WEBVTT

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Introducing Adam Curry, here
down to his butt crack and layer
of field that just don't wash
off.

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I'm towed three, four, five,
six.

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Sweetheart, thank you, thank
you.

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With a $14 bicycle strap to his
ass and a Yahoo Map of Gilbert
England is front pocket.

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He likes to think of himself as
peddling into the future.

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Adam Curry helped us Sierra
Charlie 307 happy new year,
everybody.

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[ Music ]

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Negative tones for Brooklyn, so
my troubles begin on safe music
network.

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Hey everybody, how are you
doing?

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I'm so 307.

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How did the daily source code
starting off a new year?

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2006, we did it.

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We made it all the way through.

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I hope you had a great new year,
I hope you had a great
celebration, and hope you are

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ready and pumped for some cool
stuff coming up this year.

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Whew, oh my goodness, thanks
Camille AC for pointing out the
negative tone track to me.

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Actually, I heard that on the
Ultimate Mix podcast.

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I was like, what, does something
about that song?

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I'm not really a guy who plays a
lot of indie rock or punk rock,
but it was almost

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like, there was a piece taken
from the Beatles, the, the, the,
the, the, the mixed in with,

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it almost sounded like hello
from YouTube, I don't know, just
the, it kind of worked

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for me.

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Learned a lot of things over
the, over the, the passing of
the past year and the entrance

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of the new year, all kinds of
lists showed up everywhere, and
all kinds of information,

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and the hundred things you found
out this year.

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That's actually something that I
found in, let's see, who sent
this to me?

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It was, uh, Steve Page sent me
this link to the BBC website.

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I think what it was, it's
exactly a title of this.

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I think it's a hundred things.

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We didn't know this time last
year.

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So this was published on Friday
the 30th and at number 100, I
think it's number 100.

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And this is something I didn't
know.

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Um, it turns out, and I quote
from this article, musical
instrument shops.

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So that's places where you buy
guitars and drums and stuff like
that.

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Must pay an annual royalty to
cover shoppers who perform a
recognizable riff before they

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buy.

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Considering a public
performance.

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So I guess that's true in the,
in the UK.

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I don't know.

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Is that true in the US?

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I assure there's lots of people
who work at, uh, at music shops
who listen to,

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I actually I probably should ask
big, big mic, he go figure find
out for me.

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But I was blown away by that.

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Of course, it makes sense.

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You're playing music.

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We've, and I told Patricia this
and it's been an ongoing
discussion throughout the new

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years.

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She said, but I don't understand
why the, well, that's bullshit.

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I said, well, when, you know,
because she's a, um, uh, uh,

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be my stem rower slash asscat
BMI artist.

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And, um, and she gets she
collects royalties from public
performances.

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And I went down the list.

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Well, if someone plays your
music in an elevator, yeah, I
want to get paid.

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Well, if someone plays your
music on the radio, yeah, I want
to get played.

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If someone plays your music on a
podcast.

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And then she's like, well, yeah,
yeah, I guess so.

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I said, well, how much?

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So I basically what it boils
down to every single time.

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As I keep saying, look, you
know, these are the problems.

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And we've just stopped bothering
with them.

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There's plenty of talent, plenty
of great music out there.

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Yeah, it's a fuck.

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It's a major bummer that I can't
play because what we're
listening to today.

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Stevie Wonder story, um, and the
BBC has a wonderful, um, musical
journey

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through Stevie's life and, um,
and an interview with Stevie
Wonder.

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Yeah, I'd love to have that on a
podcast, but obviously we can't
do that.

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So she said, yeah, but so
that'll never happen again.

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How about Glenn Miller said,
nope, can't play that either.

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I just went going on a list and
look, you know, representatives
from your community

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need to step up and say, this is
messed up and we need to come up
with something else.

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But in the meantime, we're not
stopping.

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We're just continuing with what
we're doing.

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And, um, she bought Kumar.

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I think I pronounced in that
right.

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Sent me a link to, um, see, what
site is this?

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This was pretty funny.

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This is, um, it's a website, but
it's basically a publication
for, um,

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for the radio broadcast
industry, radio daily news.com
named Steve Jobs,

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radio person of the year.

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For his innovation and
podcasting.

