WEBVTT 00:00.000 --> 00:02.000 Oh 00:02.000 --> 00:23.750 [ Music ] 00:26.940 --> 00:28.940 Yeah 00:30.000 --> 00:32.300 How's that baby you'd like me blowing you 00:37.940 --> 00:40.880 Welcome to the triple P Patricia pies podcast 00:42.040 --> 00:45.040 Episode number two hi Adam. Hi Patricia 00:45.480 --> 00:50.120 It's nice to having me again. Yes and again and again 00:51.120 --> 00:52.860 over and over 00:52.860 --> 00:54.320 the lovely 00:54.360 --> 01:00.160 Sounds of Ben Webster as your theme song since we started thought it would be nice to start 01:00.160 --> 01:04.480 I've seen him play in London Ben Webster. Yeah 01:05.360 --> 01:07.360 No, no, no, no, he he died 01:08.640 --> 01:10.140 Yes 01:10.140 --> 01:12.140 He yeah, he blew himself up 01:13.280 --> 01:18.560 No, he was he was a big guy. He was very yeah, where's the CD but he was great 01:18.560 --> 01:22.440 He was great. He was in the Ronnie Scott's Club. Have you ever heard of that? 01:24.360 --> 01:29.640 Jazzy, he does look kind of like a big guy on the CD cover, doesn't he? Well when I saw him it was 01:30.320 --> 01:32.880 He was already old and but he played 01:33.280 --> 01:37.240 Yeah, so sexy because what you hear is there's a lot of air 01:37.880 --> 01:40.880 Yeah, how old was he when he died, you know, I 01:42.000 --> 01:45.800 Think 70 or something. Hey, what do you think of the studio? 01:47.040 --> 01:53.140 We're here in a new studio. This is your new equipment. Yes, I can even do my name 01:53.140 --> 01:55.140 I tried a lot of equipment 01:55.140 --> 02:02.580 But this is new this is the best equipment you've had on me. Yeah, this is the best equipment I ever tried 02:04.580 --> 02:06.100 So 02:06.100 --> 02:09.540 We tried to find some more of Patricia's material 02:10.260 --> 02:15.740 Which turns out to be quite a problem because between the three homes and the 15 moves 02:16.380 --> 02:18.700 Yes, we seem to have misplaced a 02:19.260 --> 02:23.580 Significant portion of at least CDs with compilations. We're still looking for the rest 02:24.020 --> 02:28.200 So there's just so much to come but we can't find it yet 02:28.200 --> 02:33.360 It's somewhere in there in a box in a box in a couple of boxes in the attic or something 02:33.420 --> 02:39.220 We'll find it and if there are people listening and they got so much more of 02:40.020 --> 02:45.500 My material, please send it in. Well, we're getting a lot of responses. I don't have all well 02:45.500 --> 02:50.220 We're getting so many responses, which is really I think you know the main reason why we're actually doing this a second time 02:50.460 --> 02:57.460 Who would have thunk? Yes, it's great and and lots of people from hollanda are listening and they've been sending some 02:58.580 --> 03:04.100 Some different songs and yeah, we got a like a half-hour mega mix 03:05.540 --> 03:07.540 Amazing 03:07.540 --> 03:09.540 We'll have to run through that. Yeah 03:09.580 --> 03:13.500 And and and also when you hear this beautiful music in the background 03:13.500 --> 03:18.420 I feel very much at home because that's the way I started in yeah with this kind of stuff 03:20.180 --> 03:22.900 In those dark red with 03:23.460 --> 03:27.740 chandeliers nightclubs, why did you move from 03:28.620 --> 03:35.860 This type of genre to what you really were into you were in the almost heavy metal at a certain point. Yeah, and 03:36.860 --> 03:43.740 Actually my rock bitch. Yeah, but my yeah, but my my favorite music is is this sort of music 03:43.740 --> 03:46.740 which is always great to hear and 03:48.860 --> 03:55.620 Because I was hungry. Oh, yeah, that's right. You were starving musicians. I was starving. Yeah, and if they 03:55.980 --> 04:02.940 And you know offer you a record deal a contract then you gotta do yeah, you're happy to get it 04:03.260 --> 04:10.380 Whatever they want, you know, and there's so much stuff you've done a lot of TV shows. I mean like a lot of TV shows, right? 04:10.380 --> 04:11.880 Yeah 04:11.880 --> 04:17.220 The funniest thing is it because that actually never happens. I may be due to 04:18.100 --> 04:22.820 Danny and Marie Osmond, but when I was done you yes, Donnie and Marie 04:22.820 --> 04:28.340 Sorry, Donnie and Marie Osmond who was a nice guy by the way. We met. He's very nice. Yeah, we're worried that you met him 04:29.020 --> 04:31.020 In America, you know 04:31.980 --> 04:36.820 Was it Denver I raced against him in the celebrity something but he was he was a really nice guy 04:36.860 --> 04:41.580 Yeah, but what I wanted to I'm sorry. Yeah, I'm sorry. I'm back to me back to you 04:41.580 --> 04:46.820 I'm sorry. This is Donnie Osmond podcast when I was 17 and and I just got my my record deal 04:48.100 --> 04:51.660 I got right away for TV shows 04:52.220 --> 04:57.380 What now what do you mean my own TV show where I could do whatever I want to do. Oh really wanted to do 04:57.420 --> 05:01.340 And that was so what'd you do when you're that young it 05:01.900 --> 05:06.740 Did you do sketches and stuff like that white exciting? Did you sketches? No, no, no 05:07.460 --> 05:10.860 No, I did songs and all sorts of songs and 05:11.540 --> 05:15.300 I invited young groups, you know pop groups 05:16.180 --> 05:18.740 These are you like a dick Clark beat bands 05:20.140 --> 05:25.460 That's right. The 60s, right? This is the same. This is I started 05:25.980 --> 05:34.100 67 so did this must have been 68 just between 67 and 68. Yeah, it was amazing flower power, baby 05:34.100 --> 05:36.100 it was flower power and 05:37.580 --> 05:40.620 What was also very exciting and it was of during these 05:42.420 --> 05:49.820 That time was that there was the love in you had love in yet the flowers in love in and there was the Beatles and the 05:49.820 --> 05:51.820 Stones coming together in studio 05:51.940 --> 05:57.580 Although it's the big television television show was a big television show and it was broadcast all over Europe and 05:58.260 --> 06:03.100 So a couple of countries as well. Yeah couple of countries like America England 06:04.100 --> 06:05.740 Germany 06:05.740 --> 06:11.420 Holland Holland was very important for the for the rock-and-roll scene back there 06:11.420 --> 06:15.900 And then everybody, you know why no because there's no tax on royalties in Holland 06:15.900 --> 06:18.420 That's why everyone had the Rolling Stones still have like four 06:19.100 --> 06:21.100 Canal houses not far from ours actually 06:22.500 --> 06:26.540 That are their offices their worldwide offices all the money comes through their bvs 06:27.220 --> 06:31.940 There's no tax on and they translate it all the Beatles songs in Holland 06:31.940 --> 06:37.020 So everybody who translated a song yeah gets every time there was a Beatles song out 06:37.340 --> 06:39.640 Somebody translated it and you've got the money also 06:41.260 --> 06:43.260 Just translated 06:43.260 --> 06:47.900 Yeah, how does that work? Yeah, there was a hole in the law in the law 06:51.900 --> 06:55.380 That's what they say in Dutch and a gut in the in 06:56.780 --> 07:02.940 Maas van de Wet Maas van de Wet. Yeah, and they found out I'm in a hole in the law 07:04.300 --> 07:06.300 net 07:06.620 --> 07:12.820 But they a loophole, that's yeah after a while they said this this cannot go on so 07:13.260 --> 07:15.260 You know as much as the Beatles 07:15.420 --> 07:21.500 So all you had to do was translate a song just the Beatles translated and you would just get paid as much as 07:21.660 --> 07:26.160 Really as much as much as John Paul, George and Ringo. So Holland was very exciting 07:28.500 --> 07:34.820 So we did the the the famous love in you know so so tell me about this what year was this we were in this 07:34.820 --> 07:39.660 Dude, this is probably 68. Okay. We were probably yeah 07:39.660 --> 07:45.580 We were in the studios in Bussam in Bussam in Hilversen probably the studio that I recorded in many years 07:45.580 --> 07:49.740 I think so. That's what we sitting with the golden earring and all the other 07:51.220 --> 07:57.860 Beat bands and rock bands and all with their flowers in and then you saw on TV they 07:58.940 --> 08:00.940 What a Schakel 08:00.940 --> 08:02.940 They would switch over switch over to the other 08:03.580 --> 08:10.140 There was a show London to London, you know BBC there was it there was there was a famous 08:12.220 --> 08:15.860 Picture actually because you could see the the Beatles and the Stones together 08:17.180 --> 08:21.980 Okay, remember people were for the Beatles or for the Stones, right? 