WEBVTT

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Delta Sierra Charlie 2-7-5

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Please save me from people
who've been told what to like
and then like it.

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In my opinion, if you're over
six years of age and you're
still getting your music from
the radio,

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something is desperately wrong
with you.

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I can only hope that somehow MP3
players and file sharing will
destroy FM radio

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the way they're destroying
record companies.

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Then, even though the air will
probably never be safe to
breathe again,

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maybe it will be safer to listen
to.

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With $16 million worth of
airplane strapped to my ass.

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Then the next generation radio
content in my ears.

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I like to think I'm flying you
to the future.

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Good afternoon everybody, coming
to you from Brussels.

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That's right.

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An undisclosed hotel in Brussels
in Belgium.

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This is the daily source code
for Monday, November 7th, 2005.

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As you can tell, I do not have
the Yamaha Mega Workstation with
me.

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I just had to throw some stuff
together.

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I basically pulled out whatever
it's fitting a small suitcase
for my two-day quick travel

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to visit the European Parliament
and a couple members of
Parliament.

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About some serious issues, some
things that took place Friday
and over the weekend

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that we got to talk about.

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And what better than this is
kind of like pulp fiction like
music from a brain bucket.

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Which I found on the pod save
music network.

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This is a buy-out something.

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Anyway, wow, where to start?

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I think the best place to start
for today is kind of a spin it
back to Friday.

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Now, sometimes there is just no
coincidence in life.

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But for the past couple of
weeks, actually for the past
year or so,

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we've been talking about music
rights and how performance
rights work versus mechanical
rights

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versus publishing rights and how
we can use license music in
podcasts.

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And I think we pretty much
determined that it wasn't going
to work on a short term.

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And now some events took place
this past Friday and a little
bit over the weekend

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that made me realize that it's
definitely not going to happen.

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But it gets a little bit worse
than just that.

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Okay.

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So having grown up in the
Netherlands moved there when I
was seven.

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And of course, there was like a
15-year period when Patricia and
I went back to the states.

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But we've been back.

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We were back just at the end of
1999 and stayed there until a
year ago.

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We moved here, but we moved to
the cottage in the UK.

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So I'm a very familiar with it's
a small country, right?

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Oh, man.

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I did it.

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I did a valley wood.

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I said, right.

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After my myself to find myself
for that.

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It's a very small country.

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And Patricia and I were both
very well known there.

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And there's just a lot of
activity around us.

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So people are very aware usually
what we're doing in podcasting
of course is no different.

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Since it was basically developed
partially in the Netherlands.

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I was writing the iPodder script
during the decompression hour of
my morning radio show

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for Veronica Radio, which I did
for a year in the Netherlands.

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I would drive from the castle up
and back every day.

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You probably remember some of
that if you've been listening
for a while.

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And of course it was further
developed at the cottage in
Belgium.

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So podcasting, although it
really caught on first in the
states and probably about six
months ago

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the Dutch press caught up and
started to talk about it a
little bit more.

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The conversation about playing
licensed music on podcast took a
very interesting turn.

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Probably about that must have
been about six months ago.

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When the Dutch version of Ask
Have Be Am I, who of course
affiliated the Buma Stemera,

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said that podcasters,
non-commercial podcasters could
obtain a 35 euro month license

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and play whatever they wanted on
their podcast.

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At least that was the way it was
construed.

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I never quite read it that way.

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I thought it's still meant that
you had to have permission from
the owner of the masters
themselves

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to play it on a podcast.

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Hold on, I'm just having a sip
of, unfortunately, my favorite
coffee.

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And one of those coffee makers
in the corner hall.

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I missed the froth.

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So unbelievably, last Friday the
message is started to come in
that the Dutch version of the
RIA, which is the NVPI,

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decided that they were not going
to go along with us.

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Didn't like the idea there was
going to be no test.

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The only way they will work with
people and license music with
podcasts is if podcasters

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DRM their podcast, which of
course, I mean, what a can of
worms that is we can't even get

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iTunes songs on different
devices.

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So I think that's the last place
we want to go.

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But they're very adamant about
it.

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Now, you have to know something
else about the Netherlands and
how it works there.

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Hold on a second.

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Let me just stop this.

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Bring buckets almost over and I
don't want to go to the next
song just yet.

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Something else you need to know
about.

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Oh, boy, I have a little too
much reverb there.

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Oh, well, it's the multi-effects
box that I brought along.

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I don't want to mess with it.

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I got to get this story to you.

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So something you need to know
about broadcasting in the
Netherlands.

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And in many other countries
around the world, unlike the
United States.

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I think even in the UK, you
purchase a license for, let's
just keep with the radio for a
moment here.

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And let's keep it with the
Netherlands because this is
where the issues are coming
from.

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You purchase a license to use
the frequency.

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And you purchase that.

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Actually, it's done in an
auction.

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Every, I think it's, they've
done two auctions now.

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This is the second auction in 10
years.

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I think that's what it was.

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But most of the time these
frequencies are auctioned off.

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Just like cell phone frequencies
are auctioned off.

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And they're auctioned off to the
highest, usually to the highest
bidder.

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And some radio stations are
paying up to 10 million euros.

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So call that, what is that?

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That's probably like 11 or 12
million dollars.

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Like 11 million dollars a year.

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Just for the privilege of using
the frequency.

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You don't actually get a
transmitter or an antenna or
even two-tain cans in a string
for that price.

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And of course, depending on your
coverage, depending on the
actual frequency,

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if the middle of the band is
sometimes more,

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it can be more useful than the
side bands.

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You know, there's all these
different parameters that play
along.

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And so, you know, the smaller
stations are playing,

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still paying up to a million, I
think,

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anywhere from half to a million
euros a year.

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Just to use it.

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Now, what is the USP, the unique
selling proposition of these
broadcasters?

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Well, 90% of all broadcasts,
radio broadcasts,

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and the Netherlands are
music-based.

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There is an all-new station and
they have it segregated.

