WEBVTT

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In the source code, my third is
out by h and h.

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Oh I wonder why, why, why, why,
why, why?

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And this is one DJ, you don't
want to fuck with.

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Cmondado!

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Hey everybody,

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that once again some studio
stages.

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This is the Daily Source Code
coming to you from just outside

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the BBC studios.

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To be precise, that would be the
Southern Counties radio studios
of the BBC, located

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at Surrey University right
outside of Gilford.

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Oh man, I'm really pumping the
tombs here.

00:43.400 --> 00:49.920
I got so many great responses to
the past two days doing the
podcast with St. Christina

00:49.920 --> 00:53.360
yesterday and in the kitchen the
day before that I figured well.

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Maybe I just try to get my act
together and do everything on
remote or on location and

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just carry everything with me,
which of course has me now
carrying around tons of wires

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and my iPod and my iPod and all
the gear that you need as well
as my show notes in paper

01:13.200 --> 01:14.200
form.

01:14.200 --> 01:16.200
So it's the third of March,
2005.

01:16.200 --> 01:25.400
So the first thing I want to
talk about is this interview
that I just did.

01:25.400 --> 01:31.160
I've been here to the Southern
Counties radio studio where they
have an ISDN set which

01:31.160 --> 01:41.880
is basically a little mixer and
a bridge that connects two
studios together and have a
microphone

01:41.880 --> 01:42.880
and some headphones.

01:43.200 --> 01:49.440
Kind of like some stuff that the
equipment I think dates back
from the 70s, it's pretty

01:49.440 --> 01:55.040
cruddy stuff but at least it
works and I've been here several
times whenever the BBC

01:55.040 --> 02:00.960
wanted to interview me and today
it was and I've actually, I've
said no in the past couple

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of weeks but this was for BBC
Radio 4 which is I guess it's
the pretty much the premiere

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like talk station for the BBC
and I know that my neighbors
listen to it and I'd love

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for Marion and Jimmy to hear me
on Radio 4 so they'd know what
the hell I'm doing and they'd

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finally could put some clues
into place just to why I used to
sit outside in my car in

02:27.360 --> 02:31.280
halfway between their driveway
and the next neighbors sucking
off bandwidth you know and

02:31.360 --> 02:38.800
what all this pod iPod stuff is
about this pod casting so and
let's see I was interviewed by

02:40.400 --> 02:50.080
you just see here I was
interviewed by Rosie Goldsmith
and this will air on April 1st
can you

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believe that I mean April 1st
that's like in a month is when
they're going to air this I mean

02:57.440 --> 03:02.800
gee whiz anything could happen
between now and then that was uh
I kind of surprised me at the
end

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there let me just hit the the
hold button here on the i River
so that I don't accidentally

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stop the recording um if he was
kind of confrontational you know
talking about uh it was actually

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it was pretty much a version of
uh of you know mainstream media
press saying web bloggers are
you

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journalists and their pajamas
who's kind of like well this is
all amateur radio stuff and uh
you

03:27.840 --> 03:30.960
know do you think you'll ever
get professional I said well
excuse me I've been broadcasting
since

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I was 14 I'm a professional you
know I've been paid lots of
money to do radio programs and
I'm doing

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you know my own creative thing
uh only I'm doing it you know in
a different distribution
mechanism

03:44.000 --> 03:49.200
and there was something
wonderful and I love it when
when journalists report us do
this and uh

03:49.200 --> 03:53.920
you know it's never gonna make
make the air and you know I
should have started the
recording of

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today's source code while doing
that interview but uh I knew
there would be no way to get
both

03:58.160 --> 04:03.760
what they were saying and I was
saying so I figured I wouldn't
do it but um what was the
question

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let me think if I can I want to
I don't want to miss a quote
around this um she said um oops
that's

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my uh my i-trip basically
stopping okay I see when the
iPod shuts off then the i-trip
of course

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has no juice um she said well
you know there's a reason for oh
no um so unlike professional

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radio broadcast where there's a
production and there's an editor
and there's this whole process

04:34.320 --> 04:40.480
which of of course is uh is
necessary and I said well why is
it necessary why do you need all
that

04:40.480 --> 04:46.880
she said well I'm not going to
answer your questions okay
that's fine so um anyway we've
got a

04:46.960 --> 04:55.040
got a ways to go clearly so I'm
back into car as you can tell
I'm flying myself let me uh

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put the sheet well darn through
the whoops through all the wires
here I got my headphones I got
the

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microphone but we do want to be
safe let me see if I can
position this mic a little bit
better for

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y'all as I'm driving trying to
find a good spot to put it so we
have a maximum sound okay that's

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probably good there um yeah take
a look my show notes because
what I want to do is I want to

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back up it's actually gonna be
quite a job to get out of here I
wish you could see where it is

05:31.280 --> 05:37.840
it's really inconvenient and I
have to back this mother load
boat of a car through a very
narrow passage

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way so just bear with me on this
for a second and of course
there's cars parked on all sides
just to make

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my life a little more
interesting okay let's see this
is one of those where you
actually have to do

05:51.840 --> 06:01.760
it on driving your mirrors okay
we're doing good and there's
some whoops some audible help
from

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from the a8 the technicians at
Audi woo this is tight so
basically it's saying you are
very close to

06:12.960 --> 06:22.640
obstacle sir okay so I'm looking
good looking good whoops I mean
I should shoot I wish I should

06:22.640 --> 06:29.200
I got to bring my camera along
for these rides you would not
believe how tightly packed this
is

06:29.200 --> 06:34.240
this parking lot so now I'm
probably gonna hit a little curb
here as I back it out

06:34.240 --> 06:46.400
okay I actually have to now back
down the hill in reverse because
I can't turn around my goodness

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for the attitude the BBC has
you'd expect that I have a
little better facilities okay

06:55.840 --> 07:02.480
right oh okay so now I'm going
down the hill in reverse you
know what the screw it I'm going
to go

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open see if I can turn them
there all right while I'm doing
this let's go to our first track
today

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which I've got cut up here on
the iPod which we're gonna play
for you now through the

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stereo system so the great
mashup that I found I thought
you to enjoy it it's uh

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rather unusual version of let it
be enjoy for a couple minutes

07:31.250 --> 11:09.680
[ Music ]

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go, let's go, let's go, let's go
to the seats, go, let's go,
let's go.

