WEBVTT

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Daily source code for February
23, 2005.

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Transmators, we don't need no
stinkin' transmators.

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Get ready for the generation of
rocker.

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And a podcasting.

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It's Adam Curry.

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Hey everybody, welcome to the
Thursday Disney source code.

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At least we'll call the Thursday
edition because here in
California,

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we're still living in Wednesday.

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By the time you hit this, it'll
be Thursday or Friday or
Saturday or God knows.

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It is the 23rd.

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But the 24th.

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I'm confused.

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What is it Marcus?

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What's Thursday?

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It's the 24th.

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So, wait a minute.

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Did my announcer screw it up
then?

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What did she say?

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23rd, 2005.

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Screw it.

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She's talking about bad
programming.

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Let's just call it the 23rd.

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Hey everybody, welcome to the
Daily source code coming to you
from San Francisco, California.

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From, uh, I love the hotel on
Gary Street.

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Kind of right in the middle of,
uh,

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all the druggies hang out.

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It's all the drug addicts are
here on the street.

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For the next 40 minutes, got
some crap for you.

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Wow, we had a long, long day.

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I posted on the weblog early
this morning,

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uh, that a source code wouldn't
be up until later today.

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Well, I certainly made that
promise come true, didn't I?

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Without doing meetings, meeting
with lots of people,

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and actually today we were in
the valley.

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Silicon Valley itself, which
means you get on the,

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uh, on the 101, 101 freeway
going south.

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She can tell I've got, uh,
Marcus sitting here.

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He's, uh, hanging out in our
studio in our Gary Street
studio.

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Uh, for those of you that
haven't been introduced to
Marcus,

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we've been working together for
about, uh,

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was it Marcus three years now?

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Three years.

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He, um, basically keeps all my
shit running.

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That's what we've been doing for
the past couple.

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How do we meet?

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How do we meet?

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How do you know?

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Do you email me and said, what?

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I do frontier.

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I used to live in Holland.

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Oh, that's right.

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Yeah.

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You've got some interest in
stuff going on.

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That's right.

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That's right.

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And then, uh, I said, yeah.

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Okay.

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So, uh, but the interesting
thing is, uh,

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that although we've been working
together for certainly a good,
uh,

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uh, three years, we had never
met in person.

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We've spoken on the, uh, not,
not even on the phone.

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We've spoken on Skype before.

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And, uh, on what on, uh, I chat
a couple of times.

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We never actually met.

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Yeah.

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And, uh, I guess kind of like,
uh,

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if you know someone from, uh,
from the telephone or, um,

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if you only know someone from a
radio broadcast or a podcast,

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uh, and then when you finally
meet up,

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it's like everything you
expected this person to look
like is completely untrue.

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It's completely different.

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Um, but Marcus, you had the
bent, you knew what I looked
like, right?

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So that, that was, that was
easy.

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But, uh, I actually, without
going into too much detail,

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but I thought Marcus was ten
years younger.

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Doesn't matter how old he is.

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I won't give that away.

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But ten years younger just
because of his voice.

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Um, and I thought he probably
had really long hair.

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I was kind of like a musician
type, type rock and roll guy.

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Long hair all one color.

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Yeah.

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Yeah.

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Yeah.

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Dude, I've got the gray here
too, don't worry about it.

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So, uh, we've been hanging out,
uh,

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actually speaking out, uh, for
most of, uh,

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uh, most of the evening, uh, in
the hotel room.

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Uh, we got the power books.

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I had this, I got like a,

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it shouldn't be happening.

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I've got, uh, I don't know if
you can hear that.

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I've kind of interference on the
wireless mics.

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I wonder what's doing that.

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Maybe some kind of,

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ease dropping device in the room
that is doing that.

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So meetings in the valley.

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My goodness.

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For all the, all the noise,
everything that's going on in,
uh,

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in the world of podcasting,

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I gotta tell you that San
Francisco, California,

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and well, particularly the
valley, uh,

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so that's like, uh, what's the
valley?

