WEBVTT 00:00.000 --> 00:17.000 Well, here we are. 00:17.000 --> 00:22.000 Just finishing up my touch interview. 00:22.000 --> 00:26.000 Excuse me. 00:26.000 --> 00:30.000 The one on a sec. 00:30.000 --> 00:36.000 At the infamous Groucho club in the UK, London. 00:36.000 --> 00:40.000 On a moment, let me just get my, who's the paper here. 00:40.000 --> 00:43.000 It's a beautiful, beautiful day in London. 00:43.000 --> 00:47.000 I mean, you could not believe how nice the weather is. 00:47.000 --> 00:51.000 I mean, I brought my leather jacket with me, which is really too warm, actually, 00:52.000 --> 00:55.000 but just leave it, leave it dangling open. 00:55.000 --> 01:02.000 I'm on Dean Street, and I need to go to my next appointment for today, 01:02.000 --> 01:07.000 which is the TV Center, BBC TV Center, Wood Lane, 01:07.000 --> 01:10.000 and that's W12. 01:10.000 --> 01:19.000 I'm not quite sure where that is, but what I'll do is I'll grab a cab. 01:19.000 --> 01:26.000 So I'm going to see what the best place is. 01:26.000 --> 01:28.000 Okay. 01:28.000 --> 01:32.000 I'm crossing Old Compton Street now. 01:32.000 --> 01:34.000 Hope that we're good on the sound. 01:34.000 --> 01:36.000 It should be okay. 01:36.000 --> 01:42.000 I cranked up the mic output a little bit. 01:42.000 --> 01:48.000 And just walking down everyone's in a good mood today. 01:48.000 --> 01:51.000 Lots of people on their cell phones as well. 01:51.000 --> 01:53.000 Maybe they're all the week sound scene tours. 01:53.000 --> 01:55.000 By the way, today is Friday. 01:55.000 --> 01:56.000 It's the 18th. 01:56.000 --> 01:58.000 Is it the 18th already? 01:58.000 --> 01:59.000 Yeah. 01:59.000 --> 02:03.000 Friday the 18th of March, 2005. 02:03.000 --> 02:08.000 This is your daily source code for the weekend. 02:08.000 --> 02:14.000 You see, I'm going to go over to 2005. 02:15.000 --> 02:17.000 Now, I'm sorry. 02:17.000 --> 02:22.000 I thought someone was correcting me on the date, but he was just confused in the digital. 02:22.000 --> 02:24.000 Let's see, Shafsbury Avenue. 02:24.000 --> 02:27.000 Let me see if I can grab a cab here. 02:27.000 --> 02:30.000 Is that the interesting? 02:30.000 --> 02:38.000 I think they should cross the street and get on the near corner. 02:38.000 --> 02:40.000 Holy moly. 02:40.000 --> 02:43.000 A little bit confused in Guilford. 02:43.000 --> 02:45.000 We don't have as much traffic. 02:45.000 --> 02:52.000 And I haven't really gotten used to the look right, look left thing. 02:52.000 --> 02:55.000 Oh, and there's a cab. 02:55.000 --> 02:56.000 Let's see. 02:56.000 --> 02:57.000 Wow. 02:57.000 --> 02:59.000 It's a great source here. 02:59.000 --> 03:02.000 That's... 03:02.000 --> 03:06.000 I forgot how hard it was to find a cab in London. 03:10.000 --> 03:11.000 Let's take a look. 03:11.000 --> 03:13.000 Is that a cab coming up? 03:13.000 --> 03:14.000 Nope. 03:14.000 --> 03:18.000 See, dropping someone off or is he picking someone up? 03:18.000 --> 03:21.000 See, come on over here, buddy. 03:21.000 --> 03:22.000 Shoot. 03:22.000 --> 03:23.000 Okay. 03:23.000 --> 03:28.000 I think I'll just stand on the corner here for a second. 03:28.000 --> 03:33.000 You see, if I can pick up a cab, 03:33.000 --> 03:36.000 there's three cabs coming my way. 03:37.000 --> 03:38.000 See. 03:38.000 --> 03:39.000 Nope. 03:39.000 --> 03:40.000 All full. 03:40.000 --> 03:44.000 The time is three o'clock, have half an hour, 03:44.000 --> 03:47.000 to get to my destination. 03:47.000 --> 03:50.000 It might even be within walking distance for all I know, 03:50.000 --> 03:52.000 but I really can't be bothered. 03:52.000 --> 03:55.000 You know, just stand on the corner here. 03:55.000 --> 03:58.000 See if I can grab one coming from the cross street. 03:58.000 --> 03:59.000 Nope. 03:59.000 --> 04:00.000 Good. 04:00.000 --> 04:02.000 It's just difficult. 04:06.000 --> 04:14.000 And everybody's full to the max. 04:14.000 --> 04:20.000 So anyway, I just did this interview with the Dutch news program, 04:20.000 --> 04:23.000 today from Dough, which means basically two today. 04:23.000 --> 04:24.000 Channel two today. 04:24.000 --> 04:27.000 I think I explained that earlier. 04:27.000 --> 04:30.000 It was a long interview, but it was really nice 04:30.000 --> 04:34.000 because the interview or case, the reporter, 04:34.000 --> 04:37.000 who had come over to interview me, 04:37.000 --> 04:38.000 had really done his homework. 04:38.000 --> 04:41.000 And he had a lot of really good questions. 04:41.000 --> 04:43.000 He'd really thought about it. 04:43.000 --> 04:46.000 He didn't ask me as many questions about Holland 04:46.000 --> 04:50.000 and the Dutch podcast scene as I thought the key would 04:50.000 --> 04:54.000 or that he could have done. 04:54.000 --> 04:59.000 I think mainly because it was interested in all the bits of pieces, 04:59.000 --> 05:01.000 because he once put together his own podcast, 05:01.000 --> 05:04.000 but it seemed like the name. 05:04.000 --> 05:06.000 Okay, this is not a very lucky corner. 05:06.000 --> 05:09.000 I'm just going to cross over. 05:15.000 --> 05:16.000 Two. 05:21.000 --> 05:23.000 Cross the street. 05:23.000 --> 05:24.000 We're crossing. 05:24.000 --> 05:25.000 What is it? 05:25.000 --> 05:26.000 War, door streets. 05:26.000 --> 05:27.000 War, door streets. 05:27.000 --> 05:28.000 Nope. 05:29.000 --> 05:30.000 It's not all a man. 05:30.000 --> 05:32.000 Every single cab is full. 05:32.000 --> 05:33.000 It gives two cabs to come up. 05:33.000 --> 05:35.000 Looks like one of the maybe empty. 05:37.000 --> 05:39.000 Yeah, that gives the one. 05:39.000 --> 05:40.000 This is my man. 05:43.000 --> 05:45.000 Hello, TV Center. 05:47.000 --> 05:50.000 It's wood lane. 05:50.000 --> 05:51.000 Yeah. 05:51.000 --> 06:04.000 It's a beautiful weather today. 06:04.000 --> 06:05.000 It's a lot better. 06:05.000 --> 06:06.000 Yeah, it's great. 06:06.000 --> 06:09.000 Is it going to stay this way or? 06:09.000 --> 06:10.000 No. 06:10.000 --> 06:12.000 Can you stay slowly? 06:12.000 --> 06:13.000 Can't wait. 06:13.000 --> 06:14.000 Oh yeah. 06:14.000 --> 06:15.000 I know. 06:15.000 --> 06:17.000 But you have the knowledge. 06:17.000 --> 06:19.000 You have the knowledge. 06:20.000 --> 06:22.000 Well, it doesn't acknowledge encompass everything. 06:28.000 --> 06:30.000 Yeah, it's beautiful. 06:49.000 --> 06:51.000 Yeah. 06:57.000 --> 06:59.000 Now I have to follow you on. 06:59.000 --> 07:01.000 Yeah. 07:01.000 --> 07:06.000 Let me see if I have any more information on the TV Center wood lane. 07:06.000 --> 07:11.000 Yeah, I'm going to the studio. 07:11.000 --> 07:12.000 Yeah. 07:19.000 --> 07:21.000 Yeah. 07:49.000 --> 07:51.000 Yeah. 08:17.000 --> 08:18.000 Yeah, fantastic. 08:18.000 --> 08:20.000 I appreciate it. 08:20.000 --> 08:21.000 Wow. 08:21.000 --> 08:24.000 You have the radius that is very tight. 08:24.000 --> 08:26.000 I'm already. 08:32.000 --> 08:34.000 How much is that? 08:36.000 --> 08:38.000 No, it's okay. 08:40.000 --> 08:42.000 Can you find that? 08:46.000 --> 08:47.000 Thank you. 08:47.000 --> 08:48.000 Yeah. 08:51.000 --> 08:52.000 Okay, here we are. 08:52.000 --> 08:54.000 Did you see television center? 08:54.000 --> 08:55.000 Interesting. 08:59.000 --> 09:00.000 Great. 09:00.000 --> 09:01.000 Thank you. 09:07.000 --> 09:08.000 It's your table. 09:17.000 --> 09:18.000 Thank you. 09:32.000 --> 09:33.000 Hello. 09:33.000 --> 09:35.000 Adam Curry for Richard Taylor. 09:37.000 --> 09:38.000 Taylor. 09:38.000 --> 09:39.000 Yeah. 09:39.000 --> 09:40.000 Yeah. 09:40.000 --> 09:41.000 Yeah. 09:48.000 --> 09:49.000 Yeah. 09:55.000 --> 09:56.000 Yes. 09:56.000 --> 09:57.000 Yeah. 09:57.000 --> 09:58.000 Thanks, though. 09:58.000 --> 10:00.000 Let's look online. 10:00.000 --> 10:02.000 That's the name of the program. 10:05.000 --> 10:07.000 I'm not very helpful, Emma. 10:12.000 --> 10:13.000 Yeah. 10:13.000 --> 10:14.000 Thanks, though. 10:18.000 --> 10:20.000 It is BBC World. 10:24.000 --> 10:26.000 I have a cell phone number. 10:28.000 --> 10:29.000 Adam Curry. 10:35.000 --> 10:36.000 I said send him away. 10:40.000 --> 10:41.000 Right. 10:48.000 --> 10:50.000 You know, actually, it's not bad. 10:50.000 --> 10:53.000 But thank you for the compliment. 10:53.000 --> 10:54.000 My wife just bought this for me. 10:54.000 --> 10:55.000 Yeah. 10:55.000 --> 10:57.000 And I was planning on being shit weather today. 11:00.000 --> 11:02.000 So now it's just a style and fashion statement. 11:02.000 --> 11:03.000 That's all. 11:03.000 --> 11:04.000 Is it working? 11:06.000 --> 11:08.000 So I went one of those Beckham jackets. 11:10.000 --> 11:11.000 Sign my name. 11:15.000 --> 11:16.000 Okay. 11:17.000 --> 11:18.000 Yeah. 11:26.000 --> 11:27.000 No kidding. 11:27.000 --> 11:29.000 And it's gonna be beautiful this weekend, I've ordered it. 11:29.000 --> 11:31.000 I know, just, I'm just a, I'm so tired. 11:31.000 --> 11:32.000 I'm working overtime. 11:32.000 --> 11:34.000 Why are we, do you want me to make it rain, then, and that course? 