WEBVTT

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Fletcher's dribbling down the
center core. Here we go. Hey,
everybody

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Welcome to a daily source code
special edition from the curry
condo in

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South Beach

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Or is this actually is this
Miami Beach or South Beach? I'm
not even going to tolerate that
as a question

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This would of course mean that
it's

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If you don't know the answer,
you don't qualify okay residents
and

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So it's a special on the road
edition

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been here on vacation and

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Ron and I thought it would be
Ron Bloom my friend partner and
co-founder out

00:38.800 --> 00:43.640
Boku communications and do you
hear that home all the sudden?

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Yes, our neighbors maybe some of
the colleges. Yeah, so we've
actually got a pretty
interesting set up

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We're on the balcony here in the
in the building Ron lives in
this building and

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We're renting an apartment for
our 10 day stay. That sounds
shitty

00:59.280 --> 01:01.280
Where'd that come from all of a
sudden?

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You're much level here not
another level here

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And oh, they know how more
sounds like you're a blackberry.
Oh, move that away

01:12.960 --> 01:20.340
No, no, wow. It's the coffee.
We'll live through it. Yeah,
actually these might so we've
got a the task cam

01:20.960 --> 01:26.480
Pocket studio five that we're
using as a mic mixer and we're
both wearing these headphone

01:26.480 --> 01:31.520
Microphone deals the headset
with a mic that come you know
like the Jan Jackson microphone

01:31.520 --> 01:36.080
Which actually makes us look
more like to highly under
qualified guys doing a

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A play by play at a college
basketball game. I must say I
didn't enjoy your wardrobe now
function

01:44.120 --> 01:47.120
Half time and so we're sitting
on the balcony

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Overlooking let's see, that's
the is that the Miami skyline

01:51.640 --> 01:54.920
That's how Miami you're
overlooking this game bay

01:55.520 --> 01:59.760
And that sounds much better than
the Miami skyline. I love the
Miami skyline

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Metropolitan Miami right you're
listening to the airport flying
over here because this week
we're in the flight path

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You know, they take off that
they move it around. No, they
don't move that around to please
you

02:12.320 --> 02:16.960
They move that around depending
on the wind. No, that that's the
other part. I mean noise control

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You watch a no bank hard to the
left. Oh, okay

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I mean we call that noise
abatement. Yeah, you do. We just
like get the fuck out of my sky

02:26.380 --> 02:28.380
Okay, Ron, so

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There's a cup actually

02:30.800 --> 02:32.800
It's as real treat to have you
on the show

02:32.800 --> 02:36.000
appreciate you making room on
the couch. Yeah, okay

02:37.480 --> 02:43.400
What's your you know, maybe we
should set some stuff up first
cool. So people know who you are
they are they all know who I am

02:43.400 --> 02:50.520
Do you want me to drag it out of
you or yeah, that's the
probability of something ring
the pitch

02:51.520 --> 02:59.200
So maybe we should okay, well,
you're from Atlanta. That's
where you were born born and
bred. Okay, and you're how old?

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Lenty

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That's not 20

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That's twice 20 plus okay, but
your roots actually aren't
necessarily business. No, no

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Well, my roots are in
entertainment

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musician

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a bag of bond

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20 years on the road

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And I'm gonna make it home
tonight. You see you joke about
it, but

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You're well since we didn't
establish your age, but you're
old enough to have I did you
actually play on some stocks
records?

03:29.880 --> 03:31.880
Yeah, I played a

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A lot of R&B sessions in the 60s
early 60s as a guitarist

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And when you live in the south,
you learn how to R&B pretty
early so we we were a small
group of musicians that ended up
being in bands like

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They came from the R&B world
ended up being in bands like
Leonard Skinner and Almond
Brothers and the those sort of
southern rock R&B inspired bands

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Mm-hmm, and I played I became a
session guy and a songwriter

03:57.520 --> 04:00.520
Yeah, anything that we might
have heard

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Let's see now I was fortunate
enough to be involved in one of
the few songs in history. We are
the world

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Almost as interesting one of the
few songs in history to be a top
10 record in two different

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Generations same same song.
Okay. I would know it. You would
know it. Okay

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It's like a hit testing how many
bars and it's out. I'll tell you
the the first line of the chorus

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If I could fly

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Is that a if I could fly

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Is that bread?

04:44.920 --> 04:46.920
Okay

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It's not even water

04:49.720 --> 04:56.800
But that's what I'm gonna be
having it's a song called Into
the Night and it's it was a hit
song by a Benny Bernoude

04:56.800 --> 05:04.880
Benny Mardonus any more down.
Yeah, sure. We recorded that
song. That was a huge hit number
one. Yeah, I'm a one single
yeah, and

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Eight years later after all the
drug money was used up with
Benny for the next record

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Was the advance for the second
record you don't do drugs. I
didn't ever have but he he did
he did enough for both of us and

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The second record didn't quite
go anywhere but the first record
had into the night which was a
nice big hit and

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Then about eight or nine years
later after not speaking to him
for a while he calls me up
because they were running

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In the band back together and
some a disjocke and

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Texas I think

05:38.260 --> 05:45.400
Played it as an oldy but it had
been been so long as since
anyone heard it. They thought it
was a newy right and they
started requesting it. Yeah,
sure

05:45.400 --> 05:48.180
I know there was no record in
the poly polygram

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Didn't want to re-release it cuz
they left on hard terms

05:51.500 --> 05:57.020
So we went out and we
re-recorded the single a sound
alike of our own record really

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Over just to own the master just
to have a new master right and
that master went up to top five

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I don't think it made it to one
but it like number three year
number two. Yeah, cuz I was at
MTV when it was getting a lot of
play

06:08.460 --> 06:09.820
Yeah, you go there you go

06:09.820 --> 06:15.440
So I'm associated with a few of
those in other records and bits
and pieces and if you're
watching late night

06:15.440 --> 06:22.720
HBO or Showtime and you see some
really bad B movies like a high
school movies like you know more
like Chuck Norris movie

06:23.720 --> 06:26.080
Yeah, the bound to see some of
my music hanging out

06:26.080 --> 06:32.240
Now you didn't you do some
business with Chuck Norris sure
enough did we had a kung fu
studio

06:33.440 --> 06:37.760
Really, yeah, we had a recording
studio well we called it audio
post production

06:38.320 --> 06:44.600
It's a very professional. We did
post production for cannon films
and Warner Brothers films out
there in Los Angeles

06:45.520 --> 06:50.560
Had a beautiful studio built
into a villa and we ran that for
about three years

06:51.520 --> 06:58.720
During which time I made lots of
lots of records and lots of lots
of songs for film mostly be
movies like mixing in action

07:00.560 --> 07:02.560
Missing in action, yeah

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Really you score for that not
the score where lots of keys on
yeah, and you know you see him
for everything from

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Disney movies like pre hysteria,
you know children movies all the
way up to

07:13.120 --> 07:18.640
Movies of the other opposite
ill-quare. There's not a lot of
where your name is not
rom-bloom, but then dover

07:18.640 --> 07:20.640
He doesn't have a lot of
dialogue

07:21.040 --> 07:25.040
How a lot of dialogue and those
but lots of room for sound the
movie. I did the voice over for
the

07:25.440 --> 07:30.640
The voice dubbing got a fully
wrecked penis or word from
hustler magas. Yeah, I think I
got a couple of those things too

07:30.640 --> 07:32.640
for them on my

07:32.640 --> 07:35.040
astounding hair raising or maybe
it wasn't hair

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Soundtracks

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Okay, I was in Los Angeles

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Yeah, man. I was in Los Angeles

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And I was running the studio
process and then I started
thinking about this internet
thing

07:46.720 --> 07:50.400
Don't you skip the whole really
important part when talk about
Stephanie

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Stephanie's simplest junior.
Yeah, that one

07:55.360 --> 07:58.560
Stephanie. That's an important
part. Is it? Yeah, I think so

08:00.480 --> 08:02.480
Okay, all right

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So I won't delve into it. You
just give me the highlight the
executive summary

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Executive summary like where do
you meet her? I was like the
first time Kavalo

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Hello and far-knowly who managed

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Prince

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Asked me to remix some

08:16.080 --> 08:18.080
Prince artist music and

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I did that and put some the
prints and

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Myself have it the only two
people in the United States that
had this thing called a fair
light

08:25.760 --> 08:27.760
Which people do they call Sam?

08:27.760 --> 08:28.560
Walk

08:28.560 --> 08:30.560
Fairly was awesome man and

08:31.760 --> 08:32.800
So

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Disem stuff with friends or four
prints and the same management
company picked up Stephanie

08:38.560 --> 08:41.840
Stephanie, Stephanie princess
Stephanie of Monica. Yeah, yeah

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That's a one of the managers
over there call me and so hey,
you know

08:45.600 --> 08:49.200
I had already built a reputation
for writing music for people who
really couldn't sing

08:51.440 --> 08:54.640
Kind of one of those myself were
you behind me leaving you that
guy?

