baby, baby, baby, baby

29:20.320 --> 29:23.320
A couple old little monkey red
dog

29:24.320 --> 29:28.320
We back to the living lady

29:28.320 --> 29:48.750
[ Music ]

29:50.320 --> 29:53.320
Robert Bergwarren, he's junk man

29:54.320 --> 29:55.320
Everybody

29:55.320 --> 29:58.320
Your daily source code for
Tuesday, January 18th

29:58.320 --> 30:00.320
2000 and five

30:01.320 --> 30:03.320
Something I didn't mention over
the weekend

30:04.320 --> 30:07.320
We took Jesse our big dog

30:08.320 --> 30:11.320
Which is a cross between a
German shepherd and a golden
retriever

30:12.320 --> 30:16.320
We took her to the vet and have
a great vet nearby here

30:17.320 --> 30:20.320
Because she hadn't been eating
very well or at all for the past
week

30:21.320 --> 30:22.320
My dog is dying

30:23.320 --> 30:26.320
She's 12 and a half years old,
she's almost 13

30:26.320 --> 30:28.320
She's always been extremely
healthy

30:29.320 --> 30:30.320
We got out of the pound when she
was

30:31.320 --> 30:33.320
As with all of our animals, we
all get them out of the shelter

30:34.320 --> 30:37.320
She was about one or one and a
half

30:38.320 --> 30:39.320
Perfect dog

30:40.320 --> 30:42.320
It's just been the best dog you
can imagine ever

30:43.320 --> 30:45.320
And her liver is basically
failing her

30:46.320 --> 30:48.320
There's nothing you can do
really

30:49.320 --> 30:51.320
Except we put it on a different
type of diet

30:52.320 --> 30:54.320
She's eating great now

30:54.320 --> 30:56.320
The doctor gave her a couple of
antibiotics

30:57.320 --> 30:59.320
It could be a minor infection in
her liver

31:00.320 --> 31:02.320
But basically the doctor said
very clearly

31:03.320 --> 31:05.320
You know, your dog is at the end
of its life

31:06.320 --> 31:07.320
And if she doesn't start eating
then it's going to be

31:08.320 --> 31:09.320
It's going to end pretty soon

31:09.320 --> 31:11.320
So we're really happy that she's
eating and she's full of life

31:12.320 --> 31:14.320
As long as she's full of life
and eating then I'm considering
her

31:15.320 --> 31:16.320
Good to go

31:17.320 --> 31:20.320
But yeah, you know, it happens
all dogs

31:20.320 --> 31:22.320
And so then we'll have God

31:23.320 --> 31:25.320
We've had so many animals go in
the past couple of years

31:26.320 --> 31:28.320
We had Dickie or Dick Ed
actually

31:29.320 --> 31:32.320
My cat who I had from my
bachelor days in Amsterdam

31:33.320 --> 31:35.320
He was 23 we had Gina, Pinkie

31:36.320 --> 31:38.320
We had to put her down about
four years ago

31:39.320 --> 31:41.320
She had a few line aides

31:42.320 --> 31:45.320
Then we had Chrissy, our
multi-stog

31:46.320 --> 31:47.320
You've heard her on the podcast,
right?

31:47.320 --> 31:50.320
She had to put her down, she was
blind and deaf pretty much

31:51.320 --> 31:53.320
She had no quality of life left

31:54.320 --> 31:56.320
She was way old, she was almost

31:57.320 --> 32:00.320
She was also 13, 14 years old

32:01.320 --> 32:04.320
And then we basically will have
two cats

32:05.320 --> 32:07.320
And we have shrubber, our little
yorky

32:08.320 --> 32:10.320
He's still going strong, he's a
crazy mut

32:11.320 --> 32:13.320
Anyway, so that's just a bit of
personal biz

32:13.320 --> 32:15.320
Something else a lot of people
have been sending the emails
about

32:16.320 --> 32:18.320
Which I was aware of since I was
talking about easy jet

32:19.320 --> 32:20.320
And I've booked another easy jet
flight by the way

32:21.320 --> 32:23.320
Thursday going to Amsterdam
couple meetings

32:24.320 --> 32:26.320
Going to finalize the television
show that I've been talking
about

32:27.320 --> 32:28.320
We basically sold it, now we
have to get down to the details

