WEBVTT

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Delta Shara Charlie 251

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Please save me from people
who've been told what to like
and then like it.

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In my opinion, if you're over
six years of age and you're
still getting your music from

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the radio, something is
desperately wrong with you.

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I can only hope that somehow MP3
players and file sharing will
destroy FM radio the

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way they're destroying record
companies. Then, even though the
air will probably

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never be safe to breathe again,
maybe it will be safer to listen
to.

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Hi everybody, welcome to the
Daily Source Code Sunday,
today's October 2nd, 2005.

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A special source code today. I'm
back home.

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Hello.

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Hello darling. Good to have you
home.

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Thank you dear. This is a
horrible, the studio is not set
up for this.

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Are you basically, because
you're looking at my ass.

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Oh yeah, well that's nice.

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Been thinking about it all the
time and now it's there.

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Oh yeah baby. Do you remember?

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What the ass?

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Not the ass.

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Yesterday when I came home.

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Oh.

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Hi Christina, how are you?

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Look at her face.

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What?

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Mortified.

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That's how you get her out of
the studio, huh?

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Yeah, goodbye.

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So, I've been gone for like two
and a half weeks, we're back.

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That was long.

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That was a long time.

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That sucked. That part sucked,
being away sucked.

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It was really quiet though.

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Although, I think it's always
nice to, you know, to just be
apart for a while.

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Because then, when you come
home, it's so much fun.

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That's true.

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You know, I'm so happy to see
you then.

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Also, when we're together, it's
like 24 hours, because I never
leave the house.

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Well that's it. I never go
anywhere.

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That's it, you're always here.

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I'm always here, walking around
in my bathrobe.

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Yeah, that's not true.

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Well, sometimes you do, a little
bit too long.

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But now I could spend a little
bit more time with Christina.

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Yeah, that's true.

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You know, which is nice, girl
talk.

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Because you always ask for a lot
of attention.

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No, I receive. I don't ask.

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I receive.

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Yeah, but you do that in a sort
of sneaky way.

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Oh, OK.

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So we were talking.

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First of all, that was the
legendary George Carlin from his
latest book.

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I love him.

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Yeah, what the hell does he say
here?

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Someone sent me this.

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It's, he has a new audio book
out, which I got from Audible.

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But this is, it's like, when
will Jesus bring the pork, I
think,

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is the name of it.

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But it's so true.

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And Patricia and I have been
talking about Pod Save music for
a while.

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We always talk about music,
actually, because it's our main
interest.

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Yeah, yeah.

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And it can be enjoyable.

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It can be very irritating.

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But in the meanwhile, it's it's
it's entertainment.

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Oh, it was last night that we
were watching X Factor.

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Sharon Osborne and Simon Cowell.

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Those two, right?

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Is it a third person?

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No, it's just those two, right?

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No, no, no.

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And the other one.

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Who's the dude with the with the
orange beret and the green and
blue?

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I don't know.

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No, that that was just a.

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He's he's irritating.

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Yeah, I think that was an
special guy or something.

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Yeah, I think so.

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An ex producer or a music
authority that helped her

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because they all have categories
that that they take care of.

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What? No, that's the other guy.

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That's what you mean from the
from the X Factor.

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That's the other.

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His name is Louie with the
beard.

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No, no, no, it's not with the
beard.

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Yeah, they're the three of them.

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But I want to know who the dude
with the beard.

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No, I don't know.

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I don't know. It's an English
thing.

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But he's American.

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Oh, is he?

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Or maybe he's famous.

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Yeah, I didn't get it.

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But I know Americans here.

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Yeah, but I know he's in music
authority.

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That's why he was sitting there.

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But anyway.

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So we were at one point

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when pop idol started in the
Netherlands three years ago,

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two years ago, I think it's
maybe three years ago.

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Yeah, three years ago.

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I was asked to be the host of
the show, which I declined.

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But I said, look, if you don't
put Patricia in as a judge,
you're crazy.

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And of course, I was right.

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It was not that big.

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No, no, but you should have
chosen me.

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But you would have loved doing
that.

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Well, they thought it was a bit
too much.

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You and me.

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Yeah, but I declined anyway.

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It doesn't matter.

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That doesn't matter.

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But you would have thoroughly
enjoyed doing that

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because you do know a lot about
music.

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Well, not just music, but
performance and styling

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and the whole packaging.

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No, and also I can always
predict when it's something.

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When it's something when
someone's going to be a hit.

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That's right.

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Do you have a coat on?

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My my girl is going.

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So I might be very careful.

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I'm timing you back for bad
Englishman.

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I love you.

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Be careful.

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Get your credits first.

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Be on time.

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OK.

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And don't eat that all that
crap.

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Hey, and don't eat all the crap.

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So throughout the food court and
the dogs,

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this is ruining our show.

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Oh, it doesn't mean it's real.

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No one cares about the show.

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It's real.

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I just want to say that no one
cares about the show on my show.

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The dogs don't know.

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So during the week on the Daily
Source Code,

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which I might point out,
Patricia never listens to.

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That's probably better, by the
way.

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Overdose of Adam.

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Yeah.

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I play a whole bunch of Pod Save
songs

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and songs that I think that I
like or, you know,

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I think I can pick them too,
actually.

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I guess that's what I'm saying.

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But Patricia has, you know,
she'll look at someone and say,

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oh, that person has it.

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That person has the X factor.

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In fact, that's what you can
exactly say.

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Yeah, it says it.

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But also, it has it, right?

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The it factor.

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So when I'm playing tunes here
in the studio,

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which is right next door to
Patricia's studio.

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My boudoir.

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Your boudoir.

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Sometimes she'll come in and
say, I like that.

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Yeah, come running in and say,
oh, I like that.

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Who's that?

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Who's that?

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Right.

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So I figured I just play a
couple of the songs

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that I've been playing in the
past week.

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And then you tell me what you
think about them.

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You like the idea?

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Good.

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OK.

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So I'll put it on the speakers
in a second

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so you can hear a little bit
better.

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This first one is Natalie Brown.

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It's called In My Dreams.

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[ Music ]

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Okay, that was Natalie Brown in
My Dreams.

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What is her name?

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Natalie Brown.

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Natalie Brown.

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I'll tell you something about
her here.

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I don't think she is Brown.

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No, in fact, she's very white.

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Yes, see?

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Yeah.

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From the PodSafe Music Network
biopay, it says,

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little chance that you'll hear
Natalie Brown sing or speak

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and not be moved by the
refreshing texture in her voice.

