WEBVTT

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Hi everybody, it's the Daily
Source Code for what are we now
at? Wednesday, at least this

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will air, that is air in
quotation marks on April the
13th, 2005. I'm in my hotel room

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at the Waldorf Astoria in New
York and it is now quarter past
10 in the evening. Another

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stellar day here in the city,
I've got to say the energy of
this place is just so amazing.

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It's good to be back in New
York. I almost want to say a
great place to visit, but you

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wouldn't want to live here, but
I wouldn't mind living here
again. It's, it's, uh, man,

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everybody. So energetic, the
streets are just filled with
people who want to get shit done

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and are going somewhere and are
doing things and everybody's
gone an angle, which is

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always nice. Um, oh, second.
I'm, uh, on the I River set up
right now with the wireless

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microphone set. And I was
thinking, what could I do for a
podcast? I'm in the bathroom

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right now. You can probably tell
the difference in acoustics. Um,
so for those of you who

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are new to the source code and
new to the sound seeing tour
scene, uh, my set up is a
wireless

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microphone set. I've got the,
uh, the lavalier microphone on.
And I've got the, uh, the
transmitter,

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uh, pack on my belt. And I've
got the receiver. Actually, it's
in my left hand right

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now. Uh, the receiver goes
straight into the lining, put of
the I River. And, uh, this

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is what I've used many times.
You can, it's almost like a
phone call. When I'm on the

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phone, I'm, I'm one of those
people who likes to pace around
and walk while I talk.

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I wonder what, I'm sure there's
someone out there, some
psychologists who can explain
why

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some people like to do that.
Anyway, um, one of, uh, our
bokeh associates, uh, stayed
over

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an extra night here in New York,
he's from D.C. Brian. Uh, and,
um, his laptop broke. So I've

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given him the, the tablet. So he
can use that to do email and
spreadsheets and God knows what

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he wants to do with it. Download
porn. It can just open up my
hard drive. So, um, I don't have

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all my, uh, all my jingles and
sweepers and all that stuff all
lined up and, uh, and all the
promos.

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So if you're going to do
something a little different for
tonight, um, also, we had such a
long day.

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It started with an 815 breakfast
meeting. Man, I haven't done one
of those in years. It was

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royalty hotel. I don't know if
you know it in New York, but it
was great to start off, you
know,

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power breakfast and then meeting
the meeting, the meeting, the
cab to meeting and met a whole

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bunch of great people, lots of
people very enthusiastic about
podcasting in, uh, in New York.

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And of course, uh, as I've
explained before, you know,
we're, we're Madison Avenue, uh,
the

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generates. So we've been meeting
lots of advertisers and people
who are interested in what they

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can do with podcasting. Um, so I
thought that what we do is we do
a sound scene to

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the hotel and actually it wants
to do an elevator cast. Um,
elevators are interesting. You
know,

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usually people look at the
numbers, right? Look at the
floor of the run as it counts
down or counts

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up. And, uh, if there's more,
you know, if people come in in a
group, they'll talk amongst
themselves,

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but lots of times it's just
silence and all kinds of
different things. And if you
really are

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listening to what's happening,
um, you can hear interesting
stuff. So I figured what we do

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for the next 30 minutes or so.
Also, we just had a great
dinner, um, at, uh, home and I
brought a

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card with me from the
restaurant. Let me just grab
that from my back pocket. Where
do we have

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dinner? Bellini, which is on 208
East 52nd Street was just
phenomenal. And, uh, Ron, who
keeps saying,

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he's not snobbished about wine,
but he is, uh, ordered a
fantastic Italian red wine. And
I'm not

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a drinker at all. I think most
people know, uh, who listen to
this show that, uh, I like to
smoke my

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poisons. Uh, so I'm, uh, I'm a
little slow in the speech. So I
think what we do is we'd, uh,

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run the hallways a little bit,
um, ride the elevator for maybe
a half hour and, uh, see what we
bump

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into. And if that's too boring,
we'll go into lobby. And we'll
just see if we can, uh, get some
nice

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sounds from the lovely Waldorf,
a story in New York City. So let
me get everything prepared here.

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First of all, me do that. Okay.
Now I'm going to remove the
headset. There we go. So now I
can't

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hear myself. I'm just making
sure that I river is in the lock
position. So nothing goes wrong.