08:21.980 --> 08:26.260 So they were together because it was flower that kind of like Backstreet Boys versus take that 08:26.260 --> 08:31.180 Yeah, everybody loved each other. That was the your theme. Wow everybody love each other 08:32.180 --> 08:39.180 Holding hands and and you know, so we were sitting there the Beatles and the and Stones were sitting in the the BBC studios 08:39.340 --> 08:42.140 Then we were in in America. There were other different 08:42.820 --> 08:44.820 I think 08:45.860 --> 08:52.700 Who was I think yellow yellow Jeff or you know these sort of things Tom Petty Tom Petty and 08:53.420 --> 08:59.700 What was Roy Orbison? Maybe maybe the cream with you know, you know cream or English guys, right? 08:59.900 --> 09:05.820 That's right. Oh other America and so after the the hand-holding did you guys make out? 09:08.380 --> 09:10.380 Come on, it was a loving right 09:11.260 --> 09:18.500 Come on. Well, you would have loved these days. Oh, tell me about it. Tell me love. Okay indulge me because you could you know 09:18.820 --> 09:21.620 Everybody loved each other. Everybody was hugging each other 09:21.620 --> 09:26.640 Sometimes you go a little bit further than that and nobody was afraid as long as you had you 09:27.120 --> 09:28.640 No one was afraid 09:28.640 --> 09:33.660 Frates no, no, that's right, which was fun. Lots of fun 09:34.480 --> 09:38.520 Sometimes you you would you look around there were more people in the bed. Oh, hello 09:39.080 --> 09:42.000 Who are you really and that was cool? We're smoking there? 09:43.000 --> 09:45.000 Hello 09:45.760 --> 09:49.900 It was very sweet very very loving but your first marriage didn't last 09:51.440 --> 09:55.160 Because of that. Yeah, exactly. So it didn't work out that great 09:55.160 --> 09:57.160 And we were way too young 09:57.480 --> 10:02.600 You know, I'm so I'm so I'm happy that that lots of 10:04.040 --> 10:06.040 young children and 10:07.120 --> 10:13.000 You know young people just don't do that anymore. That's just a way so much longer. Do you know that? 10:13.480 --> 10:20.840 That radio shack Mike sounds really nice. They do it's from radio shack. Oh mine. Yeah. Yeah, no mine's not from radio shack 10:20.840 --> 10:22.840 You crazy. I'm a professional 10:25.720 --> 10:30.680 Hold on a second. Let's let's play a song. Well, you have two two major fans 10:33.680 --> 10:40.280 Don't want to say to talk too much who said that somebody said that no, they didn't no not at all 10:40.280 --> 10:43.840 Oh, they want to hear the music. Oh, they're well, they definitely want to hear the music 10:43.840 --> 10:48.400 But some people want to hear stuff. Well, that's why I'm controlling you and saying it's time for some music 10:48.400 --> 10:53.400 That was like my feeling here, but I have to say that I am not my greatest fan 10:53.880 --> 10:58.960 No, I know if you know that like you cringe every single time. Yeah, I said, let's play this you go 10:58.960 --> 11:03.080 Ah, I hate that but you actually sometimes you burp physically just go 11:03.080 --> 11:09.800 Oh, I hate it. Well, why but it's so beautiful. Well, it must be something else. You're associating with all these moments 11:10.680 --> 11:16.320 Yeah, they were nice moments and and I enjoyed it and making music is of course wonderful 11:16.760 --> 11:17.720 but 11:17.720 --> 11:19.720 But I always 11:19.960 --> 11:24.520 I'm also disappointed in myself because I always well when I hear my hey 11:25.000 --> 11:29.400 There are a lot of I mean not only me but even Barbara Streisand says that 11:29.800 --> 11:36.920 That she's always disappointed when she hears it back. They think oh, I thought I I did a better sound so much better than that 11:36.920 --> 11:42.000 But no, I think I always had that that's also if you've been doing something over and over and over and over 11:42.000 --> 11:46.840 And then you promote it and then you know and it's on the radio. You've heard it, you know 11:46.840 --> 11:55.640 It's like no, but even even impossible. I don't like girls. I don't like singers girl singers. Oh, that's unfortunate. I like man 11:56.200 --> 11:58.200 Uh-huh, man. You like manners 11:59.240 --> 12:06.040 But um, no because if you hear a whole album of a woman, I've never been able to listen to album 12:06.680 --> 12:13.240 Anyway, I can't listen to anyone's album. It's too much. Yeah, I agree. I like this one song should have instrumental things 12:13.560 --> 12:15.320 In between it's too much 12:15.320 --> 12:18.440 It's an overdose. Yeah, well, you know the back in the in the 70s 12:18.440 --> 12:23.160 They did a lot of that the records would have a whole instrumental track remember that's right 12:23.320 --> 12:26.600 Yeah, just to fill them up these days everything has to be a fucking yeah, right 12:26.760 --> 12:32.520 These everything has to be a fucking single, you know, it's like oh, we'll make you know the 17th track off of britney spears album 12:32.520 --> 12:36.440 We'll make that another single. Yeah, because everything. Yeah, there's no instrumentals. You're right 12:36.680 --> 12:40.040 Yeah, and also in concerts, you know to have a fill it up with the drum solo 12:40.440 --> 12:46.760 And now it's like, all right, here comes a three minute drum solo. All right. He's done. Yeah, it used to be like 20 minute drum solos 12:48.280 --> 12:50.280 So the rest of the band you go off and get a blowjob 12:51.880 --> 12:53.880 Backstage 12:54.200 --> 12:58.600 Hey, um, this is uh, so this is from the two people who maintain 12:59.400 --> 13:01.400 um, your fansite 13:01.640 --> 13:06.120 Patricia pie dot, uh, web dash log dot nl 13:06.760 --> 13:09.240 I haven't seen it all but I it's amazing 13:09.400 --> 13:12.600 I heard about it full of all kinds of amazing stuff 13:13.240 --> 13:18.200 And what we have to do is because we found the stack of your 45s your record. Yeah, and we can't play him yet 13:18.200 --> 13:22.920 Well, I'm going to get a record player. I'm going to play him. Yeah, because that's every single single you made almost 13:22.920 --> 13:27.240 It must be like 70 of them 70 or 80 is unbelievable. Yeah, it's great 13:27.880 --> 13:32.040 Okay, this is beggin. You want to say something about about this song before we play it or you want to 13:32.040 --> 13:37.720 You know, we heard that this week, uh, some you played it for me somebody had it in his podcast 13:38.600 --> 13:41.320 Show and uh, I didn't even know I recorded it 13:43.560 --> 13:47.320 I don't and I don't know why I recorded it really I have no idea 13:48.360 --> 13:54.360 Now, do you know when more or less? I remember I did a uh tv show with it 13:54.440 --> 14:00.280 I had a whole special. Yeah, you know because the the album came out. Is that a known song? Is that a 10 songs? 14:00.280 --> 14:03.240 We did that's a cover or was that something that someone else? 14:04.200 --> 14:07.400 Well, I don't know the song. Yes, you do. No 14:09.000 --> 14:15.720 Um, who are they begging back? Yeah, I also Frankie valley. Oh, well, excuse me. I'm only 40 14:24.200 --> 14:27.160 You know that okay, well, let's let's check it out. Let's see if I can 14:29.800 --> 14:31.800 Oh, yeah, I love it when you do that 14:33.240 --> 14:36.120 Oh, we can listen on the speakers now 14:38.750 --> 17:13.750 [ Music ] 17:16.840 --> 17:19.720 Yeah on the triple p podcast 17:21.880 --> 17:29.160 It's actually now I understand why I've recorded this song. It's a nice song. Yeah, it's a good song. Absolutely start to dance on it right away 17:29.160 --> 17:31.160 Yeah, hold on 17:31.400 --> 17:33.400 Sorry about that. I remember 17:34.520 --> 17:36.280 One of my um 17:36.280 --> 17:41.800 One of my gigs there was a a big thing going on in the ahoy. It's it's what is that ahoy is a big 17:42.280 --> 17:48.840 Concert hall in rottendam. Yeah. Well, it's uh indoor arena. So yeah, beautiful arena. It was full. Yeah 17:49.320 --> 17:54.120 I think 10,000 people were it was totally full because meatloaf was there in the show 17:54.520 --> 17:56.440 There was a whole show of the meat people 17:57.400 --> 17:59.240 Doing there 17:59.240 --> 18:03.560 Doing their songs and a moment. This was the 80s. This must have been the 80s. Yeah 18:04.280 --> 18:10.200 And I was very popular that you were disco queen. No, I wanted to just tell you 18:11.320 --> 18:15.960 No, you you were way ahead of me. No, I wanted to tell you I was doing my songs 18:16.680 --> 18:23.400 And behind me was a big wall with all those lights that they can, you know, write things on them 18:23.720 --> 18:25.720 Sure, sure, you know, like boom 18:26.360 --> 18:29.800 You know those things that you the color light bulbs that change, right, right? 