WEBVTT

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Daily source code, Friday April
8th, 2005.

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You're DJ!

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Are you done?

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That's right!

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Your DJ has own pages.

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It was $16 million worth of
airplane strapped to my ass.

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There's been the next generation
radio content in my ears.

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You don't need us.

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It can kill me.

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I like to think I'm sighing into
this jerk.

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Fantastic kiss.

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Hey everybody, how you doing?

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This is the Daily source code
for Friday.

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Oh yeah.

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Okay, this is a test of the cast
blaster.

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We're up to date at number four
right now.

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And a little bit late to
unrecording the podcast today.

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I've been working with the
developers on getting all this
stuff working and rocking.

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So yeah, I'm still, I figured
out how to do the auto function.

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Oh, it's kind of interesting.

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Which means it's taking care of
all the levels for me.

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And it's actually sounding
pretty good.

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Let me just lower the mic a
little bit there.

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So we have a better mix.

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Let me see.

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Is this what we want?

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Okay.

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Oh, Matt.

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This is making my life a lot
easier.

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So it's April 8th, I thought, I
hope I said 2005.

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I don't know.

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Let me just demonstrate my
jingles here.

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Hold on.

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We should do it like this.

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Hold on.

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There we go.

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So I pressed the talk button
right now.

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Wow, it actually works.

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The software is actually taking
care of the mixing for me.

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What I've done is I have hooked
up my regular microphone.

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And I believe it's the sound is
pretty much where it should be
right now.

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I've got a great story to tell
about this.

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So you know, I have the tablet,
which I'm recording this on.

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It's the only PC I actually own
and control.

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The only other PC in the house
is, well, not own, but
controlled by Christina.

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You know, you know how that
goes, right?

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She basically doesn't want me
messing around with her shit.

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So on the laptop.

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Oh, my second one here.

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There we go.

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On the laptop.

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There is only a microphone in.

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And yesterday a lot of people
commented on the sound on the
quality of the sound.

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And I said, well, you know, the
software doesn't sound too good
because your microphone

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sounds are muffled.

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Again, I wasn't using my regular
setup.

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What I was using yesterday was
an altec lancing, which I don't
really think they're known

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for, like, banging all of some
quality.

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It's just one of those, like,
you know, kind of like an
airplane or helicopter pilot
head

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sets.

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We got the headphones on and
there's a little mic that sits
in front of your mouth.

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Now, that, of course, is the
entire reason why it didn't
sound as good.

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Although I have to say, even for
that microphone, it didn't sound
too bad at all.

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But I really do like the
processing of my own mic.

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Actually, I want to hang up
there with me one second.

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I just, what I'd like to do is
put on different set of
headphones.

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I've got the ear buds in here
and it sounds like one of them
is malfunctioning.

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Hold on.

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I mean, just walk over to the
other side of the studio.

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Okay.

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So, here's the altec lancing.

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Hold on.

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I'm just going to plug this in
as a headset and see if that
sounds any better for me.

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Hold on.

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Hope we don't get any feedback.

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Okay.

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Oh, yeah.

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Oh, this sounds much better.

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Oh, nice.

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Okay.

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So, you can hear that now, my
echo chamber is working.

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I've got the compression on the
microphone.

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I'm not wearing my glasses right
now, so it's kind of hard to
see.

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If it's, is that working?

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One, two, one, two.

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Yeah.

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Sounds pretty good.

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Okay.

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So, on the laptop, you only have
a microphone.

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Okay.

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Okay.

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So, on the laptop, you only have
a microphone.

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Okay.

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So, on the laptop, you only have
a microphone.

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And on the laptop, you only have
a microphone in.

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And I tried just putting my, the
output of my mixer, which has
all the processing of my
microphone.

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Just so I could use my current
microphone.

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And of course, these types of
mics, the sure SMSM7 that I'm
using,

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doesn't have a, you know, won't
output a signal that you can put
into a, into a mic per say.

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It's all kind of mismatch
between

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the prosumer gear that is
windows and the professional
stuff that, that is my, that is
my studio here.

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So, I needed to come up with a
way to weaken the signal coming
out of the mixer to put it into,

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what's it, what we call a line
output.

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Oh, excuse me, I just ate
dinner.

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Sound like mad.

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I'm bloated.

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A way to weaken that signal, so
it wouldn't overdrive the mic
input,

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because basically a mic input is
a very sensitive, you know,

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a very sensitive input to take
any kind of microphone and just
amplify that.

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So you can use it, which, of
course, works great with the
LTCH Lansing.

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But when you, when you put a
line signal into the mic jack,
it completely overmodulates it.

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And then you can, you can, you
can turn down the recording to
almost like just a,

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it's open just a hair.

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So it doesn't overmodulate, but
then because you kind of like
trying to squeeze all this
sound,

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the input into this, into
something it doesn't, you know,

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it's the wrong stick in the
wrong hole, basically, folks.

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I needed to weaken that.

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Now, we went on vacation.

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And while we were on vacation,
my in-laws came to stay.

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I think I mentioned that.

