WEBVTT

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Daily source code February 8th
2005.

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Transmeters? We don't need no
stinking transmeters.

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Autastic! It's Adam Curry.

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Hey everybody, how you doing?
It's Tuesday, February 8th.

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The power of the door.

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Once again, coming you from
Curry Cottage, it is the Daily
Source Code.

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Well man, I've got some stuff
lined up for you today.

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I could not be happier about a
couple of bits of news that I
received today through email.

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Time here in the UK and Gulford
is 1224.

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Once again, I'm back in the big
green oversized ugly chair.

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I've got everything all set up.

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I actually have my second mic
standing my just in case
Patricia decides to come in and
give me some shit about
yesterday's hit test on.

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Man! Thank you very much for all
the great emails that I've
received about not even
recognizing one of my wife's
biggest hit

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songs. I figured out what the
problem is right away. It was
1981 and I was either in between
doing pirate radio broadcasts

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or I think I might have been in
college for that lost semester
in West Virginia.

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Okay, coming up today we have
some technology stuff to talk
about about iPodder and about

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a podcast recording tool, have
some pod save music and also
some not so pod save music.

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Why you might wonder why why
well it was brought to my
attention today and then I'm so
excited about this.

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Oops. That was me bringing up
Firefox. It was brought to my
attention today

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that ASCAP which of course is
the American Society of
Composer's author and publishers
have

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put out a license for podcasts.
Yes, this is apparently was
effective as of January 1st. I'm
not sure when this

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license agreement came out. Of
course, a link to the license
agreement you can find in the

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show notes for today. I'm going
to read you a couple of parts of
this because I'm just so excited
to see

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a word that didn't even exist
barely half a year ago. Now show
up in legal documents and

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good legal documents, not the
kind that say we're suing your
ass. Here it is. The ASCAP

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experimental license agreement
for internet sites and services
released 5.0 was designed for
sites and

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services that perform ASCAP
music in a non interactive
manner. What does that mean? You
might ask.

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Well, non interactive means that
users cannot select individual
songs or posted songs,

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song collections unless the
performance is not more than 60
seconds in duration. So first of
all,

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if you play anything for
instance, young poet with his
with his hit test would be less
than 60 seconds.

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Although I think the answer
sometimes it goes a little bit
longer than that. But he would
not have to

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pay a license. Okay, almost
second. I'm going to have to sit
with my T here because we're
going to

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talk about this for just a
couple of minutes. This is
exciting shit. Okay, examples of
non interactive

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music, that music uses that
qualify for release 5.0 include.
Here comes music that is
embedded

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on one or more pages of a site
or service such as a flash
intro. Okay, that makes sense.
By the way,

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you know, if you have a podcast
and you're using an opening
theme song like you just heard
my

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rock money enough. Now, rock
money enough. I don't think I
think the copyright is pretty
much

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inspired on the rock money
enough. But it's a remix, right?
So someone else performs a music
and

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if they're an ask cap member,
they deserve to get paid for it.
Second, webcasts of live
performances

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and here comes. Here's the one.
Radio broadcasts or podcasts.
Now, they hi-finated podcast.
I'm

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not quite sure why, but I'll
just read that again. Radio
broadcasts or podcasts that do
not

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offer a playlist program guide
and do not make advanced lists
of the songs contained in the
programs

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available prior to their
transmission. And finally, song
samples are excerpts that are
not

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more than 60 seconds in
duration. So if I reread this
one piece, okay? Radio
broadcasts or podcasts.

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I love seeing this show up on
the ask cap site that do not
offer a playlist program guide
and do

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not make advanced lists of the
songs contained in the programs
available prior to their

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transmission. So I think what
that means is show notes can't
contain the title or any

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information about the ask cap
song, which is kind of makes it,
I understand what they're doing

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this. So I guess you can't
search it and then apparently
pull out that one particular
piece of music,

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would be quite an interesting
technological feat actually if
you could do that with a
podcast.

