WEBVTT

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Daily source code, episode 189

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Okay everyone, quiet everyone,
simmer down, simmer down.

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I just want to say thank you for
all the hard work you've done.

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We couldn't have done it without
you.

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Okay, quiet, static check,
light, ready, sound, sound, boom
man, ready.

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Is that a mint position?

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Ready? Okay, 10 seconds people.

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Let's do this right.

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Five, four, three, two, cue
music, lights up.

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Let's do this right now.

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Ladies and gentlemen, for many
years us and announcer,

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it has been my privilege to
introduce a number of very
important people.

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But never have I felt the pride
that is glowing within me today

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as I introduced the gracious and
beloved star of our show.

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Yes ladies and gentlemen, it
gives me extreme pleasure

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to present to you a man whose
very benevolence has earned for
him

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the admiration, respect and
everlasting love of millions.

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And here he is!

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Sixty million dollars worth of
airplane strap to my ass.

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Than the next generation radio
content in my ears.

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Hey everybody, it is June 6th
2005.

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Welcome to the source code.

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And this show is created
entirely on the cast blaster.

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We're on data number 14 right
now.

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So things could go a little bit
of rye.

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Hold on, let me just lower the
microphone a little bit

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to make sure we don't
overmodulate which seems to be
the biggest problem

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on the crap.

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Okay, I think we're good to go.

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Man, a lot of cool changes in
the software.

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Okay, so we've got automatic
ducking on,

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which means that the minute you
hit the talk button,

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the music starts to fade down a
little bit.

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Which now actually has a
shortcut by hitting the space
bar

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it turns on or it turns off.

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You see, so that's on, and
that's on, and then it was off.

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Okay, so we've got to figure out
the ducking system here.

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But at least it's working, and
there's lots of cool features

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which we'll talk about on
today's source code.

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Okay, so one of the first things
I noticed

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is that the headphone monitor is
really soft, but man,

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I gotta tell you, I've been
talking to Mike,

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who's the lead developer on cast
blaster.

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Just understanding the inner
workings of windows

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and the way it handles sound is,
man,

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that's a whole education by
itself, that's pretty twisted.

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No mash up today, although I do
have a cool pod safe music
track.

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Which is from Iraq, so it's an
Iraq pod safe music track.

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I've got a couple things to talk
about, and of course we've got

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all the effects are loaded up.

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I love the standard effects that
come with,

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this is just fantastic hold on a
second.

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Now, one I think is probably
better is if I just raise up the
level

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there, let me just check for a
second.

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Okay, that's better, so I'll
just leave it like that,

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and then I can talk over it.

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I don't think the auto duck
works that well.

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When you really want to bring
the level up real quick,

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like you just heard in the
opening there,

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when I do the power of pure
intellect,

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I want that to be highlighted,

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it takes a little bit too long
for the auto ducking to pop up
there,

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so I'll just leave it as it is.

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Cool electronic effects though.

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So I wonder if that was over
modulated at all.

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You know, I'll just turn the
auto feature on.

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There we go.

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I'm going to keep this one
relatively short,

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because I'm not too sure of the
quality.

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The biggest problem being the
sound card in the,

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in the, what is this, a very
tech tablet that I have.

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Also, to make it completely
fair,

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what I've done is I'm using the
headset

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that I usually use for Skype on
the tablet.

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So it's not the normal
processing that you have on the,

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on the big microphone through
the big setup.

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So please don't go emailing me
saying,

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oh, it sounds like shit compared
to other stuff,

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because, you know, there's no
way that this microphone

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can sound as good as the, as the
pure SM7 does.

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But I actually had listened to a
little test,

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and it sounded pretty good.

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Well, I want to lower the
microphone just a little bit
more,

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just to make sure that we're
absolutely not over modulating.

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Okay, there we go.

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Let me just go grab my paper.

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That, of course, is really nice,

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is that I can now walk around
with this thing.

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And, you know, I have the mic
strapped to my head,

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so I think going nowhere.

