WEBVTT 00:00.000 --> 00:05.000 Daily source code for Thursday, March 24th, 2005. 00:06.000 --> 00:07.000 Yo DJ! 00:07.000 --> 00:09.000 I you don't make any more! 00:09.000 --> 00:12.000 Your DJ has only just begun. 00:12.000 --> 00:13.000 Transmators? 00:13.000 --> 00:16.000 We don't need no stinking transmitters. 00:16.000 --> 00:17.000 Autistic. 00:17.000 --> 00:18.000 Autistic. 00:18.000 --> 00:19.000 It's Adam Curry. 00:19.000 --> 00:20.000 Yeah. 00:20.000 --> 00:21.000 Hey everybody, how you doing? 00:21.000 --> 00:23.000 It's sunny and beautiful. 00:25.000 --> 00:27.000 Welcome to the Daily Source code. 00:27.000 --> 00:29.000 Coming to you from Curry Cottage once again. 00:30.000 --> 00:32.000 It is a podcast. 00:32.000 --> 00:33.000 That's right. 00:33.000 --> 00:35.000 With no commercial interruption. 00:35.000 --> 00:37.000 Now it's all sneaked in there. 00:37.000 --> 00:38.000 Product placement. 00:38.000 --> 00:40.000 So you'd never even know it was there. 00:40.000 --> 00:41.000 Right? 00:41.000 --> 00:43.000 Source code for March 24th. 00:46.000 --> 00:50.000 Oh man, I feel so much better than when I recorded yesterday's podcast. 00:50.000 --> 00:54.000 Oh, I was completely right. 00:54.000 --> 01:00.000 This morning, it's about, I was at the 715 Patricia Chemical Stairs with a cup of tea. 01:00.000 --> 01:04.000 As she all is done in the morning. 01:04.000 --> 01:06.000 Because usually she kicks me out of bed. 01:06.000 --> 01:09.000 You know, get the day going and I'll take Christina to school. 01:09.000 --> 01:12.000 But this morning, she brought up the tea and she said, let me guess. 01:12.000 --> 01:16.000 You'd really love to sleep a little bit longer when she has. 01:16.000 --> 01:20.000 I think I said something like, hey, hey, hey, hey. 01:20.000 --> 01:27.000 Okay, so my back is completely messed up. 01:27.000 --> 01:28.000 We're not messed up. 01:28.000 --> 01:29.000 That's right. 01:29.000 --> 01:34.000 I mean, it was almost a year ago that I had my motorcycle accident, 01:34.000 --> 01:37.000 where I did really mess up my back. 01:37.000 --> 01:41.000 And it really only acts up when I've been, let's see, 01:41.000 --> 01:43.000 doing all the fun things. 01:43.000 --> 01:47.000 Flying, having sex, lazying around the house. 01:47.000 --> 01:49.000 It's completely bite. 01:49.000 --> 01:52.000 But all the flying yesterday, you know, that's, 01:52.000 --> 01:58.000 that's a lot more physical than I anticipated it to be. 01:58.000 --> 02:01.000 All right, got a great podcast lined up for you today. 02:01.000 --> 02:03.000 We've got a couple of promos. 02:03.000 --> 02:06.000 We're going to check in on the skinny and sports, the skinny awards. 02:06.000 --> 02:09.000 And I, I got a fever. 02:09.000 --> 02:15.000 You know, the only thing that can cure is a little bit of cowbell. 02:15.000 --> 02:18.000 With some cowbell goes some guitar. Oh, yeah. 02:18.000 --> 02:21.000 Just purchased this one on iTunes paid 99 cents. 02:21.000 --> 02:23.000 So enjoy it. Here's mountain. 02:26.250 --> 04:36.000 [ Music ] 04:36.000 --> 04:40.000 Oh man 04:40.000 --> 04:43.000 Yeah, now that's so much better 04:44.000 --> 04:49.000 There's nothing like pumping some Mississippi queen through your stereo valve processor 04:49.000 --> 04:51.000 Anyone who's a radio or audio geek will know it 04:51.000 --> 04:53.000 I'm really a radio geek will know it 04:53.000 --> 04:54.000 I'm talking about 04:54.000 --> 04:57.000 You know that song is that's the type of song that you would listen to 04:57.000 --> 05:00.000 I'm like radio caroline 05:00.000 --> 05:04.000 The AM-only pirate broadcast ships in the North Sea 05:04.000 --> 05:06.000 In the 70s and would sound just like that 05:06.000 --> 05:09.000 You know that pumping and the pumping of the music 05:09.000 --> 05:13.000 Love it and it's such a beautiful day for something like that as well 05:13.000 --> 05:14.000 I mean I can see 05:14.000 --> 05:17.000 Oh man, I could probably see all the way to London 05:17.000 --> 05:19.000 If that's actually what London is way there 05:19.000 --> 05:23.000 And the distance beautiful day here in Guilford, the Curry Cottage 05:23.000 --> 05:25.000 With the daily source code 05:25.000 --> 05:29.000 Oh man, I was actually yelling along to that 05:29.000 --> 05:32.000 And as the first time I've ever bought a song off of iTunes 05:32.000 --> 05:37.000 I mean I had an account with iTunes for a long long time 05:37.000 --> 05:40.000 But you couldn't buy music purchased music in Europe 05:40.000 --> 05:44.000 And they finally got it done for the EU and the UK as well 05:44.000 --> 05:47.000 There's some controversy actually over the pricing in the UK 05:47.000 --> 05:50.000 Because the