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Mountain view, sunny veil,

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all those places that you may
have heard of before.

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They are fucking clueless.

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I was so amazed.

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It seems like when it comes to
anything

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or anything, MP3 players or
anything,

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iPod, everybody here is still
trying to figure out

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how to capture the music
business.

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And it's just, it's amazing.

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And we do meetings with people,
and yeah,

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you know, they're really excited
about podcasting.

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But, you know, halfway into the
meeting,

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it's like, you find out that
they,

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they never really even listen to
a podcast.

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It's just, uh, it's like you're
there in this big,

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sinkhole of God knows.

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And this is, of course, it's not
true for everybody.

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That would be completely unfair.

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But when it comes to all the
companies here that you'd
expect,

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uh, to know what is going on,

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have a real good feel for it.

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Wow, I was pretty amazed.

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Not that everyone we met with
had no clue,

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but woo, it was, um,

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um, interesting to say the
least.

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So we talked a little bit about
that,

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a little bit about, uh,

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also new, uh, applications, uh,

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I've been playing around with.

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And of course, we've got a
matchup.

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This one's, uh, music shape by
the dog.

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[ Music ]

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It's another matchup that I
received from Pimpedaddy Sid,
the Pimpedaddy from Holland, but

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like that one, Madonna music
shaped me in, I was turning like
Marcus here, this, but for those

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of you who record your podcast
on a Mac and if you use Audio
High Jack Pro, you've probably

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discovered that if you unplug
the headphones, then Audio High
Jack Pro kind of freaks out

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on you, and we'll usually crash
and we're talking about external
mixers. I've been in the market

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for a small handheld or battery
powered mixer. Marcus actually
had a really good idea during
the

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Madonna tune, said, how about
going to the pawn shop? There's
a lot of musicians that need
money

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in San Francisco and it's
probably been pawning
everything, so it's a good idea
maybe Friday morning

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because tomorrow going up to
Seattle, I'll give you one guess
who I'm seeing up there should
be

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interesting. It's been, wow,
maybe, trying to think, it's
probably been like seven years
since

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I've been up to Redmond, and of
course there's, I think I told
you about that, that a guy named

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Aida Kuhers, who was a Dutch
guy. I met a couple of years ago
about four or five years ago in
Holland,

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he was just recently promoted up
to some big muckery muck post up
there and he knew us on the

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West Coast, he said, I'll come
on up and we'll talk and we'll
do some stuff. I think that's
kind of

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turned into like we're meeting
50 people or something, but
that's okay. Should be fun, it's
always

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good to find out what's going on
up north. We're going to talk
about today a couple of things.

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I don't know if I'm going to
make it 40 minutes because it is
now 10 p.m. and we have to leave

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the hotel at a quarter to six to
make the 7 a.m. flight, which of
course is having me regret the

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fact that we agreed to come on
up. Last night was the Wired
Awards, the Wired Rave Awards

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in the legendary Fillmore. It
was, I didn't know exactly what
I was to expect from an award

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show, you kind of expect that
someone will be up on stage and
announce nominees, they're

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announced winners and maybe
there's a short word of thanks
or something, but it was none of
that.

10:16.360 --> 10:21.960
It was almost like, I remember
parties like this in New York,
MTV used to throw parties like
this

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with a whole bunch of people who
were just way too cool and hit
for the room and they all kind
of

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mall around, eyeing each other
and you know, no one really
talks because the music is just
a little

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bit too loud and there's perhaps
the drinks flow a little bit too
freely and it was weird,

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it was, I mean the setting was
great, it was beautiful. I
didn't recognize one single
solitary person

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in the entire, well no, it's not
true. I met C. Carl Jacob who he
actually got me started in a lot
of

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stuff when he was at Sun and
that was, well that was before I
started on ramp. It was good to
see him.