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In fact, they've done it so
trickily.

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So it's very intricate,
actually.

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You can purchase a cheaper
license,

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but then you may not be able to
play songs from the 90s and
today.

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You can only play 50s and 60s
and 70s or 70s, 80s and 90s.

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And then there's how much talk
versus music and how much news
you have to bring.

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And so there's all these
stipulations.

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It's a very, very messed up
system.

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It's not really a free way of
operating.

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And it doesn't really give for
good competition,

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because you're competing, you
know, well, forget about it.

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So the main point is that there
is a fee that has to be paid.

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And so the USP is being able to
play licensed music.

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So there's not just an issue
with the record companies in the
Netherlands.

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And again, this is something
that is very common amongst
other European countries,

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other countries in the world.

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There's, so there's a big
disconnect between what we're
doing on podcasting.

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And what's happening in the
music business and what's
happening in broadcasting.

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But it must be very clear that
it behooves both, obviously, the
record companies,

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because they do not believe in
the power of promotion of a
podcast.

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They think that because we're
playing or if someone played
licensed music on a podcast,

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that it would actually, would
detract from record sales.

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Now, you all know that I believe
very different from that.

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Now, the, the broadcasters, they
only have that music,

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that licensed music as their
USP.

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In fact, the backlog is in many,
many instances, very, very
important.

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So think about, you know, the
kind of music that I use in
backtracks,

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or that is, that I play, that is
used in, and produced in
backtracks.

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And the, the hit test that young
poet does.

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And that's a lot of backlog.

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So basically, I got a phone
call.

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Well, actually, it wasn't just a
phone call, but it was more,
more than one means of
communication.

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From more than one
representative, or people who I
deemed to be representative,

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of both the music business and
broadcasting in the Netherlands.

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And I was told, maybe I should
say, well, threatened wouldn't
be the right word.

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But I think, promised probably
would be a better word, that
these organizations,

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the broadcasters, particularly
the commercial broadcasters, who
are very,

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very sue happy in the
Netherlands.

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They sue each other all the
time.

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They sue the government over
their licenses.

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You know, if someone plays a
song from the wrong era that
doesn't belong to their license,

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they go out and sue that
station.

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And they go through the
government again.

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And it's just a very, and
believe me, you do not want to
be in the Dutch legal system.

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Certainly not on the, on the
being sued side.

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It's not fun.

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Very lengthy.

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And they have no, it's a
professional judge system.

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They have no jury.

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So eventually some guy or gal is
going to decide your fate.

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Not a jury of your peers.

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So the promise that was made is
that they're going to come after
podcasters.

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And they're going to shut them
down.

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Now, what was implied, but what
wasn't said implicitly, was that
they were going to shut
podcasting down.

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Many of you may have wondered
how come there are several
episodes of daily source,

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that you can't find in the
archives.

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So maybe it's time for me to
tell you why throughout the past
year,

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I had received notices from
certain organizations.

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Again, these would be a Dutch,
local Dutch chapters of
international organizations

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that would say, hey, you have
licensed music sitting on your
server.

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Here's the file.

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And they typically would point
to a daily source code.

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Now, of course, a year back, I
was certainly playing licensed
music.

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And I would just remove it and I
didn't make a big deal out of
it,

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because I just wanted to keep
podcasting rolling on.

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The last thing we need is the
RIA and Ask Cap or BMI or Harry
Fox,

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or the NVPI or Sainat or C-SAC
or PRM, all this PRS,

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PMS, we do not want these guys
descending on us and just making
trouble,

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because we're doing so well.

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And we do have an alternative,
of course, which is pod save
music.

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So here's what I did.

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And I did not take this quote,
Promise, lightly at all.

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And I even went, so this is the
severity of what it meant to me.

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I actually removed every single
MP3.

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I could find anywhere on a hard
drive in my house.

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So anything that was not, I
probably even threw away a
couple of songs

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licensed through iTunes and
music store.

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But I just took everything out,
got it off my hard drives.

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You know, I archived it and the
disk is safe.

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We're, you know, no one will
find that.

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So that won't be a violation,
but I just took everything off.

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And in fact, I've been enjoying
pod save music all weekend.

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Excuse me.

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Cheap ass coffee and Brussels
hotel room.

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Oh.

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But I'm not taking this, this
lightly.

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And I happen to know a couple of
people in the European
Parliament.

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Because what happens is, if the
Dutch organizations go after
this,

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and it's very easy to get, to
get lost past in the
Netherlands,

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the way the structure is.

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And, you know, just the way the
old boys network functions.

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That this could become a
European directive before you
know it.

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It could just happen overnight.

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So I want to see, you know,
what, what can be done,

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what kind of rights there are.

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But one thing I do know for
sure, it's over.

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There's no, I'm not going to be
playing anymore licensed music.

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If it's not registered through
the pod safe music network,

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which is a very clear agreement.

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Once the podcaster signs up,
once the artist signs up,

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then, you know, you can feel
reasonably safe

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that anything you're playing
there is going to work

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and is going to be deemed pod
safe.

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So even though I, and it really
hurts, man,

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because no more mashups, it
just, I can't do it.

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Because how much fun would it be
for a couple of bullshit
organizations

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to come after me and make a huge
example out of me?

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I think it would be way too much
fun for those guys.

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So I don't want to give them
that pleasure.

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I'm going 100% pod safe from
this moment on.

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And we'll keep you abreast of
what's what I find out here in
Brussels.

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I think I pretty sure, I know
what I'm going to hear.

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I just want to see how fast it
could spread.

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What, how fast the directive can
be put in place.

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Because we do have some
transitioning to make.

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And I think everyone should be
really aware of what's coming
down.

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And it, you know, it makes a lot
of sense.

14:47.000 --> 14:50.000
And thinking about what could
happen.

14:50.000 --> 14:53.000
And I think that we're just on
the edge of that place.

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So pod safe from now on, my
friends, 100%.

