WEBVTT

00:00.000 --> 00:04.000
Delta's year at Charlie 228.

00:06.000 --> 00:07.000
Quick and time!

00:07.000 --> 00:10.000
DJ, are you done?

00:10.000 --> 00:14.000
Your DJ has only just begun.

00:14.000 --> 00:18.000
With $16 million worth of
airplane strapped to my ass.

00:18.000 --> 00:19.000
Do you know what?

00:19.000 --> 00:22.000
In the next generation radio
content in my ears.

00:22.000 --> 00:24.000
We don't need no sticky grip.

00:24.000 --> 00:27.000
I like to think I'm flying you
to the future.

00:28.000 --> 00:29.000
Fantastic!

00:30.000 --> 00:32.000
It's August 25, 2005.

00:32.000 --> 00:34.000
It's the Daily Source Code.

00:37.000 --> 00:39.000
And good afternoon everybody.

00:39.000 --> 00:41.000
How are you doing?

00:41.000 --> 00:42.000
Thursday.

00:42.000 --> 00:43.000
We've done a show every single
day.

00:43.000 --> 00:45.000
This week, it truly is the Daily
Source Code.

00:45.000 --> 00:46.000
I'm amazed.

00:46.000 --> 00:47.000
I'm just amazed.

00:47.000 --> 00:51.000
It is about 4.35 in the
afternoon.

00:51.000 --> 00:53.000
Coming to you directly from
Curry Cottage.

00:53.000 --> 00:55.000
It's the Daily Source Code.

00:56.000 --> 01:00.000
And this is the first official
show in the podcast complex.

01:00.000 --> 01:01.000
That's right.

01:01.000 --> 01:05.000
This morning Mark and I think
Stewart is his name.

01:05.000 --> 01:08.000
His accomplice, his assistant
came on over.

01:08.000 --> 01:12.000
And we removed the home build
podcast complex

01:12.000 --> 01:16.000
from the garage, moved it all
the way up to the bedroom
studio.

01:16.000 --> 01:19.000
And I spent most of the morning
reconnecting, reconfiguring,

01:20.000 --> 01:23.000
re-adjusting and taking pictures
of my handy work.

01:23.000 --> 01:26.000
It is absolutely phenomenally
beautiful.

01:26.000 --> 01:27.000
And it works.

01:27.000 --> 01:28.000
It's so functional.

01:28.000 --> 01:30.000
It's ergonomic.

01:30.000 --> 01:31.000
It's systematic.

01:37.000 --> 01:39.000
It's been kind of a weird day
today.

01:39.000 --> 01:42.000
It started off reasonably nice,

01:42.000 --> 01:43.000
but wet.

01:43.000 --> 01:45.000
And it just went really ugly.

01:45.000 --> 01:47.000
And now it's like, look out the
window.

01:47.000 --> 01:49.000
A lot of wind.

01:49.000 --> 01:51.000
But sunshine.

01:53.000 --> 01:54.000
Alrighty.

01:54.000 --> 01:56.000
We have quite, I always say
that, don't right?

01:56.000 --> 01:57.000
We have a lot to talk about.

01:57.000 --> 01:58.000
But it really is true.

01:58.000 --> 02:02.000
I got to cram all this into 30
or 40 minutes.

02:02.000 --> 02:04.000
And I've got a couple minutes.

02:04.000 --> 02:06.000
I'm going to see how long is
this piece of the Zedcast.

02:06.000 --> 02:07.000
I'm going to be check.

02:07.000 --> 02:08.000
What is it?

02:08.000 --> 02:11.000
Three minutes and fifty.

02:11.000 --> 02:13.000
Six seconds of the Zedcast.

02:13.000 --> 02:16.000
It's in counters, pod save music
from Matthew Ebel.

02:16.000 --> 02:18.000
And plenty of promos.

02:18.000 --> 02:23.000
And we're talking about some
geek stuff like GPS, GPS files.

02:23.000 --> 02:25.000
And have a mashup for you.

02:25.000 --> 02:27.000
See, where did I pull this one
off of?

02:27.000 --> 02:30.000
I think this was something that
Peter Fadden put on the series
show.

02:30.000 --> 02:31.000
It's toxic shack.

02:31.000 --> 02:33.000
Gelat on the source code.

02:33.000 --> 02:34.000
See, you've paid it tight.

02:34.000 --> 02:35.000
I can sign as a vote.

02:35.000 --> 02:36.000
That's it.

02:36.250 --> 03:43.750
[ Music ]

03:50.000 --> 03:53.100
get to get to get to get done
it's that one

03:55.600 --> 03:57.240
run

04:01.250 --> 04:46.250
[ Music ]

05:01.250 --> 05:50.000
[ Music ]

05:50.000 --> 06:20.000
shut up, shut up, shut up, shut
up, shut up, shut up, shut up,
shut up, shut up, shut up, shut
up, shut up, shut up, shut up,
shut up, shut up, shut up, shut
up, shut up, shut up, shut off,
shut up, shut up, shut up, shut
up, shut up, shut up, shut up,
shut up, shut up, shut up, shut
up, shut up, shut up, shut up,
shut up, shut up, shut, shut up,
shut up, shut up, shut up, shut
up, shut up, shut up, shut up,
shut up, shut up, shut up, shut
up, shut up, shut up, shut up,
shut up, shut up, shut up, shut
up, shut up, shut up, shut up,
shut up, shut up, shut up, shut
up, shut up, shut up, shut up,
shut up, shut up, shut up, shut
up, shut up, shut up, shut up,

06:20.000 --> 06:23.800
Jack happened in here, finally
everything's all put together,

06:23.800 --> 06:26.960
and I could not be happier with
the way things have turned out.

06:26.960 --> 06:30.320
Still kind of tweaking the sound
a little bit.

06:30.320 --> 06:32.720
And actually, I knew the sound
was good enough

06:32.720 --> 06:34.880
to use for today's source code,

06:34.880 --> 06:37.440
because I've been testing back
and forth with PW Fenton,

06:37.440 --> 06:40.280
of Digital Flotsom, he produces
the serious shows,

06:40.280 --> 06:42.640
and we work a lot on sound stuff
together.

06:42.640 --> 06:44.400
And he sent me an email, he
said,

06:44.400 --> 06:46.240
oh man, it's sounding great now.

06:46.240 --> 06:48.800
So that's good enough, because
he uses a silo scopes

06:48.800 --> 06:51.760
and stuff to check frequency
ranges.

06:53.200 --> 06:56.760
But I like to drive, drive
everything really loud,

06:56.760 --> 06:58.160
compressors and allimitors,

06:58.160 --> 07:02.240
and chaining those together to
achieve a certain kind of sound.

07:02.240 --> 07:03.200
And I think I've got it.

07:03.200 --> 07:07.640
So anyway, so finally the
podcast complex is complete.