32:29.320 --> 32:31.320
What did I sell, how many
episodes did I sell

32:32.320 --> 32:34.320
And you know, what is the budget
going to be, etc

32:35.320 --> 32:36.320
So that's kind of fun

32:37.320 --> 32:38.320
And then I have another meeting
at Graham Masterview

32:39.320 --> 32:40.320
Which I'm taking on Friday

32:41.320 --> 32:45.320
And what everyone, what every,
oops, hold on, there's that
drunken thing again

32:46.320 --> 32:47.320
There we go

32:48.320 --> 32:50.320
What everyone's been emailing me
about is the introduction of the
new airbus

32:51.320 --> 32:52.320
I'm sure by now you've heard
about it, it happened yesterday

32:53.320 --> 32:54.320
The new airbus A380

32:55.320 --> 32:57.320
What mother load this is, huh?

32:58.320 --> 32:59.320
It's a double decker

33:00.320 --> 33:02.320
Can carry up to 800 passengers

33:03.320 --> 33:04.320
Which is twice to 747

33:05.320 --> 33:07.320
If configured in all economy,
class mode

33:08.320 --> 33:10.320
Virgin airs ordered six of them
I think

33:11.320 --> 33:15.320
And in all they have already
have like 120 orders or
something

33:16.320 --> 33:18.320
But these things looks just
awesome, you're so big

33:19.320 --> 33:22.320
And I'm wondering, you know, I
have a call into Wing Commander
William

33:23.320 --> 33:24.320
I'm going to try and hook up
with them Thursday

33:25.320 --> 33:28.320
And get some fixed wind flying
and he has a assess number 182

33:29.320 --> 33:31.320
That he's been patching up and I
can't wait to try and fly it
with him

33:32.320 --> 33:34.320
And I'll ask him, what kind of
runway these fuckers need

33:35.320 --> 33:36.320
It's like damn

33:37.320 --> 33:38.320
This thing is so big, it must be
so heavy

33:39.320 --> 33:41.320
I mean it can't land everywhere,
I have no idea

33:42.320 --> 33:44.320
And as I sit here looking at my
screen

33:45.320 --> 33:47.320
I see that there's new software
available for my computer

33:48.320 --> 33:49.320
It's the new version of iTunes

33:50.320 --> 33:51.320
Let's not install that on this
slow link, shall we?

33:52.320 --> 33:54.320
It's only 8.66 megabytes now

33:56.320 --> 34:00.320
So anyway, I'll get some details
on the airbus 380 man

34:01.320 --> 34:03.320
These things are interesting

34:04.320 --> 34:08.320
And I've already heard that some
configurations may include a
jacuzzi

34:10.320 --> 34:12.320
I thought the sleeper seats were
cool

34:13.320 --> 34:15.320
Hey Adam, I'm PW Fenton

34:16.320 --> 34:19.320
Create a radio-free radios
digital flatsum

34:20.320 --> 34:23.320
I don't know, maybe you've heard
it, I hope you have

34:24.320 --> 34:26.320
But I'm looking for a favor from
you

34:28.320 --> 34:30.320
My podcast

34:31.320 --> 34:37.320
Oh, I don't know, I'd call it
like the podcast version of the
Ed Sullivan show

34:39.320 --> 34:41.320
Well, no longer second

34:42.320 --> 34:44.320
There could only be one Ed
Sullivan of podcast thing

34:45.320 --> 34:50.320
In that I try to be just a
little bit of everything

34:51.320 --> 34:56.320
There's no guiding light

34:56.320 --> 34:59.320
You might hear some sort of a
jazz performance

35:00.320 --> 35:04.320
Followed by a comedy routine

35:05.320 --> 35:08.320
Followed by some kind of a rant

35:09.320 --> 35:10.320
Followed by whatever

35:11.320 --> 35:13.320
The idea is that it's kind of a
stream of consciousness

35:14.320 --> 35:16.320
Kind of show, even though it's
put together

35:17.320 --> 35:18.320
Fairly slickly

35:19.320 --> 35:24.320
What I'm hoping that I can get
from you Adam is just a plug

35:24.320 --> 35:28.320
On your show, everybody listens
to your show, I listen to your
show, I listen to your show

35:29.320 --> 35:30.320
Every day

35:31.320 --> 35:34.320
I only have time to create my
show once a week

35:35.320 --> 35:37.320
But I listen to your show every
single day

35:38.320 --> 35:40.320
I figure out some way to work it
in

35:41.320 --> 35:46.320
What I'm looking for is just
some kind of a little plug that
you could give me