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Here we go, sit down on the
couch, perfect.

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Okay, so today is Monday.

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It's a dreary once again in the
UK.

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What can I say?

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That's what you get.

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It's supposed to be actually
nicer

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or the rest of this week,

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but so far, no evidence of that.

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Let me tell you a little bit
about cast blaster.

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This is, as I said,

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I'll lower the mic just a little
bit more.

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This is beta number 14.

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So we've had 14 versions to play
with so far.

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And we've got a lot of testers,

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and a lot of people have been
putting in their,

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their beta reports,

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and we've really gotten this
most excellent features

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and fixes and stuff is really
rocking from what I can see.

06:22.000 --> 06:25.000
We actually have a little menu
bar now.

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One that has says create,

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which I'm looking at right now,

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which is the interface that
you've probably seen a
screenshot of before.

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Then we have described, this is
interesting.

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This is basically the ID3 tags,

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and we now have a field for show
notes.

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Although, when I highlight the
show notes,

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field, the cursor does show up,

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but I can't type anything in
there.

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So, must be something I'm doing
wrong,

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or maybe that's a bug somewhere,

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so I'll have to look at that.

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I've got a picture in there.

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Now, publish is a relatively new
tab.

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Yeah, because we'll just call
them tabs,

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where you can give your podcast
a file name,

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and save it to disk,

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and also upload to server,

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which you configure under the
configure tab,

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and right there's an FTP server
with a path,

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the login password,

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so it'll shoot it right up to
the server,

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and all I need to do then,

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of course, is to create your RSS
file,

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and that will be the next step
in the beta process,

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but I think we're going to
concentrate on this first.

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It's kind of cool that you can
do all the stuff on the flywall,

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it's playing, by the way.

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Let's see.

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So yesterday, which was Sunday,

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took the girls, Patricia and
Christina,

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who London's West End,

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we had not been,

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well, we've been to the West
End,

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but we've never been to a show
in the West End,

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and we went to see a classic,

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Chitty Chitty Bang Bang,

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which you may think,

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at first hand, you might say,

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well, that's, isn't that for
kids?

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Okay, just close the studio door
here.

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Studio door, the bedroom door,

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converted to an office slash
studio.

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Yeah, of course it's for kids,

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and of course it was a matinee
show,

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so there were lots of kids and
adults there as well,

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but as you'd expect from a
typical kids play or a musical,

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there was plenty of jokes in
there for adults.

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Interesting to see, was it Brian
Connelly,

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I think, played the lead role?

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I mean, I have the official
program here,

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let me tell you, was that his
name?

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I think it was, he was really
good,

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great singer,

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let me go cast,

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cast in order of appearance,

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no, we don't want in order of
appearance.

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Here it is,

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yes, Brian Connelly,

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correcticus pots,

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Tony Adams, as Grand Poppots,

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Joe Gibb, who was truly
scrumptious,

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she was great, beautiful voice,

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and very interesting,

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the child catcher is a guy named
Alvin Stardust,

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and Alvin Stardust in the 70s

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was like a really,

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which I say,

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flamboyant kind of trippy pop
singer,

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who had a couple of hits,

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actually he, he was critically
acclaimed,

09:19.000 --> 09:21.000
really, he's done a lot of,

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a lot of TV work, a lot of other
musical work,

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and so now he is the child
catcher,

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and he was getting plenty of
booze and hisses,

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and yeah,

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so maybe it's a kid's play,

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but there's a really,

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you know, actually there are a
couple of great morals

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to this, to the story,

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and I'd have to say,

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one embodies itself in,

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you know what,

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let me see,

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maybe I can,

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I was looking for this earlier
on iTunes,

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because the moral of the story
to me

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is embodying the song,

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the roses,

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what is it?

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From the ashes of destruction,

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rise the roses of success.

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I'm just going to go to iTunes,

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and see if I can find it in the
iTunes music store.