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They stayed here to take care of
the animals, take care of the
house.

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And you got to know my
father-in-law.

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First of all, one of the most
talented people I know, hands
down,

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not just as a musician, he can
write entire scores for, you
know,

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24 piece orchestra, just in his
head.

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And he writes that down by hand.

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I mean, that's an amazing
talent.

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I mean, that's, you know, that's
virtuos, essentially.

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He plays keyboard, saxophone,
violin.

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He has a perfect pitch.

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It's just an amazing musician.

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But he can also, and Patricia
has a lot of this talent.

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He can make anything with his
hands.

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If he can think of it, he can
see it, he can do it with his
hands.

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And this is just, it's, it's an
amazing talent.

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And I, I joke about it all the
time.

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You give him some, like, gaffer
tape and some toothpicks and
he'll build you a house.

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And so he's talking about this.

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He said, you know, John, do you
have any idea how I could fix
this?

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He said, well, yeah, just have
to build a little thing with
some resistors.

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And this and that and I, I don't
have no fucking resistors.

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Resistance, we don't need no
stankin' resistors.

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That's old school technology.

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And he went into the garage, and
I was up here,

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basically on Skype all day
talking to Ron, talking to
people,

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doing my thing.

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And he came back upstairs.

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And he first brought me the
prototype.

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And I've taken pictures of every
single step of the way.

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And I've included links to this
on, on the show notes for today.

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And he built this box, which,
well, so he's, this is the great
thing.

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I didn't have resistors.

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And you know, I said, so it
comes back from the garage.

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He says, hey, I found, like, a
two broken dimmers, light switch
dimmers,

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and found some other gear, and I
pulled that out.

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And so essentially, he made this
little box,

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and one side, a little mini
jack.

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I plug in my, my, the output
from the mixer,

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and then a jack on the other
side.

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And that goes into the mic in of
my laptop.

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And there's two, uh, saw it off,

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shaving down, um, um,

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um, potential meters.

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So basically the knob that you
used to dim the lighting.

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And you can completely, um,
regulate the output from the
mixer

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down to an acceptable signal
from the microphone.

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And it's a beautiful little
metal box.

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And these two, um, two things,

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they can actually, I'll twist
one of them here for you.

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Let me see, because it's stereo.

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That's why he built one.

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So I'm turning down the one,

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and I can turn it up a little
bit.

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And so you can't, yeah, well,
that's, that's 20.

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There you go.

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It's probably why that dimmer
was in the garage.

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It's broken.

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Uh, so it works.

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It works.

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Well, can you perfectly?

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I couldn't be happier.

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Whenever I turn up my, uh, my
microphone gain,

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all the lights in, uh, in
Gilford, uh, dim.

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So let me give you a quick walk
through, um,

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uh, of a couple of, uh, a couple
of features here.

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Uh, by the way, I saw some, some
comments.

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Could I put up that screen shot?

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I'll just like basically did
the,

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I love that cool little sniping
tool.

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You can use on, um, on the
Windows tablet.

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And I saw comments somewhere.

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It was on podcast.com, which is,
you know,

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Dave Winner's new place where
he's tracking all the
technology,

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uh, all the podcasting tools and
services,

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which is actually a pretty good
resource.

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Good comparison chart there.

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And I do agree with a lot of
what Dave is saying is that,

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you know, you don't really need
to go reinvent the wheel

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and a lot of this stuff.

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Um, and it's actually not that
hard to come up with,

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you know, things that'll work.

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I think it's all about
interfaces.

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You know, that's, to record a
signal and play it back

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and create an MP3 file and do
the right compression.

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I'm not going to trivialize it,
but it can be done.

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You know, there's, there's
enough knowledge out there

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that you could put that
together.

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But then you really create the
interface that works for a
podcast.

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So that's what I think is, is
going to be important.

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So I took a little bit of my
radio background

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and injected that into, uh, into
the development group.

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Um, and it came out with some,
some really, uh,

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yeah, it was something really
cool.

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So actually, me, uh, so if I
right click on one of my, uh,

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where my cartridge, uh, buttons
here, uh, wait a minute, he had,

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ah, there were all these great
sound effects that,

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that is now come with a program
that, of course,

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I've immediately lost.

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Let me see. Oh, now I have to go
do the windows trip,

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ladies and gentlemen, hold on.

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So I have to go to, what is it?

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I guess I go to my computer,
right?

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My computer shared documents.

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Is that where I find it?

09:56.000 --> 09:58.000
No, not shared documents, hold
on.

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Local disk. Okay, uh, program
files.

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Yeah, there we go.

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Now we have to find, was it cast
blaster?

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Ah, okay. There we go. Oh, here
they are.

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Here's the, here's the stuff.

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Yeah.

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Yeah.

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So you can load up these files.

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And of course, I still have the,
yep, got that.

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Well, that's lined up for, uh,
for easy, I'll get real tight

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or that pretty soon.

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And, um, I don't have any songs,
uh,

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well, I guess I could load up a
song for you.

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Let's, uh, I got some promos
that I wanted to run by.