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This emotive singer-songwriter
with a soulful and powerful 4.5
octave range translates her

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life experiences into songs that
inspire, entertain and provoke.

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Well, what we have here is
another Mariah Carey.

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Yeah, that's what I thought
actually.

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Yeah, yeah.

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But I thought actually kind of
nicer than Mariah Carey.

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Now, sweeter, yeah, a little bit
more sweeter, very warm, very
sensitive.

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It really grabbed me.

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The song, no, it's a little bit,
it goes on a little bit too
long.

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Yeah, it's like one of those
early Whitney Houston songs from
the album.

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Yeah, exactly.

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I was thinking that.

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I was thinking that.

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Very Whitney Houston.

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But her voice, I don't know how
she looks, if she has the looks.

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Yeah, she's got huge hooters.

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Oh, that's always nice.

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Can you see it?

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No, I can't.

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That's just too far away.

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But that's always nice, you
know.

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It helps a little bit.

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But yeah, okay, you know, you
need something.

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We should make that a tag on the
PodSafe Music Award.

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Her voice is, I think, very,
she's got it totally under
control.

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I like that.

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I don't know if she really, if
she stopped somewhere and they,
you know, did it in

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parts, but the way it sounds,
the recording, I don't know
that.

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Interesting question.

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It's very, very clear and
beautiful.

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But does it matter?

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It doesn't really, I mean, even
if you record it that way,
that's okay.

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Well, it matters if you sing
live and you cannot do it the
way you recorded it.

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It's a bit of a bummer, of
course.

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But no, but it sounded, I like
her voice.

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I like her voice very much.

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Beautiful, very warm, very
sensitive.

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And she sings with her heart, I
can tell.

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The song is a little bit too
weepy, too.

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Too weepy.

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Okay.

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But it's a gorgeous song for an
album.

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So we should keep our eye on her
then.

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Yeah, definitely.

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Good.

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Okay, let's play a guy then.

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Lee Three Harris?

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I don't know when I played this.

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Oh, shit.

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Okay.

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Okay.

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No, actually, I kind of like
this one.

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Nothing to believe it.

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[ Music ]

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Hola.

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No, that sums up all the things
that an American guy needs.

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I love the words, I love the
words.

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I think it's a great song.

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Yeah, it's cool as well.

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Absolutely true what he's
singing.

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What do you mean by that?

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Well, we've been there the last
time

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and I noticed exactly what he
was singing.

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The sneakers and we've got this
and that.

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And also on the other side, the
emptiness.

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That's actually the Lee Harris
Three.

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It's from Central Virginia.

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Let's see.

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The Lee Show.

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I think they have a podcast too.

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Very interesting.

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That's cool, isn't it?

15:17.720 --> 15:18.720
Yeah, I love it.

15:18.720 --> 15:20.720
You should see the picture here
of these guys.

15:20.720 --> 15:22.720
They have their farmer outfits
on and donkey.

15:22.720 --> 15:24.720
You know, you're right.

15:24.720 --> 15:26.720
It's real American rock and
roll.

15:26.720 --> 15:28.720
I totally dig that.

15:28.720 --> 15:30.720
Oh man, I'm going to have to do
so much work

15:30.720 --> 15:32.720
in putting the show notes
together

15:32.720 --> 15:34.720
and putting all these links in.

15:34.720 --> 15:36.720
It doesn't matter.

15:36.720 --> 15:38.720
Here's a guy that I think is,

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he's from New York City.

15:40.720 --> 15:42.720
I really like this guy.

15:42.720 --> 15:44.720
Don't say anything.

15:44.720 --> 15:46.720
I'm sorry.

15:46.720 --> 15:48.720
His name is Brother Love.

15:48.720 --> 15:50.720
This is There She Goes.

15:58.750 --> 17:56.250
[ Music ]

17:56.720 --> 17:58.720
He's such a cutie pie.

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And I really love your band.

18:00.720 --> 18:02.720
But I'm a boyfriend.

18:02.720 --> 18:03.720
No.

18:03.750 --> 20:11.250
[ Music ]

20:12.720 --> 20:14.720
Welcome to my club

20:14.720 --> 20:16.720
A table for one

20:17.720 --> 20:19.720
Such a ska

20:20.720 --> 20:21.720
Bye

20:24.720 --> 20:25.720
Love it

20:25.720 --> 20:26.720
Isn't that cool?

20:26.720 --> 20:28.720
Oh, I love it, it's great

20:28.720 --> 20:31.720
I love his voice, it's a great
song

20:31.720 --> 20:36.720
And his voice reminds me of
T-Rex, Mark Bowman

20:36.720 --> 20:37.720
Oh, interesting, interesting

20:37.720 --> 20:38.720
I was thinking

20:38.720 --> 20:40.720
Little Fee Brato, you know that

20:40.720 --> 20:42.720
I also thought he had a little
Aerosmith vibe there

20:42.720 --> 20:48.720
Yes, and the band sounds a
little bit like Aerosmith did

20:48.720 --> 20:53.720
But the song is great, I love
it, I love the voice

20:53.720 --> 20:55.720
I think this could be a big hit

20:55.720 --> 20:57.720
So this is, I was thinking

20:57.720 --> 21:00.720
This is the guy, you know, when
we start our unlabel

21:00.720 --> 21:01.720
Yeah

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Which is a record label that's
like the Uncola

21:03.720 --> 21:04.720
I don't know how they look, but

21:04.720 --> 21:05.720
Oh, no, no, look here

21:05.720 --> 21:06.720
Does that look good?

21:06.720 --> 21:09.720
Look at him, well, come over
here, check it out

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Oh, shit, you gotta be careful

21:13.720 --> 21:16.720
Because you can't go that far,
the wire is not far

21:16.720 --> 21:17.720
Is that the guy?

21:17.720 --> 21:18.720
Yeah

21:19.720 --> 21:21.720
He looks a bit like Mark Bowman

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So he knows

21:23.720 --> 21:25.720
He's probably touching himself
right now

21:25.720 --> 21:26.720
I think he knows

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I don't know, we'll find out

21:28.720 --> 21:35.720
Actually, last night I saw an
old pop of the pop

21:35.720 --> 21:36.720
Pop of the tops?

