WEBVTT

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The Resource Code April 22nd,
2005.

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Your DJ has only just begun.

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$16 million worth of airplane
strapped to my ass.

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The next generation radio
content in my ears.

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I like to think I'm flying into
this jerk.

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I'm just kidding.

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I'm just kidding.

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Coming to you from the cottage
in Guilford and Lovely Surrey
UK.

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It's your daily source code.

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Hey, everybody, how you doing?

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It's out of my curry and the big
green thing, chilled out.

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Relaxed.

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I've got the cast blaster on the
lap.

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Got the high powered microphone
and the boom kind of like
flowing over the green thing.

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This is the way to do a show.

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Let me tell you.

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I mean, I could even be doing my
nails.

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Got a pedicure on doing this.

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This is great.

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Oh, man.

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I feel fuzzy today.

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I really do.

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It's been such an incredibly
long week and tense week.

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Lots of traveling, lots of
flying.

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Thanks for all the comments and
feedback on the sound seem to or
from yesterday.

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It seems like even though there
was quite a bit that I recorded,

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including driving around with
taxi Eric and the Dutch Marines.

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The actual flying lessons, the
training sessions seem to grab
everybody's fancy.

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I must say it was without a
doubt my favorite part too.

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Of course, whenever I sit down
and do a show, my phone
immediately starts ringing.

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Just put that over there.

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Alrighty.

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So it's the last day of the
week.

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It's early here.

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It's five minutes to eleven.

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I'm trying to get into a regular
rhythm again and get a swing
going here,

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so that I can pretty much get
back to my schedule every single
day.

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All the traveling definitely
messed it up a bit.

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So I had some time to browse
through podcast alley.

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See what's hot.

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I had a chance to look at the
new podcast that comes through
an iPod.org.

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Also, the promo has been coming
in.

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Thank you very much for sending
them in the way I requested.

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If you want to send me a promo,
send it to Adam at Curry.com and
put in the subject line.

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DSC space promo and then
whatever the heck your promo is
about.

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Hey, Adam.

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This is the song we're at a
Craig Manganella from Rockaway.

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Crings New York.

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And I've got a podcast.

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My fans is a great way to
communicate gig dates.

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Another important thing about my
music.

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The fans that subscribe to my
RSS feed also get to hear my new
songs.

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So immediately after I record
left track.

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So if you have listening to like
indie music, tell them to come
visit my site, Craig'sMusic.net

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and subscribe to my podcast.

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Hey, you know what?

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I see more and more musicians
these days doing that and
starting to understand the power
of the podcast and what you can
do with it.

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You know, necessarily have to
even, you know, record a show or
anything.

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You can just have a website and
just put your new music in a
podcast feeds.

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The people can receive that and
enjoy it and listen to it.

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Show notes are pretty important
with that stuff.

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Because you want people, you
know, once it's on your MP3
player and, you know, just kind
of shows up there.

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You know, it's, it may not be
easy for people to find out
where it came from.

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But I think that what you should
be targeting in that case is
probably the podcasters
themselves.

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I had a couple of phone
conferences last week with some
people in the, in the record
industry.

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And they're not, you know,
they're not all evil.

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I'll tell you.

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In fact, they're running scared.

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The record industry, the music
industry is really worried.

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If you, if you had a chance, or
if you have a chance, check out
Forbes.com.

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Send Whitmore, wrote a very well
researched piece, I thought, or
at least,

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regarding the music industry
part about the rights and what
you can play.

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And he, he does the deadhead
podcast.

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If you've never heard that, you
should definitely check it out.

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And he went around to all of
these, and I think there was
five or six of them.

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The agencies whose job it is to
collect money for the use of
records from music,

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whether it's in an elevator, on
a radio station, on a podcast,
on a download, on a stream.

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You know, whatever it is.

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And basically, everyone said,
well, we don't know yet.

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Works still kind of waiting to
see what happens.

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And I think I understand why
they're waiting to see.

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That's because the record
industry, who, of course, are
totally on to podcasting.

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No, what's going on?

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They're listening to them.

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I mean, we know that I had a
meeting with Harvey Leeds from
Epic Records.

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And, you know, he even wants to
do his own podcast.

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So they clearly see the
promotional value of it.

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And, you know, it's, it's going
to be a business decision,
which, unfortunately,

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lawyers will also help the
record industry make.

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But when I talked to them, I
said, look, there's one thing
that we don't have on the radio
anymore

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that we do have in podcasting.

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And that's the whole concept of
somebody really promoting a song
or a band or an artist or a CD,

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or whatever, because they
genuinely like it.

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And that's what radio used to
bring us.

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It used to, you know, used to be
able to flip on the radio and
hear some excited, hyperactive
DJ

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saying, man, I love this record.

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I got to play it again for you.

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You know, where the day is when,
when a disjockey would lock
himself in the studio.

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And would say, you know, and
would defy whatever management
had told him and was going to
play this record

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every hour until they dragged
him out and dragged that record
from his cold dead fingers.

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You know, that used to happen,
believe it or not.

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It used to happen quite a lot.

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And just the excitement about
about a piece of music that you
really like passing that on to
people.

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That's the best promotion you
can get.

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I mean, when, when do you, when
you get interested in a band
when someone says, hey, check it
out.

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Now, of course, we have that on
a one to one basis.

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We've had that on the internet
for quite a while.

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And I, and I don't like the word
independent music or indie music
or indie music scene.

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I think pod safe is a much
better way to go because if we
can create pod safe music.

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And maybe that, maybe that's
something that we could talk to
Lawrence Lessick about.

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Who, of course, does creative
commons.

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Maybe we can create a pod safe
license, which is just one of
their standard default that you
can select,

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which basically will give any
pod cast or the right to use
their music on a pod cast.