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Here's what happened earlier
today

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on a different computer,

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on one of my max,

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I wanted to get a hold of that
song,

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I wanted to buy it,

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and it wouldn't allow me to
purchase the song,

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I'll just see the roses,

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see if we can find it.

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Because my credit card is still
built

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to the Netherlands,

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shoot, see,

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now I won't even show it.

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And I guess because they don't
have the rights,

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or they haven't cleared the
rights to that song yet,

10:38.000 --> 10:42.000
you can't purchase it if you
live in the Netherlands,

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which is just so fucking crazy.

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That's all right,

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shitty bang bang.

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And you also,

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now you can't see what I did.

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I checked it out on a fresh
install of iTunes,

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that didn't have me registered

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through my account,

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which is through a Netherlands
build credit card.

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So it did show me the song,

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I couldn't purchase it by
itself,

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could only purchase it as the
entire album.

11:09.000 --> 11:11.000
So I wanted to purchase the
entire album,

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and then it said,

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oh, we're sorry,

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since your account is linked to

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a credit card building through
the Netherlands,

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we can't sell it to you.

11:19.000 --> 11:21.000
And now we're not going to show
it to you anymore.

11:21.000 --> 11:23.000
So that sucks because I wanted
to,

11:23.000 --> 11:25.000
at least play the little preview
snippet.

11:25.000 --> 11:29.000
But you've probably heard the
song from the ashes of
destruction,

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rise the roses of success,

11:31.000 --> 11:34.000
which to me was a great moral to
that story.

11:34.000 --> 11:36.000
Had a great time seeing it,

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and can't wait to take the girls
to see another show very soon.

11:39.000 --> 11:41.000
We have great connections we've
found out now.

11:41.000 --> 11:43.000
You just hop on the train and go
for it.

11:43.000 --> 11:47.000
The 35 minutes you arrive at
Waterloo Station.

11:47.000 --> 11:49.000
You can hop on the tube,

11:49.000 --> 11:51.000
or really just like a seven
minute cab ride,

11:51.000 --> 11:55.000
and it takes you right to any of
the famous theaters there.

11:55.000 --> 11:56.000
And it was a lot of fun.

11:56.000 --> 11:57.000
We had a great time,

11:57.000 --> 11:59.000
especially after having been
away for so long.

11:59.000 --> 12:01.000
It was really nice to just hang
out

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and do some fun stuff with the
ladies.

12:03.000 --> 12:04.000
Hold on a second.

12:04.000 --> 12:05.000
Let me do a little.

12:05.000 --> 12:08.000
See, I've got that auto ducking
on.

12:08.000 --> 12:10.000
It sounds a little bit soft.

12:10.000 --> 12:12.000
I just don't have enough hands
to control all the controls

12:12.000 --> 12:15.000
and cast blaster, or really only
have one mouse.

12:15.000 --> 12:17.000
I wish I could have two mice to
do that.

12:17.000 --> 12:21.000
A couple of things I just wanted
to chat about again.

12:21.000 --> 12:25.000
I'm not going to make this too
long in case the quality is just
too crappy.

12:25.000 --> 12:27.000
You're going to see it more as a
kind of like a test

12:27.000 --> 12:30.000
and an a source code mixed into
one.

12:30.000 --> 12:32.000
Sound seeing tours.com now has a
manager.

12:32.000 --> 12:34.000
Her name is Katya.

12:34.000 --> 12:35.000
She is from Holland.

12:35.000 --> 12:37.000
I worked with her on a number of
things,

12:37.000 --> 12:39.000
including our reality TV show.

12:39.000 --> 12:41.000
And she just got back from a
trip.

12:41.000 --> 12:42.000
She went to...

12:42.000 --> 12:44.000
What the hell is she going
Malaysia?

12:44.000 --> 12:46.000
I think she went to Malaysia.

12:46.000 --> 12:50.000
And she is completely bitten by
the sound seeing tour bug

12:50.000 --> 12:54.000
and she recorded plenty of sound
seeing tours there.