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What he'd do, he had a company
called Dimension X, he sold that
and then what he'd do he went

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on to work for Cloud Mark, I
think. God no, he's in a kite
surfing right now, so that was
good to

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see him and I think there was
no, what's the, Mark is you
know, what's the virtual, the
guy

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like the credit as the father of
virtual reality with all the
dreadlocks, Lanier, I mean I
can't

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remember his name. Well anyway,
you know that dude with the
dreadlocks? Yeah, he was there.

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He was there. Oh, but I did not
win by the way in the category
for tech innovator, I was
nominated for

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iPodder. The award went to blog
lines. I think he's, what does
his name Eric? I think it is.

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Is that Eric? You eat it? Oh, is
that it? Yeah. Well, what, what,
what? Check, right. Yeah, I've
got

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markers here doing all the show
prep for me. This is great. Most
prep. Well,

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speaking, we check it. Exactly.
I was really proud of Mr.
Colehouse or you might pronounce
his name

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his cool ass. He's a Dutch
architect. He won for best
architect. That was very cool.

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But so there was no announcement
of the winner. It was just like,
you know, there were screens and

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they, and the screens rotated
the nominees and then it
highlighted the winner. I was
like, wow, yeah,

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okay, that's all right. And then
the editor and chief got on
stage and the mic was, you know,

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he had a love mic on, which is
like that sucked. That didn't
work. He couldn't hear him at
all.

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And then Danger Mouse did a
couple sets. He's the guy
credited with bringing mashups
to the

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masses, although I think that
mashups have kind of been around
for a while, but he did that

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the gray album, the Beatles
mashup with Jay-Z. So that was
definitely cool. We played that
on the

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source code. So, you know,
that's awesome stuff that he's
doing. And so around 10 o'clock,

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he's like, well, all right.
Let's go. That was really nice.
Oh, and all the nominees did get
this

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block of, there you go. So I
think it's a aircraft aluminium.
And note, by the way, I say

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aluminium, which is the correct
pronunciation. It's not
aluminum. That is not actually
an alloy.

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I think that exists. It's
aluminium. So this is like block
of, you know, what does it like?

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It looks like a like a die. And
the size would be, what does
that two by probably two inches

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by two inches by two inches by
two inches? And little ribbon
weighs a ton. And I asked the
nominees

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to walk around with them. Listen
to this thing. Hanging around
your neck like this big anchor.

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So that was nice. That was kind
of cool. But what was really
nice is they had the new

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the new addition of wide
magazine, which is a whole thing
about radio. I don't know if I

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told you about this. But it's
basically about the death of
radio. And they feature

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serious satellite radio in
there. They feature some
terrestrial digital broadcast
thing,

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which is on my clear channel and
podcasting. And you remember, I
went through all that work

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in in South Beach to do these
pictures with a great
photographer, by the way. We,
you know, we got

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an Audi A8 that they rolled in
specifically for the photo
shoot. And we spent a couple of
hours

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doing pictures there. Not one of
those pictures made into the
magazine. But then we did
something

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with a photographer wanted to
do. Because I was like the photo
editor wanted that picture of
the A8.

14:32.520 --> 14:36.360
And the photographer said, I
want you something else. And
well, if you get the magazine,
you'll see

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it. It's a, it's a, it's a,
basically a full page shot of my
face, which would be extremely

14:43.320 --> 14:49.480
frightening. Had they not
luckily completely photoshopped
it. So I look like a, like a
plasticine

14:49.480 --> 14:56.920
wax doll. So there's no lines.
And, you know, it's, it's fake,
essentially. And even it's

14:56.920 --> 15:00.760
even saw some comments on on
credit card on the weblog people
saying, wow, what kind of,

15:00.760 --> 15:04.200
what kind of makeup are you
wearing? Well, no, please. I
mean, that was, that's not what
I

15:04.200 --> 15:10.520
really look like. That is all
photoshop. And by the way, any
magazine you pick up, if you
think

15:10.600 --> 15:15.880
that any of those bodies,
particularly women's magazines,
if you think any of that is
real,