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And perhaps the deal is that if
you do that, then you at least
have to point back to a place
where information can be found
about it.

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So, you know, there's something
brewing here that really is.

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And, and I'm going to try and
make it my business to figure
out if we can, if we can push
that through,

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if we can get the record
industry to understand the
incredible value of this type of
promotion.

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And it's for, and it's for a
number of reasons because you
have basically, I think you have
like three.

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You have three types of music
that that we have to look at
licensing.

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One, of course, is I think the
least interesting for pod cast
is, you know, the, the top 100.

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You know, whatever's being
played on radio now and is being
sold by the millions is not that
interesting to us.

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Because you can get that
somewhere else.

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If you think about all of the
great back catalog and some, you
know, bands that who have just
kind of, you know, well, they're
old now, right?

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And they have all this
tremendous amount of music that,
you know, longer are exposed to
because radio's no longer
playing it.

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Yeah, I think, well, let me take
that back.

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Sidelight radio, of course, is
very good for back catalog.

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But think about it, you know,
I've played a couple of really
old songs here and immediately I
get tons of email of people
saying,

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Oh, man, I, I had never heard
that Chicago track before I went
out and bought the, bought the
CD off of iTunes or I bought
that particular track off of
iTunes.

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That happens all the time.

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So I think there's a tremendous
amount of value in back catalog.

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Very much like Amazon, you know,
there's so many books at
amazon.com, which you just can't
find in a bookstore.

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So what do you do? You know,
Amazon is large enough and has
the right type of infrastructure
to have pieces of catalog like
that, which a normal bookstore
just has doesn't have the space
for.

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So out of print, out of date,
out of fashion, but still full
of very wonderful, good memories
for anybody who's ever heard is
song or want to reintroduce to a
particular band.

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Look at green day for Christ's
sex. I saw them at Woodstock
too.

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Yeah, I tell my daughter for her
Woodstock too is the original
Woodstock, right?

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Yeah, she says, wow, this guy's
been around a long time and, you
know, I was able to introduce
her to green day who now, of
course,

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you know, really have a revival
on their hands and are, you
know, doing tremendously well.

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But I also am able to pick up
songs for her and introduce like
the sex pistols and the clash
and early rolling stones.

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And yes, of course, she all she
can recognize a Beatles tune
from a million miles away.

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So that's the kind of stuff that
is very valuable and that we can
do a lot with on podcasting.

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And then, of course, there's the
pod safe music, which is this
enormous amount of music that is
being put up online for people
to enjoy.

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It's being used to promote
people's, you know, an artist's
gigs where you can see them.

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Some of them want to go up to
larger distribution and would
like to be in record stores and
perhaps they actually want a
real record deal.

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I don't know if, you know, I
don't know if I'd want one
personally.

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I think there are a lot of
people who are not interested
and would like to see if this
can be done on the smaller scale
where you may sell less.

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Right, but you can be keeping a
lot more of what it's actually
being sold.

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So I'm very excited about some
of the conversations that have
been going on.

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And maybe as I said, maybe it's
a good place to start that we
come up with a pod safe creative
commons license that can be easy
for musicians to understand.

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To bake right into their MP3, I
know there's tools available for
that.

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Maybe that's something should,
you know, be a part of the
creative commons site.

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I don't know, but let's think
about that because there's a lot
going on.

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He had him, this is Susie Chase
and my pod cast is the groove.

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And our of the best of today's
R&B and classic soul.

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[ Music ]

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You can check me out at Susie
Chase Osborn.blogspot.com.

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As Susie, why see
H-A-S-E-O-S-B-O-R-A.blogspot.com?

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I know it's on.

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You have a great day, Adam.

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Thanks a lot.

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All right, holy macro, that's a
very long URL.

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Okay, I'll put that in the show
notes as along with all the
other URLs for the promos that I
play on the show.

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Again, if you want to send me a
promo, send it to DailySort.

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We add to adamaccurry.com, put
in the subject line D-S-C space
promo.

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That way my filter will be able
to catch it, so I have a nice
bin of promos that I can just go
into and choose a couple for
each show.

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And then also put the name of
your promo in the podcast.

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As I said, I was looking at
iPod.org today.

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The scripts are back running and
stuff is updating again, and
there's still quite a backlog
of, I think, several hundreds of
podcasts,

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but I just can't post all at
once, you know, because we'd
have a tremendously large page
on the homepage.

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So I try to, you know, get as
many on there as possible and
try to keep the flow moving
every single day.

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And at the top of the list, this
morning when I looked was
mashuptown.com, a weekly mashup
podcast.

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So I immediately went over to
the page and oh yeah, found
something my like, this is booty
station on the DailySort's code
for Friday April 22.

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[ Music ]

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Shooting station.

15:09.000 --> 15:15.000
Of course, Stevie Wonder's
superstition mixed and matched
up with pretty dishes.

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That is art.

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That is art.

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I love it.

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Can't get enough of the mash.

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You're a pure, pure, pure, cool
laser sounds.

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Pure.

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You're a fantastic daily source
girl.

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That's all that I'm cool.

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Hey Adam.

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This is my D from my daily
commute.

15:35.000 --> 15:38.000
Possibly the only podcast
brought to you from a moving
car.

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I'm on over and listen to me
mues and wax rhapsodic while
treging off to the daily grind.

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Subscribe now at
feeds.feetburner.com slash my
daily commute.

15:46.000 --> 15:47.000
Yeah, okay.

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I don't know if it's the only
podcast from a moving vehicle.

15:51.000 --> 15:53.000
We've done quite a lot of that.

15:53.000 --> 15:57.000
Remember Raymond Port who pulled
up next to me and was listening
to a source code.