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I'm going to do it. I'm going to
put the receiver. Actually, I'll
put the receiver

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and I river into my, hold on.
Let me not put it in my left
pocket. That's where the cell
phone is.

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In case I need to talk and there
are people around, I will just
grab the cell phone real quick.

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Okay. Carefully slipping the I
river into my pocket as well.
Okay.

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There we go. Now I'm going to
note the time. So 10, 21. So
let's say it's 10, 22. So I
started

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10, 20. So we'll go until at
least 10 minutes to 11. And I
hope you enjoy the, the sound
scene

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tour and the elevator cast of
the Waldorf story. Let's see
what we come up against. Let's
see if

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we can get any conversations.
See if we actually all grab the
phone as I walk out the door
here.

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So I, this is our, this is what
we do when we actually heard
magic do it the other day when

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she did a cast of a target. You
do feel a little bit
self-conscious when you're doing
this.

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So I'm on the 15th floor and
walked out of my room and just
heard the door close.

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I'm going to left here past the
ice machine and we're going to
go on the elevator and let's
just see.

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There's usually a lot of people
going up to their room at this
point. The American paper

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and forest association is
holding a conference in the
hotel. So maybe we'll hear some
interesting

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conversation about paper. So
hang right towards the elevators
and the minute there are people
in

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the elevator. I'll stop talking
and while I'm alone again with
you guys we'll talk again.

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So here we are. Getting into the
elevator down to the lobby.
Hopefully we'll pop up against
somebody

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12, 11, 10, 9, 8, 7, 6, 5, 4, 3.
I'll have to get off when we hit
the lobby.

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Otherwise people think a very
strange just riding the elevator
up and down.

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Okay. So a very fast elevator.

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I'm walking to the lobby for a
second here.

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We're now in the lobby of the
Waldorf. That's why I'm behind
these guys.

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This will be fun. Let's see if
we can follow their
conversation. Bear with me now.

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We leave them by. We lost
Chuckie too. Okay, so
unfortunately for those guys
weren't going

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up in the elevator. So we'll
just wait here. Some people are
going to ride up.

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There's a guy in the phone.
Let's follow him.

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I don't have a car for you. I've
got a couple of essentials.

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Cell phone. What else?
Toothbrush. What else do you
need, right? You with the paper
guys?

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Is that me? Good night.

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Okay. When we started with the
conversation, actually this
elevator is a little bit too
fast.

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Okay, I take it up to 15 and
then we'll have no one's there.
We'll go down again.

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No, he didn't. He didn't. No, he
doesn't hit. Okay, El. There you
go.

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14, we're stopping. Let's see if
someone jumps on.

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It caused briefly and just kept
on going down. Man, learning a
lot about the elevator here at
the

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Waldorf. Okay, it looks like
we're going all the way down to
the lobby. So, good try.

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And we're back down in the
lobby.

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Okay, we're going to follow
these people back on the
elevator. See where they're
from.

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Yeah,

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I, dude, but I was there a
little bit a little bit.

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Good night, floor.

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Good night.

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Okay, they weren't very
talkative.

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Guess what? We're going back out
to 15.

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I'm getting dizzy already from
this riding the elevator stuff.

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Hi, sir. Going down?

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It's busy tonight, huh?

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Yeah.

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Every day, the board office is
always busy.

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It's crazy.

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There's a lot of people from
outside the country, just out of
town.

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Yeah, over, yeah, there were
competitions, yeah, beer,

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on the time of your
competitions.

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The American Forests and Paper
People?

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Yeah, Paper People. They're
living tomorrow.

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Are they nice? The Paper People?

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No, I'm nice.

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I'm not.

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It's lovely, sir.

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Thank you very much. Good night.

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So I'm here in the lobby.

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I'm just going to stand here for
a couple of minutes and see if
we bump into

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another group that we can follow
in.

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I just kind of wind no shop.

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I see three light expensor shops
here in the Waldorf.

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You want some bling, man? This
is the place to come for your
bling.

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Some of the conversations are
just absolutely hilarious when
we listen to them.

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So just to throw everybody off
track,

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we're going to walk across the
lobby for a second.

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And then we'll walk back and see
if we can find another group of
people to

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ride up with. Again, see if we
can strike up conversation.

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I'm noticing that the elevators
here are extremely fast,

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which makes it a little
difficult to talk for too long.

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But there's also a couple other
elevator banks.