15:15.880 --> 15:21.960
no way, it's all photoshop. Not
a single solitary picture makes
it into any magazine these days

15:21.960 --> 15:27.960
without being photoshopped. And
by the way, if I see one more
commercial of Kate Moss

15:27.960 --> 15:33.640
with get the fucking London look
and these, and this I, what is
it, mascara that's supposed to

15:33.640 --> 15:41.160
make your eyelashes look really
long? Please, she's wearing fake
eyelashes, okay? So it's a lie

15:41.160 --> 15:49.960
and it's fake and that's what
the cosmetic business is. It's
two cents worth of mud and two

15:49.960 --> 15:57.800
million worth of marketing. So
wired awards. Yeah, okay. I
would suggest doing it
differently,

15:57.800 --> 16:01.720
and I think they would probably
get more mileage out of it for
their own magazine if they did

16:01.800 --> 16:05.880
a little more, and just a little
more traditional sense of an
award show because it's just

16:05.880 --> 16:10.360
nothing to do with awards. But
it was really nice and it was
great being nominated and I
really

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appreciated that, but yeah,
anyway, moving along. Just
before I started the show, my
Skype

16:19.000 --> 16:24.760
bleeped. I thought I had an
incoming message or a phone
call, but it was actually an
upgrade message.

16:25.720 --> 16:31.960
And I did the upgrade and low on
behold, we have some spiffy new
features on Skype for the

16:31.960 --> 16:35.160
Mac now. I had the voicemail
feature. I don't know if that's
not standard in it or not,

16:37.080 --> 16:40.760
or maybe you still have to get
invited. I do have that
voicemail features. That's cool.

16:41.400 --> 16:47.000
But now you can also finally do
conferencing from the Mac. So it
looks like Skype is really

16:47.000 --> 16:52.760
moving up and I guess this is a
stable version and love in it
completely, especially now with
the

16:52.840 --> 16:57.480
trip I've been calling home. I
try to call home every at least
once a day, sometimes two times

16:57.480 --> 17:02.760
a day, but to be able to do that
and just talk for an hour on the
phone, basically,

17:02.760 --> 17:09.000
for almost no money, is a
confusing Skype out is
absolutely fantastic. These guys
are on

17:09.000 --> 17:14.120
something really, really big.
Speaking of new applications, I
bought a lemon out with a new

17:15.160 --> 17:20.760
new beta version for the Mac.
I've been trying that out. It
looks really clean, really fast.

17:21.720 --> 17:27.640
I've also worked on putting up a
cleaner version of the directory
for them, which is

17:27.640 --> 17:32.600
now sucking in. So that works a
lot faster. They've got a clean
up buttons. You can basically

17:32.600 --> 17:36.760
delete all those files that are
hanging around. I'd still like
to see a little more a little
close

17:36.760 --> 17:43.160
like a Tvo functionality where
basically you say, after two
gigs of stuff that you've
downloaded,

17:43.160 --> 17:47.320
start deleting it or whatever.
There should be some kind of
preferences that we put in there

17:47.480 --> 17:53.400
that a little bit beyond just
delete old stuff or whatever.
But that's just personal taste,

17:53.400 --> 18:00.680
I guess. But it's looking really
good. And there's a couple more
two point out, even three

18:00.680 --> 18:04.840
point out versions of iPodders
coming along. So I'll try and
keep you updated as much as
possible.

18:04.840 --> 18:07.400
I'm really fried. I'm not going
to keep this. I'm not going to
make this too long.

18:08.120 --> 18:13.160
About 18 minutes into the show.
I did catch the new bitty cast.
I'll just play a little bit in
the

18:13.240 --> 18:18.840
background here. If you want to
hear what goes on with an
all-girl band and the stuff they
talk about

18:19.480 --> 18:25.800
is a whack. Just listen in for a
second. What I really like about
it is the stereo sound is

18:25.800 --> 18:30.120
so nice. They've got it
completely separated left and
right channel. Listen a little
bit of the

18:30.120 --> 18:35.560
bitty cast. The guy from B2
records like this record label.
And then there was the man.
That's Amanda.