07:07.640 --> 07:10.280
It's upstairs in the bedroom
studio,

07:10.280 --> 07:15.280
and I've got the Yamaha
Professional Audio Workstation
AW16G

07:15.280 --> 07:20.280
right in the front, I've got my
power book, my G4 power book

07:21.400 --> 07:23.200
over on the right, and then on
the upper shelf,

07:23.200 --> 07:25.280
on the left, I've got the stereo
valve processor,

07:25.280 --> 07:27.720
on the right now, I've put the
crap-lit,

07:27.720 --> 07:29.560
which is, and it wasn't planned
that way,

07:29.560 --> 07:32.040
but it turns out perfectly,

07:32.040 --> 07:34.440
because I can put the crap-lit
up on this top shelf,

07:34.440 --> 07:36.120
swivel the screen, because of
course,

07:36.120 --> 07:38.760
it normally, the screen can turn
around

07:38.760 --> 07:41.280
and fold over into a tablet.

07:41.280 --> 07:43.400
So now I can actually read stuff
off of that screen,

07:43.400 --> 07:47.960
and I said, I level, and I don't
have to use the Macintosh,

07:47.960 --> 07:51.640
because it's conveniently
located down on the right-hand
lower side.

07:51.640 --> 07:55.560
So it's just perfect, and I love
standing up while I'm working.

07:55.560 --> 07:58.520
I really do, and maybe I'll
improve my posture

07:58.520 --> 07:59.960
even one of these days.

07:59.960 --> 08:03.920
So we're still tweaking the
little bits here,

08:03.920 --> 08:08.160
but I'm really, really happy
with how it's working out so
far.

08:08.160 --> 08:11.280
Okay, what was I gonna talk to
you about?

08:11.280 --> 08:14.280
Oh, it looks like I'm not gonna
go back to San Francisco.

08:14.280 --> 08:16.040
Just yeah, it'll probably be,

08:16.040 --> 08:17.560
we're gonna go to New York
first,

08:17.560 --> 08:20.120
then to Chicago, lots of
advertising agencies

08:20.120 --> 08:24.400
to talk to, lots of people are
very interested.

08:24.400 --> 08:27.840
I'm gonna do some interviews
while we're in New York.

08:27.840 --> 08:29.560
Got some of the phoneers
tomorrow, actually.

08:29.560 --> 08:34.560
Financial times, and parade
magazine,

08:34.560 --> 08:37.120
but I found, parade magazine is
huge, by the way.

08:37.120 --> 08:39.920
It's like one of the biggest
magazines in the United States,

08:39.920 --> 08:43.280
so, extremely excited about
that.

08:43.280 --> 08:44.760
Then we'll go to San Francisco,

08:44.760 --> 08:49.560
and hopefully Patricia really
got a lot of stuff together

08:49.560 --> 08:53.840
for the Curry Condo in San Fran.

08:53.840 --> 08:57.160
But we're still waiting for an
order from JC Penny,

08:57.160 --> 08:59.040
and we ordered that when we were
in New York,

08:59.040 --> 09:01.440
because that's like almost two
weeks ago,

09:01.440 --> 09:06.120
and I knew that one item had to
transfer from another warehouse.

09:06.120 --> 09:09.080
So I knew that it could last
more than one business week,

09:09.080 --> 09:10.720
but then I didn't hear anything
for another week,

09:10.720 --> 09:12.320
and then finally, an email shows
up,

09:12.320 --> 09:14.240
and there's no like, sorry,
we're late,

09:14.240 --> 09:18.000
or your order is ready to ship,
or any pleasant news.

09:18.000 --> 09:20.600
It was just to make sure that
there's no fault

09:20.600 --> 09:22.880
with your credit card, provide
us with the billing details.

09:22.880 --> 09:24.880
I'm like, what the fuck, you
know?

09:27.360 --> 09:29.520
I don't know, what's wrong with
JC Penny?

09:29.520 --> 09:31.760
I mean, they used to be really
good with online ordering,

09:31.760 --> 09:32.960
and now this.

09:32.960 --> 09:35.440
That's just American credit
cards in general.

09:35.440 --> 09:38.960
There's, I don't know, it's
whenever I use a European card,

09:38.960 --> 09:42.400
talked about this before, it's
never a problem.

09:42.400 --> 09:46.480
The credit card company or bank
never wants to double check
anything,

09:46.480 --> 09:48.200
and there's also no fraud ever
on those.

09:48.200 --> 09:51.560
Oh, knock on wood, which, of
course, is exactly

09:51.560 --> 09:53.400
what the podcast complex is made
of.

09:53.400 --> 09:54.760
Kids don't touch that time,

09:54.760 --> 09:57.760
because now it's time for the
Bobby Bucket Show.

09:57.760 --> 10:02.760
Hello readers, it's Bobby Bucket
with the Bobby Bucket Show,

10:18.000 --> 10:22.000
a podcast for kids, parents, and
readers of all ages.

10:22.000 --> 10:24.240
If you love reading, then you're
gonna love our show

10:24.240 --> 10:27.560
because each week, we explore
the best in children

10:27.560 --> 10:29.480
in young readers' literature,

10:29.480 --> 10:32.200
and we have a special section
just for parents

10:32.200 --> 10:34.800
to support their child's
reading.

10:34.800 --> 10:38.000
And we talk about things good
readers do

10:38.000 --> 10:40.800
in a fun and educational way.

10:40.800 --> 10:43.960
And here for a sneak peek is my
good friend,

10:43.960 --> 10:48.440
Madam literatus, talking about
the reading strategy

10:48.440 --> 10:50.000
of making predictions.

10:50.000 --> 10:55.000
Hello, it is Madam literatus.

10:58.880 --> 11:02.680
Every so often read a stop and
make predictions

11:02.680 --> 11:04.880
or guesses about what is called

11:04.880 --> 11:07.400
happen next in the story, they
do this by using

11:07.400 --> 11:10.240
both pictures and text and even
connections

11:10.240 --> 11:13.880
made by personal experience or
text to text connections

11:13.880 --> 11:16.560
or text to word connections.

11:16.560 --> 11:19.320
You see good readers do not just
see back in past

11:19.320 --> 11:21.200
every way for me to come to
them.

11:21.200 --> 11:24.640
No, as they read their custody
making meaning

11:24.640 --> 11:28.280
by making predictions readers
are playing around

11:28.280 --> 11:32.080
with that meaning readers make
those predictions

11:32.080 --> 11:34.000
they read a little more and then
they find out

11:34.000 --> 11:36.200
if their predictions were
correct or not,

11:36.200 --> 11:38.160
if they weren't, they could sell
them.

11:38.160 --> 11:40.360
And they make new predictions.

11:40.360 --> 11:43.480
So by making predictions, you're
doing the following

11:43.480 --> 11:45.440
with your mind.

11:45.440 --> 11:48.280
You are connecting prior
knowledge and experience,

11:48.280 --> 11:51.480
focusing about the actual words
in the story

11:51.480 --> 11:55.240
and trying to figure out things
by filling in gaps

11:55.240 --> 11:57.320
in the author's writing.