15:57.000 --> 15:59.000
Well, I was recording a new one.

15:59.000 --> 16:00.000
Yeah, it's been happening.

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But it doesn't matter because I
love listening to people in
vehicles of all kinds.

16:04.000 --> 16:06.000
It's just something about it.

16:06.000 --> 16:11.000
And I had a great visitor here
yesterday from the BBC radio
forum.

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A radio legend literally.

16:13.000 --> 16:18.000
Peter Day, who works for Radio 4
and also BBC World Service.

16:18.000 --> 16:20.000
He does the shows.

16:20.000 --> 16:23.000
He presents in business and
global business.

16:23.000 --> 16:25.000
And it was great.

16:26.000 --> 16:27.000
The setup.

16:27.000 --> 16:29.000
But this has been set up a long
time ago.

16:29.000 --> 16:31.000
And I thought that, you know, I
don't know who was coming over.

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I had no idea who this.

16:33.000 --> 16:37.000
Well, I knew that he was well
known Peter Day from his from
his work.

16:37.000 --> 16:41.000
But I had never heard him
because I'm not quite sure when
his show airs on radio 4,

16:41.000 --> 16:44.000
when he's on the on the world
service.

16:44.000 --> 16:46.000
And this, it was, oh, man.

16:46.000 --> 16:52.000
I mean, this typical English,
you know, distinguished little
bit older,

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but sheveled gentleman shows up
and with a big booming radio
voice.

16:57.000 --> 17:01.000
And he was just, you know, it
was actually very nice to hear
a,

17:01.000 --> 17:06.000
you know, just one of those old
fashioned, beautiful warm, you
know,

17:06.000 --> 17:08.000
wrap you in a blanket type
voices.

17:08.000 --> 17:12.000
And it was funny because he came
all by himself,

17:12.000 --> 17:15.000
came in from London to the train
to the cab, came to the house.

17:15.000 --> 17:21.000
And he had his, he had a little
mini disc recorder to record our
interview on because it was a
radio interview.

17:21.000 --> 17:25.000
But he still had the old
fashioned gray, you know,

17:25.000 --> 17:28.000
two big, two ugly BBC approved
microphone.

17:28.000 --> 17:29.000
That was attached to it.

17:29.000 --> 17:32.000
So, and he was really looking at
my high river and, you know,

17:32.000 --> 17:36.000
with just a, a glint of jealousy
in his eye saying,

17:36.000 --> 17:40.000
oh, wow, I wish we could use
these, these types of machines.

17:40.000 --> 17:42.000
This is what the BBC should be
doing.

17:42.000 --> 17:44.000
And it was great.

17:44.000 --> 17:47.000
He went, you know, way beyond
the, you know,

17:47.000 --> 17:48.000
what is podcasting?

17:48.000 --> 17:49.000
How did it come to be?

17:50.000 --> 17:52.000
He was really into the, okay,

17:52.000 --> 17:57.000
what does this mean to me and my
35 year career in broadcasting?

17:57.000 --> 18:00.000
And it was just a wonderful
conversation.

18:00.000 --> 18:04.000
And this guy has interviewed
presidents and prime ministers
and popes and,

18:04.000 --> 18:05.000
and you name it.

18:05.000 --> 18:07.000
And he had some great stories.

18:07.000 --> 18:09.000
And I was just coaxing him the
whole time saying,

18:09.000 --> 18:10.000
man, we need you.

18:10.000 --> 18:13.000
We need you to come into our
community and help us out.

18:13.000 --> 18:14.000
Teach us.

18:14.000 --> 18:18.000
You know, it's not just about
what kind of mic you use and how
well it records.

18:18.000 --> 18:21.000
But that is of course something
that's important as well.

18:21.000 --> 18:23.000
But what decisions do you make?

18:23.000 --> 18:25.000
How do you get a conversation
going?

18:25.000 --> 18:29.000
How do you pull the information
out of the subject that you're
interviewing with?

18:29.000 --> 18:31.000
How do you make it a
conversation?

18:31.000 --> 18:33.000
And then when you edit it down,

18:33.000 --> 18:36.000
what do you put in there and why
do you make those choices?

18:36.000 --> 18:40.000
And also I said, wouldn't it be
interesting if you could take
all of that material?

18:40.000 --> 18:42.000
Because we sat here for at least
an hour and a half yesterday.

18:42.000 --> 18:46.000
Just nonstop talking, Patricia
actually was laughing out loud
because you said,

18:46.000 --> 18:50.000
you guys, you're sitting up
there because he was upstairs in
the office with me.

18:50.000 --> 18:56.000
So I can hear every single word
downstairs because you're all
talking with those big radio
voices.

18:56.000 --> 18:59.000
So real sweetheart this guy was,
and smart.

18:59.000 --> 19:03.000
Oh my god, I had to work
overtime just to keep up with
him.

19:03.000 --> 19:05.000
But he had all the right
questions.

19:05.000 --> 19:08.000
And of course he promised that
he'd let me know when it'll air.

19:08.000 --> 19:11.000
I'll shoot him another email
just to remind him to do that.

19:11.000 --> 19:14.000
Because I'd love to put a piece
of that on the podcast.

19:14.000 --> 19:22.000
Because he really did understand
when we talk about the
monoculture and basically
dismantling that

19:22.000 --> 19:26.000
and making it possible for
anybody to broadcast.

19:26.000 --> 19:28.000
He was really onto the big ideas
of that.

19:28.000 --> 19:35.000
And it was just so refreshing to
have someone talk about that and
really want to know what the
implications can be.

19:35.000 --> 19:38.000
And he did say something
interesting though.

19:38.000 --> 19:41.000
He said, you are one of the gap
closers.

19:41.000 --> 19:47.000
And I thought that was a
beautiful description because I
did only close 5% of the gap for
this all to happen.