08:55.440 --> 08:56.400
That's right fair

08:56.400 --> 08:59.040
Yeah, but between not being able
to sing and not singing at all

08:59.040 --> 09:00.400
Yeah

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Yeah, you know people like

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Jack Wagner. I'm a song for Jack
Wagner

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Excellent

09:07.360 --> 09:09.200
I can sing pretty good, but it's
not gonna be

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Not gonna cover off the ball
those type of people

09:12.080 --> 09:13.040
So

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The idea is to write a song that
that person can handle so they
ask me to write some songs for
Stephanie

09:19.120 --> 09:21.440
And she came over to studio.
That's how I'm there

09:22.880 --> 09:24.880
Okay

09:25.280 --> 09:29.440
To be in the rest of the history
to be continued one day. Yeah,
okay

09:30.000 --> 09:31.200
So

09:31.200 --> 09:35.040
So then you start hearing about
this internet thing so you were
basically in LA you were

09:36.240 --> 09:41.920
You're probably like just
running around right trying to
get some shit going on trying to
get something happening

09:42.320 --> 09:48.480
Well, I sold this studio right
yeah, and I was with freelance
producer just writing songs and
working on tracks

09:49.280 --> 09:55.760
And when I had worked on the
fair light I started I had sent
some files back and forth
through the internet and

09:57.600 --> 09:59.760
I started hearing about this
thing called a browser

10:00.720 --> 10:05.600
And I started screwing around
with it. I'll you remember this
old machine. I had the hardly
worked in a dialogue dude

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Where you had all the sounds for
every single finder effect

10:08.240 --> 10:13.600
Yeah, loser you're like so bad.
I had a very swapping out files
just to play this plug

10:13.920 --> 10:16.640
Yeah, I was like into the sound
thing. I did it. It's nothing

10:17.360 --> 10:19.760
I'll never forget that. Yeah,
okay, so

10:20.400 --> 10:24.400
So you know man this got to be
something to this I think I
think this possible to

10:25.360 --> 10:31.360
To reinvent music by bringing it
on to this internet thing. So
I'm checking around. I'm writing
a

10:32.960 --> 10:34.960
info Marshall and

10:34.960 --> 10:40.400
Was that golf licks and not
quite but it was of about credit
repair which we all needed at
that particular time

10:40.400 --> 10:42.400
I grew and

10:42.400 --> 10:48.480
And we needed a producer a
camera man sound man in New York
and we found this guy named Rick
and Kilman

10:49.520 --> 10:51.520
and Rick Kilman

10:52.160 --> 10:56.320
And I were talking during the
break of filming this awesome
info Marshall

10:57.440 --> 11:02.320
And he says you know I know this
guy named Adam Curry who knows
this internet thing

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I said you mean long-haired

11:04.880 --> 11:06.880
Video god Adam Curry

11:06.880 --> 11:08.880
Now what did you really say

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That dark I said is that dark a
geek or that geek adore

11:11.680 --> 11:16.160
Uh-huh, so Rick Kilman was the
audio guy at MTV. He was also
all he's a radio guy

11:16.240 --> 11:20.960
He does all you know anything
that has to do with sound and he
does he's a piece of work

11:22.080 --> 11:24.080
And so you know

11:24.080 --> 11:28.880
I said well if somebody this is
just out there as Rick Kilman
says it Adam Curry's kind of
cool

11:28.880 --> 11:31.120
He also said he did Adam Curry
was difficult

11:31.680 --> 11:33.680
Really? So I said well if he's
difficult

11:33.680 --> 11:37.680
Yeah, I said if he's difficult
and you know that's kind of guy
I want to work with

11:38.640 --> 11:47.840
I'm pretty difficult myself and
so I cold called you that's
right and you were kind of had
one foot out the door at MTV or
you were kind of

11:48.160 --> 11:56.080
No, I think I was already you
out just already out. Yeah, and
I and I was sitting in an office
with Brad Sirling. Yeah, and did
I have

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Do we have any other people
there not yet just Brad right?
Yeah, at Media America. We're
sitting up there

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With a half an ISD and line
trying to

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I share some internet a chair in
a box. Yeah, literally a chair
really that because when we had
our meeting we had to pull in
another box

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I talked to you on the phone. I
said hey man. I got this idea. I
want to do this music thing on
the internet

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And I want to do it for the
Grammy Awards because I knew the
guy that ran the narrows the
National Academy

12:23.440 --> 12:30.240
Recording Arts and Sciences and
I've done some music work around
the Grammy. So I figured I would
try to convince them to sponsor
the idea

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Bring in music online and you
said cool

12:34.160 --> 12:40.400
Yeah, you know, and then I came
to New York the next day. That's
right. I showed up with you like
your black blue jeans your black

12:40.400 --> 12:46.880
Adams and you're you know like
black cowboy boots, you know way
too hip for the fucking room
black

12:48.080 --> 12:56.320
Major black ass actually like
attitude, but yeah, yeah, man.
And then and that was a very
enchanting because as many have
said

12:57.280 --> 12:59.280
After me

13:01.040 --> 13:08.400
You've tell a story like Kenny
you've been just a saxophone. I
was I wove the web. You know, I
didn't build a web. I just wove

13:09.360 --> 13:13.600
So it's okay, so from my
perspective that was like, oh,
it's guys got something
happening and

13:14.240 --> 13:20.720
Did I didn't I agree to come out
to LA the next day or two days
later? We go back together.
Yeah, we went to the next day.
Yeah, all the way back to

13:20.720 --> 13:28.720
I would know no plan on how to
sell it. We went down to the
narrows. They just moved into
this new building and then right
my green

13:29.600 --> 13:30.560
And

13:30.560 --> 13:36.080
Rob's sin. Oh, Rob's and I
forgot I was gonna say what's
his name right. Yeah, both
George boys and

13:37.040 --> 13:42.400
With the aquarium in the office.
Yeah, he was real proud man. He
had a beautiful office. We
should go get that thing

13:42.560 --> 13:49.120
He built a beautiful building
and probably available. Yeah,
you know, he he took the Grammys
not many people listening
probably know

13:49.120 --> 13:54.400
I bet it Grammys was an inch
away from exhibition. It was a
death brand. No one wanted to
fucking do anything with it

13:54.880 --> 14:00.160
And he's got a little bit of
craziness in his in his recent
background, but man. He rebuilt
that brand and

14:00.560 --> 14:02.560
What we said to him was hey, you
know

14:02.800 --> 14:07.680
It's tired. You know in the
Grammys is it's a tired brand
for tired old people and if you
want to get hit

14:07.680 --> 14:13.040
You got to do something with the
internet and he he said a very
intelligent thing. I never
forget what is the internet?

14:13.040 --> 14:16.240
Yeah, this internet used to be
go. What is that?

14:16.240 --> 14:29.680
1994. I was like a October 94
right and we proceeded to
explain what we thought it was
and we came up with this idea
that we called a cybercast

14:30.160 --> 14:33.280
And that it not what the
internet people think of it
today

14:33.920 --> 14:38.160
But for us it was a
simultaneous. We were going to
use television radio

14:39.360 --> 14:42.400
And the internet see you see me.
Yeah, and

14:43.440 --> 14:48.640
Well, okay, I'm getting ahead of
us. So we're more the story or
later

14:49.840 --> 14:55.240
Well, yeah, we'll do that later.
Yeah, we'll just move forward
the Grammys story. Yeah, so
anyway

14:55.240 --> 14:58.240
So long long story short. I said
Ron

14:59.920 --> 15:02.000
Was it before the Grammys or
someone else had to well

15:02.560 --> 15:06.960
Once you come on in take half
the company and let's go let's
go build this fucker

15:06.960 --> 15:11.120
It was during the Grammys disc
trade. Yeah, we kind of looked.
I think we realized it

15:11.120 --> 15:15.120
I think we realized we had a
vibe in a way out of partnership
and instinctively

15:15.440 --> 15:21.680
At least for me, you know
instinctively we just started
splitting the work and getting
some done and not bitching about
it

15:22.400 --> 15:27.440
Finding attracting smart people
good people. Yeah, so then we'll
just

15:28.080 --> 15:32.400
Because there are lots of
stories and we should certainly
talk about some of them in
podcasts in the future

15:32.400 --> 15:36.960
Yeah, but then eventually we
wound up taking our

15:38.000 --> 15:39.600
Company

15:39.600 --> 15:47.600
Public I mean that was actually
I remember we had a conversation
in the hallway and the
conversation was okay here are
choices

15:48.080 --> 15:50.080
we can

15:50.240 --> 15:52.240
Go take money from

15:52.240 --> 15:54.240
John

15:54.240 --> 15:56.960
And be his bitch, but in a good
way yeah

15:57.040 --> 15:59.040
In a good way

15:59.200 --> 16:04.320
Or we have a maybe a once-in-one
lifetime opportunity to take a
company public

16:04.880 --> 16:06.880
I think we both what's right
there went

16:07.440 --> 16:14.320
That's doing the public thing.
That's going to be interesting,
but that was 95 that was way
before the bubble the first
question we asked was what's
public

16:14.320 --> 16:20.560
Yeah, how does that work? Yeah,
that was that work. Yeah, that
was a really good ride. Yeah,
that was I was most excellent

16:20.880 --> 16:24.000
Well, you know considering what
we've learned about people who
think they have it down

16:24.000 --> 16:25.600
I thought we handled ourselves
pretty well

16:26.560 --> 16:32.800
So we went through everything
that a major a major corporation
goes through without lying

16:33.440 --> 16:39.920
Yeah, exactly and then you know
we we built a business over a
hundred million in revenue when
we were selling that yeah, that
was real money

16:39.920 --> 16:42.480
Real money yeah, I mean a big
payroll too

16:42.480 --> 16:46.400
We do we have like four hundred
and twenty five employees or
something like almost five
hundred

16:47.280 --> 16:50.240
Crazy 60 million bucks a year
payroll

16:51.440 --> 16:53.440
Holy moly so

16:54.400 --> 17:01.360
That that was merged into
another public company. Yeah,
and they're still around and
they're still making my little
money

17:01.360 --> 17:06.560
It's always yeah, it's some of
our original guys are back out
on their own and lots of our
original guys

17:06.560 --> 17:13.680
They're all over the place. We
see to the whole generation of
misfits that really talented and
there's still an alumni list
that

17:14.160 --> 17:17.360
Twenty-four all still post two
once in a while, so yeah, and

17:18.320 --> 17:22.960
And anyway, so we've been in
touch often on for the past five
six years

17:23.200 --> 17:27.200
Yeah, we sold we sold it in 99
and we been on enough since then

17:29.120 --> 17:31.120
And

17:31.120 --> 17:33.120
Then what happened?