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All right how many different
songs did you hear in that
Mashup, huh? No woman no cry,

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a little bit of chili peppers in
there and of course let it be by
the beetles and as you

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You can tell I've taken to
mixing longer tracks right in so
that, you know, you don't

11:42.260 --> 11:46.020
just hear car noise the whole
time, but you actually hear the
track.

11:46.020 --> 11:51.300
Now I'm doing that in
post-production, which is only
necessary because I don't really

11:51.300 --> 11:55.460
have the required setup, the
right tools to do it live.

11:55.460 --> 12:01.700
I've been looking desperately
for a little battery powered
mixer that'll just take

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a microphone and then, you know,
hopefully with maybe a little
bit of effects or

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processing or at least some,
some equalizer settings and then
one, but preferably two

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line inputs and then of course I
wanted to have a headphone
amplifier and it would

12:19.900 --> 12:24.460
have to have an out so that I
could route that to my recording
device, which is the

12:24.460 --> 12:30.820
I River IFP799 and then of
course I wanted all in one box
that I can just take with me.

12:30.820 --> 12:35.860
Now I have all kinds of things
strapped together and actually
on the way over I was thinking

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about this, maybe there's a way
to combine all this in one of
these smart phones, maybe

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a trio or perhaps a Microsoft
smart phone because what I'm
looking for is the following
elements,

12:51.900 --> 12:59.900
I need to be able to record my
voice, I need to be able to mix
in MP3s with that, you know,

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and literally in real mix,
right, not recording from the
speaker through the microphone,

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but you know, some little
software actually has to be
built and it would be even
cooler

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if you could add to that, see
some of these phones have Wi-Fi
and it's so that I could

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actually hook up to a network
and perhaps utilize a handheld
version of Skype.

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Give me that and I'm your man,
I'm telling you, I mean, how
hard can it be?

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I think that there are handheld
devices out there that have all
of these elements, we just

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need to kind of strap them all
together and please don't make
me go learn, you know,

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dot net or visual basic or some
crap like that to get it done,
surely there's some developer

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out there who's thinking, hmm,
maybe that first Apple script
that turned an iPod or maybe

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something there and I could go
create something cool that
people use as well, so, you

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know, don't wait around, I mean,
Microsoft say what you will but
they certainly provide tools

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for developers, so, you know,
let's get cracking at, I mean, I
wouldn't need my computer

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anymore if I could, if I could
do it all on one device, but I
have to, you know, and by

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the way, make, you know, hook up
the buttons on the phone so you
can, you know, map them

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to like starting a track or open
up the microphone or something
like that and if anyone

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out there feels they can develop
this application, you know, I
will be your number one

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beta tester and I will
certainly, you know, take it
around the block for multiple
spins

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to, to make sure that it's, you
know, that, that it's, it's
matching the requirements.

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Let's see, so, and also, it'll
be great if I could have an
outline on that for my show

14:38.340 --> 14:44.140
notes because now I just have a
piece of paper with basically a
screen shot of my outline.

14:44.140 --> 14:48.660
And one of the things I need to
talk to you about that I wrote
down is, Libsin, just

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what, Libra is indication,
they're a podcast,
infrastructure provider, I
guess, place

14:55.820 --> 15:01.420
where you can go drop your
podcasts, they give you some
file management, your RSS feed
is

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created, you get a little show
notes blog, really quite simple.

15:05.380 --> 15:11.940
And I mistakenly said that their
pricing was, was a little bit
too high for the, for the

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small amount of data that they
were allowing and I received an
email about that, which,

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of course, you can all retrieve
from the show notes at
dailysourcecode.com or from
www.curry.com.

15:25.700 --> 15:30.380
Essentially, they have unmetored
bandwidth and you're paying for
the storage for the number

15:30.380 --> 15:31.380
of files.

15:31.380 --> 15:37.100
I think you start like it, five
bucks for storing 100 megs worth
of files, which is probably

15:37.100 --> 15:41.140
good, in my case, for about five
shows, but of course, you could,
you know, move one

15:41.140 --> 15:44.860
off archive at somewhere else or
whatever, but the bandwidth is
unmetored.

15:44.860 --> 15:49.980
So, I was mistaken about that,
which makes that actually much
more, you know, much more

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attractive proposition.

15:52.300 --> 15:57.740
And if anyone out there has
knows about networking, maybe
you can explain this to me.

15:57.740 --> 16:06.220
I've, it's been, people have
tried to explain to me that
internet service providers or
hosting

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companies that have a tremendous
amount of data traffic that is
being requested from their

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network that is actually a
benefit to them if they can
provide that.

16:17.620 --> 16:20.940
So, whereas you might think, oh
my gosh, you know, all this,
this traffic that they're

16:20.940 --> 16:26.460
sending out, only cost gobs and
gobs of money, it is my
understanding, and again, I'm

16:26.460 --> 16:29.580
not quite sure how it works.

16:29.580 --> 16:37.500
It is my understanding that that
is actually advantageous to a
web host provider or an ISP

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who provides, who actually is
hosting those shows.