19:47.000 --> 19:51.000
And that's something that keeps
coming up in conversation.

19:51.000 --> 19:58.000
And so when we talked about the
music business and how can we
change that and how will it
change?

19:58.000 --> 20:01.000
And what will happen to
traditional radio.

20:01.000 --> 20:04.000
And of course that's not just
what radio is.

20:04.000 --> 20:08.000
In fact, we did stumble upon
some interesting things when you
say radio.

20:08.000 --> 20:14.000
But really that used to mean
radio receiver would used to be
after that came transistor radio
receiver.

20:14.000 --> 20:20.000
You have a radio transmitter,
but radio has now become a
description for what you hear on
the radio.

20:20.000 --> 20:26.000
But of course, that's not really
all the radio is radio used to
be the green hornet and the lone
ranger.

20:26.000 --> 20:31.000
And now these wonderful plays
and shows that were acted out.

20:31.000 --> 20:38.000
And the BBC still does just
fabulous soundscapes and
interviews on location with
people.

20:38.000 --> 20:40.000
So you can hear and you're
really there on the spot.

20:40.000 --> 20:43.000
And it's not just soundbite and
boom, we're back to the studio.

20:43.000 --> 20:46.000
So that's all the stuff that
we're going to relearn.

20:46.000 --> 20:53.000
And I hate reinventing the
wheel, but we are going to do a
lot of that as we all kind of
get our chops together and
figure out what we can do with
this.

20:53.000 --> 20:57.000
And I'm just I'd love to get a
guy like that into our community
and podcasting.

20:57.000 --> 21:00.000
So I'm trying, I'm doing the
best I can.

21:01.000 --> 21:09.000
Hello, my name is Scott and I'm
Kelly and we're the creators of
MyVirtualBand.com.

21:09.000 --> 21:11.000
I'm MyVirtualBand.com.

21:11.000 --> 21:15.000
Members from all over the world
collaborate online, try to
record songs.

21:15.000 --> 21:18.000
For instance, members can take a
tune like this.

21:18.000 --> 21:23.000
And turn it into this.

21:23.000 --> 21:41.000
You can hear more great songs
created on MyVirtualBand.com and
our podcasts available at
www.radio.myvirtualband.com.

21:41.000 --> 21:48.000
And if you're a singer,
songwriter or musician and would
like to join in the fun, simply
go to www.myvirtualband.com.

21:48.000 --> 21:51.000
Register and you can start
collaborating today.

21:51.000 --> 21:55.000
Until next time, I'm Kelly and
I'm Scott, rock on.

21:55.000 --> 21:57.000
That's kind of cool.

21:57.000 --> 22:05.000
So I guess with
myvirtualband.com, you can pick
up tracks and add to them, which
is a very cool idea.

22:05.000 --> 22:09.000
I wonder if you have to do that
on a standard setup or if that's
all MIDI or how it works,

22:09.000 --> 22:15.000
but it sounds like there's a
great place to go collaborate
with other musicians I presume.

22:15.000 --> 22:21.000
I'm still, of course, beta
testing, the cast blaster
application, which is this
beautiful

22:21.000 --> 22:23.000
little console that I record my
podcast with.

22:23.000 --> 22:27.000
At least when I'm back in the
green thing studio at the
cottage.

22:27.000 --> 22:29.000
And on that promo, I was really
weird.

22:29.000 --> 22:33.000
My level, my meters just were
all over the board there.

22:33.000 --> 22:35.000
I'm not quite sure it was going
on.

22:35.000 --> 22:41.000
Also, I've gotten some feedback
that, although the microphone
sounds good now, that sometimes

22:41.000 --> 22:45.000
the songs either sound out of
phase or still a little too
boomy.

22:45.000 --> 22:49.000
And I really, the only thing I
can come up with, because this
is pretty much,

22:49.000 --> 22:55.000
there's no cables, there's no
routing that can really go wrong
and put it out of phase I
presume.

22:55.000 --> 23:01.000
I think that the sound card
that's built into this tablet is
probably just a piece of shit.

23:01.000 --> 23:05.000
And that's probably what's
causing any trouble.

23:05.000 --> 23:07.000
If you're hearing any, that's
probably what's causing it.

23:07.000 --> 23:11.000
You know, what is it like, a
16-bit sound card, which
probably, you know,

23:11.000 --> 23:15.000
I don't know how that works, but
it's probably doing 12 bits or
something like that.

23:15.000 --> 23:19.000
Hey, that's what you get when
you buy in a Veritech laptop,
ladies and gentlemen.

23:19.000 --> 23:31.000
I love the show's and YouTube
are a riot, and Alex from
Switzerland says,

23:31.000 --> 23:35.000
Charlie and Carol made Israel a
place of life and laughter.

23:35.000 --> 23:39.000
Matt tells us, I just want to do
right, and let you know that I'm
addicted to Israelisms.

23:39.000 --> 23:43.000
Israelisms.com is the version
only irreverent weekly podcast,

23:43.000 --> 23:59.000
that's the most puking promo
I've heard in a long time.

23:59.000 --> 24:05.000
That reminds me of top 40 radio
is right back in your face
puking,

24:05.000 --> 24:09.000
but okay, we get it, and it
actually is a pretty interesting
podcast.

24:09.000 --> 24:13.000
Israelisms.com. It does make
Israel a shining place, and it's
nice,

24:13.000 --> 24:15.000
you know, it's the same thing as
when I went to Iraq,

24:15.000 --> 24:19.000
and I've said this before, you
know, you have this vision of
what the place is like,

24:19.000 --> 24:25.000
which is totally been created by
MSM, mainstream media has given
us,

24:25.000 --> 24:27.000
and we know why, because like
hey, you know, wait a minute,

24:27.000 --> 24:29.000
let me just stand in front of
the shell out building and then
take the picture,

24:29.000 --> 24:33.000
or, you know, let's do the stand
up over here with all the
children who are playing in the
mud and the,

24:33.000 --> 24:37.000
and the drag, you know, that'll
really tug on the hard strings
of America

24:37.000 --> 24:41.000
or television, a global
television audience.