17:33.120 --> 17:38.080
In the middle of that we tried a
couple of ideas. I mean, I think
that I think that both of us
felt

17:38.720 --> 17:44.480
That this idea of an individual
being self-publishing or we we
thought of it as self-casting

17:45.040 --> 17:48.640
Was going to happen yeah,
because you got into

17:49.280 --> 17:53.280
Well, do you could you got into
some interesting stuff with mesh
networks and cable network?

17:54.320 --> 17:58.480
I tried every possible form of
technology. I could to convince
any big company

17:59.040 --> 18:01.680
That upstream was as important
as downstream, you know

18:02.240 --> 18:03.440
Yeah, close up all the time

18:03.440 --> 18:05.920
And you had jambi and you were
doing some really cool stuff and

18:06.720 --> 18:14.080
You know, I came out and visited
you in Holland. We almost did
the jambi thing together and
then you almost did capacity
with me and we went back and
forth and yeah

18:14.560 --> 18:15.840
And then

18:15.840 --> 18:18.640
And you know that it was just
the drive to you go

18:19.600 --> 18:24.160
Some place you know different
and then you found it you found
it you called me last year

18:25.200 --> 18:27.600
One of those out of the blue
calls that I learned to expect
from you

18:29.360 --> 18:34.640
That now other people have come
to expect from us. Yeah, you
know Lance is always like oh

18:34.960 --> 18:38.800
There's Ron. Oh, there's that.
Yeah, yeah, there's 30 years
there

18:38.800 --> 18:41.040
So yeah, it's a bridge. We
hadn't burned yet. That's pretty
good

18:42.000 --> 18:47.840
You said hey you said they do
it. I think I really have it
this time. You know, and it was
sound in your voice where

18:48.880 --> 18:50.640
You know, I just said all right

18:50.640 --> 18:55.120
He probably does it feels right
even before I heard what it was
and you said, you know

18:55.760 --> 18:57.760
Look, it's very simple

18:58.000 --> 19:00.000
File make your own stuff

19:00.000 --> 19:04.720
Distribute it yourself. Yeah,
and and and I said this is
fantastic

19:05.520 --> 19:10.000
You know and we immediately I
think started doing some
interesting things and at least
talking about it

19:10.080 --> 19:13.520
Which is the way we started the
last big thing we did yeah, but
for like months months

19:13.520 --> 19:17.200
We talked for it. We really
attracted for a long long time
and you know

19:17.200 --> 19:23.440
I think I think we made a
commitment then to be to not
overstep it on a commercial side
and and let

19:24.000 --> 19:29.200
The listener the potential
audience tell us if they like
the idea let the potential
production audience

19:29.200 --> 19:32.400
You know let us know if they if
they dug doing it and

19:33.600 --> 19:38.080
And to set it up, you know to
use what we learned in our last
adventure to our benefit this
time

19:38.240 --> 19:39.600
You know

19:39.600 --> 19:41.600
so

19:41.600 --> 19:43.600
You know, I subscribe to

19:43.920 --> 19:49.920
Just millions of feeds and
millions of podcasts. I'm
listening to everything and
everybody as much as I can

19:50.720 --> 19:53.360
I have my life as one big
podcast

19:54.560 --> 20:01.760
And I came across this podcast
just before we got on the plane
to come down here or over here
over and down here

20:02.640 --> 20:04.640
From something called

20:04.640 --> 20:06.640
dreadful snake radio

20:06.640 --> 20:12.560
I like it already. Yeah, it's
really cool and it's a creative
bit which maybe we'll get tired
of it halfway through

20:12.800 --> 20:17.520
But it's worth listening to a
little bit of it because it
addresses some concerns that

20:18.400 --> 20:20.400
The podcast community

20:20.400 --> 20:22.400
You know, which means

20:22.400 --> 20:28.560
I don't know what that means,
but it's there's noise out
there. You know, there's a lot
of people want to know what's
going on and there's like

20:28.800 --> 20:35.280
Odio came out with something and
then they didn't have something
and now they have something
really cool and and no one
really understands what we're
doing

20:35.680 --> 20:37.680
That's good

20:37.680 --> 20:39.680
I think is really great

20:39.680 --> 20:43.920
That's the first step in doing
something well exactly so he so
we put together this

20:44.320 --> 20:50.080
Podcast called money and
podcasting a semi rant and he
just asked some questions which
you know

20:50.080 --> 20:55.120
I think would be fun if we just
listen to him just address it.
Let's do it. It's it's a
creative little thing

20:56.080 --> 21:00.400
Come on, let me see dreadful
snake radio. Yeah, I was so

21:01.280 --> 21:03.760
So if you want to stop it just
raise your hand y'all

21:06.880 --> 21:08.880
Set funds on bread

21:09.440 --> 21:12.720
Well, hi, this is dreadful snake
radio guy and

21:13.680 --> 21:15.680
Today's subject

21:15.680 --> 21:19.760
It's about podcasting and I'm
directing this

21:20.320 --> 21:22.320
Conversation to anybody that's
interested

21:22.640 --> 21:26.160
But if you're if you're not a
podcaster yourself

21:26.800 --> 21:28.080
You may be going

21:28.080 --> 21:30.080
I'm not sure if I know what this
is all about

21:31.040 --> 21:35.440
But give this a shot if you are
into podcasting yourself and

21:36.640 --> 21:39.440
Then I think this is really an
important topic

21:39.680 --> 21:47.920
So I'm gonna try to wax eloquent
here. I've been mentally calling
this a rant as I've sort of
prepared some of the thoughts
for it

21:47.920 --> 21:51.680
You actually tell you why it is
really sort of a poll-revere

21:52.000 --> 21:54.000
Warning thing

21:56.000 --> 21:58.000
I want to stake out

21:58.000 --> 22:00.000
All around podcasting

22:00.880 --> 22:08.480
Just as another line of thought
because I see this podcasting as
a movement that's at a
crossroads

22:09.040 --> 22:14.720
And I want to address some stuff
that Adam Curry is bringing to
the marketplace right now

22:15.120 --> 22:17.120
See why I want to do here

22:17.120 --> 22:19.120
Yeah

22:19.840 --> 22:24.720
You got to listen to this. This
is great. It's about this. He
did some like bits. You'll like
it. It's really funny

22:24.720 --> 22:27.360
And it really has to do with the
fact that this movement

22:28.080 --> 22:32.400
may become a marketplace and
this is not an anti-adom

22:32.400 --> 22:34.400
That's a that's a good

22:34.400 --> 22:37.920
The movement become a more
marketplace thing. It's a matter
of fact

22:37.920 --> 22:41.600
Adam as you'll you'll hear when
I do this is kind of a hero a
mine

22:42.000 --> 22:48.880
I think he's an incredible
talent and has the potential to
bring this in this movement if
you will

22:49.760 --> 22:53.760
To a place where it will be
incredibly better than it will
be today

22:54.160 --> 22:55.760
But I'm a little worried

22:55.760 --> 23:02.800
I'm a little worried. I'm a lot
worried about some of the stuff
I hear around it's me so bear
with me here we go

23:03.280 --> 23:04.800
Here's what I have in mind

23:04.800 --> 23:10.640
Okay, this is not an anti-adom
Curry statement. What this is is
it's a plea

23:11.360 --> 23:13.520
It's a plea for keeping

23:13.520 --> 23:17.440
Populism popular and keeping
access open

23:18.240 --> 23:25.760
In podcasting. That's one of the
things that's the coolest about
podcasting is it's an absolutely
open movement

23:26.320 --> 23:34.080
I was involved in some early
television when cable TV started
coming out there was a movement
called gorilla TV the Michael
Shamburg

23:34.960 --> 23:39.280
Did you ever hear of that? Yeah,
I'm a gorilla TV man. What? It's
like outgold scene

23:39.280 --> 23:43.440
It was a lot of that stuff down
south too with it. Really?
That's a real time of return

23:44.320 --> 23:47.120
Irundated in cable in his own
way really

23:47.920 --> 23:52.320
And the blue channel you know
gorilla TV the blue channel and
the york you know the blue
channel

23:52.880 --> 23:58.480
Yeah, that's what Robin bird and
all that stuff. Yeah, is she
still on well? I know Mr.
Cameron man

23:58.880 --> 24:03.280
Come on baby bang my box. We
used to love watching that when
we first moved to New York

24:03.280 --> 24:05.280
That's sweet. We digress

24:07.520 --> 24:10.480
We dude Howard Stern is gonna
make a hundred million dollars a
year

24:10.480 --> 24:13.840
Let me just tell you something.
Yeah, this is something you're
gonna enjoy. Yeah, okay

24:15.120 --> 24:19.600
250 mercer my old pad and yeah
guess who had to be for me

24:20.720 --> 24:23.200
No idea you just said our name
dude

24:24.640 --> 24:27.200
Robin bird had your pad 250
mercer

24:29.280 --> 24:35.760
Did you meet her that's what I
heard? I'm sure but there were
some things on the wall that you
heard about the bird heard about
there was a wood

24:36.720 --> 24:40.320
Little Robin bird all right back
to this dude. Yeah, all right

24:40.720 --> 24:45.200
Was the spearhead up I was
involved in some of that stuff.
I've just from time to time

24:45.200 --> 24:47.840
I mean, I'm no revolutionary,
you know, I'm a

24:48.240 --> 24:55.200
Believe me, I'm not but I've
been involved from time to time
in these grassroots movements
and I see what happens to them

24:55.600 --> 25:01.920
The money comes in thing. I
really think we're to cross
roads and we got to make sure
that we don't let the money
aspect

25:02.480 --> 25:13.200
Take this great possibility
that's podcasting down the
toilet of commercialism like it
has on every other form of media
that we've seen out there

25:14.640 --> 25:16.640
Wow, he's flushed with
excitement

25:18.000 --> 25:22.400
But isn't that misguided? Well,
yeah, I mean isn't this
completely it's like

25:23.040 --> 25:25.520
How can money control anything?
Well

25:26.160 --> 25:31.520
The only way that money controls
is if there's a limit of
resources to broadcast

25:31.520 --> 25:37.520
If there's a limit of number of
resources money can buy up the
resources and control it

25:38.000 --> 25:43.520
So the real thing that's going
to choke off podcasting is going
to be lack of enthusiasm from
content

25:44.400 --> 25:48.480
People if they don't do good
stuff good enough stuff to
attract attention then

25:49.280 --> 25:51.280
It's going to be the victim of
its own

25:52.160 --> 25:56.960
Self out of the evolutionary
chain right so but and and

25:57.440 --> 26:04.640
Why do creative people not show
up to the party? I mean they're
they're here, but so what if
that what would make that dry
up?