18:29.960 --> 18:35.560 So i'm singing and i'm doing my my songs and of course the disco times are probably this song another song 18:35.960 --> 18:39.720 And i'm looking and looking over my shoulder. I'm looking behind me 18:40.280 --> 18:44.920 And very big behind me said patricia by disco queen 18:45.720 --> 18:47.720 And I thought I didn't know that 18:48.600 --> 18:50.600 I'm a fucking disco queen now 18:51.320 --> 18:53.320 And were you happy with that 18:53.560 --> 18:55.560 No, you didn't really know it is you 18:56.040 --> 19:00.120 I don't know. Do I want to be a disco queen? No, no, yeah 19:01.000 --> 19:04.760 But you know, they say that of me sometimes, but queen is always nice. I'm the disco queen 19:04.920 --> 19:09.960 I had a lot of queens always. Yeah. Oh, man. Tell me about it my gigs. Yeah 19:10.840 --> 19:12.840 Tell me about it 19:13.240 --> 19:15.240 And they were always dressed like me 19:15.640 --> 19:20.280 Oh, no way. Most of them had the same they knew what i'm gonna these were uh 19:20.840 --> 19:24.760 Transvestites a little bit like share, you know the same outfits really 19:25.720 --> 19:28.440 Something like that. Yeah, but they were cross-dressers 19:29.640 --> 19:34.120 Yeah, transsexuals. Yeah, transvestites and also women that would have chicks with dicks 19:36.040 --> 19:38.040 Frogs with cocks 19:42.680 --> 19:44.680 Isn't that horrible 19:46.760 --> 19:48.760 But 19:49.320 --> 19:54.120 Yeah, there are people going to people's uh concerts and and they will dress like them 19:54.840 --> 19:56.840 Yeah, well, it's like well, I don't do that 19:57.480 --> 20:04.040 Yes, you just yeah, well good charlotte. Oh, man. So check this out. So uh good charlotte is this band 20:04.120 --> 20:09.560 It's a pop punk pop rock pop pop punk. That's what she calls it pop punk rock and a punk rock 20:09.880 --> 20:13.720 It's punk rock, but it's pop. It's like popular punk rock. Yeah, but it's like green day 20:14.120 --> 20:17.320 She doesn't like that when you say pop. I know it's not pop music 20:18.280 --> 20:19.960 It's punk rock 20:19.960 --> 20:24.520 So she was dressing just like the band like right with all the black and the black hair and the black nails 20:25.000 --> 20:31.400 And she's totally in love with well, it was first benji and I think uh, you forced her to like joel better 20:31.640 --> 20:33.640 I said the other brother. He's so fat 20:35.080 --> 20:37.640 I think he's brought it so much nicer. So, okay 20:38.840 --> 20:40.840 Yeah, right. So 20:41.240 --> 20:44.680 And then um, and then you say, you know, well, if you're really in love with him 20:44.680 --> 20:48.680 Then, you know, wouldn't you want to like make an impression on him? Like, yeah, well, yeah, huh? 20:48.840 --> 20:53.240 And then so well, look at who's going out with which is hillary duff. Yeah, and it's blond 20:53.480 --> 20:57.160 And she's blonde and she's got a little poodle and she's got a short 20:57.880 --> 21:04.520 Pink, pink little booties and stuff. I said, do you really think they're growing out with with girls that look like that? 21:04.600 --> 21:07.480 And they're you know, there's big pants hanging on their butts 21:08.200 --> 21:13.880 And and looking ugly. No, no, no, they see them a lot. They want to have a good nice looking girl 21:14.120 --> 21:20.840 With blonde hair. Yeah, you know, beautiful long hair. So the change is slowly taking place. She was thinking about like, 21:21.480 --> 21:28.040 Yes, she might have a point there. So I'll never admit it. Yeah, never. And now slowly, we don't say anything 21:28.120 --> 21:31.640 I hope she doesn't hear this but slowly she's wearing pink 21:32.760 --> 21:40.680 And she's wearing other stuff and nice shoes and not the sneakers that the training shoes what they say trainers trainers 21:41.640 --> 21:44.520 And so she's really looking like a woman 21:45.720 --> 21:52.520 Gorgeous too too gorgeous. Yeah, you hate it. You think you don't hate it. Yeah, it's definitely scary 21:52.520 --> 21:56.200 Well, I got like fucking ollie calling calling the house at midnight. Yeah 21:56.760 --> 21:59.640 Yeah, ollie versus goss that is ollie 22:00.360 --> 22:04.120 From Oliver. Did he say that you talked to him, right? Yeah, what did he say? 22:04.760 --> 22:06.760 How do you say that? 22:08.760 --> 22:14.360 Yeah, it's ollie. It's ollie. Hello, it's ollie. Can I speak to Christina? Really? Yeah, and what do you say? 22:14.440 --> 22:19.480 Hey motherfucker, get over here. My husband wants to talk to you. Check you out dickhead. Come here, boy 22:19.880 --> 22:24.200 Yeah, yeah, I'll make you imagine if she's 14 years old. I mean 22:25.000 --> 22:28.360 14.7 years old. I was I was corrected this evening 22:29.240 --> 22:30.440 Yeah 22:30.440 --> 22:33.800 We did a good job, huh? Yeah, she's gorgeous. She's beautiful 22:34.200 --> 22:35.800 And she's sweet 22:35.800 --> 22:37.800 Um, what should we do now? 22:38.600 --> 22:42.600 Um, I have more songs. Uh, we can listen to some viewer feedback 22:43.480 --> 22:45.480 Well, what do you got? 22:45.480 --> 22:49.960 I have another song. Do you want to play another song? You know what I always like what I really really enjoyed 22:50.040 --> 22:52.600 What's that babe? I don't know if you got it there. Who knows? 22:52.840 --> 22:57.320 Um, you know, remember that we did with the mad the madly that we did 22:58.760 --> 23:00.760 One of the songs is uh 23:01.080 --> 23:07.640 The Marilyn Monroe stuff. Oh, I always love that. You see, you know where I where I did her voice a bit 23:09.160 --> 23:11.160 It needed to sound like her 23:12.360 --> 23:16.440 But you know, I I just heard I was listening to the bbc bbc 2 23:17.560 --> 23:23.320 And there was a whole it was sunday afternoon. I was sitting in the kitchen and they had a whole part about 23:24.360 --> 23:26.440 A woman called Molly 23:27.080 --> 23:35.160 Molly was in the days of Marilyn Monroe and other very famous singers and no not singers and famous movie stars 23:35.240 --> 23:37.720 Who had to sing in a movie, but they couldn't 23:39.560 --> 23:43.640 Yeah, and there was a certain Molly who did their voices 23:43.880 --> 23:47.800 Oh, yeah, no, I heard about that and there is a part in Marilyn Monroe's 23:48.680 --> 23:54.280 Diamonds, uh, our girl's best friend. There's a part where she couldn't do it 23:54.840 --> 23:59.480 And then the that's that Molly could do everybody's voice 23:59.880 --> 24:06.840 Exactly and she would fill it in all the words that did all that. Yeah, all the words that Marilyn Monroe couldn't sing she did 24:07.800 --> 24:09.800 Well, I could have helped her out 24:11.480 --> 24:15.800 Hey, can you check over the cds over there and see if it's on there? Was it on one of those cds? 24:16.120 --> 24:18.120 I know I have it 24:21.320 --> 24:23.320 This is it, right? 24:24.280 --> 24:31.280 I do die for love with a break in fighting duels 24:31.280 --> 28:31.280 [ Music ] 28:31.280 --> 28:34.280 Best friend 28:34.280 --> 28:36.280 Oh man 28:38.280 --> 28:39.280 Damn 28:41.280 --> 28:42.280 That's the next track 28:42.280 --> 28:44.280 Wow, that kicks ass 28:44.280 --> 28:45.280 That was great 28:45.280 --> 28:48.280 That was Yvonne and me together 28:48.280 --> 28:49.280 Doing three voices 28:49.280 --> 28:50.280 Excellent 28:50.280 --> 28:52.280 Sort of the star sisters 28:52.280 --> 28:55.280 But then a bit the sound of Marilyn Monroe 28:55.280 --> 28:59.280 Oh man, I enjoyed that so much 28:59.280 --> 29:00.280 Doing that 29:00.280 --> 29:01.280 Yeah, I bet 29:01.280 --> 29:02.280 Because it was difficult 29:02.280 --> 29:03.280 It was so difficult 29:03.280 --> 29:05.280 All those harmonies 29:05.280 --> 29:07.280 All as a part of the stars in 45 then 29:07.280 --> 29:09.280 That was all in that time period 29:09.280 --> 29:11.280 Just kept on pumping one out after another 29:11.280 --> 29:12.280 Yes, yes 29:12.280 --> 29:13.280 Let's record some more 29:13.280 --> 29:15.280 No, because it was number one everywhere 29:15.280 --> 29:17.280 You know, the first one 29:17.280 --> 29:18.280 Right 29:18.280 --> 29:19.280 Yeah, so 29:19.280 --> 29:20.280 What's that? 29:20.280 --> 29:21.280 That's me 29:21.280 --> 29:22.280 Oh 29:22.280 --> 29:23.280 And my bracelets 29:23.280 --> 29:24.280 Your wooden leg 29:24.280 --> 29:26.280 Yes, my bracelets 29:26.280 --> 29:28.280 Now I hear that there's a hum 29:29.280 --> 29:30.280 Yeah 29:30.280 --> 29:31.280 You hear that? 29:31.280 --> 29:32.280 I hate that 29:32.280 --> 29:33.280 Yeah 29:33.280 --> 29:34.280 I got a hum 29:34.280 --> 29:35.280 It's not perfect, huh? 29:35.280 --> 29:36.280 Hold on 29:37.280 --> 29:38.280 It's over here somewhere 29:38.280 --> 29:39.280 Yeah 29:40.280 --> 29:43.280 It's a little better 29:43.280 --> 29:44.280 Yeah, it's a little 29:44.280 --> 29:45.280 It's a bit better 29:45.280 --> 29:46.280 Climb at you better 29:46.280 --> 29:47.280 Climb at you better, baby 29:47.280 --> 29:48.280 Yeah 29:48.280 --> 29:49.280 It's just to climb at you better 29:49.280 --> 29:50.280 Just to climb at you 29:50.280 --> 29:52.280 Let's see, what else 29:52.280 --> 29:54.280 Oh, there was another thing we were talking about 29:54.280 --> 29:56.280 Didn't we talk about the bad girls medley? 