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Maybe I'll try some of the other
ones.

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I could also hang out in the
bar, but I really want to try
and

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keep it going with the
elevators.

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By the way, in the hallway here
at the Waldorf, this is
beautiful.

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It reminds me of home actually,
it's a Louis Cutters table with
beautiful flower

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arrangement that they cut fresh
today.

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Look at this, there's a whole
movie crew here.

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I wonder what the film is.

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See if we can figure that out.

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Looks like a 16-millimeter set
up.

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So now I'm at the Park Avenue
entrance.

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It's a ladies who are dressed
beautifully, like Game Outfits.

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They're a security guard or a
cop in the lobby talking a
couple of people.

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Nice piano in the background.

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And it seems like everybody's on
their cell phone here.

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Which, of course, could mean,
hey, what's this?

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WB extras holding.

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Maybe we're doing some kind of
audition for the WB or for
Warner Bros.

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But it's just walking here and
see what we can do to find out.

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This is some kind of audition
statement, but it's...

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Oh, this is that one.

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It's definitely a cattle call.

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Oh, they're doing some kind of
play.

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And then it would be at the...

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Mm-hmm.

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Yes, they are on the end of
the...

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There we go.

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Are these auditions?

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No, they're picking photos now,
but people are really on this.

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No, no.

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And the hotel just curious,
nosy.

15:30.160 --> 15:38.160
No, this is photographing here
and we're doing a background for
a movie or a TV pilot.

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Really?

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Do you know what the name of the
pilot is called?

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Really?

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Do you win it?

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Yes.

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Okay.

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And then it would be exciting.

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Well, I don't know, it's late.

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Great.

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It should be exciting.

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Look, look.

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Look, look, look.

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Look, look, look, look, look.

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Are you a principal?

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No.

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I'm Adam.

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I'm dear, friends.

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I'm dear.

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Yes.

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Do you have friends?

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So where are you?

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Yeah.

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I'm a business here in the city
from London.

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Can you tell me my accent?

16:09.160 --> 16:10.160
No.

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Yeah.

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Interesting.

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The friends say, but it's for
the W'd be?

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Yes.

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All right.

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Tell me the B.

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What do you apply?

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I'm playing a party girl.

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Really?

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Okay.

16:24.160 --> 16:25.160
You have lines?

16:25.160 --> 16:26.160
No.

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Oh, that sucks.

16:27.160 --> 16:28.160
I know.

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You got a card?

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Are you a bag?

16:30.160 --> 16:31.160
Yeah?

16:31.160 --> 16:32.160
Yeah.

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I'm normally pretty full and
bust.

16:34.160 --> 16:35.160
Mm-hmm.

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Yeah.

16:36.160 --> 16:37.160
I was not working.

16:37.160 --> 16:39.160
I just got back to Las Vegas.

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I decided to go.

16:40.160 --> 16:41.160
Working in Vegas or a party.

16:41.160 --> 16:42.160
Yeah, actually.

16:42.160 --> 16:43.160
I actually did a little bit of
both.

16:43.160 --> 16:44.160
There isn't that working.

16:44.160 --> 16:47.160
Was it the celebrity program in
Bravo?

16:47.160 --> 16:48.160
Sure.

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And, um, oh, yeah.

16:49.160 --> 16:50.160
How are you?

16:50.160 --> 16:51.160
I'm my friend, Richard Bells.

16:51.160 --> 16:52.160
You're a small child.

16:52.160 --> 16:53.160
I'm fine.

16:53.160 --> 16:54.160
I'm fine.

16:54.160 --> 16:55.160
Right.

16:56.160 --> 16:57.160
He plays for a picture?

16:57.160 --> 16:58.160
Yeah, of course.

16:58.160 --> 16:59.160
Anyone plays for a picture?

16:59.160 --> 17:00.160
Yeah, of course.

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Anyone plays for a picture?

17:01.160 --> 17:02.160
Right.

17:02.160 --> 17:03.160
Yeah.

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Cool.

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Who is for Julio?

17:05.160 --> 17:06.160
That's good.

17:06.160 --> 17:07.160
That's good.

17:07.160 --> 17:08.160
No.

17:08.160 --> 17:09.160
No.

17:09.160 --> 17:10.160
No.

17:10.160 --> 17:11.160
And.

17:11.160 --> 17:12.160
Did well.