14:58.000 --> 15:03.000
And I couldn't think of a better
song to kick off my proud to be
pod safe

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edition of the Delta Sierra
Charlie than monk.

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The pod people.

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And I think we're really free.

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But maybe we're not doing it.

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We're going to sing up the beat.

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[ Music ]

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You better believe it. You can
come after us, but we're here to
make you irrelevant. That's
right

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So speak of the devil RIA makes
a land grab. This is sent to me
by

19:55.560 --> 20:00.200
A non-E mouse and that makes
sense that someone sent it to me
anonymously

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Let me just share this with you.
Hey Adam, I might be interested
in this although it's not
directly related to podcasting

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It might be indicative as to the
state of the mind the RIA is
currently operating under

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So this is the American
counterpart of the of the Dutch
guys who made that a little
promise to me

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So he sends a link here it is

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They've asked all webcasters so
this falls under the

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Man bad Russell's coffee

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This falls under the I guess the
digital millennium copyright act

20:31.160 --> 20:33.160
Usually webcasters do but anyway

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They have asked all webcasters
to agree to paying

20:36.440 --> 20:41.880
More than one third of their
revenue or two point three times
with their currently play a

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Paying for playing RIA
controlled music online

20:47.000 --> 20:49.240
As you mentioned previously, I
work for a small media

20:49.560 --> 20:55.240
As mentioned previously, I work
for a small media conglomerate
and I can tell you we don't make
hardly anything

20:55.720 --> 20:57.720
Off of streaming online

20:57.720 --> 21:03.400
The insider to the negotiations
that I've spoken with seem to
think that basically the RIA is
running scared

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Yeah, no shit. They're argument
asking for these exorbitant
rates is that anybody can now
find any song they want online
at any given moment

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And can use something like audio
hijack pro to get a CD quality
copy of any song they want

21:15.800 --> 21:21.800
Oh, man, these guys do not
understand it. They're for an
order to make up for the lost
revenue in CD sales

21:22.040 --> 21:24.680
They need to jack up the prices
to the middle man

21:26.040 --> 21:28.040
So then he goes on to say that
obviously

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This elbows out the middle man.
So what does this mean for
podcasts or thing? It means
mostly that it seems quite
unlike you

21:34.040 --> 21:39.960
There'll be any reasonably
priced license for including RIA
protect it song at any time in
the foreseeable future. Yeah, no
shit

21:41.000 --> 21:44.920
So there you go. It's happening
in the states now to with the
RIA so

21:45.960 --> 21:48.200
And now we got to be really
careful because

21:49.320 --> 21:53.080
Don't try to do things under
fair use just if you if you when
in doubt

21:53.560 --> 21:55.560
Kick it out. That's what I say

21:56.120 --> 22:03.160
If you're using some kind of you
know a bit from a CD that you
used for an opener or for a tune
for your show

22:03.480 --> 22:08.680
Get rid of it. You don't want to
run any risk. You can find lots
of stuff on the pod safe music
network

22:09.560 --> 22:14.840
Wow, this is gonna be pretty
interesting. So I'm kind of you
know, I mean a new year

22:15.320 --> 22:19.960
I'm in flux man because one on
one hand. I'm like

22:20.440 --> 22:25.400
God this is so stupid. I can't
believe it. Why don't they
understand that this is not the
way to go about it

22:25.400 --> 22:29.160
On the other hand. I'm like
screw that the pod people are
here, baby

22:30.200 --> 22:32.200
This week on the squad cast

22:32.200 --> 22:39.960
He's taken double the fucking
dosage a bite get it. Well,
that's because the last bottle
that I had it was is said to
take a table spoon

22:39.960 --> 22:44.440
So and what did this say? Well,
I didn't read the directs that I
assume this was the same and
then I looked you know

22:44.440 --> 22:47.080
Then I've all of a sudden. I'm
like, oh, it's probably the same
and

22:47.640 --> 22:49.640
Fucking balloon head

22:50.600 --> 22:52.600
What is on the bottle?

22:53.160 --> 22:59.720
So if you on two million dollar
if you take the cash pay out
which I always did you walk home
with seven hundred and seventy
thousand

22:59.720 --> 23:01.560
Oh, he's dead how many times you
went? Yeah, yeah

23:01.960 --> 23:07.480
What's that you said that you
always did as if you won
repeatedly on the lottery. Oh,
no

23:07.480 --> 23:09.480
That's the hang on her

23:10.520 --> 23:12.120
He can his ugly hand

23:12.120 --> 23:15.880
Anthony. Yeah, what did a noise
shit out of you Brian ice cream
really loud?

23:16.520 --> 23:18.520
Yeah

23:18.520 --> 23:20.520
I was only kidding, but there
you go

23:21.480 --> 23:23.480
I guess

23:26.760 --> 23:36.040
Squad cast a Gmail dot com squad
cast squad cast dot com yeah,
I'm Mrs. B here. I was just
listening to daily source code
number 272

23:36.680 --> 23:38.520
and you were talking today about

23:38.920 --> 23:45.960
Football fans in Europe having
podcasts and that there's not
much of a voice of the fan out
there

23:46.360 --> 23:53.560
Well, that applies to American
football too, but guess what? I
do have American football
podcast and it's a Patriots
podcast

23:53.560 --> 23:58.120
And I've been going out at since
some training camp this summer.
I attended training camp every
day

23:58.680 --> 24:02.440
And I've been I did something
towards and I'm continuing on
through the season so

24:03.240 --> 24:07.160
If any of you listeners want to
check out Mrs. B's Patriot World
podcast

24:07.720 --> 24:09.720
Here's just a sample

24:32.840 --> 24:34.840
Oh

24:36.520 --> 24:43.880
I miss his view of Mrs. B's
Patriot World Patriots 2003 fan
of the year people that know me
know I'm just a passionate about
my past

24:44.520 --> 24:50.520
In fact, I attend training camp
every day in the summer that's
every session and then I come
home in podcast

24:51.000 --> 24:53.000
And these are some of the kinds
of things you'll hear here