11:34.000 --> 11:35.000 Will that be better for you? 11:35.000 --> 11:36.000 Yes. 11:36.000 --> 11:38.000 I'll talk to the man. 11:38.000 --> 11:40.000 Thank you very much. 11:47.000 --> 12:04.600 Okay, I've pulled out the trusty cell phone again to, so I won't be so obvious 12:04.600 --> 12:12.840 than I'm doing something to another, like talking to myself, and so I'm in the waiting room 12:12.840 --> 12:19.240 here. It's actually pretty modern. It looks very cool. The guard, by the way, is half asleep, 12:19.240 --> 12:24.920 standing there with his eyes closed. Whoop, they're just open, man, this guy's tired. So 12:24.920 --> 12:28.440 it seems like there's a lot of people waiting here, a lot of young people, sorry. It's probably 12:28.440 --> 12:34.520 like, maybe there's auditions going on today. It's funny to have a cappuccino of cart here in the 12:34.520 --> 12:44.520 lobby. It's not really up for right now. Honestly, I could use a bit of food, but I think about it. 12:44.520 --> 12:54.520 I haven't really eaten since breakfast. Let's see if Richard will show up to pick me up. 12:54.520 --> 12:59.160 Yeah, I think there's some kind of auditions going on here for sure. What kinds of young 12:59.240 --> 13:04.360 energetic people looking pretty bored, waiting, waiting around for God knows what. 13:06.920 --> 13:17.960 Yep, watching TV, buzzing you here is the locks on the doors from the lobby. 13:18.920 --> 13:22.200 Okay, I bet you this is Richard, he's coming down and it looks like a producer. I'm going to put 13:22.280 --> 13:24.200 the cell phone down. Let's see if this is it. 13:37.880 --> 13:42.360 Yes, Richard, how you doing? Nice to meet you. Likewise, I just got your voice 13:42.360 --> 13:50.680 emails that you sent me. Well, first of all, I try not to get my past here. 13:52.280 --> 14:00.280 Yes, in here. Whoa, okay, this is an experience. I try not to be tied down by the mobile too much 14:00.280 --> 14:06.440 to be honest, and I was actually at an interview for Dr. Television today, so I had it on silent. 14:08.840 --> 14:13.080 So I understand what you want. Yeah, you certainly have something to speak to about the past 14:13.080 --> 14:18.520 and we're having some visuals and what we can do. In fact, something else has come up. So anyway, 14:19.640 --> 14:26.680 we've got news interactive people seem to use our lives. Who is a no-doing podcast? I'm interested 14:26.680 --> 14:32.280 in doing some interview with you as well. Okay, so the way I thought I'd like it. And you're 14:32.280 --> 14:37.720 told on the price and everything? Oh, yeah, we'll figure that out. I have to take our cut. Okay, 14:37.720 --> 14:44.040 right, exactly. I said, they can nip in first, and she can ask all the questions and give 14:44.040 --> 14:48.280 me the only one who knows how to do the camera work. I'll kind of be listening and just make sure 14:48.280 --> 14:53.640 the frame is okay. Okay. And there's stuff that they don't cover, like the real basics, 14:53.640 --> 14:58.520 which for our viewers, you know, they don't know. They're nip in after they've gone and asked 14:58.520 --> 15:05.000 some, okay. Perfect. But are you up for me or one of us coming down and seeing you do the podcast 15:05.000 --> 15:11.000 well, here's, no, but let me tell you why, because for the drink, oh, I'd love a drink there. 15:11.000 --> 15:17.480 For the past, yeah, for the past nine months, yeah, I've done it at least ten times. My house 15:17.480 --> 15:24.440 has been trampled on ten times. Really tired of doing that. So they come with a kiss of 15:24.440 --> 15:31.160 smaller hours, like literally a small dv kit. It's not talking like three man, five man. No, 15:31.160 --> 15:35.640 I understand, but also, to be quite honest, let's say what I said, I was like, what do you like? 15:35.640 --> 15:43.800 Uh, a coffee, a cup of chino? Yeah, be great. I find it quite fake. Right. And the last time 15:43.800 --> 15:52.280 I did it with CNN, I was like, it's just, it's not, it's, it's so contra to what podcasting is about. 15:53.960 --> 15:58.360 And it looks so silly. If it's real, it looks so fucking silly because I sit there in front of a 15:58.360 --> 16:04.680 laptop talking. Right. It's like this. However, what I did do for you, I have to notify you. 16:04.680 --> 16:09.480 I'm doing a sound scene tour of the BBC. Okay. So if you want to talk about that, or if you 16:09.480 --> 16:14.600 want to do something with that, I'm happy to do a sound scene tour outside, which is a big part of 16:14.600 --> 16:20.280 podcasting. Okay. Well, that's a good interest to you. Okay. Uh, we might like this, um, 16:21.560 --> 16:26.440 see what we need is pictures. I understand. Well, I'm so pretty though. 16:26.760 --> 16:32.040 Well, probably this podcast doesn't bring that out enough. Well, here's what we could do. 16:32.040 --> 16:38.680 Here's a podcast and we video. Oh, we'll get that. What we could do is, in a beautiful thing about 16:38.680 --> 16:43.720 podcast, when you can do it anywhere, I brought my entire kit with me. Okay. So if you want to say, 16:43.720 --> 16:48.040 hey, we'll go and do a podcast or a piece of a podcast somewhere else, other than my house, 16:48.040 --> 16:51.480 and we can even do it today. Okay. That might be, that might be a fan. I'm glad you're 16:51.480 --> 16:56.040 going to need to help us with that because if I'm going to be, you know, yeah, we can maybe 16:56.040 --> 17:00.120 work because that is the beauty of it. Yeah. I got my laptop. I'm going to do anything. 17:00.120 --> 17:06.920 Uh, the chinos. Okay. So what we're doing is we'll do the interview with them upstairs. 17:06.920 --> 17:13.880 Mm-hmm. Dark room. It's fairly dark. It's quite creative. Dark room. 17:15.880 --> 17:18.280 It answered them. A dark room has a whole different meaning. Yeah. 17:18.280 --> 17:23.720 I'm like, have those here in London as well? Not the BBC. Oh, I'm worried. Yeah. 17:24.360 --> 17:31.960 BBC. It's on to. I like the BBC. Yeah. Now you must know. I'm thinking about this. You must 17:31.960 --> 17:39.160 know Ken recounts you. Yes. He's a WBVH. Well, no, Ken, he may have been. I mean, Ken, 17:40.200 --> 17:43.400 have you checked out Ken radio? Do you know about Ken radio? I've heard of it. I haven't 17:43.400 --> 17:47.000 listened to Ken radio. I've got in touch with me. I mean, I've been doing this job 17:47.720 --> 17:52.760 about four or five years now. And Ken got in touch with me about four years ago. And he said, 17:52.760 --> 17:57.160 oh, you've got to check out Ken radio. What he got was in a sense was, he's not hot casting, 17:57.160 --> 18:04.280 but basically he was, you know, getting his own radio station. Right. He was on the road. Right. 18:04.280 --> 18:07.720 Right. Right. Streaming. Right. Streaming. Yeah. To the next. I do a number of this. 18:09.720 --> 18:13.160 Thank you. I think he has a show every single day. And he's a podcast. 18:13.160 --> 18:17.880 Well, now. Right. I think it's, yeah. I haven't checked out. I mean, he has daily Ken's 18:17.880 --> 18:23.000 daily tech news, you know, feedy hands. Right. Yeah. I'm thinking, I haven't. I saw Ken 18:23.000 --> 18:28.600 of C. S. briefly. I thought I would have thought I just thought he must know of him. I don't know 18:28.600 --> 18:32.360 in person, but I have definitely heard of him. I think I've seen Ken's radio go through the 18:32.360 --> 18:37.800 directory somewhere. I saw something like that. Sure. And basically he was in a sense. 18:38.200 --> 18:44.360 I was thinking about podcast. I was thinking what you did was not necessarily anything hugely 18:44.360 --> 18:50.120 technologically revolutionary, but you just saw that. Yeah. That's exactly right. I'm not a programmer. 18:50.120 --> 18:56.120 I'm not a, I'm not a, I'm not a technical guy. It took me a year. I asked program, please, 18:56.120 --> 19:01.480 you make this program for me. I want, you know, to, to download shows that are in as 19:01.480 --> 19:04.920 enclosures in RSS file and put them on my iPod. That's all I want is. Yeah. Yeah. Yeah. It's not 19:05.160 --> 19:10.520 how difficult can it be. But asking a software developer to do something is like asking someone 19:10.520 --> 19:15.960 to do your homework. You know, so, and, and it's right, you know, as I went through that from month 19:15.960 --> 19:20.520 and did it myself. But yeah, people like Ken and, oh, man, there's a, what's the guys up in the 19:20.520 --> 19:24.520 Alaska, a whole week radio? We've been doing this stuff for years. This is where the kind of 19:24.520 --> 19:30.520 genus, at least on this level. I mean, so you're right. This stuff has been going on for years. 19:31.320 --> 19:37.000 How much is it? Yeah. Creating the final, the final part of the distribution mechanism was what I really 19:37.000 --> 19:43.400 did. Yeah. So, I stand on the shoulder of giants. That's basically it. 19:44.840 --> 19:51.000 What you did is it's very clever in the sense that you just saw that that really sugar here, over here. 19:51.720 --> 20:03.400 I told the people about the things they did. So, you picked it right on. I didn't invent. 20:03.400 --> 20:09.720 People are bloating in the trees. I mean, I suppose it's creating that community. Well, 20:09.720 --> 20:16.040 yeah, I would, I would place this for people to go and, you know, we're still kind of the, the, the 20:16.040 --> 20:27.160 Pied Piper, um, in respect to, you know, this is my, my show has been a podcast, you know, 20:28.360 --> 20:33.320 as one, you know, as long as this is as any of the podcasts has been out there. And so you kind of by default, 20:35.480 --> 20:41.160 you get a lot of people tuning into you. Yeah. Um, no, but you've, you've, you've picked it. I mean, 20:41.160 --> 20:46.760 this was, this was no, not brain surgery. Let's put it that way. I didn't need it. It's 20:46.760 --> 20:50.520 someone with a 10, I mean, I wouldn't have been doing a 10, I would just say four, five years. I wouldn't have 20:50.520 --> 20:56.360 a clue about programming. I mean, it sounds like you made a pretty decent crack. It's actually once, 20:56.360 --> 21:01.800 once you get into it and you get into the zone, yeah, it's like doing a big ass spreadsheet, you know, 21:01.800 --> 21:07.640 where you kind of know what, what's going to happen in cell F39, but you still got to kind of put 21:07.720 --> 21:12.360 the little bits in there. So once you're into it, it's just like a different language. You know, 21:12.360 --> 21:19.000 it's an, and I did this apple script, which is intended to be English, um, the kind of weird 21:19.000 --> 21:25.080 sort of type of English. But yeah, so, and you know, you Google, you say, okay, iTunes apple scripts. 