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I think, yeah, I guess
technically it is possible if
you had the time codes and
everything you

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might be able to suck it out,
but that's I think that's kind
of a technicality, but okay,

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so that means you would not be
able to list the songs in your
show notes. And of course,

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you have to pay some money. Now,
this is where it broke down for
me because I immediately was
like,

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whoa, give me the license. Let
me see what's going on. I
downloaded the non-interactive
5.0

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license agreement. Hello
lawyers. I know that you
listened to the show. I've
received many

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an email from you and had
conversations. Some of you, my
friends, some of you aren't.
Some of you

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were my friends before you lit a
gate on the other side. We need
some help from lawyer. Hold on,

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what's that? That's the
neighbor. What is he doing? Is
he sharpening his throwing
knives?

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Hmm, lawyers. Yes, I know that
lawyers listen to the daily
source code. Please help me out,

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help me understand what this
license is. As far as I can
tell, if you have no revenue on
your show,

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that means you have no
sponsoring or advertising, no
money coming in based upon the
show,

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you pay $250 a year and that's
it. You can play any ASCAP
license music on your podcast.

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If you do make money, then you
have to pay a percentage of
revenue and that's where we've
got

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really complicated. They have
like three different schedules
and examples and my eyes fucking
glazed over

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when I saw that shit. So they're
far from understanding what we
need as podcasts, which is just
a

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fairly simple license. If you're
a lawyer, please, I really, I
would appreciate so much if you
could

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look through this document.
Again, it's linked from the show
notes. I think it is legal
actually

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to point to the license from
your show notes and see if you
can figure it out. What does it
mean?

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What exactly do we have to do?
And I'll say right off the bat
that I think I saw like 15% so
if I

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understand just in general
terms, if I say I make $100 a
month in advertising on my
podcast,

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I would have to pay $15 to ASCAP
if I played music. Now the
question is, if I just have an
opening

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tune, which presumably would be
more than 60 seconds, of course,
that's your way out, right?

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If you do it list less than 60
seconds. Or if you play maybe
one song of the day,

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do you still have to pay the
full amount? I mean, the
scheduling, as they call it, the
schedule

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of how you pay for this
performance ride is just fucking
complicated, you know, and I'm
not a lawyer

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and I plead all lawyers who are
listening, please help us out.
And as easily as possible,

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please record this in MP3, send
it to MP3feedback at gmail.com.
So we can all understand and we
can do

07:43.320 --> 07:49.160
this in a fair and safe manner
because wow, you know, I'm not
looking forward to playing
Britney Spears

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or anything like that, but I
totally would love to share some
memories of old tunes with you
guys.

07:53.720 --> 07:57.080
And I know that you would love
to do it as well. And I think it
would be really, really good for

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podcasting. It would be great
for artists who have big back
catalogs who are selling them

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through their own website, for
instance. It could just be
really, really good for the
music industry in general.

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And, you know, the terms are, of
course, debatable, but the fact
that it's shown up now,

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hold on. Oh, yes. The fact that
it's shown up as, as podcasts on
a license just is such

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such good news. I'm incredibly
happy about this. So today I'm
going to be playing a couple of

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what we would deem non-pod-safe
tunes. And I'm just going to
think that it won't be a problem

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for me to, you know, add this on
to whatever payment I'm going to
make. Because of course, I'm

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going to pay the $250, right? So
as of today, I'll just consider
myself licensed,

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licensed, armed, and licensed is
what I think. And it's good
because I was talking the past
two shows

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I've been talking about Michael
Jackson and how I believe that
he's being framed in this
particular

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case. I've met this man a couple
of times. He comes across this
very polite, although freaky
individual,

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but, you know, what's normal?
I'm normal sitting here,
smoking, drinking, yapping into
a microphone.

09:13.000 --> 09:17.480
And it's just whatever you
consider normal. But I think
he's totally being framed and
what's worse.

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What's much worse is that we're
completely forgetting about the
musical profit that Michael
Jackson

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is. He said something really
interesting on that Haraldo
interview on Fox News. He said,

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I think Haraldo said, well, you
know, these days it's hip hop,
it's rap, it's, you know,
there's all kinds

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of different musical styles. And
you're still kind of what
Haraldo was basically saying he
was

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being nice about it. He was
saying, you're kind of still
stuck in the 80s and 90s,
Michael.