26:05.280 --> 26:10.880
Well, what that what happens is
we have to simplify the process
of letting people be creative

26:11.280 --> 26:13.280
Look and let me try something
else out on you

26:13.840 --> 26:18.480
Okay, one to one communication
through the phone. You know one
to one audio

26:19.120 --> 26:24.400
We've had 60 70 years to get
every permutation of it you
could possibly have

26:24.960 --> 26:32.320
From from cell phones or regular
phones to conference calls to
calls with messaging and all
these different things that are
happening

26:32.320 --> 26:34.320
Well huge industries

26:34.880 --> 26:40.880
Have grown up around one to one
communication, but now we have
self publishing and there's no

26:41.520 --> 26:43.520
Real industries around self
publishing

26:44.080 --> 26:45.280
Web logs

26:45.280 --> 26:48.880
Is the first hint at an industry
and an industry doesn't have to
be commercial

26:49.600 --> 26:52.640
Just has to have enough people
to crank a wheel of progress,
right?

26:52.720 --> 26:58.480
So but that so it's an industry
then web logs now isn't it?
Yeah, it may not be a
commercially successful one

26:58.480 --> 27:07.040
But it's industrious and it's
self perpetuating, right and and
there's millions of people self
publishing and millions of
people listening

27:07.520 --> 27:12.080
Reading there's not millions of
people self publishing and
billions of people listening

27:12.640 --> 27:13.680
This is different

27:13.680 --> 27:18.400
Is that again? There's millions
of people self publishing right
and there's millions of people
reading

27:18.880 --> 27:26.000
But the ratio of readers to self
publishers is not of the typical
ratio of a normal medium where
you have a narrow amount of
providers

27:26.560 --> 27:31.920
And a large huge audience a
large amount of consumers so
what what needs to happen in

27:32.960 --> 27:37.680
Podcasting at least in my
arrogant opinion is that the
that there needs to be an

27:38.240 --> 27:41.120
Constantly open doorway for
anyone to self publish

27:41.920 --> 27:47.520
Filtering mechanism for them to
find the level that they want to
which they want to rise in their
self publishing endeavors

27:48.000 --> 27:54.080
And then all of those publishers
need to support each other in a
manner that drives the audience
because some people want to
listen

27:54.800 --> 27:56.800
Some people want to speak and

27:57.360 --> 28:05.120
Podcasting is an is in a method
for one to speak to many and the
many can be one to two or it can
be one to two million

28:05.760 --> 28:13.120
So this this industry where
other than saying this
commercial industry is is
waiting for

28:13.440 --> 28:18.240
People not to worry so much
about whether there is money or
isn't money and start talking
about how we all band together

28:18.240 --> 28:19.520
We're going to track listeners

28:19.520 --> 28:21.520
You care about what being said

28:21.520 --> 28:27.440
Because that's the that's the
bottom line is if we could spend
you and I could go raise a
hundred million dollars

28:27.440 --> 28:34.720
And we could get we could foster
all kinds of podcasting make it
free for everyone to do it in
the end if no one wanted to
listen then that's it

28:34.720 --> 28:36.720
We'd have you know

28:37.600 --> 28:40.320
What was it X football triple X
football?

28:40.400 --> 28:42.400
Whatever that was

28:42.400 --> 28:48.320
Hundred million dollars of
wasted effort of something that
one was interested in we're part
part of the beauty of podcasting
is that

28:49.120 --> 28:51.120
And this guy will get to it
actually

28:51.120 --> 28:54.560
Oh, hold that thought let's
listen to it because he he

28:55.440 --> 29:01.760
He actually asked the question
that I would come up with next
so let's go explore that topic
in a couple places, okay?

29:02.400 --> 29:05.200
Let me you like this format. I
like to form that in

29:06.160 --> 29:12.080
He start with a sound effect and
asking you what you think it is
here we go

29:14.400 --> 29:17.200
No, this is the comedic bit.
This is funny

29:19.600 --> 29:21.600
So what is this sound?

29:22.320 --> 29:29.200
Okay, what do you think that was
that whistling wind sound? It
was a whistling. There's two
choices now answer a

29:29.840 --> 29:39.040
That was the Microsoft evil
empire blowing smoke up Adam
Curry's butt by sending him a
new machine that shows video of

29:39.760 --> 29:43.920
Demembers of Doran Doran
personally addressing Adam Curry

29:44.560 --> 29:52.320
Backing him in and hypnotizing
him into the evil empire of
Redmond Washington

29:53.280 --> 30:00.480
Or Doran Doran backwards is not
rude in a rude it could be me
and 4,000 other potters

30:01.280 --> 30:05.520
Trying to blow smoke up his ass
also trying to get a mention on
his show

30:05.520 --> 30:11.120
I know I've done it I sent him
emails that he's ignored so what
I'm trying to say is

30:12.240 --> 30:17.120
I guess we're all pimping our
stuff and I don't want to just
say that Microsoft is doing it

30:17.920 --> 30:23.040
I'm doing it to I'm I'm trying
to get people to vote for me on
pad podcast alley

30:23.040 --> 30:26.240
I'm I'm pimping my show there's
no doubt about it

30:26.640 --> 30:33.360
But Microsoft is pimping our
technology to add him and
everybody like Adam that's a
leader in this industry too

30:33.760 --> 30:38.080
So there's a lot of that stuff
going around and I only
mentioned that because

30:39.920 --> 30:44.640
It's going on and let's realize
that a lot of the big corporate
interests are realizing

30:45.200 --> 30:52.080
Maybe this is something that's
going to take off and people are
worried about it people are
interested in putting some money
into it

30:52.480 --> 30:54.480
Let's see what happens now

30:54.800 --> 30:58.800
Let me specifically address a
statement to Adam for a moment

30:59.200 --> 31:02.720
Adam you are one of my heroes
you are the

31:02.720 --> 31:09.920
Does this will does a hot God
that's my that's my thing for
you the PG and then you are the
pod god

31:10.480 --> 31:14.640
And they're I just want to ask
you to be careful

31:15.600 --> 31:22.000
About where you take this
movement we've got because it
sounds like you want to take it
from a movement

31:22.560 --> 31:28.160
To an industry so let me examine
that word couple of key
questions question number one

31:28.960 --> 31:36.080
Adam Curry can you actually take
it somewhere and my answer is
yes, I think you can and here's
why

31:37.360 --> 31:39.360
I consider Adam Curry a leader

31:40.080 --> 31:41.920
Of what's going on in podcast

31:42.320 --> 31:44.320
What's the definition of
leadership?

31:44.320 --> 31:49.840
You know, I do not work in
business. I know what that means
and I know that leadership can
only be judged

31:50.480 --> 31:56.720
If people follow that person
then they're a leader now
there's a lot of things that
make a good leader a bad leader

31:56.720 --> 31:58.720
A mediocre leader

31:58.720 --> 32:04.720
But the bottom line is our
people following will frankly
many many of us are following
Adam around

32:10.160 --> 32:14.800
I want to know what makes a good
and bad

32:15.920 --> 32:26.400
Mastering means I've got a lot
of great ideas about podcasting
from Adam let me give you an
example his whole concept of how
podcasting is the new community
radio

32:27.200 --> 32:34.000
Oh, that's awesome. You know
radio is a small community
that's that's a small you know
AM broadcast radio

32:34.320 --> 32:38.320
But now with podcasting it's not
a

32:40.000 --> 32:44.000
You want to slow down listen to
it later

32:44.480 --> 32:54.240
This yet, but I'm recording it.
It's a content community how I
think about a good podcast is
it's a content community and the
boundaries of this little
country is

32:54.640 --> 32:58.880
The content and people that like
it. It's not geographic. It can
be anywhere in the world

32:59.120 --> 33:01.120
It can be the wing commander and
antwerp

33:01.440 --> 33:03.120
It can be you and sorry

33:03.120 --> 33:06.800
It can be me and the
northeastern United States or
whatever

33:06.880 --> 33:11.440
So anyway, this is exciting
stuff my point is Adam you are a
leader

33:12.320 --> 33:17.920
Many many of us are listening to
you on a nearly daily basis and
the we are interested in

33:17.920 --> 33:24.080
We're taking the industry so be
careful about what you say to us
because we're kind of following
here

33:24.640 --> 33:26.640
He has a point there

33:26.640 --> 33:28.000
Absolutely

33:28.000 --> 33:33.520
He has a point oh in here. Okay.
We're kind of following here.
Okay question number two

33:34.480 --> 33:40.720
Where are you going to go with
this question? You've got to
bring more dollars into this
medium

33:40.720 --> 33:49.840
That is content rich dollar poor
medium today now. Let me explore
that do you agree with that
content rich dollar poor?

33:51.040 --> 33:53.040
No

33:53.280 --> 33:56.000
Okay, no

33:56.000 --> 33:58.000
Is it content poor dollar rich?
I

33:58.720 --> 34:00.720
understand it. I understand it

34:01.840 --> 34:04.880
I understand it, but I'm old
enough to have seen

34:06.240 --> 34:11.680
The birth of FM radio, you know
the birth of independent record
labels and and

34:14.240 --> 34:19.120
There's a content and it's going
to the beautiful thing about
podcasting

34:19.360 --> 34:23.360
The different from a lot of
things out there is that it is
at the content can find its own
level

34:24.080 --> 34:30.720
So I'm not sure content rich,
you know, you can have a ton of
content that's no good and
you're never going to support

34:32.560 --> 34:35.520
Holistic industry or revenue
generating industry

34:36.080 --> 34:39.360
What's great about podcasting is
I believe that

34:40.080 --> 34:46.400
That you're going to be able to
have room for content to find
its own level the long-tailed
concept, right?