17:12.160 --> 17:13.160
And.

17:13.160 --> 17:15.160
You've met with a lot of other
people in the business.

17:15.160 --> 17:16.160
He was really good.

17:16.160 --> 17:17.160
So the business was not.

17:17.160 --> 17:18.160
That's not.

17:18.160 --> 17:19.160
Yeah.

17:19.160 --> 17:20.160
Sorry.

17:20.160 --> 17:21.160
You can combine it.

17:21.160 --> 17:22.160
It was always nice.

17:22.160 --> 17:23.160
Exactly.

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What have we discussed?

17:25.160 --> 17:27.160
It's a miracle of my technology.

17:27.160 --> 17:28.160
Hi.

17:28.160 --> 17:29.160
Good.

17:29.160 --> 17:30.160
Fine.

17:30.160 --> 17:32.160
Thank you for welcoming me.

17:33.160 --> 17:34.160
Hold it.

17:34.160 --> 17:35.160
I know.

17:35.160 --> 17:36.160
It's your card.

17:36.160 --> 17:37.160
Me to get up.

17:37.160 --> 17:38.160
It's not good.

17:38.160 --> 17:39.160
I know.

17:39.160 --> 17:41.160
Birthday girl having to get out.

17:41.160 --> 17:42.160
I feel good.

17:42.160 --> 17:43.160
I feel good.

17:43.160 --> 17:44.160
I feel like.

17:44.160 --> 17:45.160
You know.

17:45.160 --> 17:46.160
You know.

17:46.160 --> 17:47.160
You know.

17:47.160 --> 17:48.160
You know.

17:48.160 --> 17:49.160
You know.

17:49.160 --> 17:50.160
Yeah.

17:50.160 --> 17:51.160
You know.

17:51.160 --> 17:52.160
You know.

17:52.160 --> 17:53.160
To which cake.

17:53.160 --> 17:54.200
No, not enough stuff.

17:54.200 --> 17:55.200
Substance.

17:55.200 --> 17:56.200
And if it's put it on.

17:56.200 --> 17:57.160
I'll be back.

17:57.160 --> 17:58.160
Mm hmm.

17:58.160 --> 17:59.160
So I'm just.

17:59.160 --> 18:00.160
You can go.

18:00.160 --> 18:01.160
I'll bring up your dinner.

18:01.160 --> 18:02.160
I'm going to be.

18:02.160 --> 18:03.160
You can go.

18:03.160 --> 18:04.160
So I'll bring up your dinner.

18:04.160 --> 18:05.160
I'll give up.

18:05.160 --> 18:06.160
I'll give up.

18:06.160 --> 18:07.160
Yeah.

18:07.160 --> 18:09.160
I'll be back.

18:09.160 --> 18:10.160
I'll be back.

18:10.160 --> 18:11.160
Thank you.

18:11.160 --> 18:12.160
Okay.

18:12.160 --> 18:13.160
That's it.

18:13.160 --> 18:14.160
So.

18:14.160 --> 18:15.160
All right.

18:15.160 --> 18:16.160
So I'm back up.

18:16.160 --> 18:17.160
I'm so.

18:17.160 --> 18:18.160
I'm so.

18:18.160 --> 18:19.160
But that was interesting.

18:19.160 --> 18:20.160
So I clearly.

18:20.160 --> 18:25.720
Clearly, it's an audition for
extras and there must be only
three, three, four, five, six.

18:25.720 --> 18:30.760
There must be twenty people here
standing in line to get the
picture taken to be

18:30.760 --> 18:33.760
extras in the pilot for the
prince.

18:33.760 --> 18:34.760
Okay.

18:34.760 --> 18:44.160
Say, what, I'm just going to
walk out of here and see if we
can go find some more people to
talk to.

18:44.160 --> 18:56.320
We could, of course, always talk
to some of the extras, but
they're boring me.

18:56.320 --> 18:57.920
Welcome back into the lobby.

18:57.920 --> 19:03.320
A little time check here, oh
man, times flying, we've already
been at it for about 15 minutes.

19:03.320 --> 19:08.560
Let me just double check the eye
river, make sure we're still
recording.

19:08.560 --> 19:13.880
Indeed, actually 19 minutes, so
far, go to a lot faster than
anything.

19:13.880 --> 19:25.080
Really, the cell phone is just
the best cover you could
imagine.