pound is so high that 99 cents of course 05:50.000 --> 05:54.000 Is almost you can almost get two songs to that if you're paying 99 dollar cents for it 05:54.000 --> 05:55.000 But whatever 05:55.000 --> 05:58.000 But it was a very enjoyable experience 05:58.000 --> 06:01.000 You know to just go to iTunes, Music Store and iTunes 06:01.000 --> 06:05.000 Search for Mississippi Queen and my SSI SSI PPI 06:05.000 --> 06:08.000 And then to have that return to sample it 06:08.000 --> 06:09.000 Yeah, that's what I want 06:09.000 --> 06:12.000 Purchase you want to buy, yes, one other confirmation 06:12.000 --> 06:13.000 And it was downloaded 06:13.000 --> 06:16.000 I almost made a very bad mistake of course 06:16.000 --> 06:21.000 I have two setups here in my studio, two screens 06:21.000 --> 06:27.000 One is my laptop, the other one is an old laptop that is connected to the cinema display 06:27.000 --> 06:29.000 And I almost downloaded on that machine 06:29.000 --> 06:32.000 Which is not my production machine for the source code 06:32.000 --> 06:34.000 And I probably would have run into trouble there 06:34.000 --> 06:36.000 Not being able to copy to the other machine 06:36.000 --> 06:42.000 Maybe I could have maybe there's like a way to run it on five of your personal machines 06:42.000 --> 06:44.000 But I didn't want to take any risk 06:44.000 --> 06:46.000 I just want download the song and play it 06:46.000 --> 06:48.000 So the experience was so beautiful 06:48.000 --> 06:51.000 I was just like, oh man, wouldn't it be nice to those one little extra button there 06:51.000 --> 06:54.000 And iTunes has said, Download this to play on your podcast 06:54.000 --> 06:57.000 So maybe you pay two bucks 06:57.000 --> 06:58.000 I don't know, I don't care 06:58.000 --> 07:00.000 I think 99 cents should probably cover it 07:00.000 --> 07:03.000 I've got a lot of listeners by podcast standards 07:03.000 --> 07:06.000 But not by broadcast standards 07:06.000 --> 07:10.000 So hopefully the 99 cents will do for this time then 07:10.000 --> 07:12.000 That I shared it with my friends 07:12.000 --> 07:14.000 I promise I promise I won't do it again 07:14.000 --> 07:16.000 Need 20 minutes of entertainment? 07:16.000 --> 07:17.000 Listen to one man revolution 07:17.000 --> 07:19.000 The show that looks at daily news and events 07:19.000 --> 07:21.000 From central Florida to around the world 07:21.000 --> 07:22.000 One man revolution 07:22.000 --> 07:24.000 Tilts at the windmills of daily directory 07:24.000 --> 07:28.000 tune in at feeds.feedburner.com slash the revolution 07:29.000 --> 07:31.000 Very interesting, thank you by the way 07:31.000 --> 07:33.000 Nice short promo, I love those for 15 second ones 07:33.000 --> 07:35.000 Beautiful 07:35.000 --> 07:39.000 People who are just starting to subscribe to the daily source code 07:39.000 --> 07:40.000 Or saying things like 07:40.000 --> 07:42.000 Dude, what's with all the commercialism 07:42.000 --> 07:44.000 You know, what's with all those advertisements you play 07:44.000 --> 07:45.000 So what's with all the pro modes? 07:45.000 --> 07:48.000 You shouldn't do that, that's like commercial 07:48.000 --> 07:50.000 I'm not talking about 07:50.000 --> 07:53.000 This is what I've been doing with the 07:53.000 --> 07:55.000 You know, with the show from day one 07:55.000 --> 07:57.000 It's been talking about podcasts in the community 07:57.000 --> 07:59.000 Other podcasts you name it, you know 07:59.000 --> 08:02.000 It's like, and stop with the plugging the eye river 08:02.000 --> 08:04.000 Are you getting paid by those guys? 08:04.000 --> 08:06.000 No, no, no, no, no 08:06.000 --> 08:10.000 The whole point is that anybody can make money that way 08:10.000 --> 08:13.000 There was this totally, oh man, people are like 08:13.000 --> 08:14.000 Skype in me, hold on a second 08:14.000 --> 08:15.000 Let me, yeah 08:15.000 --> 08:17.000 So I quit it, I'll leave it on if someone 08:17.000 --> 08:19.000 Interesting Skype's then we'll bring them in 08:19.000 --> 08:21.000 Okay, I'll just hide it though 08:21.000 --> 08:24.000 So yeah, I'd started with a 08:24.000 --> 08:26.000 Cinco coffee machine, believe me, I had the 08:26.000 --> 08:28.000 Cinco coffee machine a long time before 08:28.000 --> 08:30.000 I can't forget if selling anything 08:30.000 --> 08:34.000 Through an Amazon associate account 08:34.000 --> 08:36.000 No, it's really just to prove the concept 08:36.000 --> 08:38.000 It works, you can tell someone something on a podcast 08:38.000 --> 08:40.000 And drive them to your website 08:40.000 --> 08:42.000 Drive that traffic baby 08:42.000 --> 08:44.000 And they actually will purchase it through you 08:44.000 --> 08:48.000 And the Cinco coffee machine really got me excited 08:48.000 --> 08:50.000 I think the eye river is pretty logical 08:50.000 --> 08:52.000 I really just putting it there because people ask me 08:52.000 --> 08:55.000 Time and time and time again, what's your setup? 