24:53.400 --> 24:55.000
489450

24:55.000 --> 25:00.760
I don't know it's got all bits
taken. I'll have first lap the
odds in the league all the whole
offense taken

25:00.760 --> 25:04.600
I'll have and the crowds of
people out in the little that
they know that they're in
trouble

25:05.400 --> 25:07.400
It's a fault in the wounds I
guess

25:08.120 --> 25:09.400
It's tailgate to your bed

25:09.960 --> 25:14.120
You come to the right place. We
at the raises edge tailgate know
how to do it right

25:14.600 --> 25:19.240
All fans are always welcome to
join us whether we're a Patriots
fan or an opposing team's fan

25:19.480 --> 25:21.960
But if you want to join in the
fun without really being there

25:22.440 --> 25:24.440
This into the podcast

25:33.000 --> 25:38.520
I'm a foreign my hypnotic shots
your raises edge tailgate to
additionally those a shot of
hypnotic

25:39.080 --> 25:43.080
The big willy so the big willy
has an other big game many of us
have whiskey backers

25:43.080 --> 25:47.320
We also support big willy as we
support all of our pages and of
course

25:47.720 --> 25:49.720
There's always the game

26:07.160 --> 26:12.840
So please subscribe to Mrs. B's
Patriot World podcast and like
the three-time world champion in
England Patriots

26:13.240 --> 26:15.240
It's a sure winner

26:15.720 --> 26:22.280
Thanks, so what do you think you
can find me at
www.patiateworld.com and I go to
our waggames as well

26:22.280 --> 26:24.920
I've been to a couple already
this year I'm heading out to
Miami

26:26.280 --> 26:30.920
Next week while all of you guys
will be at the portable media
expo. I would have left to go
there too

26:32.040 --> 26:34.040
I already had these plans and

26:34.440 --> 26:38.120
So I think it also falls under
that category of regional

26:38.840 --> 26:43.880
Podcasts too. You talked about
that a couple days back and how
does the niche for certain

26:44.200 --> 26:47.240
Certain podcasts and certain
regions and although

26:47.800 --> 26:53.080
The Patriots are the New England
Patriots Patriot Nation extends
far beyond the borders of New
England

26:53.160 --> 26:59.160
There's Patriot fans all over
the world. So if any of the
listeners out there I want to
jump on and and live

26:59.160 --> 27:02.760
Vicariously through the season
ticket hold as eyes ears and
taste buds

27:03.880 --> 27:07.480
Jump on over to Mrs. B's Patriot
World podcast. Go

27:08.440 --> 27:13.960
Hi, this is Allison Sheridan
with the New Silicast podcast
hosted at podfeet.com

27:14.360 --> 27:20.200
I wanted to tell you about my
podcast. It's a technology geek
podcast with a slight Macintosh
bias

27:20.600 --> 27:26.440
I just love technology. I love
to talk about it. I love to to
read about it. I love to play
with it

27:26.840 --> 27:32.040
I love to do anything to find
new tools that are gonna solve
problems that we all have

27:32.280 --> 27:36.360
I like to teach other people how
to use tools. I just love
technology

27:36.440 --> 27:38.760
It's what I play with all day at
work and all day at home

27:39.480 --> 27:43.320
Just really really get a big
kick out of it. So I thought if
I was having that much fun with
it

27:43.320 --> 27:46.120
Why not do a podcast and get
other people excited about it
too?

27:46.680 --> 27:52.440
I like freeware and shareware
best of all. That's my favorite
thing in the world anybody can
send me a link and say here

27:52.440 --> 27:57.240
Try this and all load it. It's
kind of like hey Mikey. He'll
try anything. I'll try any piece
of software

27:57.240 --> 28:02.760
You send me just to see what it
does. I don't care what it does
my operating system. Let's just
find out do some experimentation

28:03.560 --> 28:10.360
I've got listeners from 24
countries already and so I'm
hoping that I'm inspiring people
enjoy technology as much as I do

28:10.760 --> 28:19.560
Why don't you head over to
podfeed.com and check out the
no-silicate podcast. Yeah, right
home. I love playing with
playing with it too as much as I
can

28:22.200 --> 28:26.360
So my new setup clearly does not
block Skype from ringing through

28:27.240 --> 28:31.400
That was kind of interesting
Skype went off then I rejected
it and then two seconds later

28:31.480 --> 28:35.960
My cell phone rang because I
forgot that I have Skype forward
into my cell phone

28:37.000 --> 28:40.600
My goodness so that's just stay
off for now now. All righty that
was kind of that the

28:41.240 --> 28:45.320
That pat New England Patriots
podcast man that promo was long

28:45.880 --> 28:48.520
Hey, let's try to keep promos
under 10 minutes if we can

28:50.040 --> 28:55.320
Oh wow so a little depressing
here the weather is really crap
in in Brussels

28:56.280 --> 29:03.400
And by the way the parliament
moves back and forth between
Brussels and Luxembourg so the
idea is is to go to Luxembourg
tomorrow because there's a

29:04.280 --> 29:06.280
Basically the people that I want
to talk to are split up

29:07.720 --> 29:13.160
But I'm I'm pretty sure I know
what I'm gonna hear and by the
way this is not like it's like
it's a

29:14.440 --> 29:20.280
A huge punishment for me to do
this because you know that when
you make those little hops in
inside Europe

29:20.280 --> 29:22.760
You don't really get on an easy
jet if you have

29:23.720 --> 29:26.920
The Charlie 182 Romeo Gulf you
know what I'm saying

29:27.800 --> 29:31.640
Hey, here's a premiere for you.
This is a brand new from Josh
Cruz

29:32.040 --> 29:35.000
You know from cruise box listen
to mash it up

29:36.250 --> 32:10.300
[ Music ]

32:10.300 --> 32:13.300
Why not buy a song?