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And this is going to be another
reasonably short show.

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Um, just because I didn't have,
uh, I'll be honest with you.

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I really haven't had enough time
to, to do all the prep today

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that I normally would.

10:41.000 --> 10:44.000
But I definitely wanted to get,
uh, a different sounding version

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out of, uh, of the cast blaster.

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So I'm just going to play a
couple of these promos.

10:48.000 --> 10:50.000
Okay, now this promo has to be
great because we're going to

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sit it out to Adam Curry.

10:51.000 --> 10:52.000
Who's Adam Curry?

10:52.000 --> 10:53.000
Adam Curry.

10:53.000 --> 10:55.000
Do you know who Adam Curry is?

10:55.000 --> 10:57.000
Oh, that's right. That's the guy
that does love line, right?

10:57.000 --> 10:59.000
That's Adam Corolla.

10:59.000 --> 11:02.000
Adam Curry from MTV's, like the
God of podcasting.

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Okay, I haven't heard of him.

11:03.000 --> 11:05.000
Okay, whatever. Look, just let
me lead the promo.

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You, you just kind of play
along, all right?

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Sounds good.

11:08.000 --> 11:10.000
Okay, by the way, I can now stop
anything that's playing.

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And when I started again, it
starts in exactly the same spot,

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something that we changed from
the functionality from
yesterday.

11:16.000 --> 11:17.000
I don't know if it just heard a
drop out on that.

11:17.000 --> 11:19.000
I don't know if that's the file
or if that's, uh,

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the playback or what it is, but
we'll continue with the promo.

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Okay, here we go.

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And we're rolling.

11:25.000 --> 11:29.000
Hey, Adam, this is Don.

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And this is Jared Ardman.

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And it's a major honor to have
our promo be played on your
podcast.

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Uh, yeah, hey, we wanted you and
your listeners to know about our
new podcast.

11:39.000 --> 11:41.000
It's called DVD Weekly.

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And each week my brother Jared
and I are going to cover the
newest DVD releases

11:44.000 --> 11:46.000
as well as recently released
title.

11:46.000 --> 11:49.000
And we do it all in our special
kind of way.

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And, you know, we're not going
to be as good as Adam was on
MTV.

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But we think you'll still get a
kick out of what we do.

11:55.000 --> 11:56.000
That's right.

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So join us on DVD Weekly today.

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You can find the link on the
directory at digitalpodcast.com.

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Just look under movies and
entertainment.

12:04.000 --> 12:05.000
Dude, what the hell was that?

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All of a sudden you're like all
up into Adam Curry.

12:07.000 --> 12:09.000
You didn't even know he was a
couple seconds ago.

12:09.000 --> 12:10.000
Are you kidding, man?

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It's Adam Curry.

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MTV.

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Come on, man.

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The god of podcast.

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I just told you that a couple
of, uh, good Lord.

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Wait, wait, wait guys.

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Okay.

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So there's another promo that
came in that goes along
perfectly with that one.

12:26.000 --> 12:27.000
How to pimp your show.

12:27.000 --> 12:31.000
Step one massage the egos of
fellow podcasters.

12:31.000 --> 12:33.000
Before the daily source code.

12:33.000 --> 12:35.000
I was a complete wreck though.

12:35.000 --> 12:39.000
The daily source code brought
happiness and joy back to my
life.

12:39.000 --> 12:42.000
I listen to the daily source
code every day.

12:42.000 --> 12:43.000
Step two.

12:43.000 --> 12:47.000
Pimp your own pod show by
praising their show.

12:47.000 --> 12:49.000
I tried to model my show.

12:49.000 --> 12:51.000
W.

12:51.000 --> 12:52.000
W.

12:52.000 --> 12:53.000
I'm a great penguin.

12:53.000 --> 12:54.000
That com.

12:54.000 --> 12:55.000
After the daily source code.

12:55.000 --> 12:57.000
Without the daily source code.

12:57.000 --> 12:58.000
My show.

12:58.000 --> 13:00.000
W. W.

13:00.000 --> 13:01.000
That.

13:01.000 --> 13:02.000
I'm a great penguin.

13:02.000 --> 13:03.000
That com.

13:03.000 --> 13:04.000
Would not even exist.

13:04.000 --> 13:05.000
The show.

13:05.000 --> 13:07.000
W. W.

13:07.000 --> 13:09.000
That. I'm a great penguin.

13:09.000 --> 13:10.000
That com.

13:10.000 --> 13:11.000
Oh, is it all to you?

13:11.000 --> 13:13.000
The daily source code.

13:13.000 --> 13:16.000
That is how to pimp your own pod
show.

13:16.000 --> 13:18.000
W. W. That.

13:18.000 --> 13:20.000
I'm a great penguin.

13:20.000 --> 13:21.000
That com.

13:21.000 --> 13:23.000
I think we've actually played a
promo for them before.

13:23.000 --> 13:24.000
I've talked about them.

13:24.000 --> 13:31.000
So again, I'm not sure if the
dropouts are coming from the
playback or if they're coming

13:31.000 --> 13:33.000
from the cast blaster itself.