24:41.000 --> 24:47.000
And then when you suddenly are
there, and you notice that life
has continued to go on,

24:47.000 --> 24:53.000
and people are, you know,
getting married, and having
children, and creating work, and
jobs,

24:53.000 --> 24:57.000
and building houses, and of
course, that's not everywhere in
Iraq.

24:57.000 --> 25:01.000
But, you know, the same goes for
Israel, you know, when you think
of Israel, you think immediately

25:01.000 --> 25:07.000
of terrorists to a side bombers,
you know, that's pretty much
what is conjured to mind
immediately.

25:07.000 --> 25:13.000
And if you hear that,
Israelisms.com podcast, it will
give you a different
perspective, I think.

25:13.000 --> 25:19.000
Yeah, no, I know for sure, which
is just another beautiful thing
about what we're doing.

25:19.000 --> 25:25.000
And here's a problem I want you
to listen to, because I was kind
of amazed that this kind of show
is cropping up

25:25.000 --> 25:29.000
as a podcast. Well, I'll talk
about it in a second, listen to
the promo first.

25:31.000 --> 25:35.000
If you haven't yet listened to
Rainbow Gossips, you won't know
which singing star and the

25:35.000 --> 25:39.000
snazzy found online looking for
love from the internet.

25:39.000 --> 25:43.000
You also won't know which news
anchor posted this confession of
an affair in an online forum.

25:43.000 --> 25:47.000
You also may not know what old
spies Jerry Hallewell keeps in
her bedside cabinet.

25:47.000 --> 25:51.000
There's no point in knowing a
really good bit of gossip about
the rich and famous, unless you
pass it on.

25:51.000 --> 25:55.000
Traditionally, focus shared such
tidbits of the garden fence or
at the water cooler.

25:55.000 --> 25:59.000
Now, Rainbow Gossips gives you
the chance to share your gossip
with the world.

25:59.000 --> 26:03.000
It really is very simple. You
write to us a lot of gossip and
we put you in the podcast.

26:03.000 --> 26:05.000
What could be fluffier?

26:05.000 --> 26:09.000
So, but you've seen a slab out
shopping or plumbing, or you've
witnessed a stellar

26:09.000 --> 26:11.000
hisific, we want to know, and so
does the world.

26:11.000 --> 26:13.000
Pull us up or drop us a line.

26:13.000 --> 26:17.000
And if you haven't been
listening, subscribe to the
Rainbow Gossips podcast

26:17.000 --> 26:21.000
at www. RainbowGossips.com.

26:21.000 --> 26:27.000
RainbowGossips, it's the global
water cooler.

26:27.000 --> 26:29.000
Fun.

26:29.000 --> 26:31.000
Okay.

26:31.000 --> 26:33.000
So, I think there's enough of
that.

26:33.000 --> 26:37.000
You know, I think there's enough
celebrity television programs,

26:37.000 --> 26:41.000
magazines filled with pictures
of celebrities and gossip.

26:41.000 --> 26:45.000
Is that really something that we
need more of?

26:45.000 --> 26:47.000
And I'll tell you specifically
for my own experience.

26:47.000 --> 26:51.000
This morning, as an example, at
815, the phone rings.

26:51.000 --> 26:53.000
It's one of our neighbors.

26:53.000 --> 26:59.000
And she says, there's a man
standing across the road with a
telephoto lens

26:59.000 --> 27:01.000
and he's taking pictures of your
house.

27:01.000 --> 27:05.000
And, you know, of course, it's
some gossip magazine

27:05.000 --> 27:09.000
from, well, more than likely,
from the Netherlands.

27:09.000 --> 27:11.000
And it's like, you know, we have
enough of that.

27:11.000 --> 27:13.000
That's what those guys do.

27:13.000 --> 27:17.000
You know, like, with podcasting,
you can really, you know, get
much more.

27:17.000 --> 27:19.000
You can go much further than
that.

27:19.000 --> 27:21.000
Let's get Jerry Hal, howly well
to do a podcast.

27:21.000 --> 27:25.000
I'll be a lot more fun than just
saying, oh, you know, here's
what she was eating.

27:25.000 --> 27:27.000
Here's what she was wearing.

27:27.000 --> 27:29.000
And, you know, and the
derogatory old spice.

27:29.000 --> 27:31.000
You know, it's like that's so
mean.

27:31.000 --> 27:33.000
And, you know, there are people
too, okay?

27:33.000 --> 27:35.000
Really, it's mean when you say
that stuff.

27:35.000 --> 27:37.000
And if you don't know someone,
you know,

27:37.000 --> 27:41.000
it's like if someone said that
about your friend or your family
or your mom

27:41.000 --> 27:45.000
or your wife, you know, you'd be
pissed off if people were
slagging him.

27:45.000 --> 27:47.000
And then you'd probably do
something about it.

27:47.000 --> 27:53.000
So I'm not a big fan of trying
to pull that kind of mainstream
media ideas.

27:53.000 --> 27:57.000
You know, there's so much more
interesting things that we can

27:57.000 --> 27:59.000
and we should be should be
doing.

27:59.000 --> 28:03.000
That said, Paris Hilton will be
starting her podcast.

28:03.000 --> 28:07.000
Hold on, I think it's, let me
see, April 29th.