32:13.300 --> 32:19.300
I'm on my foot, it's wrapped up
in the cord

32:20.300 --> 32:23.300
Josh Cruz, mash it up, it's the
title that one

32:24.300 --> 32:28.300
I said premiere, it's a premiere
on the daily source code

32:28.300 --> 32:31.300
That's for sure, maybe CCC
Chapman played it, that wouldn't
surprise me

32:31.300 --> 32:34.300
I haven't listened to the latest
pod show music rewind

32:34.300 --> 32:38.300
Which I think it's number eight
came out, no maybe seven, seven
or eight

32:38.300 --> 32:42.300
Oh man, if you haven't heard
that definitely go to
music.podshow.com

32:42.300 --> 32:45.300
There's a link to it right there
on the homepage these days

32:45.300 --> 32:49.300
So still working on that
Christmas song, a slow is
communicating with the

32:49.300 --> 32:53.300
Ronald Treiber in the
Netherlands and they're working
on coordinating

32:53.300 --> 32:56.300
Getting some artists, I guess,
actually into a studio in New
York

32:56.300 --> 32:58.300
Some of the New York guys and
gals

32:58.300 --> 33:03.300
And hopefully they're gonna have
other stuff sent through the net

33:03.300 --> 33:05.300
That was kind of the whole point
of the experiment

33:05.300 --> 33:10.300
To see if we could get a whole
bunch of pod music artists
sending in their submissions

33:10.300 --> 33:14.300
And basically syncing them up, I
have no idea how that's gonna
work

33:14.300 --> 33:17.300
Technically, but looks like one
big pro tools project to me

33:17.300 --> 33:21.300
And CCC Chapman is now kind of
coordinating that

33:21.300 --> 33:25.300
So I'm so happy that all I had
to do is just hand off the idea

33:25.300 --> 33:27.300
I don't actually have to do
anything

33:27.300 --> 33:29.300
But the minute there's something
I can listen to guys

33:29.300 --> 33:32.300
Maybe you got some session
tracks or something, please send
it off to the source code

33:32.300 --> 33:34.300
So I can let everybody enjoy it

33:35.300 --> 33:39.300
And of course, I got a whole
bunch of comments about me
talking about Christmas

33:39.300 --> 33:41.300
In many aspects

33:41.300 --> 33:44.300
Hi Adam, this is Brent from mac
and rollpodcast.com

33:44.300 --> 33:49.300
What's the fucking deal of
playing Christmas music the
first week of November

33:49.300 --> 33:52.300
You're getting as bad as Walmart
and Target

33:52.300 --> 33:54.300
What next Christmas tree
websites

33:54.300 --> 33:58.300
And correct me if I'm wrong, but
I don't think I've ever heard a
death metal band

33:58.300 --> 34:02.300
When the pot safe music network
on the daily source code

34:03.300 --> 34:06.300
Like you think death metal
artists don't have feelings too

34:06.300 --> 34:12.300
I think they'd go over great on
your Christmas song
collaboration

34:12.300 --> 34:15.300
So don't forget the death metal
artists

34:15.300 --> 34:17.300
Keep talking to Adam

34:26.300 --> 34:30.300
Hi Adam, it's Glenia from the
Zedesh pot cost

34:30.300 --> 34:32.300
Down here in Cape Town, South
Africa

34:32.300 --> 34:34.300
Or as you yanks are called at
the Zesesh

34:34.300 --> 34:36.300
Well it's early November

34:36.300 --> 34:40.300
But you know has you know time
flies and we're heading towards
Christmas time

34:40.300 --> 34:44.300
And one thing that really piss
me off the most

34:44.300 --> 34:48.300
is when I turn on the TV and I
look at foreign media

34:48.300 --> 34:52.300
The phrases like happy
Christmas, merry Christmas

34:52.300 --> 34:54.300
Have a great new year

34:54.300 --> 34:57.300
Or whatever, you know people use
to express

34:58.300 --> 35:00.300
You know good wishes and good
wealth of Christmas

35:00.300 --> 35:02.300
Or it's been replaced by two
words

35:02.300 --> 35:05.300
One phrase, happy holidays

35:05.300 --> 35:09.300
I think this is a lot of
politically correct bullshit

35:09.300 --> 35:11.300
That we have to endure during
this time of year

35:11.300 --> 35:15.300
Where we all come together and
we all close and family

35:15.300 --> 35:19.300
And all those good things that
form part of the Christmas
spirit

35:19.300 --> 35:21.300
I would like to ask all
pot-casters

35:21.300 --> 35:24.300
Are there please refrain from
using happy holidays

35:25.300 --> 35:30.300
Please express yourself the way
you should be expressing
yourself during this time of
year

35:30.300 --> 35:33.300
So if you're in a religion that
celebrates Christmas

35:33.300 --> 35:35.300
Same merry Christmas on a happy
new year

35:35.300 --> 35:37.300
And I hope you have a great 2006

35:37.300 --> 35:39.300
If you're Jewish, well happy on
a cold

35:39.300 --> 35:42.300
And if you're anything else that
celebrates this time of year

35:42.300 --> 35:44.300
And a different way, express
yourself

35:44.300 --> 35:47.300
Come on guys, stop letting the
foreign media

35:47.300 --> 35:49.300
And all the politically correct
bullshit

35:49.300 --> 35:51.300
Interfere in your Christmas time

35:52.300 --> 35:54.300
And secondly, I thought I'd plug
my own show

35:54.300 --> 35:56.300
You can listen to the Zerez Show
podcast

35:56.300 --> 36:01.300
Probably one of a handful of
podcasts coming from Cape Town,
South Africa

36:01.300 --> 36:03.300
Well yeah, we talk about all
things South African

36:03.300 --> 36:05.300
It may be news interviews

36:05.300 --> 36:11.300
Sensing tours and of course we
try our best to play the very
best in South African music