21:25.080 --> 21:29.240 Yeah, I was like, oh, you got all bunch of scripts, you look at it, you stare at it, and you're bang 21:29.240 --> 21:34.840 against it. Yeah, and then stuff starts to, and you know, you put something on the mail list, 21:34.840 --> 21:39.400 or my weblog, hey, I'm stuck, and then people will gladly help you out. So, yep. 21:43.400 --> 21:52.840 I'm loving it already. Thank you. Beautiful carpet. Hello. Hi, Adam Curry. Hi, nice to meet you. 21:52.840 --> 21:57.880 And this is our dark room, which isn't very dark at my moment. I was excited about the 21:57.960 --> 22:05.880 dark room idea. It's a cold room as well. Mm. Right. Um, if you want to just throw my stuff on 22:05.880 --> 22:19.240 not one of them. Oh, totally digging the temperature. Very nice. No, it's cold. It's 22:19.240 --> 22:24.360 eaten. No, it's not really warm, but it's just, it's perfect. Oh, here, I want to be cold. 22:24.360 --> 22:31.800 Yeah, that's nice. Yeah, my office, we don't get to see much of the outside. I'm sorry. 22:31.800 --> 22:36.280 I'm sorry. I'm way in the other side of the room. I don't get to see much of the office, 22:36.280 --> 22:41.880 you know, I'm like, you're not nice though. That's a nice one. Exactly. 22:41.880 --> 22:47.640 From where the students dressing them. I'm sorry. I'm sorry. I'm just, are you a couple? 22:47.640 --> 22:50.040 Are you okay? That would, like, 22:50.520 --> 22:54.120 liberal here at the bases. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Well, making some. 22:54.120 --> 23:00.040 Yeah, let me just decouple. So you can, uh, okay. Thank you. 23:02.680 --> 23:05.080 Yes? What's the name of the show? 23:06.040 --> 23:06.920 The blunt cast. 23:08.760 --> 23:15.720 Be. L. U. G. G. Oh, that's you guys. I know, I fucked it up. Did. No, no, no. 23:15.720 --> 23:23.400 Yeah, he did the bow-coder thing whatever. Yeah, I'll bring this up on this one. Yeah, sure the blood cast sure 23:25.880 --> 23:27.880 That's cool 23:28.920 --> 23:30.920 Excellent 23:38.920 --> 23:42.920 It's outside of the BBC's with me. Yeah, yeah, yeah, right good power to you 23:43.880 --> 23:46.520 I'm just gonna put this up because you got my mic too, right? 23:48.840 --> 23:54.920 You don't think I'd come to the BBC without doing some form of some form of sounds seem to order you 24:06.920 --> 24:09.320 It wasn't rogue. I was telling him that I was doing it 24:09.320 --> 24:16.680 Yeah, and he and he and he was yeah, it was like you guys got a stop swearing and 24:17.720 --> 24:19.960 Now just do this this is what I was talking about 24:20.600 --> 24:26.360 Yeah, so check this out so we they came for eight hours. It's a to Belgium and I said now 24:26.360 --> 24:30.200 I'll do a little show for these guys. So I got the helicopter out did the whole thing, you know 24:30.840 --> 24:36.440 And it was just like you know everything was stayed everything was set up, you know do that again the whole podcast that we did was 24:37.000 --> 24:43.960 Basically fake, you know, so it's kind of perpendicular to what podcasting is about and then they called me like two days later 24:44.440 --> 24:46.440 This would drop out on all the tapes 24:46.440 --> 24:51.480 We got to come back and like I don't think I can handle it. I love you got. I don't think I can do another eight hours 24:51.480 --> 24:53.480 I think they finally fixed it, but 24:53.800 --> 24:57.480 Wow, so the blood cast. Yeah, all right 24:58.760 --> 25:01.800 I love it. Oh, it's so nice to meet you guys 25:02.760 --> 25:04.760 That's it that's trippy for me, too 25:04.760 --> 25:07.560 You know to put faces to the sounds and this is 25:11.240 --> 25:14.600 The blood cast only been around for we've done four we made it all right 25:19.080 --> 25:21.080 Life got in the way 25:25.880 --> 25:27.880 Man, it's art. I love it 25:32.200 --> 25:34.200 It's 25:37.160 --> 25:39.160 Whoops crunch 25:42.040 --> 25:44.040 We'll just record over that another interview 25:45.000 --> 25:47.000 I'll promise 25:51.000 --> 25:57.480 It's an outrage but it's taken so long. I can't believe it. I watched click on left click on yeah, yeah several times sure 26:01.960 --> 26:03.960 Yeah 26:07.960 --> 26:13.720 You know, it's very hard to explain simple concepts. It's just hard work and luckily I've been doing it for 26:14.600 --> 26:19.320 You know since well about a year now. I'm explaining it to people so I'll try I'll try to make it 26:19.320 --> 26:21.320 Okay, really 26:21.320 --> 26:27.000 Okay, can you explain in some of the songs then podcasting what is podcasting and it's in its bare essence 26:27.560 --> 26:30.280 It's broadcasting to MP3 players 26:32.760 --> 26:37.640 Are you gonna yeah, I'm gonna go downstairs. I don't know why we're gonna get probably the whole show or something or somewhere 26:37.640 --> 26:39.640 I'm sure where we can 26:39.640 --> 26:41.320 Anyway, we could go if you 26:41.320 --> 26:44.280 Wouldn't mind us walking five or something there. There's a start-up road. Why fine? 26:45.160 --> 26:47.480 Gee, I'll feel ready to come and talk about fake 26:47.880 --> 26:49.240 Okay 26:49.240 --> 26:52.120 And there's a button we can just get a few shots of you sure. I gotta go 26:56.520 --> 26:58.840 Pleasure. I'll be listening to the show. Are you coming with me? 26:58.840 --> 27:02.680 I've got to head over there for me to now in here. So walk with us for a little bit. Cool 27:17.640 --> 27:19.640 So you don't have to go to Manchester 27:22.920 --> 27:25.640 Monday is Monday the big day is that the 27:29.800 --> 27:31.800 That's horrible 27:33.320 --> 27:35.560 I've been following the whole the whole of the whole of the thing 27:44.280 --> 27:46.280 I 27:46.440 --> 27:48.440 Manchets is looking pretty good 27:52.840 --> 27:54.840 I have no idea what manchets is like 27:58.840 --> 28:01.400 And thank you. They're very very very friendly 28:03.400 --> 28:05.400 Of course 28:05.400 --> 28:07.400 So 28:07.400 --> 28:09.800 If you walk down the street, you'll be like the hearing English accent 28:09.800 --> 28:11.800 All right, all right 28:11.800 --> 28:13.800 There's a Manchester 28:15.800 --> 28:19.480 You don't it's out of four-year or it's not isn't it's certainly not for me. I'm a country boy 28:19.480 --> 28:21.480 Right, I can feel it in a new way 28:23.480 --> 28:25.880 I want to try to work my way back 28:25.880 --> 28:27.880 Yeah 28:29.960 --> 28:31.960 With concerts 28:33.960 --> 28:35.960 This is what we should be doing 28:37.480 --> 28:39.480 Yeah 28:39.480 --> 28:41.480 Concus your man. I'm about to switch 28:42.840 --> 28:44.840 I built my first mode 28:44.840 --> 28:46.840 75 bar 28:46.840 --> 28:54.200 Acoustic I buddy had we both had Commodore VIC 20 and we literally you know little boxes with a telephone receiver 28:54.520 --> 28:58.520 Broke up and then put those in there put the phone on top hit a key and blip it would 29:00.760 --> 29:02.760 Yeah, the Acoustic couple 29:10.200 --> 29:14.040 I had the ZX80 before that I wanted a ZX80 one 29:14.040 --> 29:19.480 I'm a dad wouldn't buy me one. I was 13 at the time. I was so upset that you were and I must have been 11 29:24.280 --> 29:28.520 Oh my good hey, remember the programs that would they play on the radio and you recorded on your cassette 29:29.080 --> 29:31.080 Yeah, and then you'd be that it took at night 29:32.280 --> 29:36.680 Even put the cassette in and have a program on it. I love that shit all you wouldn't because it would just 29:36.680 --> 29:39.720 Fuck off, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah 29:39.720 --> 29:41.720 Wait, you just like 29:41.720 --> 29:43.720 It was stooling 29:45.960 --> 29:47.960 Good times good times 29:49.240 --> 29:53.400 Dude do I remember that yeah, and how it's time for the program of the week 29:55.000 --> 29:57.480 yeah 30:02.840 --> 30:08.840 Yeah 30:11.240 --> 30:18.880 I dropped out after the 64 and I started doing TeleBasian and I remember telling my then girlfriend later fiancée 30:18.880 --> 30:26.160 now wife she she in my bachelor pad she said oh what's this it was my my 64 I said put it back 30:26.720 --> 30:31.120 because if I get started with that thing it's like I lose track of all time and dimension 30:31.920 --> 30:37.920 and I just need to play together and you get the game that was it but I've computers that they suck you in 30:49.200 --> 30:54.160 another game why aren't we doing websites with people? why aren't we doing CD rocks 30:54.880 --> 31:00.000 right and my god said there's not money in there and said go like that absolutely you're that boy 31:00.000 --> 31:10.880 yeah it was just literally a source of new space that yeah so how do you need a wife that 31:11.600 --> 31:17.520 I said I was gonna ask you dude that's a long story okay well we actually met years before we met 31:17.600 --> 31:29.040 I was 17 and she was 23 and something like that and I was doing a pirate radio 31:30.080 --> 31:35.920 a show in a pirate radio station in Amsterdam in English as John Holden this uh I was 24 and I 31:35.920 --> 31:44.320 wrote a Harley of course