13:33.000 --> 13:34.000
That's something I've got to
look into.

13:34.000 --> 13:36.000
I don't think anything changed
on that.

13:36.000 --> 13:38.000
So it's a little difficult to
tell.

13:38.000 --> 13:39.000
Okay.

13:39.000 --> 13:40.000
Notice something here.

13:40.000 --> 13:44.000
And this is, I guess, another
beta cast of the cast blaster
software.

13:44.000 --> 13:46.000
And we're going to get some
betas out to people pretty soon.

13:46.000 --> 13:48.000
Trust me on that.

13:48.000 --> 13:52.000
I have four slots for playing.

13:52.000 --> 13:54.000
For playing audio files.

13:54.000 --> 13:55.000
That include.

13:55.000 --> 13:57.000
It includes a track bar.

13:57.000 --> 13:59.000
So the jingles are just a single
button.

13:59.000 --> 14:01.000
That's the blank thing.

14:01.000 --> 14:03.000
Or the.

14:03.000 --> 14:05.000
This is.

14:05.000 --> 14:07.000
This is really fun to do this
with the pen.

14:07.000 --> 14:10.000
You know, it's it's a very
interactive way of doing it.

14:10.000 --> 14:12.000
So I don't have enough to.

14:13.000 --> 14:16.000
I guess I would need a way to
add more more tunes to it.

14:16.000 --> 14:20.000
Because if you have a relatively
long podcast and you have a lot
of stuff, then four is not going
to cut it.

14:20.000 --> 14:21.000
So let me.

14:21.000 --> 14:22.000
You know what I'm going to do?

14:22.000 --> 14:23.000
Let's do something really
tricky.

14:23.000 --> 14:25.000
I'm going to open and load up a
new file.

14:25.000 --> 14:28.000
But what I'm going to do is I'm
going to.

14:28.000 --> 14:31.000
Draw it from or this is going to
be fun folks.

14:31.000 --> 14:32.000
Let me go.

14:32.000 --> 14:34.000
I'm going to try and get
something off of my.

14:34.000 --> 14:35.000
Macintosh.

14:35.000 --> 14:37.000
So wait to hear that.

14:37.000 --> 14:38.000
That's the.

14:38.000 --> 14:40.000
That's my wonderful little box.

14:40.000 --> 14:41.000
Okay.

14:41.000 --> 14:43.000
So I have it loaded as a
network.

14:43.000 --> 14:44.000
Place.

14:44.000 --> 14:45.000
I think.

14:45.000 --> 14:47.000
Let me see open.

14:47.000 --> 14:48.000
There we go.

14:48.000 --> 14:49.000
Works.

14:49.000 --> 14:50.000
Yes.

14:50.000 --> 14:51.000
Beautiful.

14:51.000 --> 14:52.000
Now I'm in my.

14:52.000 --> 14:53.000
Now I'm on my Macintosh.

14:53.000 --> 14:54.000
And.

14:54.000 --> 14:55.000
Oh, here's something we can do.

14:55.000 --> 14:57.000
Oh, the lot of found this.

14:57.000 --> 14:58.000
This is.

14:58.000 --> 14:59.000
Oh.

14:59.000 --> 15:00.000
Man.

15:00.000 --> 15:01.000
This is great.

15:01.000 --> 15:02.000
I'm.

15:02.000 --> 15:03.000
I don't think I can play the
whole thing.

15:03.000 --> 15:04.000
When we're in Miami.

15:04.000 --> 15:05.000
Did you hear that?

15:05.000 --> 15:06.000
Let me just adjust this.

15:06.000 --> 15:07.000
This is.

15:07.000 --> 15:08.000
Okay.

15:08.000 --> 15:09.000
We need to fix that.

15:09.000 --> 15:10.000
That one little different.

15:10.000 --> 15:13.000
We got to fix the light dimmer
for the audio.

15:13.000 --> 15:21.000
One of Matthew Bischoff's
buddies.

15:21.000 --> 15:24.000
Now, of course, some bogey on
what his name was.

15:24.000 --> 15:25.000
The hell was his name?

15:25.000 --> 15:26.000
Hold on.

15:26.000 --> 15:27.000
Let me see if I can.

15:27.000 --> 15:28.000
Let me.

15:28.000 --> 15:29.000
All right.

15:29.000 --> 15:30.000
And now we're going to do
something cool.

15:30.000 --> 15:31.000
Check this out.

15:31.000 --> 15:33.000
Me a fire up Skype for a second
here.

15:33.000 --> 15:35.000
Okay.

15:35.000 --> 15:37.000
Skype is firing up.

15:37.000 --> 15:41.000
If Christina's online
downstairs, and I'll just call
her and ask her what his name
is,

15:41.000 --> 15:43.000
because I've completely
forgotten.

15:43.000 --> 15:45.000
Let me see.

15:45.000 --> 15:46.000
Wait.

15:46.000 --> 15:47.000
Don't tell me she's not online.

15:47.000 --> 15:50.000
Skype always takes a couple of
seconds to find everybody.