19:25.080 --> 19:30.600
So it was nice meeting, dear Dr,
from back into the main lobby
here.

19:43.880 --> 19:55.240
So, people taking pictures of
themselves and the lobby being
from habitat on that's a big

19:55.240 --> 19:56.240
deal.

19:56.240 --> 19:59.800
You can take a lot of pictures
myself.

19:59.800 --> 20:12.800
Okay, so, back in front of the
salini window shops, okay,
people are going up in the

20:42.800 --> 20:45.340
middle of the pool boiling.

20:45.340 --> 20:51.640
Good night!

20:51.640 --> 20:54.120
No.

20:54.120 --> 20:58.660
Good night!

20:58.660 --> 21:06.700
Not recommended, but no.

21:06.700 --> 21:10.320
I don't think you have a card
tray for competition, could you
give it to me?

21:10.320 --> 21:12.060
Okay.

21:12.060 --> 21:22.060
Okay, so much for that ride.

21:22.060 --> 21:28.060
I guess what I really should do
is wait for, how you doing?

21:28.060 --> 21:29.060
Hello.

21:29.060 --> 21:37.060
I should really wait for like a
group of people who are already
talking to go up to make

21:37.060 --> 21:41.060
a little bit more exciting so we
can get some actual conversation

21:41.060 --> 21:44.060
from the maids who just said hi
to me.

21:44.060 --> 21:53.060
So let's take another ride down
and see if we can catch a group
going up.

21:53.060 --> 21:57.060
Here we go.

21:57.060 --> 22:06.060
Waiting for the Vader. These
things are so fast.

22:06.060 --> 22:07.060
Okay.

22:07.060 --> 22:09.060
Back down to the lobby.

22:09.060 --> 22:13.060
I wonder how long it's going to
take for some of the hotel staff
to catch on and think

22:13.060 --> 22:16.060
that I'm a freaking idiot. A
Vader fetish.

22:16.060 --> 22:18.060
That's what I've got.

22:18.060 --> 22:21.060
Just love riding the animators.

22:21.060 --> 22:26.060
So if you could beat you and
kind of along the floors and
other we have now arrived at the
lobby again.

22:26.060 --> 22:28.060
So here we go.

22:36.060 --> 22:43.060
Okay. Back down to the lobby.

22:43.060 --> 22:47.060
Walking the other way towards
the lex...

22:47.060 --> 22:51.060
I think it's lexing to have on
the side of the lobby.

22:51.060 --> 22:53.060
Let me see this.

22:53.060 --> 22:58.060
Let me just check for you.

22:58.060 --> 23:00.060
Yeah.

23:00.060 --> 23:05.060
Lexing to have new entrance.

23:05.060 --> 23:12.060
Okay.

23:12.060 --> 23:14.060
Okay. Let's follow these people
up.

23:14.060 --> 23:16.060
They seem to be talking.

23:16.060 --> 23:17.060
Listen to your cool.

23:17.060 --> 23:19.060
Just a hand by.

23:36.060 --> 23:42.060
Okay.

23:42.060 --> 23:45.060
Follow the barrel.

23:45.060 --> 23:47.060
Follow the barrel.

23:47.060 --> 23:48.060
Okay.

23:48.060 --> 23:49.060
Go down.

23:49.060 --> 23:51.060
You're going to do it.

23:51.060 --> 24:03.060
Yeah.

24:03.060 --> 24:05.060
So have a nice trip there.

24:05.060 --> 24:06.060
See you next time.

24:06.060 --> 24:08.060
You're going to go ahead and
then tomorrow afternoon.

24:08.060 --> 24:13.060
Let's do it again.

24:13.060 --> 24:16.060
Okay.

24:16.060 --> 24:18.060
Okay.

24:18.060 --> 24:21.060
Okay.

24:21.060 --> 24:22.060
Okay.

24:22.060 --> 24:24.060
Okay.

24:24.060 --> 24:25.060
Okay.

24:25.060 --> 24:26.060
Okay.

24:26.060 --> 24:27.060
Okay.

24:27.060 --> 24:29.060
Okay.

24:29.060 --> 24:30.060
Okay.

24:30.060 --> 24:32.060
Okay.

24:32.060 --> 24:34.060
Okay.

24:34.060 --> 24:46.060
What are you from?

24:46.060 --> 24:53.060
Pointi, t-tea.