16:40.420 --> 16:41.940
I'm not quite sure how it works.

16:41.940 --> 16:46.660
I don't know if it has something
to do with peering agreements
or, you know, whatever it

16:46.660 --> 16:52.580
is, but if that is true, I'd
love to know how it works,
because they know that stuff

16:52.580 --> 16:56.820
that happens up in the so-called
cloud is just really, really
fuzzy.

16:56.820 --> 16:59.620
I just, you know, I'm not quite
sure I understand.

16:59.620 --> 17:06.180
So, Adam McCree dot com if I'm
just siren, let's come it up,
let me see, is that it's

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coming closer?

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Is it here?

17:08.180 --> 17:09.180
Oh ambulance?

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Okay, I'm sorry ambulance
service.

17:13.820 --> 17:18.820
Okay, now I see, this is where I
got to go over to my iPod again,
and I got to line up

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the next track.

17:19.820 --> 17:21.420
Oh, this is great.

17:21.420 --> 17:26.140
I came across this on
openpodcast.org, and it just
blew me away.

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Let's listen to this little
history lesson, which will
actually help us, perhaps,
understand

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the future somewhat.

17:32.380 --> 17:38.540
You're not fully matured in 1933
when Armstrong invented FM
radio.

17:38.540 --> 17:41.780
They developed a receiver and a
transmitter to drive it.

17:41.780 --> 17:46.180
They could tell the difference
between lightning electric
motors, atmospheric
interference,

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and the radio broadcast itself.

17:48.620 --> 17:53.420
So you'd think that his
employer, RSEA, would jump to
the new technology.

17:53.420 --> 17:57.620
Instead, they did everything
they could to kill it.

17:57.620 --> 17:58.620
Why?

17:58.620 --> 18:03.860
RSEA owned two radio networks in
BC Red and in BC Blue, and some
of the biggest radio stations

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that served large areas of the
country.

18:06.620 --> 18:10.620
The stations that were protected
against interference from
smaller stations.

18:10.620 --> 18:17.180
FM stations would take away from
NBC's power of position, so they
sat on FM, and Armstrong

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ultimately killed himself.

18:19.580 --> 18:21.300
It's happening again.

18:21.300 --> 18:25.580
The big players, the phone
companies, the terrestrial
broadcasters, the old-line media

18:25.580 --> 18:30.540
rights holders, see their
monopolies ending and their
playing dirty, and it's only the

18:30.540 --> 18:31.540
beginning.

18:31.540 --> 18:37.420
Bill South told Lafayette
Louisiana that if Lafayette
utilities lay his fiber, Bill
South

18:37.420 --> 18:42.780
will pull its singular wireless
call center out of the city, and
the jobs along with it.

18:42.780 --> 18:46.860
Texas Legislator Phil King, rich
from big media corporate
donations, is introduced

18:46.860 --> 18:50.100
to Bill to keep municipalities
from installing broadband.

18:50.100 --> 18:54.900
Vonage is complained to the FCC
about a rural telephone company
who has blocked voice

18:54.900 --> 19:00.580
over IP on its internet
connections, presumably, so that
you'll use their phone instead.

19:00.580 --> 19:04.580
In Republican Senator Ted
Stevens of Alaska, voted against
a bill that would extend

19:04.580 --> 19:09.260
in decency regulation to cable,
but he has told the group of
broadcasters that he might

19:09.260 --> 19:11.540
be changing his mind.

19:11.540 --> 19:14.900
That's the latest way to support
terrestrial broadcast owners.

19:14.900 --> 19:16.740
Make the competition illegal.

19:16.740 --> 19:21.340
If you dumb down cable and
satellite radio, you get the
same shit being shoveled over

19:21.340 --> 19:22.740
the air.

19:22.740 --> 19:27.620
Get ready, because direct
internet delivery is next.

19:27.620 --> 19:33.140
A Los Angeles radio station
owner petitioned the FCC last
year to regulate XM and serious.

19:33.140 --> 19:36.260
Sal the Vines said he wasn't
anti-free speech.

19:36.260 --> 19:40.380
He just wanted a level playing
field, but the FCC's Powell
sentiment out and said since

19:40.380 --> 19:45.380
kids can't receive satellite
without their parents entering
into an agreement, it just
wasn't

19:45.380 --> 19:46.380
the same.

19:46.380 --> 19:47.700
So where are we?

19:47.700 --> 19:52.340
Vonage once the FCC to regulate
Lex who regulate content by
making it legal the

19:52.340 --> 19:54.060
block ports used for VoIP.

19:54.060 --> 19:58.460
The FCC hasn't decided that when
yet, but has told Sal of Ian,
that satellite radio

19:58.460 --> 20:01.500
gets a pass because kids can't
get it.

20:01.500 --> 20:03.060
Kids can get podcasts.

20:03.060 --> 20:07.700
In fact, they're more likely to
get them, so VoIP may not be the
only four-liter word

20:07.700 --> 20:09.340
they regulate.

20:09.340 --> 20:11.300
And who benefits from all this?

20:11.300 --> 20:17.060
Legacy providers in Big Media,
who loses the public and the
poorer you are, the more you

20:17.060 --> 20:18.300
lose.

20:18.300 --> 20:22.380
I really like Lawrence Lessig's
take on this on his wired
podcast.

20:22.380 --> 20:27.740
Governor Ed Rendell last year
signed an anti-manusable Wi-Fi
bill in Pennsylvania.

20:27.740 --> 20:31.820
This is a pretty hard thing to
sell, and he had to exempt
Philadelphia because half the

20:31.820 --> 20:36.260
poorer neighborhoods would
probably get no internet if it
applied to everybody.