12:54.000 --> 12:57.000
She was so excited about the
prospects of it

12:57.000 --> 13:00.000
that she asked if she could
manage sound seeing tours.com

13:00.000 --> 13:02.000
and of course I was happy to
give that up.

13:02.000 --> 13:03.000
So check it out.

13:03.000 --> 13:05.000
It's the brand new sound seeing
tours.com.

13:05.000 --> 13:07.000
Katya is managing that.

13:07.000 --> 13:10.000
And you want to subscribe if you
want to hear all the

13:10.000 --> 13:14.000
awesome sound seeing tours that
are being produced out there.

13:14.000 --> 13:17.000
And of course, if you subscribe
to the podcast feed,

13:17.000 --> 13:21.000
the RSS 2.0 feed, you'll receive
those in your iPod

13:21.000 --> 13:24.000
or whatever you're using to
subscribe to these shows
automatically.

13:24.000 --> 13:27.000
It's very, very cool and look
for some developments

13:27.000 --> 13:29.000
as we move along with that.

13:29.000 --> 13:35.000
I received a couple of emails
from

13:36.000 --> 13:38.000
Exit50.com.

13:38.000 --> 13:40.000
It was that.

13:40.000 --> 13:44.000
It was names completely,
completely looted me.

13:44.000 --> 13:49.000
Not have to go back and look at
my Gmail.

13:49.000 --> 13:51.000
Actually, I will.

13:51.000 --> 13:53.000
I want a second.

13:53.000 --> 13:54.000
Let's do that.

13:54.000 --> 13:56.000
See now I can do all this stuff
off from one screen.

13:56.000 --> 13:57.000
That is kind of cool.

13:57.000 --> 14:00.000
Let's see, exit 50.

14:00.000 --> 14:02.000
Now Gmail, you know it's great
search.

14:02.000 --> 14:03.000
Andre there you go.

14:03.000 --> 14:04.000
Andrew coffee.

14:04.000 --> 14:05.000
That's right.

14:05.000 --> 14:09.000
And if you go to exit 50.com,
you'll see right there

14:09.000 --> 14:14.000
that he is promoting live from
Iraq the 425th,

14:14.000 --> 14:18.000
which is, I guess, the Infantry
Division.

14:18.000 --> 14:22.000
He interviewed them because they
have put together

14:22.000 --> 14:27.000
an album of music that was
actually recorded in Iraq.

14:27.000 --> 14:30.000
The lyrics are written in Iraq
and it really,

14:31.000 --> 14:34.000
yeah, it's pretty heavy stuff.

14:34.000 --> 14:37.000
The whole story is there on the
exit 50.com website.

14:37.000 --> 14:43.000
And they have their own website,
which is www.425.com.

14:43.000 --> 14:46.000
Let's see if there's any info I
can read.

14:46.000 --> 14:47.000
It has made a couple.

14:47.000 --> 14:49.000
Okay, so I'm seeing here fresh
off the press live from Iraq.

14:49.000 --> 14:52.000
Makes the front page of the
killing daily Harold.

14:52.000 --> 14:53.000
Okay.

14:53.000 --> 14:55.000
Well, I think they should get a
little more,

14:55.000 --> 14:57.000
a little more press than that.

14:58.000 --> 14:59.000
You can actually buy the album.

14:59.000 --> 15:01.000
It is shipping now.

15:01.000 --> 15:04.000
And I was fortunate enough to
receive a track,

15:04.000 --> 15:06.000
which I want to share with you
now.

15:06.000 --> 15:08.000
It's pretty much a wrap album.

15:08.000 --> 15:13.000
But again, created in Iraq by
the 425th Infantry Division.

15:13.000 --> 15:16.000
And let me just check and see if
that's Infantry Division.

15:16.000 --> 15:20.000
I don't really have the website
as cool,

15:20.000 --> 15:25.000
but it doesn't have like an
about.