29:58.280 --> 30:00.280 Oh, yeah 30:00.280 --> 30:01.280 Yeah, but that 30:01.280 --> 30:03.280 Now we have to go a little bit further 30:03.280 --> 30:04.280 So after all those 30:04.280 --> 30:06.280 I have a 12-inch version of it 30:07.280 --> 30:09.280 Thinking ahead 30:09.280 --> 30:10.280 Let me think 30:10.280 --> 30:13.280 Okay, after we did all those old-fashioned stuff 30:13.280 --> 30:15.280 with the star sisters 30:15.280 --> 30:17.280 I'm starting to peep now 30:17.280 --> 30:18.280 No, that's me, I'm sorry 30:18.280 --> 30:19.280 I don't want to do that 30:19.280 --> 30:20.280 Don't touch it 30:20.280 --> 30:22.280 I'm sorry 30:24.280 --> 30:26.280 You know, I think we did enough then 30:26.280 --> 30:27.280 by then we said to each other 30:27.280 --> 30:28.280 Okay, this was it 30:28.280 --> 30:30.280 Nice sound 30:30.280 --> 30:32.280 We cannot go on with this 30:32.280 --> 30:33.280 And 30:33.280 --> 30:34.280 Yeah, because I'm sorry 30:34.280 --> 30:37.280 We're longing for just normal, do normal music 30:37.280 --> 30:38.280 Just pop music or something 30:38.280 --> 30:40.280 You always have to dress up in little skirts 30:40.280 --> 30:41.280 and shit like that 30:41.280 --> 30:42.280 We did that for a while 30:42.280 --> 30:44.280 We had little suits and hats 30:44.280 --> 30:47.280 and, you know, from the 50s 30:47.280 --> 30:49.280 and from the 40s actually 30:49.280 --> 30:50.280 Clothes from the 40s 30:50.280 --> 30:51.280 Okay 30:51.280 --> 30:52.280 Very cute, beautiful 30:52.280 --> 30:53.280 Just like a movie 30:53.280 --> 30:54.280 It looked so beautiful 30:54.280 --> 30:57.280 And these clothes are very feminine 30:57.280 --> 30:59.280 Beautiful high heels 30:59.280 --> 31:01.280 and it looked gorgeous 31:01.280 --> 31:03.280 And were you wearing panties underneath them? 31:03.280 --> 31:05.280 Yeah, guard a belt 31:06.280 --> 31:07.280 Idiot 31:08.280 --> 31:09.280 And so after a while 31:09.280 --> 31:11.280 we want to be ourselves again 31:12.280 --> 31:14.280 Don't forget that we were in all those 31:14.280 --> 31:17.280 pop shows all over Europe 31:17.280 --> 31:18.280 in France 31:18.280 --> 31:22.280 and started to talk English here 31:22.280 --> 31:23.280 France 31:23.280 --> 31:24.280 Please stop that 31:24.280 --> 31:26.280 And we were in Germany 31:26.280 --> 31:27.280 So we came, you know 31:27.280 --> 31:29.280 we were always in shows 31:29.280 --> 31:32.280 where, you know, a status quo was there 31:32.280 --> 31:34.280 Spend our ballet 31:34.280 --> 31:35.280 Tell the status quo story 31:35.280 --> 31:36.280 Bo George 31:36.280 --> 31:37.280 There was no time 31:37.280 --> 31:38.280 they were all in the chart 31:38.280 --> 31:39.280 with the star season 31:39.280 --> 31:40.280 And we always 31:40.280 --> 31:42.280 We were standing there in those clothes 31:42.280 --> 31:43.280 and thought, oh my God 31:43.280 --> 31:45.280 Everyone's completely 80s out 31:45.280 --> 31:46.280 Excuse me 31:46.280 --> 31:48.280 We are actually rock and roll 31:48.280 --> 31:50.280 Please don't mistake us for 31:50.280 --> 31:52.280 three stuck up bitches 31:52.280 --> 31:53.280 Right 31:53.280 --> 31:54.280 It was strange 31:54.280 --> 31:55.280 and we wanted to be ourselves 31:55.280 --> 31:57.280 So tell the status quo story 31:57.280 --> 31:58.280 I love that one 31:58.280 --> 31:59.280 That's a good one 31:59.280 --> 32:03.280 We were in one of the big German shows 32:03.280 --> 32:05.280 They have big shows over there 32:05.280 --> 32:06.280 on TV 32:06.280 --> 32:09.280 You know, very expensive shows 32:09.280 --> 32:10.280 But there's like 80 million people 32:10.280 --> 32:11.280 watching in Germany 32:11.280 --> 32:12.280 It's a huge market 32:12.280 --> 32:14.280 with Switzerland and Austria 32:14.280 --> 32:17.280 and all those countries 32:17.280 --> 32:21.280 So all those bands and singers 32:21.280 --> 32:23.280 and we were all waiting in the hallway 32:23.280 --> 32:25.280 until the show started 32:25.280 --> 32:26.280 was just before the show 32:26.280 --> 32:27.280 It was waiting 32:27.280 --> 32:28.280 because sometimes they stop 32:28.280 --> 32:29.280 and they would do it again 32:29.280 --> 32:31.280 because, you know, gründlichkeit 32:31.280 --> 32:32.280 Everything needs to... 32:32.280 --> 32:33.280 Gründlichkeit 32:33.280 --> 32:34.280 Everything needs... 32:34.280 --> 32:36.280 German people 32:36.280 --> 32:37.280 Everything needs to be perfect 32:37.280 --> 32:38.280 Just try it once more 32:38.280 --> 32:39.280 Just once more 32:39.280 --> 32:41.280 and then perfect 32:41.280 --> 32:42.280 It needs to be perfect 32:42.280 --> 32:45.280 The way they rehearsed it 32:45.280 --> 32:47.280 that's the way it goes on the air 32:47.280 --> 32:49.280 And it actually does work out that way 32:49.280 --> 32:51.280 And there's a lot of work 32:51.280 --> 32:53.280 and you have to wait, wait, wait 32:53.280 --> 32:54.280 So we're waiting in the hallway 32:54.280 --> 32:56.280 Next to me is standing 32:56.280 --> 32:58.280 stage squad, you know 32:58.280 --> 33:00.280 bingling a little bit on their planes 33:00.280 --> 33:01.280 On the guitars 33:01.280 --> 33:03.280 They have the guitar in their hand 33:03.280 --> 33:04.280 and I'm standing there 33:04.280 --> 33:07.280 and we're looking at each other 33:07.280 --> 33:09.280 like, hi, you know, take a long time 33:09.280 --> 33:10.280 Hey, you here too? 33:10.280 --> 33:11.280 It's good to see you again 33:11.280 --> 33:13.280 What's your name? 33:13.280 --> 33:15.280 You know, right away 33:15.280 --> 33:16.280 Petruchet Yvonne 33:16.280 --> 33:18.280 We had another girl with us 33:18.280 --> 33:20.280 They're like, dude, look at these three hot chicks 33:20.280 --> 33:22.280 I'm totally gonna bone that one 33:22.280 --> 33:23.280 the small one 33:23.280 --> 33:25.280 What are you doing after the show? 33:25.280 --> 33:27.280 Would you like to have a drink with us? 33:27.280 --> 33:28.280 Well, maybe, I don't know 33:28.280 --> 33:29.280 Oh, you slut 33:29.280 --> 33:31.280 You said maybe 33:31.280 --> 33:32.280 But they were married 33:32.280 --> 33:33.280 They were very nice 33:33.280 --> 33:35.280 They were very fun 33:35.280 --> 33:37.280 They are so funny 33:37.280 --> 33:38.280 They're very funny 33:38.280 --> 33:41.280 So I said, you know, once we were talking a little bit 33:41.280 --> 33:43.280 I said, well, maybe we can make some music 33:43.280 --> 33:44.280 in the meanwhile 33:44.280 --> 33:46.280 So shall we jam? 33:46.280 --> 33:47.280 The star sisters 33:47.280 --> 33:49.280 Well, they looked at us like 33:49.280 --> 33:51.280 shall we jam? 33:51.280 --> 33:52.280 I mean, you know me 33:52.280 --> 33:53.280 I can sing anything 33:53.280 --> 33:55.280 Who said that? You said to them you wanted jam? 33:55.280 --> 33:57.280 Yeah, because as a musician 33:57.280 --> 34:00.280 you know, why not, you know, play some nice music 34:00.280 --> 34:02.280 and I sing anything, you know 34:02.280 --> 34:04.280 They looked at me and said 34:04.280 --> 34:07.280 we only played four fucking chords 34:07.280 --> 34:10.280 We can't fucking jam 34:10.280 --> 34:12.280 We can't jam 34:12.280 --> 34:14.280 We call it jam 34:14.280 --> 34:15.280 And they really meant it 34:15.280 --> 34:17.280 So that was it 34:17.280 --> 34:18.280 Okay 34:18.280 --> 34:20.280 You know that when I was 34:20.280 --> 34:22.280 I think I must have been 12 34:22.280 --> 34:24.280 We were at Heathrow Airport 34:24.280 --> 34:27.280 going to the States on vacation 34:27.280 --> 34:30.280 and Tiffany, so she was 10 34:30.280 --> 34:31.280 my sister said 34:31.280 --> 34:33.280 I know those guys, I saw them on Top Pop 34:33.280 --> 34:35.280 I know, I saw them, I've seen them 34:35.280 --> 34:37.280 And so I went up to them and said 34:37.280 --> 