08:55.000 --> 08:58.000 So I've been thinking now to put together a whole page with 08:58.000 --> 09:01.000 Everything that is in my, in my kit 09:01.000 --> 09:04.000 Of course, not everything is available through Amazon 09:04.000 --> 09:06.000 Which is kind of helping me back 09:06.000 --> 09:08.000 I don't want to just put in some replacements 09:08.000 --> 09:12.000 People keep asking me about what kind of microphones I use 09:12.000 --> 09:14.000 And you know, I can answer the question 09:14.000 --> 09:16.000 A thousand times 09:16.000 --> 09:19.000 And then a thousand times more basically 09:19.000 --> 09:22.000 I see I forgot one thing as a part of my show prep today 09:22.000 --> 09:23.000 I was going to 09:23.000 --> 09:27.000 I've in Gmail I've set up a label for things 09:27.000 --> 09:29.000 I want to talk about on the source code 09:29.000 --> 09:33.000 Let me just skimmed through them and see if there's anything interesting here 09:33.000 --> 09:36.000 Yeah, this is something pretty cool 09:36.000 --> 09:38.000 This is from Michael Ridley 09:38.000 --> 09:41.000 Now, of course, I have to remember to put this into the show notes 09:41.000 --> 09:45.000 He's talking about mashups and he listens a couple of sites 09:45.000 --> 09:47.000 Again, I'll put this in the 09:48.000 --> 09:50.000 I'm going to start this and then we go 09:50.000 --> 09:52.000 I'll put this in the show notes at 09:52.000 --> 09:54.000 Create.com or daily source code.com 09:54.000 --> 09:56.000 Show notes of 09:56.000 --> 10:00.000 Mashups are obviously infringement 10:00.000 --> 10:03.000 Although I'm hearing a lot of noise from the creative community that 10:03.000 --> 10:06.000 Artists really don't mind if you mash up their stuff 10:06.000 --> 10:08.000 Or a lot of them don't and people seem to be kind of behind that 10:08.000 --> 10:09.000 But believe me 10:09.000 --> 10:13.000 The RIA and record companies will disagree strongly 10:14.000 --> 10:16.000 And he sent me this email about something 10:16.000 --> 10:18.000 It's been talked about on the 10:18.000 --> 10:20.000 Folus, that's Ph.O. 10:20.000 --> 10:22.000 So that's folus.org 10:22.000 --> 10:26.000 Papa Hotel, Oscar Lima, India, shareatango.org 10:26.000 --> 10:30.000 The idea of a client side mixing of mashups 10:30.000 --> 10:32.000 So I'll just read this. 10:32.000 --> 10:34.000 The general idea is instead of the producer 10:34.000 --> 10:36.000 Releasing the actual finished product of the remix 10:36.000 --> 10:38.000 You know, MP3 or CD4, whatever 10:38.000 --> 10:40.000 They would use a tool 10:40.000 --> 10:42.000 Which would apparently be similar to Sony's acid 10:42.000 --> 10:45.000 I've never used acid, but I think, well, 10:45.000 --> 10:47.000 I've never used the Sony tool acid 10:47.000 --> 10:49.000 And then basically that would do the mix 10:49.000 --> 10:52.000 So what would be distributed is just the control files 10:52.000 --> 10:54.000 Like in video would call that the EDL, the edit 10:54.000 --> 10:56.000 Decision list, you might call it 10:56.000 --> 10:58.000 It's basically a control file 10:58.000 --> 11:00.000 So you have to have the originals yourself 11:00.000 --> 11:03.000 And then you get the control data 11:03.000 --> 11:06.000 And then it mixes the mashup on your end 11:06.000 --> 11:08.000 Which is a fantastic way of kind of 11:08.000 --> 11:11.000 Routing around the whole problem of distributing this 11:11.000 --> 11:13.000 And I thought it was an excellent idea 11:13.000 --> 11:15.000 So it's almost definitely, you know, 11:15.000 --> 11:17.000 Think about, you know, what we can do with that 11:17.000 --> 11:19.000 In mashup land 11:19.000 --> 11:20.000 I would love to see if we could do that 11:20.000 --> 11:22.000 And if anyone knows anything about Sony acid 11:22.000 --> 11:23.000 Let me know what that is 11:23.000 --> 11:24.000 Or any other cool remixing tools 11:24.000 --> 11:27.000 I've been hearing some things about this 11:27.000 --> 11:29.000 So I guess it's obviously 11:29.000 --> 11:31.000 Something that people are digging 11:31.000 --> 11:33.000 Let me just go here 11:33.000 --> 11:34.000 Interesting story 11:34.000 --> 11:36.000 Says Wayne Pittenger 11:36.000 --> 11:38.000 About the state of airport security 11:38.000 --> 11:40.000 My wife's friend visited us in Pennsylvania 11:40.000 --> 11:42.000 From Florida before she flew up there 11:42.000 --> 11:45.000 She packed their duffle bag with 80 plastic easter eggs 11:45.000 --> 