WEBVTT

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Delta Sierra Charley 2-2-6

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A voice 65 million years in the
making.

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I'm at a mysterious.

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I'm like a horse.

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Rated R.

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117 not admitted without
current.

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Well, we prepared to move on to
the ceremony.

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Nothing could ever prepare you
for what awaits you.

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At the ceremony.

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16 million dollars worth of
airplane strap to my ass.

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In the next generation radio
content in my ears.

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I like to think I'm flying into
this jerk.

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It's fantastic.

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It's incredible.

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And it is Tuesday, August,
August 23rd, 2005.

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I really did have, well, not
quite 16 million dollars worth,

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but I didn't have an airplane
strap to my ass today.

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That's why the source code is so
late.

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It's 10.

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Actually, it's 10.05 pm.

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Coming to you from the Curry
Cottage,

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and the affluence suburb of
Surrey.

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It's Gilford.

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This is your daily source code.

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Oh, I don't know if you can
tell,

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but I've got the whole new
equipment set up connected
properly now.

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I mean, I can even do my nails
with this stuff.

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It's so freaking automatic.

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I guess I'll have to geek out a
little bit

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and tell you a bit about the
setup.

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By now, you know that the,

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was it, I was talking to Steve
Leaves over at Surrey.

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It's, he, he didn't call the
podcast table.

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He called it the, the podcast
complex.

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That's right.

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It's the complex.

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The podcast complex that my
father-in-law built for me.

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It's downstairs.

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And Thursday.

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The movie.

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I've actually had to hire two
movers to come and help me

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bring this huge thing up into
the, into the office.

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So tomorrow afternoon will be
clearing everything out day,

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clearing all the decks,

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moving carpeting out,

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moving the current desk that I'm
using over,

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you know, towards the wall.

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Then I have to move the bookcase
away from the wall.

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So the door can open all the
way.

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Otherwise this thing won't fit
in.

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Then we get it in on Thursday.

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And then I have to basically
just drop everything on top

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because the wiring is all done.

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All right.

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Uh, pod save music coming up.

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Plenty of promo's for you.

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And, uh, some audio feedback.

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Now what do I do?

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Like, good 30, 40 minutes show.

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Kick it off with a mashup that
you're just going to,

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it'll bring tears to your eyes.

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A shout out for the magic rocket
man,

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aggro one on the source code.

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[ Music ]

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I would pay money

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I would absolutely pay money to
receive mashups

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Like that

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I'd grow one, got it off a
mashup town dot com

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Awesome

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I was just, you know, I was
thinking

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We could probably make a, well
first of all

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We could misuse serious
satellite radio

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And we should do like a mashup
top 10

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Or something like that

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Just to get this stuff out there
and a legal way

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But you know, you have all these
different music services now

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And there's basically two types
of music services

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You have iTunes where you buy a
song

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It's DRM

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And if you lose the song then
it's gone

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Right, so you basically have to
track your own data

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Unlike other services like
audible

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Actually

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I like what they do

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You also download an audio book

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And it's, it's DRM

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So you can't copy it or send it
to anybody else

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And you can, I think you can, as
with iTunes

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You can use it on up to five
different devices

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Not too sure about audible

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But if you lose it, you can
always just go back to the
library

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And download a fresh copy

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That's what I like about audible

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I think iTunes would do that

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So that's one model

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The other model like Rhapsody

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Or the Yahoo Music Service

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Is you pay a monthly fee

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And then you have access to the
entire catalog

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Which can be up to

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I think what is it now?

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A million, two million songs,
something like that

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And then you can basically use
as much as you like

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But I think it'll only work on
one device

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And if you stop paying

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Then everything that you
downloaded

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Self-destructs

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So that's a whole different
model

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But it's also working very well

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So why couldn't we, you know,
basically

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Turn a couple of mixers loose

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And maybe we could have a mashup
channel

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Which you could subscribe to

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And it would be, it'd have to be
at a pretty low cost

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Maybe it just, it should just be
a part of Rhapsody

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Maybe that's where, I mean, it
could be done totally legal
there

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And I guess somehow we could
figure out how

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It would be micro payments

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Because, you know, how many
songs

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Were in that mashup, right?