18:35.560 --> 18:39.160
One of those swing bands like
Big Bed Booty Daddy or my
command like that. And he's
like,

18:39.160 --> 18:45.320
well, you know, we made our
record for a fraction of that
cost and we're talking about how

18:45.320 --> 18:50.600
cost efficiently they work.
Yeah. And I totally met these
girls in New York. They are so
set up man.

18:50.600 --> 18:57.400
They've got bitty's LLC. They've
got lawyers. They've got a band
fund. They're making money. I
mean,

18:57.400 --> 19:01.720
they're not really putting a lot
of money in their pocket. They
say not yet at least or not when
we

19:01.720 --> 19:05.640
spoke that could have changed
immediately. But you know, they
got money to record. They got
money

19:05.640 --> 19:11.080
to do their own tour support.
It's just totally beautiful. And
now with the bitty cast,

19:11.080 --> 19:16.680
which you can find at
bittycast.com, you can subscribe
to the feed there. You know,
live by

19:16.680 --> 19:22.120
carously through them. I haven't
even listened to this whole
show. Let me see what's the
length of

19:22.120 --> 19:27.000
this one. This is from the 20th.
It's a 26 minutes. I love well,
of course. Well, you know,

19:27.000 --> 19:30.200
they started out. They couldn't
have started out any better to
get my attention. Actually,

19:30.200 --> 19:35.240
check this out. What were we
recording now? You're doing a
think of an intro. And so I

19:35.240 --> 19:42.440
skipped the four of these at 16
loops. It's late. And we kind of
do really. So get your
attention.

19:42.440 --> 19:46.920
Yeah, I thought it was. No, we
have enough for our two people.
That's true.

19:46.920 --> 19:53.000
Each one of what? No. We got a
lot of moves for it. But not 16.
No, that's true. That's a little

19:53.000 --> 19:58.280
you know. Okay. Well, if that is
enough of the tease, then I
don't know what is. Another
podcast I ran

19:58.600 --> 20:03.480
up a bump into something. I
listened to it all the way
through. It's just wow. This is
such a tremendous

20:03.480 --> 20:09.160
wealth of information stuff. I
never heard about thought about,
you know, it's the stuff that

20:09.160 --> 20:14.760
usually have to go to college
too to, and you know me, my
academic career. You got to go
to college

20:14.760 --> 20:20.760
to learn this stuff. If you've
ever wondered about the stars
and the planets and astronomy in
general,

20:20.760 --> 20:25.320
you might want to check out
slacker astronomy. Listen to a
little bit here.

20:28.600 --> 20:34.600
Welcome to show number negative
three of slacker astronomy. A
podcast about astronomy and just
about

20:34.600 --> 20:39.320
anything else that floats over
our heads. Every week or so, we
will bring you a summary of
recent

20:39.320 --> 20:43.480
news events from the world of
astronomy. And during slow news
weeks, we'll simultaneously cast
the

20:43.480 --> 20:51.880
Howard Stern Show. You know, for
the ratings. This week's show is
about big, bad space, big, bad
empty space.

20:51.880 --> 20:57.080
It's kind of space that exists
in W's head. Or so it often
seems. W's victory in November.

20:57.880 --> 21:02.760
Don't you wish? Don't you wish
that you had a professor who
talked about astronomy that way,

21:02.760 --> 21:07.720
comparing big empty space to
what's in George W's head? I
mean, that's beautiful. Really
pretty smart.

21:07.720 --> 21:13.160
And recent events show that
outer space is not as empty or
as tranquil as it generally
appears.

21:13.160 --> 21:17.640
When we look up at the black
night sky, we see a lonely
wasteland of isolated stars.