was at 17 and wrote a fucking moped and and these guys had just done a movie 31:45.280 --> 31:50.400 called Hot Pursuit it received a fully erect penis award from hospital magazine 31:50.960 --> 31:55.440 and they had hired this British guy to play the lead role and he had the equipment but they didn't have 31:55.440 --> 32:03.600 the voice so they wanted like this uh you know rough tumble American voice 32:05.040 --> 32:11.120 and so I was basically I oh did the whole oh they're oh yeah baby so I was in studio two 32:11.200 --> 32:15.040 in this because it was a big budget you know it's a real it was a real movie 32:15.920 --> 32:20.480 when you were 17 yeah so I was so I was in the studio doing the other ooze in the eyes 32:20.480 --> 32:27.360 I was in some tinio to watch the time so yeah sure of course there is just that boy just 32:27.360 --> 32:35.680 down the wall I baby how I yeah so Patricia's in the next studio doing her album she did at the 32:35.680 --> 32:42.960 time stars on 45 which was the Andrew sisters medley and so she you know was walking it out 32:42.960 --> 32:49.120 the studio she had to get this oh she went in and so that's when we first met and what was the 32:49.120 --> 32:55.600 interesting that's that song so like two weeks later her producer called me at home and said 32:55.600 --> 33:01.920 I need I need this bit I need an all-time American like you know 40 40 45 radio announcer 33:01.920 --> 33:05.680 come in and do it so I came in and he's like hey and grab your gown hit the floor and 33:05.680 --> 33:09.520 here's a beat you remember wanting to swing to you and he spun it up and everything and it became a 33:09.520 --> 33:14.400 million seller the record and we never really we'd met once but she didn't even know that that was me 33:15.760 --> 33:27.840 and now 18 years later those gold records are on our our our wall together so um we both she is 33:28.400 --> 33:39.760 podcaster now she hasn't really done anything for five or ten years she built a really great 33:39.760 --> 33:48.400 cosmetics company in the Netherlands which is just fantastic stuff and now we're kind of now she's 33:48.400 --> 33:55.920 Dutch yeah and now we're just kind of chillin up it's really nice to be not known 33:56.480 --> 34:01.760 are you having fun over it and I love it you guys are great humor yes we did 34:06.160 --> 34:11.760 yeah I'm not American I'm not really American yeah should we um well how are we gonna do this 34:11.760 --> 34:16.800 as you wish I can do it anywhere anytime anything you could do it right here if you want 34:16.800 --> 34:29.760 yeah yeah I'm sure they'd say that oh they do is there uh this is still BBC ground 34:39.760 --> 34:45.840 okay dokey so it's unbelievable that we're sitting here you got what are you just doing this for 34:45.840 --> 34:53.280 pictures or something okay good good not just talk like I'm actually doing something which I am 34:54.480 --> 35:02.160 so we are a podcasting no this is actually quite real because I'm recording it so it's nice 35:03.760 --> 35:10.960 and I got my my stogi it's I had no idea that I thought we actually walked out of a gate and it 35:10.960 --> 35:20.800 turns out that uh we're still on the the ground right uh current first so all of the BBC 35:20.800 --> 35:25.520 current first I've come out of there uh huh well we were as TV sensors which is far more 35:25.520 --> 35:32.160 impresses what were the studios are for the news is um and as various BBC sites dotted around 35:32.160 --> 35:38.560 this part right so this is this is the new kind of media center areas and it's really far away from 35:38.560 --> 35:48.320 waterloo station yeah that's what I'll be doing on my way back okay actually while I'm here it's 35:48.320 --> 35:54.880 good that everybody is listening I wonder if I have a blood cast I guess I don't I have let me say 35:54.880 --> 36:02.000 have so many interesting things that I bought along with me for for the ride for the uh for the 36:02.000 --> 36:07.040 show today and now I've actually opened up my uh my power book is beautiful we're sitting in front 36:07.120 --> 36:14.320 of a uh a nice Starbucks which is kind of on the grounds here at the BBC and yes they have Wi-Fi and 36:14.320 --> 36:22.480 I think somewhere I'd probably have my uh my account actually uh I don't know if I have my BT account 36:22.480 --> 36:28.240 this is one thing I wanted to play for you guys this is a guy named Hank and he's got a site 36:28.240 --> 36:34.480 called podrazer.com which has been the source of a lot of controversy recently on some of the podcast 36:34.480 --> 36:38.880 so this about the way he's been providing a search results and he actually put a promo on an 36:38.880 --> 36:49.280 open podcast.org let's have a listen to this for a second hey everybody to take I just want to let you 36:49.280 --> 36:58.080 know that podrazer.com has finally launched that's p-o-d-r-a-z-o-r with podrazer is a search engine 36:58.080 --> 37:05.520 for podcast and podcast only so why don't you surf on over to podrazer.com check it out 37:05.520 --> 37:12.960 what does know what you think. Take care. So since we talked about them multiple times today 37:12.960 --> 37:19.120 during the uh during the uh interview I figured I played a little bit listen to these bitties 37:19.120 --> 37:24.720 one of my favorite tracks I want to be famous. I want to be famous I want to win minks and 37:24.960 --> 37:33.360 sattens and pearls. I want to be famous more than just any old girl. 37:33.360 --> 37:34.880 I have to pay a license for this you know. 37:54.800 --> 38:04.400 I want to be famous. Go to Paris on private flights. I want to have lovers by school. 38:04.400 --> 38:09.120 How I love those girls I tell you. Let's see uh what else they come across today. Oh you know there was 38:09.840 --> 38:13.920 a new raster web that came out. I haven't heard anything from Pete in such a long time. Let's see what 38:13.920 --> 38:18.800 he's doing. He's always got something funny going on. This is the now-see here edition of the 38:18.960 --> 38:28.720 Raster web audio for 2005-03-17. Okay folks well tonight we're going to be a very special 38:29.520 --> 38:34.960 bit of I believe they call it a sound seeing tour. There you go. Of the office here in 38:34.960 --> 38:42.480 really building. So first thing let me look that chair out of the way and now I don't have a 38:42.880 --> 38:47.280 portable device so I'm just going to leave a computer recording and I'm going to have to let 38:48.160 --> 38:51.280 us see. Of course you carrying the computer around. 38:53.280 --> 38:58.640 There's a furnace back here and there's a lot of boxes and the next thing is some 38:58.640 --> 39:05.120 more computers and it's like that and again back at the desk. If I go over here 39:06.080 --> 39:10.320 there's our first right right here because we've got required right now to have the next night. 39:11.200 --> 39:15.520 Over here like this is around the light. There's uh open the door and let's 39:16.480 --> 39:20.480 go in here. Yeah you can always count on Pete to put everything into perspective. Can't you? 39:30.480 --> 39:37.440 That's perfect. Okay let's go from that to uh what is it? A sound of the day. That's always 39:37.440 --> 39:42.960 fun to hear what the sound of the day is. Let's see what Hans has got going for us today. 39:45.840 --> 40:06.480 So what is the sound? Oh okay. All right the sound of the day. 40:08.880 --> 40:13.360 Something else I like to check in on by the way since podcasting is pretty much 40:13.760 --> 40:21.920 international at this point. It's kind of cool. You can listen to Virgin Radio. They podcast 40:21.920 --> 40:32.560 their morning show. Pete and Jeff. I don't really like that too much because it's just a rehash 40:32.560 --> 40:37.200 of what they're doing already without the songs because well obviously licensing issues. 40:37.200 --> 40:43.280 But I always like to keep in touch with what's going on back in the Netherlands radio station there 40:43.280 --> 40:49.040 has a called North Sea. They have a a show biz report which they do every single hour and they're 40:49.040 --> 40:53.040 podcasting that as well. 41:03.920 --> 41:11.920 Yeah just what I thought boring but then again we've got my buddy Rev Tim for the 41:11.920 --> 41:20.160 inspirational message of the day. He's even stalled on my rant while not my transmitters. 41:20.160 --> 41:22.800 He'd use the transmitters bit. It's great. 41:33.680 --> 41:38.480 Sorry. Can you just talk me through what you've got on here with a different set? Sure. Well actually 41:38.480 --> 41:48.800 a couple of things. Let me just get rid of this. Okay the way I record actually is quite simple. 41:50.800 --> 41:57.760 You know I'll open up my, oh this is no one's really seeing this. Okay this is how I prep my show 41:58.400 --> 42:06.240 that's why it's called DSC Daily Source Code Temp. It's an outline. Some things don't change at the top 42:06.320 --> 42:10.880 so I've got my my show details that may change just the date so that's clearly an old date. 42:11.920 --> 42:16.960 And these are all individual files. I usually start off with one of these. Now what's cool about this 42:17.520 --> 42:24.160 is all I have to do is hit command and a comma and over to the left. You'll see 42:25.280 --> 42:30.800 or it's starting up. You'll see that it opens up a quick time window. Do you want to do that again? 