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Let me see if I can read from
the press release.

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He was pretty funny.

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Oh, there was a specific mention
of, of podcasting in here.

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Oh, yeah, Steve Jobs has been a
champion innovator and producer
of technological

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products, absolutely true.

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His Apple II, my iPad, I put
shuffle blah, blah, blah, blah,
blah.

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The introduction of the iPod
changed the way that people
listen to music

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and other audio and video
programming iPod spawn podcast
and almost overnight.

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A new distribution channel for
radio entertainment program for
radio program was born

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with the introduction of replays
of sports news information
entertainment program content.

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That's right.

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It continues to grow measureably
with more innovations expected
to be introduced by

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Steve Jobs and Apple in 2006,
absolutely fantastic.

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My goodness.

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Hey, and of course, this says
the first show the new year on a
serious stars one

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of three, the lineup is back and
everyone's cracking and rearing
to go.

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I'm told.

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So for the first half hour of
this podcast, we'll be
simultaneously cast on

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the serious satellite radio
network.

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And I guess it's only what seven
more days until Howard Stern
arrives.

07:56.000 --> 08:01.000
Hey, you have to think about, by
the way, so the goal here is to
show you the stars,

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so you'll think about what I'm
going to do.

08:06.000 --> 08:10.200
Hey, Adam, this is Tokyo Dan
hitting the hot clubs and
recording the hot indie bands

08:10.200 --> 08:11.200
in Tokyo.

08:11.200 --> 08:15.400
In the background is the live
version of dear friend by Diky
and Little Wings,

08:15.400 --> 08:20.400
which C.C. played on accident
hash number 96 and C.C. really
liked them.

08:20.400 --> 08:24.200
Well, if you want to hear the
rest of this tune, go over to
the pod safe music network

08:24.200 --> 08:28.400
where Diky and I just uploaded
some clips from Diky and Little
Wings recent live

08:28.400 --> 08:29.400
performance.

08:29.400 --> 08:30.400
Check them out.

08:30.400 --> 08:33.400
We're catching a complete live
performance on my podcast.

08:33.400 --> 08:40.400
What's happening in Tokyo at
www.whi-o-k-y-o-dot-in-for.

08:40.400 --> 08:42.400
Hello, Adam Curry.

08:42.400 --> 08:44.400
This is Carmen Tyler.

08:44.400 --> 08:49.200
I just wanted to drop you a line
and tell you that I hope that
you and your family have

08:49.200 --> 08:56.120
the most awesome new year and
that this year has been awesome
for podcasting and shout

08:56.120 --> 09:01.200
out through the pod father
himself and I know that 2006 is
going to be really awesome

09:01.200 --> 09:06.200
and podcasting and I'm very
honored to be a part of it and
very honored to have been

09:06.200 --> 09:07.200
played on your show.

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So just have a great awesome and
happy new year.

09:10.400 --> 09:12.800
Do you believe anything is
possible?

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We do.

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We are a flank.

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We believe in an internet that's
safe from virus hissing
scammers.

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We're Earthlink.

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We believe your personal
information should be just that
personal and we believe your

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internet should be a friend, not
a foe.

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We're Earthlink.

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Make this smart choice, visit
earthlink.net and discover what
our internet experts can do

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for you, Earthlink.

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We revolve around you.

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Hey, are you a professional
singer and amateur dramatic
screw, a school, a karaoke
superstar?

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What do you do when you need a
professional quality backing
track for your performance?

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The music without vocals podcast
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backing track productions.

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At www.musicwithoutvocals.com,
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the songs you need.

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Check out the podcast now at
www.musicwithoutvocals.com.

10:15.000 --> 10:20.400
You know, I got Patricia that
karaoke microphone for
Christmas, so I'm totally
enthralled

10:20.400 --> 10:25.560
by the capabilities and
possibilities and that was
actually it was more like a
commercial

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than a promo, but it kind of
worked both ways, which is why I
played it for you.

10:29.760 --> 10:36.640
Quite a community, this karaoke
stuff is Peter Jacobs lives in
Germany, and he sent me

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an email titled the Senseo
Conspiracy, and he's come up
with something that even had

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caught my attention.