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And then there's still going to
be something

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Left over for the producer

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I hope

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And then we could actually, you
know, turn some of this into

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At least a beer money for the
guy

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So we're doing these mashups

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Because it's outstanding

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I would definitely look into
that

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I promise you

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So I got the new, I got the new
set

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This is the same gear that I
used

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On yesterday's show

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Only I'm not in the garage

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Right now I'm up in the studio

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And what the only difference

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Actually, this Yamaha
workstation is so cool

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Because you can program it to
record

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On to its internal hard drive

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Right now I have it set up

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Pretty much the way my old mixer
set up

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Was only, it has all these great
effects

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And EQ settings and processing

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All built in

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And I've really relearned a lot
about audio

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That I just forgotten

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Because, you know, the unlike
like pro tools

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Whether it's a lot of, you know,
click and drag

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And graph work

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And I find that it's so easy

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That, you know, actually you
wind up

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Just kind of guessing how to do
stuff

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And the interface on this
digital workstation

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It's like a, you know, a black
on yellow

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And display

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Kind of like a, one of those,
uh,

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It was a T-R-S-100s

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You know, remember those with
the built in

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300-bought modem

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So that's kind of the size of
the display

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It has some rudimentary bit
graphics

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Really, uh, pixel graphics I
guess

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What do you call them?

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Just, you know, little like
drawings

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Of markers and stuff

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It's really low-fi

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Um, but therefore, when you go
into editing

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Effect or EQ setting

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You know, it really has the
basics

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And it's very, you know, you
really

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Get into it because you have to
pay attention

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To this interface

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It's so crude compared to what
you can do on a computer

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That I really learned a lot more
about the way

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Forms and about attack and decay

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And, you know, all kinds of

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Just all kinds of

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Do you hear that by the way?

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That's my other Mac is freaking
out

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It's, uh, it's overheating

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Um, so now I've routed through

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Something, and I'll stop with a
geek talk

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About the audio on a second

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I've routed through the internal
bus

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I've routed everything

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Out through the, uh, valve
compressor

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And, uh, man, it sounds like I'm
one of those pirate ships

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On, uh, on AM, you know, the
sound

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There's nice and pumping

12:23.440 --> 12:26.440
My balls aren't really as big as
they sound

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Let's put it that way, okay?

12:28.440 --> 12:31.440
On this big episode of the Delta
Park project

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Some hot penguin on penguin
action

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Jason Anna and Ichiro out in
right field

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Name this band

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Plus, it's magic

12:53.440 --> 12:56.440
We predict who's going to win
the next season of Survivor

12:59.440 --> 13:05.440
Go to our website at
DeltaParkProject.com

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Hard show

13:08.440 --> 13:10.440
Content that will make you walk
the dog

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And kiss your mother

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Well, you know, they spend hours
on the script

13:15.440 --> 13:17.440
Written at the last minute

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It recorded on modern British
equipment

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Recorded on the cheap

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What's the result?

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The publicly left

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And downloaded by mistake

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Sorry, Kiwi Hanka

13:27.440 --> 13:28.440
Lovely tautar

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Gary Dring

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Sounds like a girl

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Clever little pod

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Two people, chat

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So, um, this morning

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My whole day kind of changed

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Literally due to road and
weather conditions

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This morning

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Got up bright and early

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The wing commander was bringing
the 1802RG over

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To take my in-laws back to
Rotterdam

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It was a beautiful sunny morning

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Here in Gilford and at Farrow

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At my local airfield

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And, um, so, you know, we took
off

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We were kind of on the heavy
side

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I have to say it was an
interesting take off

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Long use of runway

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You know, because I knew my
in-laws

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Did buy stuff while they were
here

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And it was a lot of baggage

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So, we didn't fill up the tanks
all the way

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Um, and literally went over the
English channel

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And then just as we hit the, um,
the Dutch side

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Right near Zeeland

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Zeeland

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Boom, full clouds

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We had to go, uh, instrument,
uh, flying IFR