20:36.260 --> 20:41.940
But the gov dusted off that old
socialism argument, which proves
how far these guys are

20:41.940 --> 20:46.420
willing to go to take away from
the people and make it look like
there's some higher

20:46.420 --> 20:47.940
purpose in it.

20:47.940 --> 20:49.620
Lessig really skewered him on
it.

20:49.620 --> 20:55.140
For if you look closely, you'll
see that the communist menace
has infiltrated governments

20:55.140 --> 20:56.460
everywhere.

20:56.460 --> 21:00.900
Ever noticed those free photons
as you walk the city streets at
night?

21:00.900 --> 21:05.940
Everything about the poor,
street lamp companies run out of
business because municipalities

21:05.940 --> 21:10.780
dain to do completely what
private industry would only do
incompletely.

21:10.780 --> 21:13.700
Yeah, yeah, but we're all
preaching to the choir here.

21:13.700 --> 21:18.580
And most of the folks who
remember the last time arguments
like this were used are dead

21:18.620 --> 21:20.580
or dying.

21:20.580 --> 21:22.860
This is Adolf Margeau speaking.

21:22.860 --> 21:27.900
If the Visionski or Molotov had
been sitting in Congress during
the past six years, they

21:27.900 --> 21:31.900
could not have voted against the
unemellican activities committee
more consistently than

21:31.900 --> 21:32.900
did Helen Douglas.

21:32.900 --> 21:37.780
If she had had her way, a swarm
of pro-Soviet turmites would
still be knowing away

21:37.780 --> 21:39.820
at the foundations of our
government.

21:39.820 --> 21:44.060
And now Mrs. Douglas hailed by
the Communist line press as one
of the heroes of the

21:44.980 --> 21:48.580
area of Congress, this
contesting for the seat in the
United States Senate against
Congressman

21:48.580 --> 21:49.580
Richard Nixon.

21:49.580 --> 21:54.420
One thing you can be sure, every
communist and California will
vote for Mrs. Douglas.

21:54.420 --> 21:58.700
Now let's prompt them and tell
you the votes for Richard Nixon,
a man who is dignified

21:58.700 --> 22:01.980
the House of Representatives by
his presence in his actions.

22:01.980 --> 22:06.860
People who cannot learn from
history are doomed to repeat it.

22:06.860 --> 22:11.660
But that's just my opinion, as
plagiarized from George Santa
Ana.

22:11.660 --> 22:15.780
So I'm not quite sure who
created this.

22:15.780 --> 22:22.060
It's podcast 1186 on
openpodcast.org.

22:22.060 --> 22:29.140
Voight is a four or voice over
IP is a four letter word by PBC
Liberal, excellent piece.

22:29.140 --> 22:30.140
Enjoy that very much.

22:30.140 --> 22:32.500
And by now I've actually arrived
home.

22:32.500 --> 22:41.580
So I'm going to see disconnect
some stuff here and we're going
to go inside.

22:41.580 --> 22:46.220
We'll continue from there
because I have the same
playlist.

22:46.220 --> 22:50.820
Now of course I've got to figure
out how to carry all this stuff
at the same time.

22:50.820 --> 22:51.820
Let's see.

22:51.820 --> 22:56.220
I've put the receiver side in
the eye river in my pocket
transmitter.

22:56.220 --> 22:58.500
We don't need no stink in
transmitters.

22:58.500 --> 23:01.220
And the other pocket over here.

23:01.220 --> 23:04.340
Okay, well, let's slap the iPod
in there.

23:04.340 --> 23:05.340
Show notes.

23:05.340 --> 23:07.340
Okay.

23:07.340 --> 23:10.340
Is that tight squeeze?

23:10.340 --> 23:11.340
Okay.

23:11.340 --> 23:16.340
There we go.

23:16.340 --> 23:19.340
It's not a very nice day today.

23:19.340 --> 23:25.340
Put the mic as close.

23:25.340 --> 23:27.340
What are we doing here?

23:27.340 --> 23:29.340
Oh hi, Pussycat.

23:29.340 --> 23:30.340
Hello.

23:30.340 --> 23:33.340
What's wrong?

23:33.340 --> 23:34.340
Baby.

23:34.340 --> 23:36.340
What is there?

23:36.340 --> 23:37.340
Here.

23:37.340 --> 23:39.340
What's wrong with you?

23:39.340 --> 23:41.340
What's wrong?

23:41.340 --> 23:42.340
What's wrong?

23:42.340 --> 23:45.340
It's a beautiful like Siamese
cat.

23:45.340 --> 23:47.340
What's wrong?

23:47.340 --> 23:48.340
Let me pet him.

23:48.340 --> 23:50.340
Oh, he looks okay.

23:50.340 --> 23:53.340
There's no collar.

23:53.340 --> 23:56.340
I wonder if he belongs here.

23:56.340 --> 23:58.340
Maybe he's one of the neighbors
cats.

23:58.340 --> 24:03.340
When you're making such a racket
about baby, you make such a
racket about.

24:03.340 --> 24:06.340
Okay, seems very friendly.

24:06.340 --> 24:07.340
All right.

24:07.340 --> 24:10.340
Maybe just wanted some
attention.

24:10.340 --> 24:14.340
So we'll leave him for what he
is.

24:14.340 --> 24:17.340
Let's move on.

24:17.340 --> 24:19.340
You can hear the wind.

24:19.340 --> 24:25.340
Not only is it cold, but the
wind is just flowing down off
the downs.

24:25.340 --> 24:35.340
Hello.

24:35.340 --> 24:37.340
Hello.

24:37.340 --> 24:40.340
I'm podcasting.

24:40.340 --> 24:41.340
Yes.