11:57.320 --> 12:01.120
Kind of like you are reading
between the lines

12:01.120 --> 12:06.120
or trying to read the writers'
thoughts instead of just her
words.

12:07.600 --> 12:11.320
For the body bucket show, this
is Madam literatus.

12:11.320 --> 12:21.320
So come on over to
BobbyBucket.com, here about
great books,

12:21.320 --> 12:24.560
great reading strategies, and
celebrate reading

12:24.560 --> 12:29.440
with books, music, author
interviews, and more.

12:29.440 --> 12:33.880
Television, we don't need no
stinky television, we got a
book.

12:34.880 --> 12:36.880
Hi, Joe.

12:36.880 --> 12:40.880
Content that will make you walk
the dog and kiss your mother.

12:43.880 --> 12:48.880
The actual real insider space is
one place you can go.

12:48.880 --> 12:50.880
It's one crush.

12:50.880 --> 12:53.880
Join in and subscribe to the
front seat feed

12:53.880 --> 12:55.880
on the digital domain.

12:55.880 --> 13:00.880
With the night cast, the WWE dot
K&Y-T-H-T-W-I-C,

13:00.880 --> 13:02.880
not come.

13:05.880 --> 13:08.880
With the night cast, the
everyday adventures of a
modern-day

13:08.880 --> 13:12.880
technocrat on the edge of real
and cyberspace.

13:12.880 --> 13:17.880
With the podcast for the
Cybersitizen with digital views
on tech,

13:17.880 --> 13:20.880
cult, sci-fi, and the daily
drag.

13:20.880 --> 13:24.880
Point your pod catcher at our
feed and learn how to chew tech

13:24.880 --> 13:26.880
into your way of life.

13:26.880 --> 13:29.880
The night cast upgrade from week
to technocrat

13:29.880 --> 13:37.880
and check us out at
www.K&Y-G-H-T-W-I-S-E dot com.

13:37.880 --> 13:40.880
I gotta tell you, I really love
promos.

13:40.880 --> 13:42.880
That's so cool.

13:42.880 --> 13:45.880
So, you know, and then I hear
these promos

13:45.880 --> 13:48.880
I select them from a whole bunch
of, well, I've got like,

13:48.880 --> 13:51.880
PW and I have kind of like a
system work to work out.

13:52.880 --> 13:54.880
And then I hear them on the show
and like, you know,

13:54.880 --> 13:55.880
that sounds like a good show.

13:55.880 --> 13:56.880
I want to subscribe to that.

13:56.880 --> 13:57.880
It really does work.

13:57.880 --> 13:58.880
Keep those promos coming.

13:58.880 --> 14:00.880
Submit at podshow.com

14:00.880 --> 14:04.880
and make sure you put the ID3
tags in.

14:04.880 --> 14:05.880
Okay.

14:05.880 --> 14:06.880
Please.

14:06.880 --> 14:08.880
And don't name it promo.

14:08.880 --> 14:09.880
Dot MP3.

14:09.880 --> 14:11.880
Um,

14:11.880 --> 14:14.880
if for the serious show on
serious satellite radio,

14:14.880 --> 14:17.880
every day we do four hours of
podcasts

14:17.880 --> 14:20.880
and podsafe music and mashups.

14:20.880 --> 14:22.880
But put out and promos, of
course.

14:22.880 --> 14:25.880
But always, at least one
featured podcast an hour.

14:25.880 --> 14:28.880
And you can send all those, you
know,

14:28.880 --> 14:30.880
if you wanted to be played on
serious,

14:30.880 --> 14:32.880
send it off to submit at
podshow.com.

14:32.880 --> 14:35.880
PWFend and does a lot of the
sifting,

14:35.880 --> 14:38.880
well, does all the sifting
through that, basically.

14:38.880 --> 14:42.880
Um, and is always listening to
new stuff coming out.

14:42.880 --> 14:44.880
And so once in a while,

14:44.880 --> 14:45.880
I'll stumble across something,

14:45.880 --> 14:47.880
which, of course, I'll put on
the podshow

14:47.880 --> 14:50.880
and then, and then he'll alert
me to it.

14:50.880 --> 14:53.880
Because of course, I'm going to
announce it.

14:53.880 --> 14:57.880
And so I'll listen to this
podcast before I even talk about
it on the show.

14:57.880 --> 15:00.880
And there's this podcast called
The Zedcast.

15:00.880 --> 15:03.880
This is episode number seven of
The Zedcast.

15:03.880 --> 15:06.880
And it's titled Close
Encounters.

15:06.880 --> 15:09.880
So, you know, Close Encounters
with the third kind.

15:09.880 --> 15:10.880
And there's a whole set up to
it,

15:10.880 --> 15:11.880
which I'm not going to play.

15:11.880 --> 15:12.880
I'm going to play the part
though,

15:12.880 --> 15:14.880
when the aliens land.

15:14.880 --> 15:16.880
Because, well, I'm not going to
tell you why,

15:16.880 --> 15:20.880
but it's, uh, it did have me
laughing for sure.

15:20.880 --> 15:22.880
Whoa!

15:22.880 --> 15:27.880
Ladies and gentlemen, the sky is
just turned up really a chain of
fusion.

15:27.880 --> 15:29.880
A giant mother ship.

15:29.880 --> 15:31.880
He's coming out of the clouds.

15:31.880 --> 15:33.880
It's enormous.

15:33.880 --> 15:37.880
There are hatches opening on the
bottom of the ship.

15:37.880 --> 15:41.880
And there's pod-like crafts
shooting everywhere.

15:41.880 --> 15:43.880
It's unbelievable.

15:44.880 --> 15:47.880
Please, gentlemen, I think we've
made contact.

15:51.880 --> 15:54.880
One of the pods is slanting
right in front of us.

15:56.880 --> 15:59.880
There's a door on the front
that's opening.

15:59.880 --> 16:04.880
And, oh, there's a beautiful
bathing light.

16:04.880 --> 16:06.880
And, and a beam.

16:06.880 --> 16:10.880
So much humanoid, but it seems
to be floating above the ground.

16:11.880 --> 16:16.880
And, and behind him, several
dozen just like him.

16:16.880 --> 16:18.880
They seem pretty enough.

16:18.880 --> 16:22.880
Ladies and gentlemen, I'm going
to attempt to get close enough

16:22.880 --> 16:26.880
to these beings to try and
communicate with them.

16:26.880 --> 16:28.880
Hello.

16:28.880 --> 16:30.880
Welcome to Canada.

16:30.880 --> 16:32.880
We are people of Earth.

16:32.880 --> 16:34.880
We mean you no harm.

16:34.880 --> 16:36.880
Oh, I don't know if they could
understand me.

16:36.880 --> 16:38.880
People of Earth.

16:38.880 --> 16:41.880
We have intercepted your
transmissions.

16:41.880 --> 16:45.880
We have analyzed your dialects.

16:45.880 --> 16:49.880
And can speak to you in your own
language.

16:49.880 --> 16:51.880
How's it going, eh?