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You know, you haven't really
upgraded your sound or whatever.
And Michael said,

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you know, Haraldo, cultural
change, style will change,
fashion will change, but music
stays the same.

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The songs always remain. And
that's kind of the theme of
today's podcast, but I also want
to

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make sure that we don't forget
the musical genius that Michael
Jackson is. So let's kick it off

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today with Don't Stop till you
get enough. This is your daily
source code for February 8,
2005.

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You ready? Crank it off.

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[ Music ]

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[ Music ]

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

21:44.440 --> 21:46.440
Just rise in the air.

21:46.440 --> 21:48.440
Just rise in the air.

21:48.440 --> 21:50.440
Just rise in the air.

21:50.440 --> 21:52.440
Just rise in the air.

21:52.440 --> 21:54.440
Just rise in the air.

21:54.440 --> 21:56.440
Just rise in the air.

21:56.440 --> 21:58.440
Just rise in the air.

21:58.440 --> 22:00.440
Just rise in the air.

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Just rise in the air.

22:02.440 --> 22:04.440
Just rise in the air.

22:04.440 --> 22:06.440
Just rise in the air.

22:06.440 --> 22:08.440
Just rise in the air.

22:08.440 --> 22:10.440
Just rise in the air.

22:10.440 --> 22:12.440
Just rise in the air.

22:12.440 --> 22:14.440
Just rise in the air.

22:14.440 --> 22:16.440
Just rise in the air.

22:16.440 --> 22:18.440
Just rise in the air.

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Just rise in the air.

22:20.440 --> 22:22.440
Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

22:46.440 --> 22:48.440
Just rise in the air.

22:48.440 --> 22:50.440
Just rise in the air.

22:50.440 --> 22:52.440
Just rise in the air.

22:52.440 --> 22:54.440
Just rise in the air.

22:54.440 --> 22:56.440
Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Just rise in the air.

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Good luck tonight.

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Hey.

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Hey, Adam.

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It's Richard Land全warchorid.com

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I'd like to point your listeners
on something real special,

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On February 15t.

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Then it will be possible to
listen to you in real life

23:29.440 --> 23:32.440
on the topic of nero costing and
also in storage media.

23:32.440 --> 23:34.440
But I think the nero costing
part

23:34.440 --> 23:41.640
part in combination with
podcasting can be quite
interesting. As far as I know,
the first

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opportunity for weeks or even
months that people can see you
live and there's something

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interesting as well. The
conference is for free. So I'll
suggest your podcast listeners
to

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sign on and there's this special
website which can be found on
November in the

23:59.800 --> 24:07.720
Mike-congress.nl. That's
November in your
Mike-congress.nl. And I think
it's quite

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interesting conference and I
suggest the podcast listeners
who live in the

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Netherlands Belgium or maybe
even Germany can join this
conference on February to

24:20.280 --> 24:24.920
15th and the location is called
Happy Days. And what I did see
but I'm sure that's

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just a coincidence that the
founding partner is
Grandmasterview. You see you on
the 15th

24:30.280 --> 24:34.440
I will be speaking there as well
and I will speak about business
models for podcasting and stuff

24:34.440 --> 24:38.440
like that.

24:46.440 --> 24:52.440
Richard that was created
completely with Nick's cast
live. Sounds good although it's
just looking at the

24:52.440 --> 24:56.200
meters here at my output meters.
Looks like the left channel was
a little bit lower than the

24:56.200 --> 24:59.720
right channel. I don't know if
that's a problem with Nick's
cast live or not. You can hear
that

24:59.720 --> 25:05.880
Richard had all these little
bits mapped keys and he was
firing him off and the sound
actually

25:05.880 --> 25:09.400
was really good. I don't know if
there's any processing sound in
Nick's cast live but it's pretty

25:09.400 --> 25:14.840
impressive. Nick's cast live.com
download that sucker. If you're
looking for something to create

25:16.120 --> 25:20.600
live podcast with on the fly
this is not something you record
you used to record and go back
and

25:20.600 --> 25:25.560
edit this is for kind of life
performance version of the
podcast which is the way I do
the

25:25.560 --> 25:35.080
daily source code. Adam Bloom
sent me some tunes. Yes he's
related to Ron and I just wanted
to

25:35.080 --> 25:42.360
share this with you because he's
so fucking crazy to hear this
version of an ACD C2. Here's
Hasing Dixie

25:42.360 --> 25:49.240
on the source code. Oh by the
way you're allowed to sing along
if you know the words.