24:41.340 --> 24:42.340
Hello.

24:42.340 --> 24:43.340
Hello.

24:43.340 --> 24:48.340
I hope it doesn't finish off.

24:49.340 --> 24:54.340
BBC 4 confrontational.

24:54.340 --> 24:55.340
Yeah.

24:55.340 --> 24:57.340
So this is all just amateurs.

24:57.340 --> 24:58.340
Excuse me.

24:58.340 --> 25:00.340
I think I'm pretty damn
professional.

25:00.340 --> 25:02.340
I've been doing it since I was
14.

25:02.340 --> 25:04.340
And I've been paid lots of money
to.

25:04.340 --> 25:05.340
She.

25:05.340 --> 25:06.340
She.

25:06.340 --> 25:07.340
That's not the point.

25:07.340 --> 25:10.340
She was just saying podcasting
is just amateurs.

25:10.340 --> 25:11.340
Exactly.

25:11.340 --> 25:12.340
That's the face I made.

25:12.340 --> 25:14.340
I hear a lot more amateurs on
there.

25:14.340 --> 25:15.340
On the radio.

25:16.340 --> 25:17.340
Oh.

25:17.340 --> 25:20.340
And I went through this whole
thing and said, you know, what?

25:20.340 --> 25:21.340
Why?

25:21.340 --> 25:22.340
Why does this appeal to?

25:22.340 --> 25:23.340
It's fine.

25:23.340 --> 25:24.340
Shoot.

25:24.340 --> 25:25.340
So why does this appeal to
people?

25:25.340 --> 25:27.340
I said because we're living in a
world of fakeness.

25:27.340 --> 25:28.340
Yeah.

25:28.340 --> 25:29.340
And we're tied to fake.

25:29.340 --> 25:30.340
I said, pick up a women's
magazine.

25:30.340 --> 25:33.340
Look at Kate Moss with her to
get the Rimal London look.

25:33.340 --> 25:34.340
Yeah.

25:34.340 --> 25:35.340
So she's wearing eyelash.

25:35.340 --> 25:36.340
Fake eyelashes.

25:36.340 --> 25:39.340
For selling mascara that makes
your eyelashes look long.

25:39.340 --> 25:40.340
Yeah.

25:40.340 --> 25:42.340
And her life sucks.

25:42.340 --> 25:44.340
Thank you.

25:44.340 --> 25:45.340
Thank you, dear.

25:45.340 --> 25:46.340
Oh, shoot.

25:46.340 --> 25:50.340
I got a major crackling side.

25:50.340 --> 25:51.340
Yeah.

25:51.340 --> 25:53.340
What's she hanging out with that
Pete guy?

25:53.340 --> 25:54.340
That drug addict?

25:54.340 --> 25:55.340
Yeah.

25:55.340 --> 25:56.340
I think he's over now.

25:56.340 --> 25:57.340
Hey, we're in jail.

25:57.340 --> 25:58.340
Yeah.

25:58.340 --> 25:59.340
Yeah.

25:59.340 --> 26:00.340
Okay.

26:00.340 --> 26:01.340
I'm going to go upstairs and
finish.

26:01.340 --> 26:04.340
I don't know what's going on
here with me.

26:04.340 --> 26:06.340
I hope you're not hearing that.

26:06.340 --> 26:08.340
For some reason.

26:08.340 --> 26:10.340
I'm getting major interference.

26:10.340 --> 26:11.340
Hold on.

26:11.340 --> 26:12.340
Maybe.

26:12.340 --> 26:14.340
Just a minute or the receiver.

26:14.340 --> 26:20.340
Maybe it's just all the frickin'
frequencies being used
throughout the house.

26:20.340 --> 26:21.340
So I'm going to have...

26:21.340 --> 26:22.340
There we go.

26:22.340 --> 26:23.340
It was the transmitter.

26:23.340 --> 26:26.340
Probably hitting up against
something.

26:26.340 --> 26:33.340
I've got three Wi-Fi hotspots in
the house.

26:33.340 --> 26:36.340
We've got cordless telephones.

26:36.340 --> 26:41.340
We've got wireless transmitters
for...

26:41.340 --> 26:46.340
Or transmitter pair for the
television, the kitchen.

26:46.340 --> 26:47.340
Shoot.

26:47.340 --> 26:48.340
So, you know.

26:48.340 --> 26:52.340
We've got to think that that's
got to have something to do with
it.

26:52.340 --> 26:53.340
Okay.

26:53.340 --> 27:01.340
So, I think I should be able to
bring up my playlist here of
stuff that I was playing.

27:01.340 --> 27:02.340
Okay.

27:02.340 --> 27:03.340
Yes.

27:03.340 --> 27:05.340
What was I going to do next?

27:06.340 --> 27:08.340
What's our time frame here?

27:08.340 --> 27:09.340
Okay.

27:09.340 --> 27:10.340
10 minutes left.

27:10.340 --> 27:13.340
Well, then, of course, we've got
to play the final countdown.

27:13.340 --> 27:15.340
Your president at his best.

27:15.340 --> 27:17.340
Turn, turn, turn.

27:17.340 --> 27:18.340
Evil is real.

27:18.340 --> 27:19.340
Evil is real.

27:19.340 --> 27:21.340
Evil is real.

27:21.340 --> 27:22.340
Evil is real.

27:22.340 --> 27:24.340
Evil is real.

27:24.340 --> 27:25.340
8 years.

27:25.340 --> 27:29.340
It is a totalitarian political
ideology to do it.

27:29.340 --> 27:32.340
Proceed with consuming zeal and
do it.

27:32.340 --> 27:35.340
And without conscience, do it.

27:35.340 --> 27:36.340
Bring them on.

