WEBVTT

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Daily source code February 3rd
2005.

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Transmators?

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We don't need no stinkin'
transmators.

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Get ready for the generation of
rocker.

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Autistic is Adam Curry.

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It's Thursday, February 3rd
2005.

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The power of the Lord is the
Lord.

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Once again, welcome to the Daily
source code.

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Hi everybody, my name is Adam
Curry.

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Coming to you from a brand new
studio setup,

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which I thought was going to be
really convenient.

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But it's actually not.

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I got to take a picture of this.

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I've now completed my podcast
console armchair studio.

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You need to see this picture.

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Got this huge green recliner.

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I think let me see if I can take
a picture of my camera phone
right now.

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While I'm at this, this is just
too good.

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I've got it totally tricked down
now.

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Hold on.

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Let's get the camera portion of
this.

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Okay.

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Of course, I won't actually take
a picture of my hair, right?

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That would be bad.

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There we go.

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I have that look.

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Hmm.

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Lots to do some more.

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Hey, today is trivia Thursday.

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That means we've got lots and
lots of trivia.

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Some promos and pod safe tunes
right here on your source code.

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So I've actually been shooting
now.

01:23.000 --> 01:25.000
This thing is already into
delayed mode.

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I'm sounding like I'm drunk as
usual.

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Let me just grab a little cup of
coffee.

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It's 120 in the afternoon on
Thursday here and go for the
curry cottage.

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I was going to bring Patricia
into talks and show her his crap
and stuff.

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But I didn't know that she had a
appointment at the nail salon.

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So unfortunately, won't be able
to bring her into the show
today.

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But I had a great morning.

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As I said, getting the pod cast
armchair console all ready to
roll.

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Oh, I've got the breakout box to
my left here.

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Coffee's on top of that.

01:57.000 --> 02:05.000
Got this thing called it's the
plateau de foté, which is kind
of like a,

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What would you call that?

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A tray, kind of like a tray that
you use for TV dinners.

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And it clips onto the side of
this huge green armchair that I
have.

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This is a recliner.

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And there's probably about at
least 100 people who know this
chair.

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Because this is the chair that I
had in my office in New York at
Think New

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Ideas.

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And it's just this huge, gotty
green leather reclining chair.

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It has kind of a, yeah, a little
bit of a chest of field vibe to
it.

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Like a modern chest of field.

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And you can almost recline
completely flat out.

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You control the reclining level
kind of by balancing your feet
on the,

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On the footstool that comes up
and the pressure you put on your
back.

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So I got the laptop on that
tray.

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I have the microphone right here
to my left.

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Actually, I've set it up so that
I now can test the other mic
that I have.

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Hold on.

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I want to turn this one off.

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And here's the, oh, that does
sound kind of different.

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Doesn't, hold on.

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Turn that up a second.

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Hold on.

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Let me just set this hijacked
thing to.

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Well, I'm at it.

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Okay.

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There we go.

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The reason I hope this up is
because I now have two
microphones in, in the breakout
box.

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It does sound different.

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It's also significantly less
quality, or let's,

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Maybe the price to quality
performance actually isn't that
bad.

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Because this is a realistic
microphone.

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That's right.

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It's from radio shack.

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It's the one that kind of looks
like a sure microphone.

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I don't have a, a windscreen on
it.

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Let me see.

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Was there a model number on
this?

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It's, I'll turn on the other
microphone.

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I'll turn on this one while I'm
talking.

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It's a 33-1070B.

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Whatever that means dynamic
microphone.

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On the directional made in
Mexico.

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So now I'm talking on the, on
the radio shack mic.

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And now I'm back on the sure
microphone.

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I know you can tell the
difference, but in a pinch,

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you know, if Patricia walks in,

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I can finally just hand her a
mic.

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And she can participate in the
show.

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And that's what I was already
for.

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Uh-huh.

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Guess what?

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Ain't gonna happen.

04:09.000 --> 04:11.000
Michael Jackson says he's
innocent.

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Ronald says so too.

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With rimpters like this voice
bomb.

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One can a humanitarian do.

04:17.000 --> 04:20.000
The second phase of jury
selection has begun.

04:20.000 --> 04:24.000
When their chosen will one side
already have one.

04:24.000 --> 04:28.000
Hillary Clinton fainted as she
tried to give a speech.

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Does this mean she won't be
painted?

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Is the residency in her reach?

04:32.000 --> 04:33.000
Or will momentum shift?

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The bar brought boxer?

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A little attack.

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This might have boxer.

04:39.000 --> 04:43.000
Leonardo DiCaprio's life of
achievements.

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At the elderly age of 30.

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Let to an Oscar usually given
prior to bereavements.

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At least as acceptance speech
will not be worthy.

04:54.000 --> 04:56.000
A rackie votes are being
counted.

04:56.000 --> 04:58.000
Press the fire on the skin of
stop.

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But the Shiites are sure they
won't.

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So they're not likely just to
drop it.

05:02.000 --> 05:05.000
They said the government will
allow the suitees in.

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It's too silly to tell.

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If all will go well.

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But then again it will demand
the bomb to spin.

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Stay tuned for light breaking.

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All done.

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That's the tap dancing.

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Podcasting news.

05:23.000 --> 05:24.000
Yeah.

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Always great to hear another tap
dancing podcast.

05:27.000 --> 05:28.000
The news update.

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On the today's show as I tease
the beginning.

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It's Thursday.

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So we're going to try and keep
Thursday for trivia day.

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Young polette has been sending
in these hit tests, which are so
highly produced and so exciting.

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And surprising actually
yesterday.

05:43.000 --> 05:48.000
He slipped in an old air check
of mine from Z100 in New York.

05:48.000 --> 05:50.000
Which is me just puke and all
over the place man.

05:50.000 --> 05:51.000
Hey everybody.

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I can see 100.

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You wonder why I can do that so
well.

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Because I'm just I've done it so
long.

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A couple of the things we were
talking about yesterday.

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One I was talking about typing
that my typing skills are a
good.

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I'm a very fast typeer.

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But that I just can't type
blindly.

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I've gotten a lot of comments.