24:53.060 --> 24:56.060
Can I..

25:02.060 --> 25:03.060
Damn.

25:03.060 --> 25:05.820
Damn, it really sucks.

25:05.820 --> 25:07.820
The elevators just too fast.

25:07.820 --> 25:09.820
I can't get a conversation
going.

25:09.820 --> 25:16.340
So, actually that guy got off on
the same floor as I did on 15.

25:16.340 --> 25:20.340
So, we'll ride it back down
again.

25:20.340 --> 25:25.100
Maybe we'll go back to the WB
casting call

25:25.100 --> 25:27.860
and see if we can strike up a
conversation there.

25:27.860 --> 25:31.060
Oh, man, static electricity in
New York is nuts.

25:33.060 --> 25:35.060
Okay.

25:35.060 --> 25:37.060
Back down to the lobby.

25:42.060 --> 25:45.060
It's a big little old.

25:45.060 --> 25:48.060
I wonder if there's a camera in
this elevator

25:48.060 --> 25:51.060
and they're registering me
riding up and down

25:51.060 --> 25:54.060
as a couple of guys in a
security booth somewhere,

25:54.060 --> 25:56.060
worrying about what the frick
I'm doing.

25:56.060 --> 25:58.060
Lobby, here we are.

26:04.060 --> 26:07.060
Okay, back in the lobby.

26:07.060 --> 26:12.060
And see, probably going to keep
it going for another 10 minutes.

26:12.060 --> 26:18.060
What I'll do is I'll wait by the
lobby and then when, uh,

26:18.060 --> 26:22.060
the next group of talkers comes
through.

26:22.060 --> 26:28.060
I'll just follow him up.

26:28.060 --> 26:33.060
So, right now, walking behind
the door.

26:33.060 --> 26:36.060
I'll just follow him up.

26:36.060 --> 26:38.060
So, right now, walking behind
the door.

26:38.060 --> 26:41.060
I'll just follow him up.

26:41.060 --> 26:45.060
So, right now, walking behind
the door.

26:46.060 --> 26:50.060
So, right now, walking behind
the door.

26:50.060 --> 26:53.060
A couple of the women's
beautiful gala dresses.

26:53.060 --> 26:56.060
We're back out through past the
flowers,

26:56.060 --> 27:00.060
with the Louis-cut on top of the
Louis-cut tour desks.

27:10.060 --> 27:12.060
Back in the central lobby.

27:15.060 --> 27:25.060
Okay, standing here, uh, once
again in front of the, uh,

27:25.060 --> 27:28.060
the WB-extra's holding area.

27:38.060 --> 27:43.060
All kinds of interesting people
here at this time and night.

27:43.060 --> 27:47.060
Okay, what should we do?

27:47.060 --> 27:51.060
Should we walk into the holding
area?

27:51.060 --> 27:59.060
Or should we do another trip on
the elevator?

27:59.060 --> 28:03.060
What a horrible time to be doing
on additions to being extra at,
like,

28:03.060 --> 28:05.060
quarter or another night.

28:05.060 --> 28:07.060
That's pretty intense.

28:07.060 --> 28:11.060
Everybody's on theirself, but
let's just outrageous.

28:13.060 --> 28:23.060
Okay.

28:23.060 --> 28:33.060
Okay.

28:33.060 --> 28:36.060
Okay, well, we're going to walk
back through the lobby.

28:36.060 --> 28:44.060
See if we can catch a, um, a
group of people who are at least
talking,

28:44.060 --> 28:48.060
follow them, ride back up again.

28:48.060 --> 28:52.060
I think I can only do this, we
want it two more times,

28:52.060 --> 28:57.060
and then we pretty much done the
complete sounds seeing tour at
the elevator cast.

29:06.060 --> 29:11.060
Okay.

29:36.060 --> 29:53.060
Well, that was bogus.

29:53.060 --> 29:57.060
I followed four women to the
elevator, thought they were all
together.

29:57.060 --> 30:02.060
Three of them got off on the
11th floor, one stayed on until
14th.

30:02.060 --> 30:05.060
I pressed 26, I have no idea
where the heck I'm going.

30:05.060 --> 30:11.060
So what I'll do is I'll get off
here and then ride back down.

30:11.060 --> 30:16.060
Okay, since there's no one here,
I'll just hit the lobby in.

30:16.060 --> 30:19.060
We'll go back down. This is a
different elevator bank.