42:30.800 --> 42:38.400 Yeah sure. Sure. So I could either double click this or I could just hit a keyboard command 42:38.400 --> 42:44.400 which is the Apple key and a comma and immediately opens up right there. It opens up a quick time 42:44.400 --> 42:54.160 player. So what I'll do is now open up my sweeper and then I'll open up my power of pure intellect. 42:54.160 --> 42:59.600 So I kind of line these up in a row and then I've got a mash up here as an email about it. 43:00.080 --> 43:04.160 So I haven't actually downloaded or put that one in so I can go to my 43:05.680 --> 43:12.880 my tools menu over here. I'll say load new files. Now it's going to load up new files and bring 43:12.880 --> 43:16.960 it my file library. Oh this is no one's ever really seen this. I'll tell you this is a 43:29.680 --> 43:40.160 fine. So what this program does is it basically scans through a folder of MP3 files and pulls 43:40.160 --> 43:44.560 out the ID3 information and puts it into my playlist. So a young palette which a lot of you have 43:44.560 --> 43:50.960 heard of, he has his hit test. So it's basically there's hit test groups. There's hit test number 43:50.960 --> 43:56.560 26. So these are all the new files that I haven't played yet. So what I'll do is I'll see there's 43:56.560 --> 44:03.120 also an unknown folder. I don't know what Burger King is but I put it into for a reason. So we'll take 44:03.120 --> 44:12.080 all these, we'll just copy them, close that window and we go over to my rundown. I paste them in 44:14.160 --> 44:19.680 and I just put those in a line up. Usually I put the young's hit test a little bit later. 44:19.680 --> 44:22.400 I don't remember what the Burger King thing is. Let's see what that is. So I'll just 44:23.280 --> 44:30.800 click that. It should then open up a player window. There you go. So just as an audition, let's see, 44:30.800 --> 44:35.840 what is that? Yeah, I'm over here. I'm over here at Burger King. I haven't done for many. 44:35.840 --> 44:39.600 It sounds like a sound scene tour or something I wanted to let people here. So anyway, 44:39.600 --> 44:46.160 so I'll take this mashup, which is called, they got an email about it. The drop system 44:46.240 --> 44:50.560 versus Adam Curry. So that's digital interference. So I'm going to bring that over. 44:51.120 --> 44:56.480 So you see, so there's the song. I'll open that up. So the way I would do it, 44:57.200 --> 45:08.000 it's I start usually with, I hit that and then I hit that and then I say, hey, I think I 45:08.400 --> 45:16.880 got it's right everybody. So anyway, there's this great mashup that came through. It's called 45:16.880 --> 45:22.800 the drop system versus Adam Curry. Let me let me see what that's all about. This is something that 45:22.800 --> 45:29.440 came through. I haven't listed as a TSA mashup. I'm not quite sure what that means. Let's check it out. 45:29.760 --> 45:37.600 This is a digital interference. Oh, it's about, it's a mix, it's a mashup of me complaining 45:37.600 --> 45:41.280 about airport security in the States. It's really cool. 45:42.240 --> 45:58.480 It's really funny, actually. 45:58.480 --> 46:02.160 Not protecting. I won't do a PML, not this. 46:02.240 --> 46:08.800 OPML, oh boy. OPML was the language that this outliner talks. So, 46:13.680 --> 46:21.600 if I want to export this, it actually is exported as a version of XML. So it's structured data, 46:21.600 --> 46:27.920 even though it looks kind of kind of unstructured. You can make these nodes all kinds of 46:27.920 --> 46:33.200 exciting things. So as you can see, in this case these nodes, when I click on them, they open up a 46:33.200 --> 46:40.000 sound file, but a node can also just have other stuff behind it. So for instance, pod safe is 46:40.000 --> 46:45.040 like a collection of pod safe music that I haven't played yet. It's only one or mashups, 46:45.040 --> 46:50.320 for instance. I got several of those. So, and it's all cut and paste and you can move stuff up and down. 46:50.320 --> 46:54.880 It's just a way of organizing stuff. It's, you know, it's what we do in the broadcast world, right? 46:54.880 --> 47:04.960 We have a rundown of stuff. So every day, young polette, blesses heart, sends me the hit test, 47:06.080 --> 47:08.800 and I think I can play it right now. 47:13.600 --> 47:21.920 Want to play? Ready? Ready? Okay. Okay. Because then you got to play along. You got to guess the song. 47:25.760 --> 47:30.960 Now, your eye tag here doesn't actually, is not playing any role root hall. No. You're recording 47:30.960 --> 47:35.280 your podcast and I need some shots of that. Yeah, yeah, you can do it with that. I agree with her. 47:40.240 --> 47:44.880 So have you been continuously recording for the last 4-8? You just left it running, can you? 47:44.880 --> 47:48.560 Yeah, I remember. Two and a half hours. How long is the battery? 47:49.520 --> 47:54.800 Well, it's still full. So, I put a fresh one in before I, before I started. 47:55.520 --> 47:58.800 Haven't found out yet. This is the longest I've actually done this. 47:58.800 --> 48:03.920 But I'm to edit this down because there's no way, you know, there's absolutely no way this feels. 48:08.800 --> 48:14.240 That's okay. I mean, the cab ride was half an hour of nothing. I talked to the cabbie for like 48:14.240 --> 48:18.640 10 minutes. You know, it's like, and then I'm just looking for anything that you could put into your podcast. 48:18.640 --> 48:23.520 Yeah, sure. Just hear aware of this. No, no, no. So I felt really self conscious of the back going, 48:24.560 --> 48:28.640 I hope he doesn't hear me. All right. But he'll think I'm an idiot talking to myself. 48:28.640 --> 48:32.320 All casting star of dishes is basically taking anything you want from the world around you. 48:32.320 --> 48:36.320 Yeah. I know you can put it online without having to ask anyone to mention all. Well, 48:36.640 --> 48:46.320 No, I don't know. I think the BBC is covering me on this one. So come on, play along with the hit test. Let's see if we can 48:46.640 --> 48:51.120 We're going to get you all the time for the hit test. 48:53.840 --> 48:55.840 Hello, yeah. 48:56.880 --> 49:04.080 Oh, it is a footstep edition footstep edition. I did the five, the next three trials by the footsteps. 49:04.080 --> 49:10.560 Okay, Michael Jackson's thriller. That was easy. That was easy. 49:13.120 --> 49:15.120 How are we get it again? 49:16.720 --> 49:20.720 Okay, and this is number two. 49:24.720 --> 49:27.760 No, no, you know what that is. That's, um, 49:31.360 --> 49:38.720 rocks your music. Love is the drug. I think this is a good one. 49:43.520 --> 49:45.520 What is that? 49:46.320 --> 49:51.120 Very good. Very good. You don't know if it's right. I mean, but I'm pretty sorry. 49:51.120 --> 49:54.240 Okay. Time's up. And these are the answers. This is number one. 49:58.080 --> 50:04.240 That was easy. If anyone in the world would recognize that one. Yeah. 50:09.440 --> 50:14.640 And this one's legendary. And what else could it be? The Michael Jackson. 50:16.480 --> 50:20.480 Sorry to miss this guy. He's a young pull-up. He's a Dutch guy who just does this every day. 50:20.480 --> 50:24.480 And he has his own hit test podcast. It has really interesting guys. 50:38.480 --> 50:39.760 All right, on the number two. 50:47.280 --> 50:50.000 It's really different. There's just a few seconds to 50:51.280 --> 50:55.680 15 minutes to 45 minutes today somewhere in there. Yeah, love is the drug. 51:05.120 --> 51:06.720 That's a good idea to do this story. 51:09.360 --> 51:15.360 I'll tell you though. He did a hair band guitar solo hit test. 51:15.440 --> 51:18.640 I didn't know one of them. I didn't know one of them. It was horrible. 51:30.160 --> 51:31.760 Now, now it's a few seconds or three. 51:34.000 --> 51:35.680 I think you're right. Yep. 51:37.280 --> 51:40.000 That was the bass. The bass line gave this one away. 51:45.600 --> 51:47.600 And club chopper canna. 51:52.800 --> 51:55.440 Extra points for knowing the lyrics. Yeah, very good. 51:58.800 --> 52:00.160 I think you just did. 52:01.120 --> 52:03.120 It's not me. 52:17.120 --> 52:20.080 Did you get? Yeah, he came out. He used to come out dressed in his dressing gown. 52:21.360 --> 52:25.520 Well, the first time I showed him the scar I went with my friend and we were actually there with a tape recorder. 52:25.520 --> 52:29.200 In fact, this was 20 years before you were doing this. Yeah, sure. We were on the tape recorder. 52:29.200 --> 52:34.160 And we said that as a school project, we were doing, we need to do some interviews and stuff. 52:34.160 --> 52:37.680 And we were amazed. We got his number from the phone book. He's a dress. 52:37.680 --> 52:41.920 And the phone book. That was great. I found it from two years earlier before he'd become famous. 52:41.920 --> 52:46.480 Right. We didn't go to see. We went down to Chilton Avenue where we knew his parents did. 52:46.480 --> 52:49.760 Not to install and learn. But hold your hands as the door and it's dressing calm. That's great. 52:49.760 --> 52:52.400 And we're standing there, two, 14 euros. Can't take a good one. 52:53.360 --> 52:56.960 Yeah, that's what he's like. I'm going to help you. I said, yeah, we're doing a school project. 52:56.960 --> 53:01.600 Yeah, I just want an interview. I said, I've made this scrapbook and he was so taken with this scrapbook. 53:01.600 --> 53:06.480 He said, do you mind if I keep it for a couple of weeks? And he said, yeah, he was picking through. 53:06.480 --> 53:10.480 He said, I haven't seen half of these photos. Wow. So he goes, come back in a couple of weeks. 