15:50.000 --> 15:51.000
There we go.

15:51.000 --> 15:53.000
That's much better.

15:53.000 --> 15:54.000
There she is.

15:54.000 --> 15:55.000
Okay.

15:55.000 --> 15:56.000
Oops.

15:56.000 --> 15:57.000
There we go.

15:57.000 --> 15:58.000
Let's call her.

15:58.000 --> 16:00.000
Okay.

16:00.000 --> 16:01.000
Check that out.

16:01.000 --> 16:02.000
It works.

16:03.000 --> 16:04.000
Okay.

16:10.000 --> 16:12.000
Of course Patricia's going to
answer now.

16:12.000 --> 16:13.000
Watch.

16:13.000 --> 16:14.000
That'll be funny.

16:14.000 --> 16:15.000
Hello.

16:15.000 --> 16:16.000
Shvarky.

16:16.000 --> 16:17.000
Yeah.

16:17.000 --> 16:18.000
Hey, I'm recording my show.

16:18.000 --> 16:19.000
Okay.

16:19.000 --> 16:20.000
Hey, let me ask you a question.

16:20.000 --> 16:22.000
What was the name of the guy who
did that interview with you?

16:22.000 --> 16:23.000
The podcast?

16:23.000 --> 16:24.000
Robby.

16:24.000 --> 16:25.000
Robby.

16:25.000 --> 16:26.000
What's his last name?

16:26.000 --> 16:27.000
Trinchiny.

16:27.000 --> 16:28.000
Trinchiny.

16:28.000 --> 16:29.000
Okay.

16:29.000 --> 16:31.000
Is okay if I play a part on the
daily source code?

16:31.000 --> 16:32.000
Sure.

16:32.000 --> 16:33.000
Go for it.

16:33.000 --> 16:34.000
Okay.

16:34.000 --> 16:35.000
Hold on a second.

16:35.000 --> 16:36.000
Actually.

16:36.000 --> 16:37.000
If I play this, maybe you can
hear it.

16:37.000 --> 16:39.000
Hold on.

16:39.000 --> 16:40.000
Listen.

16:40.000 --> 16:41.000
Hold on.

16:41.000 --> 16:43.000
Giving you an interview.

16:43.000 --> 16:46.000
The first time ever.

16:46.000 --> 16:48.000
Hey, everybody.

16:48.000 --> 16:49.000
The strawberry jersey.

16:49.000 --> 16:50.000
What?

16:50.000 --> 16:51.000
He took a lot.

16:51.000 --> 16:52.000
Can you hear that Christina?

16:52.000 --> 16:53.000
Yeah.

16:53.000 --> 16:54.000
Okay.

16:54.000 --> 16:55.000
So you want to set it up.

16:55.000 --> 16:57.000
You want to tell me what
happened.

16:57.000 --> 16:59.000
What happened to Miami?

16:59.000 --> 17:02.000
How did it come about that he
did this interview with you?

17:02.000 --> 17:05.000
He kept Skype me the whole time.

17:05.000 --> 17:09.000
I was on the internet and it
kept really annoying me because
I had so in your laptop.

17:09.000 --> 17:12.000
And over time I heard, wouldn't
it?

17:12.000 --> 17:16.000
He was totally out of control on
the Skype.

17:16.000 --> 17:18.000
And he was annoying Ron as well
apparently.

17:18.000 --> 17:19.000
Yeah.

17:19.000 --> 17:23.000
So I decided to give him a piece
of my mind and tell him to just
fuck off.

17:23.000 --> 17:24.000
Oh, no.

17:24.000 --> 17:26.000
Mind your language, dear.

17:26.000 --> 17:27.000
I'm sorry.

17:27.000 --> 17:28.000
He's annoying.

17:28.000 --> 17:30.000
And then all of a sudden I felt
bad for him.

17:30.000 --> 17:34.000
And I said, well, if you leave
everyone alone, I'll give you an
interview.

17:34.000 --> 17:35.000
And he said, oh, okay.

17:35.000 --> 17:37.000
And he didn't really keep his
word.

17:37.000 --> 17:38.000
Okay.

17:38.000 --> 17:39.000
Hold on.

17:39.000 --> 17:40.000
Let's play another piece of this
for a second.

17:40.000 --> 17:41.000
Clive.

17:41.000 --> 17:43.000
Giving you an interview.

17:43.000 --> 17:45.000
The first time ever interview.

17:45.000 --> 17:47.000
Christina Curry.

17:47.000 --> 17:48.000
Yes.

17:48.000 --> 17:49.000
That's right.

17:49.000 --> 17:51.000
Adam Curry's daughter.

17:51.000 --> 17:53.000
Welcome to the show.

17:53.000 --> 17:54.000
Hi.

17:54.000 --> 17:55.000
Hi.

17:56.000 --> 17:58.000
Oh, man. The sound quality
sucks.

17:58.000 --> 18:01.000
It's because Mom was like
vacuuming in the background.

18:01.000 --> 18:04.000
I hate it when she does that.