30:19.060 --> 30:24.060
The bank that I mean doesn't go
above 19, I think.

30:24.060 --> 30:26.060
Hey, that's interesting.

30:27.060 --> 30:31.060
I thought there was no 19th
floor on this cab or this car.

30:31.060 --> 30:35.060
What is it? Elevator cab?
Elevator car? Elevator car, I
guess.

30:35.060 --> 30:40.060
Okay, back down to the lobby.
We'll walk across the lobby
again,

30:40.060 --> 30:46.060
and we'll wait for the final
ride up.

30:46.060 --> 30:50.060
Got the cell phone to the ear
once again.

30:50.060 --> 30:58.060
They may just also be a little
bit too late.

30:58.060 --> 31:06.060
Everyone's kind of retiring for
the evening, either that or the
just going out.

31:06.060 --> 31:17.060
Nope, nothing going on.

31:17.060 --> 31:22.060
Nobody and nothing. It's a baby
crying in the background.

31:22.060 --> 31:27.060
I think he's at way too late.

31:27.060 --> 31:32.060
Pause here by the dresser.

31:32.060 --> 31:35.060
I'll follow these people.

31:36.060 --> 31:39.060
I'll follow these people.

31:39.060 --> 31:53.060
You folks here with a
convention?

31:53.060 --> 32:07.060
Yeah, we were.

32:08.060 --> 32:11.060
Baker?

32:11.060 --> 32:16.060
Broadcasting business.

32:16.060 --> 32:19.060
Yeah, that wasn't me though.

32:19.060 --> 32:23.060
You too, good night.

32:23.060 --> 32:25.060
Oh, they were nice.

32:25.060 --> 32:28.060
Well, I think that's just about
it.

32:28.060 --> 32:33.060
Didn't get too much trouble,
didn't get to, you have to too
many people.

32:33.060 --> 32:38.060
Please, we got our money's worth
out of the elevator.

32:38.060 --> 32:41.060
So I'm back on the 15th floor.

32:41.060 --> 32:46.060
Back to my room.

32:46.060 --> 32:49.060
Yeah.

32:49.060 --> 32:55.060
Okay, that was almost a pretty
lame mistake that I may just
there.

32:55.060 --> 33:00.060
Talking to you guys and around
the corner and someone can the
other way.

33:00.060 --> 33:04.060
That didn't mean like I was from
freaking Mars.

33:04.060 --> 33:14.060
Okay, so we're almost back at
the room here.

33:14.060 --> 33:16.060
Get my key.

33:16.060 --> 33:20.060
So it's almost been exactly half
an hour.

33:20.060 --> 33:24.060
Okay.

33:24.060 --> 33:26.060
Here we go.

33:26.060 --> 33:27.060
All right.

33:27.060 --> 33:30.060
Well, I hope I didn't bore you
too much.

33:30.060 --> 33:33.060
We didn't accomplish as much as
I hope we would have.

33:33.060 --> 33:38.060
We had a couple of conversations
with him folks.

33:38.060 --> 33:44.060
Tomorrow is a work day in the
city.

33:44.060 --> 33:48.060
We've got a conference room and
a white board and some stuff.

33:48.060 --> 33:51.060
So it won't be quite as intense
as the past couple of days.

33:51.060 --> 33:55.060
So I'll be able to do a quote
unquote regular source code with
promos.

33:55.060 --> 34:02.060
And actually, note I've
mentioned that I'm staying here
in the Waldorf people are

34:02.060 --> 34:08.060
sending CDs up to the room and
all kinds of interesting things
that I can play on the show.

34:08.060 --> 34:11.060
So that'll be for tomorrow.

34:11.060 --> 34:13.060
Thanks everybody for tuning in.

34:13.060 --> 34:16.060
Hope you stayed all the way
through this.

34:16.060 --> 34:18.060
And please stay subscribed.

34:18.060 --> 34:20.060
If you have any comments, add a
Maccurry dot com.

34:20.060 --> 34:23.060
The podcast feed is at
dailysourcecode.com.

34:23.060 --> 34:28.060
Of course, you can always leave
a comment on the weblog at
www.curry.com.

34:28.060 --> 34:29.060
I'm going to bed.

34:29.060 --> 34:30.060
Take care everybody.

34:30.060 --> 34:31.060
Bye-bye.