15:25.000 --> 15:26.000
Let me see.

15:26.000 --> 15:29.000
Let's see what the article says
in the Colleen Daily Harold.

15:29.000 --> 15:30.000
That'll be interesting.

15:30.000 --> 15:33.000
Fort Hood troops tell a soldier
story.

15:33.000 --> 15:38.000
Well, waging a verbal war in the
first wrap album is the
headline.

15:38.000 --> 15:40.000
Title is live from Iraq.

15:40.000 --> 15:41.000
Let's go right to it.

15:41.000 --> 15:44.000
And let's play the fourth track
off of that CD,

15:44.000 --> 15:47.000
which you can also purchase at
CDBaby.com.

15:47.000 --> 15:49.000
This is titled Holding My
Breath.

15:56.000 --> 15:58.000
And I can feel myself dying.

15:58.000 --> 16:00.000
To norm it, I might as it's in
my lungs.

16:00.000 --> 16:01.000
For maybe I'm tired.

16:01.000 --> 16:03.000
Maybe it's time for me to
breathe in.

16:03.750 --> 18:48.750
[ Music ]

18:49.000 --> 18:51.000
So let's see.

18:51.000 --> 18:52.000
So let's see.

18:52.000 --> 18:53.000
So let's have.

18:53.000 --> 18:54.000
So let's see.

18:54.000 --> 18:55.000
So let's see.

18:55.000 --> 18:57.000
So let's see.

18:57.000 --> 18:59.000
So let's see.

18:59.000 --> 19:00.000
Now let's.

19:00.000 --> 19:01.000
So let's see.

19:01.000 --> 19:03.000
So let's see.

19:03.000 --> 19:04.000
So let's see.

19:04.000 --> 19:05.000
And let's see.

19:05.000 --> 19:06.000
So let's see.

19:06.000 --> 19:07.000
So let's see.

19:07.000 --> 19:08.000
So let's see.

19:08.000 --> 19:09.000
So let's see.

19:09.000 --> 19:11.000
So let's see.

19:11.000 --> 19:12.000
So let's see.

19:12.000 --> 19:14.000
Let's see.

19:14.000 --> 19:16.000
And let's see.

19:16.000 --> 19:21.760
stuff. So I'm liking this. The
cast blaster is, it's work and
it's not exactly the type of

19:21.760 --> 19:28.000
sound that I'd like, but of
course this is the basic setup
that anyone should be able to
use

19:28.000 --> 19:33.440
with a computer and with a
headphone and a microphone jack
and at least a headset or you
could

19:33.440 --> 19:37.360
use a separate microphone. You
could probably use a USB
microphone. Actually I don't
even know if you

19:37.360 --> 19:41.440
could use a USB microphone.
That's something I don't have to
write that down. Make sure we
test that out.

19:42.000 --> 19:47.440
And it's really completely
mobile on the fly. It has all
your stuff in there so I'm
really

19:47.440 --> 19:55.120
digging it. This is cool. The
two other things I need to
mention, the podcast
specification

19:55.120 --> 20:05.840
working group, PSWG, who you can
find at pswg.blogspot.com, seem
to have come to consensus on

20:05.840 --> 20:12.080
one click subscriptions. And
Andrew Grummet, who was one of
the iPod or lemon developers,

20:14.640 --> 20:18.880
had an announcement about that
on his weblog Grummet.net. Of
course all of this will be in
the

20:18.880 --> 20:24.720
in the show notes if today's
podcast at dailysourcecode.com
as well as at www.curry.com.

20:26.320 --> 20:32.960
I'm not quite sure how it works.
In fact, it's very confusing to
me. All I care about is, hey,

20:32.960 --> 20:36.880
it appears to be working or they
have some consensus on how they
want to do it.