21:36.720 --> 21:38.720
Top of the pops, you know, an
old one

21:38.720 --> 21:40.720
They show the old ones

21:40.720 --> 21:43.720
And you saw Mark Bowman in the
beginning when it just started

21:43.720 --> 21:46.720
And I love the guy, he's so good

21:46.720 --> 21:49.720
And he was actually one of the
first guys

21:49.720 --> 21:51.720
You know, Glamrock and

21:51.720 --> 21:53.720
Did he die in a car crash?

21:53.720 --> 21:55.720
Yeah, yeah, he died in the car
crash

21:55.720 --> 21:57.720
That my sister should have been
in

21:57.720 --> 21:58.720
What?

21:58.720 --> 22:00.720
Actually, because I wanted to
pick her up

22:00.720 --> 22:01.720
To have dinner with her

22:01.720 --> 22:02.720
When she lived in London

22:02.720 --> 22:03.720
Yeah

22:03.720 --> 22:05.720
And he came to pick her up, Mark
Bowman

22:05.720 --> 22:07.720
With his girlfriend

22:07.720 --> 22:08.720
Yeah

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And

22:12.720 --> 22:14.720
Yvonne, I think they called her

22:14.720 --> 22:16.720
And she said, well, actually I
don't feel that well

22:16.720 --> 22:18.720
I don't want to go

22:18.720 --> 22:20.720
So she was a bit late

22:20.720 --> 22:22.720
She didn't make up anything

22:22.720 --> 22:23.720
She didn't want to go

22:23.720 --> 22:25.720
So they went by themselves

22:25.720 --> 22:27.720
And had the car crash

22:27.720 --> 22:28.720
You're kidding me

22:28.720 --> 22:31.720
Yes, and the girlfriend is okay

22:31.720 --> 22:33.720
Who, you know, was also, of
course,

22:33.720 --> 22:35.720
Terrible the way she looked

22:35.720 --> 22:36.720
And the things she had

22:36.720 --> 22:38.720
But Mark died in it

22:38.720 --> 22:40.720
And Yvonne should have been in
that car

22:40.720 --> 22:41.720
Isn't it amazing?

22:41.720 --> 22:42.720
Well, she has an angel

22:42.720 --> 22:43.720
Yeah, yeah

22:43.720 --> 22:45.720
Because they were, you know,

22:45.720 --> 22:47.720
Befriended with, befriended, how
you say?

22:47.720 --> 22:48.720
Yeah, befriended

22:48.720 --> 22:49.720
Befriended with them

22:49.720 --> 22:51.720
And a wonderful guy also

22:51.720 --> 22:53.720
But to come back to this

22:53.720 --> 22:54.720
To brother love, yeah

22:54.720 --> 22:56.720
To brother love, I love it

22:56.720 --> 22:58.720
Could be a big hit

22:58.720 --> 22:59.720
He's got a whole bunch of...

22:59.720 --> 23:00.720
Great voice and the harmonies

23:00.720 --> 23:02.720
I love the sound of the
harmonies

23:02.720 --> 23:03.720
Yeah, that's a good, aren't
they?

23:03.720 --> 23:04.720
Yeah

23:04.720 --> 23:05.720
You know I love that

23:05.720 --> 23:07.720
I love that big power, power
rock-pop sound

23:07.720 --> 23:08.720
Yeah

23:08.720 --> 23:10.720
That's a Jack Ponty sound,
right?

23:10.720 --> 23:11.720
Yeah

23:12.720 --> 23:13.720
Okay

23:13.720 --> 23:15.720
Are you still enjoying yourself?

23:15.720 --> 23:16.720
Can we do a couple more?

23:16.720 --> 23:17.720
I'm enjoying myself

23:17.720 --> 23:18.720
Yeah, okay, good

23:18.720 --> 23:19.720
Who am I?

23:19.720 --> 23:22.720
You know, don't just think that
I know it all

23:22.720 --> 23:23.720
Just another voice

23:23.720 --> 23:25.720
This is just, I'm very honest
about it

23:25.720 --> 23:26.720
Okay

23:26.720 --> 23:27.720
This is a griddle

23:28.750 --> 25:38.720
[ Music ]

25:38.720 --> 25:54.720
Grittle preoccupied well early
Beatles did you haven't you
played more of these

25:54.720 --> 26:00.200
guys didn't I hear before you're
right and they all I think he
must be a great

26:00.200 --> 26:07.600
fan and I think John Lennon well
it's okay because remember I
told you the

26:07.600 --> 26:13.000
story about David Bowie was a
big big he never I think he
never tells you you

26:13.000 --> 26:18.640
know he never tells him anybody
in interviews that he is but he
is a great

26:18.640 --> 26:28.040
John Lennon huge Lennon fan yeah
reminds me very much but are
they

26:28.040 --> 26:32.480
American yeah yeah from San
Francisco I think hold on let me
check I like the

26:32.480 --> 26:37.320
sound I like it why not why not
what do you think here San
Francisco's Grittle

26:37.320 --> 26:41.560
just released its second album
Grittle turning violet yeah with
the Southwestern

26:41.560 --> 26:47.240
tour that took the boys across
Texas I wonder how they play
live here they

26:47.240 --> 26:51.320
enjoy their live band they just
they had look if you're touring
across Texas you

26:51.320 --> 26:56.080
got you got your shit down
fucking killed got it together
it's oh this is

26:56.080 --> 27:02.680
interesting members chemo ball
Cypher Fortier Chris McGrew and
Kevin Seale I'm

27:02.680 --> 27:06.300
sure it's not the Kevin Seale
now can't be the Kevin Seale I
think they

27:06.300 --> 27:13.220
know they enjoy volume alcohol
melodies and confusion that
could be okay sergeant

27:13.220 --> 27:23.180
peppers yeah website let's see
what they got going on audio
video blog who made

27:23.180 --> 27:29.820
those who Kevin can't be the
Kevin we think Kevin Seale yeah
no definitely no

27:29.820 --> 27:34.620
it also reminded me that the
rhythm reminded me of Moondance

27:34.940 --> 27:41.960
marvelous night for Moondance
you know that too and

27:43.580 --> 27:51.480
was that song from the Beatles

27:51.480 --> 27:56.800
first I can do a little bit of
Moondance

27:56.800 --> 28:02.160
is that Van Morrison just is
that Van Morrison yeah that's
Van Morrison it

28:02.160 --> 28:06.880
just came up I don't know why
but I don't have it now it
doesn't matter cuz it

28:06.880 --> 28:12.200
doesn't look it doesn't sound
like no but yeah I like the
sound but I don't