25:49.240 --> 25:57.240
Probably the first time you
could understand that. I'm not
going to plug in your own
electric guitar

25:57.240 --> 26:05.240
and the jamblers are fast with
scenes. She kept motorclaims.
She was the best damn woman that
I've ever seen

26:05.240 --> 26:13.960
she had decided that I still and
we no lies out in me out in
America that I've eaten more
than

26:13.960 --> 26:21.480
their share. Had me fat for a
year. She told me to come but I
was already there. The walls
were

26:21.480 --> 26:30.120
shaking. Earth was a curtain
from mine. We were shaking. We
wasn't making it in here. She
made

26:30.120 --> 26:45.240
[ Music ]

26:45.240 --> 26:52.520
looks in the light. She didn't
want to catch it. She kissed
mine all night long. No lies
just

26:52.520 --> 27:00.120
a matter of health. Made a meal
out of me. Come back for my own.
Had to come down to taking

27:00.120 --> 27:08.520
movies around. Now I'm back in
the rain to take it. Let the
swing and the walls was shaking.
Earth was

27:08.520 --> 27:33.720
[ Music ]

27:33.720 --> 27:42.920
Got it now. I'm standing here.
She made all night long. Yeah,
you should make.

27:46.250 --> 28:45.480
[ Music ]

28:45.480 --> 28:52.680
Yeah, you should make it in
here. You're able to make it in
here.

28:52.680 --> 29:01.640
Oh, god, oh. Hey, Adam and all
the daily source code listeners.
My name's Travis Hoffman

29:01.640 --> 29:06.840
and I'm the proprietor of the
Ponderplace podcast. What's the
Ponderplace podcast you ask?

29:06.840 --> 29:10.520
It's a place where I take a look
into the tales of the odd and
moronic found in everyday life.

29:11.240 --> 29:15.080
So exactly. What kind of tales
of odd and moronic behavior am I
talking about?

29:15.880 --> 29:19.800
Well, there's always like how we
just own cheese. How come you
never see any metal sports?

29:19.800 --> 29:23.160
How can you get 130% vitamin C
in the orange juice? Why do they
always hide the Valentine's day

29:23.160 --> 29:26.360
candy and health information
underneath the candy? Is it
impossible to blow your nose
well driving?

29:26.360 --> 29:28.760
Do those blizz greens of death
on one nose machine? You'll have
to be that annoying.

29:28.760 --> 29:31.800
Is lots of hair pigment threes
on old people with their web
turned signal on well driving?

29:31.800 --> 29:35.000
Does everything need a four-none
date these days? Why do charming
compare toilet paper to pillows?

29:35.000 --> 29:37.400
How come in Walmart? There's a
mirror for your car that has a
rhinoceros in it.

29:37.400 --> 29:41.000
They show on your love by
spinning or doing your pets
really showing love at all. How
exactly do you puff?

29:41.000 --> 29:44.920
Puff rise and pump bleak. The
secret service just hasn't blown
anyone anymore. It's really not
that big of a secret.

29:44.920 --> 29:47.640
I think it'd be funny to put
strawberry milk on an empty
petal business model and just
drink a lot.

29:47.640 --> 29:51.000
How come mallwalkers are so
dangerous? I think it'd be funny
if that grocery store had sales
on can do it.

29:51.000 --> 29:53.880
And then hung up from the
ceiling just out of reach two
words, nerped car.

29:53.880 --> 29:57.880
How come scientists have kept
calcium and sodium yet? Why do
you need a careful of your own?

29:57.880 --> 30:00.840
Sorry. I get kind of carried
away sometimes.