20:38.720 --> 20:43.200
And there seem to be some
interim steps. So if you're not
a technologist, you should be
able to

20:43.200 --> 20:50.240
set this up and make it work.
But it's funny because it
includes a version of the atom
ATOM,

20:50.240 --> 20:57.680
atom specification. And I guess
it, it'll download a little
thing to your desktop and then
it will

20:57.680 --> 21:04.640
automatically subscribe you to
whatever iPod or aggregator
you're using that understands
this.

21:04.640 --> 21:10.240
So it seems like there's like
there's a lot of work involved
to get it up and rolling, but it
doesn't

21:10.240 --> 21:15.600
matter because of, you know, I'm
just looking at their website
now, how many different
aggregator

21:15.600 --> 21:25.040
and iPod or developers have
joined the pswg, cpodraiser,
audio blog.com, podcast 411,
portlet dev,

21:25.680 --> 21:34.160
castfire, podster.de, libson. So
it looks like everybody's in
there. So that's good.

21:34.800 --> 21:39.920
If everyone's in there,
everyone's going to support this
and not know fantastic. I did
read on the

21:39.920 --> 21:45.520
iPod or developers list now that
there seem to be some confusion
about, you know, the consensus
on this,

21:45.520 --> 21:50.880
whatever, you know, the minute
it's working, you know, show me,
help me and you know, I'll be
happy to

21:50.880 --> 21:57.840
put any kind of links or
anything on my website to get
people comfortable with the idea
if we actually

21:57.840 --> 22:02.880
have a solution, I would love
it. I don't quite understand how
it works, but then again, I'm
just

22:02.880 --> 22:09.920
the disjockey, right? What else
did I want to talk about? I want
to talk about Google's site map,

22:09.920 --> 22:18.800
another great technical
development that I understand
very little about. Apparently
you can set up your

22:19.760 --> 22:27.440
you can set up a file. Boy, let
me see if I get this right. You
can take your weblog and you can
create a

22:27.440 --> 22:32.880
file, an XML file, which seems
kind of strange because I think
I'm already creating an XML
file,

22:32.880 --> 22:42.880
namely an RSS file, but they
want a new type of XML file that
Google can then index, you can
tell Google,

22:42.880 --> 22:47.920
okay, here's the XML version of
my site, the more I think about
it, the crazier it sounds,

22:47.920 --> 22:56.080
that it's not just an RSS file,
which already is created by
every weblog in the world almost
and

22:56.880 --> 23:01.440
is automatic. So I guess now we
have to have new functionality
baked into our weblogging
software

23:01.440 --> 23:07.600
to create this new Google site
map XML file. Whenever that
changes, then instead of
traversing

23:07.600 --> 23:13.200
through your entire site, Google
will read just that one file, I
guess pick up any differences
and

23:13.200 --> 23:19.040
we'll know what to index, which
is a fantastic, it makes so much
sense. I mean, it really does.

23:19.680 --> 23:23.760
But of course, I have no idea
how to make this file. Yeah,
there's all kinds of

23:24.640 --> 23:32.800
unix programs and sources
available to do that. I was
thinking, would it be
interesting if you could

23:32.800 --> 23:40.000
create like a converter that
would convert either your RSS
feed to this new site map file,

23:40.080 --> 23:45.280
or maybe even better an OPML
file that you could then convert
to this site map file because

23:45.280 --> 23:50.880
that would make directories
indexable as well, almost
immediately, and wouldn't be
cool to have

23:50.880 --> 23:58.560
places like podcastali and
iPotter.org and other OPML based
directories automatically
indexed by Google

23:58.560 --> 24:05.600
and those reflections, those
changes reflected the minute
that they're changed and that
Google

24:05.600 --> 24:10.000
would know about them and would
be searchable. I think they'll
be fantastic. So, call out to
all

24:10.000 --> 24:15.760
the developers out there to see
if they can hook us up with
that. 23, 24 minutes into the
show right now.

24:16.560 --> 24:20.800
I've been waiting for it. It was
sitting in my email. I just
overlooked that I guess, but
what

24:20.800 --> 24:25.680
do you want? With four and a
half thousand unread mails, time
once again for the hit test.