28:12.200 --> 28:16.240
know if other people are really
waiting for this if they still
like if they

28:16.240 --> 28:21.800
still want to hear Beatles like
stuff but do they do they you
think the whole

28:21.800 --> 28:25.640
sound of this band is like that
well you want to check another
song yeah let me

28:25.640 --> 28:28.640
hear another song that's really
easy on the pod safe because
maybe this is

28:28.640 --> 28:33.200
their sound okay so why not so
I'm looking at the pod safe
music network I

28:33.200 --> 28:37.400
played preoccupied now I'm
looking at the ratings that has
a four and a half star

28:37.400 --> 28:41.280
but they're two five stars
Ferris of the mall and
positively Jackson I've played

28:41.280 --> 28:44.720
Ferris of the mall so you want
to hear that one yeah okay so I
just click on

28:44.720 --> 28:51.000
it and it should start playing I
guess at least it's supposed to

28:51.250 --> 29:13.750
[ Music ]

29:21.920 --> 29:29.400
influenced oh yeah well that's
not hard yeah why not

29:44.320 --> 29:51.160
okay but tell you lots of new
bands have these sort of sounds
and and and of

29:51.200 --> 29:56.360
course because I'm older I
recognize the things that they
absolutely have been

29:56.360 --> 30:02.840
listening to I hear a lot of
small faces you know what I mean
and even the hair

30:02.840 --> 30:09.240
the hairdos are seen that done
that you know been there well
that's okay but

30:09.240 --> 30:14.360
great yeah come back no because
they've it was a great sound you
know it was

30:14.360 --> 30:21.160
when we here to do heard it all
for the first time and so I know
also it seems

30:21.160 --> 30:27.080
like a lot of bands are really
going back to the rock electric
sound you know

30:27.080 --> 30:36.600
yeah very the standard two
guitars maybe a keyboard on the
side and if they this

30:36.600 --> 30:42.440
is their sound well good all
right let's do this was a good
one hold on I love

30:42.440 --> 30:49.920
the harmonies by the way very
good yeah harmony very good this
is her name

30:49.920 --> 30:56.480
Carmen Tyler think it is check
this out

30:56.480 --> 34:03.750
[ Music ]

34:06.680 --> 34:10.680
now I realize that isn't
actually a pod safe song that's
a cover song yeah it's

34:10.680 --> 34:16.680
it's an old song yeah that we
shouldn't that shouldn't be on
there why not oh no

34:16.680 --> 34:20.680
of course no no because you know
we're playing a song by any of
the composer

34:20.680 --> 34:24.680
isn't getting compensated what I
was thinking I love her voice
and the

34:24.680 --> 34:28.680
arrangements are very nice
doesn't sound a little bit like
you here and there

34:28.680 --> 34:37.680
a little bit in her twang I
don't think so I would love to
hear here sing

34:37.680 --> 34:43.680
sing something new yeah written
for her or written by herself I
love her voice

34:43.680 --> 34:50.680
she has absolutely the feeling
for it hate the Hammond organ
coming in there

34:50.680 --> 34:54.680
but the chords that they use I'm
very interested right you like
the arrangement

34:54.680 --> 34:59.680
huh yeah she's from Texas yeah
and if she did something else
you could do

34:59.680 --> 35:03.680
country I love her voice I like
I think she could do great
country

35:03.680 --> 35:11.680
there's something there
absolutely but why this song
such an old 40 song because

35:11.680 --> 35:18.680
this is old what 40 song old 40
song 40 I don't know

35:18.680 --> 35:23.680
let me see she may as she may be
a professional you know she may
have to

35:23.680 --> 35:27.680
she may have to do all that kind
of shit in bars and nightclubs
when we were in

35:27.680 --> 35:33.680
Chicago remember Ron Chris and I
went to Chicago to present to
the advertising

35:33.680 --> 35:39.680
guys in the hotel that we were
in that beautiful hotel lobby
somebody was singing

35:39.680 --> 35:42.680
yeah in the bar and there was a
bar where you could eat and
smoke cigars it was

35:42.680 --> 35:46.680
freaking great nice for the
singer horrible for the singer
there was a

35:46.680 --> 35:51.680
guy there who had a harmonica
and was drunk so no not good let
me see resume and

35:51.680 --> 35:56.680
as reminds you of this well I
said why were you telling this
oh because there

35:56.680 --> 35:59.680
was a there was a singer there
you know like a professional
lounge singer

35:59.680 --> 36:05.680
sometimes you can find wow she's
not a lot of shit she's done
commercials

36:05.680 --> 36:12.680
music theater television holy
crap yeah voiceovers she is the
she is she

36:12.680 --> 36:18.680
sounds like a professional
toyota doing in again yeah
interesting oh wait and the

36:18.680 --> 36:22.680
weight that she lays in every
word she sings I can tell she's
cute she's kind

36:22.680 --> 36:27.680
of cute look and she's cute
she's beautiful repertoire
written written

36:27.680 --> 36:32.680
especially for her okay the
unlabeled will take care of all
of that I hope so

36:32.680 --> 36:38.680
and if they the people listen
wonder why I'm still coughing
yeah it's it's I

36:38.680 --> 36:42.680
have bronchitis and it's the
weather in England there's
nothing I can do about

36:42.680 --> 36:50.680
it and the moment I'm in the
studio Adam is smoking and it's
tickling and

36:50.680 --> 36:58.680
it's nothing I can do about it
bad okay so you know I apologize
when I'm

36:58.680 --> 37:05.680
coughing now how do I look
you're not thinking about me

37:06.680 --> 37:13.680
well I already open the window
behind I can feel it yeah is
that a draft there's

37:13.680 --> 37:19.680
this is a little slow drop drop
okay let me see what's so what I
was saying name

37:19.680 --> 37:27.680
Carmen Tyler wow Carmen Tyler
yeah okay these guys this was me
there's another

37:27.680 --> 37:32.680
type of category of music that
comes into the pod safe music
network and I'd put

37:32.680 --> 37:37.680
under you know like fun stuff
but this kind of straddles the
line between what I

37:37.680 --> 37:43.680
think is a good song or a good
idea good lyric funny lyric yeah
well you'll listen

37:43.680 --> 37:49.680
to it you'll see if you like it
it's step stepford wives

38:02.680 --> 38:04.680
you type my hips are shaking

38:04.680 --> 38:07.680
let's get it all

38:17.680 --> 38:21.680
taking my price to type my hips
are shaking from left to right
my

38:21.680 --> 38:24.680
African my saxophone let's get
it all

38:32.680 --> 38:37.680
cheese tell me I scream a lot I
can't stop eating that chocolate
for chocolate

38:38.750 --> 39:08.750
[ Music ]

39:09.680 --> 39:16.680
the jury has stopped the music
no jury has stopped the music I
knew you wouldn't

39:16.680 --> 39:20.680
like that I don't know nothing I
don't know what to say okay so
the lyric is my

39:20.680 --> 39:22.840
So the lyric is, my back's
aching, my bra's...