30:00.840 --> 30:07.240
If you're curious about these
pondering and many others, be
sure to check out the
Ponderplace podcast at www.

30:07.240 --> 30:12.520
Travishopman.com slash
ponderplace. Thanks. And back to
you Adam.

30:16.520 --> 30:18.520
Yeah, I'm tired. I'm tired. I'm
tired.

30:18.520 --> 30:19.080
Oh, I'm tired.

30:19.080 --> 30:20.120
Oh, I'm tired.

30:20.120 --> 30:21.400
With your own polo.

30:21.400 --> 30:22.680
I know.

30:22.680 --> 30:26.040
Hi, Adam. Hey, young polo, I
take you with a hit test number
seven.

30:26.040 --> 30:29.080
Alright, buddy. Again, I've
lined up three tracks for you.

30:29.080 --> 30:29.880
I bet you have.

30:29.880 --> 30:30.680
I hope you're ready.

30:30.680 --> 30:32.040
Yes, this is number one.

30:32.040 --> 30:33.800
Don't forget to buy my wife in
there, okay?

30:34.040 --> 30:36.040
Oh, Charlie Wattley.

30:36.040 --> 30:38.040
Oh, it's Chalamara, Charlie.

30:38.040 --> 30:40.840
It's, I think it's Charlie
Wattley.

30:40.840 --> 30:44.040
I'm looking for new.

30:44.040 --> 30:45.480
Look. Listen to that cow.

30:46.840 --> 30:47.640
Do I hear a cow though?

30:50.600 --> 30:51.640
And this is number two.

30:58.760 --> 31:00.440
Yes, this is a Dutch group.

31:00.520 --> 31:01.880
Frog with your fruit.

31:01.880 --> 31:02.440
Swine bits.

31:04.280 --> 31:06.760
No one else will know that
outside of Holland or Portugal.

31:08.200 --> 31:10.200
Your Dutch, you probably guessed
it. Big hit.

31:12.680 --> 31:14.040
And the last one. Number three.

31:16.360 --> 31:18.200
Hmm, yeah, I know this one.

31:20.280 --> 31:22.280
This is uh, Alice and Moier.

31:22.280 --> 31:25.080
Oh, my head. Alice and Moier.
It's all sung out.

31:26.440 --> 31:27.240
Oh, cry.

31:27.240 --> 31:28.680
I'll cry it out, I think it is.

31:29.560 --> 31:31.560
And these are the answers.

31:31.560 --> 31:32.600
And so number one.

31:33.560 --> 31:34.760
It's Charlie Wattley.

31:34.760 --> 31:36.760
And she's looking for a new
love.

31:41.720 --> 31:42.600
I hear a cow though.

31:42.600 --> 31:59.320
[ Music ]

31:59.320 --> 32:01.320
I'm really, yeah.

32:03.000 --> 32:03.640
Charlie Wattley.

32:05.320 --> 32:07.000
The former singer of Schalemar.

32:08.600 --> 32:09.800
See, I see a lot of people.

32:09.800 --> 32:11.400
I knew love. This is number two.

32:11.400 --> 32:12.280
We're going extra points.

32:14.120 --> 32:15.320
It's a Dutch track.

32:15.320 --> 32:15.640
Yeah.

32:16.440 --> 32:17.640
It's Frank Weier.

32:18.680 --> 32:21.080
And the song is titled, The
Swatch Vits.

32:24.920 --> 32:28.520
I should tell the listeners that
this guy married

32:28.680 --> 32:29.640
Amanda Redington.

32:31.400 --> 32:33.880
She's a UK TV presenter and his
hero wondering.

32:35.560 --> 32:36.600
It's a nice guy, Frank.

32:45.560 --> 32:46.920
So really good lyric in this.

32:50.440 --> 32:51.720
I'm not white. I'm not black.

32:51.720 --> 32:53.080
I don't think white. I don't
think black.

32:53.880 --> 32:55.160
I think in the color of your
heart.

32:55.720 --> 32:56.520
I don't think white.

32:58.520 --> 33:00.760
No, it's Frank Weier.

33:03.000 --> 33:03.720
And Swatch Vits.

33:05.720 --> 33:06.360
Black and white.