34:46.800 --> 34:53.120
So a guy who is not that
exciting but talks about
something that a thousand people
are in love with

34:53.120 --> 34:58.240
And interested in they find an
audience in podcasting right
that can be commercial or non
commercial

34:58.240 --> 35:04.880
But if they do it right and we
do our job, right that person be
commercial or non-compare be a
priest or a mechanic

35:05.680 --> 35:10.720
Can can contribute to turning
podcasting into a medium

35:11.280 --> 35:13.280
Which it isn't yet

35:13.280 --> 35:15.280
piggybacking on other things

35:15.520 --> 35:20.800
But to be a true global medium
it needs to have an audience

35:21.760 --> 35:28.160
That that consolidates itself in
admits that it is following the
content, right?

35:29.200 --> 35:31.200
So to be a medium

35:31.600 --> 35:37.920
What's challenging about
podcasting is we're inventing
the technology we're redefining
the content or what you and I
would call format

35:38.400 --> 35:43.680
And we're trying to to
demonstrate it. It's a medium
all at the same time usually
usually it's a chicken or egg

35:44.400 --> 35:45.600
HD TV

35:45.680 --> 35:51.040
It's a technology that was it
trying to find an audience
before there was any content for
yeah, we're doing those

35:52.240 --> 35:54.240
My pacemaker

35:54.960 --> 36:01.120
We're doing those the
simultaneously yeah in real time
and and and that's what's that's
why it

36:01.120 --> 36:07.200
In some ways it's foolish in
other ways it's foolproof
because if it's it's really
simple if it's no good

36:07.760 --> 36:11.200
It's gonna die. Yeah, if it's
good. It's really

36:11.680 --> 36:18.800
Almost unstoppable right but so
the the next question of what
the disguise can ask it to is do
you need money to make
podcasting good?

36:18.800 --> 36:24.320
I mean, that's gonna be a fine
line between you know getting
some extra money in this thing
to live on

36:24.960 --> 36:31.920
Money that drives better content
and so on to when you get a lot
of money into a particular media
time after time

36:31.920 --> 36:33.920
We've seen that money corrupts
it

36:34.320 --> 36:37.440
Okay, there's a fine line
between that well

36:37.520 --> 36:44.240
We don't have any money in this
medium yet we're waiting for
Adam to tell us sort of about
pod show and what might come
into it and all that

36:45.280 --> 36:52.080
And everything Adam tells us
about community and everything I
feel really good about it's just
I sort of see that there could
be some dark clouds out there

36:53.040 --> 36:58.320
But when Adam goes out there and
he sells the sentio coffee maker
on his site. Oh

36:58.800 --> 37:03.280
Insert commercial here. I put it
back on by the way. I changed
these years. Excuse me. Oh

37:04.720 --> 37:07.200
Yeah, wait a minute coffee
break. Hold on a second

37:08.080 --> 37:10.080
Hmm

37:10.080 --> 37:12.080
We actually could use a refill
here

37:13.120 --> 37:15.120
Where's my my daughter?

37:15.840 --> 37:21.600
Another commercial break. We're
sponsoring her podcast. Oh, wow.
What was that? Do we just lose
volume?

37:22.240 --> 37:23.440
Are you there?

37:23.440 --> 37:30.320
Check this out. What happened
there? That was really weird.
Hey, how's it? Did you hit? Did
you? Did you? Did you? Did you?
I didn't I didn't

37:31.600 --> 37:34.480
Do I do something weird? Did you
hit your microphone volume?

37:34.800 --> 37:39.200
Oh, maybe I'm sitting on it.
That's totally possible. Hold
on. Oh, thank you. Yes

37:41.280 --> 37:47.920
That did it. Hello, he's the uh,
okay, let the ass ask me to this
guy. He's coming. He's got some
creative coming up. Yeah

37:48.640 --> 37:52.000
You know, I'm fine, but it's got
some good questions. He doesn't
give a rest of that

37:53.040 --> 37:58.480
I'm feeling fine about it or
not, but I gotta tell you. I
feel fine about that. He's very
up front about what it is

37:58.560 --> 38:00.560
Why he likes the product

38:00.640 --> 38:06.000
Why his liking it is different
than just selling it somewhere
else. It makes a lot of sense to
me. It really does

38:06.560 --> 38:14.000
But what I worry about is
occasionally I hear about well,
there's other ways to do things
advertising products

38:14.160 --> 38:19.600
And I worry about you know
somebody thinking out ahead of
time not saying Adam would do
this

38:19.600 --> 38:25.360
But here we're gonna have a
subliminal product placement
strategy and then we'll get
backing from a

38:25.360 --> 38:30.640
Dodge Dakota and a Sancio and a
someone so and I'll drop that
into the conversation

38:30.640 --> 38:32.640
What's this guy now? I mentioned
something about a

38:33.760 --> 38:37.680
What's he drive? Did he drive a
Dodge? I think maybe I just
wonder if I can

38:38.000 --> 38:42.080
vagina and then I'll mention the
car, but then we'll get the
check to come in

38:42.560 --> 38:45.600
Man, that is not the business
model right there

38:45.920 --> 38:47.920
vagina card check

38:47.920 --> 38:49.520
That's Holland isn't

38:49.680 --> 38:57.840
Adam or no one else is
suggesting that but as this
thing goes forward from a
non-money media to one that has
some money in it

38:58.960 --> 39:00.960
We gotta find the right balance

39:00.960 --> 39:06.160
We gotta find a way to make it
viable for people that need the
money they're doing podcasting

39:06.160 --> 39:08.960
But it doesn't corrupt the
medium itself

39:09.280 --> 39:10.480
Question number three

39:11.360 --> 39:16.080
I gotta take a deep breath here.
In fact, I'm even gonna have a
sip of water here and then
question number three

39:16.080 --> 39:18.080
This is where it starts to get
very avian

39:20.000 --> 39:23.920
Club love that was the water
going down. Okay. Question
number three Adam

39:24.560 --> 39:30.880
You were choosing a group of
potters if I can call them that
to work with now what's great is

39:32.240 --> 39:38.400
That we want to hear people with
great content getting better and
with better opportunities and
promotion

39:38.960 --> 39:42.000
So that the circle widens and
the and the news gets out there

39:42.640 --> 39:49.040
So far so good. Yeah, that would
be great. We really are looking
forward to that and I think
that's where you're going

39:49.600 --> 39:51.600
Okay, but let me tell you what
with suck

39:52.400 --> 40:00.240
What with suck is if podcasting
becomes dominated by an elite
group that has a louder
megaphone

40:00.560 --> 40:05.360
Then the rest of us so that the
grass roots can't be hurt and I
don't I mean

40:05.760 --> 40:09.440
You know there's 4,000 of us now
and I'm in there. That's cool

40:10.240 --> 40:14.800
But there's gonna be 10,000 more
behind me and I don't want to be
the elite either

40:14.800 --> 40:19.360
I want everybody to have a shot
at building that content
community that's out

40:20.480 --> 40:23.840
To see where he's going. I
absolutely do

40:24.880 --> 40:26.880
But I ask him me

40:27.280 --> 40:29.280
Yeah

40:29.280 --> 40:34.240
You know our strategy. We should
address this in many ways

40:34.240 --> 40:42.240
He is absolutely online and
incorrect and I have you know
questions that I would ask is
has commercialism killed the
internet

40:42.880 --> 40:44.880
What do you think?

40:44.880 --> 40:46.880
No, it's only grown a bigger

40:46.960 --> 40:50.240
Of course and and now we're
discovering more

40:51.120 --> 40:53.600
Look you can look at it sideways
and say

40:54.320 --> 40:57.440
You know podcasting is for
people who communicate

40:58.160 --> 41:02.640
Orally and the internet has been
mostly for people who
communicate with text

41:03.520 --> 41:09.680
You know obviously not
completely true, but there's a
different way to look at it and
and because

41:10.720 --> 41:15.440
Our mission is to enable
everyone to make a quality
program

41:15.920 --> 41:20.720
That is a good enough for a
million listeners even if only
one person is listening

41:21.120 --> 41:27.600
So that's step one to make it
take to provide the bandwidth
the tools the utilities and the
access

41:28.000 --> 41:35.920
To millions of listeners to any
individual at a cost that's
equally almost almost free and
totally affordable

41:36.880 --> 41:40.560
We'll um we'll have include a
hum like we have yeah that

41:41.440 --> 41:45.360
Extra and what I learned and my
record production days is if you
can

41:45.440 --> 41:47.440
Can't cover it up turn it up
right?

41:47.440 --> 41:52.240
Okay, what we're doing good with
that that's not a hum that is a
that is that they just think to
air filter feature

41:52.480 --> 41:55.360
So did you just say that this is
gonna be free or not?

