WEBVTT

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Now keep in mind, and I'm an
artist, and I'm sensitive about
my shirt.

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Yo DJ!

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Hi, yo, John McLeod!

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Your DJ has only just begun.

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$16 million worth of airplane
strapped to my ass.

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Can we do this?

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Than the next generation radio
content in my ears.

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We don't need no sticking
friends, man.

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I like to think I'm flying into
this jerk.

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Hey, everybody, it is Monday,
May 2nd, 2005.

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The power on the door.

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It's really got to watch my
buttons there.

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I'm on the cast-blaster.

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I hate you.

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Welcome to the daily source code
coming to you from the lovely
and plush Ian Schrager Cliftoel

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in San Francisco, California.

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I'm Adam Curry, and he is your
source code.

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The power on the door.

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So today I'm actually using the
auto feature on cast-blaster on
the latest data,

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which I'm not quite sure how
it's working,

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but at least it shouldn't be
over-modulating.

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The level should be okay.

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I'm on the wireless live mic.

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I've got the little box in my
father-in-law,

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made hooked up to make sure that
the line output,

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go to the microphone and put all
the technical bits

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or put together.

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And we've got a lot to talk
about today.

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I mean, echo a lot.

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Thanks for subscribing.

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And welcome.

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So right now, I got to be
honest,

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my head doesn't know where my
ass is and vice versa.

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I've been traveling so much.

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We weren't really sure that we
were going to come out to
California.

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But, you know, stuff in New York
was, you know, went well

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and very interesting.

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And so now we've got a couple
meetings on Monday and Tuesday.

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Then I'm going to head back, so
I'm literally here with,

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I think, two pair of underwear
short.

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But, of course, in the fine
Dutch tradition,

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you can wear them twice, right?

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Inside, outside.

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Oh, man.

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So yeah, I went, we got in, you
see, yesterday.

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And basically, I was up at like,
you know, six o'clock

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because I guess my body was
already used to New York time.

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I guess I'm going to, in the
midst of all this,

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I think I skipped a day or
missed 24 hours worth of
something.

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And I'm just like, you know, the
middle of the day.

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I start clapping out and getting
really tired.

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So up here, one of the upper
floors,

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you can kind of, I close the
window.

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Being kind of here, the rumble
of the city down below.

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And this is the first source
code since the strategy cast,

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which boy did we learn a lot
from that one, eh?

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So here's what I learned.

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I learned that if you don't know
what you're doing,

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it doesn't matter how much pipe
you have

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because we essentially had 200
megabits

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of unmetered bandwidth ready for
the strategy cast.

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And it certainly wasn't enough.

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It just crapped out, you know?

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Which essentially, from a
technical standpoint,

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tells me that with the current
state of technology

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where we are and the way we're
distributing podcasts,

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you know, you need a lot of
resources.

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If you want to do a show that's
longer than 40 minutes

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and that, you know, is something
that people want to listen to.

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Of course, you know, the theory
with podcasts is that

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your iPodor will download that
during the night

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or hopefully during some kind of
off-power

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it's not everyone's trying to
get to it at the same time.

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But essentially, there was so
much demand for the strategy
cast

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that everyone was clicking on
the download link

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from curry.com and
dailysourcecode.com

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and it just, it totally broke
everything, which is amazing.

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But it also told me a lot about
how far away we are

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from, you know, from really
getting all this stuff right.

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I mean, you have to know that to
have 100 megabits pipe

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just one, that's like $3,000 a
month, you know, an unmeted
pipe.

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So, you know, at this point, we
have to figure some other stuff
out.

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Otherwise, you just can't, you
know, be popular.

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You can't have people really
wanting to listen to your stuff.

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Or, of course, I want to say,
well, you should have, you know,

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compressed it to lower bit rate
or chopped it up into two files.

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Well, you know, yeah, I'm not a,
I'm not a technologist

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per se, I'm a geek and
hindsight.

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Yeah, there's a lot of things I
could have done.

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But, you know, that's not really
for the masses, you know,

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if you want to create a show
that's, that's, you know,

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some time in length.

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And whenever I record something
in the I River, I always just
kind of uploaded directly

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from whatever the I River
recorded it in.

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And so there were some mistakes
there.

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We could have half that, by
compressing it at a lower rate

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or is it higher at a lower rate,
splitting it up into multiple
files,

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all kinds of load balancing.

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And, of course, everyone was
talking about bit torrent,

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which is, I really, this is
something we should test.

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And I'm going to gladly give up
the daily source code to test
this.

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Just don't worry.

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You know, how do you switch?

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Well, first, I don't think you
really can switch.

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And there's still, I'm seeing
about 30% of people listening to
the daily source code

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are not coming from, from iPod
or clients.

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They're basically just clicking
on a link on the website.

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So we, you have to remove that,
which I think is a mistake,

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because you don't want anyone
not to be able to get to the
show.

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So it's either that or having, I
don't know.

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I really don't know.

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But how do you switch to, how do
you switch your current feed to
a bit torrent feed?

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You know, do you have to, you
know, then we get into this,

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oh man, we've been through this.

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Do you use multiple enclosures?

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Do you post it twice?

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I mean, all stuff we got to
think about.

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And if you're out there and you
have some ideas and some
solutions,

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I'd love to hear about it,
because it's, it's going to be
challenging all this stuff.

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But on the other hand, I'm
incredibly excited because I've
been hosting,

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most of my stuff on dot mac and
by the way, I want to thank the
Apple dot mac team

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for allowing me to eat up just
tons of their bandwidth with my
little dot mac account.

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And they are totally letting me
slide on that stuff because, you
know,

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people have been shut off and,
and downloads have been crippled
for much less

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bandwidth usage in the past.

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So that was extremely cool and
it's really appreciated.

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But man, we've, we've got some
stuff to figure out.

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And thank you all very much for,
for the responses.

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There's, you know, over a
hundred comments.

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Most of it about the, the
download and that was tough.