10:45.040 --> 10:49.080
Not just for those of you who
knew to the show just tuning in
for the first time, maybe

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maybe you got an iPod for
Christmas and you hooked it up
and like, oh, what's this
podcast

10:53.800 --> 10:54.800
thing?

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I love the Senseo Coffee machine
made by Philips and Dawa
Echiberts.

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I love it.

11:00.240 --> 11:01.240
I love the product.

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I love the coffee, and then I
figured out how to make it just
right.

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It gives me gastronomitis, and I
love to talk about the Senseo
whenever I do burp.

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But now, PJ from Germany says,
I've been listening to your show
for a few weeks now.

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There's something that keeps
bugging me about it, while you
seem to struggle from freedom

11:18.080 --> 11:19.400
from the music industry.

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You keep advertising the Senseo
brand, as someone who really
likes coffee and really dislikes

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the way the world is shaped by
global players.

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This is a constant thorn in my
ears.

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Here's why.

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Senseo is a brand of Sarah Lee,
which I don't think is true.

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I don't, I think it's, well, I
could be wrong, but I thought it
was Philips, and maybe

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they sold it.

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Anyway, just as Nestle has Nest
Spresso, and craft foods has
Tassimo, those brands

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are closed.

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Non-interoperable formats, that
was a great.

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We're getting down into, and
today, wine a land of coffee.

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Just as if Sony was to create a
media device that was sold for
very cheap money, but

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could only play content from
Sony or their licensees.

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Well indeed, such a device
exists.

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It's the Sony PlayStation
portable.

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Here's how it works.

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The brand owner sells licenses
to the companies who produce the
coffee makers, while they

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may actually not sell licenses,
they may sponsor them for every
machine sold.

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This way, cheap, system-bound
coffee makers are pushed in the
market.

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Yeah, kind of like razor blades,
I guess, which is also an
uninteroperable format.

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The brand owners may sell
licenses for the supplies, like
coffee tablets, where they may

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choose to keep them monopoly on
it, just like with inkjet
printer cartridges.

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So if you've got one of the
cheap machines, this effectively
gets you on the hook of a global

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player, such as those named
above.

12:34.200 --> 12:38.280
Not only can they dictate what
you pay for your coffee, and the
system coffee is as much

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as three times expensive as
normal coffee, they can also
push competitors out of the

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market.

12:42.600 --> 12:46.440
Podcasting is closely linked to
freedom, since sale and the
likes are linked to closed
markets

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and control, and if you like the
stuff fine, but don't advertise
it.

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It's bad.

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When I presume he means by that
they're evil.

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Dude, it's coffee.

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It's fucking coffee, okay?

12:59.600 --> 13:10.560
Hello Adam, this is Robin,
that's Robin from
InsightWorks.com, that's
INS-YT-W-O-R-K-S.com.

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I want to give you my thoughts
on advertising and the
possibilities with podcasting.

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I think it's all about
relationships.

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Right now, relationships between
the buyer and the seller with
the intermediary of the
advertisers.

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There's not much of a
relationship other than cash on
an individual basis.

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We send out an advertisement
either over the radio, over TV,
trying to induce the buyer to
then

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make an individual relationship
with the seller.

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They'll go to whatever source
and then buy the product.

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We have the capability of
building great relationships
through podcasting.

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If we can aggregate those buyers
through the websites, through
the show notes, and create

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huge numbers of buyers, slash
listeners, the marketing folks,
the advertising folks are
absolutely

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going to want to listen.

13:58.560 --> 14:04.280
Let's use a Senseo machine for
example, Senseo right now sells
on Amazon for roughly $50 a

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unit.

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If you were to have a capability
of aggregating all the listeners
or the buyers that might

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be interested in buying Senseo
machines and say, hey, here's a
sliding scale.

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If you're not in a rush, sign up
to buy a Senseo at either $25 a
unit, $30, $35, $40, $45, $50.

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All those listeners can then go
click on whatever choice they
want.

14:26.760 --> 14:34.080
So, yep, I will commit to buy a
Senseo machine over the next two
months at $35 a unit.

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Everybody picks their own price
range.

14:36.520 --> 14:42.600
By aggregating all those people
together, then pot show could go
to the Senseo manufacturer.