18:04.000 --> 18:05.000
Yeah.

18:05.000 --> 18:08.000
And I said, mom, and she's like,
oh, it doesn't matter.

18:08.000 --> 18:09.000
You can't hear it.

18:09.000 --> 18:10.000
And we obviously can.

18:10.000 --> 18:14.000
Of course, the way around that
is maybe you or I could have
done some of the vacuuming.

18:14.000 --> 18:16.000
Okay.

18:16.000 --> 18:18.000
Let's listen to a little more.

18:18.000 --> 18:19.000
Hold on.

18:19.000 --> 18:23.000
So um, Christina will jump right
into it.

18:23.000 --> 18:26.000
Um, what do you think about your
dad and podcasting?

18:26.000 --> 18:30.000
I mean, does it judge the effect
you or are you just okay with
it?

18:30.000 --> 18:32.000
Or do you not like it?

18:32.000 --> 18:33.000
I love it.

18:33.000 --> 18:34.000
I love it.

18:34.000 --> 18:37.000
I love how my dad's just like
created this thing out of
nothing.

18:37.000 --> 18:39.000
And everyone's going for it.

18:39.000 --> 18:40.000
I love the idea.

18:40.000 --> 18:44.000
And hopefully I'm going to start
podcast one day when I have
something to say.

18:44.000 --> 18:45.000
And I was born.

18:45.000 --> 18:47.000
And it's really clear.

18:47.000 --> 18:49.000
What the hell was that?

18:49.000 --> 18:51.000
That would be you calling me.

18:51.000 --> 18:52.000
Oh.

18:53.000 --> 18:54.000
Okay.

18:54.000 --> 18:55.000
For you.

18:55.000 --> 18:56.000
Okay.

18:56.000 --> 19:00.000
We should play the part when I
told him to not get his panties
in a gun.

19:00.000 --> 19:01.000
Do you know where it is?

19:01.000 --> 19:02.000
Was it the beginning?

19:02.000 --> 19:04.000
It's like in the middle.

19:04.000 --> 19:05.000
Okay.

19:05.000 --> 19:06.000
Hold on.

19:06.000 --> 19:07.000
Let me drag this over in the
middle.

19:07.000 --> 19:08.000
I'll play it.

19:08.000 --> 19:11.000
I think that it should be
something that we should watch.

19:11.000 --> 19:14.000
And if needed, we could always
go in and bash people's hands.

19:14.000 --> 19:16.000
Is it before after that?

19:16.000 --> 19:17.000
This is it.

19:17.000 --> 19:18.000
Yeah.

19:18.000 --> 19:19.000
Okay.

19:20.000 --> 19:22.000
I think you shouldn't get your
panties in a bunch of better.

19:22.000 --> 19:24.000
I mean, people were always
because of me saying,

19:24.000 --> 19:26.000
Oh, but you're so scared.

19:26.000 --> 19:29.000
I said, don't get your panties
in a bunch of pieces.

19:29.000 --> 19:31.000
Oh, okay.

19:31.000 --> 19:34.000
Just show, you know, podcasting.

19:37.000 --> 19:38.000
Oh, that's so funny.

19:38.000 --> 19:39.000
That's great.

19:39.000 --> 19:40.000
That's great.

19:40.000 --> 19:41.000
Okay.

19:41.000 --> 19:42.000
All right.

19:42.000 --> 19:43.000
So, did he put that interview up
anywhere?

19:43.000 --> 19:45.000
Is it an official podcast
somewhere?

19:45.000 --> 19:46.000
No.

19:46.000 --> 19:49.000
But I did get an email from one
of his little geek friends
saying,

19:49.000 --> 19:50.000
how funny it was.

19:50.000 --> 19:51.000
Yeah.

19:51.000 --> 19:52.000
Well, how did he hear it then?

19:52.000 --> 19:53.000
So, it has he posted it?

19:53.000 --> 19:54.000
Is there a URL?

19:54.000 --> 19:57.000
We can point because it's like
30 minutes or something, right?

19:57.000 --> 19:58.000
Yeah.

19:58.000 --> 19:59.000
I don't know where it is.

19:59.000 --> 20:00.000
Did you check his website?

20:00.000 --> 20:01.000
No.

20:01.000 --> 20:02.000
No.

20:02.000 --> 20:03.000
Why don't you check it for me?

20:03.000 --> 20:06.000
And then when I post the show,
I'll put it in the show notes.

20:06.000 --> 20:07.000
Okay.

20:07.000 --> 20:08.000
Okay.

20:08.000 --> 20:09.000
Hey, this worked.

20:09.000 --> 20:10.000
You can hear it.

20:10.000 --> 20:11.000
Yeah.

20:11.000 --> 20:12.000
You can hear everything.

20:12.000 --> 20:13.000
That's great.

20:13.000 --> 20:14.000
I mean, I'm recording.

20:14.000 --> 20:15.000
It works.

20:15.000 --> 20:16.000
I'm so happy.

20:16.000 --> 20:18.000
That's what I'm doing up here
all day, dear.