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And of course, once that got
fixed, and a lot of interesting
comments on the,

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on the weblog itself.

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And lots and lots of email, lots
of people checking in, lots of
people with interest.

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I really appreciate it.

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And it's just the beginning of
God knows where this is all
going to take us.

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So I'm very, very excited about
it.

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Let's see.

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I wrote a couple of things down.

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Oh, first of all, on the way out
on the plane, I was listening
to, you know,

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my regular download of podcasts.

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And Rock and Roll Geek, Michael
Butler, Rock and Roll Geek.com,

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had the most awesome podcast.

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He did it with one of the, I
think there's a guitar tech or

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well, one of the road crew for
currently, who's on the Wieser
tour

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went to his hotel room.

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This guy has his own podcast.

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It's a bit of a man.

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I should have written that down.

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Hold on a second.

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Let me see if Rock and Roll Geek
put that on the show notes.

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Hold on a second.

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Bit of a man's square and bit of
a parking.

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Oh, yeah, man.

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Rock and Roll Geek.com.

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So I've got the, this hotel that
I'm in, which is a,

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it's a great hotel that's really
funky and it's almost

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screaming for a sound seeing
tour.

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They only have a wired internet
connection.

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Now I have my Mac and the, and
the, the tablet with me,

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of course, I'm recording this on
on the data of Cast Blaster.

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So what I do is I plug the wired
connection into my Mac and then
use

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that to basically become a base,
a base station.

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Oh, shoot.

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Why is this not working?

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Oh, I hate this.

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Oh, here we go.

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Let's see.

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It's going to be in here in this
show notes.

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Oh, right.

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Even took pictures.

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Cool.

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Yeah, Aaron.

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That's right.

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Aaron.

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Bit of a man's circle podcast.

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There you go.

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That's what it was.

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Bit of a man's circle.

08:38.000 --> 08:39.000
B-it-t-e-r-m-a-n-c-i-r-c-l-e.com.

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If you want to hear a great
podcast that's coming from the
road as,

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you know, really to get an idea
of what's going on behind the
scenes,

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right now on the Weezer tour.

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It's a great podcast to listen
to.

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And Michael's podcast with him
was just fantastic.

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Learned a lot, actually, and
they played some cool tunes.

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And see, and then we got in.

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This wacky hotel, which has, you
know, Ian Schreger is,

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I guess he's a designer.

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He designs the wackiest
furniture.

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And some of it's completely
oversized, like huge, like,

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chrome-sized chairs and the
restaurant.

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All different sizes and all
very, you know, kind of like
gothic,

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yet also classic and colonial
and all kinds of styles

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mixed through each other
curtains with light shining
down.

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And it's just an awesome hotel.

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And all the beautiful people in
San Francisco are all hanging
out here.

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It's so wonderful.

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Hi, everyone. My name is Zoe.

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And this is my wife, C. Hello.

09:40.000 --> 09:43.000
We need to tell you in about 30
seconds about a new,

09:43.000 --> 09:46.000
slightly different show called
the Shonapodcast.

09:46.000 --> 09:48.000
The Shonapodcast with Cecilia
and Zy.

09:48.000 --> 09:52.000
www.Shonapodcast.co.uk.

09:52.000 --> 09:56.000
Shonapodcast is a language
spoken by over 8 million people
in Zimbabwe

09:56.000 --> 10:00.000
and it's a running territories
and buys Zimbabwe's all over the
world.

10:00.000 --> 10:03.000
And since I already speak it, Zy
is going to be learning it.

10:03.000 --> 10:05.000
If you're interested in foreign
languages,

10:05.000 --> 10:07.000
or perhaps you know someone from
Zimbabwe,

10:07.000 --> 10:11.000
and would like to learn some
Shonap, then you should enjoy
listening to the Shonapodcast.

10:11.000 --> 10:14.000
In each episode, we introduce a
few Shonawatts,

10:14.000 --> 10:18.000
and we often talk about Zimbabwe
music, culture, and traditions,

10:18.000 --> 10:21.000
and even current affairs with
Zimbabwe hits the headlines.

10:21.000 --> 10:27.000
Please visit our website and
have a listen to the show at
www.shonapodcast.co.uk.

10:27.000 --> 10:32.000
There's s-h-o-n-a-podcast.co.uk.

10:32.000 --> 10:36.000
If you subscribe to our feed,
you find out why we're making
the Shonapodcast,

10:36.000 --> 10:38.000
why we sound so different,

10:38.000 --> 10:41.000
and why Zay has simply got to
learn some Shonapodcast.

10:48.000 --> 10:50.000
Alrighty, the Shonapodcast.

10:50.000 --> 10:53.000
And this Windows machine is
really freaking me out.

10:53.000 --> 10:56.000
So, the second one is connected
to my computer now,

10:56.000 --> 10:58.000
all of a sudden, why does
Windows do that?

10:58.000 --> 11:01.000
Why does it keep trying to
connect to different wireless
networks?

11:01.000 --> 11:05.000
Now, I'm connected to the
city-net public with very low
signal strength.

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I don't get it.

11:06.000 --> 11:08.000
Okay.

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Thanks for all the feedback on
the cast-blaster data.

11:11.000 --> 11:13.000
Now that we've sent our data as
yet,

11:13.000 --> 11:19.000
the people are still responding
to the daily source code created
with the application.

11:19.000 --> 11:22.000
And I'm using the auto feature
now,

11:22.000 --> 11:26.000
which essentially, because all
these different promos and pod
safe music

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and the hit tests are all
recorded at different levels,

11:29.000 --> 11:31.000
this really does do a lot of the
auto-leveling,

11:31.000 --> 11:33.000
but then the minute you hit
talk,

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it's going to kind of duck the,

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it's called auto ducking,

11:37.000 --> 11:39.000
D-U-C-T-I-N-G.

11:39.000 --> 11:42.000
It kind of fades down the music
so you can talk over it.