27:36.340 --> 27:39.340
tyranny and terrorism dot dot.

27:39.340 --> 27:42.340
I'm George W. Bush and I approve
this and I want to share with
you.

27:42.340 --> 27:47.340
Carry representing the
geneticism, resentment, and
terror.

27:47.340 --> 27:49.340
Made long ago on the day of our
founding.

27:49.340 --> 27:50.340
We affirm it again today.

27:50.340 --> 27:51.340
Do it.

27:51.340 --> 27:55.340
I am determined to simmer in
resentment and tyranny.

27:55.340 --> 28:00.340
Prone to ideologies that feed
hatred and excuse murder.

28:00.340 --> 28:01.340
Bring them on.

28:01.340 --> 28:04.340
There can be no separate peace.

28:04.340 --> 28:09.340
Violence will gather and
multiply and destructive power.

28:09.340 --> 28:11.340
Bring them on.

28:11.340 --> 28:18.340
Each attack is designed to
demoralize our people and divide
us from one another.

28:18.340 --> 28:22.340
The worst locomotive and raise a
mortal threat to it.

28:22.340 --> 28:25.340
There's a mindset that rejoices
in suicide.

28:25.340 --> 28:26.340
Do it.

28:26.340 --> 28:27.340
Insights murder.

28:27.340 --> 28:32.340
And celebrates every death when
we release the shock truce of a
hateful ideology.

28:32.340 --> 28:34.340
Army to threaten the peace of
the world.

28:34.340 --> 28:35.340
Bring them on.

28:35.340 --> 28:37.340
Thousands of dangerous killers.

28:37.340 --> 28:42.340
School in the methods of murder
are now spread throughout the
world.

28:42.340 --> 28:44.340
Like the ticking time bombs.

28:44.340 --> 28:47.340
Set to go off without warning.

28:48.340 --> 28:51.340
America is a friend of the
Muslim crowd.

28:51.340 --> 28:53.340
Terror, terror, terror.

28:53.340 --> 28:56.340
Violence, tyranny is not
surrender to the country.

28:56.340 --> 28:58.340
Your enemy is ruling your
country.

28:58.340 --> 28:59.340
Do it.

28:59.340 --> 29:02.340
We're living together.

29:02.340 --> 29:05.340
But still it's farewell.

29:05.340 --> 29:09.340
And maybe we'll come back to
burn.

29:09.340 --> 29:12.340
Who can tell?

29:12.340 --> 29:16.340
Like there is no one to blame.

29:16.340 --> 29:19.340
We'll leave it grow.

29:19.340 --> 29:23.340
Will things ever be the same
again.

29:23.340 --> 29:24.340
Do it.

29:24.340 --> 29:27.340
It's a fine no-to-one.

29:27.340 --> 29:31.340
I believe in the solemn duty of
the American president.

29:31.340 --> 29:35.340
It's the district punishment for
imaginary crimes.

29:35.340 --> 29:38.340
We celebrate the reign of
hatred.

29:39.340 --> 29:42.340
The existence of permanent
turning.

29:42.340 --> 29:46.340
The possibility of permanent
slavery.

29:46.340 --> 29:50.340
We have led many have joined.

29:50.340 --> 29:54.340
And America in the world is a
complicated mess.

29:54.340 --> 30:01.340
The wise excuse of America's
strength is to advance the
continuing danger of terrorism.

30:01.340 --> 30:06.340
And all of this has confirmed
one belief in the end.

30:06.340 --> 30:08.340
We've come this far.

30:08.340 --> 30:12.340
Our tested and confident nations
can achieve anything.

30:12.340 --> 30:15.340
Eight years of more dark
violence will gather.

30:15.340 --> 30:16.340
Do it.

30:16.340 --> 30:17.340
Bring more.

30:17.340 --> 30:18.340
We're in front of the map.

30:18.340 --> 30:21.340
Evil is real.

30:21.340 --> 30:23.340
So not really intended.

30:23.340 --> 30:27.340
There's a political message more
than an interesting mashup.

30:27.340 --> 30:30.340
And good editing job on that
with the final countdown.

30:30.340 --> 30:32.340
By that wonderful Swedish band.

30:32.340 --> 30:33.340
You heard, remember them?

30:34.340 --> 30:38.340
You know, I was, see what, oh.

30:38.340 --> 30:42.340
I got to skip a couple of things
here just because of the time.

30:42.340 --> 30:47.340
Gmail mentioned the Gmail have
been down a couple of times,
which freaked me out a little
bit.

30:47.340 --> 30:52.340
And I got to email about that
that perhaps it wasn't that they
were down, but they might be
performing an upgrade.

30:52.340 --> 30:58.340
Because now it seems that Gmail
is working on more browsers,
including some Linux flavors of
browsers.

30:58.340 --> 31:01.340
So maybe that Gmail is doing
upgrades, which is great.

31:01.340 --> 31:04.340
I'm still a big fan of the
service.

31:04.340 --> 31:06.340
Some information about Father
Roderick.

31:06.340 --> 31:07.340
We've talked about him.

31:07.340 --> 31:09.340
The Catholic Insider.com.

31:09.340 --> 31:14.340
He has not actually gotten
Vatican Radio to start
podcasting along with his
podcast.

31:14.340 --> 31:19.340
Deep from the bowels of the
Vatican where no journalists has
ever gone before.

31:19.340 --> 31:20.340
Catholic Insider.com.

31:20.340 --> 31:23.340
I can't, I can't listen to that
podcast enough.

31:23.340 --> 31:25.340
I really, really dig it.

31:25.340 --> 31:30.340
And I got some email from a
Dutch listener because Father
Roderick is a Dutch priest.