11:48.000 Packed with various prizes for an easter egg hunter 11:48.000 --> 11:51.000 Husband had warned her that it might not get through security 11:51.000 --> 11:53.000 With a duffle full of easter eggs 11:53.000 --> 11:55.000 Despite of that she went through air support 11:55.000 --> 11:56.000 Airport security and the flight north 11:56.000 --> 11:58.000 Without as much as a search through the duffle 11:58.000 --> 12:00.000 She still had to have her shoes checked though 12:00.000 --> 12:03.000 I love that 12:03.000 --> 12:05.000 I know there's another one I want to talk about 12:05.000 --> 12:08.000 Hold on, let's go back to the source code 12:09.000 --> 12:10.000 Oh my second 12:10.000 --> 12:11.000 I'm going to read this one 12:11.000 --> 12:12.000 After here we go 12:12.000 --> 12:13.000 Okay 12:13.000 --> 12:14.000 First I want you to hear this 12:14.000 --> 12:15.000 This is a 12:15.000 --> 12:16.000 A podcast 12:16.000 --> 12:17.000 This is the way 12:17.000 --> 12:19.000 Any podcast that I'm just going to 12:19.000 --> 12:21.000 Listen to and subscribe to immediately 12:21.000 --> 12:23.000 It's definitely going to start off like this one 12:23.000 --> 12:24.000 Check this out 12:24.000 --> 12:26.000 It's Saturday, January 12:26.000 --> 12:28.000 22, 2005 12:28.000 --> 12:30.000 Welcome to Mike's Lifecast 12:30.000 --> 12:32.000 Hello 12:32.000 --> 12:33.000 There 12:33.000 --> 12:34.000 There 12:35.000 --> 12:39.000 I love it 12:39.000 --> 12:42.000 Welcome to Mike's Lifecast 12:42.000 --> 12:43.000 Clear 12:43.000 --> 12:45.000 Basically he's in his airplane 12:45.000 --> 12:48.000 And he does a whole sound seeing tour of touching goes 12:48.000 --> 12:49.000 It's awesome 12:49.000 --> 12:50.000 It was like 12:50.000 --> 12:52.000 And the sound is so phenomenal 12:52.000 --> 12:53.000 Let me just 12:53.000 --> 12:55.000 Check this out 12:55.000 --> 12:57.000 Listen to a little bit of him do it 12:57.000 --> 13:01.000 Listen to a little bit of him do it 13:01.000 --> 13:03.000 Don't go to my little bit 13:03.000 --> 13:04.000 And he can do it 13:04.000 --> 13:06.000 First we're at 13:06.000 --> 13:08.000 30,000 feet 13:08.000 --> 13:14.000 First we're at 13:14.000 --> 13:17.000 Well you should listen to that 13:17.000 --> 13:18.000 Mike's Lifecast 13:18.000 --> 13:20.000 Check it out from 13:20.000 --> 13:23.000 From the show notes or to ipotter.org 13:23.000 --> 13:25.000 Really really really enjoyed that 13:25.000 --> 13:27.000 Thank you very much for making my day 13:27.000 --> 13:30.000 But from deep inside the underbelly of Chicago 13:30.000 --> 13:32.000 Comes a show with more belly 13:32.000 --> 13:34.000 Than Tony Suprano 13:34.000 --> 13:35.000 Not a big pussy 13:35.000 --> 13:37.000 But sort of a slight cat 13:37.000 --> 13:39.000 This tool on the podcast is your buddy 13:39.000 --> 13:40.000 Fat Matt 13:40.000 --> 13:42.000 The events of the day 13:42.000 --> 13:43.000 A mash of or two 13:43.000 --> 13:44.000 Fat Matt chats with Scott 13:44.000 --> 13:46.000 And they sometimes were blue 13:46.000 --> 13:48.000 The Fat Matt show 13:48.000 --> 13:50.000 Podcast to the world 13:50.000 --> 13:52.000 Mattonair.com is the source of the code 13:52.000 --> 13:54.000 That might make you hurt 13:54.000 --> 13:56.000 If you liked on and drew 13:56.000 --> 13:57.000 And you like a good chuckle 13:57.000 --> 13:58.000 Here's a podcast 13:58.000 --> 14:00.000 That's new 14:00.000 --> 14:02.000 With a very loose buckle 14:02.000 --> 14:04.000 The Fat Matt show 14:04.000 --> 14:07.000 Visit matonair.com for the source code 14:07.000 --> 14:08.000 Are you driving around? 14:08.000 --> 14:10.000 Then he goes into a whole bunch of examples 14:10.000 --> 14:11.000 Sounds like a pretty good show 14:11.000 --> 14:12.000 Haven't subscribed to it yet 14:12.000 --> 14:14.000 But I certainly will on the next 14:14.000 --> 14:15.000 On the next scan 14:15.000 --> 14:17.000 He has going back to the aviation cell 14:17.000 --> 14:20.000 I got a great email from Christopher Stork 14:20.000 --> 14:22.000 Excuse me 14:22.000 --> 14:24.000 Oh man 14:24.000 --> 14:26.000 I won't tell you what I'm doing 14:27.000 --> 14:29.000 Bob, Bob, I'm here 14:29.000 --> 14:31.000 Hey Adam, you were my sitter in the 80s 14:31.000 --> 14:33.000 When I told the folks I was too sick for school 14:33.000 --> 14:35.000 Bummer though is my 24 year old wife 14:35.000 --> 14:37.000 Listening to the data source code 14:37.000 --> 14:38.000 He says Adam, who? 14:38.000 --> 14:40.000 Alright buddy 14:40.000 --> 14:41.000 Thanks 14:41.000 --> 14:42.000 Did you want to do Rob the cradle here? 14:42.000 --> 14:44.000 Then anyway, since it sounds like an aviation buff 14:44.000 --> 14:45.000 Thought