39:22.840 --> 39:24.800
I miss the word Botox on it.

39:24.800 --> 39:25.800
Botox?

39:25.800 --> 39:30.800
Yeah, they have, you know,
because they're singing about
all the tightness and
everything.

39:30.800 --> 39:35.600
Well, the singing about it, the
lyric is, my back's aching, my
bra's too tight.

39:35.600 --> 39:36.600
Tight, yeah, exactly.

39:36.600 --> 39:37.600
Okay.

39:37.600 --> 39:38.600
I don't know.

39:38.600 --> 39:39.600
Hmm.

39:39.600 --> 39:40.600
Hmm.

39:40.600 --> 39:43.800
You gotta be honest, you know,
if there's no honesty, then the
show's no good.

39:43.800 --> 39:46.560
Oh, yeah, okay.

39:46.560 --> 39:47.560
People are gonna kill me.

39:47.560 --> 39:48.560
No!

39:48.560 --> 39:49.560
Not at all.

39:49.560 --> 39:50.560
Not at all.

39:50.640 --> 39:52.640
Any tips for the step forward?

39:52.640 --> 39:53.640
I don't know.

39:53.640 --> 40:00.640
I don't even know where to put
it, this, you know, category.

40:00.640 --> 40:02.640
What is it?

40:02.640 --> 40:05.640
I don't know what it is.

40:05.640 --> 40:06.640
No.

40:06.640 --> 40:07.640
Okay.

40:07.640 --> 40:08.640
Let me see.

40:08.640 --> 40:09.640
Oh, man.

40:09.640 --> 40:10.640
Okay.

40:10.640 --> 40:11.640
I'm just gonna pick one.

40:11.640 --> 40:16.640
I have no idea what this is, but
I've played it.

40:16.640 --> 40:18.640
I gotta go find out what it is,
so we'll just do it.

40:18.720 --> 40:22.720
It says flyhigh.mp3, which means
absolutely nothing.

40:22.720 --> 40:23.720
Hold on.

40:23.720 --> 40:24.720
Let's check it out.

40:24.720 --> 40:25.720
Oh, am I boring you?

40:25.720 --> 40:26.720
I'm yawning now.

40:26.720 --> 40:29.720
Let me see if I want to play
this one for you.

40:29.800 --> 40:48.800
Oh, you don't want to listen to
this?

40:48.800 --> 40:49.800
Why not?

40:49.800 --> 40:50.800
You do?

40:50.800 --> 40:52.800
Oh, you play the Jamaican?

40:52.800 --> 40:57.800
Yeah, it's actually kind of
reggae.

40:57.800 --> 41:26.250
[ Music ]

41:27.880 --> 41:29.880
It has to go somewhere.

41:29.880 --> 41:34.880
I'm waiting for it when it opens
up, and...

41:34.880 --> 41:36.880
Here it is.

41:36.880 --> 41:38.880
Everybody.

41:48.880 --> 41:51.880
It's kind of like reggae chill
music.

41:51.880 --> 41:53.880
What is he, vomit?

41:53.880 --> 41:54.880
What is this thing?

41:54.880 --> 41:56.880
I'm vomit, I don't know.

41:56.960 --> 41:58.960
I have a vomit stain.

42:02.960 --> 42:06.960
I like the rhythm and
everything.

42:06.960 --> 42:09.960
But I'm waiting for something.

42:09.960 --> 42:11.960
Something to happen.

42:11.960 --> 42:31.250
[ Music ]

42:33.960 --> 42:36.960
I saw the eyes roll.

42:36.960 --> 42:38.960
Yeah, well...

42:38.960 --> 42:41.960
I can't find out who they were,
which kind of sucks.

42:41.960 --> 42:44.960
Well, I like the rhythm and
everything,

42:44.960 --> 42:46.960
and it sounds very original,

42:46.960 --> 42:48.960
but then it doesn't go anywhere.

42:48.960 --> 42:50.960
You know, there must be
something.

42:50.960 --> 42:52.960
You think, oh, yeah, that's it.

42:52.960 --> 42:54.960
You know, recognize that when it
comes back.

42:55.040 --> 42:57.040
It just rolls on and rolls on.

42:57.040 --> 42:58.040
It's very helpful.

42:58.040 --> 43:00.040
No, it is. It is.

43:00.040 --> 43:01.040
No, you're right.

43:01.040 --> 43:03.040
Because I get so immersed in
this stuff,

43:03.040 --> 43:05.040
and then I, you know...

43:05.040 --> 43:07.040
I appreciate all the songs, I
guess.

43:07.040 --> 43:09.040
And anytime someone makes a
song, I appreciate it.

43:09.040 --> 43:12.040
You know, sometimes you see
those videos on MTV,

43:12.040 --> 43:15.040
and you recognize the girl's
butt.

43:15.040 --> 43:18.040
But the song sounds the same.

43:18.040 --> 43:20.040
It's nothing happening.

43:20.040 --> 43:22.040
But you say, oh, I know that
song.

43:22.040 --> 43:23.040
I see the same...

43:23.040 --> 43:24.040
I know that song.

43:24.120 --> 43:26.120
I know that song.

43:26.120 --> 43:27.120
Yeah, right.

43:27.120 --> 43:29.120
I know that move.

43:29.120 --> 43:31.120
Okay, this is...

43:31.120 --> 43:33.120
Yeah, this is something I
played.

43:33.120 --> 43:35.120
46 Bliss.

43:35.120 --> 43:37.120
This is titled In A Long Time.

43:37.120 --> 43:40.120
You want me to leave the mic
open so you can comment?

43:40.120 --> 43:42.120
Okay.

43:42.120 --> 43:44.120
I can sing alone.