14:42.600 --> 14:49.880
We have $10,000 people that are
willing to buy Senseo at $25 a
unit, or we have an additional

14:49.880 --> 14:56.920
$8,000 to buy at $35 a unit, or
we have $2,000 that are willing
to do it at $40,000,

14:56.920 --> 15:01.120
and we have three people willing
to do it at $49.

15:01.120 --> 15:04.920
If you can take those kind of
numbers, go to the Senseo
manufacturer.

15:04.920 --> 15:09.840
I think they would fall over
themselves to sell 10 or 20,000
units, even though it's

15:09.840 --> 15:11.640
below their retail price.

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It's about the relationship
between the pot caster and the
listener, and the listeners

15:16.280 --> 15:17.280
are the buyers.

15:17.280 --> 15:24.000
I pull in them all together, you
can get some big numbers that
will have a lot of power.

15:24.000 --> 15:25.280
Love to hear your thoughts on
this.

15:25.280 --> 15:31.600
Mr. Robin at InsightWorks.com,
that's IMSYTWORKS.com.

15:31.600 --> 15:32.600
Thanks, Rob.

15:32.600 --> 15:33.600
Thanks, Rob.

15:33.600 --> 15:34.600
Thanks so long, Adam.

15:34.600 --> 15:35.600
Hey, Owens.

15:35.600 --> 15:36.600
Tailwinds.

15:36.600 --> 15:37.600
Back at your buddy.

15:37.600 --> 15:39.600
Okay, so that was very
complicated.

15:39.600 --> 15:47.680
Founded a lot like some of those
internet bubble companies that
would use the power of
aggregating

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consumer demand.

15:48.840 --> 15:54.040
Yeah, that works to a certain
degree, actually it works very
well to a certain degree,

15:54.040 --> 16:00.080
but it's a whole business by
itself, and just putting my pod
caster hat on here for a second,

16:00.080 --> 16:04.520
which I do all the time, boy, do
we get into some heated
arguments when I put the pod

16:04.560 --> 16:06.760
caster on at the office?

16:06.760 --> 16:08.760
I don't want to any.

16:08.760 --> 16:09.760
That's too complicated.

16:09.760 --> 16:14.840
I like the idea of, excuse me,
do I have to say it?

16:14.840 --> 16:21.680
I like the idea of turning the
tables around, and indeed, if we
start acting like these

16:21.680 --> 16:26.360
relationships that we have with
our listeners, that they really
are that special, and there

16:26.360 --> 16:32.600
is something much bigger going
on than just what you can
achieve with spot advertising.

16:32.640 --> 16:33.600
Then we have to covet it.

16:33.600 --> 16:38.640
Then we also have to stand up
for it and say, look, we're
going to only advertise

16:38.640 --> 16:42.320
what we want to advertise, we're
going to, and by the way, the
numbers work out so nicely

16:42.320 --> 16:49.160
in this, you know, what I was
thinking about this a lot over
the holiday, I think that

16:49.160 --> 16:54.400
was really brought us all down
when it comes to the traditional
broadcasts that we see

16:54.400 --> 16:55.400
now.

16:55.400 --> 17:02.400
Radio television, radio
television predominantly, is
that, you know, the only way for
the, for the

17:02.400 --> 17:06.960
media companies to make more
money is to either a raise the
prices on advertising, which

17:06.960 --> 17:15.120
is, wow, you know, that's like,
yeah, if, if they could, they
would, but there's just,

17:15.120 --> 17:18.800
you know, that's been hammered
out, that's what these
industries really drive on is
that,

17:18.800 --> 17:25.440
that price, you know, what are
we paying for eyeballs or ear
drums, they either, so

17:25.440 --> 17:31.520
they can either raise the price
or they can, they can broadcast
more commercials, repetition

17:31.600 --> 17:37.120
basically, and that is the
fundamental difference between
what we're doing in podcasts and

17:37.120 --> 17:42.320
just an example, because it'll,
it'll go to vlogging and all
that other stuff is that we

17:42.320 --> 17:49.440
have no limitation on time, you
know, hey, you know, you just
make more shows, more choice,

17:49.440 --> 17:53.200
that's what, that's what I see,
when I look at the directories,
I said to myself, oh my God,