you'd like this 14:45.000 --> 14:48.000 I'm a captain on an ERJ145 14:48.000 --> 14:50.000 For US Regional Airlines 14:50.000 --> 14:53.000 I plug my iPod into the observer audio panel 14:53.000 --> 14:58.120 panel and listen to the daily source code on long flights at 37,000 feet. You come in through 14:58.120 --> 15:03.080 our headphones and keep us entertained like the lone ranger did for our folks. Man, thank 15:03.080 --> 15:07.880 you as a big compliment. With $16 million worth of airplanes strapped to my ass at next generation 15:07.880 --> 15:12.920 radio content in my ears, I like to think I'm flying into the future. My god, let me know that, 15:12.920 --> 15:20.280 you know, we should do that differently. We should do that differently. We should do that line again. 15:23.880 --> 15:29.960 That was going on. Okay, I guess it was a good idea. We're not going to do it. I'll do one more time now. 15:32.760 --> 15:38.200 With $16 million worth of airplanes strapped to my ass and the next generation radio content in my 15:38.200 --> 15:45.480 ears, I like to think I'm flying into the future. As the sun set last night, we were on top of thin layer of 15:45.480 --> 15:52.040 clouds around flight level 350 when the last whisp of light fell under the deck and the stars popped out 15:52.120 --> 15:58.040 above. It was if we were on the edge of the atmosphere. For a second, we were major Tom and you 15:58.040 --> 16:03.960 ground control. Unfortunately, as I enjoyed that moment, my flight attendant called up to say some 16:03.960 --> 16:14.440 dude was Yakkan in the aisle. Man, that's very cool. Chris, thank you very much. That's a wonderful 16:14.440 --> 16:18.440 email and it just tickles me to think that you guys are checking this stuff out at 30s. It's flight 16:18.440 --> 16:25.400 level 35. That's great. Excellent. Really appreciate the email. All right, let me see. What's 16:25.400 --> 16:32.440 going to talk about? Oh, yeah, no, we're doing all this bokeh stuff. You know, it's a, you know, 16:32.440 --> 16:37.480 run a nice set of company in 1990. Actually, he joined me in 1995 with the company that we then 16:37.480 --> 16:47.960 folded into the company we eventually took public in 96. And I paid less attention than, as I 16:47.960 --> 16:53.880 did now, to this, this magical thing that people call the business model. And you have many business 16:53.880 --> 17:01.000 models and, and, you know, in this bare essence, it sounds like, okay, it's, you know, it's a, 17:01.000 --> 17:05.800 it's a, you know, it's a way to make money. It's something comes in and you keep some as a whole 17:05.800 --> 17:12.200 bunch goes out. But in the five years that Ron and I have been, you know, in contact with 17:12.200 --> 17:16.040 having been doing anything, man, he's really gotten good at this spreadsheet stuff. And when it comes 17:16.120 --> 17:23.560 to what we're in the process of developing for podshow.com and some other properties is, 17:24.120 --> 17:29.480 I mean, it's great to see how this is really going to work. I mean, it's, it's for real. We finally 17:29.480 --> 17:36.280 come up with, you know, a way to do things that have numbers there that really work for everybody. And 17:36.280 --> 17:44.040 I think that this, yeah, this is going to be a new form of, I mean, the only word for it is commercialism. 17:44.040 --> 17:50.760 I realize that. But it seems so, so clear and so clean. It's, it's just, it's pretty transparent. 17:50.760 --> 17:55.320 I like it very much. And, and I like the fact that everybody can participate and that we're not 17:55.320 --> 18:02.200 locking anyone in or out by any locks, like distribution locks or anything proprietary. It's just, 18:02.760 --> 18:05.880 you know, how hard you're willing to work, the quality of the work you're going to bring, 18:05.880 --> 18:09.880 what's your product going to be, you know, how good is your product going to be or your service 18:09.960 --> 18:14.760 or combination. I think combination is probably best. And I'm really pumped about, 18:14.760 --> 18:19.560 about moving this forward and getting stuff going pretty soon. One thing that that I've been 18:19.560 --> 18:26.280 concentrating a lot on behind the scenes is I potted out org. This, of course, is not really a 18:28.280 --> 18:33.080 directory in the, in the, in the, in the sense of the word that you may know it. We may think about it. 18:33.080 --> 18:39.320 But more as a resource, I think the main resource is that at the back end of that server comes 18:39.640 --> 18:45.800 an OPML file that anyone can use for their iPod or applications or podcasting applications. 