35:47.320 --> 35:52.320
And more than that, just a
suggestion for people who are
listening

35:52.320 --> 35:56.320
And I know people are listening
because people download the
thing

35:57.320 --> 35:59.320
To give me some kind of feedback

36:00.320 --> 36:03.320
They can find me at PWFenton

36:04.320 --> 36:06.320
At digitalflotsom.org

36:07.320 --> 36:10.320
And, you know, just to send me
an email

36:11.320 --> 36:14.320
Let me know what it is you think
about what I'm doing

36:15.320 --> 36:17.320
Right on, so it's
digitalflotsom.org

36:17.320 --> 36:21.320
And I just couldn't resist
playing that promo because he
was so polite and so nice

36:22.320 --> 36:25.320
PWFenton, and he has a very
intriguing voice

36:26.320 --> 36:28.320
And you know what, when I get
some fucking bandwidth today

36:29.320 --> 36:33.320
By the way, 1134, still no word
from my account manager

36:34.320 --> 36:36.320
It's easynet.co.uk

36:37.320 --> 36:40.320
But he has an interesting voice,
so I'll definitely check out the
podcast

36:41.320 --> 36:45.320
Hey, if someone's doing an Ed
Sullivan podcast, I definitely
want to know about it

36:46.320 --> 36:49.320
Hey, Adam, this is Eric over at
developmentc.org

36:50.320 --> 36:53.320
I know you don't like Skype
right now, and for good reason

36:54.320 --> 36:56.320
But I want to let you know that
it might be getting better

36:57.320 --> 37:01.320
I just got an email from Skype,
inviting me to a three free
month trial of voice messaging

37:02.320 --> 37:04.320
I guess it's their version of
voice mail

37:05.320 --> 37:07.320
So, anyway, that calls for him
another call now

37:08.320 --> 37:10.320
No ringing in the air, goes
right to voice mail

37:11.320 --> 37:15.320
When I don't want to talk to
you, reject, I didn't hang up,
they go to voice mail

37:16.320 --> 37:20.320
And if I'm not around, they also
go to voice mail

37:21.320 --> 37:25.320
I just tried it out, you can
leave a 60 second message

37:26.320 --> 37:30.320
And it's cool, I can tell
someone I can check these
messages from many computer

37:31.320 --> 37:35.320
So, I don't know how we got one
of these cool beta voice mail
accounts, but I definitely love
to have one

37:35.320 --> 37:38.320
And I really, I don't, it's not
like a hate Skype right now

37:39.320 --> 37:41.320
It's just that I've seen that
they're missing such a
tremendous opportunity

37:42.320 --> 37:46.320
Here's a product that almost
every single podcast or uses in
one form of the other

37:47.320 --> 37:50.320
It wouldn't take much to make it
just a little bit better and
make it perfect for it

37:51.320 --> 37:56.320
Hey, I'd even pay extra for some
services that's, you know, to
get Skype to do certain things

37:57.320 --> 38:00.320
Like recording, Skype could be
perfect for recording an entire
podcast

38:01.320 --> 38:03.320
You don't necessarily have to be
talking to someone, you know

38:03.320 --> 38:08.320
If, if it has the capability to
record MP3, then for God's sake,
let's try and get that working

38:09.320 --> 38:14.320
So thank you very much, Eric,
and I'm wondering if these voice
mail accounts are this like a
Gmail account, you know

38:15.320 --> 38:18.320
Send me one of those, I can get
some Skype voice mail

38:19.320 --> 38:24.320
And here we go, we have some
actual paper, yesterday as I was
waiting in vain

38:25.320 --> 38:28.320
For someone to show up at the
door, like, you know, British
telecom

38:29.320 --> 38:35.320
There was a ring, and it wasn't
BT, there was a van outside, so
first I thought, oh, goody, you
know, he's here

38:36.320 --> 38:38.320
The man to dig the trenches here

38:39.320 --> 38:40.320
It wasn't, it was federal
express

38:41.320 --> 38:45.320
And they delivered a small
package and in the package, a
letter

38:46.320 --> 38:51.320
From Chris Anderson, editor in
chief of wired magazine dated
January 13, 2005, dear Adam

38:52.320 --> 38:57.320
I'm delighted to let you know
that you've been nominated in
the tech innovator category for
wired magazines