11:42.000 --> 11:45.000
So, it gives a little, like, a
more choppy or mix

11:45.000 --> 11:47.000
when I turn the mic on and off,

11:47.000 --> 11:49.000
but, well, that's a Tesla, see
how it goes.

11:49.000 --> 11:51.000
One of the meetings I had in New
York,

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I wanted to tell you about with
one or music group.

11:53.000 --> 11:56.000
This was the weirdest freaking
meeting I've ever been in.

11:56.000 --> 12:00.000
It was cool because there were
technologies from W-M-G there,

12:00.000 --> 12:03.000
but there was also, you know,
some vice-president guys

12:03.000 --> 12:06.000
who were more on the, you know,
the digital delivery side

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of the Warner Music Group.

12:08.000 --> 12:10.000
Now, there really only four
record companies left,

12:10.000 --> 12:13.000
of which W-M-G is one of them.

12:13.000 --> 12:18.000
And we had talked to one of the
big cheeses over there

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on the phone, like a week and a
half or two weeks ago,

12:22.000 --> 12:25.000
and, you know, we're basically
talking about pod safe music

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and how, you know, how promoting
cool songs

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and bands is back with podcasts,
right?

12:30.000 --> 12:32.000
Where you hear something you
like,

12:32.000 --> 12:34.000
you play it on your podcast, you
have permission

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as a pod safe tune,

12:36.000 --> 12:38.000
and you can get people excited
about it.

12:38.000 --> 12:40.000
And as we've seen with the
Sylvia's Bitties,

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you know, people turn out to
actually want to buy the record.

12:43.000 --> 12:45.000
So, we think that's a very
interesting model,

12:45.000 --> 12:49.000
and we're going to be doing a
lot of that with the CC Chapman.

12:49.000 --> 12:51.000
We're calling the pod safe music
network,

12:51.000 --> 12:56.000
and you'll be hearing more about
that in the next week or two,

12:56.000 --> 13:00.000
of course, podshow.com is where
you can stay up to speed,

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and of course, we'll be talking
about it here on the source
code.

13:04.000 --> 13:08.000
But we finally got down to
actually making the real
suggestion.

13:08.000 --> 13:10.000
And the suggestion, I told them
exactly what I do.

13:10.000 --> 13:12.000
You know, like, I go to iTunes
Music Store,

13:12.000 --> 13:15.000
I purchase a song, and then I
play it,

13:15.000 --> 13:19.000
and I would gladly pay instead
of 99 cents.

13:19.000 --> 13:22.000
Excuse me, I would gladly pay
five bucks.

13:23.000 --> 13:25.000
You know, put a little, you
know, on the back catalog,

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right, we're not talking about,
you know, the J-Lo's

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and all the new million platinum
selling records.

13:30.000 --> 13:32.000
We're talking about the back
catalog,

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which probably doesn't sell all
that much,

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but is available in the iTunes
Music Store.

13:36.000 --> 13:39.000
You know, like Chicago Saturday
in the park that I played,

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and we said, well, why don't
you,

13:41.000 --> 13:44.000
you know, make a feature in
iTunes Music Store,

13:44.000 --> 13:47.000
or, you know, obviously at the
set up that relationship with
Apple,

13:47.000 --> 13:49.000
wherever you buy your songs
from,

13:49.000 --> 13:51.000
you know, if it has a green star
after it,

13:51.000 --> 13:54.000
that means you can, you play
this on your podcast,

13:54.000 --> 13:55.000
and when you download it,

13:55.000 --> 13:59.000
you essentially would pay five
bucks, five bucks,

13:59.000 --> 14:03.000
and that would be sufficient for
you to play this on your
podcast.

14:03.000 --> 14:04.000
And that would, by the way,

14:04.000 --> 14:07.000
because then it would be treated
as a digital download,

14:07.000 --> 14:09.000
and I'm starting to become
almost like a lawyer now.

14:09.000 --> 14:12.000
You wouldn't have to pay AskCap
or BMI,

14:12.000 --> 14:14.000
and the artist would get
theoretically,

14:14.000 --> 14:16.000
would get a piece of that in the
publisher.

14:16.000 --> 14:20.000
And of course, the author, the
composer.

14:20.000 --> 14:24.000
They didn't get it.

14:24.000 --> 14:27.000
Literally said, well, yeah, we
think that would be very
interesting.

14:27.000 --> 14:31.000
And I remember this is five
times the normal sale price,

14:31.000 --> 14:32.000
five times.

14:32.000 --> 14:34.000
That would be great,

14:34.000 --> 14:36.000
but then they said, well, still,

14:36.000 --> 14:40.000
we don't want that MP3 to be in
the clear longer than two weeks.

14:40.000 --> 14:42.000
So your podcast would
essentially, and literally,

14:42.000 --> 14:44.000
I said, would have to
disintegrate.

14:44.000 --> 14:46.000
You know, like, it would have to
blow up,

14:46.000 --> 14:49.000
and couldn't be kept online for
longer than two weeks.

14:49.000 --> 14:51.000
So you totally missing it.

14:51.000 --> 14:53.000
And by the way, when you play
it,

14:53.000 --> 14:56.000
your podcast that goes down to a
much lower bit rate,

14:56.000 --> 14:58.000
it's much less high quality,

14:58.000 --> 15:01.000
and you're probably mixing it
with talk,

15:01.000 --> 15:03.000
or whatever you're talking over
the intro we can with.

15:03.000 --> 15:06.000
You know, everything we've
talked about on the source code,

15:06.000 --> 15:08.000
we suggested, and they just
said,

15:08.000 --> 15:11.000
no, you know, we feel that you
still have to,

15:11.000 --> 15:13.000
you know, make it go away.

15:13.000 --> 15:15.000
You can't, as they say, and this
is the phrase

15:15.000 --> 15:16.000
it's stuck in my mind.

15:16.000 --> 15:19.000
We don't want MP3s in the clear.