33:07.240 --> 33:08.840
Something in line of don't think
black.

33:08.840 --> 33:09.640
Don't say white.

33:09.640 --> 33:11.240
But think in the color of your
heart.

33:11.240 --> 33:12.280
It's answer number three.

33:12.280 --> 33:12.600
All right.

33:13.880 --> 33:14.360
Allison.

33:14.360 --> 33:15.640
It's Allison Weier.

33:16.680 --> 33:17.800
And she's all cried out.

33:17.800 --> 33:18.520
I'll cry it out.

33:21.250 --> 33:46.440
[ Music ]

33:46.440 --> 33:47.400
Oh yeah.

33:48.520 --> 33:52.280
You took a whole lot of love and
for a handful of nothing.

33:53.240 --> 33:54.840
It's great.

33:54.840 --> 33:55.560
Great young.

33:55.560 --> 33:56.200
Excellent.

33:58.120 --> 33:59.160
Oh my favorite songs.

34:00.600 --> 34:02.360
Man, they made some good music
in the A.E.

34:02.840 --> 34:03.800
It's a bad hair.

34:03.800 --> 34:05.560
Crad out with answer number
three.

34:05.560 --> 34:07.000
And this hit test.

34:07.000 --> 34:09.080
Number seven already.

34:09.080 --> 34:10.040
It's going fast.

34:11.160 --> 34:13.320
Well, I'm still still working on
the air checks.

34:14.360 --> 34:15.720
You can't have too many of
those.

34:16.280 --> 34:20.120
Still searching for a piece that
I can use in the hit test.

34:21.080 --> 34:26.600
If you've got one, please send
it to hittestatgmail.com.

34:27.880 --> 34:32.760
And that's also the address to
send your feedback to
hittestatgmail.com.

34:34.760 --> 34:37.640
If you want to download this
edition of the hittest

34:38.600 --> 34:45.320
or earlier episodes, you can
find them at www.helpat hands.nl
slash hittest.

34:46.600 --> 34:48.920
So that's www.helpat hands.

34:49.880 --> 34:51.560
That's an L slash hittest.

34:53.000 --> 34:54.280
That's it for today.

34:55.560 --> 34:57.080
See you next time for another

34:57.080 --> 34:59.240
edition of the hittest. Bye-bye.

34:59.240 --> 35:00.360
Thank you very much, young.

35:00.360 --> 35:01.160
Excellent.

35:01.160 --> 35:03.240
As always, the hit test.

35:03.240 --> 35:06.040
And I forgot to put the site in
there.

35:06.040 --> 35:08.040
Yesterday in the show notes,
it's in there today.

35:08.040 --> 35:08.680
Hi Adam.

35:08.680 --> 35:09.640
This is Kevin.

35:09.640 --> 35:12.280
And if my voice sounds a little
bit familiar to you,

35:12.280 --> 35:14.600
but you can't quite place it,
let me give you a hand.

35:15.400 --> 35:17.720
It's time for Adam Curry to take
the hittest.

35:19.320 --> 35:22.440
I'm just one of the fellows that
post over at radeogaddy.com.

35:22.440 --> 35:24.440
And I just wanted to drop in and
clarify

35:24.440 --> 35:28.360
key things because I've noticed
a few people have heard about
the site

35:28.360 --> 35:31.880
through you and other places and
have come by and made requests

35:31.880 --> 35:34.760
and been a little bit
disappointed and not understood
why.

35:34.760 --> 35:37.480
And so I thought I might just
drop in clarify

35:37.480 --> 35:41.800
key things and help people get a
little bit better response
perhaps.

35:42.600 --> 35:48.440
I first think to understand is
that radeogaddy.com builds
itself

35:48.440 --> 35:50.440
as free voiceovers and more.

35:50.440 --> 35:54.840
The original intent was to help
low-power non-profit radio
stations.

35:54.840 --> 36:00.200
Exchange voice work so that, you
know, if I have a station in the
mean guy,

36:00.200 --> 36:02.840
you know, you don't hear my
voice all day long.