43:46.250 --> 45:56.250
[ Music ]

46:22.040 --> 46:51.040
In a long time, in a long time,
I will see you

46:52.040 --> 47:21.040
In a long time, in a long time,
in a long time, I will see you

47:22.040 --> 47:51.040
In a long time, in a long time,
in a long time, I will see you

47:52.040 --> 48:13.040
In a long time, in a long time,
in a long time, in a long time,
I will see you

48:13.750 --> 50:27.040
[ Music ]

50:27.040 --> 50:36.040
I hope you don't feel just like
me

50:51.250 --> 51:23.750
[ Music ]

51:25.040 --> 51:28.040
Mmm, yeah baby

51:28.040 --> 51:29.040
It's good isn't it?

51:29.040 --> 51:30.040
Oh yeah

51:30.040 --> 51:31.040
Oh that shit

51:31.040 --> 51:32.040
So you thought the guitar should
start?

51:32.040 --> 51:34.040
Well yeah, I was waiting for
that

51:34.040 --> 51:36.040
I was anxious to hear the
guitars

51:36.040 --> 51:38.040
And the drums

51:38.040 --> 51:43.040
Yeah, it should start one part
earlier on the guitars

51:43.040 --> 51:44.040
Exactly

51:44.040 --> 51:47.040
Because you know it should build
up

51:47.040 --> 51:50.040
Build up, build up, build up,
it's wonderful

51:50.040 --> 51:52.040
Yeah I love that song, I really
like that

51:52.040 --> 51:55.040
We gotta get that listed on the
PodSafe Music Network

51:55.040 --> 51:56.040
Absolutely

51:56.040 --> 51:58.040
Great voice

51:58.040 --> 52:01.040
And he's like Nelly's size

52:01.040 --> 52:02.040
Oh yeah?

52:02.040 --> 52:04.040
He's very small

52:05.040 --> 52:08.040
Big voice, big big voice

52:08.040 --> 52:10.040
Okay, here's one that you'll
appreciate

52:10.040 --> 52:12.040
Because you've got, and we'll do
like two more

52:12.040 --> 52:14.040
And then we should stop

52:14.040 --> 52:17.040
You'll appreciate this because
you hate computers too

52:18.040 --> 52:20.040
This is not true

52:20.040 --> 52:22.040
Computer, computer

52:22.040 --> 55:11.250
[ Music ]

55:18.040 --> 55:20.040
Okay, okay, fantastic

55:23.040 --> 55:27.040
Do you know that remember we had
a poor man who lost his wife?

55:27.040 --> 55:30.040
Oh that's right, it was Mike,
Mike the poor man

55:30.040 --> 55:33.040
Mike the poor man lost his wife
to an affair

55:33.040 --> 55:35.040
On the AOL chatroom

55:35.040 --> 55:37.040
No, web TV, it was web TV

55:37.040 --> 55:38.040
I don't know what

55:38.040 --> 55:41.040
Yeah, it was web TV, I remember
because he was bitching about it

55:41.040 --> 55:44.040
Yeah, it was because he always
complained about it, she was on
the internet

55:44.040 --> 55:48.040
Every day, every night, spent no
time with him and the kids
anymore

55:48.040 --> 55:52.040
And then one day he came and he
said, she's gone

55:52.040 --> 55:54.040
She's gone

55:54.040 --> 55:58.040
Mike could get you anything, you
want some firearms, you could
get it from Mike

55:58.040 --> 55:59.040
Mike the poor man

55:59.040 --> 56:02.040
Mike was totally frustrated from
this

56:02.040 --> 56:05.040
I love this song, it's true

56:05.040 --> 56:07.040
It's good, isn't it? That's real
blues

56:07.040 --> 56:12.040
Remember we once sat in a bed
with the laptop in the middle

56:12.040 --> 56:14.040
I said now that's it, see?

56:14.040 --> 56:16.040
Now we're in the bed, the three
of us

56:16.040 --> 56:18.040
That was the last time

56:18.040 --> 56:20.040
Yeah, I know, I'm worried about
it

56:20.040 --> 56:22.040
No laptop in the bed anymore

56:22.040 --> 56:25.040
We've watched movies on the
laptop, porn on the laptop

56:26.040 --> 56:28.040
That's not true

56:28.040 --> 56:30.040
Patricia Pied

56:30.040 --> 56:33.040
I don't know who that was, but
not with me

56:33.040 --> 56:36.040
Of course we've watched, well
maybe it's just me by myself

56:36.040 --> 56:38.040
I think you, that's what I think

56:38.040 --> 56:40.040
Just me by myself

56:40.040 --> 56:43.040
Me, my laptop and porn

56:43.040 --> 56:46.040
Exactly, that's the other woman

56:46.040 --> 56:49.040
So I feel exactly what he's
saying

56:49.040 --> 56:51.040
She's pretty beat up, the other
woman

56:51.040 --> 56:54.040
How many times does it happen
when I come closer?

56:54.040 --> 56:56.040
When you come closer?

56:56.040 --> 56:58.040
It breaks, absolutely

56:58.040 --> 57:01.040
Yeah, that's right, that's just
fabulous

57:01.040 --> 57:03.040
Okay, one last song

57:03.040 --> 57:06.040
Do you like doing this? We'll do
it again next week

57:06.040 --> 57:08.040
Okay

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You're now signed up, you're now
part of the

57:10.040 --> 57:11.040
Oh am I?

57:11.040 --> 57:13.040
The PodShow Podcast Network

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For the unlabeled

57:15.040 --> 57:17.040
This is Jennifer Helene

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Swallow me

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What?

57:21.040 --> 57:23.040
Swallow me

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[ Music ]

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Okay

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You're done

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I'm done

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I think it's very interesting
what she's singing