24:36.080 --> 24:39.360
Three intros and three answers
and this is intro number one.

24:46.960 --> 24:52.480
Okay, that's one of my
favorites. I know it very well.
That is Kaylee by Meridian.

24:53.520 --> 24:54.480
And this is number two.

24:54.560 --> 25:05.600
Okay, and it's that Skype call
there. That's Prince. I would
die for you.

25:06.320 --> 25:08.560
And the final one for today.
This is number three.

25:15.200 --> 25:20.480
Uh, two. The heat of the night?
No. I want somebody.

25:20.480 --> 25:23.200
Time's up and these are the
answers. This is answer number
one.

25:28.240 --> 25:32.720
And that's number one. It's
Meridian with Kaylee. Yeah, got
it.

25:36.250 --> 26:06.250
[ Music ]

26:08.000 --> 26:12.160
Answer number one, Kaylee. And
this is answer number two.

26:12.720 --> 26:16.720
It's Prince and the Revolution.
The song is titled, I would die
for you.

26:16.960 --> 26:20.640
Oh, yeah, another point.

26:38.960 --> 26:40.640
Prince answer number two.

26:40.960 --> 26:44.720
And this is the third and final
answer for today's hit test.

26:44.720 --> 26:48.720
Number 40 by the way, so it's
more than 120. I know the song.

26:48.720 --> 26:53.760
In your hit test, Adam. That's a
survivor. The burning heart of
course.

26:55.760 --> 26:56.560
A little boy.

26:58.750 --> 27:23.750
[ Music ]

27:32.640 --> 27:37.840
Okay, that's it for today. I
hope you enjoyed this one. Of
course, feedback is welcome

27:37.840 --> 27:41.760
to hittest.gmail.com and you can
find information about this
hittest.

27:41.760 --> 27:49.760
And also the separate hittest
podcast on www.yompolet.nl
that's Jay and P-O-L-E-T.nl and
also.com.

27:50.400 --> 27:53.040
Well, thank you for listening.
See you next time. Bye-bye.

27:53.040 --> 27:56.400
Okay, young. Thank you very
much. Like to like it a lot as
always.

27:56.400 --> 28:03.440
And sucked just a little bit as
usual. Okay, that's it for
today's source code. Thank you
for listening.

28:04.320 --> 28:13.760
I've got to crank this up a bit.
That's the only thing I really
need to have it just as I need

28:13.760 --> 28:20.400
more volume on the headphones
when I'm doing this. I can just
barely hear the mix, which is

28:20.400 --> 28:28.080
difficult for the way I like to
produce the show. But it seems
to work. Okay, it shouldn't be
too long

28:28.080 --> 28:35.600
before we have the cast blast or
website up and we can go to a
broader beta. Hopefully this
show

28:35.600 --> 28:42.080
turned out okay. If there aren't
too many crappy bits in it,
besides the actual content of
the show,

28:42.080 --> 28:49.360
with as it pertains to the
technical production, then I'll
just upload it as today's source
code

28:49.440 --> 28:59.520
189. As always, you can find the
latest show, the archives and
the podcast feed at
dailysourcecode.com.

29:04.960 --> 29:13.200
Feedback always welcome
adamaccurry.com. If you want to
send in a promo, which I didn't
play any of

29:13.200 --> 29:19.840
today, actually, the email
address to do that is submit at
podshow.com. If you have podsafe
music that

29:19.840 --> 29:28.720
you want to put in for, for
payment, for payment. That's
podsafe podshow.com. And should
you have a

29:28.720 --> 29:34.960
mashup somewhere nearby mashup
at podshow.com really appreciate
anything you send in. And
that'll

29:34.960 --> 29:42.800
do it for me for today. Thank
you very much for staying
subscribed. I'll be back
tomorrow as we

29:43.200 --> 29:48.880
have the weekend full gear with
all the tapping in podcast land.
Take care, everybody. Bye-bye.