20:18.000 --> 20:19.000
Wait.

20:19.000 --> 20:20.000
I'm on his website.

20:20.000 --> 20:21.000
Hold on.

20:21.000 --> 20:22.000
Let's see if he posted it.

20:22.000 --> 20:23.000
No, he didn't.

20:23.000 --> 20:24.000
Okay.

20:24.000 --> 20:25.000
Well, you know what?

20:25.000 --> 20:29.000
Send him an email and ask him if
I can put it up on my server.

20:29.000 --> 20:30.000
And I'll put a link to it.

20:30.000 --> 20:31.000
Okay.

20:31.000 --> 20:32.000
All right.

20:32.000 --> 20:34.000
Which, of course, means he'll
start emailing you a thousand
times, right?

20:34.000 --> 20:35.000
Yeah.

20:35.000 --> 20:36.000
Okay.

20:36.000 --> 20:37.000
All right, baby.

20:37.000 --> 20:38.000
All right.

20:38.000 --> 20:39.000
Thank you very much.

20:39.000 --> 20:40.000
All right.

20:40.000 --> 20:41.000
Bye.

20:41.000 --> 20:42.000
Love you.

20:42.000 --> 20:43.000
All right.

20:43.000 --> 20:44.000
There you have it.

20:44.000 --> 20:46.000
The first test with Skype.

20:46.000 --> 20:52.000
And you'll notice that not only
were you able to hear her as I
recorded Christina,

20:52.000 --> 20:56.000
but she was also able to hear
what I was sending back to her.

20:56.000 --> 20:58.000
That is cool.

20:58.000 --> 21:00.000
What's happening at Adam and the
Daily Source Code listeners.

21:00.000 --> 21:03.000
This is Todd Collins from the
podcast.

21:03.000 --> 21:04.000
What's really going on?

21:04.000 --> 21:05.000
Yes.

21:05.000 --> 21:08.000
I am a Daily Source Code
listener and a Mac user.

21:08.000 --> 21:10.000
But I've got a unique show for
you right now.

21:10.000 --> 21:12.000
It's from Beatmar recordings.

21:12.000 --> 21:15.000
Beatmar recordings is a small
indie urban label.

21:15.000 --> 21:21.000
And it's a show about behind the
scenes and a look at what goes
on in the world of recording,

21:21.000 --> 21:25.000
recording business as well as
the tech side of the
productions.

21:25.000 --> 21:26.000
So come join us.

21:26.000 --> 21:30.000
We'll talk about sports, snicker
culture, upcoming artists and
releases.

21:30.000 --> 21:32.000
But most of all, content from
you.

21:32.000 --> 21:39.000
We're going to take questions,
comments, feedback, all of that
in email form, or in MP3 form.

21:39.000 --> 21:44.000
To www.rgeopodcast at gmail.com.

21:44.000 --> 21:52.000
You can also visit the what's
really going on podcast at
www.lipsen.com.

21:52.000 --> 21:57.000
That's www.libs-y-n.com.

21:57.000 --> 22:04.000
Or you can subscribe to the RSS
feed at www.lipsen.com slash
RSS.

22:04.000 --> 22:06.000
Hope to hear from you soon.

22:06.000 --> 22:09.000
And that's what's really going
on.

22:09.000 --> 22:12.000
Now back to you Adam Curry and
the Daily Source Code.

22:12.000 --> 22:13.000
All right.

22:13.000 --> 22:18.000
So I am now convinced that it's
something with the program that
is tripping over on that.

22:18.000 --> 22:21.000
I don't know why it's doing
that.

22:21.000 --> 22:23.000
Probably what I should have done
this being Windows.

22:23.000 --> 22:27.000
I probably should have rebooted
before recording anything.

22:27.000 --> 22:29.000
I don't think anything changed
with the playback.

22:29.000 --> 22:31.000
I wasn't seeing that behavior
yesterday.

22:31.000 --> 22:33.000
So that's something we'll have
to work on.

22:33.000 --> 22:38.000
So you don't have to email me
that there were stuff dropping
out because clearly I figured
that went out.

22:38.000 --> 22:40.000
Cool.

22:40.000 --> 22:41.000
Let's see.

22:41.000 --> 22:42.000
Twenty-two minutes.

22:42.000 --> 22:44.000
You know, I've been upstairs
almost all day.

22:44.000 --> 22:45.000
It's 9.15.

22:45.000 --> 22:48.000
So I am going to cut it
reasonably short.

22:48.000 --> 22:49.000
Last night the in-laws are here.

22:49.000 --> 22:55.000
And particularly since John was
so incredibly nice to make this
sound dimmer for me.

22:55.000 --> 22:57.000
Which I think we should put into
production.

22:57.000 --> 23:00.000
This is actually I told him what
I wanted next.

23:00.000 --> 23:02.000
It's a little box that you
remember.

23:02.000 --> 23:10.000
I tried to combine my microphone
with the iPod and have that
record onto the iRiverb.

23:10.000 --> 23:12.000
And I got the huge impedance
differences.