36:02.840 --> 36:07.400
I'll have other people do voices
like I have an Australian fellow

36:07.400 --> 36:09.960
on my little home station that
you'll hear.

36:12.280 --> 36:18.760
A few clarifications on what
things are voiceover talking.

36:19.880 --> 36:22.520
If you ask for a voiceover or a
dry read,

36:22.520 --> 36:24.600
you'll probably get that filled
pretty quick.

36:24.600 --> 36:29.720
Somebody will just read what you
type in and do give them a
script.

36:29.720 --> 36:31.320
Tell them what you want.

36:31.320 --> 36:34.840
Just saying drop by my website
and check it out and get an idea
what I want.

36:34.840 --> 36:37.320
That's not going to get a good
response.

36:37.320 --> 36:40.600
So say clearly what it is you're
looking for.

36:40.600 --> 36:41.880
And what style?

36:41.880 --> 36:46.040
Upbeat, newsy, mellow, laidback,
however you want to phrase it.

36:46.040 --> 36:47.480
Next, a jingle.

36:47.480 --> 36:48.760
Jingle has singing.

36:48.760 --> 36:50.520
We do not do jingles.

36:50.520 --> 36:51.960
You don't want to hear me sing.

36:51.960 --> 36:53.000
That's all there is to that.

36:53.000 --> 36:59.800
A sweeper or a produced element
is what a lot of people are
asking for.

36:59.800 --> 37:03.880
And I want folks to understand
that you have to have the stuff
to make those.

37:05.240 --> 37:06.760
And a lot of guys do not.

37:06.760 --> 37:08.440
And you have to have the time to
do them.

37:08.440 --> 37:10.360
There's a lot of work involved
in that.

37:10.360 --> 37:15.000
So occasionally somebody will
find something they think is a
challenge.

37:15.000 --> 37:18.600
Like this one I did for a game's
podcast.

37:18.600 --> 37:21.080
I'd rather like it and just kind
of proud of it and enjoy doing
it.

37:21.080 --> 37:36.680
We're not talking your dad's
video games.

37:36.680 --> 37:39.720
So that's an example of a
produced sweeper.

37:39.720 --> 37:42.840
But as I say, not everybody's
time to do that.

37:42.840 --> 37:47.720
So if that's not what you get,
please don't be disappointed
that nobody answered.

37:48.200 --> 37:52.520
Sometimes your post gets knocked
down the list and just gets
missed.

37:56.760 --> 38:00.840
I hope this explains things a
little bit and that folks will
drop by and check things out.

38:00.840 --> 38:04.600
And I enjoy doing the stuff for
Yon and for you and for the hit
test.

38:04.600 --> 38:08.760
And I did not know about your
podcast before, but now I'm
enjoying listening.

38:09.960 --> 38:14.680
Take care and I'm sure you'll be
hearing me often because I don't
think Yon and the hit

38:14.680 --> 38:16.280
test are going anywhere anytime
soon.

38:19.320 --> 38:29.240
So this is Kevin, known over at
radiodaddy.com is power FM
saying now back to Adam Curry
and the

38:29.240 --> 38:30.360
Daily Source Co.

38:32.360 --> 38:35.560
Awesome. Awesome. Thank you very
much, Kevin. That's great.

38:35.560 --> 38:39.400
That's clarification because
I've been sending people over to
radiodaddy.com without really

38:39.400 --> 38:42.520
thinking too much about what the
implications of that could be.

38:42.520 --> 38:45.560
And perhaps we need to do
something specifically for
podcasts for that.

38:45.560 --> 38:51.640
And I'd certainly contribute and
you're right, creating sweepers
and bumpers and jingles and
stuff is hard work.

38:52.680 --> 38:56.840
And usually I wound up paying
people significant sums of money
to do that for me is a guy in

38:56.840 --> 39:04.520
New York, Dave Fox, WX Fox on
the run.com is his site and he
does, I actually have an
exclusive

39:04.520 --> 39:11.000
arrangement with him for for
Europe when I do stuff on, you
know, traditional radio and
television.