17:53.200 --> 17:59.600
look at that, you know, tens of
thousands of, of stations,
something that's just not
possible

17:59.600 --> 18:06.240
in any radio market, any
terrestrial, either based radio
market, anywhere in the world,
it's fantastic,

18:06.240 --> 18:13.280
I love it. So we'll be talking a
lot more about that special
relationship between
advertisers,

18:13.280 --> 18:18.400
podcasters, and their audience,
and how that's, how we're, yeah,
we're going to try and make

18:18.400 --> 18:24.720
it work this year, that will
definitely be high on the
mission statement for me. Quick
update about

18:24.800 --> 18:28.800
my parents, I spoke to my mom
this morning, and I actually
didn't get to speak to her,

18:29.440 --> 18:34.640
New Year's Eve, because she went
to bed early. So Friday, she
starts with her chemo,

18:35.520 --> 18:41.040
instead of the two to three
sessions, they said, well, we'll
start you off with six sessions,

18:41.040 --> 18:47.040
so that was kind of a bummer,
and I guess just, you know,
keeping positivity up is the, is
the best

18:47.040 --> 18:52.960
we can do. I really, it sucks so
fucking bad because, you know,
it's, it's one thing when I'm
here,

18:52.960 --> 18:58.480
I can just pop across the
channel and go help route or
visit or whatever, but since I'm
in San Francisco,

18:58.480 --> 19:02.400
a lot too, that makes it a
little more complicated. So I'm
going to try and schedule stuff
with my sister,

19:02.400 --> 19:07.280
so that there will always be one
of us around. And of course,
she's got Bob, who's a
fantastic,

19:07.280 --> 19:13.840
you know, he's, he's really
helping her sail through all
this crap. And both my sisters
went to visit

19:13.840 --> 19:18.640
my dad in the hospital, it turns
out that, oh, and I have to
pronounce this properly, hold on
a second,

19:18.640 --> 19:27.760
who sent me this, I got an email
about, from Neil, the acronym
TIA, please, in the states,

19:27.760 --> 19:38.880
we never call it a TIA, we call
it a TIA, and I guess that Neil,
what Neil, Neil is for 20 years,

19:38.880 --> 19:44.240
has been ultrasound and vascular
technologist and now a radiology
computer nerd. Okay,

19:44.240 --> 19:51.520
pronunciation correction
accepted. So it's a TIA,
actually it wasn't a TIA, it
turned out it was

19:51.520 --> 19:57.760
really just a small stroke. So
he is still in the hospital and
will be there probably for the

19:57.760 --> 20:05.920
rest of this week and things not
going too well on that front
because he's lost 40% of his
left,

20:06.000 --> 20:13.120
the use of his left side. Oh my
goodness. Hey, here at the
cottage, we're all healthy,
okay?

20:13.120 --> 20:21.040
We're feeling good here. Say it
with me now. Yodsey. Yep. I'm
bringing it back. Yodsey.

20:22.080 --> 20:28.720
There will be Yankee Alpha Delta
Charlie, yet another drum
cadence. We started off today
with Zack

20:28.720 --> 20:34.160
Winick. Adam sent you a request
of drum cadences. Thought I'd
tap into my archives. The first
track

20:34.240 --> 20:39.040
is a remix of a cadence from
Valencia High School in
Valencia, California home of six
flags magic

20:39.040 --> 20:44.080
mountain. It's done by a band
called Lotus Fear. The band
unfortunately no longer exists,
but

20:44.640 --> 20:50.560
he does have permission to hand
off to me to play it. Sounds
kind of fuzzy, but I'll risk it.
Okay.

20:50.640 --> 20:53.760
The name of the song is Rump
Bump Bump.

20:56.400 --> 20:59.840
All right, from the Valencia
High School watching band.

21:01.250 --> 22:13.750
[ Music ]

22:20.560 --> 22:24.960
something going on over there
and feel free to send me your
drum cadences for the

22:24.960 --> 22:30.160
Yatsi yet another drum cadence.
Oh, that means we need another
jingle for that segment totally

22:30.160 --> 22:35.920
into the jingles for segments
these days. And I'd ask all of
you to send me in suggestions
from

22:35.920 --> 22:39.280
the pop music network to play on
the show and I'm getting a lot
of them. Thank you very much

22:40.320 --> 22:43.280
picking out the ones that, you
know, so you like them and I
listen to it if I like it,

22:43.280 --> 22:47.920
then play it on the show. It's
pretty simple. And I also talked
about that I thought in 2006,

22:47.920 --> 22:54.560
we'll, we'll definitely see
music videos being created for
songs from the potsafe music
network.