53:10.480 --> 53:15.600 And I re-went back and he asked the door again. He gave us a little interview on the door set. 53:15.600 --> 53:20.400 Yeah. And he gave me this scrapbook back and when I was at that, I guess in a cab or something on the way home, 53:20.400 --> 53:24.880 I looked in the scrapbook and he'd cut out piece of paper and he put some blue tack on the back of it. 53:24.880 --> 53:29.600 Put it in the scrapbook and he put two Richard, thanks for supporting us. Andrew and she 53:29.600 --> 53:35.600 got George sign up as well. Wow. That's great. And I met him again years later. 53:35.600 --> 53:39.600 Did you remember it? Yeah. Well, I said to him, I was the kid. And then I kind of struck up a bit of 53:39.600 --> 53:45.120 relationship with him and I had a remiss one after the team. And my parents, very cringe-worthy, 53:45.200 --> 53:50.960 asked Andrew, turned out that Andrew's mum, you might want more something. And so my parents asked 53:51.760 --> 53:57.200 Andrew and George to my profits. Did they both come? They didn't come. They sent me the biggest card. 53:57.760 --> 54:01.760 And I've still got it to stay. It says to Richard wishing you every happiness and life 54:01.760 --> 54:07.200 at Andrew and George Michael. So you're later when I met up with Andrew and George didn't remiss and 54:07.200 --> 54:11.360 really met him. Andrew, I said to him, I was the 14-year-old that came in. Yeah, yeah, I remember. 54:11.360 --> 54:15.200 And he was still as friendly as ever, a very humble guy. I mean, you know, I don't know what he's up to. 54:15.200 --> 54:19.200 You just gave me the best part of the whole sound seeing towards the bed. That was a great story. 54:19.200 --> 54:23.280 It was fantastic. I mean, I was literally, it got some of it. Andrew is the best guy in 54:23.280 --> 54:28.080 George. It was a very, very strange look at the bed. Yeah, I met him a couple times at the height of 54:28.080 --> 54:32.880 the, you know, like, see, it was, um, I'm talking about it. It was the faith CD. Right. 54:32.880 --> 54:38.480 Well, I met him in 88. 88. Yeah. Yeah. Well, he was struggling with a lot of personal issues. He was. 54:38.800 --> 54:45.520 Because I knew his manager, Michael Lippman. Yeah. Um, because he managed trying to 54:45.520 --> 54:53.440 countner Gray Slick's daughter who was working on MTV. And, uh, yeah, George was very, and he's 54:53.440 --> 54:57.680 pretty open about it now. He's got all men. I was such an asshole back then because, you know, he, 54:57.680 --> 55:02.560 he really knew his sexuality was taking one way. His career was taking another way. And he was, 55:02.880 --> 55:07.600 then he got a little messed up there for a while. Absolutely. And, um, because it is saying, 55:07.600 --> 55:11.600 I mean, basically, we're all staying at hotel in Hawaii. This is where he kicked off his faith for 55:11.600 --> 55:18.160 an 88. Yeah. I remember that. Yes, sure. And it was at the Kahali Hill in Hawaii. And, and he didn't 55:18.160 --> 55:24.480 bite an Andrew to do it. Dude, I was there. No, so was so as I. And, uh, Andrew was there. 55:24.480 --> 55:29.600 Elton was playing. Yep. Yep. Elton John was there. John Reed, Elton's manager. Yeah. 55:30.000 --> 55:37.360 Uh, and George Michael and Andrew Richie. And we, um, I'd rather than I started talking to Elton 55:37.360 --> 55:42.880 John on the way to the tennis courts as you know. Of course. And, uh, and then Elton says, 55:42.880 --> 55:48.320 I want to come with us to the, uh, come with us to the concert. Uh, he's right. He was like, hey, Richard, 55:48.320 --> 55:53.920 you look pretty hot. Well, yeah, maybe. Come on. And, yeah, I was 17 at the time. And, 55:54.000 --> 55:59.520 Brian, but not that naive. Where what might be happened. Um, but he said, how are you? 55:59.520 --> 56:03.280 That's what I said. I said, but somebody here for us said, we're all over the country. So, 56:03.280 --> 56:07.040 one of the things in the concert, I'm playing there. Cut long story short. He ended up taking 56:07.040 --> 56:12.080 to the concert. Really? That's cool. Uh, stropping out before he actually went into the concert. 56:13.120 --> 56:17.840 Stripping out, stropping out. He had a fit. He had a hissy fit. Oh, okay. Really? Yeah, because 56:17.840 --> 56:23.840 he was walking in with my brother and I into the backstage entrance of this, uh, blood. And 56:23.840 --> 56:28.080 uh, of the, uh, of the concert venue and the concert didn't recognize him. And he pushed him 56:28.080 --> 56:32.160 up. He said, uh, so you actually use another, you know, drums, like, right? Do you know I am? 56:32.160 --> 56:36.960 And I go, sir. I don't care who you are, right? Yeah. And he kind of nudged it. And Elton has 56:36.960 --> 56:43.440 a freak out. Yeah. Mm-hmm. I mean, this story just goes on and on and on. And, um, it's great. 56:43.440 --> 56:47.840 But it was an unbelievable time. And anyways, I said to Elton, just get back to you. I said, 56:47.840 --> 56:51.040 what's the deal with George White? There's a guy who's not okay. And what he said, 56:51.280 --> 56:57.520 she doesn't know what she is. Yeah. Yeah. That's great. I found out how they would reach 56:57.520 --> 57:04.720 all these quick, these weird, great names. Oh, yeah. But you were there as well. Yes, because I was 57:04.720 --> 57:09.600 working for MTV and we were covering the tour, which I know kicked off in Hawaii. In fact, 57:09.600 --> 57:14.400 that was, uh, I'm going to tell you the date. It was, uh, the cool ATA, I reckon. 57:14.400 --> 57:21.600 No, I think it was later. Was it? I seem to remember it was April, ACA. Oh, seven seconds. 57:21.600 --> 57:29.120 No, you're right. It was, uh, I think. No, no, no, no, no, no, no, no, no, no. Because, 57:32.160 --> 57:36.240 and, uh, no, it was April. I'm sorry, you're right. April, 57:37.840 --> 57:44.160 because April fifth, Patricia and I got married at Town Hall, the City Hall in New York. 57:44.560 --> 57:47.200 Literally, it was like, hey, how about today? Yeah, good idea. Because otherwise, 57:47.200 --> 57:51.520 she would be deported, right? And she wanted this contract with me. Right. So what happens if you 57:51.520 --> 57:56.480 don't like me anymore? I gave up my career and everything and you can kick me out and I can't even 57:56.480 --> 57:59.680 stay in this country legally. So what we can make, like, you know, some kind of a green, but 57:59.680 --> 58:03.520 say, well, why don't you just get married? That's a lot easier. And she said, you better get down 58:03.520 --> 58:09.120 in your knees, boy. So, and literally, uh, so we had agreed to do that and it was a beautiful Friday 58:09.120 --> 58:15.200 afternoon. Um, and, uh, I called her for MTV and I said, how about today? She said, yeah, sure, 58:15.200 --> 58:20.000 you know, and so I pulled Steve Leads, uh, the talent managers, and you're a witness, went down, 58:20.000 --> 58:28.000 got married. And the next day, um, I went off, uh, to cover the George Michael tour. Was that flashing? 58:28.000 --> 58:33.120 That means I have about an hour left on this flashing, depending on how long it's been flashing. 58:33.760 --> 58:41.760 So the next part is I'm building this little box that, uh, I just want to be able to mix this in 58:41.760 --> 58:46.000 so that while I'm talking, I could, you know, hit a song and it would report as well. 58:46.800 --> 58:51.360 So I don't, so, uh, I don't want to, I don't, yeah, it's an iPod. 58:51.360 --> 58:55.680 Well, how many gigabytes? How many gigabytes? 400. Isn't it a wonderful question? 58:55.680 --> 58:59.760 This is a 30 gigabytes. How much is it in the book? I'm not selling it. 59:00.320 --> 59:06.320 I'm not selling it. I'm on camera. Yes, you are. Sorry. This is mine. 59:06.320 --> 59:08.640 Why are you, what are you doing? Is that beautiful? 59:08.640 --> 59:13.760 Oh, I'm just, it's not an advert. That's, isn't that horrible? It's not, hi, buy this iPod. 59:14.960 --> 59:18.160 Why are you doing something from the ads? You like that, huh? 59:18.160 --> 59:21.200 Why the side? Is it just a game zone? 59:21.200 --> 59:24.080 Yeah, yeah. Yeah, no games. I'm not a gamer. 59:24.080 --> 59:26.800 You heard, have you heard of a podcast? Yeah. 59:26.800 --> 59:32.720 Yeah. What, what make is iPod? Yeah, but listen, let's, uh, that's, uh, I river is what that is. 59:32.720 --> 59:37.680 What's that, what? Run, that was you. So, you think you could run away then? 59:37.680 --> 59:39.840 You could run far around here, mate. You could run far around here, mate. 59:39.840 --> 59:42.240 There's a security guard. It's about 300 meters. 59:42.240 --> 59:45.680 You guys work for the BBC? No. Yeah, we're the time. 59:48.080 --> 59:49.840 Careful. It's recording. Careful. 59:49.840 --> 59:53.360 Oh, so you're saying, you're about why you shouldn't be for that purpose in there. 59:53.360 --> 59:58.080 Because, hey, you think they could run faster than me? Yeah. 59:58.080 --> 01:00:00.080 I don't know, but you were saying, I mean, I'll hold on to everything. 01:00:00.080 --> 01:00:04.080 You guys look pretty dangerous to me. Oh, no, no, no, no, no, no, no. 01:00:04.080 --> 01:00:07.120 So, it's just, is this, is this the BBC grounds? 01:00:07.120 --> 01:00:09.680 Uh, you just calling me. No, this is technically right. 01:00:09.680 --> 01:00:14.240 No, this is like three there. This is like the plot where the bomb is going to go. 01:00:14.240 --> 01:00:16.720 Oh, this is the spot? Yeah. 01:00:16.720 --> 01:00:18.960 And when does that happen? When does that, uh, scheduled? 01:00:18.960 --> 01:00:23.600 About five seconds. Yeah, I love these kids. Yeah. 01:00:23.600 --> 01:00:26.960 Two guys. One, get the record. 