21:17.640 --> 21:22.120
It may feel as if our planet is
alone in a drift in an empty
universe. What most of us don't

21:22.200 --> 21:28.440
realize is the same sky that
looks relaxed and calm is in
fact fiery and active. Stars are
exploding.

21:28.440 --> 21:34.120
Galaxies are colliding. And even
the soft little gas clouds and
nebulas are shooting microwave
lasers.

21:34.120 --> 21:38.840
So I don't want to give it all
away. But basically, if you
listen to this slacker astronomy
podcast,

21:38.840 --> 21:44.280
you'll be pretty worried about
this explosion that happened 50
million light years away or a go
or

21:44.280 --> 21:48.920
what does it light years away or
a go away? But if it's, if it's
light years away,

21:48.920 --> 21:57.000
then it takes, doesn't take 50
light years to get here? 50
light years or 50 regular years.

21:58.600 --> 22:05.400
See, I stumped Marcus. 50 years
in our time, a light year is the
distance light travels in one
year.

22:06.840 --> 22:14.920
Okay. So that one million 800
and some, why do you know this
stuff?

22:15.000 --> 22:22.680
Anyway, you can find the slacker
astronomy podcast through
iPod.org, which is really
heating up.

22:22.680 --> 22:29.800
Thanks to some of the recent
press that we've been getting.
It's, I mean, normally we see
about 10 to 15

22:29.800 --> 22:36.840
new podcasts being listed a day.
Now we're closer to 20 to 25. So
it's really heating up. And by
the way,

22:36.840 --> 22:43.000
if you subscribe to the iPod.org
RSS feed, you can actually have
those come into your
aggregators.

22:43.000 --> 22:47.720
So you know, you wouldn't
necessarily have to go to
iPod.org all the time to see
what's new.

22:47.720 --> 22:51.720
And you know, you're pretty
much, if you don't go there
every single day, you're going
to start missing

22:51.720 --> 22:56.760
because it just has to scroll
off the bottom at a certain
point. But it's, that's just
been,

22:56.760 --> 23:02.120
just been phenomenal, the amount
of podcasts that are coming
online. I can hardly believe how
much

23:02.120 --> 23:09.880
is happening. Let me see, before
we get into this, was something
else that I wanted to say that
was

23:09.960 --> 23:15.560
really, oh, yes, there was hold
on. I have all my crap here on
top of this article.

23:16.920 --> 23:25.560
I was, number is ranting about
the security, the airport
security in New York. Was it a
great article

23:25.560 --> 23:33.640
in the San Francisco Chronicle?
I'm just gonna find the front
page. I can't find that. Anyway,

23:33.720 --> 23:40.120
there's a security firm at San
Francisco Airport SFO has been
accused of cheating.

23:41.000 --> 23:50.680
And what that means is that the
home security office or whatever
you call that will send

23:50.680 --> 23:57.240
undercover agents to all the
airports, of course, to see if
they can penetrate security. So
they've

23:57.240 --> 24:03.240
got like bombs and guns and all
this kind of this contraband
stuff that you should box

24:03.240 --> 24:10.120
cutters, whatever. You shouldn't
be able to take on the plane.
And so of course, they do
penetrate

24:10.120 --> 24:14.440
through the security, but what
the security firm, which is a
private firm, by the way, hired
by

24:14.440 --> 24:23.400
the government, basically
performing in a governmental
role, what they did is, if one
of these

24:24.280 --> 24:29.080
decoys, I guess, would penetrate
their security. And what would
happen is, they'd go through

24:29.080 --> 24:33.960
security, they'd smuggle
whatever through they had, so
like a knife or gun and they'd
say, okay,

24:33.960 --> 24:41.800
listen, I'm an agent here and
you missed this. They had a
whole system set up of 1,200
cameras

24:41.800 --> 24:47.320
where they would follow this
guy, because what he would
basically do is he would then go
to the next

24:47.320 --> 24:52.760
security checkpoint and try to
do the same thing. And so, you
know, well, they call it
cheating,