06:09.000 --> 06:12.000
And by the way, we've got to
figure out a way to incorporate
all this stuff.

06:12.000 --> 06:15.000
Maybe I need some kind of
different weblogs set up or
something.

06:15.000 --> 06:17.000
Because often.

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So if you listen to a podcast
and you go back to the entry on
daily source code.com.

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There's a link to the show
notes.

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You also want to look at the
comments.

06:28.000 --> 06:33.000
Because comments often contain
links to things that I've talked
about.

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Or just good ideas.

06:35.000 --> 06:38.000
Or maybe there's an MP3 that I
couldn't find.

06:38.000 --> 06:39.000
You want to look at those
comments.

06:39.000 --> 06:42.000
So really what we need to do is
start to aggregate all this
stuff together.

06:42.000 --> 06:47.000
So that when you listen to a
show or if you go back and
listen to an archive show.

06:47.000 --> 06:51.000
Or you know, however you are
checking it out if you want to
hear more.

06:51.000 --> 06:55.000
You know, that you'll be able to
find a kind of all in one place.

06:55.000 --> 06:58.000
So already it's starting to get
a bit of control.

06:58.000 --> 07:00.000
I figured this out.

07:00.000 --> 07:03.000
So Cindy, better known as
squipper.

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Who is one half of the Ken and
Squip show.

07:06.000 --> 07:09.000
Said, Adam, it's easy for you to
break the habit of looking at
the keys while you type.

07:09.000 --> 07:15.000
Just get yourself a poster size
keyboard layout that you can
hang on a wall in front of your
laptop or desktop.

07:15.000 --> 07:18.000
Force yourself to look up at the
poster and not at the keyboard.

07:18.000 --> 07:20.000
And you'll get the hang of it in
no time.

07:20.000 --> 07:24.000
And of course there's a link
there to a poster, which haven't
printed out yet.

07:24.000 --> 07:26.000
But what I will do and I
actually have been trying this.

07:26.000 --> 07:30.000
I've been forcing myself to look
at the screen not the keyboard
as I'm typing.

07:30.000 --> 07:32.000
It makes for some interesting
typing.

07:32.000 --> 07:33.000
I'll tell you that.

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It's some interesting words pop
up.

07:35.000 --> 07:36.000
But I'm getting better.

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I think you're right.

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Cindy, I think it is just a
question of, yeah, just doing
it.

07:41.000 --> 07:46.000
Also some people have sent in
comments saying that I shouldn't
necessarily discount

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our computer-based programming
that will help you learn how to
type blind.

07:51.000 --> 07:54.000
Excuse me, don't I just have a
sip of my coffee here?

07:54.000 --> 07:56.000
Hmm.

07:56.000 --> 07:57.000
Oh man.

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So since we have, since it's
trivia Thursday, we're not only
going to do young

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Polettes trivia, we'll also be
doing a couple other ones.

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Some different types of trivia
came in today.

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So that's on the way.

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And also, as usual, some
questions, comments, and some
podcasts.

08:09.000 --> 08:10.000
If music coming up.

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Hello Adam, this is Jeff Venture
from Poland.

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Hello.

08:14.000 --> 08:15.000
Hello.

08:15.000 --> 08:16.000
I'm going to make crank up.

08:16.000 --> 08:17.000
I'm going to crank up that
sound.

08:17.000 --> 08:20.000
See, this is the problem when I
get shoot.

08:20.000 --> 08:27.000
When I get MP3s that recorded
just in a very, very low volume.

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And then you don't notice it
until you're actually on the,
well, on the, until you're doing

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the show.

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I'm going to crank this one up
as far as it can go.

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So I'm actually opening up the
quick time player preferences
for this MP3 file.

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Sounds like this is also one
channel, hold on a second.

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Let's see what's going on.

08:42.000 --> 08:43.000
Hello Adam.

08:43.000 --> 08:45.000
This is Jeff Venture from
Cooking on the Radio.

08:45.000 --> 08:49.000
And listening to today's show, I
heard somebody talking a little
bit about

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MP3 players that will display
song lyrics.

08:52.000 --> 08:58.000
And it may be a way to get show
notes, which got me thinking
about the new photo iPods.

08:58.000 --> 09:03.000
This might be something that
could be scripted for the sound
seeing tours.

09:03.000 --> 09:08.000
Now, hearing people snapping
pictures along the way and being
able to get the visual element

09:08.000 --> 09:12.000
with the podcast as some people
have been doing online has
certainly been great.

09:12.000 --> 09:18.000
But wouldn't it be really cool
if as you're listening to your
podcast on your photo,

09:18.000 --> 09:24.000
based iPod, if the images would
appear on the screen
synchronized to the podcast.

09:24.000 --> 09:26.000
Yeah, it's actually something
we've been talking about.

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Well, hold on a second for your
technical question.

09:28.000 --> 09:29.000
Yeah, we haven't talking about
that.

09:29.000 --> 09:32.000
I'm not quite sure how it works
on the iPod photo.

09:32.000 --> 09:34.000
I also don't know how many of
those.

09:34.000 --> 09:36.000
I have a feeling for some
reason.

09:36.000 --> 09:41.000
I could be wrong that the iPod
photo is maybe the cube of the
iPod line up that

09:41.000 --> 09:44.000
maybe this is just something
that's so pretty and so
beautiful,

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but so not extra functional that
people don't buy it.

09:47.000 --> 09:51.000
I have no idea what the sales
statistics are on the iPod
photo,

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but clearly that would be great.

09:53.000 --> 09:57.000
I mean, Apple has all of the
capability to make that, you
know,

09:57.000 --> 09:58.000
make that work.

09:58.000 --> 10:04.000
And maybe we'd have to use AAC
files or something that can send
along a tone to kick the

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iPod photo into switching the
next photo in the slideshow.

10:07.000 --> 10:08.000
But yeah, it would be nice.

10:08.000 --> 10:10.000
Okay, now back to your technical
question.

10:10.000 --> 10:12.000
Which is what I'm using to
record right now.

10:12.000 --> 10:16.000
I know that when you record with
yours, you use a wireless
microphone set up.

10:16.000 --> 10:18.000
I'm using a wired-level ear mic.