38:58.320 --> 39:01.320
2005 wired rave awards

39:02.320 --> 39:05.320
I forgot the pumpkin, the
tympany pumpkin

39:06.320 --> 39:08.320
The wired rave awards is an
annual magazine featuring

39:09.320 --> 39:11.320
Feature celebrating the people
changing your mind

39:12.320 --> 39:16.320
The rave awards are selected by
wired editors, honor innovators
and 14 categories

39:16.320 --> 39:19.320
Ranging from business to design
to entertainment to science

39:20.320 --> 39:25.320
Please keep your nomination
under wraps as we will formally
announce the nominees January
18, 2005

39:26.320 --> 39:29.320
And this year's winners will be
unveiled at the six annual rave
awards celebration

39:30.320 --> 39:33.320
At the legendary film Warren San
Francisco February 22, 2005

39:34.320 --> 39:36.320
And published in wired smarts
2005 issue

39:37.320 --> 39:39.320
Excellent, hey, goddamn

39:40.320 --> 39:45.320
Let's see, it's still, let me
see, is it still pretty early in

39:46.320 --> 39:49.320
On the west coast in the states,
let's see if wired has released
it yet

39:50.320 --> 39:51.320
See who the other nominees are

39:52.320 --> 39:53.320
I wonder how that works if it's

39:55.320 --> 39:56.320
I just don't know

39:57.320 --> 40:00.320
So in the tech, what is it tech
innovator category, first of
all, I'm honored

40:01.320 --> 40:03.320
And I presume it's for
podcasting

40:04.320 --> 40:09.320
Let's see if I can find out who,
because you know, I'd love to go
to this show on February 22

40:10.320 --> 40:13.320
But as usual, you know, you kind
of only want to go when you know
you want to win

40:13.320 --> 40:14.320
Right?

40:15.320 --> 40:20.320
But seeing as, I guess who
chooses this, is this the wired
editors choose this?

40:21.320 --> 40:24.320
So it's not like a public prize
then, no, I don't see anything
I'm looking at wired.com

40:25.320 --> 40:32.320
I don't see any, I see cell
phone, shushing, push button,
wine tasting

40:33.320 --> 40:35.320
Oh, wired, it's got some good
stuff, doesn't it?

40:36.320 --> 40:42.320
Okay, so, no, not out yet, but
it will, so you have, there you
go

40:42.320 --> 40:47.320
There's a premiere, everybody, a
premiere news event on the
source code

40:48.320 --> 40:52.320
All right, cool, so maybe I will
go out for that, we'll have to
see one thing for sure

40:52.320 --> 40:53.320
One thing for sure

40:54.320 --> 40:56.320
It's good, everyone!

40:57.320 --> 40:59.320
If you're not, all making me
laugh

40:59.320 --> 41:00.320
If you're not

41:01.320 --> 41:02.320
Morning, doing a night

41:03.320 --> 41:06.320
That's it for today's source
code, thank y'all for the
subscribers

41:07.320 --> 41:09.320
And that is what we have to say,
right?

41:09.320 --> 41:12.320
Don't say stay tuned, but keep
subscribed

41:13.320 --> 41:18.320
Your comments, questions,
trivia, and of course, if you
have a leading to British
telecom

41:19.320 --> 41:22.320
Or if you have a shovel, I know
how to hook up the wires from
the curb to the house

41:23.320 --> 41:25.320
It's atamacurry.com, we'll leave
a comment on my weblog

41:26.320 --> 41:31.320
www.curry.com, and of course,
catch all the source code at
dailysourcecode.com

41:32.320 --> 41:38.320
All right, today is a big day,
because I'm going to get my
haircut

41:39.320 --> 41:43.320
Take me down to Tony and Guy, or
Chuchin Shisha

41:44.320 --> 41:47.320
Whatever, it's going to stand
there and make sure they do
everything just right

41:48.320 --> 41:49.320
Don't mess it up

41:50.320 --> 41:52.320
So who knows how happy I'll be
tomorrow, right?

41:53.320 --> 41:57.320
And have yourself a great day,
great evening, right after noon,
whenever you may be checking out
the source code

41:58.320 --> 42:01.320
Talk to you tomorrow, everybody,
for the hum day edition of your
daily source code

42:02.320 --> 42:03.320
Bye bye

42:09.320 --> 42:11.320
Peace out