34:38.280 you know, my sister says 34:38.280 --> 34:39.280 you guys are like famous 34:39.280 --> 34:40.280 taking over your autograph 34:40.280 --> 34:41.280 and they're one of those 34:41.280 --> 34:42.280 fucked up shitty things 34:42.280 --> 34:44.280 that people say that, you know, you hate 34:44.280 --> 34:45.280 and they said, oh yeah 34:45.280 --> 34:46.280 and they're really nice 34:46.280 --> 34:47.280 and they signed the autograph 34:47.280 --> 34:48.280 and I kept that piece of paper 34:48.280 --> 34:49.280 and I showed it to them 34:49.280 --> 34:51.280 like, you know, what was it 34:51.280 --> 34:52.280 when they were in the countdown 34:52.280 --> 34:53.280 eight years later 34:53.280 --> 34:55.280 Yeah, when they were on the show 34:55.280 --> 34:56.280 I said, look man 34:56.280 --> 34:57.280 Yeah, that was cool 34:57.280 --> 34:58.280 They still go to other guys 34:58.280 --> 34:59.280 Yeah, the nice guys 34:59.280 --> 35:00.280 Oh, they're so funny 35:00.280 --> 35:01.280 Yeah 35:01.280 --> 35:02.280 They're so funny 35:02.280 --> 35:03.280 What else did you meet in those days? 35:03.280 --> 35:06.280 Who was very nice is Bo George 35:06.280 --> 35:07.280 He's funny too 35:07.280 --> 35:08.280 He's funny, he's crazy 35:08.280 --> 35:10.280 I had good times and bad times 35:10.280 --> 35:11.280 with Bo 35:11.280 --> 35:13.280 Spend out ballet, I have to say 35:13.280 --> 35:16.280 Hold on, let's stick with Bo George for a second 35:16.280 --> 35:18.280 Tell me about Bo George 35:18.280 --> 35:20.280 I remember that you thought 35:20.280 --> 35:21.280 it was a nice girl 35:21.280 --> 35:24.280 You like, you thought when you were young 35:24.280 --> 35:25.280 that 35:25.280 --> 35:26.280 Who told you that? 35:26.280 --> 35:27.280 You told me that 35:27.280 --> 35:28.280 Yeah, that's right 35:28.280 --> 35:29.280 You thought it was a, you know, a good chick 35:29.280 --> 35:30.280 a nice chick 35:30.280 --> 35:31.280 Yeah, I was like turned on 35:31.280 --> 35:32.280 I was like, and then I found out 35:32.280 --> 35:33.280 Bo George was actually like a boy 35:33.280 --> 35:34.280 I was like, oh god damn 35:34.280 --> 35:36.280 You didn't know it was a boy 35:36.280 --> 35:39.280 Well, his name was Bo George 35:39.280 --> 35:40.280 Excuse me 35:40.280 --> 35:42.280 I thought it was like, you know 35:42.280 --> 35:44.280 it was like a chick being like cool 35:44.280 --> 35:46.280 I was like, you know what I mean too 35:46.280 --> 35:47.280 It's like totally my thing 35:47.280 --> 35:48.280 I'm like, oh fine 35:48.280 --> 35:50.280 There was early signs 35:50.280 --> 35:51.280 Early warning signs 35:51.280 --> 35:52.280 Your homo 35:52.280 --> 35:54.280 Of my homosexuality 35:54.280 --> 35:55.280 Yeah, right 35:56.280 --> 35:58.280 And who else? 36:00.280 --> 36:01.280 There are lots of audience 36:01.280 --> 36:03.280 You know, all married couples should do this 36:03.280 --> 36:04.280 They should do a podcast like this 36:04.280 --> 36:06.280 And just talk about good times baby 36:06.280 --> 36:09.280 Good times, old times and good times 36:09.280 --> 36:12.280 What else did, who else did we meet? 36:12.280 --> 36:13.280 Let me tell you about Bo George 36:13.280 --> 36:14.280 So the first time I met him 36:14.280 --> 36:15.280 Do you mind? 36:15.280 --> 36:16.280 It's your podcast, so 36:16.280 --> 36:17.280 Do you mind? 36:17.280 --> 36:18.280 What? 36:18.280 --> 36:19.280 Do you mind? 36:19.280 --> 36:20.280 When I met Bo George 36:20.280 --> 36:22.280 It was when he was completely on heroin 36:22.280 --> 36:25.280 I didn't notice that actually 36:25.280 --> 36:26.280 Oh man, when he had his 36:26.280 --> 36:28.280 Remember when he cut his hair really short? 36:28.280 --> 36:29.280 Yeah 36:29.280 --> 36:30.280 He was wearing like denim 36:30.280 --> 36:31.280 Yeah 36:31.280 --> 36:32.280 So that was the heroin days 36:32.280 --> 36:33.280 And he came on the show 36:33.280 --> 36:35.280 And I think he was with Virgin 36:35.280 --> 36:40.280 And then the record label woman from England 36:40.280 --> 36:42.280 Said you can't ask him any questions 36:42.280 --> 36:43.280 You can't ask him any questions 36:43.280 --> 36:45.280 Of course, I want to ask him questions 36:45.280 --> 36:47.280 All he's going to do is just perform 36:47.280 --> 36:49.280 Which meant basically lip sync to his song 36:49.280 --> 36:52.280 On stage with like 75 36:52.280 --> 36:55.280 Carefully chosen audience kids 36:55.280 --> 36:56.280 So he gets on stage 36:56.280 --> 36:58.280 And I'm supposed to announce him 36:58.280 --> 36:59.280 And I think, well, fuck it 36:59.280 --> 37:00.280 I'm going to ask him a question 37:00.280 --> 37:03.280 I said, so are you on heroin? 37:03.280 --> 37:04.280 That was my question 37:04.280 --> 37:05.280 You did? 37:05.280 --> 37:06.280 Yeah 37:06.280 --> 37:07.280 Oh man, it was so fucking good 37:07.280 --> 37:08.280 And what did he say? 37:08.280 --> 37:09.280 Yeah 37:09.280 --> 37:12.280 That's not a, what kind of question 37:12.280 --> 37:13.280 And he couldn't even talk 37:13.280 --> 37:15.280 He was so fucking, oh man 37:15.280 --> 37:16.280 The record company was pissed 37:16.280 --> 37:20.280 But then later, when we were in 37:20.280 --> 37:22.280 When we were living in New Jersey 37:22.280 --> 37:26.280 Remember I did like a pet store 37:26.280 --> 37:28.280 Promotion for Z100 37:28.280 --> 37:29.280 Yeah 37:29.280 --> 37:30.280 And it was a beauty contest 37:30.280 --> 37:31.280 At a pet store 37:31.280 --> 37:32.280 And it was me and boy George 37:32.280 --> 37:33.280 Yeah 37:33.280 --> 37:34.280 He was sitting next to you 37:34.280 --> 37:35.280 And we were the judges 37:35.280 --> 37:36.280 And we had a great time 37:36.280 --> 37:38.280 And he kind of remembered that incident 37:38.280 --> 37:39.280 From Countdown 37:39.280 --> 37:40.280 But not so well 37:40.280 --> 37:41.280 He said, I'm really sorry 37:41.280 --> 37:43.280 If I was a complete cock up 37:43.280 --> 37:44.280 Yeah 37:44.280 --> 37:45.280 Yeah, I'll say this 37:45.280 --> 37:46.280 And then of course 37:46.280 --> 37:47.280 And I was just sitting there going 37:47.280 --> 37:50.280 Like dude, I was once turned on by you 37:50.280 --> 37:51.280 You did? 37:51.280 --> 37:52.280 No, I didn't tell him 37:52.280 --> 37:53.280 No, I didn't know 37:53.280 --> 37:54.280 I was thinking that 37:54.280 --> 37:55.280 No, I wouldn't tell him 37:55.280 --> 37:56.280 Are you crazy? 37:56.280 --> 37:57.280 Oh my God 37:57.280 --> 37:58.280 No way 37:58.280 --> 37:59.280 He would have been all over you 37:59.280 --> 38:00.280 No, he's kind of, he's not my type 38:00.280 --> 38:01.280 No 38:03.280 --> 38:04.280 All right, time for some music 38:04.280 --> 38:06.280 On the Patricia Pie podcast 38:06.280 --> 38:07.280 What do you got? 38:07.280 --> 38:09.280 You're surprising me every time 38:09.280 --> 38:10.280 Yeah, this is another one 38:10.280 --> 38:13.280 Another one that there was a fan sent in 38:13.280 --> 38:15.280 So this is something called 38:17.280 --> 38:18.280 Fishman King 38:18.280 --> 38:20.280 No, oh I hate that 38:20.280 --> 38:21.280 Really? 38:21.280 --> 38:24.280 That is when I was 16 38:24.280 --> 38:25.280 Oh cool 38:25.280 --> 38:27.280 Going back in time with the sound 38:27.280 --> 38:28.280 Of the nation, never bother 38:28.280 --> 38:31.280 I wish you were the fisherman 38:31.280 --> 38:35.280 I wish you were a king 38:35.280 --> 41:13.750 [ Music ] 41:15.280 --> 41:18.280 Dude, are you like masturbating? 41:18.280 --> 41:20.280 What's going on there? 41:20.280 --> 41:22.280 Well, that's two years older than our daughter is now 41:22.280 --> 41:24.280 That's funny, wait, that was really funny 41:24.280 --> 41:30.280 It's sort of a great slicker time 41:30.280 --> 41:32.280 I love you 41:32.280 --> 41:34.280 That's great 41:37.280 --> 41:38.280 That's excellent 41:38.280 --> 41:40.280 It's a great slicker time 41:40.280 --> 41:42.280 And who was that? 41:42.280 --> 41:43.280 In very English 41:43.280 --> 41:44.280 That was good though 41:44.280 --> 41:46.280 You hear that rather do 41:46.280 --> 41:48.280 There's nothing I rather do 41:48.280 --> 41:49.280 I really liked it 41:49.280 --> 41:51.280 I have an English producer 41:51.280 --> 41:53.280 Who wonders me to sing like that 41:53.280 --> 41:55.280 It was Robbie Dale 41:55.280 --> 41:57.280 Robbie Dale? 41:57.280 --> 41:59.280 He said Robbie Dale? 41:59.280 --> 42:01.280 Didn't he come from Capital Radio? 42:01.280 --> 42:03.280 No, wait, wasn't he Radio Luxembourg first? 