10:18.000 --> 10:20.000
And when I record in mono mode,

10:20.000 --> 10:24.000
I don't get any audio recorded
on the device at all.

10:24.000 --> 10:29.000
It seems that my mono microphone
is coming in on the left
channel.

10:29.000 --> 10:30.000
Yeah, no shit.

10:30.000 --> 10:34.000
Which the Irivers default
settings to record mono.

10:34.000 --> 10:36.000
It records the right channel.

10:36.000 --> 10:38.000
Which is that being completely
blank of audio.

10:38.000 --> 10:39.000
Because you don't, yeah, it
does.

10:39.000 --> 10:41.000
It's one of if you had any
experience with this,

10:41.000 --> 10:43.000
would love to hear your feedback
and love to show.

10:43.000 --> 10:44.000
No.

10:44.000 --> 10:45.000
Keep it up.

10:45.000 --> 10:46.000
Yeah, do it.

10:46.000 --> 10:47.000
Totally.

10:47.000 --> 10:50.000
What you need to do is you need
to put the Irivers.

10:50.000 --> 10:54.000
As far as I know, once a stereo
jack to be inserted,

10:54.000 --> 10:56.000
you're probably inserting a mono
jack.

10:56.000 --> 10:58.000
Don't ever insert anything
that's just mono.

10:58.000 --> 11:00.000
And that's why it's probably
only hitting the left channel.

11:00.000 --> 11:02.000
That's probably also why it's so
damn soft.

11:02.000 --> 11:05.000
Although, I think on the Iriver,
you can set the levels.

11:06.000 --> 11:08.000
I was just really almost
inaudible.

11:08.000 --> 11:10.000
And I know that people sitting
there going,

11:10.000 --> 11:13.000
can't hear it cranking up the
volume.

11:13.000 --> 11:14.000
I know, I know.

11:14.000 --> 11:18.000
We try to do our best with these
things.

11:18.000 --> 11:22.000
So I would suggest getting a
conversion wire,

11:22.000 --> 11:24.000
or maybe waking up making one,

11:24.000 --> 11:30.000
that'll take your, have a female
mono jack going into a stereo

11:30.000 --> 11:33.000
and just basically combining
those two channels together

11:33.000 --> 11:37.000
because obviously that sucks to
have it only record one channel.

11:37.000 --> 11:39.000
And I think it's not a question
of the, of the Iriver

11:39.000 --> 11:41.000
only wanting to record one
channel.

11:41.000 --> 11:42.000
You probably just have the wrong
jack.

11:42.000 --> 11:45.000
And it's probably even fucking
up the volume.

11:45.000 --> 11:47.000
Also, yesterday, what we're
talking about,

11:47.000 --> 11:49.000
we talked about Steve Leeds and,

11:49.000 --> 11:52.000
and serious, sadly I was talking
about the bandwidth

11:52.000 --> 11:54.000
of the satellite that's serious.

11:54.000 --> 11:57.000
It's pretty much, they can't add
any more channels

11:57.000 --> 12:00.000
because they don't have any more
spectrum available.

12:01.000 --> 12:05.000
And I was saying that this is
probably measured in megabits
per second

12:05.000 --> 12:06.000
and therefore no more bandwidth.

12:06.000 --> 12:09.000
They even have some of the
torque channels now in mono

12:09.000 --> 12:11.000
so that they can squeeze more
channels in.

12:11.000 --> 12:13.000
Email from Rob Freedon says
Adam,

12:13.000 --> 12:16.000
answer to your question about
the satellite bandwidth is
measured.

12:16.000 --> 12:20.000
The unit of capacity for
satellites is the transponder.

12:20.000 --> 12:21.000
Transponders?

12:21.000 --> 12:22.000
We don't.

12:22.000 --> 12:25.000
No stink in transponders.

12:25.000 --> 12:28.000
These units are measured in
megahertz.

12:28.000 --> 12:30.000
Usually 36 to 72 megahertz.

12:30.000 --> 12:32.000
Of course, you can make a
conversion from bandwidth

12:32.000 --> 12:34.000
to throughput, which is a
digital environment

12:34.000 --> 12:36.000
and it's measured in bits per
second.

12:36.000 --> 12:39.000
I am a telecom's professor at
Penn State University

12:39.000 --> 12:40.000
and teach this stuff.

12:40.000 --> 12:42.000
You might have interest in a
tech course syllabus

12:42.000 --> 12:43.000
on my web page.

12:43.000 --> 12:44.000
And of course, you provide the
link

12:44.000 --> 12:46.000
which you can find in the show
notes for today.

12:46.000 --> 12:47.000
Cool.

12:47.000 --> 12:48.000
Very cool.

12:48.000 --> 12:49.000
I'd like to know more.

12:49.000 --> 12:51.000
Maybe you couldn't help me out
with some of this

12:51.000 --> 12:54.000
conversion stuff and let's
figure out how much

12:54.000 --> 12:56.000
it would be kind of cool to
figure that out.

12:56.000 --> 12:58.000
Because I think that I believe
serious

12:58.000 --> 13:01.000
is actually using the AAC codec,

13:01.000 --> 13:05.000
which is what Apple uses for
bookmarking

13:05.000 --> 13:07.000
capabilities, what Apple uses.

13:07.000 --> 13:11.000
Although it's pretty much
similar to MP3,

13:11.000 --> 13:13.000
I believe, and it's licensing
capabilities

13:13.000 --> 13:16.000
and it's probably even
compresses a little bit better.

13:16.000 --> 13:18.000
But I'd like to know how many
bits per second

13:18.000 --> 13:20.000
they're using per channel and
just what exactly

13:20.000 --> 13:22.000
their capacity is.

13:22.000 --> 13:24.000
By the way, can I just say that
I'm very proud

13:24.000 --> 13:26.000
of Professor's listening to the
show?

13:26.000 --> 13:28.000
No, I never would have thought
it.

13:28.000 --> 13:30.000
Hi, Adam. This is Jaime Wattis.

13:30.000 --> 13:32.000
I wanted to talk to you about
two things.

13:32.000 --> 13:34.000
First of all, podcast, avalemos.