18:45.800 --> 18:50.680 And in fact, you can use it to start your own directory, which is great. And, and there are many 18:50.680 --> 18:55.960 people who do that. But I haven't thinking about how we can make iPod.org a lot more functional. 18:55.960 --> 18:58.920 And that's, that's obviously, you know, it's very clear what needs to be done there. I've already 18:58.920 --> 19:03.720 spoken about what we'll be doing with the, with the category node editors that they'll have 19:03.800 --> 19:11.720 many more tools to, to work on their space and to, you know, really be able to do good categorization 19:11.720 --> 19:18.200 and and build a community around the node. With that come, of course, some community tools, 19:18.200 --> 19:26.360 which would be an obvious one is a forum for a, I guess I should say, a community voting. 19:27.160 --> 19:33.080 That's a big one. And I would definitely say search is going to be extremely important, which is always, 19:33.160 --> 19:40.440 you know, the thought that I've had behind show notes in OPML. And maybe I'm wrong about this, 19:40.440 --> 19:47.000 maybe it's not necessary at all. But I feel that for somehow an extension of show notes outside of, 19:47.000 --> 19:51.800 you know, just a description tag that you put into your blog post was going to be something 19:51.800 --> 19:58.280 we would be desirable because in an OPML file, basically, let's use an outliner to create a 19:58.280 --> 20:04.360 document, a text document, but it formats it on, on the back end as an XML file. So that's very 20:04.360 --> 20:09.880 easy to parse and to, I guess, to index. So I think there's two, two kinds of search. One is, 20:09.880 --> 20:14.200 you know, I'm looking for a show, you know, that I'm looking for dawn and drew, for instance, 20:14.200 --> 20:19.960 or I'm looking for a show about, you know, a risk-a podcast. And then specifically in the show notes, 20:21.320 --> 20:25.800 and that should draw all the way down into the ID3 tags of the file itself. And there should be 20:25.960 --> 20:30.520 some consistency there. So these are things that will really make a great resource, you know, 20:30.520 --> 20:35.880 a good resource to a great resource to have these, these pieces put in there. And I'll tell you, 20:35.880 --> 20:46.600 right off the bat, we're not going to be building that. What was that? No, I'd say we'd probably 20:46.600 --> 20:52.440 be doing some interesting, some interesting deals with people who already have that. 20:52.520 --> 20:59.000 That I'm curious, and the listeners of the Daily Source Code, I need your help. That sound, 20:59.000 --> 21:03.720 that was the sound of my wife running away screaming. You see, the fact is, I'm boring her to 21:03.720 --> 21:10.200 death lately. I'm a geek, and she's not. She gets tired of hearing me go on and on and on and on 21:10.200 --> 21:17.240 about tech and tech news. So you can help me out. Give me an outlet, listen to my podcast, give me 21:17.240 --> 21:22.520 somebody to talk to, talk tech with, let's build a community. I just got one question for you. 21:22.520 --> 21:27.800 Are you a geek? If you can answer yes to that question, you might like my podcast. So check it out at 21:27.800 --> 21:39.000 www.areogeek.com. Oh, man. Well, you know, where's the hot or not podcast? You know, that's, 21:39.000 --> 21:44.440 that's what we need. Where's the podcast dating service? Come on, people get it together. That's 21:44.520 --> 21:50.920 great. I'm a geek. I'm proud to admit it. I am. I just let my wife dress me up pretty once in a 21:50.920 --> 21:55.720 while. That's all you got to do. You know, let them clean up once in a while and then and give you 21:55.720 --> 22:01.240 that, you know, that salmon Dave haircut. No, whatever. Yeah, let them do all that. Be a Barbie doll. 22:01.240 --> 22:06.040 And then that's cool. You've got to cross over to the dark side once in a while. 22:07.320 --> 22:11.640 Skinny on sports, fastest 10 minutes on your iPod, my favorite sports podcast. It's 22:11.800 --> 22:17.640 Skinny on sports dot com. They put together the first sports award show podcast that I know of at 22:17.640 --> 22:24.040 least. So go ahead, email me and tell me you were first. The human rented it. You invented a 22:24.040 --> 22:31.240 award shows. What they did is it's very cool. They got a whole bunch of really well-known 22:31.240 --> 22:38.920 podcasters. To basically do category categories of awards and had them all recorded. Oh, no, 22:38.920 --> 22:43.480 I'm sorry. It wasn't pre-recorded. It was all happened in life, right? Just like Michael Geek, 22:43.480 --> 22:46.920 Michael Butler, Rockin' Roll Geek, that turned off. That's not the venue. 