15:19.000 --> 15:21.000
And it was so disappointing, you
know,

15:21.000 --> 15:23.000
and if I were, you know, Peter
Saterra,

15:23.000 --> 15:26.000
or any of the guys from Chicago,
which we use as an example,

15:26.000 --> 15:28.000
I would be fucking pissed off.

15:28.000 --> 15:32.000
You know, here's a chance to
make a quintuple sale,

15:32.000 --> 15:35.000
quintuple on one that's half the
price of the CD,

15:35.000 --> 15:37.000
for just letting me play it on
the podcast,

15:37.000 --> 15:40.000
and the record company is
turning it down.

15:40.000 --> 15:42.000
Absolutely mind boggling.

15:42.000 --> 15:44.000
Now, on the other hand,

15:45.000 --> 15:47.000
the technologists who were in
the room,

15:47.000 --> 15:50.000
I've had a real nice kind of
offline conversation with them,

15:50.000 --> 15:52.000
and they are doing some
interesting things,

15:52.000 --> 15:55.000
but now you got to think that if
the top is thinking that way,

15:55.000 --> 15:57.000
we're just not going to get very
far with this stuff,

15:57.000 --> 15:59.000
which is really quite a shame.

15:59.000 --> 16:00.000
I had them.

16:00.000 --> 16:03.000
I'm glad you allowed me to
approach your giant microphone

16:03.000 --> 16:05.000
to promote the Pirates Week.

16:05.000 --> 16:07.000
I use the pseudonym Ragnar
Danjold,

16:07.000 --> 16:09.000
while I'm letting my vacuum
tubes cool

16:09.000 --> 16:11.000
and try this podcasting thing.

16:11.000 --> 16:13.000
Although it's not real
entertaining,

16:13.000 --> 16:16.000
I'd like to think I'm helping
the shortwave pirate radio
community

16:16.000 --> 16:18.000
by relating logs, news items,

16:18.000 --> 16:21.000
and technical information for
the Pirate Radio

16:21.000 --> 16:23.000
DX and hobby with my podcast.

16:23.000 --> 16:26.000
A hobby cast, if you will.

16:26.000 --> 16:29.000
I tend to stick to North
American shortwave

16:29.000 --> 16:31.000
and some mediumwave pirates,

16:31.000 --> 16:32.000
but everyone's so well,

16:32.000 --> 16:34.000
a Euro Pirate makes the leap
across the pond

16:34.000 --> 16:36.000
to be logged by a lucky few.

16:36.000 --> 16:38.000
So here's my 32nd promo.

16:38.000 --> 16:42.000
I'd be honored to be included in
your litany of the undeserved

16:42.000 --> 16:45.000
The Pirates Week.

16:45.000 --> 16:47.000
Okay, now I get it.

16:47.000 --> 16:49.000
That's why I sent two files.

16:49.000 --> 16:51.000
One is the intro,

16:51.000 --> 16:53.000
and then one is the actual
promo.

16:53.000 --> 16:55.000
I'm sorry about that.

16:55.000 --> 16:56.000
I'll play that tomorrow on the
show.

16:56.000 --> 16:58.000
I'll get the second promo going.

16:58.000 --> 16:59.000
It's funny though,

16:59.000 --> 17:01.000
because I used to be a,

17:01.000 --> 17:03.000
I guess, yeah,

17:03.000 --> 17:06.000
basically a shortwave pirate.

17:07.000 --> 17:09.000
When we had, I'll back in the
day man,

17:09.000 --> 17:11.000
you had CB radio,

17:11.000 --> 17:13.000
which of course you had the 40,

17:13.000 --> 17:14.000
the 40 channel CB radio,

17:14.000 --> 17:17.000
but then you had something
called SSB single side band,

17:17.000 --> 17:19.000
the LSB, the lower side band,

17:19.000 --> 17:21.000
and then USB, the upper side
band,

17:21.000 --> 17:24.000
which effectively gave you 80
more channels to play with.

17:24.000 --> 17:27.000
And what we had figured out with
all these,

17:27.000 --> 17:30.000
solid state logic CB radios

17:30.000 --> 17:33.000
is that you could snip a diode

17:33.000 --> 17:35.000
that was connected to one of the
chip sets,

17:35.000 --> 17:39.000
that would expand with another
120 channels,

17:39.000 --> 17:41.000
only in an upper range.

17:41.000 --> 17:43.000
So CB is like 27 megahertz,

17:43.000 --> 17:48.000
and this would basically take
you the 28 megahertz band.

17:48.000 --> 17:51.000
And that's officially a ham
radio band,

17:51.000 --> 17:53.000
but it was really quiet there,

17:53.000 --> 17:55.000
because of course there are not
a lot of people

17:55.000 --> 17:58.000
who would jack their box to make
it do that.

17:58.000 --> 18:00.000
But I remember just with a
regular CB radio,

18:00.000 --> 18:01.000
which on side band,

18:01.000 --> 18:03.000
and this is a little geeky
detail,

18:03.000 --> 18:07.000
I would output like 12 watts,
peak envelope power,

18:07.000 --> 18:11.000
that I was talking to people in
Ohio from Amsterdam.

18:11.000 --> 18:14.000
You know, I had an antenna on my
roof,

18:14.000 --> 18:17.000
and as I actually there was a
group called the KMG,

18:17.000 --> 18:19.000
which was the Kiss My Grits
group group,

18:19.000 --> 18:24.000
and some of those guys had huge
six foot antennas

18:24.000 --> 18:25.000
on the back of their car,

18:25.000 --> 18:27.000
and they'd be driving around
Ohio,

18:27.000 --> 18:28.000
and I could actually talk to
them

18:28.000 --> 18:32.000
if the conditions were good from
all the way from Amsterdam,

18:32.000 --> 18:34.000
and it was quite a trip.

18:34.000 --> 18:37.000
I am kind of a little bit of a
short wave

18:37.000 --> 18:40.000
part of myself from way way
back.