36:11.300 --> 36:12.300
Oh, and another thing

36:12.300 --> 36:14.300
We've also been making some
bolt-on

36:14.300 --> 36:16.300
Which is the South African
delicacy

36:16.300 --> 36:18.300
A spiced dry meat

36:18.300 --> 36:21.300
And no, it is not like that
horseshoe

36:21.300 --> 36:24.300
You guys call beef jerky up
there in the US

36:24.300 --> 36:26.300
So come on subscribe to the
Zerez Show

36:26.300 --> 36:28.300
Search for the Zerez Show in
iTunes

36:28.300 --> 36:30.300
Or subscribe via the website

36:30.300 --> 36:35.300
www.Zedeshow.Zeday.net

36:35.300 --> 36:37.300
And of course don't forget

36:37.300 --> 36:41.300
Zed in South Africa is
pronounced as Z in the US

36:41.300 --> 36:43.300
Well until then, thanks Adam

36:43.300 --> 36:44.300
Bye bye

36:44.300 --> 36:45.300
Thanks Glenn

36:45.300 --> 36:46.300
Now you make a good point there

36:46.300 --> 36:47.300
Patricia now we're just talking
about that

36:48.300 --> 36:52.300
About right now how beautiful a
Guilford is

36:52.300 --> 36:55.300
And it's a holiday spirit

36:55.300 --> 36:58.300
I think the I think what we
should do

36:58.300 --> 37:00.300
As responsible podcasts

37:00.300 --> 37:03.300
I'm going to make it my business
to find out

37:03.300 --> 37:05.300
And usually I do actually

37:05.300 --> 37:08.300
Find out what the exact dates of
some other holidays are

37:08.300 --> 37:09.300
So I can say happy Hanukkah

37:09.300 --> 37:12.300
And what else there must be
other things you say at Hanukkah

37:12.300 --> 37:14.300
I know that

37:15.300 --> 37:17.300
Around young Kippur Jewish New
Year

37:17.300 --> 37:19.300
You say Shrenatova

37:19.300 --> 37:21.300
And then of course there's
Kwanza

37:21.300 --> 37:22.300
So maybe we just

37:22.300 --> 37:24.300
And how can we don't have

37:24.300 --> 37:27.300
Shopping season for Kwanza

37:27.300 --> 37:30.300
And for Hanukkah and for Ramadan

37:30.300 --> 37:32.300
And what else you might have

37:32.300 --> 37:34.300
You know I think it's a
commercial opportunity

37:34.300 --> 37:35.300
There's not a

37:35.300 --> 37:37.300
Maybe we should start with
Ramadan

37:37.300 --> 37:39.300
I'm telling you that's like a
month worth of partying

37:39.300 --> 37:40.300
Ah

37:40.300 --> 37:41.300
Oh well

37:41.300 --> 37:43.300
Yeah I kind of agree with that

37:43.300 --> 37:45.300
Political politically correct

37:45.300 --> 37:46.300
Happy holidays

37:46.300 --> 37:48.300
Oh please

37:48.300 --> 37:49.300
Please

37:49.300 --> 37:52.300
And of course that means that we
should also have a

37:52.300 --> 37:53.300
A pod safe

37:53.300 --> 37:55.300
Happy Hanukkah song and happy
Kwanza song

37:55.300 --> 37:56.300
I'm all for it

37:56.300 --> 37:58.300
Send it in just send it into me

37:58.300 --> 38:01.300
And I did a request

38:01.300 --> 38:06.300
Last week for some creative
ideas about

38:06.300 --> 38:08.300
New types of advertising

38:08.300 --> 38:10.300
And I received a couple of
entries

38:10.300 --> 38:12.300
I want to play 140 right now

38:12.300 --> 38:14.300
Which I like very much

38:14.300 --> 38:16.300
Although it wasn't really a new
way of advertising

38:16.300 --> 38:18.300
But it was actually it was kind
of

38:18.300 --> 38:19.300
It was very creative

38:19.300 --> 38:21.300
And it's not 30 seconds jammed
into your face

38:21.300 --> 38:23.300
Here listen to this with me

38:23.300 --> 38:24.300
I think you'll enjoy it

38:24.300 --> 38:27.300
Hi Adam

38:27.300 --> 38:29.300
It's Ron from Griddlekakes Radio

38:29.300 --> 38:31.300
Where we explore the last art of

38:31.300 --> 38:32.300
Audio Storytelling

38:32.300 --> 38:34.300
Check us out at griddlekakes.com

38:34.300 --> 38:36.300
Just like you

38:36.300 --> 38:37.300
I'm a big

38:37.300 --> 38:39.300
So we decided to take you up on
your quest

38:39.300 --> 38:41.300
For an eye dot commercial

38:41.300 --> 38:43.300
And delivered it to you

38:43.300 --> 38:44.300
Griddlekakes style

38:44.300 --> 38:45.300
Take a listen

38:48.300 --> 38:50.300
Here you go sweetheart

38:50.300 --> 38:51.300
Happy birthday

38:51.300 --> 38:52.300
Hmm

38:52.300 --> 38:54.300
The box is bigger than I thought

39:00.300 --> 39:02.300
Oh, what's this?

39:02.300 --> 39:03.300
It's a puppy silly

39:03.300 --> 39:05.300
Isn't that what you wanted?

39:05.300 --> 39:06.300
Well dad

39:06.300 --> 39:08.300
I wanted an eye dog

39:08.300 --> 39:11.300
I know but isn't a puppy much
better than an eye dog

39:11.300 --> 39:14.300
Can he make his head light up?

39:14.300 --> 39:15.300
Well no

39:15.300 --> 39:16.300
If I plug him in on my eye pot

39:16.300 --> 39:17.300
Will he play music?

39:17.300 --> 39:18.300
No sweetheart

39:18.300 --> 39:20.300
Can he dance to my music?