22:47.640 --> 22:51.720 Next, we're going to have to move outside where the pre-party and the post-party for the Skinny's 22:51.720 --> 22:55.800 are going to be happening. Michael Butler is outside there with American heartbreak. And you know, 22:55.800 --> 23:01.160 he always shows up with a full-on-terogent tonight at Skinny's. That's no exception. Michael, take it away. 23:09.400 --> 23:18.680 I just blew it all away from San Francisco. And I got to take it. Boy, oh my god, I'm so tired. 23:22.680 --> 23:27.800 Okay, so make sure you check that out. Don and Drew showed up. Michael Gohagan, 23:29.480 --> 23:34.360 Dave Slusher, you know, the the pod squads there and full effect. It's definitely something you 23:34.360 --> 23:41.400 got to check out. Skinny on sports, the first annual Skinny Awards. And my friend Kai Chesent me this, 23:41.400 --> 23:48.760 she Skype instant message this, this MP3 to me. I've heard this before. It's a Monty Python 23:49.800 --> 23:55.960 comedy skit. Although I don't think it's an actual one of the cast members who does the voice. 23:57.480 --> 24:02.200 But it's something that if you haven't heard it, you just got to hear it again. It's only two and a 24:02.360 --> 24:10.600 half minutes. It's not safe for work. And it is titled, what is it? The meaning of the word fuck. 24:19.320 --> 24:24.760 Perhaps one of the most interesting words in the English language today is the word fuck. 24:25.640 --> 24:31.240 Out of all of the English words that begin with a letter F, fuck is the only word that is referred to 24:31.320 --> 24:39.800 as the F word. It's the one magical word. Just by its sound, can describe pain, pleasure, hate, and love. 24:40.680 --> 24:46.760 Fuck, as most words in the English language is derived from German, the word freaking which means 24:46.760 --> 24:54.680 to strike. In English, fuck falls into many grammatical categories as a transit of verb, for instance, 24:54.760 --> 25:02.440 John fucks Shirley. As an intransitive verb, Shirley fucks. It's meanings not always sexual. 25:02.440 --> 25:09.320 It can be used as an adjective, such as John's doing all the fucking work. As part of an adverb, 25:09.320 --> 25:16.920 Shirley talks to fucking much. As an adverb, enhancing an adjective, Shirley is fucking beautiful. 25:17.800 --> 25:25.560 As a noun, I don't give a fuck. As part of a word, absolutely, or in fucking credible. 25:26.120 --> 25:30.680 And, as almost every word in a sentence, fuck the fucking fuckers. 25:31.640 --> 25:37.240 As you must realize, there aren't too many words with the versatility of fuck. As in these examples, 25:37.240 --> 25:43.640 describing situations such as fraud, I got fucked up a used carlaught. This may, 25:44.200 --> 25:51.800 oh, fuck it. Trouble. I guess I'm really fucked now. Aggression. Don't fuck with me, buddy. 25:52.600 --> 25:59.000 Difficulty. I don't understand this fucking question. Inquiry. Who the fuck was that? 25:59.880 --> 26:06.680 This satisfaction. I don't like what the fuck is going on here. In confidence, he's a fuck off. 26:07.560 --> 26:12.040 This missile. Why don't you go outside and play hide and go fuck yourself? 26:12.840 --> 26:18.840 I'm sure you can think of many more examples. With all of these multipurpose applications, 26:18.840 --> 26:25.960 how can anyone be offended when you use the word? We say, use this unique flexible word, 26:25.960 --> 26:31.800 more often than your daily speech. It will identify the quality of your character immediately. 26:32.600 --> 26:36.600 Say it loudly and proudly. Fuck you. 26:39.400 --> 26:45.560 You know, that's one of those audio clips that circulates around the radio business every 26:45.560 --> 26:52.280 couple of years. It got sent to me, as I said, just today. I figured I'd let you into the family. 26:52.280 --> 26:56.280 If you hadn't heard that before, you know, now you remember that secret society. All you need to hear 26:56.280 --> 27:01.000 now is the infamous KCK some dead puppy long distance dedication in your set. 27:11.880 --> 27:17.000 I am again. All right, but another hit test. We're going to start right away. This is number one. 27:17.960 --> 27:25.000 Easy. Easy. Easy. Easy. Easy. Easy. You did that twice. Sharp breast man. 27:25.000 --> 27:30.840 G G top. Yep, reminding you to tell you that my G G top is number two. 27:38.040 --> 27:45.240 Don't waste my time. It's either things that don't waste my time. 27:47.000 --> 27:54.680 Okay. Say, say, say, say. This is a good one, John. I like him. Michael Jackson. Say, say, say, 27:56.280 --> 28:02.280 down in before the bell. And time's up and the yardy answers this is answer number one. Okay. 28:02.360 --> 28:07.880 Uh, like a tie. It's the season top. It's sharp, dressed man. 28:11.080 --> 28:11.880 Listen black tie. 28:15.720 --> 28:20.280 My favorite part of the record. Uh, just play it. 28:20.280 --> 28:36.040 And number two. Hey, very distinctive sounds. The sound of bad habits. This is Jimmy 28:36.840 --> 28:40.840 Virgin. That's the song I meant, actually. Look at half a point. 