13:34.000 --> 13:37.000
So slowly but surely, it's
coming along.

13:37.000 --> 13:39.000
I got my first interview done.

13:39.000 --> 13:42.000
It's both in Spanish and in
English.

13:42.000 --> 13:45.000
Just subscribe to the
appropriate feed

13:45.000 --> 13:48.000
and you'll get the right
language.

13:48.000 --> 13:51.000
So there were URL for it.

13:51.000 --> 13:58.000
It's
www.battis.org-ablemos-ablemos.cgi.

13:58.000 --> 14:01.000
And Battis is spelled B-A-T-I-Z.

14:01.000 --> 14:06.000
Ablemos is spelled
H-A-B-L-E-M-O-S.

14:06.000 --> 14:09.000
And I hope you'll have a chance
to listen to it

14:09.000 --> 14:11.000
and to mention it in your show

14:11.000 --> 14:14.000
so that a lot more people might
want to check it out.

14:14.000 --> 14:17.000
Second thing is about this,

14:17.000 --> 14:27.000
so the Spanish node has a couple
of entries of mine.

14:27.000 --> 14:31.000
Now, this avalemos podcast and
my first one.

14:31.000 --> 14:33.000
So I want to volunteer.

14:33.000 --> 14:35.000
If nobody else has volunteer
already

14:35.000 --> 14:38.000
to maintain that part of the
directory.

14:38.000 --> 14:41.000
So you'll just have to walk me
through

14:41.000 --> 14:45.000
about OPML, what do I have to do
in my own server

14:45.000 --> 14:48.000
to get that going, but I love to
help with that?

14:48.000 --> 14:51.000
So please stay in touch.

14:51.000 --> 14:57.000
My email is jb.podcast.com

14:57.000 --> 15:01.000
and looking forward to listening
for me

15:01.000 --> 15:02.000
from you.

15:02.000 --> 15:03.000
Okay.

15:03.000 --> 15:04.000
Okay, thanks a lot.

15:04.000 --> 15:05.000
Hi, my excellent.

15:05.000 --> 15:06.000
Of course, if you don't have me
for a while,

15:06.000 --> 15:08.000
he's been doing these Spanish
language podcast,

15:08.000 --> 15:10.000
also some Spanish podcast.

15:10.000 --> 15:13.000
And he mentioned the, I potted
out org directory.

15:13.000 --> 15:15.000
Yes, I'd love for you to
maintain the Spanish node.

15:15.000 --> 15:17.000
And this is actually something
we haven't talked about

15:17.000 --> 15:18.000
in a while, but pretty
important.

15:18.000 --> 15:20.000
The I potted out org directory
is different

15:20.000 --> 15:22.000
from other podcast directories
that you'll see.

15:22.000 --> 15:26.000
First of all, it's not really a
directory,

15:26.000 --> 15:29.000
like for instance, we have
podcast alley,

15:29.000 --> 15:32.000
which I like a lot because it
has a voting feature

15:32.000 --> 15:35.000
and rating feature and people
love those

15:35.000 --> 15:37.000
and it drives a lot of traffic
to the directory.

15:37.000 --> 15:41.000
But when it comes to really
maintaining a useful resource,

15:42.000 --> 15:45.000
I think I potted out org does
someone better job.

15:45.000 --> 15:48.000
Also, all the information from I
potted out org,

15:48.000 --> 15:50.000
the actual directory itself,

15:50.000 --> 15:53.000
is made available through an
opml file,

15:53.000 --> 15:56.000
which anyone can use to populate
their own directory,

15:56.000 --> 15:59.000
which I don't know if podcast
alley does it,

15:59.000 --> 16:01.000
but I know a number of others
do.

16:01.000 --> 16:04.000
So feel free to just click on
the XML icon

16:04.000 --> 16:07.000
in the podcast directory at
ipotted.org.

16:07.000 --> 16:10.000
That is the opml file, which you
can suck in periodically.

16:10.000 --> 16:15.000
And it's just an opml file full
of RSS URLs,

16:15.000 --> 16:18.000
which you can then parse to get
channel names,

16:18.000 --> 16:20.000
titles, descriptions, et cetera.

16:20.000 --> 16:24.000
But what's great about it is I
don't maintain it all by myself.

16:24.000 --> 16:26.000
In fact, I do very little work
on it,

16:26.000 --> 16:29.000
except for what's new and
categories

16:29.000 --> 16:31.000
that aren't currently maintained
by someone else.

16:31.000 --> 16:35.000
But all I have to do is just
receive a URL from

16:35.000 --> 16:40.000
Limey for instance, which he'll
create an opml file for

16:40.000 --> 16:46.000
and he just plugs in some RSS
links to podcast feeds.

16:46.000 --> 16:51.000
And all I have to do is paste
the URL of his opml file

16:51.000 --> 16:54.000
into my outline for the
ipotted.org directory,

16:54.000 --> 16:55.000
and it's all taken care of.

16:55.000 --> 16:58.000
So when you're in the directory
and you actually click on

16:58.000 --> 17:00.000
the language node and go into
Spanish,

17:00.000 --> 17:04.000
then you'll get Himey's listing.

17:04.000 --> 17:08.000
And on the website for
ipotted.org,

17:08.000 --> 17:11.000
if you're in that level of the
directory and you want to add a
link,

17:11.000 --> 17:14.000
there'll be a suggest a link
that you just click on.

17:14.000 --> 17:17.000
It'll automatically go to the
maintainer of that node.

17:17.000 --> 17:19.000
Anybody can participate.

17:19.000 --> 17:21.000
Just send me an email,
adamaccurry.com.

17:21.000 --> 17:23.000
If you want to know how to do
these opml files

17:23.000 --> 17:25.000
as a whole bunch of
documentation,

17:25.000 --> 17:28.000
it's ipotted.org slash
contribute.

17:28.000 --> 17:30.000
And if you want to know more
about how it all works,

17:30.000 --> 17:32.000
Ipotted.org slash documentation.

17:33.000 --> 17:35.000
All of that can be found.

17:35.000 --> 17:36.000
Once again, ipotted.org.

17:36.000 --> 17:39.000
Love to have your opml file as a
part of this Himey.