24:54.040 --> 24:58.760
essentially, they would hand off
that information all the way
down the line, so the guy would
never

24:58.760 --> 25:05.480
penetrate another checkpoint
again. So that's one point,
which, you know, all right, so
that's happening,

25:05.480 --> 25:17.080
but the meat of the story to me
is that apparently they only
catch 90% of what is taken
through

25:17.080 --> 25:27.480
the security checkpoints. The
other 10% includes knives, box
cutters, baseball bats, bricks,
golf clubs,

25:27.480 --> 25:37.160
and even ones in the past couple
months, a small chain saw. So so
much for your fucking security,

25:37.160 --> 25:42.360
you know, all you need is, don't
you need just like 1% to go
wrong or just one little item,

25:43.320 --> 25:51.640
please. Again, I will, I submit
that the security at the US
airports is there to make us
feel safe,

25:51.640 --> 25:56.840
it's horseshit, it doesn't make
you any safer. Yeah, you always
want to try and get the one
whack job,

25:56.840 --> 26:02.680
but essentially it would be much
better to create something with
winky, blinky lights and

26:02.680 --> 26:09.240
retinal scans and radars and you
walk through that with your
luggage and, you know, you're
then

26:09.240 --> 26:14.200
scanned and, you know, you're
approved and then you can go
through, which means, of course,

26:14.200 --> 26:18.280
they didn't check anything, but
at least you'll feel a lot safer
and isn't that what it's all
about.

26:21.480 --> 26:26.280
Fine, for the hit test. It's not
going to be multiple choice.
Every test is multiple choice.

26:29.160 --> 26:35.720
With Yon, Poli. Hey, Yon! Hi,
Adam. It's time for hit test
number 14.

26:35.720 --> 26:40.680
Right, I don't, but it's the
7th, number 13. What do you
mean? So, the tricks will be
played for you two times.

26:40.680 --> 26:45.320
Okay, and afterwards you get
five seconds to think about it.
So, are you ready? I don't get
my 10 second one.

26:47.960 --> 26:53.720
Yon, Pharnam, you're the boy.
Yon, Pharnam, you're the boy.
Yon, Pharnam, you're the boy.

26:57.320 --> 27:00.120
Okay, I'm going to stick with my
answer. Yon, Pharnam, you're the
boys.

27:01.080 --> 27:02.280
What, for number two?

27:06.280 --> 27:11.000
And once again, no idea about
it.

27:14.440 --> 27:18.040
I got to give up on that one.
And this is number three.

27:20.040 --> 27:24.200
Oh, yeah, I know this one. This
song is actually one more time.

27:25.080 --> 27:31.240
That's the first song I played
on my first official radio game,
Pointer Sisters. He's so shy.

27:34.760 --> 27:38.760
I think. That's my five seconds.
It's time for the answer.

27:39.560 --> 27:46.040
Answer number one. Yeah. In
today's hit test number 14. Yon
Pharnam, this is the voice.

27:55.160 --> 28:16.040
And the second entry today's hit
test. It's name is Cherry. This
is inner city mama.

28:16.040 --> 28:18.040
I never would have guessed that.

28:24.600 --> 28:27.800
I don't remember the song at
all. And then it's Cherry sure,
but

28:33.800 --> 28:41.240
and the final answer. It's an
old drag from the Point of
Sisters. And he's so shy.

28:54.200 --> 29:08.280
And the point of Sisters and
he's so shy is answer number
three into this hit test.

29:09.000 --> 29:13.960
Well, that's hit feedback. It's
welcome. It's hit test at
gmail.com and all information
about the hit test.

29:13.960 --> 29:19.880
And the new hit test podcast can
be found at www.yonfolet.nl.

29:19.880 --> 29:27.080
This G-A-N-B-O-L-E-T-D-S-N-L.
Well, I don't see you next time
for number 15 of the hit test.