59:11.040 --> 59:13.040
I've never heard words like that

59:13.040 --> 59:14.040
That's kind of sexy

59:14.040 --> 59:15.040
That's very sexy

59:15.040 --> 59:16.040
Uh huh

59:16.040 --> 59:17.040
I like that

59:17.040 --> 59:18.040
Yeah

59:18.040 --> 59:22.040
Pity is that the whole thing
behind her

59:22.040 --> 59:24.040
Is too mild

59:24.040 --> 59:26.040
It's just ain't got it

59:26.040 --> 59:28.040
Well listen he's kind of rocking
out now

59:29.040 --> 59:31.040
Too late now

59:32.040 --> 59:34.040
Okay

59:34.040 --> 59:36.040
You know

59:36.040 --> 59:37.040
That's what I mean

59:37.040 --> 59:40.040
It should be a little more fire
behind her

59:40.040 --> 59:42.040
Because it's a very sexy song

59:42.040 --> 59:43.040
Yeah

59:43.040 --> 59:45.040
And I've never heard words like
this

59:45.040 --> 59:46.040
So that's new

59:46.040 --> 59:47.040
So what would you suggest

59:47.040 --> 59:48.040
Would you suggest that they do a

59:48.040 --> 59:49.040
Do another version

59:49.040 --> 59:50.040
Another version of the song

59:50.040 --> 59:51.040
Absolutely

59:51.040 --> 59:52.040
Oh interesting

59:52.040 --> 59:53.040
Yeah

59:53.040 --> 59:55.040
And let something happen when
the chorus comes

59:55.040 --> 59:57.040
People sometimes forget that

59:57.040 --> 59:59.040
I think that's kind of the
problem

59:59.040 --> 01:00:01.040
With a lot of independent
artists

01:00:01.040 --> 01:00:02.040
See I wrote a song

01:00:02.040 --> 01:00:03.040
You like it

01:00:03.040 --> 01:00:04.040
But you know

01:00:04.040 --> 01:00:06.040
No take it a little bit further

01:00:08.040 --> 01:00:09.040
Being an independent artist

01:00:09.040 --> 01:00:10.040
Is kind of like being a
podcaster

01:00:10.040 --> 01:00:11.040
You know it's like

01:00:11.040 --> 01:00:12.040
How often have I not made

01:00:12.040 --> 01:00:14.040
My microphone sound

01:00:14.040 --> 01:00:15.040
And then you come in and say

01:00:15.040 --> 01:00:16.040
Man that sounds like shit

01:00:16.040 --> 01:00:18.040
Yeah you gotta change that

01:00:18.040 --> 01:00:20.040
So if you don't have a producer

01:00:20.040 --> 01:00:22.040
Then I think it becomes very
difficult

01:00:22.040 --> 01:00:23.040
Or a couple other ears

01:00:23.040 --> 01:00:24.040
You know

01:00:24.040 --> 01:00:25.040
Listen to

01:00:25.040 --> 01:00:26.040
Yeah you presume you've got the
whole band

01:00:26.040 --> 01:00:27.040
Doesn't mean we know it all

01:00:27.040 --> 01:00:28.040
But

01:00:28.040 --> 01:00:29.040
No no no

01:00:29.040 --> 01:00:30.040
But you presume you've got the
whole band

01:00:30.040 --> 01:00:31.040
And they've got their ears on

01:00:31.040 --> 01:00:32.040
Yeah

01:00:32.040 --> 01:00:33.040
I think

01:00:33.040 --> 01:00:35.040
It's a great week behind her

01:00:35.040 --> 01:00:37.040
But her words are so strong

01:00:37.040 --> 01:00:39.040
That you could do something with
it

01:00:39.040 --> 01:00:41.040
Don't you think so

01:00:41.040 --> 01:00:42.040
I hadn't thought of it that way

01:00:42.040 --> 01:00:43.040
But I think you're right

01:00:43.040 --> 01:00:44.040
And her voice is nice

01:00:44.040 --> 01:00:45.040
But a little bit more

01:00:45.040 --> 01:00:46.040
Come on

01:00:46.040 --> 01:00:47.040
That's very interesting

01:00:47.040 --> 01:00:49.040
But I like the words very

01:00:49.040 --> 01:00:50.040
I've never heard that

01:00:50.040 --> 01:00:51.040
And anybody seeing this

01:00:51.040 --> 01:00:52.040
Swallow me

01:00:52.040 --> 01:00:53.040
Swallow me

01:00:53.040 --> 01:00:54.040
Swallow me

01:00:54.040 --> 01:00:55.040
And what comes down

01:00:55.040 --> 01:00:56.040
Can't come up

01:00:56.040 --> 01:00:57.040
Whoa

01:00:58.040 --> 01:00:59.040
Yeah

01:00:59.040 --> 01:01:00.040
And swallow why

01:01:00.040 --> 01:01:01.040
Swallow me

01:01:02.040 --> 01:01:03.040
It's like

01:01:03.040 --> 01:01:04.040
Swallow the whole thing

01:01:04.040 --> 01:01:05.040
But the hook

01:01:06.040 --> 01:01:07.040
Come on

01:01:07.040 --> 01:01:08.040
Say that again

01:01:08.040 --> 01:01:10.040
Swallow the whole thing

01:01:10.040 --> 01:01:11.040
Everything

01:01:11.040 --> 01:01:12.040
Everything

01:01:12.040 --> 01:01:13.040
Swallow me

01:01:16.040 --> 01:01:17.040
Interesting

01:01:17.040 --> 01:01:18.040
But the hook kind of sticks it

01:01:18.040 --> 01:01:19.040
Swallow me

01:01:19.040 --> 01:01:20.040
Swallow me

01:01:20.040 --> 01:01:21.040
Swallow me

01:01:21.040 --> 01:01:22.040
Swallow me

01:01:22.040 --> 01:01:23.040
Yeah I like that

01:01:23.040 --> 01:01:24.040
Okay so that was one hour

01:01:24.040 --> 01:01:25.040
That was fun

01:01:25.040 --> 01:01:26.040
Yeah

01:01:27.040 --> 01:01:28.040
Everybody hates you

01:01:28.040 --> 01:01:29.040
No

01:01:29.040 --> 01:01:30.040
I sure hope not

01:01:30.040 --> 01:01:31.040
No of course not

01:01:31.040 --> 01:01:32.040
I really mean well

01:01:33.040 --> 01:01:34.040
What we're doing basically

01:01:34.040 --> 01:01:35.040
Is we're

01:01:35.040 --> 01:01:36.040
So now we're looking for the
hits

01:01:36.040 --> 01:01:37.040
I know what it is

01:01:37.040 --> 01:01:38.040
Now we're looking for the hits

01:01:38.040 --> 01:01:39.040
What are we going to

01:01:39.040 --> 01:01:40.040