17:39.000 --> 17:42.000
It's a great way to maintain a
directory

17:42.000 --> 17:44.000
because there's no real top
level.

17:44.000 --> 17:46.000
Nobody actually has full
control.

17:46.000 --> 17:49.000
And when you put it into the
ipotted.org directory,

17:49.000 --> 17:52.000
it will eventually flow through
to other directories

17:52.000 --> 17:55.000
that are out there and into most
ipotted software.

17:55.000 --> 17:58.000
So love to see some more Spanish
stuff in there.

17:59.000 --> 18:02.000
I've been getting a lot of
emails about Brad Sox.

18:02.000 --> 18:04.000
We've played Brad Sox on the
show before.

18:04.000 --> 18:07.000
Brad Sox is a guy that does
everything all by himself.

18:07.000 --> 18:10.000
Makes his own music, plays it,
records it,

18:10.000 --> 18:13.000
and is getting lots of airplane
podcasts.

18:13.000 --> 18:15.000
And I received two new songs.

18:15.000 --> 18:19.000
Would say they're demos, but I
like them.

18:21.250 --> 20:06.250
[ Music ]

20:08.000 --> 20:11.000
In a book.

20:11.000 --> 20:13.000
In a book.

20:13.000 --> 20:15.000
In a book.

20:15.000 --> 20:17.000
In a book.

20:17.000 --> 20:18.000
In a book.

20:18.000 --> 20:23.840
He's got some great tunes going
on. Okay, it's trivia Thursday.
I have one, two, three, four,

20:23.840 --> 20:30.320
five different trivia quizzes
that have come in. I think it's
only fair to start off with the

20:30.320 --> 20:35.920
granddaddy of the trivia test.
Well, other people have sent in
trivia tests before,

20:35.920 --> 20:40.560
but young Paulette, this guy
from Holland who started off
with a mix between a Dutch
version

20:40.560 --> 20:47.920
of you don't own me and the
Bitties version of you don't own
me. Really has put together

20:47.920 --> 20:53.680
these wonderfully produced tests
that just blow me away. And
young, by the way, you don't
have

20:53.680 --> 20:57.600
to do on every single day. I
mean, he's already saying dude,
you know, like, I don't know if
I

20:57.600 --> 21:03.360
can produce one or everything.
You don't have to. I really
appreciate it. And anything you
do is just

21:03.360 --> 21:12.080
so incredibly cool. And today's,
uh, today's, once again, he's
not only produced, but it's got

21:12.080 --> 21:16.480
jingles and sweepers and all
kinds of beautiful stuff. Let's
get tranquil.

21:24.480 --> 21:30.240
Hi, Adam. This is young Paulette
with another hit this day young.
As you've probably noticed,

21:30.320 --> 21:34.800
I've got a new segments opener
or a leader. I love and courtesy
of Kevin, one of the members

21:34.800 --> 21:43.200
of RadioDeady.com he provided me
with things I could really work
with. But by the way,
RadioDeady.com

21:43.200 --> 21:48.080
is fucking great. I think I'm
going to participate in that
pretty soon. That seems like a
great

21:48.080 --> 21:53.520
community where we just kind of
create jingles and sweepers for
each other. It's a big trading
post.

21:53.520 --> 21:58.000
Love it. Love that opener by the
way. Thanks to him and thanks to
RadioDeady.com for providing

21:58.000 --> 22:03.760
a great service. I also saw a
lot of comments about the air
check I used in yesterday's hit

22:03.760 --> 22:11.040
test. Unfortunately, this was
the only one I could really use.
I've got one other, but I don't
know

22:11.040 --> 22:15.920
which records being played. So
maybe you could help me out with
it. Here it is.

22:28.000 --> 22:50.160
It's really strange to notice
that when you're listening to
these kinds of things and you
feel the

22:50.160 --> 22:55.520
power of the leaders and the
sweepers and the music, your
voice automatically locks in DJI
position.

22:58.080 --> 23:04.080
Everybody that's right. Rock and
play throw. One hundred. By the
way, we always had to end with

23:04.080 --> 23:09.200
either Z100 or W HTZ New York.
Those were the rules. You could
not end with anything else.

23:09.200 --> 23:13.840
You also couldn't front announce
a song. That's actually I think
that's still illegal
technically.

23:15.040 --> 23:20.720
I think that was, I can't
remember the name of that song.
This was like late 80s, early
90s.

23:20.720 --> 23:25.840
This was all that girl group
disco shit. I don't remember and
it probably wouldn't have been a
good

23:25.920 --> 23:29.920
one for Holda, drunkenness. It
probably wouldn't have been a
good one for

23:31.040 --> 23:34.320
for the hit test because well, I
wouldn't have guessed it.

23:34.320 --> 23:40.720
All right. Just like I would
like to address the daily source
code listeners if you

23:41.120 --> 23:46.880
don't mind. Because I assume
amongst them there are a lot of
people that have been following
you

23:46.880 --> 23:54.080
for a while now. If so and if
they do have actually extra
recordings of shows from the
past,

23:54.560 --> 23:57.360
I would really like it if they
could send them to me.

23:57.360 --> 24:02.800
There's, oh, that's not the only
have. Well, wait a minute. I
sent my box of tapes to

24:04.000 --> 24:08.640
Tom Schooting, who lives in
Australia. He has a podcast
feed. A lot of that is the Dutch
stuff,

24:08.640 --> 24:11.760
which of course I know you'll
appreciate. It's in the iPod.org
directory under

24:11.760 --> 24:18.160
radio shows, the Korean Van
English show. I'm pretty sure
though, Tom also has some Z100
air

24:18.160 --> 24:22.800
checks and maybe some other
stuff. I'll just threw
everything into that box. So
maybe he can

24:22.960 --> 24:32.480
help you out with that. Pinto a
Gmail account. It's hittest at
gmail.com. So it's hit.txt at
gmail.com or in

24:32.480 --> 24:39.280
an increased dial or aviation
style. It's hotel in the at 10
o'clock angle. Echoes at
gmail.com.