01:00:26.960 --> 01:00:30.160 Grab the iPod. What? Get set. 01:00:31.360 --> 01:00:34.400 Better not. I'm holding on to it. And these guys are worrying me. 01:00:40.400 --> 01:00:46.080 But I'll see you. Okay. 01:00:49.440 --> 01:00:54.000 What are you doing this for? 01:00:54.000 --> 01:00:57.680 Oh, I'm doing it. Just a little interview. So, you actually have heard of podcast? 01:00:57.680 --> 01:00:59.920 Yeah. Have you listened to any? No. 01:00:59.920 --> 01:01:01.760 No. Do you have an iPod? No, no. 01:01:01.760 --> 01:01:06.000 Do you have an MP3? Yeah. Yeah. Yeah. 01:01:06.000 --> 01:01:06.960 Yeah. Yeah. I'm going to sleep there. 01:01:06.960 --> 01:01:08.960 I was going to get you an iPod. Which one do you have? 01:01:08.960 --> 01:01:10.960 Um, so you didn't just go get it. 01:01:10.960 --> 01:01:12.480 Okay, it's on. Is it on? Is it on? Yeah. 01:01:12.480 --> 01:01:15.280 Okay, okay, okay, okay, okay. I'm just going to go get it. How much? 01:01:15.280 --> 01:01:18.160 How much? 512. Yeah, that's good. 01:01:18.160 --> 01:01:20.160 I'm going to do a lot with that. 01:01:23.360 --> 01:01:24.800 Cool. 01:01:24.800 --> 01:01:27.600 That's it. That's it. That's it. That's it. That's it. 01:01:27.600 --> 01:01:31.600 It's good. It's good. It's good. Is it fake? I'm pushing you. 01:01:31.600 --> 01:01:34.240 Yeah. That's good. That's good, actually. Yeah. 01:01:34.240 --> 01:01:38.000 Okay. So, it's a mock. I'm just going to watch you now. 01:01:38.000 --> 01:01:41.120 It's a, it's a cold cappuccino. That's it. 01:01:41.120 --> 01:01:43.120 These looks like cigars. 01:01:43.120 --> 01:01:46.880 Whenever I can, I'll play something for you guys. You'll love this. 01:01:49.120 --> 01:01:53.120 This is what DJ you don't want to fuck with. 01:01:58.400 --> 01:02:00.160 Go heat on and radio very often. Do you? 01:02:02.160 --> 01:02:04.000 What are you guys listening to? You listen to radio? 01:02:04.000 --> 01:02:05.600 You listen to what? 01:02:05.600 --> 01:02:06.880 You said. Sorry? 01:02:06.880 --> 01:02:08.880 You said. I didn't. 01:02:08.880 --> 01:02:11.920 You got on the on that sound swore. 01:02:11.920 --> 01:02:14.800 Didn't that horrible? No. No. It's. 01:02:15.760 --> 01:02:20.080 Yeah. This is what DJ you don't want to fuck with. 01:02:20.080 --> 01:02:23.280 I'm corrupting Britain's youth. I'm so proud of myself. 01:02:27.600 --> 01:02:28.480 Yeah, we got it. 01:02:30.480 --> 01:02:32.480 Okay, guys, take care. 01:02:35.760 --> 01:02:38.400 Oh, seriously, were they going to nick something and run off with it? 01:02:38.400 --> 01:02:41.520 You handle that pretty well because they did it in another world they might not. 01:02:41.520 --> 01:02:42.880 They might have. Oh, yeah, they might have. 01:02:42.880 --> 01:02:44.640 They're just kids. Yeah, and they're just kids. 01:02:44.640 --> 01:02:46.240 Kids who like making laptops. 01:02:46.240 --> 01:02:48.480 But he's right. There's someone around here actually. 01:02:48.480 --> 01:02:50.080 This is not a nice part of town. 01:02:50.080 --> 01:02:53.920 Around here, it would be known to literally grab open passenger doors. 01:02:53.920 --> 01:02:55.680 Take bags. Yeah, sure. 01:02:55.680 --> 01:02:57.680 Doesn't, I mean, okay, this is London a bit. 01:02:57.680 --> 01:02:58.880 That's happening right. This isn't really. 01:02:58.880 --> 01:02:59.200 This isn't really. 01:02:59.200 --> 01:03:00.480 It's not really up above like the real. 01:03:00.480 --> 01:03:02.480 Yeah, and there's comfortable stages around there. 01:03:02.480 --> 01:03:03.040 Mm-hmm. 01:03:03.040 --> 01:03:06.880 And they're occasionally close to London. 01:03:06.880 --> 01:03:08.880 Sure. This is London. This is like. 01:03:08.880 --> 01:03:10.720 Yeah, that's, that was pretty real. 01:03:11.680 --> 01:03:14.160 And, uh, 01:03:18.960 --> 01:03:21.120 What, the, uh, the underground? Yeah. 01:03:21.120 --> 01:03:22.160 You think? I don't know. 01:03:22.160 --> 01:03:24.640 I was going to take a cab because they're on the ground much faster 01:03:24.640 --> 01:03:26.000 or probably a little bit faster to be honest. 01:03:26.000 --> 01:03:29.520 At this time of the day, the best way to get to Waterloo. 01:03:29.520 --> 01:03:30.160 Yeah. 01:03:30.160 --> 01:03:34.240 It's, this goes straight through town on the central line, uh, 01:03:34.240 --> 01:03:35.680 Waterloo is on the Jubilee. 01:03:35.680 --> 01:03:38.080 So you basically just change up on the street, it's two stops. 01:03:38.080 --> 01:03:42.240 It will take you from here to get to Waterloo 01:03:42.240 --> 01:03:43.600 maximum half an hour. 01:03:43.600 --> 01:03:47.120 If you're trying to get to Waterloo, um, at this time of day, 01:03:47.120 --> 01:03:49.440 you'll take you close on it three quarters an hour an hour. 01:03:49.440 --> 01:03:51.280 By cab, you're there. Okay, it's it. 01:03:51.280 --> 01:03:54.480 So I want to hop on which you want to go, um, 01:03:54.480 --> 01:03:56.960 eastbound, yeah, into central London. 01:03:56.960 --> 01:03:57.600 Yeah. 01:03:57.600 --> 01:03:58.720 A bond street, yeah. 01:03:58.720 --> 01:04:00.480 Which is about eight and nine stops a minute. 01:04:00.480 --> 01:04:02.640 Okay. Southbound and it's about three stops. 01:04:02.640 --> 01:04:03.520 Okay. 01:04:03.520 --> 01:04:04.800 Couldn't be easier. 01:04:04.800 --> 01:04:05.600 It's been a pleasure. 01:04:05.600 --> 01:04:06.800 I like that. 01:04:06.800 --> 01:04:09.520 And, um, I think, you know, this isn't going to go out immediately. 01:04:09.520 --> 01:04:11.120 It's going to go out probably next month or so. 01:04:11.120 --> 01:04:12.560 It's got some editing work to do out there. 01:04:12.560 --> 01:04:14.000 Yeah, yeah, yeah, yeah. 01:04:14.000 --> 01:04:16.720 But Joe is going to want to be some, uh, on, uh, 01:04:16.720 --> 01:04:17.520 news and subtracting. 01:04:17.520 --> 01:04:18.640 That's right anyway. So cool. 01:04:18.640 --> 01:04:20.560 And that's going to go, you know, hundreds of thousands of 01:04:20.560 --> 01:04:21.760 getting to Waterloo. 01:04:21.760 --> 01:04:23.840 Lovely. So, um, okay. 01:04:23.840 --> 01:04:25.040 Well, let's, uh, let's stay in touch. 01:04:25.040 --> 01:04:25.600 Okay. 01:04:25.600 --> 01:04:28.320 I think, uh, anything going on or whatever just let me know. 01:04:28.320 --> 01:04:28.960 Definitely. 01:04:28.960 --> 01:04:29.440 I hope you do. 01:04:29.440 --> 01:04:30.720 And I have a nice whole day as well. 01:04:30.720 --> 01:04:31.600 Thank you very much. 01:04:31.600 --> 01:04:34.720 Uh, we're going, uh, 12 days, I think. 01:04:34.720 --> 01:04:35.440 Yeah, oh. 01:04:35.440 --> 01:04:35.920 Whereabouts. 01:04:35.920 --> 01:04:36.560 Miami. 01:04:36.560 --> 01:04:37.120 Nice. 01:04:37.120 --> 01:04:37.920 Yeah, down the south. 01:04:37.920 --> 01:04:39.120 You're my partners down there. 01:04:39.120 --> 01:04:41.120 So, uh, we got infrastructure. 01:04:41.120 --> 01:04:42.160 Okay, I'm walking. 01:04:42.160 --> 01:04:43.120 All right, take care of you. 01:04:45.360 --> 01:04:45.680 Right. 01:04:46.640 --> 01:04:49.120 I'm actually going to do this with the, uh, 01:04:49.120 --> 01:04:50.400 underground, the tube. 01:04:50.960 --> 01:04:52.160 I mean, the tube. 01:04:52.160 --> 01:04:54.960 Um, uh, let me see. 01:04:56.000 --> 01:04:56.880 What's the time? 01:04:56.880 --> 01:04:57.680 I got it. 01:04:57.680 --> 01:04:58.160 Yeah. 01:04:59.680 --> 01:05:00.480 Six o'clock. 01:05:05.520 --> 01:05:11.040 Oh, I'd like to go to Waterloo Station. 01:05:11.040 --> 01:05:12.560 Can you tell me how to get there? 01:05:13.440 --> 01:05:14.880 You go to Bonds 3. 01:05:14.880 --> 01:05:15.200 So, okay. 01:05:15.200 --> 01:05:16.160 But it would be a lie. 01:05:16.160 --> 01:05:18.720 So, uh, can I purchase tickets for that trip here? 01:05:18.720 --> 01:05:19.040 Okay. 01:05:27.040 --> 01:05:29.120 So, the barn street, and then I change on to what? 01:05:29.680 --> 01:05:30.560 It should be the light. 01:05:31.120 --> 01:05:31.440 The? 01:05:31.440 --> 01:05:32.240 It should be the. 01:05:33.680 --> 01:05:34.080 Yeah. 01:05:34.080 --> 01:05:34.240 Yeah. 01:05:35.760 --> 01:05:36.560 Yeah. 01:05:45.440 --> 01:05:45.840 Thank you. 01:05:51.440 --> 01:05:52.080 Okay, okay. 01:05:56.400 --> 01:05:58.080 Like I fucking know what I'm doing here. 01:06:05.520 --> 01:06:06.080 Okay. 01:06:14.080 --> 01:06:14.800 See, he's down. 01:06:16.960 --> 01:06:19.280 It's about three and four. 01:06:20.560 --> 01:06:20.960 Okay. 01:06:22.080 --> 01:06:23.200 So, they're going for me. 01:06:23.200 --> 01:06:24.000 They've got to put them. 01:06:24.800 --> 01:06:29.760 I think I've been in a subway in 20 years. 01:06:35.760 --> 01:06:36.080 Okay. 01:06:46.560 --> 01:06:48.400 I love you so much. 01:06:48.400 --> 01:06:49.200 I love you so much. 01:06:49.200 --> 01:06:49.680 I love you so much. 01:06:49.680 --> 01:06:50.320 I love you so much. 01:06:50.320 --> 01:06:51.680 I love you so much. 01:07:00.080 --> 01:07:01.120 I'm the cell phone here. 01:07:01.120 --> 01:07:02.560 So, I'm at White City. 01:07:03.520 --> 01:07:05.520 Station, White City station. 01:07:06.240 --> 01:07:09.920 And, uh, taking these subway for the tube to 01:07:09.920 --> 01:07:11.760 on street and then hopping on the 01:07:12.640 --> 01:07:15.200 Jubilee line, which should take me to 01:07:16.160 --> 01:07:16.960 water station. 01:07:18.400 --> 01:07:20.400 Boy, now the real adventure starts. 01:07:28.640 --> 01:07:29.440 It's a busy one. 01:07:32.600 --> 01:07:33.760 Welg. 01:07:54.720 --> 01:07:55.920 I might start coming in a bit earlier. 