18:40.000 --> 18:42.000
So the thing that didn't happen
in New York,

18:42.000 --> 18:43.000
which I'm bummed about,

18:43.000 --> 18:45.000
is the Paris Hilton interview.

18:45.000 --> 18:47.000
Reason for it,

18:47.000 --> 18:48.000
believe it or not,

18:48.000 --> 18:51.000
she has a new PR firm.

18:51.000 --> 18:53.000
And the new PR firm said,

18:53.000 --> 18:55.000
well, we're really trying to
limit

18:55.000 --> 18:58.000
the amount of promotion that
Paris is doing for the movie,

18:58.000 --> 19:01.000
and I was like, you fucking
idiot.

19:01.000 --> 19:04.000
Basically what it means is
whenever you hire a new PR firm,

19:04.000 --> 19:07.000
the first thing they do is they
discredit everything

19:07.000 --> 19:09.000
the old PR firm had set up,

19:09.000 --> 19:10.000
say, oh no, we're not going to
do that,

19:10.000 --> 19:11.000
that's a bad idea.

19:11.000 --> 19:13.000
So these people really didn't do
their homework, I feel.

19:13.000 --> 19:16.000
And it's quite a shame because
Paris's podcast

19:16.000 --> 19:19.000
could definitely use a boost,

19:19.000 --> 19:21.000
and I wanted to give her some
feedback.

19:21.000 --> 19:23.000
The first show was out there.

19:23.000 --> 19:25.000
I haven't heard the second one
yet.

19:25.000 --> 19:28.000
It sounded to me like she did a
little intro

19:28.000 --> 19:31.000
that she probably did cut in the
green room somewhere

19:31.000 --> 19:32.000
at David Letterman.

19:32.000 --> 19:34.000
And then basically they took the
audio from,

19:34.000 --> 19:36.000
I guess a TV documentary,

19:36.000 --> 19:38.000
or maybe it's the House of Wax
show on MTV

19:38.000 --> 19:39.000
that they're doing.

19:39.000 --> 19:41.000
So that's a shame.

19:41.000 --> 19:43.000
It could have been better and
quite honestly,

19:43.000 --> 19:44.000
I had a whole bunch of good
questions,

19:44.000 --> 19:46.000
including Mads Weinstein's,

19:46.000 --> 19:48.000
which I did not get to ask.

19:48.000 --> 19:50.000
Wanna get to know Paris?

19:50.000 --> 19:55.000
Two men to the Paris Hilton
podcast now.

19:55.000 --> 19:58.000
It's the Paris Hilton podcast.

19:58.000 --> 20:00.000
Been 24-7 with Paris Hilton

20:00.000 --> 20:03.000
on her countdown to the House of
Wax.

20:03.000 --> 20:04.000
That's right.

20:04.000 --> 20:06.000
All Paris, all the time.

20:06.000 --> 20:09.000
To give Paris Hilton podcasts,

20:09.000 --> 20:12.000
go to www.houseamwaxmovie.com

20:12.000 --> 20:15.000
and click on the podcast link.

20:15.000 --> 20:24.000
Well, if you'd actually do some
of your own stuff,

20:24.000 --> 20:26.000
Paris, you know, just talk to us
for a little bit.

20:26.000 --> 20:27.000
That's what you want.

20:27.000 --> 20:29.000
And I know you're listening to
the daily source code.

20:29.000 --> 20:31.000
Just talk to us, just sit
somewhere,

20:31.000 --> 20:33.000
and you room, you hotel room on
the plane,

20:33.000 --> 20:34.000
and whatever.

20:34.000 --> 20:37.000
And just let us know what's
going on in your life.

20:37.000 --> 20:40.000
Although I did kind of like the
behind-the-scenes stuff,

20:40.000 --> 20:42.000
and I wouldn't mind if it was a
little bit longer,

20:43.000 --> 20:45.000
but too bad.

20:45.000 --> 20:46.000
Too bad.

20:46.000 --> 20:47.000
I guess David Letterman's still

20:47.000 --> 20:50.000
still rates much, much higher
than me.

20:52.000 --> 20:53.000
Oh no.

20:54.000 --> 20:56.000
What evil work?

20:56.000 --> 20:58.000
In the heart of men.

20:58.000 --> 21:01.000
The shadow, no.

21:01.000 --> 21:13.000
Come down for blast off.

21:13.000 --> 21:19.000
X minus 4 minus 3 minus 2 X
minus 1.

21:20.000 --> 21:21.000
Hey, Adam.

21:21.000 --> 21:22.000
We've heard you podcast.

21:22.000 --> 21:24.000
We're talking about old radio
dummies,

21:24.000 --> 21:25.000
such as the Green Hornet.

21:25.000 --> 21:28.000
We'd like to invite you to check
out our podcast.

21:28.000 --> 21:30.000
Bautar's old-time radio.

21:30.000 --> 21:33.000
Where we deliver the best
old-time radio

21:33.000 --> 21:35.000
to your doorstep daily.

21:35.000 --> 21:36.000
Shows like,

21:36.000 --> 21:37.000
oh,

21:37.000 --> 21:38.000
oh,

21:38.000 --> 21:39.000
oh,

21:39.000 --> 21:40.000
oh,

21:40.000 --> 21:42.000
oh,

21:42.000 --> 21:43.000
oh,

21:43.000 --> 21:44.000
oh,

21:44.000 --> 21:45.000
oh,

21:45.000 --> 21:46.000
oh,

21:46.000 --> 21:47.000
oh,

21:47.000 --> 21:48.000
oh,

21:48.000 --> 21:49.000
oh,

21:49.000 --> 21:50.000
oh,

21:50.000 --> 21:51.000
oh,

21:51.000 --> 21:53.000
oh,

21:53.000 --> 21:55.000
oh,

21:55.000 --> 21:56.000
oh,

21:56.000 --> 21:58.000
oh,

21:58.000 --> 21:59.000
oh,

21:59.000 --> 22:00.000
oh,

22:00.000 --> 22:02.000
oh,

22:02.000 --> 22:03.000
oh,

22:03.000 --> 22:04.000
oh,

22:04.000 --> 22:05.000
oh,

22:05.000 --> 22:06.000
oh,

22:06.000 --> 22:08.000
oh,

22:08.000 --> 22:09.000
oh,

22:09.000 --> 22:10.000
oh,

22:10.000 --> 22:12.000
oh,

22:12.000 --> 22:14.000
oh,

22:14.000 --> 22:15.000
oh,

22:15.000 --> 22:17.000
oh,

22:17.000 --> 22:20.000
be a suit, it is pot-shape.