39:20.300 --> 39:21.300
Maybe in time

39:21.300 --> 39:22.300
I just thought

39:22.300 --> 39:23.300
I'm just think about all the
things

39:23.300 --> 39:25.300
We won't have to do with an eye
dog

39:25.300 --> 39:27.300
We won't have to feed him

39:27.300 --> 39:29.300
We won't have to clean up after
him

39:29.300 --> 39:30.300
We won't have to get him

39:30.300 --> 39:32.300
Since the dawn of time

39:32.300 --> 39:35.300
Dogs have held the title man's
best friend

39:36.300 --> 39:37.300
But not anymore

39:37.300 --> 39:39.300
As children around the world

39:39.300 --> 39:42.300
Choosing a cute little pooch
with a pinched from music

39:42.300 --> 39:44.300
Called Eye Dogs

39:44.300 --> 39:47.300
And we'll never have to take
ticks off of him

39:47.300 --> 39:49.300
Oh look honey

39:49.300 --> 39:51.300
He's trying to moonwalk

39:51.300 --> 39:53.300
Oh hum

39:53.300 --> 39:55.300
Boring

39:56.300 --> 39:57.300
Um

39:57.300 --> 39:58.300
Dad

39:58.300 --> 40:00.300
What's he doing now?

40:00.300 --> 40:01.300
I don't know

40:01.300 --> 40:04.300
I think he's trying to plug
himself into the stereo

40:04.300 --> 40:05.300
No

40:07.300 --> 40:09.300
And Eye Dogs run on batteries

40:09.300 --> 40:12.300
And I can carry him in his eye
doggy bag

40:12.300 --> 40:13.300
And I can take him with me

40:13.300 --> 40:16.300
And I can dress him up in this
cute little sweater

40:16.300 --> 40:17.300
Called a chill set

40:17.300 --> 40:19.300
And he's allowed to stay in home

40:19.300 --> 40:20.300
Come here boys

40:20.300 --> 40:21.300
Are you alright?

40:21.300 --> 40:23.300
Eye dog

40:23.300 --> 40:26.300
Man's new best friend

40:28.300 --> 40:30.300
Okay

40:30.300 --> 40:32.300
I don't know if we could ever
use it more than once

40:33.300 --> 40:35.300
I might try and see if I can get
away with it

40:35.300 --> 40:37.300
But I like it very much

40:37.300 --> 40:38.300
Very, very cool

40:38.300 --> 40:39.300
Um

40:39.300 --> 40:40.300
You know what?

40:40.300 --> 40:41.300
Tell me your address

40:41.300 --> 40:43.300
And I'll send you an eye dog

40:43.300 --> 40:46.300
If I'm sure we have one lane
right

40:46.300 --> 40:48.300
If not we'll just grab the one
that belongs to

40:48.300 --> 40:51.300
Chris McIntyre from podcast
alley

40:51.300 --> 40:53.300
We'll steal his eye dog

40:53.300 --> 40:55.300
Alrighty

40:55.300 --> 40:56.300
How wild this is so weird

40:56.300 --> 40:58.300
The sound is completely
different

40:58.300 --> 40:59.300
I think I might have a

40:59.300 --> 41:02.300
I see this is my old soundcraft
mixing board

41:02.300 --> 41:03.300
It has the

41:03.300 --> 41:05.300
Let me just tell you what I have
set up

41:05.300 --> 41:08.300
Because I've been doing a little
bit of experimentation

41:08.300 --> 41:09.300
With mobile setup

41:09.300 --> 41:10.300
I brought out the...

41:10.300 --> 41:13.300
So I have to say that for short
trips

41:13.300 --> 41:16.300
Schlepping along the Yamaha
digital

41:16.300 --> 41:18.300
Workstation, the 16

41:18.300 --> 41:20.300
Alfa whiskey, whatever it is

41:20.300 --> 41:22.300
It's just way too much

41:22.300 --> 41:24.300
Of course, what I really need

41:24.300 --> 41:26.300
Is any of the great Mike Priam

41:26.300 --> 41:28.300
Something that makes the
microphone sound good

41:28.300 --> 41:29.300
Like having a little bit of
reverb

41:29.300 --> 41:31.300
I think I have too much

41:31.300 --> 41:33.300
But I just have to live with it

41:33.300 --> 41:34.300
And a compressor

41:34.300 --> 41:36.300
And I have from my previous
setup

41:36.300 --> 41:38.300
I have this, what does this say?

41:38.300 --> 41:40.300
Let me see

41:40.300 --> 41:41.300
What kind of unit?

41:41.300 --> 41:42.300
It's a cheap ass one

41:42.300 --> 41:44.300
It's the TC electronic

41:44.300 --> 41:47.300
Does it have a name on it?