16:51.880 --> 16:53.880
Good.

16:53.880 --> 16:56.880
You said you intercepted
transmissions.

16:56.880 --> 16:58.880
Was that from our radio
telescopes?

16:58.880 --> 16:59.880
No.

16:59.880 --> 17:01.880
We do not listen to the radio.

17:01.880 --> 17:03.880
Was it television transmissions?

17:03.880 --> 17:04.880
No.

17:04.880 --> 17:05.880
Television is boring.

17:05.880 --> 17:07.880
There's never anything good on
me.

17:07.880 --> 17:09.880
Uh, what kind of transmissions?

17:09.880 --> 17:12.880
We have been tuning into your
hottest sphere.

17:12.880 --> 17:15.880
Oh, we are listening to
podcasts.

17:15.880 --> 17:16.880
That's great.

17:16.880 --> 17:19.880
We are from the planet Zed.

17:19.880 --> 17:25.880
And we have been transmitting
our Zedcast to you for many
months.

17:25.880 --> 17:28.880
Oh, yeah, the Zedcast with Bruce
Murray, right?

17:28.880 --> 17:31.880
Yeah, but that's like comedy
skits.

17:31.880 --> 17:34.880
And he does storytelling and
play some music.

17:34.880 --> 17:36.880
Yes, you must decode it.

17:36.880 --> 17:39.880
If you play it normally, it
sounds like this.

17:39.880 --> 17:40.880
Hi, everybody.

17:40.880 --> 17:42.880
And welcome to the Zedcast.

17:42.880 --> 17:44.880
But run it backwards.

17:44.880 --> 17:46.880
And it is people of Earth.

17:46.880 --> 17:48.880
We need our warning.

17:48.880 --> 17:50.880
Well, why have you come to this
planet?

17:50.880 --> 17:53.880
We come to speak to the one
called Adam.

17:53.880 --> 17:55.880
Adam and Eve.

17:55.880 --> 17:56.880
Adam and Eve.

17:56.880 --> 17:58.880
No, later than that.

17:58.880 --> 17:59.880
Adam and Goyan.

17:59.880 --> 18:00.880
Keep going.

18:00.880 --> 18:02.880
Uh, Brian Adams.

18:02.880 --> 18:04.880
Okay, this is getting annoying.

18:05.880 --> 18:07.880
I will give you a hand.

18:07.880 --> 18:10.880
Today, are you guys amazing?

18:10.880 --> 18:11.880
Yeah.

18:11.880 --> 18:13.880
Oh, Adam Curry from Podcho.

18:13.880 --> 18:15.880
Yes, that is him.

18:15.880 --> 18:19.880
We need his daily source code to
program our events from

18:19.880 --> 18:20.880
Unications.

18:20.880 --> 18:23.880
Please direct us to Curry
Cottage.

18:23.880 --> 18:27.880
Oh, well, uh, this is Nova
Scotia in Canada.

18:27.880 --> 18:30.880
Uh, he lives in Guilford in the
UK.

18:30.880 --> 18:35.880
That's like 1,500 kilometers
across the Atlantic Ocean.

18:35.880 --> 18:36.880
No problem.

18:36.880 --> 18:38.880
We will be there in 20 seconds.

18:38.880 --> 18:39.880
20 seconds.

18:39.880 --> 18:40.880
That's amazing.

18:40.880 --> 18:41.880
How do you do that?

18:41.880 --> 18:46.880
I have 16 million keypaps of
spacecrafts throughout my ass.

18:46.880 --> 18:53.880
And the next generation of
interstellar communications in
my ears.

18:53.880 --> 18:56.880
So I guess you're flying into
the future.

18:56.880 --> 18:57.880
No.

18:57.880 --> 18:58.880
I've been there.

18:58.880 --> 19:00.880
It's not all that's cracked up
to me.

19:00.880 --> 19:02.880
Well, good luck on your journey.

19:02.880 --> 19:04.880
Thanks for visiting.

19:04.880 --> 19:05.880
No problem.

19:05.880 --> 19:07.880
Stay subscribed.

19:07.880 --> 19:08.880
Okay.

19:08.880 --> 19:10.880
Set a love home fries.

19:10.880 --> 19:11.880
Wow.

19:11.880 --> 19:12.880
What was that?

19:12.880 --> 19:14.880
You're your photon engine
starting up?

19:14.880 --> 19:15.880
No.

19:15.880 --> 19:16.880
That's insane.

19:16.880 --> 19:19.880
Oh, man.

19:19.880 --> 19:20.880
I love it.

19:20.880 --> 19:22.880
That's a great episode.

19:22.880 --> 19:23.880
The Zedcast.

19:23.880 --> 19:25.880
And if you want to know where to
find the Zedcast.

19:25.880 --> 19:29.880
Or anything else about anything
you hear on the daily source
code.

19:29.880 --> 19:30.880
Just go to dailysourcecode.com.

19:30.880 --> 19:32.880
Check the show notes.

19:32.880 --> 19:33.880
Or the show.

19:33.880 --> 19:36.880
The show notes are also always
copied at www.curry.com.

19:36.880 --> 19:39.880
That's also where I post the
picture of the podcast complex.

19:39.880 --> 19:41.880
So you can check that out as
well.

19:41.880 --> 19:42.880
And let's see.

19:42.880 --> 19:44.880
Before I forget yesterday, pod
save music.

19:44.880 --> 19:46.880
I played Jennifer Halane.

19:46.880 --> 19:51.880
And that's what's so cool about
playing pod save music on a
podcast.

19:52.880 --> 19:56.880
Usually, I'll get an email the
same day from the artist
themselves saying,

19:56.880 --> 19:59.880
Hey, thanks for playing the
song.

19:59.880 --> 20:02.880
And you know, always get to get
to know a little bit more about
him.

20:02.880 --> 20:09.880
And it was actually Jennifer's
brother who signed her up at pod
save music network.com.

20:09.880 --> 20:12.880
She'd heard about
garageband.com.

20:12.880 --> 20:15.880
But didn't know about PMN yet.

20:15.880 --> 20:18.880
And this is actually something
that's really true.

20:18.880 --> 20:21.880
But most musicians, and not
Jennifer, by the way.

20:21.880 --> 20:23.880
Most musicians are just so lazy.

20:23.880 --> 20:27.880
They don't want to go out and
promote across all these
websites.

20:27.880 --> 20:31.880
Now, so they're probably writing
songs and too busy with doing
music.

20:31.880 --> 20:34.880
So this is what you see
happening a lot.

20:34.880 --> 20:38.880
Barry Coral's brother also
promotes her on the net.

20:38.880 --> 20:42.880
So Jennifer wanted me to say hi
to her brother.

20:42.880 --> 20:45.880
And point out that he also has a
podcast at frankwit.com.

20:45.880 --> 20:48.880
So I'll put that in the show
notes as well.

20:48.880 --> 20:53.880
And I've been geeking out on
this GPS stuff with the GPX
files.

20:53.880 --> 20:58.880
So, you know, I've been
basically tracking my my flying.