28:07.000 --> 28:11.000
I'm not quite sure if this is a
one-off deal

28:11.000 --> 28:15.000
to promote the House of Wax
movie or she'll continue doing
it.

28:15.000 --> 28:18.000
Of course, I hope she'll
continue doing it.

28:18.000 --> 28:21.000
And that will be one of the
questions I'm going to ask her

28:21.000 --> 28:24.000
because it's not 100% set in
stone yet,

28:24.000 --> 28:26.000
but we've actually narrowed down
a day

28:26.000 --> 28:29.000
and I'm working on the actual
hours when it could happen.

28:29.000 --> 28:33.000
But it looks like I can set up a
Skype call with that Paris

28:33.000 --> 28:37.000
and interviewer because the,
well, here's how it works,
right?

28:37.000 --> 28:41.000
So the movie promotion is
starting to crank up.

28:41.000 --> 28:44.000
She'll do a big press junket
probably in LA

28:44.000 --> 28:47.000
and I don't know if she's going
to other countries or whatever,

28:47.000 --> 28:50.000
you know, if this is an
international release.

28:50.000 --> 28:54.000
But, you know, essentially they
take time out for radio stations

28:54.000 --> 28:56.000
and they've also honored my
request

28:56.000 --> 28:59.000
and it looks like we're going to
get any to you with Paris
Hilton.

28:59.000 --> 29:03.000
And funny enough, what they were
talking about

29:03.000 --> 29:09.000
and they is Warner movies was
that I would be able to
interview Paris

29:09.000 --> 29:12.000
for the Daily Source Code and I
would be interviewing her

29:12.000 --> 29:14.000
which would also be a part of
her podcast.

29:14.000 --> 29:16.000
And I don't know if that was
their idea of hers, but I love
it.

29:16.000 --> 29:19.000
You know, so that could be
fantastic.

29:19.000 --> 29:21.000
What I'd like to know is what
should we talk to her about?

29:21.000 --> 29:25.000
You know, besides the obvious,
if you have any questions,

29:25.000 --> 29:28.000
send them off to
AtomitCurry.com.

29:28.000 --> 29:30.000
You know what, why don't we do
the same thing

29:30.000 --> 29:34.000
so I can filter out all of these
emails, put in Paris question

29:34.000 --> 29:37.000
and then as the subject line

29:37.000 --> 29:41.000
and then perhaps even the topic
of the question after that.

29:41.000 --> 29:44.000
So I can filter it all out and I
won't lose track of it.

29:44.000 --> 29:46.000
And over the next couple of
days,

29:46.000 --> 29:49.000
we'll also discuss some of these
questions and we can start.

29:49.000 --> 29:54.000
Yeah, we'll do it like as much
of a community as possible

29:54.000 --> 29:57.000
if we can speak of a community
here at the Daily Source Code.

29:57.000 --> 29:58.000
Which I think we can?

29:58.000 --> 29:59.000
I, yes.

29:59.000 --> 30:00.000
Hello.

30:00.000 --> 30:01.000
Hello.

30:01.000 --> 30:02.000
And Daily Source Code listener.

30:02.000 --> 30:03.000
Yes, that's all you guys.

30:03.000 --> 30:04.000
This is Ted.

30:04.000 --> 30:07.000
He's a TEDbot.fund.ms.

30:07.000 --> 30:09.000
You can go over to our show

30:09.000 --> 30:14.000
and check it out for jokes, fun,
and songs.

30:14.000 --> 30:17.000
There's even unexpected stuff
like this.

30:17.000 --> 30:21.000
So come on over to
TEDbot.fund.ms.

30:21.000 --> 30:25.000
But you never know what's going
to happen at all.

30:25.000 --> 30:28.000
TEDbot.fund.ms.

30:28.000 --> 30:30.000
TEDbot.fund.ms.

30:32.000 --> 30:34.000
Thank you.

30:35.000 --> 30:37.000
This is Ted.

30:37.000 --> 30:39.000
Okay.

30:39.000 --> 30:40.000
Wonderful.

30:40.000 --> 30:41.000
Keep in common.

30:41.000 --> 30:43.000
Can't get enough of them.

30:43.000 --> 30:45.000
By the way, it won't air today,

30:45.000 --> 30:46.000
or we won't put it out today.

30:46.000 --> 30:49.000
But Ron and I are going to do
our strategy cast.

30:49.000 --> 30:51.000
So I'll either all at least over
the weekend

30:51.000 --> 30:53.000
or we'll release it from Monday.

30:53.000 --> 30:56.000
Maybe Monday show because Monday
is a much better day for a lot
of flow.

30:56.000 --> 30:57.000
Let's see.

30:57.000 --> 30:58.000
We're 30 minutes into it.

30:58.000 --> 31:00.000
That means time for the casting.

31:00.000 --> 31:01.000
Thank you.

31:01.000 --> 31:02.000
Thank you.

31:02.000 --> 31:04.000
It's time for the hit.

31:04.000 --> 31:06.000
With your pull-ups.

31:06.000 --> 31:07.000
Hey, Adam.

31:07.000 --> 31:10.000
This is hit test number 34.

31:10.000 --> 31:12.000
And as you'll probably hear,

31:12.000 --> 31:15.000
it's a bit strange sounding.

31:15.000 --> 31:18.000
That's because I'm testing my
new setup.

31:18.000 --> 31:20.000
I've got new hardware, new
software,

31:20.000 --> 31:21.000
and a new microphone.

31:21.000 --> 31:24.000
And it's a bit cheap sounding at
the moment.

31:24.000 --> 31:26.000
I can't really think about that.

31:26.000 --> 31:28.000
Unfortunately, it's a
Blentronics headset.

31:28.000 --> 31:29.000
I'm using it.

31:29.000 --> 31:31.000
It's connected to a new
notebook.