42:03.280 --> 42:05.280 I thought it was Capital Radio 42:05.280 --> 42:07.280 No, wait, he was on one of the pirate ships, wasn't he? 42:07.280 --> 42:09.280 Wasn't he Radio Caroline at first? 42:09.280 --> 42:11.280 Well, I know someone's going to email us 42:11.280 --> 42:13.280 and tell us that it was 42:13.280 --> 42:15.280 Robbie Dale produced that? 42:15.280 --> 42:17.280 Yeah, they were very impressed with him 42:17.280 --> 42:19.280 The sound was amazing 42:19.280 --> 42:21.280 Big mouth, the guy had a big mouth 42:21.280 --> 42:23.280 And he just probably said 42:23.280 --> 42:25.280 Did you make out with him? 42:25.280 --> 42:27.280 I'm also, did I make out with him? 42:27.280 --> 42:28.280 I don't think so 42:28.280 --> 42:30.280 I love that you stopped that he attracts 42:30.280 --> 42:32.280 Wait, didn't Yvonne make out with him? 42:32.280 --> 42:33.280 No, no, no 42:33.280 --> 42:35.280 Come on, one of you two made out with him 42:35.280 --> 42:37.280 No, no, no, I think we... 42:37.280 --> 42:39.280 You might have had a little love in going on 42:39.280 --> 42:41.280 He was very white 42:41.280 --> 42:43.280 and red-haired 42:43.280 --> 42:45.280 And very pale 42:45.280 --> 42:46.280 Very pale 42:46.280 --> 42:50.280 But you're so superficial 42:50.280 --> 42:52.280 Uh-huh 42:57.280 --> 42:59.280 So in Holland they said 42:59.280 --> 43:02.280 you know, he's English and he says he's a producer 43:02.280 --> 43:05.280 So the guitar play that you heard there 43:05.280 --> 43:07.280 That was good, it was good 43:07.280 --> 43:08.280 Of course it was good 43:08.280 --> 43:10.280 One of the best guitar plays in the world 43:10.280 --> 43:12.280 In the world, absolutely 43:12.280 --> 43:14.280 Wow, I liked that 43:14.280 --> 43:15.280 I toured with them 43:15.280 --> 43:16.280 With Focus, right? 43:16.280 --> 43:17.280 Yeah 43:17.280 --> 43:19.280 Would you do backing vocals? 43:19.280 --> 43:20.280 I did the backing vocals 43:20.280 --> 43:22.280 And that's where I became deaf 43:22.280 --> 43:24.280 Really? From Yvonne Akamon's shit? 43:24.280 --> 43:27.280 Yvonne, I lost a lot of my hearing 43:27.280 --> 43:29.280 Absolutely, that was a tour 43:29.280 --> 43:31.280 The guy is so loud 43:31.280 --> 43:32.280 Yeah 43:32.280 --> 43:33.280 Oh, man 43:33.280 --> 43:36.280 But you're near the back line 43:36.280 --> 43:38.280 No, I was staying in the band 43:38.280 --> 43:41.280 I'm in the middle of all that 43:41.280 --> 43:42.280 You were like singing lead? 43:42.280 --> 43:44.280 No, no, no, no, no 43:44.280 --> 43:45.280 Because I didn't have a singer 43:45.280 --> 43:47.280 Actually, yeah, the... 43:47.280 --> 43:48.280 I didn't have a singer 43:48.280 --> 43:49.280 What did you just do? 43:49.280 --> 43:50.280 Woooo 43:50.280 --> 43:51.280 Yeah, very strange 43:51.280 --> 43:52.280 But it was all guitar 43:52.280 --> 43:53.280 Right 43:53.280 --> 43:55.280 And it was so loud 43:55.280 --> 43:56.280 Unreal 43:56.280 --> 43:57.280 He was famous for that 43:57.280 --> 43:58.280 For his loudness 43:58.280 --> 44:00.280 The loudest show I've ever been to 44:00.280 --> 44:01.280 Yeah 44:01.280 --> 44:02.280 Mine was Black Sabbath 44:02.280 --> 44:03.280 Oh, I had Metallica 44:03.280 --> 44:05.280 So kind of like Black Sabbath too 44:05.280 --> 44:06.280 Yeah 44:06.280 --> 44:07.280 And you know, we're used to... 44:07.280 --> 44:09.280 I think we're kind of used to it now 44:09.280 --> 44:10.280 Oh, I'm fucking deaf 44:10.280 --> 44:11.280 I think we can handle more 44:11.280 --> 44:12.280 I'm deaf, no I'm deaf 44:12.280 --> 44:13.280 I'm totally deaf 44:13.280 --> 44:14.280 Yeah, oh yeah 44:14.280 --> 44:16.280 And my left ear is much, much better than my right ear 44:16.280 --> 44:18.280 And I went to Black Sabbath 44:18.280 --> 44:20.280 It was still Ozzy singing 44:20.280 --> 44:21.280 Yeah 44:21.280 --> 44:22.280 And... 44:22.280 --> 44:23.280 What was this? 44:23.280 --> 44:24.280 In Rotterdam, maybe? 44:24.280 --> 44:25.280 Yeah, I was in Rotterdam 44:25.280 --> 44:26.280 Yeah 44:26.280 --> 44:28.280 And I remember that it was so loud 44:28.280 --> 44:31.280 That it really made me nauseous 44:31.280 --> 44:32.280 Yeah 44:32.280 --> 44:33.280 Really made me nauseous 44:33.280 --> 44:35.280 And didn't you go to Pink Floyd as well? 44:35.280 --> 44:36.280 Did you see the... 44:36.280 --> 44:37.280 I saw Pink Floyd 44:37.280 --> 44:39.280 I've never been to Floyd 44:39.280 --> 44:40.280 You fell asleep, of course 44:40.280 --> 44:42.280 Of course you fell asleep 44:42.280 --> 44:43.280 The pig came over 44:43.280 --> 44:45.280 You know, the pig, you know 44:45.280 --> 44:46.280 Comes over 44:46.280 --> 44:48.280 And I remember seeing that 44:48.280 --> 44:50.280 And after that 44:50.280 --> 44:52.280 I fell asleep 44:54.280 --> 44:55.280 And was this in the... 44:55.280 --> 44:57.280 In the cab probably? 44:57.280 --> 44:58.280 In the football stadium? 44:58.280 --> 45:00.280 It was maybe the doula 45:00.280 --> 45:01.280 Can be 45:01.280 --> 45:02.280 Really? 45:02.280 --> 45:03.280 Were they had the pig fly indoors? 45:03.280 --> 45:04.280 I thought the pig could only fly outdoors 45:04.280 --> 45:05.280 No, no, no 45:05.280 --> 45:06.280 It was indoors 45:06.280 --> 45:07.280 And I've seen Alice Cooper 45:07.280 --> 45:08.280 I was very... 45:08.280 --> 45:09.280 Oh, come on 45:09.280 --> 45:10.280 We hung out with Alice Cooper in Los Angeles 45:10.280 --> 45:12.280 Oh, he's such a sweet guy, isn't he? 45:12.280 --> 45:13.280 Yeah, I remember 45:13.280 --> 45:14.280 Jack Ponty's place 45:14.280 --> 45:15.280 He was there too 45:15.280 --> 45:16.280 Sweetheart 45:16.280 --> 45:17.280 And I was still young 45:17.280 --> 45:18.280 She really is 45:18.280 --> 45:19.280 It was before I had my group heart 45:19.280 --> 45:21.280 I had a rock band 45:21.280 --> 45:22.280 And we all went 45:22.280 --> 45:24.280 The whole group went to 45:24.280 --> 45:25.280 Before we started 45:25.280 --> 45:26.280 We had to see Alice Cooper 45:26.280 --> 45:27.280 Because that was the... 45:27.280 --> 45:29.280 You know, that was the ultimate 45:29.280 --> 45:30.280 That was the dude, yeah 45:30.280 --> 45:33.280 Yeah, that was a good example of 45:33.280 --> 45:35.280 You know, in these days 45:35.280 --> 45:36.280 How it should look 45:36.280 --> 45:37.280 And he had a show 45:37.280 --> 45:38.280 There was the first time 45:38.280 --> 45:40.280 He had really a show 45:40.280 --> 45:41.280 Right 45:41.280 --> 45:43.280 And it was great 45:43.280 --> 45:44.280 The guy was great 45:44.280 --> 45:45.280 It was a great show 45:45.280 --> 45:46.280 Yeah, he still is great 45:46.280 --> 45:48.280 We were sitting with our mouths open 45:48.280 --> 45:49.280 Really? 45:49.280 --> 45:51.280 Yeah, it was fun 45:51.280 --> 45:53.280 You know, all that wind-up we did earlier 45:53.280 --> 45:55.280 I forgot to play the Bad Girls Mix 45:55.280 --> 45:56.280 Aw 45:56.280 --> 45:57.280 Yeah, we were gonna play... 45:57.280 --> 45:58.280 Let's play that 45:58.280 --> 45:59.280 Well, maybe... 45:59.280 --> 46:00.280 I only had the 12 inch 46:00.280 --> 46:01.280 Maybe the part of it 46:01.280 --> 46:04.280 And then maybe the next time 46:04.280 --> 46:06.280 We have to explain that this is 46:06.280 --> 46:08.280 Produced by... 46:08.280 --> 46:09.280 Alfred Loughard 46:09.280 --> 46:11.280 Alfred Loughard, our friend 46:11.280 --> 46:12.280 Yeah 46:12.280 --> 46:15.280 How do we explain who Alfred is? 46:15.280 --> 46:16.280 We can... 46:16.280 --> 46:19.280 Can we compare it to somebody... 46:19.280 --> 46:20.280 That's what I'm thinking 46:20.280 --> 46:22.280 What we're thinking about 46:22.280 --> 46:24.280 When we're talking about somebody from America 46:24.280 --> 46:26.280 It's a little sort of Alfred Loughard 46:26.280 --> 46:27.280 Well, there's an English DJ 46:27.280 --> 46:28.280 Who just died recently 46:28.280 --> 46:29.280 Yeah 46:29.280 --> 46:30.280 It was kind of like the English 46:30.280 --> 46:31.280 Alfred Loughard 46:31.280 --> 46:32.280 Yeah 46:32.280 --> 46:34.280 He was a disc jockey 46:34.280 --> 46:36.280 Um... 46:36.280 --> 46:37.280 Sort of 46:37.280 --> 46:38.280 Sort of... 46:38.280 --> 46:39.280 It was a disc jockey 46:39.280 --> 46:40.280 Also a musician 46:40.280 --> 46:42.280 Right, well, but he started... 