28:53.720 --> 28:57.960 Why can't I remember all the lyrics? Not the title of the song. 28:58.600 --> 28:59.960 It's going to be easy. 29:02.200 --> 29:05.720 Jenny birthday answer number two in today's hit test. And this is answer number three. 29:08.200 --> 29:11.720 Oh, McCartney together with the trouble Michael Jackson. 29:11.720 --> 29:19.240 This is, say, say, say, say. I guess I want to have a point for that too. 29:19.240 --> 29:20.760 I want to say Michael Jackson. 29:23.750 --> 29:46.250 [ Music ] 29:49.080 --> 29:51.880 Answer number three. Full McCartney in Michael Jackson. 29:54.040 --> 29:57.400 Well, let's hit again for today. It's a quick hit test. 29:58.440 --> 30:04.280 You know what to do with the hit test at gmail.com. And you've been finding information at G and 30:04.280 --> 30:10.680 the OLHE. And that stands for young folk at death in L. But I don't see you next time for another hit 30:10.680 --> 30:16.120 missed. Bye. Bye. Actually, uh, so actually, as I sang along with that song reminded me 30:16.920 --> 30:20.760 something we did on the on the radio show in the morning show that didn't haunt. 30:21.720 --> 30:26.440 You know, uh, how sometimes you'll think that lyric goes a certain way and you'll be singing it, 30:26.440 --> 30:29.400 but it's completely wrong. And it turns out to be actually pretty funny. 30:30.520 --> 30:36.600 If you've had that happen to you, who's that? Oh, it's Ron Bloom. I'll tell you what. So we should 30:36.600 --> 30:43.400 we put him on the show. Do that. So joining joining us now on the daily source code from Miami 30:43.400 --> 30:51.480 Florida, it's Ron Bloom. Good morning. South Beach. I'm sorry. I'm in South Beach. I'm sorry for the 30:51.480 --> 30:56.520 faux pas. It's just another planet. Hey, dude, how you doing? All right, man. How's it going? 30:56.520 --> 31:00.760 Yeah, it's good. Daily source code land. Yeah, I just finished up the hit test almost done with a show. 31:02.280 --> 31:09.560 You guys clear what a revival. 1983. What's the question? Uh, uh, what, uh, 31:12.120 --> 31:19.240 band that John Fogretty played in. Is that it? Yeah, John Fogretty. Do I get another one? 31:19.240 --> 31:24.680 Well, once it once was the largest band in the world. What? CCR? Yeah, so we did. 31:24.680 --> 31:28.760 Didn't you get into like a big fight with Warner Brothers or something? Yeah, you know, they should 31:28.760 --> 31:35.240 form a label with Springsteen. What do you mean Springsteen's in the same trouble? He went through 31:35.240 --> 31:38.840 the thing where he couldn't record for five years and creed instead of that sort of kind of thing. 31:38.840 --> 31:42.840 Yeah, well, so did Prince and wasn't that all was, so it wasn't all Warner Brothers then. 31:43.800 --> 31:48.440 Yeah, just just artists being themselves. Mm-hmm. Anything to report, Ron, or uh, 31:49.480 --> 31:53.560 if you could talk about it, you got any damage announcement? Yeah, I got any damage announcements, 31:53.560 --> 31:58.520 did. Hey, come on, all the kids are doing it. You today. I think I can tell you that things look great. 31:59.960 --> 32:05.640 And it was just fun. I was jumping around a room like a one-legged man that announced kick in front. 32:05.640 --> 32:11.320 Oh, one of those days, huh? Yeah. Okay. Things are going well. Okay, cool. I'll uh, 32:11.400 --> 32:14.440 I'll call in and check you later. I just wanted to check it and see how the show was going. Okay, 32:14.440 --> 32:21.480 but thank you very much. Dr. Lateron. Bye bye. Yes, ladies and gentlemen. Okay, so there you have it. 32:21.480 --> 32:26.040 First hand, he's excited. What was that excited as a one-legged man in a 32:26.040 --> 32:29.720 ass-kicking contest? I'm not quite sure what that man. But anyway, 32:30.840 --> 32:33.480 remind me to tell you this easy top story some other time. Okay. 32:33.800 --> 32:41.240 That's it for your source code for today. March 24, 2005. Comments are welcome. 32:41.240 --> 32:46.760 Adam at curry.com. You can leave some on our weblog www.curry.com. 32:46.760 --> 32:52.200 DannySourceCode.com is where you can find the show notes. We can find the latest episodes. 32:52.200 --> 33:00.280 And of course, the podcast. I'll be back tomorrow. The in-laws are here. So, hey, let's do some 33:00.280 --> 33:07.000 sounds seen tour of the cottage with the in-laws. Then again, maybe now. I'll talk to my 33:07.000 --> 33:17.000 everybody. Take care. Bye bye.