What are we going to play

01:01:40.040 --> 01:01:41.040
What are the hits

01:01:41.040 --> 01:01:42.040
So many times

01:01:42.040 --> 01:01:44.040
I've been to a radio station

01:01:44.040 --> 01:01:45.040
And somebody would say

01:01:45.040 --> 01:01:46.040
It's not a hit

01:01:46.040 --> 01:01:47.040
I'm sorry

01:01:47.040 --> 01:01:49.040
I like your cover better than

01:01:49.040 --> 01:01:50.040
Really

01:01:50.040 --> 01:01:51.040
Yeah

01:01:51.040 --> 01:01:53.040
The cover of the record

01:01:53.040 --> 01:01:54.040
Or the CD

01:01:54.040 --> 01:01:56.040
It's better than the CD itself

01:01:56.040 --> 01:01:57.040
That's interesting

01:01:57.040 --> 01:01:58.040
And then what's that

01:01:58.040 --> 01:01:59.040
They wouldn't play it

01:01:59.040 --> 01:02:01.040
Well then goodbye

01:02:01.040 --> 01:02:03.040
Go back to the drawing board

01:02:03.040 --> 01:02:05.040
But the difference is

01:02:05.040 --> 01:02:06.040
If someone said

01:02:06.040 --> 01:02:07.040
Well I like it

01:02:07.040 --> 01:02:09.040
But it should be more fire

01:02:09.040 --> 01:02:11.040
And you agreed with it maybe

01:02:11.040 --> 01:02:12.040
Yeah

01:02:12.040 --> 01:02:14.040
These days you can just

01:02:14.040 --> 01:02:15.040
Turn your computer back on

01:02:15.040 --> 01:02:16.040
You don't have to go back into
the studio

01:02:16.040 --> 01:02:17.040
You just turn your computer on

01:02:17.040 --> 01:02:18.040
And say

01:02:18.040 --> 01:02:19.040
Okay what can I do with that

01:02:19.040 --> 01:02:20.040
Yeah exactly

01:02:20.040 --> 01:02:21.040
That's kind of cool

01:02:21.040 --> 01:02:22.040
Yeah

01:02:22.040 --> 01:02:23.040
But you know

01:02:24.040 --> 01:02:26.040
Say years and years and years
ago

01:02:26.040 --> 01:02:27.040
You had your producer

01:02:27.040 --> 01:02:29.040
Actually he

01:02:29.040 --> 01:02:30.040
You know

01:02:30.040 --> 01:02:32.040
Was actually the last one

01:02:32.040 --> 01:02:33.040
Who said

01:02:33.040 --> 01:02:34.040
We're gonna do it like this

01:02:34.040 --> 01:02:35.040
Well I think

01:02:35.040 --> 01:02:36.040
But I think that's

01:02:36.040 --> 01:02:38.040
And in these days you were a
little bit thankful

01:02:38.040 --> 01:02:39.040
You know

01:02:39.040 --> 01:02:40.040
I don't think they are like that
anymore

01:02:40.040 --> 01:02:41.040
Well

01:02:41.040 --> 01:02:42.040
This is my sound

01:02:42.040 --> 01:02:43.040
Look at what happened

01:02:43.040 --> 01:02:44.040
Take it or leave it

01:02:44.040 --> 01:02:45.040
Look at what happened to Michael
Jackson

01:02:45.040 --> 01:02:46.040
When he left Quincy Jones

01:02:46.040 --> 01:02:47.040
Yeah

01:02:47.040 --> 01:02:48.040
Goodbye

01:02:48.040 --> 01:02:49.040
Yeah sometimes a combination

01:02:49.040 --> 01:02:50.040
Never should have left Quincy
Jones

01:02:50.040 --> 01:02:51.040
That was a magical

01:02:51.040 --> 01:02:52.040
Yeah

01:02:52.040 --> 01:02:53.040
And

01:02:53.040 --> 01:02:54.040
Never changed

01:02:54.040 --> 01:02:55.040
So Janet for instance

01:02:55.040 --> 01:02:57.040
She's doing a new record with

01:02:58.040 --> 01:02:59.040
With whom?

01:02:59.040 --> 01:03:00.040
Terry Lewis

01:03:00.040 --> 01:03:01.040
Yeah

01:03:01.040 --> 01:03:02.040
Jimmy Jam, Terry Lewis

01:03:02.040 --> 01:03:03.040
Yeah

01:03:03.040 --> 01:03:04.040
For famous

01:03:04.040 --> 01:03:05.040
Well sometimes you

01:03:05.040 --> 01:03:08.040
You have that magical thing
going

01:03:08.040 --> 01:03:09.040
Yeah

01:03:09.040 --> 01:03:10.040
You know

01:03:10.040 --> 01:03:11.040
With a team that you have

01:03:11.040 --> 01:03:12.040
And sometimes don't change it

01:03:12.040 --> 01:03:13.040
And sometimes you need to change
it

01:03:13.040 --> 01:03:14.040
So

01:03:14.040 --> 01:03:15.040
Yeah

01:03:15.040 --> 01:03:16.040
You never know

01:03:16.040 --> 01:03:17.040
Interesting

01:03:17.040 --> 01:03:18.040
Yeah

01:03:18.040 --> 01:03:19.040
Okay

01:03:19.040 --> 01:03:20.040
Well thank you very much Miss Pi

01:03:20.040 --> 01:03:21.040
You're ever so welcomed

01:03:21.040 --> 01:03:22.040
Yes

01:03:22.040 --> 01:03:23.040
And we'll leave you again

01:03:23.040 --> 01:03:24.040
With those legendary words

01:03:24.040 --> 01:03:26.040
From Marlin because it is so
true

01:03:26.040 --> 01:03:27.040
Isn't it?

01:03:27.040 --> 01:03:28.040
Yeah

01:03:28.040 --> 01:03:29.040
Alright bye

01:03:29.040 --> 01:03:30.040
Bye

01:03:30.040 --> 01:03:32.040
Please save me from people
who've been told

01:03:32.040 --> 01:03:35.040
What to like and then like it

01:03:35.040 --> 01:03:36.040
In my opinion

01:03:36.040 --> 01:03:38.040
If you're over six years of age

01:03:38.040 --> 01:03:40.040
And you're still getting your
music from the radio

01:03:40.040 --> 01:03:44.040
Something is desperately wrong
with you

01:03:44.040 --> 01:03:46.040
I can only hope that somehow

01:03:46.040 --> 01:03:48.040
MP3 players and file sharing

01:03:48.040 --> 01:03:50.040
Will destroy FM radio

01:03:50.040 --> 01:03:53.040
The way they're destroying
record companies

01:03:53.040 --> 01:03:55.040
And then even though the air
will probably

01:03:55.040 --> 01:03:57.040
Never be safe to breathe again

01:03:57.040 --> 01:04:00.040
Maybe it will be safer to listen
to