22:23.500 --> 22:24.500
Awesome, dude.

22:24.500 --> 22:27.200
I really enjoyed this podcast.

22:27.200 --> 22:29.900
I mean, we can learn a lot from
it, actually.

22:29.900 --> 22:31.700
And yeah, I think it is actually
pot-safe.

22:31.700 --> 22:35.000
That's deemed as pot-safe is
probably in the, uh,

22:35.000 --> 22:36.000
uh, what do you call it?

22:36.000 --> 22:38.700
It's, uh, in the public domain,
uh, by now,

22:38.700 --> 22:41.200
really cool to hear some of that
old stuff.

22:41.200 --> 22:43.500
And, actually, I got a couple of
ideas,

22:43.500 --> 22:45.000
and I was listening to it.

22:45.000 --> 22:46.700
All right, time to some pot-safe
tunes.

22:47.200 --> 22:49.700
Um, this is, uh, I've actually
played a song

22:49.700 --> 22:51.700
by, uh, out of warranty before.

22:51.700 --> 22:53.700
I remember I told you the story
about the,

22:53.700 --> 22:55.700
the original bass player for
Wild Cherry,

22:55.700 --> 22:57.200
the more Wild Cherry play that
funky music.

22:57.200 --> 22:58.700
He sent me another tune,

22:58.700 --> 23:00.700
and it was especially the
beginning of the song

23:00.700 --> 23:01.700
that really struck me.

23:01.700 --> 23:02.700
Uh, listen close.

23:02.700 --> 23:04.700
Here's, I don't have.

23:04.700 --> 23:05.700
I don't have a flash.

23:05.700 --> 23:07.700
He flash with scent.

23:07.700 --> 23:10.700
I don't have a laptop or a plug.

23:11.250 --> 25:33.750
[ Music ]

25:35.700 --> 25:37.700
Yeah, stick it in your ear.

25:37.700 --> 25:39.700
I don't have out of warranty.

25:39.700 --> 25:40.700
Love that.

25:40.700 --> 25:42.700
Don't have a flashy flashy
website.

25:42.700 --> 25:44.700
Don't have a laptop or a pod.

25:44.700 --> 25:45.700
I don't even have a pod.

25:45.700 --> 25:46.700
Was it pod to piss in?

25:46.700 --> 25:48.700
I've been just whistling that
tune all day.

25:48.700 --> 25:51.700
I took a walk after breakfast or
kind of brunch today.

25:51.700 --> 25:56.700
And a CC Chapman sent me a
couple of podsafe tunes to
listen to and play on the source
code.

25:56.700 --> 25:58.700
I just couldn't get this one out
of my head.

25:58.700 --> 25:59.700
So I want to play that for you.

25:59.700 --> 26:02.700
And out of warranty, as far as I
know, actually doesn't have a
website.

26:02.700 --> 26:09.700
So as maybe if they do, I'll get
that info and I just haven't
seen it in the emails or

26:09.700 --> 26:10.700
or found it anywhere.

26:10.700 --> 26:12.700
Of course, I'll put it up in the
show notes.

26:12.700 --> 26:15.700
And that's one of the things
that we're going to really,

26:15.700 --> 26:18.700
really make possible for the
podsafe music network.

26:18.700 --> 26:21.700
So that could say, go check this
out, the podsafe music network.

26:21.700 --> 26:23.700
There'll be info about the
artist.

26:23.700 --> 26:26.700
You could see important for
podcasters, of course,

26:26.700 --> 26:29.700
is what's being played a lot on
different podcasts.

26:29.700 --> 26:32.700
And of course, you'll be able to
link to buy the CDA.

26:32.700 --> 26:35.700
And if I have my drill, there's
if we can figure that out.

26:35.700 --> 26:38.700
Also to download it and buy it
digitally, I guess.

26:38.700 --> 26:41.700
So looking forward to a lot of
cool new music coming on to the
scene.

26:41.700 --> 26:43.700
I tell you that.

26:43.700 --> 26:46.700
Let me see what else they have
on my list for today.

26:46.700 --> 26:47.700
Oh yeah.

26:47.700 --> 26:50.700
So of course, we announced our
pod squad,

26:50.700 --> 26:55.700
who invested in really investing
the creativity and talent of a
number of great podcasters.

26:55.700 --> 27:00.700
And by the way, that means that
we're literally helping them
financially

27:00.700 --> 27:04.700
through a number of different
ways so that they can, you know,

27:04.700 --> 27:09.700
take, you know, basically spend
the time on creating podcasts.

27:09.700 --> 27:12.700
And we've created production
companies with them,

27:12.700 --> 27:16.700
so that they can start to
produce more podcasts with other
other people

27:16.700 --> 27:20.700
who may be need production or
have a great idea.

27:20.700 --> 27:24.700
And there's just all kinds of
cool things that are going to be
coming up

27:24.700 --> 27:26.700
very soon.

27:26.700 --> 27:30.700
And one of them I'm very excited
about is Steve Gilmore.

27:30.700 --> 27:33.700
He will be bringing the Gilmore
gang back,

27:33.700 --> 27:38.700
which means our weekends will be
complete again.

27:38.700 --> 27:41.700
And also a new feature, Gilmore
Daily.