24:39.840 --> 24:46.560
It would be really great to be
able to put some objects in a
house once in a while. Talking
about

24:46.560 --> 24:53.120
hit tests. Okay. We go. Yeah.
Now put the air books and get
out your pencil. It's time for
Adam

24:53.120 --> 24:59.120
Curry to take the hit test. All
right, you don't pull it. All
right, but this is a big

24:59.120 --> 25:06.640
different from the earlier ones.
Okay. Um, it's a special one.
It's an 80s pill ball. He did

25:06.640 --> 25:11.200
it. Yeah, baby cowbells. So here
we go. This is number one. Crank
it.

25:11.200 --> 25:16.960
Cowbell is killing me.

25:20.960 --> 25:30.320
Feels like heaven. Is that, uh,
is that, uh, timid thing?
Fiction, uh, fiction factor?
Feels like

25:30.320 --> 25:40.480
heaven. Siction factor. That's
one. Number two. Cowbell is
distracting. Is this street
life?

25:41.680 --> 25:49.600
Ready Crawford and was it the
persuaded street life? It's the
only way I know. No, maybe it's
not street life.

25:51.920 --> 25:57.440
No, I'm, I don't know the shore.
Number three. All right.

26:00.800 --> 26:07.200
Wow. Uh, this is, it does not
deserve cowbell. It wasn't that
big a hit. Is this, uh,

26:10.960 --> 26:17.200
Kaji Guga? Boom. I think it's,
be the Le Mansollo or Kaji Guga?
I can't remember.

26:17.920 --> 26:25.680
You can tell just by the
baseline. All right. Answer. All
right, let's get to the
ancestors right away.

26:25.680 --> 26:27.680
Okay, this was number one

26:28.680 --> 26:30.680
From 1984

26:31.680 --> 26:35.480
Yeah, and still going to have a
big got one right

26:46.680 --> 26:48.680
Sing along

26:55.680 --> 26:56.680
Number two

26:58.680 --> 27:00.680
Street live in 1981

27:01.680 --> 27:03.680
Never too much, this is loop of
ocean

27:04.680 --> 27:06.680
Of course, loop of band rows

27:08.680 --> 27:10.680
Oh man, I'll put it messed up
one

27:11.680 --> 27:12.680
Yeah

27:26.680 --> 27:29.680
And this is number three

27:30.680 --> 27:31.680
Can't you go?

27:31.680 --> 27:32.680
Yeah, can't you go?

27:33.680 --> 27:35.680
Big got up all that's the time,
right?

27:36.680 --> 27:38.680
Okay, two out of three ain't bad

27:39.680 --> 27:40.680
I think?

27:40.680 --> 27:42.680
Not bad for today

27:50.680 --> 27:52.680
There you go

27:55.680 --> 27:57.680
Well, that's it for today

27:59.680 --> 28:01.680
If you do have an act check of
how I'm doing

28:02.680 --> 28:05.680
Please send it to us at
email.com

28:06.680 --> 28:09.680
To send your feedback or
suggestions

28:10.680 --> 28:11.680
See you all next time for
another contest

28:12.680 --> 28:13.680
Oh, young, thank you very much

28:14.680 --> 28:16.680
I can't tell you how much I
appreciate all the work you put
into that

28:16.680 --> 28:17.680
It's really really awesome

28:18.680 --> 28:19.680
I have a lot of fun doing that

28:19.680 --> 28:21.680
And the feedback I get from
people is just amazing

28:21.680 --> 28:26.680
Who are sitting in their cars or
in buses or on the subway and
are playing along with it

28:27.680 --> 28:28.680
It's really a lot of fun

28:29.680 --> 28:30.680
Okay, it is tribute Thursday

28:31.680 --> 28:34.680
So besides, well, that is the
example that we have to live by
what young is doing

28:35.680 --> 28:37.680
But some other interesting
submissions came in

28:38.680 --> 28:40.680
Let's see, which one was this,
let me see

28:41.680 --> 28:44.680
Oh, no, another shit, another
thing I just got a crank

28:45.680 --> 28:48.680
So the reason why I can't use a
compressor limiter is because

28:48.680 --> 28:52.680
And we're talking about this
later on in the show if we have
time for it

28:53.680 --> 28:56.680
Is because if I put that in
audio hijack pro, which I'm
using

28:57.680 --> 28:59.680
What happens is it also cranks
up the microphone

29:00.680 --> 29:02.680
So, yeah, I can't separate the
two channels

29:03.680 --> 29:04.680
Let's see how it works now

29:05.680 --> 29:06.680
We're really getting a kick from
these song trivia

29:07.680 --> 29:09.680
MP3s you keep getting in

29:10.680 --> 29:12.680
Anyway, I've got a little trivia
here for you

29:13.680 --> 29:15.680
It's 80s, classic TV things

29:16.680 --> 29:17.680
Anyway, here they go

29:18.680 --> 29:19.680
I don't give you the answer
straight afterwards

29:28.680 --> 29:29.680
Magna PI

29:41.680 --> 29:43.680
Okay, here what that is

29:43.680 --> 29:44.680
That would be the 80s

29:53.680 --> 29:55.680
That would be the 80s

29:57.680 --> 29:59.680
That would be the 80s

30:01.680 --> 30:04.680
Growing pains or family ties

30:05.680 --> 30:07.680
I think it's

30:08.680 --> 30:10.680
Believe it or not, it's just me

30:11.680 --> 30:12.680
Is that going on?

30:13.680 --> 30:16.680
No, you need to try humming that
theme

30:17.680 --> 30:20.680
The answer is the first one is
Magnum

30:21.680 --> 30:23.680
Magnum

30:24.680 --> 30:25.680
Magna PI got that one

30:26.680 --> 30:28.680
Okay, number three is the 80s

30:29.680 --> 30:30.680
18, what was four?