41:55.600 --> 41:57.120
What did you just say? I think
they'll be

41:57.840 --> 42:02.560
First of all there's free and
there's also freedom right so
there'll be levels of free and
levels of freedom

42:03.280 --> 42:08.480
To the extent that you do not
want to be that you first of all
everyone should be able to make

42:09.360 --> 42:14.000
Broadcast quality a podcast
quality pod show quality
podcast. There you go

42:14.480 --> 42:17.600
That's what pod show is about is
creating a quality of the
product

42:17.920 --> 42:24.800
So every single individual cost
effective. They should be able
to make a pod show quality
podcast and when you make a
kickass

42:25.600 --> 42:32.160
Production of a podcast with
with user friendly tools and
you're really making a pod show
and if you aspire to make a

42:32.400 --> 42:36.000
Pod show quality podcast that
should be within everybody's
reach that's step one

42:36.800 --> 42:43.840
Step two everybody who's
interested even for split a
nanosecond and and listening to
pod

42:44.480 --> 42:50.640
Has to be able to engage them
quickly and effortlessly and get
to what they're interested in or
discover things

42:50.640 --> 42:52.640
They didn't know they were
interested in

42:52.640 --> 42:54.640
I number two number three

42:55.040 --> 43:01.760
For those who are interested in
the monetary aspect of
monetizing you know the aspect
of monetizing

43:01.760 --> 43:07.840
They're making making money
making money. There should be a
mechanism and it should be a
fluid mechanism

43:07.840 --> 43:13.040
One that's that enables a person
with 10 listeners to make some
money on the weekend

43:13.440 --> 43:19.440
And one that enables a person
with 10 million listeners to be
able to make a life career out
of it

43:19.440 --> 43:25.360
And there's and there's that
person will not the only thing
that's louder in terms of a
megaphone see

43:25.840 --> 43:30.240
See the metaphor or the or the
analogy falls flat because
podcasting

43:31.040 --> 43:36.880
It's not a megaphone business a
megaphone is in implies
broadcasting, you know

43:37.200 --> 43:41.840
Podcasting means everybody has
the same megaphone. At least if
a pod show that's what I think
we're trying to do

43:42.080 --> 43:45.520
Get everybody the same megaphone
give them everybody the stage

43:46.400 --> 43:51.840
Try to find unique ways of
filtering the contents of it can
find this way to eager audiences

43:52.560 --> 43:56.800
And a bizarre way it's what eBay
or Amazon does when when they're
at their best

43:57.760 --> 44:04.800
You know when you're trying to
find a when you're interested in
just in cooking and you want an
alternative recipe book

44:05.360 --> 44:07.360
You can you won't find in your
local bookstore

44:07.600 --> 44:13.680
You go over to Amazon because
pretty much someone is written a
book that's only good for 10,000
people and there it is

44:13.680 --> 44:17.600
That huge database and a great
search and you believe in them

44:18.160 --> 44:22.560
You and they're filtering it
there and they're telling you
that other people like this
Tuscan cooking book and

44:23.440 --> 44:25.840
Particularly people who like it
who are on low fed diet

44:25.840 --> 44:27.840
Like pod cast alley ratings

44:28.400 --> 44:30.400
rate and and

44:30.400 --> 44:35.040
And there's enthusiasm ratings,
you know, this is all the rant
about podcast alley ratings and

44:35.760 --> 44:42.480
People voting a thousand times.
Well, you know, there should be
some some room for people who I
love this so much

44:42.480 --> 44:44.000
I call it a hundred times

44:44.000 --> 44:46.000
That's how much I love it

44:46.000 --> 44:51.360
It's probably shouldn't be room
for people to go. I love this so
much. I programmed a line of
code to vote for me 10 million
times

44:53.840 --> 44:55.840
You know, there's a business
there for somebody

44:58.320 --> 45:00.400
But yeah, I think there's room
first of all

45:00.800 --> 45:06.960
How do you how do I like like
me? I find out about podcast by
listening to you by asking other
podcasters

45:06.960 --> 45:09.520
They're asking people what they
listen to sure so on officially

45:09.760 --> 45:12.960
I'm going to people I admire and
I'm asking him we need to get
that

45:13.360 --> 45:18.000
We need to not assume that
everybody who is a listener is a
fanatic about podcasting

45:18.000 --> 45:23.200
But maybe they just wandered by
because they're interested in
stunt something and if we don't
grab those people

45:23.440 --> 45:25.840
We don't just forget the
business. We don't have a medium

45:26.720 --> 45:33.040
We don't grab the casual
listener and infatuate them like
the dedicated listeners are we
don't have a medium

45:34.160 --> 45:38.320
Okay, so there's a lot of work.
So yeah, there's work to be done
on making

45:40.080 --> 45:44.400
Lowering the barrier for anyone
to produce. But we can do that.
Yeah, well, yeah, totally

45:44.880 --> 45:50.080
But then on the other side it's
also really making it much much
easier for you know for the
audience

45:50.080 --> 45:54.960
So the audience can find it so
we don't go through all that how
do I how do I find these things
questions?

45:55.200 --> 46:04.400
And that's what you know as a as
a listener who's not a podcaster
that that's what I send my
message out to podcasters and to
the

46:04.400 --> 46:08.000
technologist which no one is
talking about who are out there
helping

46:08.880 --> 46:10.080
You know

46:10.080 --> 46:14.880
unsung heroes the technologists
who enable this thing to happen
unsung heroes people who manage

46:14.880 --> 46:21.200
Directories that that their love
is not the podcasting, but their
love is listening to the
podcasting and helping

46:21.280 --> 46:27.280
Regular people find what's what
they think is good in them.
They're guides the guides and
there's many many

46:28.000 --> 46:35.200
constituents already in our
hopeful medium that are already
unsung and we haven't even
gotten to the poor listener yet
who is now got

46:35.200 --> 46:42.400
4,000 things to you know we're
acting like 4,000 is in a lot
that's too much. Yeah, and you
know so our mission is to figure
out

46:43.440 --> 46:50.800
How to let how to make it okay
for one podcast to have 10
listeners one podcast to have
10,000 and one podcast to have 2
million

46:51.200 --> 46:56.080
and all of those people live in
the same universe and that's
what I think we can do and the
show will be the same quality

46:56.880 --> 47:03.200
It's just it's just destined to
find the different level when
you say quality you're talking
about the actual audio quality
or you're talking about

47:04.480 --> 47:09.280
What what does that mean? Good
question. It should it it should
have the same

47:09.680 --> 47:10.880
production

47:10.880 --> 47:15.040
Content quality so that you
wouldn't turn something off just
because it sounded bad

47:15.520 --> 47:18.800
Like this like this and or it
should have the

47:19.040 --> 47:23.680
For those tools dude, yeah,
quick. Maybe one of them is a
hammer aimed at my head

47:25.600 --> 47:27.600
It should have also

47:27.600 --> 47:29.200
You know enough

47:29.200 --> 47:34.080
rope for people to hang
themselves or people to be
incredibly creative right on and
you know

47:34.640 --> 47:39.200
As a musician it's what I saw
happening in home recording you
can make you know you know
upstairs

47:39.200 --> 47:44.880
I have a pro tools rig. Yeah, I
cost me a million and a half
dollars to build my last studio.
I want to cost me

47:45.360 --> 47:46.320
You know

47:46.320 --> 47:50.960
$25,000 to build this when I
could probably start over and do
it for you know five grand.
Yeah, and

47:52.080 --> 47:55.680
It's it's nuts how how free it
is and how great it is for
musicians

47:55.680 --> 48:02.720
So now we're talking about self
publishing audio in a different
way. So we we let people do it
the next thing that we need is

48:03.360 --> 48:07.680
most people who are making
podcasts are self producing

48:08.640 --> 48:15.680
And in music that works and
doesn't work, right? So there's
a good good analogy in music
producers and artists are
separate

48:16.320 --> 48:22.560
And they bring out the best of
each other reason. Yeah, and
yeah, and you know these to say
what makes a great producer and
the answer was a great band

48:22.560 --> 48:28.800
Yeah, and like Michael Jackson
and Quincy Jones. Yeah, George
Harrison. What did I say George
Harrison for?

48:28.800 --> 48:34.320
I don't know and George Martin
and the Beatles and the Beatles.
All right George Harrison was a
beatle, wasn't he?

48:34.800 --> 48:36.800
Yeah

48:40.800 --> 48:46.640
Hey kids don't you want to be
cool all the kids are drink and
say oh, so you know

48:46.640 --> 48:51.440
You could say no no commercial
interruptions in podcasting
everybody just pay

48:51.840 --> 48:57.280
That's one way to do it. You
could say no everybody gets it
for free, but we have to write
on the back a big brother

48:57.280 --> 48:59.680
That's another way to do it. Why
do people need to be paid?

49:00.640 --> 49:04.240
If if you want to pause the
stupid question, I think it's a
good one

49:04.960 --> 49:09.360
People don't some people will
want to some people will want to
quit their job

49:10.000 --> 49:16.400
Some people have family some
people will want to survive on
their creative craft and be paid
for why doesn't that work with
weblogs?

49:17.120 --> 49:19.120
Or why isn't it working with
weblogs?

49:20.480 --> 49:23.840
Well, I think that I think that
web logs

49:23.920 --> 49:32.400
You know, I've heard everything
about weblogs and one of the
most interesting thing that's we
don't we don't break the news

49:32.400 --> 49:35.680
We fix the news you know, and we
triangulate

49:38.400 --> 49:42.640
I think it's cool and
everything, but I don't I don't
know if that's

49:43.600 --> 49:45.120
Exactly

49:45.120 --> 49:50.720
What the essence of podcasting
is podcasting is about
non-trient and meet non-trient
Galation. It's about

49:51.200 --> 49:53.200
injecting personality

49:53.200 --> 50:00.000
and giving something that
someone to someone who that's
interested in listening to it.
You know, when MTV started

50:01.040 --> 50:06.240
a great record executive
lamented we just lost the last
great thing you could do with
your eyes closed

50:07.040 --> 50:12.080
That that bringing videos to
music meant you couldn't close
your eyes listen to the lyrics
and think of your own video

50:12.720 --> 50:13.920
And I think podcasting

50:15.040 --> 50:18.880
brings that back. It sure does
and I'm not sure what what web
logs

50:19.520 --> 50:25.040
brings back. You know, and it's
interesting because you know web
blogs are email or whatever it's
all basically the same thing

50:25.040 --> 50:31.360
But it's I have to agree that
web logs kind of started out as
things like new sites and it's
always going to be kind of like
a

50:31.360 --> 50:37.200
newsy-type medium. You're in
general. I mean, of course,
specifically that's absolutely
not true

50:38.000 --> 50:41.040
But and podcasting did kind of
start off

50:41.840 --> 50:47.840
Just as you know, no news to
report because we all know it's
delayed. We all know you're
getting this late

50:48.080 --> 50:54.080
There's like, you know, we found
Osama bin Laden. I'm glad you're
tuning in everybody and just
getting this late break in news

50:54.960 --> 50:59.600
So there's something different
there that makes people
communicate differently and you
know, and a word

51:01.840 --> 51:04.480
You know, it's hard to say, but
if you find a great

51:05.360 --> 51:06.720
author

51:06.720 --> 51:08.720
that that is out there

51:08.720 --> 51:13.520
contributing information and
text and wanted to syndicate
what they say

51:14.480 --> 51:19.360
I think in the early days of
newspaper, that's that's what
happened and and

51:20.640 --> 51:23.520
Maybe people would pay for that
if someone wanted to charge for
that

51:24.000 --> 51:28.640
Now people think of it as how do
I get the latest information
about stuff?