20:58.880 --> 21:02.880
And you can load those files
into Google Earth.

21:02.880 --> 21:04.880
And you can actually fly the
entire route.

21:04.880 --> 21:06.880
And there's also not quite sure
how to do it.

21:06.880 --> 21:11.880
But if you go to jeepster.com,
that's G-E-E-P-S-T-E-R

21:11.880 --> 21:18.880
or
Gulf-Eko-Eko-Papa-Shere-Tango-Eko-Romio.com,

21:18.880 --> 21:24.880
that's Koso's, one of Koso's
many websites.

21:24.880 --> 21:28.880
He's loaded both the most recent
track,

21:28.880 --> 21:30.880
where I flew to the Netherlands
and back.

21:30.880 --> 21:33.880
He loaded that into a Google
map.

21:33.880 --> 21:36.880
And he also did one for my USA
trip.

21:36.880 --> 21:37.880
And it's cool.

21:37.880 --> 21:40.880
You can actually see the entire
flight path that we took.

21:40.880 --> 21:44.880
I really liked the one that we
did on,

21:44.880 --> 21:46.880
we went to Rotterdam Airport.

21:46.880 --> 21:48.880
And then to mid-Azailum.

21:48.880 --> 21:52.880
Because you can actually see the
touch-and-go circuits that we
were flying.

21:52.880 --> 21:54.880
And they're almost all exactly
the same.

21:54.880 --> 21:55.880
It's really cool.

21:55.880 --> 21:57.880
And although at Rotterdam
Airport,

21:57.880 --> 22:01.880
at the jet center, we parked to
drop Patricia's parents off.

22:01.880 --> 22:03.880
And we waited for, I don't know,

22:03.880 --> 22:05.880
we had a couple of coffee or
something before we left.

22:05.880 --> 22:07.880
You'll see the track if you,

22:07.880 --> 22:10.880
and I'll put links to all this
in the show notes.

22:10.880 --> 22:13.880
You'll see it looks like we were
bugging all over the place.

22:13.880 --> 22:16.880
But I think what happened is I
just left the GPS unit on.

22:16.880 --> 22:19.880
So it was recording every 15 or
30 seconds, I think.

22:19.880 --> 22:22.880
And as I mentioned, it was IFR
weather.

22:22.880 --> 22:24.880
So the ceiling was like 300, 400
feet.

22:24.880 --> 22:25.880
It was completely blocked out.

22:25.880 --> 22:29.880
So I have a feeling that the GPS
unit couldn't get

22:29.880 --> 22:31.880
more than a couple of
satellites.

22:31.880 --> 22:35.880
And it was just every 15 seconds
picking up a new signal.

22:35.880 --> 22:38.880
And that's probably the
inaccuracy,

22:38.880 --> 22:42.880
if you're not a moving object,
if you're just standing still.

22:42.880 --> 22:47.880
And then, of course, it amazes
me how those smart bombs hit
their mark.

22:47.880 --> 22:50.880
Anyway, so I was going through
the Gmail,

22:50.880 --> 22:55.880
and I found a piece of audio
feedback from a couple of weeks
ago.

22:55.880 --> 22:58.880
But it's about the same stuff
that we're talking about now

22:58.880 --> 23:01.880
about these Google Maps and GPS
files and how to integrate those

23:01.880 --> 23:03.880
with podcasts and with pictures.

23:03.880 --> 23:06.880
And I got this piece of audio
feedback, which, as I said,

23:06.880 --> 23:08.880
is a little late in being on the
show,

23:08.880 --> 23:09.880
but better late than never.

23:09.880 --> 23:11.880
And it's still appropriate to
the topic.

23:11.880 --> 23:14.880
Hey Adam, this is JT from the
FMlogicBox podcast.

23:14.880 --> 23:19.880
And I was just listening to your
latest daily source code

23:19.880 --> 23:23.880
and heard that you were
wondering about GPS and how to
tie that

23:23.880 --> 23:29.880
into MP3s and how to synchronize
the video or the photograph,

23:29.880 --> 23:31.880
and things like that.

23:31.880 --> 23:37.880
Well, you may want to
investigate the dot MP4 audio
format.

23:37.880 --> 23:40.880
I was just talking about that in
my latest podcast,

23:40.880 --> 23:44.880
number 22, and that should be
coming out tonight

23:44.880 --> 23:46.880
for August 5th.

23:46.880 --> 23:52.880
But in any case, I didn't go
into any depth on how to use
that,

23:52.880 --> 23:54.880
but, and I don't really know.

23:54.880 --> 23:59.880
But it apparently allows you to
add avatars and 2D,

23:59.880 --> 24:04.880
and 3D animation and certainly
still photos,

24:04.880 --> 24:11.880
because it is the video format
of the M4A file format

24:11.880 --> 24:15.880
that is used in iTunes and for
iPods,

24:15.880 --> 24:19.880
and it's a higher compression
ratio than the MP3 format.

24:19.880 --> 24:23.880
But that would most certainly
allow you to synchronize the,

24:24.880 --> 24:26.880
pictures with the audio.

24:26.880 --> 24:28.880
I think it would have to.

24:28.880 --> 24:31.880
So I know that you didn't want
to develop that on your own,

24:31.880 --> 24:36.880
but you may want to pass that
along to whoever you do want to
do the development for you.

24:36.880 --> 24:43.880
And I hope that helps, and
thanks again for all of your
daily source codes.

24:43.880 --> 24:46.880
I listen to them every time they
come out, as soon as they come
out.

24:46.880 --> 24:49.880
But I don't pain your sight
every five seconds,

24:49.880 --> 24:50.880
time to get them.

24:50.880 --> 24:52.880
I just wait for it to be
delivered.

24:52.880 --> 24:57.880
So in any case, have a great
day, and I hope you can get that
working,

24:57.880 --> 24:59.880
because I'm really curious about
that myself.

24:59.880 --> 25:01.880
Okay, so yeah, well thank you,
JT.

25:01.880 --> 25:02.880
I've got it figured out.

25:02.880 --> 25:05.880
I know exactly what this should
be and how it should work.

25:05.880 --> 25:08.880
And if I liked what JT was
saying, you know,

25:08.880 --> 25:11.880
whoever's going to develop that
for you.

25:11.880 --> 25:12.880
All right.

25:12.880 --> 25:17.880
So I do know that what I have
noticed when you provide data,

25:17.880 --> 25:20.880
when you are providing a stream
of cool data like this flying
data,

25:20.880 --> 25:23.880
which definitely is, you know,
it's interesting because, you
know,

25:23.880 --> 25:25.880
it's, you know, I was flying,
you know,

25:25.880 --> 25:28.880
and you can see certain things
you wouldn't see when driving.

25:28.880 --> 25:30.880
Developers do like that.

25:30.880 --> 25:33.880
And it does get people's juices
flowing.

25:33.880 --> 25:37.880
So I'm going to continue to
just, you know, make GPS data
available.