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Um, which is cool

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Because that, uh, turned into a,
a training lesson for me

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Because that's my next step is
to get my instrument rating

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Um, so, in the, in the clouds

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You're seeing absolutely nothing

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And you're just listening to,
uh, air traffic control

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Giving you vector

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So, you know, now turn right to,
you know, to this heading

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Um, and then go down to 2000
feet

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And, you know, you just follow
that

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And, you know, there was a
sudden this little dial that
pops up

14:51.440 --> 14:52.440
And that's your glide path

14:52.440 --> 14:56.440
And if you keep it right on
right in the right center there

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Um, eventually you break through
the clouds

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Which today were at 300 feet

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And boom, you know, there's the
airfield

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There's the landing strip right
in front of you

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And then you just kind of put
her down, right?

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And it's fascinating experience

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So, we dropped them off

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Then, um, we'll even, I went to
do a couple of touching goes

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And some training at, uh,
Midasay Lont

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Which is kind of back in the
same direction

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Um, did some touching goes

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Good crosswind, you know, like
25, 30 knots

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So, it got some experience with
that

15:21.440 --> 15:23.440
It's a little harder to land an
airplane

15:23.440 --> 15:25.440
When the wind is coming from the
side

15:25.440 --> 15:27.440
Um, you know, gasped it up

15:27.440 --> 15:30.440
Had a quick little lunch and
then got the weather report

15:30.440 --> 15:32.440
And it's going to be shit here
tomorrow

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And there's no instrument
landing system

15:34.440 --> 15:37.440
So, um, we wouldn't be able to
come back in tomorrow morning

15:37.440 --> 15:40.440
And maybe not at all tomorrow if
it really stays bad

15:40.440 --> 15:43.440
Uh, so we made the decision to
come back today

15:43.440 --> 15:45.440
Um, so that did put some extra
flying time in that

15:45.440 --> 15:49.440
I hadn't expected and, uh, also
dented my wallet for a hundred
bucks

15:49.440 --> 15:51.440
For the hotel and Antwerp, which
I couldn't cancel

15:51.440 --> 15:53.440
Uh, but okay, so we flew back

15:53.440 --> 15:57.440
And, um, you know, and I said,
well, I got, uh, got some time
here

15:57.440 --> 15:59.440
So, that's when I reconnected
all the gear

15:59.440 --> 16:02.440
And actually, um, just got off
the phone with the San Francisco
office

16:02.440 --> 16:04.440
Things are rocking out there, I
can't wait to get back

16:04.440 --> 16:08.440
Um, CC Chapman and, uh, Chris
Rockwell

16:08.440 --> 16:12.440
Um, of the daily download, uh,
of the poop caster

16:12.440 --> 16:14.440
Uh, he's out there

16:14.440 --> 16:17.440
Um, and uh, they're hanging and
they're, uh, talking all kinds
of stuff

16:17.440 --> 16:20.440
With about pod safe music
network and the integration with
pod show

16:20.440 --> 16:23.440
And gosh, it's just, it's good
things coming on

16:23.440 --> 16:31.440
Including, um, um, uh, uh, pod
caster delivery network

16:31.440 --> 16:33.440
That's what we're going to call
it

16:33.440 --> 16:35.440
Pod caster delivery network

16:35.440 --> 16:37.440
Hmm, that's a nice ring to it

16:37.440 --> 16:39.440
Stay tuned for more information

16:39.440 --> 16:43.440
And yesterday, I talked about,
uh, a rack

16:43.440 --> 16:50.640
back and the war on terror and
about the price of oil and well
on behold he

16:50.640 --> 16:55.600
might gmail some audio feedback
well produced by the way
cleverly disguised promo

17:01.600 --> 17:05.120
hey Adam it's Chris from the
financial aid podcast and
financial aid podcast.com

17:05.120 --> 17:08.800
with some audio feedback of an
oil and gas prices from
yesterday's show

17:08.800 --> 17:12.160
if you're looking for more
information about why oil and
gas prices are so high your