41:47.300 --> 41:50.300
I can't even read him

41:50.300 --> 41:52.300
So freaking blind

41:52.300 --> 41:54.300
The dual

41:54.300 --> 41:56.300
Engine processor

41:57.300 --> 41:59.300
The M300

41:59.300 --> 42:00.300
Okay

42:00.300 --> 42:03.300
So I've basically routed

42:03.300 --> 42:06.300
The signal out of the new power
book

42:06.300 --> 42:08.300
Into a channel there

42:08.300 --> 42:10.300
I have the mic just plugged in
up on top

42:10.300 --> 42:12.300
And it all runs through the same
reverb

42:12.300 --> 42:14.300
And processor

42:14.300 --> 42:15.300
Sounds okay I guess

42:15.300 --> 42:17.300
It's better than the live mic

42:17.300 --> 42:19.300
Oh by the way, I can also put
the live mic on it

42:19.300 --> 42:21.300
So once I get the sound a little
bit better

42:21.300 --> 42:22.300
And I'll have to work on that

42:22.300 --> 42:23.300
And tweak it

42:23.300 --> 42:24.300
This will be a great mobile
setup

42:24.300 --> 42:26.300
Because it's a much more compact

42:26.300 --> 42:28.300
Than the Yamaha

42:28.300 --> 42:29.300
Man

42:29.300 --> 42:30.300
I'm also sitting on the ground

42:30.300 --> 42:31.300
I have all the equipment

42:31.300 --> 42:32.300
Strow now

42:32.300 --> 42:33.300
You know I like to stand

42:33.300 --> 42:34.300
When I'm working

42:34.300 --> 42:38.300
And I don't get as much
gastronol interruptions

42:38.300 --> 42:39.300
So I have my back leans

42:39.300 --> 42:41.300
The lean the lean against the
bed

42:41.300 --> 42:43.300
Here on the carpet

42:43.300 --> 42:44.300
Which kind of grosses me out

42:44.300 --> 42:47.300
The carpet of the hotel room

42:47.300 --> 42:48.300
Who knows what

42:48.300 --> 42:51.300
Euro Parliamentarian

42:52.300 --> 42:54.300
Been walking around here with a
wet damp feet

42:54.300 --> 42:55.300
From the shower

42:55.300 --> 42:56.300
Ooh

42:56.300 --> 42:57.300
Freaky man

42:57.300 --> 42:58.300
Just freak out of him

42:58.300 --> 42:59.300
This is Thomas from Germany

42:59.300 --> 43:00.300
Hey Thomas

43:00.300 --> 43:02.300
I'm a regular listener since
about two months

43:02.300 --> 43:04.300
I'm really enjoying what you do

43:04.300 --> 43:07.300
In fact, your show is just about
the only podcast

43:07.300 --> 43:10.300
I have the time to listen to on
a regular basis

43:10.300 --> 43:13.300
It seems to cover a lot of what
I've interested in

43:13.300 --> 43:16.300
Music, political aspects of the
music business

43:16.300 --> 43:17.300
Geeky stuff

43:17.300 --> 43:19.300
Apple porn

43:19.300 --> 43:22.300
You know, you've talked about
German reggae music

43:22.300 --> 43:24.300
And one or two of the last shows

43:24.300 --> 43:29.300
Reggae, especially German
reggae, is extremely popular
over here

43:29.300 --> 43:32.300
I'm sure you must have heard
about seed

43:32.300 --> 43:34.300
A band from Berlin

43:34.300 --> 43:37.300
They have a huge hit at the
moment called Aufstein

43:37.300 --> 43:40.300
I think there are also popular
in Jamaica

43:40.300 --> 43:43.300
Which goes to show that music
really is a universal

43:43.300 --> 43:45.300
Border crossing phenomenon

43:46.300 --> 43:48.300
It's also refreshing to see you
know

43:48.300 --> 43:51.300
The young folk listening to some
proper music for a change

43:51.300 --> 43:53.300
I know

43:53.300 --> 43:55.300
That music is not part-save

43:55.300 --> 43:58.300
But I think you're not wanting
to miss this really, really cool

43:58.300 --> 44:00.300
But pumping kick ass reggae

44:00.300 --> 44:03.300
Which, by the way, also has some
very cool lyrics

44:03.300 --> 44:06.300
You might even understand most
of it

44:06.300 --> 44:08.300
Since they're singing in German
as well as English

44:08.300 --> 44:10.300
Don't miss him

44:10.300 --> 44:12.300
Okay Adam, that's all from me

44:12.300 --> 44:13.300
Keep up the good work

44:14.300 --> 44:15.300
I wish you all the best

44:15.300 --> 44:16.300
Bye

44:16.300 --> 44:17.300
Dude, Thomas, thanks

44:17.300 --> 44:18.300
But there's just no way, man

44:18.300 --> 44:19.300
I cannot play it

44:19.300 --> 44:21.300
It's not pod-save as you already
pointed out

44:21.300 --> 44:23.300
I played it, so that was an
illegal transfer

44:23.300 --> 44:25.300
I played it, I listened to it

44:25.300 --> 44:26.300
I liked it very much

44:26.300 --> 44:27.300
Seed with Triple E

44:27.300 --> 44:29.300
And I immediately deleted it

44:29.300 --> 44:30.300
Because

44:30.300 --> 44:31.300
No more risk

44:31.300 --> 44:34.300
Proud to be pod-save here on
Delta Sierra Charlie

44:34.300 --> 44:36.300
275

44:36.300 --> 44:38.300
This one's just been haunting me

44:38.300 --> 44:39.300
As I listened to it on my iTunes

44:39.300 --> 44:41.300
Bob Gentry's upside down

44:42.300 --> 44:45.300
I've been talking in my past
sleep

44:45.300 --> 44:46.300
When I'm waking

44:46.300 --> 44:48.300
Well, my tongue is tight

44:54.300 --> 44:57.300
I've been thinking I should
leave

44:57.300 --> 45:00.300
Instead of waiting for her when
the time is right

45:00.300 --> 45:58.750
[ Music ]

46:00.300 --> 46:03.300
I've been walking in my head

46:03.300 --> 46:04.300
Sleep

46:04.300 --> 46:05.300
When I'm waking up

46:05.300 --> 46:07.300
Well, my legs are tight

46:08.750 --> 48:15.300
[ Music ]

48:15.300 --> 48:20.300
I was able to hide every bruise
on my body till now

48:20.300 --> 48:24.300
All I can do is try it

48:24.300 --> 48:28.300
Oh man, I love that song

48:28.300 --> 48:30.300
Despite the skipping

48:30.300 --> 48:33.300
The audio hijacked pro and mega
Sega produced

48:33.300 --> 48:35.300
Well worth the price of
admission

48:35.300 --> 48:37.300
Pot say find that a
music.podshow.com

48:37.300 --> 48:39.300
Bob Gentry upside down

48:39.300 --> 48:43.300
As the final sounds for today's
daily source code

48:43.300 --> 48:45.300
Which means we'll be back with
you tomorrow

48:45.300 --> 48:47.300
It'll be from Luxembourg

48:47.300 --> 48:50.300
And I'll have hopefully have
some more to report

48:50.300 --> 48:52.300
And we're still proud to be

48:52.300 --> 48:54.300
Pot say

48:54.300 --> 48:56.300
Another Pot show podcast

48:56.300 --> 48:58.300
Stick it in your ear

49:00.300 --> 49:02.300
Thanks for watching