27:41.700 --> 27:44.700
And I just sent him, he got a,

27:44.700 --> 27:47.700
he now has a tablet and I just
set him up with

27:47.700 --> 27:50.700
a date of cast blaster and
immediately he's got all kinds
of ideas

27:50.700 --> 27:52.700
how he can make it even better.

27:52.700 --> 27:56.700
If you haven't heard yet from us
about the cast blaster beta,

27:56.700 --> 27:58.700
it's probably going to be
another,

27:58.700 --> 28:01.700
I think another week until we
actually send the date is out.

28:01.700 --> 28:04.700
And then it should be, I think
no more than two or three weeks
of

28:04.700 --> 28:08.700
testing until we can open up to
a public beta and everyone can
enjoy.

28:08.700 --> 28:11.700
At least, I'm sorry to say
anyone with an XP,

28:11.700 --> 28:15.700
when those XP can enjoy, I wish
we could do it for the Mac,

28:15.700 --> 28:18.700
but then again, you know, Mac
people are already so incredibly

28:18.700 --> 28:21.700
privileged with the machine they
have.

28:21.700 --> 28:25.700
Hi Adam, I'm glad you allowed me
to approach your giant
microphone.

28:25.700 --> 28:26.700
Wait a minute.

28:26.700 --> 28:27.700
Wait a minute, we already did
that one.

28:27.700 --> 28:29.700
I'm sorry, this is the one I
wanted to play for you.

28:40.700 --> 28:43.700
Hello, I'm Thomas Vanhoff, a
journalist and a podcast of

28:43.700 --> 28:44.700
from Germany.

28:44.700 --> 28:48.700
I started podcasting in October
2004,

28:48.700 --> 28:52.700
first with summerstellet.net
about potsafe music from
Germany.

28:52.700 --> 28:58.700
Then in January 2005, I started
Vanhoff's wonderful world of
science.

28:58.700 --> 29:01.700
The German science podcast.

29:01.700 --> 29:06.700
With Nicole Simon and Garrett
von Arken, I found it's sushi
radio DE.

29:06.700 --> 29:08.700
Some tidbits of podcasting.

29:08.700 --> 29:11.700
This is one of the most popular
shows in Germany.

29:11.700 --> 29:16.700
Because I am listening so much
to English spoken podcasts

29:16.700 --> 29:18.700
and for improving my English,

29:18.700 --> 29:22.700
I decided to develop an
international edition of my
science podcast.

29:22.700 --> 29:24.700
And here it is.

29:24.700 --> 29:28.700
A new star is born in podcast
heaven.

29:28.700 --> 29:30.700
Sciencecast.net.

29:30.700 --> 29:34.700
Every Sunday evening on the net
on sciencecast.net.

29:34.700 --> 29:36.700
What's in the show?

29:36.700 --> 29:38.700
Science news from all over the
world.

29:38.700 --> 29:42.700
Sometimes fresh reports when I'm
in the wild.

29:42.700 --> 29:45.700
Some sound seeing and some funny
things.

29:45.700 --> 29:47.700
So have fun with it.

29:47.700 --> 29:50.700
Enjoy the show and send me
comments on mail.

29:50.700 --> 29:54.700
At sciencecastmail at gmail.com.

29:54.700 --> 29:57.700
Sciencecast.net.

29:57.700 --> 30:02.700
Every Sunday, the latest news
from the world of science.

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All right, totally dig that.

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Of course, summerstellet.net has
been around.

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One of the early podcasts.

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And of course coming from
Germany.

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It was a funny.

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It doesn't sound a little bit
like the Pope.

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Just a teeny, tiny bit.

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Okay.

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So here's a sign for a dam
announcement.

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This is a cool one.

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I'm very excited about this.

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No more than two weeks ago.

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We were talking about the
concept of an open podcast.org
idea on satellite.

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Where would be great to have a
channel where we could expose
more people

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to podcasting.

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And depending on when you're
listening to this podcast, you
may or may not have heard the
news

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that Pod Show has struck a deal
with serious satellite radio to
bring you four hours of
podcasting

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every single day.

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And I am so jazzed about this
because now we're talking in
audience of almost two million
people.

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And these guys are working their
ass off to get more and more
subscribers to serious satellite
radio.

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They're looking at probably 20
million by 2007 or whatever.

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And it's gone.

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You know, every single new car
that is sold in the states now,
I think, has either the option

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or it's standard.

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You have a satellite receiver in
there.

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Well, we did it.

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Yeah, I put in a couple of
calls.

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I told you about that on a
previous daily source code.

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And there was definitely
interest.

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Now, these guys, of course, they
only have so many channels.

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Yeah, it's like 150 channels.

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But they only have so many.

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And there's all kinds of stuff
already on the Tony Hawk M&M.

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The Howard Stern will soon be on
serious satellite or at the end
of the year,

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and now we have the pod show on
serious satellite radio.

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And I am so freaking jazzed
about this because, first of
all, we're going to open it up,

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so that anyone can consent in
your podcast or your promo.

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I mean, it's seen this really as
a huge daily source code,

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which is actually it's quite a,
it's a big task to put this
together.

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But I've been very lucky to be
able to team up with PW Fenton
from the digital

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Flotsom.org.

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He does, I've talked about his
podcast a lot.

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And he just really knows how to
do audio.

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So he's going to be working with
me on that.

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He's going to be really doing
all the production.

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And we're going to open up a
couple of ways for you to send
in your,

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your promos, your podcasts,
whatever it is, and check this
out.

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I'm going to put all kinds of
mashups in there, pod safe
music.

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If you have a podcast where you
play licensed music,

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not a problem because serious
satellite's going to pick up the
tab for that.

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So, you know, you could do
whatever you want,

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and we're going to put it on
serious satellite network,

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which will be, I think it's,
well,

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I guess we start all the way at
the end of the spectrum, right?

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We're on channel 148.

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But we did it.

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We really did it.

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And I'm extremely excited.

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It's going to be a shitload of
work, but it's going to be
awesome.