46:42.280 --> 46:43.280 No, he was on the radio 46:43.280 --> 46:44.280 He started on the radio 46:44.280 --> 46:45.280 And he was... 46:45.280 --> 46:47.280 He played the loudest music 46:47.280 --> 46:48.280 Known to man 46:48.280 --> 46:49.280 Yeah 46:49.280 --> 46:51.280 And he was famous for 46:51.280 --> 46:53.280 He studied sounds 46:53.280 --> 46:54.280 Oh, yeah, no 46:54.280 --> 46:55.280 So he was totally into sound 46:55.280 --> 46:56.280 And he built studios 46:56.280 --> 46:57.280 And he did productions 46:57.280 --> 46:58.280 He went to America 46:58.280 --> 47:00.280 He worked with Toto 47:00.280 --> 47:01.280 Yeah 47:01.280 --> 47:02.280 A lot 47:02.280 --> 47:03.280 Went to England 47:03.280 --> 47:04.280 Yeah, and... 47:04.280 --> 47:06.280 Whenever bands came through 47:06.280 --> 47:07.280 Particularly in the 80s 47:07.280 --> 47:08.280 Whenever bands came through 47:08.280 --> 47:09.280 He slept in studios 47:09.280 --> 47:11.280 Oh, yeah, I mean, he lived it 47:11.280 --> 47:12.280 He totally lived the life 47:12.280 --> 47:14.280 He had a Camaro 47:14.280 --> 47:16.280 With big... 47:17.280 --> 47:18.280 Strobe lights 47:18.280 --> 47:19.280 Airplane strobe lights 47:19.280 --> 47:20.280 Underneath the bumper 47:20.280 --> 47:21.280 Such a nice guy 47:21.280 --> 47:22.280 Had a big bottle of vodka 47:22.280 --> 47:23.280 Yeah 47:23.280 --> 47:25.280 Always doing coke 47:25.280 --> 47:26.280 And smoking dope 47:26.280 --> 47:27.280 And drinking vodka 47:27.280 --> 47:28.280 He came over 47:28.280 --> 47:29.280 But he was always... 47:29.280 --> 47:30.280 He was never... 47:30.280 --> 47:31.280 He was always fine 47:31.280 --> 47:32.280 He was a drunk, of course 47:32.280 --> 47:33.280 He was an alcoholic 47:33.280 --> 47:34.280 No shit 47:34.280 --> 47:35.280 We have to say that 47:35.280 --> 47:36.280 And drugs, everything 47:36.280 --> 47:37.280 Anything 47:37.280 --> 47:38.280 You can put it in your nose 47:38.280 --> 47:39.280 In your ears 47:39.280 --> 47:40.280 Anything 47:40.280 --> 47:41.280 Yeah 47:41.280 --> 47:42.280 That's right 47:42.280 --> 47:43.280 One time he came over to America 47:43.280 --> 47:45.280 Where we lived in New Jersey 47:45.280 --> 47:46.280 We should play the biggest kids 47:46.280 --> 47:48.280 That he produced, remember? 47:48.280 --> 47:49.280 I shall have to find that 47:49.280 --> 47:50.280 He stayed in our house 47:50.280 --> 47:52.280 And we had so much fun with him 47:52.280 --> 47:53.280 Because we always had 47:53.280 --> 47:55.280 You know, stories and everything 47:55.280 --> 47:56.280 And we had a little bar 47:56.280 --> 47:57.280 Remember on wheels 47:57.280 --> 47:59.280 We had a bar in the living room 47:59.280 --> 48:01.280 And it was full of bottles 48:01.280 --> 48:02.280 That we actually never drank 48:02.280 --> 48:04.280 But it was for the guests 48:04.280 --> 48:06.280 Yeah, while the guests had drank it 48:06.280 --> 48:07.280 And we had... 48:07.280 --> 48:08.280 Christina was little 48:08.280 --> 48:09.280 And we said 48:09.280 --> 48:10.280 Well, we have to go to bed 48:10.280 --> 48:11.280 Because, you know 48:11.280 --> 48:12.280 Christina is going to be up early 48:12.280 --> 48:14.280 So whatever you want to do 48:14.280 --> 48:15.280 You can watch TV 48:15.280 --> 48:17.280 And we'll see you in the morning 48:17.280 --> 48:19.280 And in the morning 48:19.280 --> 48:21.280 And we never saw him going to bed 48:21.280 --> 48:22.280 Actually 48:22.280 --> 48:23.280 Maybe he didn't even 48:23.280 --> 48:24.280 Yeah, I know 48:24.280 --> 48:25.280 In the morning he was already in the kitchen 48:25.280 --> 48:26.280 Making coffee 48:26.280 --> 48:27.280 And everything smelled nice 48:27.280 --> 48:28.280 But when I looked at the bar 48:28.280 --> 48:29.280 It was empty 48:29.280 --> 48:30.280 Totally empty 48:30.280 --> 48:31.280 Everything 48:31.280 --> 48:33.280 I think it had about ten bottles 48:33.280 --> 48:34.280 Yeah 48:34.280 --> 48:35.280 Maybe half full 48:35.280 --> 48:37.280 And everything was gone 48:37.280 --> 48:38.280 Yeah 48:38.280 --> 48:39.280 And you didn't even notice 48:39.280 --> 48:40.280 No 48:40.280 --> 48:42.280 And then he died three months later 48:42.280 --> 48:43.280 That's right 48:43.280 --> 48:44.280 It was the last time we saw him 48:44.280 --> 48:46.280 And I can't remember what it was 48:46.280 --> 48:48.280 But we weren't able to go to the funeral 48:48.280 --> 48:49.280 Which was a real bummer 48:49.280 --> 48:50.280 Yeah, because we were in America 48:50.280 --> 48:51.280 And there was something going on 48:51.280 --> 48:52.280 Something was going on 48:52.280 --> 48:53.280 That we really couldn't go 48:53.280 --> 48:54.280 But it really sucked 48:54.280 --> 48:55.280 It was wonderful 48:55.280 --> 48:56.280 And Christina was also very young 48:56.280 --> 48:57.280 I remember that 48:57.280 --> 48:58.280 Yeah, we couldn't leave 48:58.280 --> 48:59.280 But... 48:59.280 --> 49:01.280 So anyway, he taught me a lot 49:01.280 --> 49:03.280 About just radio and sound 49:03.280 --> 49:04.280 And all kinds of stuff 49:04.280 --> 49:06.280 He was a sound crazy guy 49:06.280 --> 49:08.280 Yeah, I think every discjocking haul 49:08.280 --> 49:10.280 Has also been influenced by the sound 49:10.280 --> 49:11.280 That he would make 49:11.280 --> 49:12.280 So that was Alfred 49:12.280 --> 49:15.280 And Alfred produced with... 49:15.280 --> 49:18.280 I think it was with Flutsman Fontaine 49:18.280 --> 49:19.280 All kinds of people 49:19.280 --> 49:21.280 He worked everywhere 49:21.280 --> 49:23.280 And he never got paid 49:23.280 --> 49:26.280 This song, The Bad Girls 49:26.280 --> 49:27.280 Or Madly 49:27.280 --> 49:28.280 It's a Bad Girls Madly 49:28.280 --> 49:30.280 And he did the sound for me 49:30.280 --> 49:33.280 And this was actually the first time 49:33.280 --> 49:35.280 That I heard my voice 49:35.280 --> 49:37.280 The way I wanted to hear it 49:37.280 --> 49:38.280 Really? 49:38.280 --> 49:39.280 Yeah 49:39.280 --> 49:40.280 Okay 49:40.280 --> 49:41.280 So I'm very proud of it 49:41.280 --> 49:42.280 But... 49:42.280 --> 49:43.280 And it was a nice madly 49:43.280 --> 49:45.280 And it was a big flop 49:45.280 --> 49:46.280 Of course 49:46.280 --> 49:47.280 You know, if you like 49:47.280 --> 49:48.280 As a singer 49:48.280 --> 49:50.280 If you like 49:50.280 --> 49:52.280 Finally a record that you make 49:52.280 --> 49:53.280 And you think 49:53.280 --> 49:54.280 Wow, this is cool 49:54.280 --> 49:55.280 Yeah, this is it 49:55.280 --> 49:56.280 I'm so proud of it 49:56.280 --> 49:57.280 This is cranking, right? 49:57.280 --> 49:58.280 It's nothing 49:58.280 --> 49:59.280 It's never gonna go anywhere 49:59.280 --> 50:00.280 It's never gonna go anywhere 50:00.280 --> 50:01.280 Okay 50:01.280 --> 50:02.280 This is a 12 inch 50:02.280 --> 50:03.280 It will sit through the whole thing 50:03.280 --> 50:04.280 Yeah 50:06.250 --> 57:36.250 [ Music ] 57:39.280 --> 57:40.280 Dude. 57:41.280 --> 57:42.280 It was long. 57:42.280 --> 57:45.280 Yeah, but it wasn't boring. It was like really, it was good to hear. 57:45.280 --> 57:46.280 Surprising, yeah? 57:46.280 --> 57:50.280 Yeah, I really dug it. You know what? I got an idea. I got a fucking brainstorm. 57:50.280 --> 57:53.280 This is like a mash-up. This stuff is current today. 57:53.280 --> 57:55.280 Yeah, it's a great sound. 57:55.280 --> 58:00.280 Yeah, why don't we get three or four really good-looking, hot-looking chicks 58:00.280 --> 58:04.280 and they'll just lip-sync it like Girls Aloud and just kick them out there. 58:04.280 --> 58:07.280 Yeah, absolutely. You can see them walking on it. 58:07.280 --> 58:10.280 Yeah, you can see them doing this entire song. That's what all that stuff is. 58:10.280 --> 58:13.280 It's the same stuff. This is what, 20 years old? 58:13.280 --> 58:17.280 This is 20 years old, huh? Amazing. You were way ahead of your time. 58:17.280 --> 58:19.280 I'm your biggest fan. 58:19.280 --> 58:22.280 And you got quite a rack on you. 58:22.280 --> 58:27.280 But these are the best musicians that we could get. 58:27.280 --> 58:30.280 Yeah, but you can tell. I mean, this is not like some synthesizer crap. 58:30.280 --> 58:33.280 No, no, no. This is real, the real deal. 58:33.280 --> 58:38.280 And you know what? When I did this song, I was so much in love. 58:38.280 --> 58:39.280 Oh, yeah? 58:39.280 --> 58:41.280 With who? With who? 58:41.280 --> 58:43.280 With the Bongo player. 58:43.280 --> 58:44.280 With you. 58:44.280 --> 58:46.280 Yes, with Bongo player. 58:46.280 --> 58:48.280 I remember that. And you know when you're in love? 58:48.280 --> 58:49.280 Yeah. 58:49.280 --> 58:52.280 You can hear it. There's so much energy in there. 58:52.280 --> 58:53.280 Yes. 58:53.280 --> 58:54.280 And horniness. 58:54.280 --> 58:56.280 Oh, yeah. 58:56.280 --> 58:58.280 Oh, yeah. I remember. 