23:12.000 --> 23:17.000
And then whenever the iPod would
shut off and all of a sudden
everyone's ears would blow out.

23:17.000 --> 23:20.000
So he's got an idea for a little
box to fix that as well.

23:20.000 --> 23:22.000
So look out.

23:22.000 --> 23:25.000
We may put some of that stuff
into production in one of these
days.

23:25.000 --> 23:35.000
Hey, Adam, of course you heard
of the sound of the day.

23:35.000 --> 23:49.000
Well, I'm here to bring you the
smell of the day.

23:49.000 --> 23:53.000
Just the latest installment of
worldwide web zaniness and here
you go coming right up.

23:53.000 --> 24:03.000
The smell of the day.

24:03.000 --> 24:09.000
And then we get all that with
the smell of the day brought to
you by the daily dribble at
www.dali dribble.net.

24:09.000 --> 24:12.000
Okay, so cut out a couple times
there as well.

24:12.000 --> 24:18.000
Okay, now let's try something
because I did ask something to
be changed in the players.

24:18.000 --> 24:25.000
Essentially, before if you
wanted to stop something, you
know, to comment on it, it would
rewind all the way.

24:25.000 --> 24:32.000
We've now made it so that a
right mouse click or on the pen,
which means holding down a
little button and tapping.

24:32.000 --> 24:34.000
You can rewind it manually.

24:34.000 --> 24:37.000
Maybe that's something to do
with the way the playback was
changed.

24:37.000 --> 24:39.000
So bear with me as we beta test
this.

24:39.000 --> 24:42.000
So I'm going to load the exact
same promo.

24:42.000 --> 24:45.000
Hold on, I'll load that into one
of the jingle cartridges.

24:45.000 --> 24:50.000
That's the, that's the ones that
you really aren't supposed to be
able to rewind.

24:50.000 --> 24:52.000
Although I just found out you
can.

24:52.000 --> 24:56.000
Let me see if it has the same
cutouts there.

24:56.000 --> 24:57.000
Hold on, which one was it?

24:57.000 --> 24:58.000
Smell of the day.

24:58.000 --> 25:00.000
Okay, so we heard smell of the
day cut out.

25:00.000 --> 25:02.000
Let's play it again and see if
it doesn't cut out.

25:02.000 --> 25:04.000
Cut out when it's in a different
player.

25:04.000 --> 25:11.000
Hey, Adam, of course you heard
of the sound of the day.

25:11.000 --> 25:19.000
Well, I'm here to bring you the
smell of the day.

25:19.000 --> 25:33.000
Just the latest installment of
worldwide web zaniness, and here
you go, come and write up the
smell of the day.

25:33.000 --> 25:41.000
Oh, there you go.

25:41.000 --> 25:47.000
That was the smell of the day
brought to you by the daily
dribble at www.dali dribble.net.

25:47.000 --> 25:48.000
Okay.

25:48.000 --> 25:49.000
That settles it.

25:49.000 --> 25:50.000
We figured it out.

25:50.000 --> 25:52.000
This is what beta testing is all
about folks.

25:52.000 --> 25:57.000
We figured out that something on
the players, the ones that have
the status bar,

25:57.000 --> 26:01.000
is making the audio drop out and
skip intermittently.

26:01.000 --> 26:02.000
Okay.

26:02.000 --> 26:03.000
Wow.

26:03.000 --> 26:06.000
Okay, I think I've had enough
beta testing for one day if you
don't mind.

26:06.000 --> 26:12.000
And it's time for me to go have
some coffee with the in-laws.

26:12.000 --> 26:17.000
So, special thanks to the
development team of cast
blaster.

26:17.000 --> 26:19.000
Really enjoying the work.

26:19.000 --> 26:23.000
We're going to try and fix some
of the little buggies and
gotchas there.

26:23.000 --> 26:25.000
So, maybe I'll even do something
over the weekend.

26:25.000 --> 26:30.000
Now that Skype is working so
great, I can finally record
perfectly with Kenster J for MTV
Chronicles.

26:30.000 --> 26:35.000
Just gotta make the player
stuff.

26:35.000 --> 26:36.000
Gotta fix that.

26:36.000 --> 26:39.000
I'm sure that I've already got a
buddy there in Holland going.

26:39.000 --> 26:41.000
Damn, I know exactly what's
wrong.

26:41.000 --> 26:43.000
I'm probably fixing it already.

26:43.000 --> 26:44.000
All right.

26:44.000 --> 26:45.000
Feedback.

26:45.000 --> 26:46.000
Adamacore.com.

26:46.000 --> 26:49.000
You can leave a comment on the
weblog at www.curry.com.

26:49.000 --> 26:54.000
And of course, there's daily
source code.com where you can
find the new source code,

26:54.000 --> 26:59.000
this program, where you can
subscribe to the podcast feed
and find the archives.

27:00.000 --> 27:02.000
Hope you have yourselves a great
Friday.

27:02.000 --> 27:03.000
Take care everybody.

27:03.000 --> 27:05.000
I'll catch you over the weekend.
Bye-bye.