17:12.160 --> 17:17.760
first stop should be
www.opensecrets.org there you'll
find that to the top 10 campaign

17:17.760 --> 17:22.560
finance contributors to the
congressional committees on
energy art oil and gas companies
and

17:22.560 --> 17:26.240
electric utilities if there's
any wonder why the legislation
about oil and gas

17:26.240 --> 17:30.240
that was just passed in your
energy bill is so slanted
heavily in favor of oil and gas

17:30.240 --> 17:34.720
companies the answer is in the
campaign finance details daily
source code listeners

17:34.720 --> 17:38.640
you want to squeeze every drop
of gas out of their energy
dollar continued to yesterday's

17:38.640 --> 17:43.120
in today's financial aid podcast
for eight tips on how to save
more money at the pump

17:43.120 --> 17:45.120
thanks a lot Adam

18:08.640 --> 18:15.120
people don't have the internet
and the only way as podcasters
and podcast listeners can

18:15.120 --> 18:21.600
get this medium across the way
that it's a win win situation is
by making sure that

18:21.600 --> 18:27.840
the the malls the bowling alleys
the hotels the donut shops all
the coffee shops

18:27.840 --> 18:35.520
have access to Wi-Fi this is the
way that a lot of us who have
PDA sync up every day

18:35.600 --> 18:40.800
this is the way that we can get
the message across to the
vendors out there they're
missing

18:40.800 --> 18:47.680
out on listeners and they should
they should sponsor podcasters
there's a lot of hard work

18:47.680 --> 18:54.960
to be done and I still don't
understand under you know 2005
why internet access is an
available

18:54.960 --> 19:01.680
over the whole world in a way
that's cheap and affordable and
this is a win win for everybody

19:01.680 --> 19:08.560
why isn't that people don't get
it this is the way you can make
money but you can also

19:08.560 --> 19:15.840
enjoy something and this is it's
critical because I see a lot of
people that are interested

19:15.840 --> 19:21.920
but they have no real way of
connecting so that's the message
how do we connect the world

19:22.960 --> 19:30.160
right on my brother mark kill so
a lot of messages there mark
really appreciate it

19:31.120 --> 19:37.920
I want to say regarding
yesterday's talk about Iraq and
the war on terror and oil as you

19:37.920 --> 19:46.000
heard in the financial aid
podcast I got a lot of email
about that and all of it was
really

19:47.520 --> 19:53.200
thoughtful and well put together
not everyone agreed with what I
was saying but no one

19:53.920 --> 19:58.720
jumped out and flamed you know
because I think I did hit some
points for almost everybody

19:59.680 --> 20:02.800
and there and some things lots
people didn't agree with but I
really appreciate all that

20:02.800 --> 20:07.280
feedback and there's no way I
can respond to it all personally
but I've taken everything to

20:07.280 --> 20:13.920
hard and everything into account
and you know we'll we'll see if
my opinion changes over time

20:13.920 --> 20:19.600
and how things play out
basically see how to couple of
things in my list oh you know
that

20:19.760 --> 20:25.360
viox stuff that that the woman
won the lawsuit 235 million
dollars I think it was

20:26.560 --> 20:31.280
my in-laws and we're actually
prescribed that both of them for
a while my mother-in-law took it
for

20:32.560 --> 20:38.080
like a week and I think my
father-in-law who actually is he
has a quadruple bypass and I
think that

20:38.080 --> 20:45.760
you know this this viox stuff
gives you heart attacks you know
so they were kind of

20:45.760 --> 20:53.680
freaked out about that I don't
think that one week of use can
do too much damage I think this

20:53.680 --> 20:59.680
is really prolonged use but
that's still pretty scary man
you know and stuff like
marijuana is

20:59.680 --> 21:05.280
outlawed and viox is out there
you got to wonder do we have our
priority set rise

21:15.760 --> 21:30.480
listen to the reverse engineer's
show the official podcast for
the rock band the reverse

21:30.560 --> 21:32.480
engineers

21:50.000 --> 21:55.680
they've been featured on tech tv
sky digital satellite radio in
the UK and the David Lawrence
show