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So, in the next couple of days,
I'll have details on how you can
submit your podcast.

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And, and of course, you know,
the whole point is to promote
your podcast.

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So, make sure that if you're
thinking about submitting
something that there's a way for
people to

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subscribe to, you want to give
out your URL and where your,
where your podcast feed is.

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And also, I'm going to try and,

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what we don't go with doing the
source code and try and get more
listeners for podcasts.

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And also turn more people onto
podcasting.

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And it's going to be a great
place for people to sample
podcasts.

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And I think starting off with
four hours, which, of course,

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I'd like to move to a 24 hour
channel,

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but let's start off slowly and
see how the submissions go.

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And if we can get enough content
in there to fill it up.

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I'm pretty sure, as we grow,
it'll work.

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But I am very, very excited.

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I did want to thank Steve Leads
for, for basically, you know,
setting it all up.

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Steve is the guy, and I've
talked about this with Ken
Clarke on the MTV Chronicles.

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He's the guy that called me in
1987 when I was in, in the
Netherlands and said,

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hey, you want to come and work
for MTV.

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And he's the same guy hooked up.

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The, the serious satellite radio
deal.

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I have a picture on serious
satellite radio.

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Totally jazzed about it.

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This is your captain speaking.

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Yo DJ, are you done mixing it?

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Yeah, yeah.

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If so, please invest in your
league belt,

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they hit this to the back to
take off.

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The hell is this?

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Oh, they're casting with...

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I'm curious.

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It's a great deal.

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It's time for the hit test.

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With y'all, pull it.

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All right.

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Hey, Adam.

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This is Y'all Paulette with
another hit test,

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and this one's a bit different
because I'm still on a Skype
call

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with the hit test announcer guy.

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The hit test.

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That is not included.

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Battery sold separately.

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Hey Kevin, I doing...

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Good John.

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John.

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Okay.

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Can I have a birthday soon?

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Really?

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Gonna be 42.

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42 man.

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You're getting old.

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I'm gonna be ready for the
concert.

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Thank you.

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I'll have to get this.

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Well, of course you know me.

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I'm too cheap to send you
anything across the big ocean,

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called the Atlantic.

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But how about this?

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How about a few?

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All right.

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Just like the music for the next
hit test for Adam.

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Me?

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Yeah, you.

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How many do I get?

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How about 10?

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Well, I guess he, uh,

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he'll only do three.

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Three. Okay.

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But of course, that's one rule.

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Adam is supposed to know them.

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So they have to have been hit
somewhere in the,

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in my lifetime.

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60, 70s or 80s.

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Exactly.

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My life, sir.

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Yeah, hit to the 70s and 80s.

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Okay.

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Or the 90s.

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But then they can only be
American hits.

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Okay.

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Those are the rules.

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Are you up for it?

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I'm up for it.

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Okay.

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Let's do it.

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Well, Adam, um,

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what is the same as always is
that I've got three clips lined
up.

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And this is clip and intro.

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Number one.

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Sounds like.

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Ten and ten.

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Keep on moving.

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Two.

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Something like that.

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Absolutely.

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No clue what that is.

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This is, uh, tough.

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Y'all.

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And the final one is a bit
short.

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This is number three.

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What?

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All right.

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Just give me the answers.

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I suck.

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There's no way I get any of
those.

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You're probably yelling at your
iPod, right?

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So up.

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This is answer number one.

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It's sold to sold.

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I have that one.

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It's sold.

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It's sold.

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It's sold.

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It's sold.

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It's sold.

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[ Music ]

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The answer number one in today's
hit-est, so to solve and keep on
moving and it's recorded

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from vinyl and it's great to
hear those correctly sounds
again.

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Answer number one and this is
answer number two.

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It's from 89, so I hope you know
this one, the stone roses, this
is full skulls.

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I wouldn't have known that one.

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I think I've ever heard the song
before.

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The stone roses, answer number
two.

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I hope this has been a hit in
the United States also because
else you won't know what this
one is.

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Fulls gold, answer number two
and this is answer number three.

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The easiest one also to share
the split, but there's the
easiest one.

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Sting and Englishman in New
York.

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Of course.

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Well if you knew that one at
home.

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Being an Englishman in New York,
answering number three in
today's hit-est.

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And I'm already looking forward
to the next one.

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I hope Kevin, you will do a
great job searching for music.

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Looking forward to it, you're
on.

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Okay, well see you next time.

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Well Adam, thank you for playing
this one.

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Thank you.

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Yes, time for another edition of
the hit-est.

39:21.420 --> 39:27.420
And of course, as always,
hit-est at gmail.com is the
address for feedback and the web
address is

39:27.420 --> 39:29.420
www.yompolet.nl or.com.

39:29.420 --> 39:32.420
That's J-A-N-B-O-L-E-T.nl
or.com.

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And you can find all information
about hit-est and the separate
hit-est podcast on that page.

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Well thank you for listening,
see you next time.

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Bye-bye.

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All right, John, thank you very
much.

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Oh, yeah, Kevin, thank you too.

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But again, the hit-test.

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And that is it for the Daily
Source Code for the second of
me.

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And I'm going to see what time
is it now.

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It's so, man, I'm going to have
some dinner over here.

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Okay, thanks again for checking
out the Daily Source Code.

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A lot of exciting stuff we had
to talk about today.

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And I'm sure there'll be more in
the coming few weeks.

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So you want to stay subscribed.

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Okay, you can find the podcast
feed at dailysourcecode.com.

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Feedback to atomacuri.com.

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If you want to send me a promo,
don't send me the MP3 file.

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Just send a link to an MP3 file.

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Put in the subject's DFC promo.

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If you got pod safe tunes for
me, put pod safe music in the
subject line.

40:30.420 --> 40:33.420
So I can route all that to the
proper folders.

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And of course, you can always
leave a comment on my weblog
www.curry.com.

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Thanks again for listening. Have
a great week, y'all. Bye-bye.

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Bye-bye.