31:30.340 --> 31:34.340
Who's been podcasting from the
Vatican for the past week or so.

31:34.340 --> 31:38.340
Turns out he's been active
online for quite a while.

31:38.340 --> 31:43.340
Actually, he's been found in the
Star Wars realm.

31:43.340 --> 31:45.340
He seems to be a geek.

31:45.340 --> 31:47.340
A Star Wars geek.

31:47.340 --> 31:48.340
Which is cool.

31:48.340 --> 31:49.340
And it makes total sense.

31:49.340 --> 31:52.340
And I still get a kick out of
him saying, oh my gosh.

31:52.340 --> 31:54.340
Let's see.

31:54.340 --> 31:55.340
Oh, that's right.

31:55.340 --> 31:56.340
The blast on the past.

31:56.340 --> 32:02.340
The buddy of mine, Larry, who I
met many, many years ago, is now
up at Microsoft.

32:02.340 --> 32:05.340
And is working in the Xbox
division.

32:05.340 --> 32:06.340
Larry, why don't you come on in?

32:06.340 --> 32:07.340
Thanks, Adam.

32:07.340 --> 32:08.340
Hey, this is Larry.

32:08.340 --> 32:10.340
Her better known as Xbox Live's
Major Nelson.

32:10.340 --> 32:12.340
If you want to know what's going
on with the future of gaming,

32:12.340 --> 32:16.340
there's no better place than the
2005 Game Developers Conference,

32:16.340 --> 32:18.340
March 7th through 10th in San
Francisco.

32:18.340 --> 32:19.340
Not a game developer.

32:19.340 --> 32:20.340
Can't make it.

32:20.340 --> 32:22.340
But you still want to learn what
the new trends are in gaming.

32:22.340 --> 32:23.340
No problem.

32:23.340 --> 32:27.340
Soon into my podcast at
majornelson.com, and you'll be
on the inside.

32:27.340 --> 32:31.340
Plus this year, I'll be
podcasting Jay Howard's keynote
speech about the future

32:31.340 --> 32:33.340
of gaming unlocking the
opportunity.

32:33.340 --> 32:36.340
For more information and
complete details, check out
majornelson.com.

32:36.340 --> 32:38.340
Now back to the Daily Source
Code.

32:38.340 --> 32:39.340
All right.

32:39.340 --> 32:40.340
Thank you very much.

32:40.340 --> 32:41.340
Ooh.

32:41.340 --> 32:42.340
Nice Xbox sound there.

32:42.340 --> 32:43.340
So at normal.

32:43.340 --> 32:45.340
Yeah, I wouldn't just go and
pull out stuff like that.

32:45.340 --> 32:48.340
But I love the fact that Larry
put a promo together and had it
open ended.

32:48.340 --> 32:51.340
You know, so I could toss to him
and he toss back to me.

32:51.340 --> 32:55.340
And a place where you can pick
up promos, which I think is
actually,

32:55.340 --> 32:58.340
it might be something cool to
look into.

32:58.340 --> 33:04.340
If you like a certain show,
podcastpromos.com has been
created,

33:04.340 --> 33:07.340
where you can essentially drop
off a promo for your show,

33:07.340 --> 33:09.340
and pick up promos from other
shows.

33:09.340 --> 33:12.340
And it's kind of like a radio
daddy type of exchange,

33:12.340 --> 33:15.340
where you can exchange a
voiceover work on.

33:15.340 --> 33:17.340
This is just purely for promos.

33:17.340 --> 33:20.340
More information about that in
the show notes for today's
podcast.

33:20.340 --> 33:23.340
On daily source code.com.

33:23.340 --> 33:25.340
And now time for...

33:25.340 --> 33:26.340
Yeah.

33:26.340 --> 33:28.340
There you see my thinking cap.

33:28.340 --> 33:30.340
First, there have to put my
thinking cap on.

33:30.340 --> 33:31.340
Come on.

33:31.340 --> 33:32.340
It's time for Adam.

33:32.340 --> 33:34.340
I'm curious to take the hint to
us.

33:34.340 --> 33:35.340
With y'all.

33:35.340 --> 33:36.340
Pull it.

33:36.340 --> 33:38.340
I had him.

33:38.340 --> 33:39.340
Hey, y'all number 19.

33:39.340 --> 33:40.340
All right.

33:40.340 --> 33:41.340
Let's keep it short and simple.

33:41.340 --> 33:42.340
And this is...

33:42.340 --> 33:43.340
I'm on for that.

33:43.340 --> 33:44.340
I know.

33:44.340 --> 33:45.340
I know.

33:45.340 --> 33:46.340
I know.

33:46.340 --> 33:47.340
I know.

33:47.340 --> 33:48.340
That's easy.

33:49.340 --> 33:50.340
That would be...

33:50.340 --> 33:52.340
Odyssey going back to my roots.

33:52.340 --> 33:53.340
Ooh.

33:53.340 --> 33:55.340
Within the time limit even.

33:55.340 --> 33:57.340
And this is number two.

34:08.340 --> 34:09.340
Dubler?

34:09.340 --> 34:11.340
Something like that?

34:11.340 --> 34:12.340
I don't know.

34:12.340 --> 34:14.340
And this is number three.

34:14.340 --> 34:15.340
It's hard.

34:15.340 --> 34:16.340
Easy.

34:16.340 --> 34:17.340
Easy.

34:17.340 --> 34:18.340
Time guns.

34:18.340 --> 34:19.340
Haven't some funds.

34:19.340 --> 34:21.340
Gotta be George Michael and
Andrew Rizley.

34:21.340 --> 34:22.340
And wham.

34:22.340 --> 34:23.340
Two for three.