21:58.750 --> 22:18.750
[ Music ]

22:22.400 --> 22:27.840
as we reverse engineer the
making of their latest album Max
Q and get the stories behind the
songs

22:28.640 --> 22:32.880
visit iTunes or the reverse
engineers dot com to subscribe
to the podcast today

22:46.480 --> 22:47.840
the drama's had exploded

22:48.640 --> 22:58.560
the multitudes went forth and
cast their pods in the direction
of all who would listen

22:59.600 --> 23:05.200
and casting their pods in this
manner they were henceforth
known as pod castors

23:09.200 --> 23:12.240
I've got your podcast right here

23:12.240 --> 23:20.880
welcome to the future table
where trend watcher and futurist
Richard Lem discusses topics
like

23:20.880 --> 23:30.560
the future innovation and
entrepreneurship do check www
dot future table dot com to
visit the web pages

23:30.560 --> 23:37.120
which are mentioned during this
future table please do send your
feedback and suggestions for
other

23:37.120 --> 23:43.120
topics to future table at
trendwatcher dot com

23:43.120 --> 23:49.120
trendwatcher and futurist
Richard Lem is available as a
keynote speaker forum leader and
brainstorm

23:49.120 --> 23:57.600
moderator check www dot
trendwatcher dot com for more
details in this episode you can
listen to

23:57.600 --> 24:03.040
the interview recorded by
Richard Lem at the R&D lab of
British telecom and hip switch
north

24:03.120 --> 24:10.320
east of London. Hydrologist Ian
Pearson and Ian Neut are talking
about their new technology
timeline

24:13.920 --> 24:17.600
you know I have no idea what
that's about but I thought it
was really interesting for a
couple

24:17.600 --> 24:22.000
of reasons one it sounds like
the the announcer is Dutch I'm
pretty sure that's a Dutch
accent

24:23.040 --> 24:29.360
although it was referring to
something in the United Kingdom
and then I heard a pitch for

24:29.360 --> 24:33.600
you know some professor guy
who's available for weddings and
bar mitzware as I was like
that's

24:33.600 --> 24:39.200
pretty interesting so I just
thought I'd play that one for
you before that you heard the
promo

24:39.200 --> 24:44.960
the band that's doing their own
podcast was the reverse
engineers the pod save music
network

24:45.520 --> 24:52.320
with this some cool stuff going
on you know this is the place
where podcasters can go to

24:52.880 --> 24:58.400
get music that they is pod save
they can play on their podcast
and it's really like a discovery

24:58.480 --> 25:03.040
system because you can see what
other podcasters are playing and
then we have these top 10 lists

25:03.040 --> 25:07.040
of most listens because you can
just go in and listen if you
don't want to if you don't have
a

25:07.040 --> 25:10.720
podcasters you just want to
listen to them tunes so you can
see what's been listened to the
most

25:10.720 --> 25:17.440
which usually kind of follows
along in relationship to the pod
plays now I was talking to Chris

25:17.440 --> 25:21.680
and and CC about this we're
going to have to come up with an
algorithm that refreshes that
because

25:21.680 --> 25:26.480
right now it's just you know the
top plays of all time and it's
going to be more dynamic so that

25:26.560 --> 25:31.680
refreshes on a weekly basis and
then we can have a real top 10
playlist which is exactly like
the

25:31.680 --> 25:38.800
big guys have you know so we're
going to work on that what else
I hope the store opens up one of

25:38.800 --> 25:43.680
these days so you can actually
sell through the pod save music
network which is at pod save
music

25:43.680 --> 25:50.480
network.com and then we're also
going to do the top 10 pod play
once we have that worked out

25:50.480 --> 25:58.240
with the top 10 pod plays on
serious satellite radio and you
know see if we can get some

25:58.240 --> 26:03.040
get some broad distribution and
some listenership for for these
great bands because I mean

26:03.040 --> 26:06.240
and that's just bands it's
artists I mean it's all kinds of
stuff going on over there