25:37.880 --> 25:41.880
I have, of course, had to get
off my ass and out of the
cottage to go to go get some
data.

25:41.880 --> 25:45.880
But I know, but the MDA should
be able to do this.

25:45.880 --> 25:47.880
Here's how I think it should
work.

25:47.880 --> 25:52.880
In essence, you want your one
device and I'm going to say it's
my MDA telefilm

25:52.880 --> 25:55.880
because it has all this stuff
built into it.

25:55.880 --> 25:59.880
And you, you have a little
application and you start the
application

25:59.880 --> 26:01.880
and it's doing a number of
things.

26:01.880 --> 26:04.880
The first thing is doing is it's
recording audio.

26:04.880 --> 26:07.880
And it's, it's recording audio,
you know,

26:07.880 --> 26:12.880
just like you would first sound
seeing tour and the MDA can do
that.

26:12.880 --> 26:16.880
So, of course, you'd want to
have an external microphone
plugged in.

26:16.880 --> 26:18.880
Please, that's not even
necessary.

26:18.880 --> 26:20.880
It's just recording audio.

26:20.880 --> 26:23.880
At the same time, it's recording
the GPS data.

26:23.880 --> 26:27.880
That's coming out of the
Bluetooth GPS receiver.

26:27.880 --> 26:31.880
And it's basically, I don't know
if it's writing

26:31.880 --> 26:35.880
that was all to one file or not,
but that's irrelevant.

26:35.880 --> 26:39.880
So as let's say, I'm, I'm doing
one of my trips.

26:39.880 --> 26:42.880
So we're flying along and then,
you know,

26:42.880 --> 26:46.880
I'd just be narrating like any,
but the hell is that?

26:46.880 --> 26:48.880
Someone else's flying along.

26:48.880 --> 26:50.880
I'd just be narrating like, you
know,

26:50.880 --> 26:52.880
like any other sound seeing tour
or not,

26:52.880 --> 26:55.880
doesn't matter because, you
know, there's no penalty for the
recording.

26:55.880 --> 26:58.880
Then if at any point, I see
something that's of interest,

26:58.880 --> 27:02.880
I can take the MDA and snap a
picture.

27:02.880 --> 27:05.880
I was like, oh, I needed a sound
effect.

27:05.880 --> 27:06.880
I didn't have one.

27:06.880 --> 27:09.880
I got these cool sound effects
working on the Yamaha by the
way.

27:10.880 --> 27:12.880
Okay, so I'd take a picture.

27:16.880 --> 27:17.880
Man, that sucks.

27:17.880 --> 27:19.880
I like that one, that's a good
one.

27:19.880 --> 27:25.880
So I'd take a picture and it
tags that somehow in this
application.

27:25.880 --> 27:27.880
So when I go back and I'm back
home,

27:27.880 --> 27:29.880
I synchronize my MDA.

27:29.880 --> 27:33.880
It takes this data and what it
should be creating is a Google
map

27:33.880 --> 27:36.880
where whenever a picture was
taken,

27:36.880 --> 27:38.880
there's a little flag so you can
mouse over that

27:38.880 --> 27:40.880
and then see the picture.

27:40.880 --> 27:44.880
And of course, it could be some
extra data entered there.

27:44.880 --> 27:47.880
But at any point that in the
path,

27:47.880 --> 27:50.880
you should be able to click on
the path and hear the audio

27:50.880 --> 27:53.880
that was recorded at that point.

27:53.880 --> 27:55.880
You see, because then you can,

27:55.880 --> 27:58.880
it's almost like a museum tour
and you can kind of determine

27:58.880 --> 28:01.880
where you want to go in or want
to go out.

28:01.880 --> 28:04.880
Anyway, so I'm not quite sure
how that would work

28:04.880 --> 28:06.880
and I'm not quite sure what the
viewer is.

28:06.880 --> 28:08.880
It sounds almost like what have
to be something

28:08.880 --> 28:10.880
and flashed to make it work.

28:10.880 --> 28:14.880
But I can totally see that being
very interesting

28:14.880 --> 28:15.880
and very compelling.

28:15.880 --> 28:17.880
I can see business cases for
that.

28:17.880 --> 28:20.880
So if you develop up for Windows
Mobile,

28:20.880 --> 28:22.880
give it a shot.

28:37.880 --> 28:39.880
Hello, Adam.

28:39.880 --> 28:40.880
My name is Mark Anderson,

28:40.880 --> 28:44.880
and I'm the host of a podcast
called Shakespeare Upon iPod.

28:44.880 --> 28:46.880
As the name suggests,

28:46.880 --> 28:48.880
this podcast is about
Shakespeare,

28:48.880 --> 28:49.880
but there's a twist here.

28:49.880 --> 28:51.880
There's been an undercurrent of
scholarships

28:51.880 --> 28:53.880
since the 1920s, in fact,

28:53.880 --> 28:55.880
that has been looking at the
life and troubled times

28:55.880 --> 28:59.880
of a Elizabethan court poet
playwright named Edward Devere,

28:59.880 --> 29:01.880
who, more and more evidence
suggests,

29:01.880 --> 29:04.880
wrote under the pen name William
Shakespeare.

29:05.880 --> 29:08.880
Devere led an amazing and epic
and very Shakespearean life.

29:08.880 --> 29:11.880
He got into an interfamily war
between his family

29:11.880 --> 29:13.880
and his mistress's family,

29:13.880 --> 29:15.880
regular Elizabethan monogues and
capilets.

29:15.880 --> 29:18.880
Devere spent a year touring
France and Italy,

29:18.880 --> 29:20.880
visiting the locations where
many Shakespeare plays

29:20.880 --> 29:22.880
with later be said.

29:22.880 --> 29:24.880
Devere's sister was a
temperamental fireball

29:24.880 --> 29:26.880
who was wooed by a swashbuckler,

29:26.880 --> 29:27.880
named Paragon Birdie,

29:27.880 --> 29:29.880
and this courtship is spoofed

29:29.880 --> 29:31.880
in Shakespeare's Taming of the
Shrew.

29:31.880 --> 29:33.880
Devere had his own problems with
anger management, too,

29:33.880 --> 29:35.880
when Devere was returning from
Italy,

29:35.880 --> 29:37.880
one of his servants are really
ego.

29:37.880 --> 29:40.880
Whispered hints of Devere's
wife's infidelity

29:40.880 --> 29:42.880
into Devere's ear.

29:42.880 --> 29:45.880
This marital strife was played
out throughout the Shakespeare
canon

29:45.880 --> 29:47.880
in plays such as a fellow,

29:47.880 --> 29:48.880
much to do about nothing,

29:48.880 --> 29:50.880
the Witter's Tale, and a number
of others.

29:50.880 --> 29:52.880
The list goes on and on,

29:52.880 --> 29:54.880
of the astonishing parallels
between Devere's life

29:54.880 --> 29:57.880
and the storylines in the
Shakespeare canon.