51:28.640 --> 51:32.160
You know, and you don't hear as
much talk about the electric rap
rapping

51:33.040 --> 51:34.240
eloquently

51:34.240 --> 51:35.680
How what great

51:35.680 --> 51:39.920
content would great turn of word
or phrase this person is you're
hearing about well

51:40.400 --> 51:44.720
Six people found out that he
wasn't telling the truth and
they posted his picture and that
then that type of thing

51:45.440 --> 51:49.760
I think in podcasting you go man
that guy was funny or while he
really knew his subject

51:49.760 --> 51:54.880
Or can you believe this this
couple that live out in the
farmhouse? Okay, you know you
you're not saying wow

51:56.640 --> 52:00.960
Let's turn on the podcasting and
find out if what you know what
British said is really true

52:01.280 --> 52:05.600
Right, yeah, this is yeah,
you're right. It said that is a
very different vibe in
podcasting true

52:05.840 --> 52:12.560
It's just just take a break from
reality or find a different
version of reality, and it's
also appealing to a sense

52:13.280 --> 52:19.360
The listening sense that we have
there's been definitely by
fucking flat top 40 crap radio

52:19.600 --> 52:21.600
That's right

52:22.000 --> 52:24.400
The whole line just want to play
a little bit more this guy and
we'll quit it

52:24.400 --> 52:29.840
So which way is this going to go
is a chosen group of people that
are getting to get some money in
this thing

52:30.160 --> 52:32.960
Gonna make the circle wide and
so it's better for all of us

52:32.960 --> 52:36.720
He gets funny words about are we
on a dominate by a leak group. I
don't know

52:36.960 --> 52:40.160
We don't know which way this
thing is going to go yet, but
let's keep an eye on

52:40.560 --> 52:44.640
Okay, let me tell you when it
comes to you know what I just
talked about

52:45.760 --> 52:52.000
It'll be great to have folks
like Don and Drew who is the
other podcast that I listen to
constantly

52:52.160 --> 52:55.840
That and frankly I got to tell
you I get a real week spot for
closet deadhead too

52:56.720 --> 53:01.840
It would be great to have Don
and Drew and a lot of other
people have access to whatever

53:02.320 --> 53:06.880
Makes better content and
distribution for them man. I
love to see that

53:07.120 --> 53:09.120
But I tell you I

53:09.120 --> 53:14.960
Just said two very important
words there content and
distribution now here's one
guy's opinion

53:15.520 --> 53:22.080
What the hell does Don and Drew
need to get better content look
what they do on a farm and was
constant for God's sake

53:22.640 --> 53:24.960
I mean what's what what else
could you do?

53:25.200 --> 53:29.200
Let's put Don and Drew on the
space shuttle Don and Drew and
outer space

53:29.680 --> 53:33.200
You know, I mean waitless punani
may have its possibilities

53:33.600 --> 53:41.600
But Don and Drew's success is
not in having a fancy set right
with Dick Van Dyke walking on it
and tripping over their couch

53:42.560 --> 53:45.600
Don and Drew's success is about
Don and Drew as

53:46.320 --> 53:54.560
People reacting to each other
and the world around them and
we're all getting to feel
comfortable about them as we get
to know them

53:54.880 --> 54:01.200
And I want my Don and Drew and I
don't care if they're in outer
space or not and it has to do
with them as people

54:01.520 --> 54:09.840
I'm getting comfortable with
them like one generation did
with Johnny Carson and another
one is now with Conan and John
Stewart

54:10.080 --> 54:16.400
You know and I mean any
screenwriter will tell you that
the whole thing starts and ends
with great characters

54:16.800 --> 54:18.800
That's Don and Drew so

54:18.880 --> 54:26.800
Between content and
distribution. I don't think
putting money in to help in them
with content is necessarily
going to do a damn a damn thing

54:28.320 --> 54:30.800
Okay, Don and Drew man. They're
like they're like

54:32.480 --> 54:37.520
Cool as there's like Lucy and
Ricky and hot as Paris and Nikki

54:39.920 --> 54:44.640
Oh, there's Kenny G. It works
again. It's calm. It's just
coming out like a waterfall

54:45.120 --> 54:54.160
So he's describing what what is
he talking about okay? He's
saying that he's trying to
figure out why why podcast and
needs money or why we need why
we need money

54:55.200 --> 54:59.840
Well, I want to make money or
what we want to do and he's he's
gonna split up because I say
it's impossible

54:59.840 --> 55:03.920
That it's for the content so it
has to be the distribution.
That's what he's gonna say well,
you know

55:03.920 --> 55:06.560
Here you go 4,000 podcasters

55:07.520 --> 55:10.400
Let's say they have an average
of 300 listeners

55:10.800 --> 55:14.000
Okay, that's probably fair.
Yeah, what is that?

55:15.600 --> 55:17.600
100,000

55:18.320 --> 55:23.840
And I just lost my math if all
of them if all of them got
together and decided to
recommend

55:25.280 --> 55:30.480
Shows that they like beside
their own like like sort of like
you do yeah, but in their own
way

55:31.200 --> 55:35.280
And all of them made it their
mission to to bring not just
their show, but other shows

55:36.080 --> 55:42.080
Selfish selflessly out to the
universe and we have a listener
base of let's say half a million

55:42.080 --> 55:46.640
Do a million people listening to
podcast today two months we
could have two million in two
months

55:46.640 --> 55:53.760
We could double that easy if the
4,000 podcasters were selflessly
promoting themselves in other
podcasters

55:54.080 --> 55:58.160
Okay, there's a distribution for
you. Yeah. All right. Here's
another kind of distribution

55:59.840 --> 56:03.280
God forbid somebody woke up
tomorrow without asking for it

56:03.760 --> 56:10.560
And had five podcasters on their
iPod or their MP3 player other
laptop waiting for which five

56:11.840 --> 56:13.520
As a question to ask

56:13.520 --> 56:18.080
Which five will that be
different for everybody wouldn't
it? Well, you know, let's let's
talk about that

56:18.080 --> 56:24.400
Let's let's say that you could
wave a magic wand and go out to
10 million people

56:25.360 --> 56:33.280
reasonably good target audience
people that might like it and
put and you had 4,000 podcasters
to choose from

56:33.840 --> 56:41.040
And you wanted to put five or
three on their laptop or their
PC or their

56:41.840 --> 56:47.120
MP3 player that they would
guarantee they would listen to
and then from that they would
make a decision

56:47.120 --> 56:50.320
And whether they wanted to stay
in the world of podcasting
listen to more which one to a

56:50.640 --> 56:55.920
Would you choose your own or
would you somebody else? Well,
yes, I would choose my own start
off with

56:56.640 --> 56:58.640
Because I'm a gateway

56:59.280 --> 57:01.280
God of pod. I do a horror

57:01.280 --> 57:09.120
Okay, so is there a right answer
to this? I think that that many
of the 4,000 podcasters might
have to think maybe they're not
on that list

57:09.680 --> 57:11.440
That in order to

57:12.320 --> 57:19.520
Get more people lined up to find
they need to get 10 million
people listening to find the
50,000

57:19.520 --> 57:21.520
They're going to listen to you

57:21.680 --> 57:23.680
Right, so you need

57:23.680 --> 57:28.400
So you need something out there
to draw people in you need to
just strip is just you need to
distribute

57:28.880 --> 57:33.520
We don't have a medium that's
where they're messing up with
distribution you need to pick 5
or 10 great shows

57:34.160 --> 57:38.800
And you need to get them out to
10 million people so they get
hooked on the concept they know
come and find the ones

57:38.800 --> 57:43.760
They know right, that's okay.
That's what I'll say so that
should be the role of the pod
squadty type things

57:43.760 --> 57:46.080
It's not it's not for them to be
the elite group

57:46.240 --> 57:50.640
But what the rest of the
podcasters should be doing is
fucking making sure we have a
pod squad

57:51.920 --> 57:59.840
And aspiring to get that group
distributed as leaders to create
the market, you know to create
create the medium

58:00.240 --> 58:05.360
Okay, how many listeners do we
need before we instead of how
much money are we gonna make?
How many listeners do we have?

58:05.760 --> 58:11.360
We need to 100 million to be
really significant. Yeah, to be
significant. How many do we do?
All right, so

58:11.920 --> 58:13.920
What's our distribution goal?