39:11.960 --> 39:16.280
But if you have a little bit of
a cash and you want him to
produce some stuff and he has
the

39:16.280 --> 39:22.040
time too, he is absolutely the
best. But when it comes to a
community-based thing like this,

39:22.040 --> 39:26.920
yeah, I'd be happy to, you know,
happy to cut some liners. Maybe,
well, you know, we should think

39:26.920 --> 39:30.840
about that where we can do if we
can come up with some kind of
central resource because the
idea is

39:30.840 --> 39:38.280
great. But, you know, maybe
radiodaddy.com should be for a
little, you know, for a
different audience

39:38.360 --> 39:42.680
than the podcasters. But the
clarification was excellent
Kevin, I really appreciate. And
of course,

39:42.680 --> 39:48.760
I appreciate the sweeper and the
bumper for the hit test. As do I
appreciate,

39:48.760 --> 39:52.760
young pull-out putting that
together every single day, I
really appreciate that. Don't
forget,

39:52.760 --> 39:58.120
on Thursdays, we have our trivia
Thursday, I have, oh man, I have
such a big,

40:00.360 --> 40:06.680
yeah, I got a big, you know, I
was big. I have this
Beatles-based trivia, I've got
another

40:06.680 --> 40:11.640
lost in translation trivia, I've
got him here, one, two, three,
four, five, six, seven,

40:11.640 --> 40:17.560
five, seven, yeah, seven
different trivia to us so far.
And of course, there'll be, so
let's

40:17.560 --> 40:23.160
make that eight with young
pull-outs Thursday edition. All
right, almost, well, actually,
it's

40:23.160 --> 40:27.400
40 minutes, so I could end it
here, but Christine and I were
in the car this morning. What I,

40:27.400 --> 40:33.800
when I tend to do is, I got my
iPod running overnight and the
iPod has plugged in, so, you
know,

40:33.800 --> 40:38.520
true to form, I pick up the
iPod, jack in the iPrip and on
the way to school, which is
about a

40:38.520 --> 40:43.640
15 minute drive in the morning,
sometimes a little bit longer.
Then we listen to whatever's
come

40:43.640 --> 40:49.560
through, whatever the latest
podcasts were. And this morning,
we heard this awesome mashup,

40:49.560 --> 40:53.560
which I just wanted to share
with you. So, you know, you can
end if your walk is over,

40:53.560 --> 40:57.480
if your commute is over, you're
at the 40 minute mark, you can
save this for later,

40:57.480 --> 41:02.920
or you can listen to it right
now, but I guarantee you, I
guarantee you're going to want
to crank

41:02.920 --> 41:08.360
this one out. YouTube versus
lyrics more, it's called calling
on a Sunday.

41:11.250 --> 43:55.640
[ Music ]

43:55.640 --> 44:00.440
Call it up to all, every group
you go make it all happy night
you're right next.

44:02.840 --> 44:05.560
Call it on Sunday, it's, uh,

44:05.560 --> 44:09.240
YouTube versus lyrics born at
the end of the Tuesday source
code.

44:12.200 --> 44:15.480
Alrighty, oh, man, so, uh, 10
after one,

44:15.480 --> 44:18.200
gonna have some lunch with my
wife and, uh,

44:18.200 --> 44:22.360
shoot this up to the bird, that
would be the server, right?

44:22.360 --> 44:28.280
That's it, feedback at
amaccharry.com or for audio
feedback, MP3 feedback at
gmail.com.

44:31.960 --> 44:36.360
Keep it all coming, and of
course, I'm expecting lots of
lawyers to be emailing about
this brand new

44:36.360 --> 44:41.080
license that we found. So,
please send that off. And of
course, you can find all of the
source codes,

44:41.080 --> 44:45.480
data source code.com for the
archives, the latest show and
the podcast feed.

44:46.200 --> 44:52.120
And, uh, if you have a chance,
you can also check out the
weblog www.curry.com.

44:52.120 --> 44:56.280
Thanks for tuning in. Thanks for
subscribing. Thanks for
downloading. I really appreciate
it.

44:56.280 --> 45:00.440
I'll see you tomorrow on the
HumphDeadish Network source
code. Take care everybody. Bye.
Bye.