29:27.080 --> 29:31.880
Bye bye. Thank you very much.
That was good one. That was
good. That was good. Thank you
very much. Yonple,

29:31.880 --> 29:38.120
doing the hit test. And well,
tomorrow's somewhere tomorrow.
Of course, there'll be another
podcast.

29:38.120 --> 29:41.480
It's going to be a little tough
for us. Well, maybe I'll do one
on the plane or something like
that.

29:41.480 --> 29:47.560
Oh, by the way, before I forget,
I must say we were in the
meeting today. The company was

29:47.560 --> 29:52.760
really, really smart people
who've been working on their own
version of podcasting for quite
a while, actually.

29:52.760 --> 29:59.160
And so it's in there with like
the chief technology officer and
a couple other people.

29:59.160 --> 30:03.800
And the door opens and the young
lady just folks are head. It's a
small company.

30:03.800 --> 30:07.960
Just folks are head around the
corner. She says, hey, I just
wanted to say hi,

30:07.960 --> 30:11.880
because I listened to the daily
source code every single day.
So, I'll straight.

30:17.560 --> 30:23.480
Keep messing in the roof. It's
hard. You drive us wild. We'll
drive you crazy.

30:26.120 --> 30:34.920
You say you want your first
spin. Part is just a double hit.
You win. You drive us wild.
We'll drive you crazy.

30:34.920 --> 32:51.250
[ Music ]

32:53.160 --> 33:02.980
Hey, see Dixie from their album
Kiss My Grass, Rockin' Roll and
I, of course, you probably

33:02.980 --> 33:09.340
recognize that from one of
Michael Butler's all-time
favorites, Keas.

33:09.340 --> 33:16.960
Before I go, I just want to
mention that I stand corrected
in the previous podcast, I spoke

33:16.960 --> 33:26.120
about helicopter pilots, not
smoking, and Hugh, Hugh Adonnell
sent me three pictures

33:26.120 --> 33:33.200
no less, it must be a collector
of cockpit pictures, three
different helicopters, each

33:33.200 --> 33:40.900
of which contains an astray, so
there's the aerospatial, a
Spasial 355, which is like the

33:40.900 --> 33:46.540
euro, it's like the big
asturocopter helicopter, nice,
the last tray there, neatly
positioned

33:46.540 --> 33:53.340
on the left hand side, by the
way, that's the passenger side,
I think, in the French
helicopter.

33:53.340 --> 33:59.580
Then there's a Bell 206, which
looks like it's astray, is
located right in the middle

33:59.580 --> 34:04.980
of the console, or wait a
minute, is that I can't really
tell what that is, and then
there's

34:04.980 --> 34:12.580
also a bull-cove, which is a
very popular helicopter for
police and trauma use, and they

34:12.580 --> 34:15.540
also have an astray, right, and
you know what?

34:15.540 --> 34:25.500
All of these astrays look used,
maybe I just need a new machine,
yeah, that's a show, a little

34:25.500 --> 34:30.300
bit shorter than normal, but
time for you to hit the hay off
to Seattle tomorrow morning,

34:30.300 --> 34:33.620
and somewhere in the evening
we'll be back with another daily
source code, and I'll tell

34:33.620 --> 34:40.100
you all about the days of MCs,
as usual, it's Adam and
Curry.com, and all the archives

34:40.100 --> 34:46.100
in the latest show at Daily
Source Code.com.

34:46.100 --> 34:51.740
Weblog is www.curry.com, leave a
comment there, I still haven't
had time to clean out my entry

34:51.740 --> 34:55.380
through feedback, Gmail, e-box,
I'm probably going to wait to do
that until I get back

34:55.380 --> 35:00.700
home to go for it, and by the
way, going home Friday, which
means I'll be back with my

35:00.700 --> 35:06.780
two girls Saturday morning
looking forward to it, it's been
a lot of fun, but it was like a
big

35:06.780 --> 35:13.660
road trip, okay, take care
everybody, have a great day, and
I'll talk to you tomorrow,
bye-bye.