58:58.280 --> 59:00.280 When you robbed me from the cradle. 59:00.280 --> 59:03.280 Oh, stop it. Oh, yeah. How old were you? 59:03.280 --> 59:07.280 How old was I? 21? 20? 21? 59:07.280 --> 59:08.280 Yeah. 59:08.280 --> 59:10.280 And you were 36? 59:10.280 --> 59:12.280 37. 59:12.280 --> 59:13.280 37. 59:13.280 --> 59:14.280 That's right. 59:14.280 --> 59:16.280 Don't nick that year. 59:16.280 --> 59:18.280 It's old enough, thank you. 59:18.280 --> 59:19.280 Don't nick that year. 59:19.280 --> 59:24.280 So we didn't get to, and I think we should end because now it's almost an hour. 59:24.280 --> 59:26.280 That's more than enough. 59:26.280 --> 59:28.280 And there's so much more. 59:28.280 --> 59:35.280 But Karin from Karin's theme song podcast, she sent this whole thing. 59:35.280 --> 59:36.280 That was fun. 59:36.280 --> 59:37.280 So much fun to hear. 59:37.280 --> 59:39.280 So we got to play some of that. 59:39.280 --> 59:41.280 And nice to hear that people enjoy it. 59:41.280 --> 59:43.280 So just play that one thing she said. 59:43.280 --> 59:44.280 Yeah. 59:44.280 --> 59:45.280 That was kind of nice. 59:45.280 --> 59:46.280 Hold on. 59:46.280 --> 59:47.280 Yeah. 59:47.280 --> 59:48.280 Let me see. 59:48.280 --> 59:49.280 Whoops. 59:49.280 --> 59:50.280 Where was it? 59:50.280 --> 59:51.280 There we go. 59:51.280 --> 59:52.280 Patricia Pyre's songs. 59:52.280 --> 59:53.280 Yeah. 59:53.280 --> 59:54.280 It's really cool. 59:54.280 --> 59:55.280 Hold on. 59:55.280 --> 59:56.280 Check this out. 59:56.280 --> 59:58.280 She has a cold. 59:58.280 --> 59:59.280 You can tell. 59:59.280 --> 01:00:02.280 And hello to Adam and Patricia. 01:00:02.280 --> 01:00:06.280 I really enjoyed the podcast you made last weekend. 01:00:06.280 --> 01:00:11.280 It was a great hearing you again, Patricia. 01:00:11.280 --> 01:00:16.280 And I decided to dive into my old cassette tape. 01:00:16.280 --> 01:00:18.280 She's an English teacher. 01:00:18.280 --> 01:00:19.280 I know. 01:00:19.280 --> 01:00:20.280 She teaches English. 01:00:20.280 --> 01:00:25.280 Oh, I hope she will probably think she sucks at English. 01:00:25.280 --> 01:00:26.280 No. 01:00:26.280 --> 01:00:27.280 Your English is great. 01:00:27.280 --> 01:00:28.280 No. 01:00:28.280 --> 01:00:30.280 What are you talking about? 01:00:30.280 --> 01:00:34.280 I mean, you have no idea what improvement it's undergone since November. 01:00:34.280 --> 01:00:37.280 Well, I don't have to think anymore that much. 01:00:37.280 --> 01:00:40.280 I remember that I'm always translating in my head. 01:00:40.280 --> 01:00:41.280 Yeah, sure. 01:00:41.280 --> 01:00:42.280 Because of course. 01:00:42.280 --> 01:00:43.280 It takes a while. 01:00:43.280 --> 01:00:44.280 Yeah. 01:00:44.280 --> 01:00:46.280 Because you express yourself so much better in your own language. 01:00:46.280 --> 01:00:50.280 But English is a lot more fun to express yourself in, isn't it? 01:00:50.280 --> 01:00:51.280 True. 01:00:51.280 --> 01:00:52.280 It sounds better. 01:00:52.280 --> 01:00:53.280 Yeah. 01:00:53.280 --> 01:00:54.280 And it's easier. 01:00:54.280 --> 01:00:55.280 You don't need so many words. 01:00:55.280 --> 01:00:56.280 Yeah. 01:00:56.280 --> 01:00:57.280 Yeah. 01:00:57.280 --> 01:00:58.280 That's true. 01:00:58.280 --> 01:00:59.280 Okay. 01:00:59.280 --> 01:01:01.280 It's this morning. 01:01:01.280 --> 01:01:04.280 And I found some of your old songs. 01:01:04.280 --> 01:01:08.280 Well, the quality is pretty poor, of course. 01:01:08.280 --> 01:01:10.280 It's from our old cassette tapes. 01:01:10.280 --> 01:01:14.280 The songs from the radio in the late 70s, early 80s. 01:01:14.280 --> 01:01:15.280 Yeah. 01:01:15.280 --> 01:01:16.280 But she was a little girl. 01:01:16.280 --> 01:01:17.280 It's been so much fun to hear them again. 01:01:17.280 --> 01:01:18.280 Is that cool? 01:01:18.280 --> 01:01:19.280 Yeah. 01:01:19.280 --> 01:01:21.280 I made an mp3 out of it. 01:01:21.280 --> 01:01:24.280 And it was about 30 megabytes. 01:01:24.280 --> 01:01:26.280 So too much to email. 01:01:26.280 --> 01:01:27.280 I'm glad to know that. 01:01:27.280 --> 01:01:32.280 That's why I decided to make an extra podcast out of it. 01:01:32.280 --> 01:01:33.280 She put this out as a podcast. 01:01:33.280 --> 01:01:36.280 Well, I'm not sure if it's of any help to you. 01:01:36.280 --> 01:01:40.280 I bet you're getting recordings and songs fall over the place. 01:01:40.280 --> 01:01:41.280 No. 01:01:41.280 --> 01:01:42.280 We need more. 01:01:42.280 --> 01:01:43.280 We need much more. 01:01:43.280 --> 01:01:46.280 Maybe I sent you something that you hadn't heard in a long time as well. 01:01:46.280 --> 01:01:47.280 Yes, please do. 01:01:47.280 --> 01:01:52.280 And let me finish this up with telling you about the songs that will follow. 01:01:52.280 --> 01:01:53.280 Listen if there's anything on it that you like. 01:01:53.280 --> 01:01:55.280 These are Living Without You. 01:01:55.280 --> 01:01:56.280 You played that one. 01:01:56.280 --> 01:01:57.280 You're my best friend. 01:01:57.280 --> 01:01:59.280 A duet with your sister Yvonne. 01:01:59.280 --> 01:02:01.280 I found Saturday night. 01:02:01.280 --> 01:02:04.280 Tomorrow from the musical Annie Queen of the Night. 01:02:04.280 --> 01:02:07.280 I had no idea actually that you covered that. 01:02:07.280 --> 01:02:08.280 No. 01:02:08.280 --> 01:02:09.280 I forgot. 01:02:09.280 --> 01:02:10.280 Queen of the Night. 01:02:10.280 --> 01:02:11.280 Yes. 01:02:11.280 --> 01:02:14.280 I am a queen of the night. 01:02:14.280 --> 01:02:15.280 Should we find that? 01:02:15.280 --> 01:02:16.280 Amsterdam Airport. 01:02:16.280 --> 01:02:17.280 We love it. 01:02:17.280 --> 01:02:18.280 We love it. 01:02:18.280 --> 01:02:19.280 We love it. 01:02:19.280 --> 01:02:20.280 We love it. 01:02:20.280 --> 01:02:21.280 We love it. 01:02:21.280 --> 01:02:22.280 We love it. 01:02:22.280 --> 01:02:23.280 We love it. 01:02:23.280 --> 01:02:24.280 We love it. 01:02:25.280 --> 01:02:26.280 No. 01:02:30.280 --> 01:02:31.280 No? 01:02:37.280 --> 01:02:38.280 No. 01:02:38.280 --> 01:02:39.280 No? 01:02:39.280 --> 01:02:40.280 What's this? 01:02:40.280 --> 01:02:41.280 Gang bang? 01:02:42.280 --> 01:02:43.280 I want to be your gang bang. 01:02:45.280 --> 01:02:46.280 I have no idea. 01:02:48.280 --> 01:02:49.280 Listen. 01:02:49.280 --> 01:02:51.280 I have no idea 01:03:00.480 --> 01:03:02.680 See, I want to be your gang playmate 01:03:07.680 --> 01:03:09.680 You hear that cassette tape pumping away 01:03:20.240 --> 01:03:26.760 Yeah, okay. All right, so we'll play some of that next time. Are you tired of it now? 01:03:26.760 --> 01:03:28.760 I'm so tired of myself now 01:03:30.800 --> 01:03:32.800 And I told you I'm not a fan, but I 01:03:33.680 --> 01:03:35.520 Just one thing 01:03:35.520 --> 01:03:38.560 The bad girls medley. I have to say that 01:03:39.800 --> 01:03:47.800 You hear also my sister did a very big part. She's very good. Oh, yeah, Yvonne and I have a sort of 01:03:49.880 --> 01:03:56.320 Sort of eba thing going on when my sister and I sing together. It's just so close and so good and 01:03:57.040 --> 01:04:02.000 So I always love to sing with her. She's she just oh, she's a big big part 01:04:02.000 --> 01:04:06.320 It was a lot of a lot lower part. Yeah, you know, so that's you heard her 01:04:06.320 --> 01:04:07.680 Oh bad 01:04:07.680 --> 01:04:09.680 There's a girl mad. That's our cue, honey 01:04:10.280 --> 01:04:12.280 the piano 01:04:13.120 --> 01:04:18.360 All the time we have that's right. Okay. Well, thank you neighbor. Thank you for dropping by I 01:04:18.760 --> 01:04:20.760 Empty my drink 01:04:21.320 --> 01:04:23.320 Maybe 01:04:23.320 --> 01:04:26.400 We're gonna stairs. Have a night. We'll light a fly flyer 01:04:29.160 --> 01:04:31.160 We smoke another spliff 01:04:31.920 --> 01:04:33.920 Baby, let me just like your flyer 01:04:34.440 --> 01:04:36.600 Come on, baby. Not my flyer 01:04:37.920 --> 01:04:39.920 And we'll cuddle up 01:04:41.720 --> 01:04:43.720 People are gonna get so 01:04:43.800 --> 01:04:45.800 Nauseous. Yeah 01:04:46.360 --> 01:04:51.520 Okay, thank you. This was great. Well, thank you for having me Adam. Well, thank you for being here Patricia and 01:04:52.240 --> 01:04:54.240 If you have any songs 01:04:54.240 --> 01:05:00.040 So we can play them on the show or any ideas because there are songs that I don't even know and yeah 01:05:00.480 --> 01:05:06.000 That's right. That's nice. I was surprised. Yes, and then Adam at curry.com. Okay. Okay. I love you 01:05:15.800 --> 01:05:17.800 You 01:05:17.800 --> 01:06:36.250 [ Music ]