29:57.880 --> 29:59.880
It just takes one shift of
focus,

29:59.880 --> 30:01.880
away from Stratford upon Avon,

30:01.880 --> 30:03.880
and toward Edward Devere,

30:03.880 --> 30:06.880
to reveal the astonishing layers
of autobiography

30:06.880 --> 30:08.880
to be found in Shakespeare.

30:08.880 --> 30:10.880
The reason it hasn't been
recognized before

30:10.880 --> 30:12.880
is that people have for
centuries been looking

30:12.880 --> 30:13.880
at the wrong guy,

30:13.880 --> 30:15.880
an entrepreneur and actor

30:15.880 --> 30:17.880
from Stratford upon Avon.

30:17.880 --> 30:19.880
The Shakespeare upon iPod
podcasts

30:19.880 --> 30:22.880
have been adapted from a
biography of Devere

30:22.880 --> 30:23.880
that I've written,

30:23.880 --> 30:25.880
and that Gotham Books will be
publishing

30:25.880 --> 30:26.880
on August 8th.

30:26.880 --> 30:29.880
The biography has titled
Shakespeare by another name,

30:30.880 --> 30:33.880
the life of Edward Devere Earl
of Oxford,

30:33.880 --> 30:35.880
the man who was Shakespeare.

30:35.880 --> 30:37.880
Music fans may be interested to
note

30:37.880 --> 30:40.880
that one of the producers of
Shakespeare upon iPod

30:40.880 --> 30:43.880
is Chris Collingwood of the
Power Pop Band

30:43.880 --> 30:45.880
Fountains of Wayne.

30:45.880 --> 30:47.880
So, now that the book is out,

30:47.880 --> 30:49.880
I'm going to be repodcasting

30:49.880 --> 30:51.880
the whole Shakespeare upon iPod
series.

30:51.880 --> 30:53.880
That's all nine episodes

30:53.880 --> 30:55.880
from August through October,

30:55.880 --> 30:58.880
starting with episode one on
August 13th.

30:58.880 --> 31:00.880
To hear Shakespeare upon iPod,

31:00.880 --> 31:03.880
go to the podcast section of the
iTunes music store

31:03.880 --> 31:05.880
and do a keyword search for
Shakespeare.

31:05.880 --> 31:07.880
Or, just check out my book

31:07.880 --> 31:09.880
and my podcast website

31:09.880 --> 31:12.880
at Shakespeare by
anothername.com.

31:12.880 --> 31:15.880
That's Shakespeare by
anothername.com.

31:16.880 --> 31:18.880
On Show.com,

31:18.880 --> 31:20.880
makes no claims regarding the
quality

31:20.880 --> 31:21.880
of its pod shows

31:21.880 --> 31:23.880
or the sanity of its producers.

31:23.880 --> 31:25.880
Listen at your own risk.

31:27.880 --> 31:30.880
Hi, this is Jeff from
podcastshuffle.com

31:30.880 --> 31:33.880
telling you about the podcast
shuffle show.

31:33.880 --> 31:34.880
You know,

31:34.880 --> 31:36.880
I was going to talk a lot about

31:36.880 --> 31:38.880
what's the podcast shuffle show

31:38.880 --> 31:40.880
but I think you should hear

31:40.880 --> 31:41.880
from one of our listeners,

31:41.880 --> 31:43.880
Bob Hayes from MotoGPOD.

31:43.880 --> 31:45.880
He sums it up pretty good.

31:45.880 --> 31:47.880
I finally got around

31:47.880 --> 31:49.880
to subscribing to the actual
podcast

31:49.880 --> 31:50.880
in iTunes last week.

31:50.880 --> 31:52.880
And it's pretty darn
entertaining.

31:52.880 --> 31:55.880
It's similar to Adam Curry's pod
finder show

31:55.880 --> 31:57.880
except that it has this great

31:57.880 --> 31:59.880
indie feel to it

31:59.880 --> 32:01.880
that I think I like it so much
better.

32:01.880 --> 32:03.880
It's not like it's amateur

32:03.880 --> 32:04.880
or bad or anything.

32:04.880 --> 32:06.880
But it just has more

32:06.880 --> 32:07.880
it's more like

32:07.880 --> 32:09.880
what I sort of think a true
podcast should sound like.

32:09.880 --> 32:10.880
Thanks Bob.

32:10.880 --> 32:12.880
You can head over to
podcastshuffle.com

32:12.880 --> 32:14.880
and subscribe to the show

32:14.880 --> 32:16.880
or you can find it in iTunes

32:16.880 --> 32:18.880
by searching for podcast shuffle
show.

32:18.880 --> 32:20.880
Thanks for subscribing,

32:20.880 --> 32:21.880
and I hope you listen in.

32:21.880 --> 32:23.880
Oh.

32:23.880 --> 32:24.880
Well,

32:24.880 --> 32:26.880
harsh mind mellow.

32:26.880 --> 32:28.880
It's like a daily source of
code.

32:28.880 --> 32:29.880
Like no,

32:29.880 --> 32:30.880
it wasn't as like pod finder.

32:30.880 --> 32:31.880
Only better.

32:31.880 --> 32:32.880
All right.

32:32.880 --> 32:33.880
Thank you.

32:33.880 --> 32:34.880
Let's see,

32:34.880 --> 32:36.880
what's the time?

32:36.880 --> 32:37.880
32.

32:37.880 --> 32:38.880
Okay.

32:38.880 --> 32:40.880
Well, I'd say we have

32:40.880 --> 32:42.880
to do some pod safe music.

32:42.880 --> 32:44.880
Right?

32:44.880 --> 32:45.880
Oh, that's right.

32:45.880 --> 32:48.880
I have one more thing that I
wanted to play for you.

32:48.880 --> 32:52.880
And this is from Christopher
Penn from the financial aid pod
cast

32:52.880 --> 32:54.880
who's his audio feedback is
really nice.

32:54.880 --> 32:56.880
It's almost like he sent me

32:56.880 --> 32:58.880
pod cast that are audio
feedback.

32:58.880 --> 33:02.880
And the title of his message
here was

33:02.880 --> 33:04.880
the million listener march.

33:04.880 --> 33:07.880
Of course, that got my attention
when I saw that in the Gmail.

33:07.880 --> 33:09.880
And I listened to what he's
saying

33:09.880 --> 33:10.880
and he's absolutely right.

33:10.880 --> 33:13.880
There's an important event about
to happen.

33:13.880 --> 33:16.880
Or actually he's going to happen
over the course of the next few
weeks.

33:16.880 --> 33:19.880
And very important as it
pertains to pod casting.

33:19.880 --> 33:23.880
Hey, and I'm Christopher,

33:23.880 --> 33:25.880
the financial aid pod cast with
some audio feedback

33:25.880 --> 33:27.880
about the hundred million
listeners march.

33:27.880 --> 33:29.880
The revolution may be on,

33:29.880 --> 33:31.880
but the revolution needs troops
right now.

33:31.880 --> 33:33.880
There's an army of millions
moving into place.