30:31.680 --> 30:33.680
Number four, the greatest
American hero

30:34.680 --> 30:35.680
Greatest American hero

30:36.680 --> 30:39.680
Okay, damn, 50% not too good
today on the trivia

30:40.680 --> 30:41.680
I was able to crank it up a
little bit by the way

30:42.680 --> 30:45.680
But now of course the next one
will be a thousand times too
loud

30:46.680 --> 30:48.680
Let's see, this is the next
trivia quiz

30:49.680 --> 30:51.680
Yet another idea came in here

30:54.680 --> 30:56.680
Hey Adam, it's Todd Maffin from
iLoveRidio.org

30:57.680 --> 30:58.680
You took a game show for you

30:59.680 --> 31:01.680
This one's called Lost in
Translation

31:01.680 --> 31:05.680
Here's how it works, okay. I'm
going to read you the lyrics of
a song from the 80s

31:06.680 --> 31:08.680
However, they're not the lyrics
you're probably used to

31:09.680 --> 31:12.680
These are lyrics that have been
put through the altivist a
translator

31:13.680 --> 31:14.680
Translated from English to
German

31:15.680 --> 31:16.680
Then I take that translation

31:17.680 --> 31:20.680
And I will translate them back
from German to English

31:21.680 --> 31:23.680
And I will read you the lyrics
as they come out by the computer

31:24.680 --> 31:26.680
Lost in translation trivia, I
love the idea

31:27.680 --> 31:28.680
We'll be a bit garbled

31:29.680 --> 31:32.680
Your task is to figure out what
the computer is trying to say
with these lyrics

31:33.680 --> 31:34.680
What is the original source
song?

31:35.680 --> 31:37.680
I like this, good. I'm going to
be the answer at the end

31:38.680 --> 31:39.680
Bring it on

31:42.680 --> 31:46.680
If you do not leave to be in
this way, which I cannot survive

31:47.680 --> 31:50.680
Oh baby, cannot remain alive

31:51.680 --> 31:53.680
Leaves to me in this way not

31:54.680 --> 31:56.680
Without your love

32:02.680 --> 32:04.680
What the hell is that?

32:05.680 --> 32:07.680
I thought it was going to be
Chicago if you leave me now

32:08.680 --> 32:10.680
But then you take away the
biggest part of me, it doesn't
fit

32:11.680 --> 32:12.680
So I'm not sure what this is
supposed to be

32:13.680 --> 32:14.680
Is it tough man?

32:15.680 --> 32:16.680
Oh, this is my thinking time
here

32:17.680 --> 32:21.680
Of course, it's the commune of
the story

32:22.680 --> 32:23.680
Of course, the commune of the
story is the commune of the
story

32:24.680 --> 32:25.680
But don't leave me this way

32:25.680 --> 32:28.680
Both don't leave me this way

32:29.680 --> 32:31.680
Oh, your hands are the air on
the forehead

32:32.680 --> 32:33.680
Like your best times

32:46.680 --> 32:51.920
Excellent dude. I like that.
That's pretty cool actually.
That's a good good idea for a
trivia test

32:52.200 --> 32:56.480
We continue with our Thursday
trivia with our next submission

32:56.720 --> 33:00.600
Now I've got to watch the levels
here because I've cranked
everything up. It's blowing my
eardrums out

33:00.600 --> 33:06.900
Hey there, Adam. It's Howard
Greenstein from New York. Oh,
Howard. This is a trivia stuff
people have been by the way.
Harry Howard Greenstein is the

33:06.900 --> 33:08.900
Is shoot who's this car?

33:09.900 --> 33:16.000
Sorry, I'm in the middle of a
podcast. I have no time for you.
He turned me on to a very coral.
He's related. You same

33:16.680 --> 33:20.160
Way too easy. So I figured I'd
give you a little bit of a
challenge today

33:20.160 --> 33:24.680
So this time I'm giving you a
montage. It's no no whole intro
is to song

33:24.680 --> 33:31.240
You've got to pick out a piece
of a song one DJ to another.
Let's see how you do with this
montage on the theme of

33:31.640 --> 33:35.720
Daily for the Daily Source code.
Okay. Can you figure out who
sang these songs?

33:36.120 --> 33:38.120
Deleting to the days of the
week. Hit me. Let's go

33:46.720 --> 33:48.720
One more try

33:48.720 --> 33:52.400
Stop stop stop stop stop stop.
Whoa that went way too fast.
Okay, first of all

33:52.400 --> 33:56.000
I heard I heard of beetles in
there

33:57.000 --> 34:01.000
For Wednesday. I heard Saturday
in the park Chicago

34:02.280 --> 34:04.520
We winded a bit. Hold on. Let's
listen again

34:06.120 --> 34:08.120
One more try

34:08.120 --> 34:10.120
Monday

34:16.680 --> 34:17.960
I don't know what that is. Let
me try it again

34:19.400 --> 34:23.540
Well, wait Tuesday is Ruby
Tuesday rolling stones
Wednesday. It's the beetles

34:26.280 --> 34:28.600
I don't know the name of track.
Let's see you the next one

34:31.920 --> 34:35.520
There's a none and it's also
beetles Thursday Friday is

34:36.280 --> 34:38.280
Saturday in the park

34:38.280 --> 34:46.280
Oh, man. This is really hard.
Okay. So what do we have money?
I didn't get Ruby Tuesday
Wednesdays the beetles Thursdays
the beetles

34:46.760 --> 34:50.360
Saturday in the park Chicago, so
I haven't heard and I don't know
Monday

34:51.720 --> 34:55.560
What are I missing Monday Friday
and Sunday? Okay, hold on. Let's
try this again

35:02.360 --> 35:04.360
One more try

35:10.920 --> 35:14.040
Shit, that's hard. Okay, I
didn't see how you did. Yeah

35:14.280 --> 35:17.640
Did you know that this one was

35:18.440 --> 35:22.360
New moon on Monday. Oh, the
grand RAM. Oh, dude. That was
tough

35:24.760 --> 35:27.000
I sure you got me. Oh, yeah,
yeah, I got slow

35:29.720 --> 35:34.120
Well, it's the middle of the
week and it's the beetles. She's
leaving home. She's leaving
home, right?

35:34.200 --> 35:36.200
Wednesday morning

35:40.520 --> 35:43.480
She beetles in a row. This one
was from Lady Madonna

35:46.920 --> 35:48.920
What was Friday?