31:31.000 --> 31:32.000
I've got a few days ago.

31:32.000 --> 31:35.000
And it's the dot audio 90
headset.

31:35.000 --> 31:36.000
That isn't cheap.

31:36.000 --> 31:39.000
In fact, it's the most expensive
non-USB version of the headset

31:39.000 --> 31:41.000
available from my Blentronics.

31:41.000 --> 31:44.000
But it sounds really cheap, and
that's because it's probably

31:44.000 --> 31:46.000
because it's made for Skype.

31:46.000 --> 31:47.000
Oh, Scott.

31:47.000 --> 31:50.000
And therefore, the mic has a
limited frequency range.

31:50.000 --> 31:53.000
And that is a bit of a shame
because it sounds really shitty.

31:53.000 --> 31:54.000
Okay, young.

31:54.000 --> 31:56.000
First of all, I love it when you
send me another hit test.

31:56.000 --> 31:58.000
We're already up to number 34.

31:58.000 --> 32:00.000
I can't tell you how much I
appreciated.

32:00.000 --> 32:01.000
And it doesn't matter.

32:01.000 --> 32:03.000
It doesn't sound shitty, by the
way.

32:03.000 --> 32:06.000
At least your shitty microphone
doesn't sound too shitty.

32:06.000 --> 32:07.000
I'm my shitty earphone.

32:07.000 --> 32:10.000
It's more like a telephone than
a microphone.

32:10.000 --> 32:11.000
No, no, no, no.

32:11.000 --> 32:15.000
But I'm using a notebook to
record this hit test.

32:15.000 --> 32:18.000
It's the setup I will be using
in the coming months.

32:18.000 --> 32:24.000
That's because I won't be able
to take all the external gear
I'm using here with me.

32:24.000 --> 32:28.000
So it's a bit of getting used to
the new hardware,

32:28.000 --> 32:32.000
also to the new software because
I'm using better number eight of
cast blaster.

32:32.000 --> 32:35.000
I've been goofing around with
the earlier versions.

32:35.000 --> 32:38.000
And some changes have already
been made by mic.

32:38.000 --> 32:41.000
And I must say that mic has done
a really great job.

32:41.000 --> 32:42.000
Hey, hold on a second.

32:42.000 --> 32:43.000
I have beta number five.

32:43.000 --> 32:45.000
How did you get beta number
eight?

32:45.000 --> 32:48.000
That's what the job delivering
this piece of software.

32:48.000 --> 32:49.000
That is great.

32:49.000 --> 32:51.000
It's tool to create a podcast.

32:51.000 --> 32:55.000
And yeah, it is really great
software.

32:55.000 --> 33:00.000
Some new changes have been made
since better number five that
you've been using.

33:00.000 --> 33:01.000
Well, kind of.

33:01.000 --> 33:03.000
And again, that's what I get
when I go on the road.

33:03.000 --> 33:05.000
You know, I don't get all the
latest beta.

33:05.000 --> 33:08.000
You're using number eight also
right now.

33:08.000 --> 33:12.000
At least if you had the time to
sort through all your mail.

33:12.000 --> 33:13.000
Yes, yes.

33:13.000 --> 33:15.000
I'm waiting for you when you've
got back.

33:15.000 --> 33:19.000
Okay, it has some really great
additions.

33:19.000 --> 33:24.000
I'm able now to start all the
jingles or sound effects or
clips with the function keys.

33:24.000 --> 33:32.000
So I have one to f10 can be used
to start and stop all the top 10
files that are preloaded.

33:32.000 --> 33:41.000
And there's also a clear
function, which clears all the
files that you'll enter into the
slots.

33:41.000 --> 33:42.000
Yeah, cool.

33:42.000 --> 33:44.000
That's.

33:44.000 --> 33:49.000
Well, except for the mic,
everything is up to standards.

33:49.000 --> 33:51.000
And of course there's a hit
test.

33:51.000 --> 33:53.000
So if you're ready, we're going
to start right away.

33:53.000 --> 33:54.000
I'm ready, buddy.

33:54.000 --> 33:55.000
It's number one.

33:55.000 --> 33:56.000
Pick it.

33:56.000 --> 33:59.000
Woo!

33:59.000 --> 34:00.000
Papa.

34:00.000 --> 34:04.000
That would be the best of my
love.

34:04.000 --> 34:05.000
Yeah.

34:05.000 --> 34:09.000
LTD loves tenderness and
devotions.

34:09.000 --> 34:10.000
Great song.

34:10.000 --> 34:12.000
Can't wait to hear the answer.

34:12.000 --> 34:17.000
And this is number two.

34:17.000 --> 34:20.000
Lower branding and self control.

34:20.000 --> 34:27.000
Oh, you made it easy for me
today, y'all.

34:27.000 --> 34:33.000
Yeah, it's definitely more
branding.

34:33.000 --> 34:34.000
I miss her.

34:34.000 --> 34:38.000
She passed away recently.

34:38.000 --> 34:39.000
Okay.

34:39.000 --> 34:40.000
I'm sorry.

34:40.000 --> 34:42.000
I should wait, I guess, for my
time signal.

34:42.000 --> 34:43.000
There we go.

34:43.000 --> 34:44.000
This is the final one.

34:44.000 --> 34:46.000
Number three.

34:47.000 --> 34:48.000
Papa.

34:48.000 --> 34:49.000
Papa.

34:49.000 --> 34:50.000
Papa.

34:50.000 --> 34:52.000
Papa.

34:52.000 --> 34:56.000
In my house, uh, vanity six or
apelonia six, one or the two.

34:56.000 --> 34:57.000
In my, or Mary Jangers.

34:57.000 --> 34:58.000
Mary Jangers.