26:07.040 --> 26:11.360
and every single day we're
tweaking tweaking the site and
be sure to you know send some
feedback

26:11.360 --> 26:15.920
there's a link on the site if
you have any ideas because you
know we're really you know just

26:15.920 --> 26:22.160
trying to create something
really nice here oh and by the
way if you you know podcashes
have to

26:22.160 --> 26:28.400
report when they when they've
played a song not all of you are
doing that and I'm going to
figure

26:28.400 --> 26:32.320
out a way to incentivize you to
do it but right now I'm just
going to beg and plead if you

26:32.320 --> 26:36.800
played something please report
it so that we can keep track of
that and so that we can you know

26:36.800 --> 26:44.240
have better data for our top 10
list okay speaking of pod save
music I this one actually came
off

26:44.320 --> 26:52.960
of the top 10 pod plays list pod
save music network dot com music
dot pod show dot com

26:52.960 --> 26:57.360
I think I've played just about
everything that's on the list
except for this song and

26:58.400 --> 27:02.960
you know at first I thought well
it just sounds like kind of like
an emo band you know and then I
saw

27:02.960 --> 27:09.840
let me see that from there from
Stockholm Sweden I figured you
know what the hell

27:09.840 --> 27:12.720
stranger things that happened
with those bands

27:13.750 --> 30:08.750
[ Music ]

30:10.840 --> 30:13.840
Okay, rock it man, it ain't

30:13.840 --> 30:17.840
The bomb happys and hide from
Stockholm, Sweden

30:17.840 --> 30:19.840
Pods safe on the daily source
code

30:19.840 --> 30:22.840
And that's it, just about 30
minutes is promised

30:22.840 --> 30:27.840
The August 23rd edition of the
source code

30:27.840 --> 30:31.840
And I will be back tomorrow with
another edition of the show

30:31.840 --> 30:34.840
If you have iTunes

30:34.840 --> 30:38.840
There's a new episode of the odd
finder that's out

30:38.840 --> 30:40.840
Which should not be pretty good
this week

30:40.840 --> 30:45.840
Dr. Dave did his magic on the
show

30:46.840 --> 30:50.840
And there's also the Spike Lee
episode 4

30:50.840 --> 30:54.840
Which is supposed to be 4 or 4
but turns out to be 4 or 5

30:54.840 --> 30:56.840
Which you do not want to miss

30:56.840 --> 31:00.840
Because it's on the set
human-numan shadow casting Spike
Lee

31:00.840 --> 31:02.840
And that's exclusively to
Apple's iTunes

31:02.840 --> 31:05.840
Well worth it though, I think
you'll enjoy that

31:05.840 --> 31:07.840
Feedback at amacurry.com

31:07.840 --> 31:09.840
www.curry.com is the website

31:09.840 --> 31:12.840
And of course daily source
code.com is where you can find

31:13.840 --> 31:16.840
The podcast feed

31:16.840 --> 31:19.840
The latest show, if I post it in
the right place

31:19.840 --> 31:21.840
I have this show on us

31:27.840 --> 31:30.840
Okay, so I think that's

31:30.840 --> 31:32.840
Wait, don't hit fast forward yet

31:33.840 --> 31:36.840
I wonder how many people do that
at the end of the show

31:36.840 --> 31:39.840
So damn man, there's nothing
left to say

31:40.840 --> 31:42.840
I'm just going to skip to the
next track

31:47.840 --> 31:48.840
I guess I'm just tired

31:48.840 --> 31:51.840
I'll try and do tomorrow's show
a little bit more early

31:51.840 --> 31:54.840
Okay, take a note, I have such a
backlog of promos

31:54.840 --> 31:56.840
And stuff to play, it's
unbelievable

32:00.840 --> 32:02.840
Stay subscribed, thank you very
much for listening

32:02.840 --> 32:04.840
DailySourceCode.com

32:04.840 --> 32:07.840
Dr. Tomorrow, bye bye

32:10.840 --> 32:11.840
Thank you for watching

32:19.840 --> 32:21.840
Another pod show podcast

32:21.840 --> 32:23.840
Stick it in your ear