01:08:02.560 --> 01:08:32.560 This is the first time I've ever seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my 01:08:32.560 --> 01:09:02.560 I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a woman in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I've never seen a man in my life, I have never seen a man in my life, I've never seen a man in my life, I've ever seen a man in my life here, 01:09:02.560 --> 01:09:26.560 We'll be toasters and other advertisements, so we may have a plan some music. 01:09:27.560 --> 01:09:33.560 Given the pound, always support your local musicians. 01:09:33.560 --> 01:09:39.560 Maybe the RIA will come down to crack on him for performing that song in public. 01:09:39.560 --> 01:09:42.560 Okay, now we're out. 01:09:42.560 --> 01:09:45.560 Wow, do you believe that? 01:09:45.560 --> 01:09:48.560 Yeah. 01:09:48.560 --> 01:09:52.560 In this way, you're going to have a great day. 01:09:52.560 --> 01:09:54.560 I'd like to be part of that bridge. 01:09:54.560 --> 01:09:57.560 I'd like to be part of that bridge. 01:09:57.560 --> 01:09:59.560 I'd like to have a long escalator. 01:09:59.560 --> 01:10:04.560 I'd like to weigh down to the depths. 01:10:04.560 --> 01:10:05.560 Thank you. 01:10:05.560 --> 01:10:06.560 Man, could be any visitor. 01:10:06.560 --> 01:10:11.560 An action that construction will take us any attention to. 01:10:12.560 --> 01:10:13.560 Yeah? 01:10:13.560 --> 01:10:15.560 In the right of the center of the wall. 01:10:15.560 --> 01:10:16.560 Thank you. 01:10:16.560 --> 01:10:18.560 We'll be back. 01:10:18.560 --> 01:10:19.560 I'll be back. 01:10:19.560 --> 01:10:20.560 I'll be back. 01:10:20.560 --> 01:10:21.560 Yeah. 01:10:21.560 --> 01:10:22.560 We'll be back. 01:10:22.560 --> 01:10:24.560 That's the same thing. 01:10:24.560 --> 01:10:25.560 You got to be back. 01:10:25.560 --> 01:10:26.560 You got to be back. 01:10:26.560 --> 01:10:27.560 I'll be back. 01:10:27.560 --> 01:10:28.560 I'll be back. 01:10:28.560 --> 01:10:29.560 I'll be back. 01:10:29.560 --> 01:10:30.560 I'll be back. 01:10:30.560 --> 01:10:31.560 Okay. 01:10:31.560 --> 01:10:32.560 Take it around. 01:10:32.560 --> 01:10:33.560 Thanks. 01:10:33.560 --> 01:10:34.560 I'll be back. 01:10:34.560 --> 01:10:35.560 Yeah. 01:10:37.560 --> 01:10:38.560 I'll be back. 01:10:38.560 --> 01:10:39.560 I'll be back. 01:10:41.560 --> 01:10:42.560 I'll be back. 01:10:42.560 --> 01:10:45.560 Oh, we're going down. 01:10:45.560 --> 01:10:46.560 I'll be back. 01:10:46.560 --> 01:10:47.560 I'll be back. 01:10:47.560 --> 01:10:48.560 I will be back. 01:10:48.560 --> 01:10:49.560 Well, we're going down. 01:10:49.560 --> 01:10:50.560 What a loo. 01:10:50.560 --> 01:10:53.560 Three styles perfe. 01:10:53.560 --> 01:10:55.560 Dude, I can get used to this year. 01:10:55.560 --> 01:10:58.560 I'll be back. 01:10:58.560 --> 01:10:59.560 I'll be back. 01:10:59.560 --> 01:11:02.560 If you get it, you'll be back. 01:11:02.560 --> 01:11:04.560 If you get it, you'll be back. 01:11:04.560 --> 01:11:06.560 If you get it, you'll be back. 01:11:06.560 --> 01:11:08.560 For the end of the year. 01:11:08.560 --> 01:11:09.560 I'll be back. 01:11:09.560 --> 01:11:19.560 Okay, I'm a little worried that we're gonna, not, that's still good, let's see, how's 01:11:19.560 --> 01:11:28.560 the, that's the still recording, yep, we're good, we're just going to let it run out. 01:11:28.560 --> 01:11:33.560 Or until I get on the train and actually start to edit some of this stuff down. 01:11:39.560 --> 01:11:57.560 We've done it in exactly twenty-five minutes, which are right. 01:11:57.560 --> 01:12:04.560 Very right, and the last idea is this way. 01:12:04.560 --> 01:12:09.560 So, here we are, people just dashing off. 01:12:09.560 --> 01:12:17.560 Let's see, they get the train, we see Northern line, no? 01:12:17.560 --> 01:12:20.560 I think I gotta go up. 01:12:20.560 --> 01:12:26.560 That's indeed up we go, and hopefully that'll bring me right to water illustration. 01:12:26.560 --> 01:12:32.560 That wouldn't be great if I had a connection at the train waiting for me. 01:12:32.560 --> 01:12:40.560 Just as I have arrived, we're going up a very long, very steep escalator. 01:12:40.560 --> 01:12:42.560 Really busy. 01:12:42.560 --> 01:12:48.560 Plenty of people trying to get home awake for the weekend, couldn't be a busy time on them. 01:12:48.560 --> 01:12:52.560 These are your day, but everybody's pretty happy, it's been a beautiful day outside. 01:12:52.560 --> 01:13:00.560 Nice sunny, and we're looking forward to a very, very nice weekend. 01:13:00.560 --> 01:13:03.560 Now, what do I need down? 01:13:03.560 --> 01:13:08.560 Where the hell am I? 01:13:08.560 --> 01:13:15.560 Waterloo, okay, right out. 01:13:15.560 --> 01:13:21.560 More escalators, man, this is almost like Universal Studios. 01:13:22.560 --> 01:13:27.560 The Russian metal look, kind of funky. 01:13:27.560 --> 01:13:33.560 It's almost like the Star Wars ride, really interesting. 01:13:33.560 --> 01:13:38.560 That's design, or if it's just falling apart. 01:13:38.560 --> 01:13:46.560 It actually looks like, well, stay down the right, it was small, okay. 01:13:46.560 --> 01:13:54.560 And we were really far down, I couldn't hear my ears pop as I'm ascending. 01:13:54.560 --> 01:13:58.560 More people brushing by on the left, in a hurry to get home. 01:13:58.560 --> 01:14:04.560 Or just wanted to exercise on the escalator. 01:14:04.560 --> 01:14:06.560 That was pretty interesting. 01:14:06.560 --> 01:14:14.560 I had the phone up to my ear, and a voicemail came in, and the bling deafened me. 01:14:14.560 --> 01:14:17.560 All right, let me see, what'll we do? 01:14:17.560 --> 01:14:22.560 I think we've done it, now we're going to eat them. 01:14:22.560 --> 01:14:24.560 Hey, let's get going now. 01:14:24.560 --> 01:14:34.560 When using the voicemail, always touch it, and then I'll get it here, especially when you can. 01:14:34.560 --> 01:14:36.560 Here's something interesting. 01:14:36.560 --> 01:14:38.560 There's more gates to go through. 01:14:38.560 --> 01:14:41.560 I don't know which ticket I have to show. 01:14:41.560 --> 01:14:47.560 I have was my return ticket. 01:14:47.560 --> 01:14:50.560 I don't tell me I lost that. 01:14:50.560 --> 01:14:52.560 Shoot. 01:14:52.560 --> 01:14:54.560 All that I said. 01:14:54.560 --> 01:14:57.560 This is not good. 01:14:57.560 --> 01:15:00.560 Just pull everything out here. 01:15:00.560 --> 01:15:10.560 Here, no, that's not even a shit. 01:15:10.560 --> 01:15:15.560 I thought I had my return ticket here. 01:15:15.560 --> 01:15:16.560 All right. 01:15:16.560 --> 01:15:18.560 Can you replace that? 01:15:18.560 --> 01:15:21.560 I'm going to wash down. 01:15:21.560 --> 01:15:24.560 Oh, boy. 01:15:24.560 --> 01:15:27.560 That really sucks. 01:15:27.560 --> 01:15:30.560 I didn't even lose it. 01:15:30.560 --> 01:15:34.560 Okay, I thought I put it in my wallet here. 01:15:34.560 --> 01:15:39.560 I've been working on it for a long time. 01:15:39.560 --> 01:15:42.560 Really? 01:15:42.560 --> 01:15:46.560 I've fucking misplaced it. 01:15:46.560 --> 01:15:48.560 I'll damage it. 01:15:48.560 --> 01:15:55.560 I can't help it. 01:15:55.560 --> 01:15:58.560 I can't help it. 01:15:58.560 --> 01:16:00.560 Put it away. 01:16:00.560 --> 01:16:01.560 I can't help it. 01:16:01.560 --> 01:16:04.560 We have legs on the bamboo. 01:16:04.560 --> 01:16:06.560 It's longer than that. 01:16:06.560 --> 01:16:07.560 Take a tour. 01:16:07.560 --> 01:16:09.560 I've just made the ticket. 01:16:09.560 --> 01:16:12.560 I'm going to try to encircle my exercises. 01:16:12.560 --> 01:16:15.560 We can't have various problems. 01:16:15.560 --> 01:16:17.560 However, we have good services. 01:16:17.560 --> 01:16:21.560 Operating from more of their own plans. 01:16:21.560 --> 01:16:24.560 Go fucking. 01:16:24.560 --> 01:16:25.560 Oh, there it is. 01:16:25.560 --> 01:16:27.560 I knew I had it. 01:16:27.560 --> 01:16:34.560 I didn't put it where I thought I had it. 01:16:34.560 --> 01:16:42.560 Okay. 01:16:42.560 --> 01:16:54.560 Excuse me, which ticket do I have to use here? 01:16:54.560 --> 01:16:56.560 This one here, mate. 01:16:56.560 --> 01:16:58.560 That's what you know I went up. 01:16:58.560 --> 01:17:00.560 That's the show that you paid when you've come in there. 01:17:00.560 --> 01:17:02.560 Thank you very much. 01:17:02.560 --> 01:17:14.560 I'm going to encircle this one, mate. 01:17:14.560 --> 01:17:15.560 Okay. 01:17:15.560 --> 01:17:19.560 Into one of your stations. 01:17:19.560 --> 01:17:22.560 See the departure is good for us. 01:17:22.560 --> 01:17:32.560 It's over it. 01:17:32.560 --> 01:17:38.560 One, two, one. 01:17:38.560 --> 01:17:41.560 You can't stop breathing. 01:17:41.560 --> 01:17:50.560 You might spill the ground like something. 01:17:50.560 --> 01:17:57.560 6 years, we're gonna be qualified to come now, I'm gonna do the walk on the left, let's put it over here. 01:17:59.560 --> 01:18:06.560 Now it's me rushing in and out there, flying too, but take me to the field. 01:18:20.560 --> 01:18:27.560 I have to do the walk on the left, it's me, it's me, it's me, it's me. 01:18:50.560 --> 01:18:58.400 Now to find the first class carriage, which of course is going to be completely at the 01:18:58.400 --> 01:19:03.240 other end of the train, time now 1835. 01:19:03.240 --> 01:19:15.480 Perfect timing, love it when a plane comes together, and then we can sit down and edit out 01:19:15.480 --> 01:19:25.040 all the long silent bits, and maybe I'll even have to show it ready for uploading when I hit 01:19:25.040 --> 01:19:48.780 up, see where's the first class carriage, hmm, there isn't 01:20:18.780 --> 01:20:25.780 I'm going to turn off the recording now, have a great weekend everybody, bye