34:58.000 --> 34:59.000
These are the answers.

34:59.000 --> 35:00.000
This is answer.

35:00.000 --> 35:01.000
Number one.

35:01.000 --> 35:02.000
Oh, yeah.

35:02.000 --> 35:03.000
Maybe.

35:03.000 --> 35:04.000
It's a golden oldie.

35:04.000 --> 35:05.000
Woo!

35:05.000 --> 35:07.000
The emotions.

35:07.000 --> 35:08.000
Oh, this is a bonus.

35:08.000 --> 35:09.000
Okay.

35:09.000 --> 35:10.000
I got half a point.

35:10.000 --> 35:20.000
The emotions and the best of our
love.

35:20.000 --> 35:22.000
It's a number one in today's hit
test.

35:22.000 --> 35:24.000
And this is number two.

35:24.000 --> 35:26.000
It's Laura Brannigan.

35:26.000 --> 35:29.000
The emotions and the best of our
love.

35:29.000 --> 35:31.000
It's a number one in today's hit
test.

35:31.000 --> 35:32.000
And this is number two.

35:32.000 --> 35:35.000
It's Laura Brannigan.

35:36.000 --> 35:39.000
And the song is titled
self-control.

35:39.000 --> 35:41.000
I love this one.

35:46.250 --> 36:05.000
[ Music ]

36:05.000 --> 36:14.000
And how this became a hit to
still, uh, unknown for me.

36:14.000 --> 36:16.000
Because it's a really shitty
song.

36:16.000 --> 36:17.000
No, it's great.

36:17.000 --> 36:18.000
It still became a hit.

36:18.000 --> 36:19.000
Laura Brannigan and
self-control.

36:19.000 --> 36:20.000
Answer number two in today's
hit.

36:20.000 --> 36:21.000
You're too young.

36:21.000 --> 36:22.000
You're too young.

36:22.000 --> 36:23.000
You're a member of this.

36:23.000 --> 36:24.000
Answer number three.

36:26.000 --> 36:28.000
The Mary Jangers.

36:28.000 --> 36:29.000
In my house.

36:29.000 --> 36:30.000
This is in my house.

36:30.000 --> 36:32.000
And in good today.

36:32.000 --> 36:33.000
Take a girl.

36:33.750 --> 36:58.750
[ Music ]

36:59.000 --> 37:01.000
Answer number three in today's
hit.

37:03.000 --> 37:10.600
Produced by Rick James, the Mary
Jane Girls and in my house, and
that's it for a hit this number

37:10.600 --> 37:19.640
34 good one, entirely recorded
using the cast-blast new
software at 8th version of
cast-blaster

37:19.640 --> 37:27.640
and I just thought of a new
addition to this software so I
will go email that to my right
away

37:28.520 --> 37:33.880
and hopefully there will be a
public release very soon because
I heard that many people are
very

37:33.880 --> 37:38.360
interested in using this
software and you should be
because it is really great

37:40.840 --> 37:46.200
okay well Adam this is the end
of hit this number 34 I hope you
enjoyed this one

37:47.080 --> 37:50.840
and of course if anyone knows I
had said with a better sounding
mic please let me know

37:50.840 --> 37:58.600
if that's at gmail.com and the
web address is ympolet.nl that's
j and b-o-l-e-t.nl

37:59.720 --> 38:05.720
but Adam by the way you are
right this is number 34 and I
have still never met you

38:05.720 --> 38:13.720
still never spoken to you in
person so maybe you can change
that in a very short time

38:14.200 --> 38:16.200
because I will be gone in less
than three weeks

38:19.160 --> 38:22.760
well as I said this is the setup
I will be using in the coming
months

38:24.600 --> 38:30.680
so I can't change a lot about it
but please let me know what you
think thank you for listening

38:30.680 --> 38:35.480
and see you next time bye bye
all right yon thank you very
much my friend once again
wonderful

38:35.480 --> 38:41.640
and okay if I can make it over
in three weeks I really have no
more business in the Netherlands
at

38:41.640 --> 38:45.960
all there's nothing left for me
to do there except visit family
and I try to bring them over
here

38:47.080 --> 38:52.280
I certainly will try to hook up
with you and if not you know
it'll it'll it'll it'll it'll

38:52.280 --> 38:57.240
happen for sure and I wish you
of course all the best I know
that you got some crap stuff
ahead of

38:57.240 --> 39:01.960
you and I really appreciate the
fact that you just keep cranking
out the hit test and I and I
love

39:01.960 --> 39:06.440
the feedback on the cast blast
and I'm really honked off of
myself that I haven't found beta
8

39:06.440 --> 39:10.920
in my email yet so I'm gonna go
do that when we close down the
Friday edition of the show

39:13.960 --> 39:17.800
thanks always for subscribing
you could find the podcast feed
at

39:17.800 --> 39:23.240
data source code dot com that's
we can subscribe to it and your
iPod or your aggregator

39:23.240 --> 39:27.480
and supports podcasting of
course you can always find a way
to show there in the archives

39:27.480 --> 39:30.040
to listen directly just by
clicking online

39:30.360 --> 39:38.840
comments adamant curry dot com
will leave a comment on my
weblog www.curry dot com if you

39:38.840 --> 39:45.720
have a promo send it off to
adamantcurry dot com and put it
in the subject like dsc space
promo

39:45.720 --> 39:52.200
and then put whatever the promo
is about you got your Paris
Hilton questions send it off to
me

39:52.200 --> 39:58.520
as well Paris question to add it
to curry dot com and I'll report
back on what we're gonna ask her

39:59.400 --> 40:04.680
I have some thoughts by
certainly not everything I can
come up with

40:04.680 --> 40:10.360
they have a great weekend talk
to you soon bye bye