34:23.340 --> 34:24.340
I think today.

34:24.340 --> 34:25.340
Time's up.

34:25.340 --> 34:26.340
Answer number one.

34:26.340 --> 34:27.340
It's fun.

34:27.340 --> 34:28.340
It's fun.

34:28.340 --> 34:29.340
It's fun.

34:29.340 --> 34:30.340
Yeah.

34:30.340 --> 34:32.340
Going back to my roots.

34:32.340 --> 34:36.340
And we played this one to death
on the pirate radio station.

34:36.340 --> 34:37.340
Back in the release.

34:37.340 --> 34:40.340
Running for race, huh?

34:41.340 --> 34:43.340
There you go.

34:43.340 --> 34:44.340
There you go.

34:44.340 --> 34:46.340
There you go.

34:46.340 --> 34:50.340
There you go.

34:50.340 --> 34:53.340
And so there you go.

34:53.340 --> 34:55.340
We're back to my roots.

34:55.340 --> 34:56.340
Yeah.

34:56.340 --> 34:59.340
Do somebody come back.

34:59.340 --> 35:01.340
Odyssey and going back to my
roots.

35:01.340 --> 35:04.340
And answer number one in today's
internet station.

35:06.340 --> 35:07.340
And this is answer number two.

35:07.340 --> 35:12.340
I never would have guessed
Johnny

35:14.340 --> 35:16.340
Johnny gave a hood force later

35:16.340 --> 35:18.340
One thing in a new addition with
Bobby Brown

35:19.340 --> 35:21.340
I'm saying duets with Stacey
Lattipo

35:28.340 --> 35:30.340
I never would have gotten out
when you're too tough

35:30.340 --> 35:46.250
[ Music ]

35:47.340 --> 35:50.340
Johnny gave an answer number two

35:50.340 --> 35:53.340
and this is answer number three

35:53.340 --> 35:56.340
George Michael, together with
Andrew Richley

35:56.340 --> 35:58.340
back in the days that they were
called to win

35:58.340 --> 36:00.340
This is Young Guns

36:00.340 --> 36:01.340
Hey, Saka

36:01.340 --> 36:04.340
We're gonna get extra points for
knowing Andrews name

36:05.340 --> 36:08.340
And Pepsi and Shirley singing
back a vocal

36:11.340 --> 36:13.340
We don't know and try

36:14.340 --> 36:15.340
All you could say

36:15.340 --> 36:16.340
What's the point, George?

36:16.340 --> 36:17.340
My fiance

36:34.340 --> 36:35.340
Yeah

36:38.340 --> 36:39.340
When

36:39.340 --> 36:41.340
For third and final answer and
Young Guns

36:41.340 --> 36:44.340
Well this wraps up hit this
number 19

36:44.340 --> 36:47.340
Again, I hope you did well

36:47.340 --> 36:49.340
And I thank you

36:50.340 --> 36:51.340
Better than most days

36:51.340 --> 36:53.340
Welcome at hit there's the
Gmail.com

36:54.340 --> 36:57.340
You can find information about
hit there's the end of the hit
there's practice

36:57.340 --> 37:01.340
at www.yumpolets.nl

37:01.340 --> 37:09.340
Let me see you next time for
number 20 of the hit there

37:09.340 --> 37:10.340
Bye bye

37:10.340 --> 37:12.340
That's our second or fourth
lobster

37:12.340 --> 37:13.340
What is that?

37:13.340 --> 37:14.340
Thank you very much Young
Palette

37:14.340 --> 37:17.340
As always for bringing us a
little bit of joy

37:17.340 --> 37:18.340
During the podcast

37:18.340 --> 37:20.340
A little bit of brain teasing

37:22.340 --> 37:24.340
That's it for today's Danny
source code

37:24.340 --> 37:26.340
Just under the 40 minute mark

37:26.340 --> 37:27.340
Tomorrow I'll be back

37:27.340 --> 37:30.340
And I've asked Patricia to go
and find some of her CDs

37:31.340 --> 37:33.340
Turns out they're actually here
in my office

37:33.340 --> 37:36.340
So I kind of picked them the
other day

37:36.340 --> 37:38.340
But I think it's time to play
some of her work

37:38.340 --> 37:39.340
I could talk about her career

37:39.340 --> 37:40.340
That's going to be fun

37:43.340 --> 37:45.340
So hopefully I can get it all
together

37:45.340 --> 37:46.340
To do that with her tomorrow

37:46.340 --> 37:47.340
Oh shoot no wait a bit

37:47.340 --> 37:49.340
Tomorrow I've got to go to
London

37:49.340 --> 37:51.340
Maybe we'll do it over the
weekend

37:51.340 --> 37:54.340
And what I'll do then is I'll
probably do a podcast from
London

37:54.340 --> 37:57.340
As I'm being interviewed by
Dutch television show

37:57.340 --> 37:59.340
Which is kind of like

38:00.340 --> 38:02.340
I'd say on the level of like
Charlie Rose

38:02.340 --> 38:05.340
You know so it's really
intellectual

38:05.340 --> 38:07.340
So I'll have to dress it really
nice

38:07.340 --> 38:09.340
And smartly and have Patricia be
my hair

38:09.340 --> 38:11.340
Hey Adam and Curry dot com for
the feedback

38:11.340 --> 38:13.340
And of course for the podcast
feed

38:13.340 --> 38:15.340
And the archives is
dailysourcecode dot com

38:15.340 --> 38:18.340
Or leave a comment on www.curry
dot com

38:18.340 --> 38:21.340
I'll see you tomorrow everybody

38:21.340 --> 38:22.340
Bye bye

38:29.340 --> 38:31.340
You

38:59.340 --> 39:01.340
You