58:14.560 --> 58:16.560
And yeah, maybe it's a hundred
million

58:16.880 --> 58:18.880
so you and I know that there's
ways

58:20.400 --> 58:21.360
To get

58:21.360 --> 58:23.360
millions of people to have a
listen

58:24.080 --> 58:25.360
Mm-hmm

58:25.360 --> 58:31.440
And that's I think some one of
the things we fear the most
because we know how to do that.
Yeah, and the question then
becomes

58:32.000 --> 58:34.000
Okay, here's your shot slugger

58:34.000 --> 58:36.000
You're gonna put it right and

58:36.960 --> 58:42.320
We better be selfless again and
make sure that we're promoting
the very best of our breed

58:42.960 --> 58:49.360
In order to hook the rest of the
listening world to come in and
find the stuff that you need to
them. Okay, that makes sense

58:50.640 --> 58:52.640
Hey, we should start a company
and do that

58:52.640 --> 58:56.320
Man, oh man, what an idea now
could they use better

58:57.440 --> 58:59.440
Studio sound

58:59.440 --> 59:02.160
Because it's a different part. I
just been listening to the early
shit

59:02.160 --> 59:04.840
Let's do it

59:10.880 --> 59:19.220
So um, but before I get there I
just want to say that any effort
to really do better content
through adding money to it will
be marginal at best

59:19.600 --> 59:21.600
Now

59:21.600 --> 59:23.280
Here's what we addressed that

59:24.980 --> 59:28.080
Could happen and I want to give
you a little he forgets that

59:29.200 --> 59:30.200
I never mind

59:30.200 --> 59:39.200
iPod play here and what I want
to do now is take you to a
little tour of what could be the
dark side

59:39.200 --> 59:47.200
And here we are as we enter Adam
Curry's iPod plantation where
the workers are sequestered

59:47.200 --> 59:51.200
Shall we say over that thing
barn building

59:51.200 --> 01:00:07.200
This is Adam Curry and thanks
for joining me on this tour of
the iPod plantation

01:00:07.200 --> 01:00:12.200
I have the chosen ones hard work
on new content right in here

01:00:12.200 --> 01:00:19.200
Let me just open up the barn
door and you can hear what's
going on

01:00:28.200 --> 01:00:32.200
Or since they'll coffee I've got
to get a creative idea

01:00:42.200 --> 01:01:05.200
I made a sound seeing tour of
let's go over to the real barn
run

01:01:05.200 --> 01:01:12.200
Yes, open up the door our secret
door. Oh look what's inside

01:01:12.200 --> 01:01:15.200
Everybody's party

01:01:27.200 --> 01:01:30.200
All right, that's enough of
that. What are we doing?

01:01:30.200 --> 01:01:37.200
We should definitely wrap this
up. So what are we doing?

01:01:37.200 --> 01:01:44.200
Everybody will be able to make a
world-class quantity podcast
they will have the tools

01:01:44.200 --> 01:01:51.200
They will have opportunity to
make the audience this we will
do. Are we going to build all
that?

01:01:51.200 --> 01:01:54.200
We and other people who will
help us in building

01:01:54.200 --> 01:01:59.200
We are really totally screwed.

01:01:59.200 --> 01:02:04.200
We are going to bring we are
going to try to bring together
some really smart people

01:02:04.200 --> 01:02:12.200
And really talented people
smarter, more talented than us
who are going to help us make
this thing real

01:02:12.200 --> 01:02:17.200
There's Patricia just as we are
winding up

01:02:17.200 --> 01:02:19.200
Man, I thought it was a vision

01:02:20.200 --> 01:02:21.200
What is it?

01:02:21.200 --> 01:02:23.200
If you come leaning into the
microphone

01:02:23.200 --> 01:02:24.200
A long one

01:02:24.200 --> 01:02:26.200
A long podcast

01:02:26.200 --> 01:02:27.200
It was good though

01:02:27.200 --> 01:02:29.200
Yeah, but we talked about all
kinds of things

01:02:29.200 --> 01:02:31.200
I thought she wasn't talking
about the podcast

01:02:31.200 --> 01:02:33.200
Okay

01:02:33.200 --> 01:02:34.200
Well thanks for having me

01:02:34.200 --> 01:02:36.200
No thanks for being on the show
this is good

01:02:36.200 --> 01:02:38.200
And this is an extra long one so

01:02:38.200 --> 01:02:40.200
People can

01:02:40.200 --> 01:02:42.200
You drop out to my guest

01:02:42.200 --> 01:02:43.200
No way

01:02:43.200 --> 01:02:44.200
No way

01:02:44.200 --> 01:02:47.200
This is going to get analysed
and exerted everywhere

01:02:47.200 --> 01:02:48.200
Yeah

01:02:48.200 --> 01:02:50.200
I don't apologize in advance

01:02:50.200 --> 01:02:53.200
So when can we make some damn
announcements?

01:02:53.200 --> 01:02:56.200
Any moment now

01:02:56.200 --> 01:02:57.200
As a matter of fact

01:02:57.200 --> 01:02:58.200
I hate that answer

01:02:58.200 --> 01:03:00.200
The clock is ticking

01:03:00.200 --> 01:03:03.200
The clock is ticking

01:03:03.200 --> 01:03:06.200
Well really really really really
close

01:03:06.200 --> 01:03:08.200
Being able to begin

01:03:08.200 --> 01:03:10.200
I think the first thing we are
going to try to do is just

01:03:10.200 --> 01:03:14.200
Be a little more forthcoming
about what we have in mind

01:03:14.200 --> 01:03:15.200
Thank you

01:03:15.200 --> 01:03:18.200
And we just want to make sure we
can articulate it without

01:03:18.200 --> 01:03:20.200
Even more bullshit than we sound
now

01:03:20.200 --> 01:03:24.200
So first thing we are going to
do is kind of tell everybody
what we are going to do
something unusual

01:03:24.200 --> 01:03:26.200
We are going to let everybody
know what the strategy is

01:03:26.200 --> 01:03:27.200
Exactly

01:03:27.200 --> 01:03:28.200
Just lay it out

01:03:28.200 --> 01:03:29.200
And then

01:03:29.200 --> 01:03:32.200
Rather than saying that now we
are not taking any steps towards
it

01:03:32.200 --> 01:03:35.200
Immediately afterwards we are
going to start doing things

01:03:35.200 --> 01:03:36.200
And making announcements

01:03:36.200 --> 01:03:39.200
And I hope everybody who is
interested will see that each
one of those announcements

01:03:39.200 --> 01:03:40.200
Is part of a strategy

01:03:40.200 --> 01:03:42.200
Then you can tell us if you
think we are crazy

01:03:42.200 --> 01:03:43.200
And maybe we will change the
strategy

01:03:43.200 --> 01:03:46.200
But you didn't talk anything
tonight about the two way

01:03:46.200 --> 01:03:48.200
You know the interactive part of
podcast English

01:03:48.200 --> 01:03:50.200
No but what I would like to do
is

01:03:50.200 --> 01:03:53.200
Like maybe not this long this is
just kind of like an
introduction

01:03:53.200 --> 01:03:55.200
But maybe we can talk you know

01:03:55.200 --> 01:03:56.200
I think we should do this more
often

01:03:56.200 --> 01:03:57.200
You know we should do it

01:03:57.200 --> 01:03:59.200
Maybe at least once a week

01:03:59.200 --> 01:04:01.200
And just talk to what we are
doing

01:04:01.200 --> 01:04:03.200
And then people can follow along

01:04:03.200 --> 01:04:05.200
And indeed give us some of that
feedback

01:04:05.200 --> 01:04:06.200
Yep

01:04:06.200 --> 01:04:08.200
All right my friend

01:04:09.200 --> 01:04:10.200
Dude what time is it?

01:04:10.200 --> 01:04:12.200
What country are we in?

01:04:12.200 --> 01:04:13.200
Oh kidding

01:04:13.200 --> 01:04:14.200
It's podcasting

01:04:14.200 --> 01:04:16.200
It could be any time any place
my brother

01:04:16.200 --> 01:04:17.200
That's right

01:04:17.200 --> 01:04:18.200
Well we prove that once again

01:04:18.200 --> 01:04:22.200
So it will only take me two
hours to compress this

01:04:22.200 --> 01:04:23.200
And upload it

01:04:23.200 --> 01:04:24.200
Dude

01:04:24.200 --> 01:04:27.200
Let's just talk about the
connectivity here

01:04:27.200 --> 01:04:28.200
We have to

01:04:28.200 --> 01:04:29.200
Can we get DSL?

01:04:29.200 --> 01:04:30.200
Absolutely

01:04:30.200 --> 01:04:31.200
We have to

01:04:31.200 --> 01:04:33.200
Because that's why some of your
shit doesn't arrive

01:04:33.200 --> 01:04:36.200
I mean you send a five or six
megabyte file

01:04:36.200 --> 01:04:38.200
It takes a fucking effort to
upload

01:04:38.200 --> 01:04:40.200
The last the last four megabytes
on that

01:04:40.200 --> 01:04:41.200
Important anyway

01:04:41.200 --> 01:04:42.200
Is it?

01:04:42.200 --> 01:04:44.200
It's just the front page

01:04:44.200 --> 01:04:45.200
That's how many

01:04:45.200 --> 01:04:46.200
All right

01:04:46.200 --> 01:04:47.200
Interesting what your page

01:04:47.200 --> 01:04:48.200
Just the only one you need

01:04:48.200 --> 01:04:49.200
Okay

01:04:49.200 --> 01:04:50.200
Is that true?

01:04:50.200 --> 01:04:51.200
Yeah

01:04:51.200 --> 01:04:53.200
No, but don't you have to

01:04:53.200 --> 01:04:56.200
Put like a little thing on each
page

01:04:56.200 --> 01:04:57.200
Well I think it's important

01:04:57.200 --> 01:04:59.200
Everyone out there just sign

01:04:59.200 --> 01:05:01.200
We'll fill in the rest

01:05:01.200 --> 01:05:02.200
Don't worry about it

01:05:02.200 --> 01:05:03.200
Thank you

01:05:03.200 --> 01:05:04.200
Yeah, trust us

01:05:04.200 --> 01:05:05.200
Hey

01:05:06.200 --> 01:05:07.200
Thanks everybody for listening

01:05:07.200 --> 01:05:08.200
Stay subscribed

01:05:08.200 --> 01:05:10.200
And we'll check in later

01:05:10.200 --> 01:05:11.200
This week with another

01:05:11.200 --> 01:05:13.200
Daily source code podcast

01:05:13.200 --> 01:05:14.200
Thanks Ron

01:05:14.200 --> 01:05:15.200
You got it, thank you

01:05:15.200 --> 01:05:16.200
Bye