33:33.880 --> 33:35.880
And the next four weeks will
determine

33:35.880 --> 33:37.880
whether that army becomes slaves

33:37.880 --> 33:39.880
to the big record companies,

33:39.880 --> 33:41.880
whether they join the pod
casting revolution.

33:41.880 --> 33:45.880
That army is the army of
millions of college students who
have been away

33:45.880 --> 33:47.880
away for the summer, away from
ubiquitous broadband

33:47.880 --> 33:49.880
and iTunes upgrades.

33:49.880 --> 33:51.880
As they move in, they come back
to school.

33:51.880 --> 33:53.880
Pod castors have the chance to
capture their hearts,

33:53.880 --> 33:55.880
minds, and especially their
ears.

33:55.880 --> 33:57.880
In the times in school that out
the maze,

33:57.880 --> 33:58.880
so much has happened.

33:58.880 --> 34:00.880
Things like iTunes, 4.9,

34:00.880 --> 34:02.880
Hot City, Music Network.

34:02.880 --> 34:04.880
Bruce Box said somebody heard
the call.

34:04.880 --> 34:06.880
Well, here's the call of the pod
castors everywhere.

34:06.880 --> 34:08.880
Get the word out to college
students everywhere,

34:08.880 --> 34:10.880
as they come back to school.

34:10.880 --> 34:12.880
Tell them about pod safe music
about pod cast,

34:12.880 --> 34:14.880
about the revolution.

34:14.880 --> 34:15.880
Get them involved.

34:15.880 --> 34:17.880
If you're a pod castor, reach
out and ask college students

34:17.880 --> 34:19.880
in your audience to spread the
word.

34:19.880 --> 34:22.880
If you're a college student,
spread the word to everyone you
know.

34:22.880 --> 34:25.880
College radio is ripe for music
from the pod safe music network.

34:25.880 --> 34:28.880
And college radio stations are
always a needed great program.

34:28.880 --> 34:30.880
Pod castor can fit the bill just
as well,

34:30.880 --> 34:32.880
on terrestrial college radio
stations as online.

34:32.880 --> 34:35.880
Finally, let the college
students know that pod cast

34:35.880 --> 34:37.880
isn't one way street.

34:37.880 --> 34:40.880
Most students have the latest
and greatest hardware

34:40.880 --> 34:41.880
and software for school,

34:41.880 --> 34:43.880
and garage vanda cast blaster,

34:43.880 --> 34:44.880
only a couple of flicks away.

34:44.880 --> 34:47.880
Point new pod guestors to
podcastalley.com.

34:47.880 --> 34:48.880
HotGest411.com.

34:48.880 --> 34:50.880
And indiepodder.org.

34:50.880 --> 34:51.880
Now you've heard the call.

34:51.880 --> 34:53.880
Enjoying the revolution, bring
your friends.

34:53.880 --> 34:54.880
Thanks a lot out of.

34:54.880 --> 34:56.880
Keep a great work as always.

34:56.880 --> 34:57.880
Hopefully, in the formal weeks,

34:57.880 --> 34:59.880
we'll have millions of new
listeners.

34:59.880 --> 35:01.880
This is Chris from the financial
aid pod cast at

35:01.880 --> 35:03.880
financialandpodcast.com.

35:03.880 --> 35:04.880
Alright, Chris.

35:04.880 --> 35:05.880
Thank you very much.

35:05.880 --> 35:08.880
And you're so absolutely dead
right on about that.

35:08.880 --> 35:10.880
Millions of college kids

35:10.880 --> 35:12.880
who'll be hooking up their PCs,

35:12.880 --> 35:15.880
they'll be getting their high
performance

35:15.880 --> 35:16.880
band with together.

35:16.880 --> 35:20.880
And indeed, podcaster perfect
content

35:20.880 --> 35:22.880
for college radio stations.

35:22.880 --> 35:25.880
So that's right.

35:25.880 --> 35:26.880
Keep them informed.

35:26.880 --> 35:28.880
Keep wanting them towards all
the cool places

35:28.880 --> 35:30.880
to find out about pod casting.

35:30.880 --> 35:31.880
Pod safe music now.

35:31.880 --> 35:33.880
Matthew Ebel, Sally went down.

35:33.880 --> 35:34.880
Got hit by a train.

35:36.250 --> 38:37.880
[ Music ]

38:37.880 --> 39:07.880
Salade, Salade, Salade, Salade,
Salade, Salade, Salade, Salade,
Salade, Salade, Salade, Salade,
Salade, Salade, Salade, Salade,
Salade, Salade, Salade, Salade,
Salade, Salade, Salade, Salat,
Salade, Salade, Salade, Salade,
Salade, Salade, Salade, Salade,
Salade, Salade, Salade, Salade,
Salade, Salade, Salade, Salade,
Salade, Salade, Salade, Salade,
Salade, Salade, Salade, Salade,
Salade, Salade, Salade, Salade,
Salade, Salade, Salade, Salade,
Salade, Salade, Salade, Salade,
Salade, Salade, Salade, Salade,
Salade, Salade, Salade, Salade,
Salade, Salade, Salade, Salade,
Salade, Salade

39:07.880 --> 39:13.360
Subscribed for tuning in and for
bearing witness to my gushing
over my wonderful set up

39:13.360 --> 39:20.000
And let me know if it's sounding
okay for you. I had to up the
bit rate yesterday's bit rate
got on messed up

39:21.160 --> 39:23.160
Ah, there can be so many
problems in the chain

39:27.320 --> 39:29.320
Okay, so

39:31.320 --> 39:33.320
40 minutes fantastic and

39:33.320 --> 39:39.780
And so it's 515 now. The office
in San Francisco is opened are
two of my days about to be

39:41.720 --> 39:45.920
It's so much fun to be too loud.
We're still a little bit jet lag
right away

39:47.720 --> 39:51.160
We've been going to bed in two
three block in the morning and
of course

39:51.880 --> 39:54.280
We would there's always been a
reason to get up at nine so

39:56.000 --> 39:58.000
We're pretty beat

39:58.400 --> 40:00.400
It's almost time to go back

40:03.960 --> 40:10.120
If you got a promo for your show
that you'd like me to feature on
the daily source code or on the
serious pod show

40:11.120 --> 40:14.600
Or in the pod finders in the
office of mid and podshow.com

40:15.720 --> 40:18.720
And you can always send audio
feedback to Adam and curry.com

40:18.720 --> 40:24.440
Please put your MP3 file up on a
server somewhere and send me the
link so I could stay below the

40:25.080 --> 40:27.080
98%

40:27.080 --> 40:29.080
My Gmail inbox

40:29.560 --> 40:35.640
Daily source code.com is where
you can find the podcast feed
and the latest episode of this
particular podcast

40:38.280 --> 40:44.200
And my web log is www.curry.com
tomorrow. Thank God it's Friday
edition of your daily source
code

40:44.200 --> 40:46.200
I'll talk to you then bye bye

40:59.080 --> 41:01.880
Show podcast stick it in your
ear