35:49.240 --> 35:52.920
A bad time in the stock market
but still he danced things about
black Friday

35:54.520 --> 35:59.480
I would have I wouldn't have
known that I would not have
known that when he was even if I
could hear it

35:59.800 --> 36:04.200
I would have chosen easy beats
Friday at my mind to make it
easier for me, of course

36:05.560 --> 36:08.520
Oops, come on come back. What
happened there?

36:09.560 --> 36:12.200
Whoa did something just hello?

36:14.360 --> 36:16.360
Hello

36:17.560 --> 36:21.000
And if you got this far you
probably read about it in the
Sunday paper

36:22.280 --> 36:27.240
That's the trick you had. I'm
hoping you had a good time with
it and that actually soon take
care

36:28.120 --> 36:31.240
All right Howard you got me that
was tough though. That was tough

36:32.280 --> 36:34.280
Okay

36:34.280 --> 36:35.800
Let's get rid of that

36:35.800 --> 36:41.160
What are we at? 36 minutes. I
have so much more to do but I
did promise it Thursday, trivia
day so

36:41.720 --> 36:45.480
Because what I want to still
want to talk about is lyrics on
MP3 players

36:46.040 --> 36:48.840
I have another I don't see so I
have some promos

36:49.480 --> 36:53.960
I want to talk well, let me just
move all this stuff to
tomorrow's show because I'm
never going to get through it

36:53.960 --> 36:56.360
I also want to talk about audio
hijack pro

36:57.480 --> 37:00.120
Let me just put all that down
for tomorrow's show

37:00.760 --> 37:02.120
All done

37:02.120 --> 37:05.800
Copying and pasting stuff then
we have one final

37:06.280 --> 37:10.120
trivia quiz that we can get to
today for Thursday, trivia day

37:11.160 --> 37:15.400
Adam this is Simon Strong out in
Fort Collins, Colorado got a

37:15.800 --> 37:20.040
interesting idea here for trivia
game that that you might enjoy
and the listeners

37:20.360 --> 37:25.080
So I'm going to read the lyrics
from the song and you have to
guess what song it's from

37:25.160 --> 37:28.200
You know, you need more cowbell
to go with that reverb

37:28.200 --> 37:30.200
answers at the end

37:30.200 --> 37:32.200
So here we go first song

37:34.280 --> 37:39.400
Steve walks where Lee down the
street with the brim pulled way
down low

37:40.280 --> 37:43.000
Ain't no sound but the sound of
his feet

37:43.720 --> 37:45.720
Machine guns ready to go

37:49.720 --> 37:51.720
Steve walks down

37:52.280 --> 37:54.280
Let's do tough for me, man

38:10.920 --> 38:12.200
Dude, this is really hard

38:12.200 --> 38:14.600
And number three, this is my
favorite song actually

38:14.600 --> 38:15.320
Okay

38:15.320 --> 38:18.760
Her name was McGill and she
called herself a little

38:19.160 --> 38:21.400
But everyone knew her as Nancy

38:21.880 --> 38:23.880
God

38:23.880 --> 38:26.200
I think this will be so far I'm
batten

38:28.200 --> 38:32.440
Mears on the ceiling pink
champagne on eye hotel
California

38:32.440 --> 38:38.280
She said that was just prisoners
here of our own device. Okay, so
I got like one out of four

38:39.480 --> 38:42.120
Okay, okay, the answer to the
first one is

38:44.680 --> 38:46.680
Cool and bad to dust

38:46.680 --> 38:48.680
And the answer to number two

38:49.320 --> 38:52.120
Herosmith Dremon

38:52.120 --> 38:54.120
Oh, man, I should have known
that one

38:55.640 --> 38:57.160
Yes, that was Dremon

38:59.160 --> 39:00.760
And the answer to number three

39:01.480 --> 39:03.480
The Beatles Rocky Raccoon

39:04.760 --> 39:06.280
Oh, I know some people got that

39:07.000 --> 39:09.320
Yeah, and of course the last one
was hotel California, right?

39:09.320 --> 39:12.200
The last one was hotel
California the Eagles

39:12.200 --> 39:17.880
Okay, so that is nice

39:17.880 --> 39:19.880
Let's check it out

39:19.880 --> 39:25.080
As far as a plug, I guess I can
plug the podcast. I'm still kind
of developing it's pod jam.com

39:25.080 --> 39:25.720
Absolutely

39:25.720 --> 39:28.280
That's p-o-d-j-a-m.com

39:28.280 --> 39:29.880
It's gonna be for guitars, so

39:30.600 --> 39:31.000
Cool

39:31.000 --> 39:34.600
I'm looking for contributions
and you can check it out. Thanks
Adam and

39:34.600 --> 39:37.240
I really enjoy your show, so
look forward to more

39:37.240 --> 39:37.880
Take care

39:37.880 --> 39:41.480
Okay, and really I really
appreciate all the trivia that
everyone sent in today

39:41.960 --> 39:45.720
All the work you did and that's
gonna do it for the source code
for the

39:46.360 --> 39:48.920
What is it? What are the third
of February 2005?

39:51.960 --> 39:55.240
So tomorrow we definitely have
to talk more about audio hijack
pro

39:56.120 --> 40:00.120
Got some some more promos that
were left over because it's just
some really good stuff to

40:00.520 --> 40:07.000
To yapp about and also I think
tomorrow I might do some sound
seeing I was thinking about
going up to a black bush airport
to

40:07.480 --> 40:09.480
Look into my fixed wing

40:10.440 --> 40:17.160
I'm supposed to go up today, but
I think you'll open up and have
a coffee with those guys
tomorrow

40:17.160 --> 40:20.680
So you would see what it's like
up there at at our local
airfield

40:21.160 --> 40:27.560
Okay, well if you have comments
of the audio form anything you
want to send an MP3 format send
it to

40:27.560 --> 40:32.360
MP3 feedback at gmail.com
anything else go to
adamacroid.com

40:32.360 --> 40:33.880
I'm going to go to my weblog at

40:33.880 --> 40:38.360
www.curry.com and of course the
latest show the archives and

40:38.360 --> 40:42.520
The podcast feed at
DavySourceCode.com

40:42.520 --> 40:46.520
See tomorrow for the thank god
it's Friday and each of the
source code take care everybody
bye bye