22:55.600 --> 23:02.160
Excuse me, CC Chapman from
accident hash immediately
contacted me as he does and
pointed me to his

23:02.160 --> 23:07.120
random food. Now I don't know if
he, if it's cool to give out the
link, so he'll have to put that

23:07.120 --> 23:13.200
or let me know or put it on his
show notes or whatever. And he's
done a couple of videos for some

23:13.200 --> 23:19.120
potsafe artists and they're
really good. It's really, and I
was like blown away. And then to
hit

23:19.120 --> 23:23.360
me that in order to create a
music video, very much, you
know, the way we've been putting
together

23:23.360 --> 23:29.920
stuff like potsafe or peas, the
way the Christmas carol projects
that were multiple podcasts,

23:29.920 --> 23:34.960
Christmas carol stories, how
they were put together, you
really only need, well, first
you need

23:34.960 --> 23:41.840
the music, then you need and
believe me, this is exactly how
the MTV videos are
conceptualized.

23:41.920 --> 23:46.400
So you need someone to shoot the
performance footage, because you
need the band either.

23:46.400 --> 23:52.080
You need to, usually, not all
videos, but usually you have
some kind of performance
footage.

23:52.080 --> 23:57.520
Then you have, we call the
conceptual footage. You know,
this is the, the Arty Farty shit
that we

23:57.520 --> 24:02.720
make around it or whether that's
done with video editing or
whether that's done with, with
effects

24:02.720 --> 24:07.280
or or with some other story line
that that we've through. And
then of course you need editing.

24:07.360 --> 24:12.080
So you really need to find, if
you have one of those skills to
find two other people, and of

24:12.080 --> 24:15.520
course, the willingness of the
band, and then we can really
turn out some great shit.

24:16.880 --> 24:20.800
Oh, before I forget, people on
the satellite listening to this
show right now, the Daily

24:20.800 --> 24:25.760
Source code, it's all part of
pod shows line up. And next, we
have Pacific Coast Hellway for
you

24:25.760 --> 24:30.080
followed by an hour of the Angry
Jewish Lesbian Madge Weinstein.
I'll see you guys tomorrow.

24:30.160 --> 24:33.360
Thanks for listening. While we
continue.

24:36.720 --> 24:44.240
Right. So now the question is,
do people care? I think they
would care about about music
videos.

24:44.240 --> 24:50.000
I really enjoyed looking at the
three that CC had up on his
feed. And I think there's
something

24:50.000 --> 24:54.960
there. So I'm just opening up
the Florida suggestions.
Something else I found while I
was

24:54.960 --> 24:59.360
checking out the pod safe music
network. Hey, Agent, just
refresh a couple of times.

24:59.360 --> 25:03.360
Do they know the songs that show
up have been played at least
once? So there's some validity

25:03.360 --> 25:10.160
to play it in. I scan them. And
I really like what I heard on
this one. It's from Sad Light,

25:11.360 --> 25:14.880
from 2004. It's just another
girl on D.S.C.

25:16.250 --> 28:18.750
[ Music ]

28:20.240 --> 28:23.800
From satellite just another girl
from using.tomutiot.com

28:23.800 --> 28:27.840
Just wrapping up a couple of
things

28:27.840 --> 28:34.880
Before we wind up the first show
the new year something that I
had missed something with my
Gmail filters screwed it up

28:35.520 --> 28:40.600
Adrian peg sent me a fantastic
recording of Podsay for peace if
every day could work Christmas

28:41.080 --> 28:46.520
That was played on the BBC in
the context of Podsay for music
and there was some interview. I
was really good

28:46.520 --> 28:50.000
I was on I think radio five

28:50.800 --> 28:54.760
So I just wanted to make mention
of that and one of my new years
resolutions

28:54.760 --> 28:58.360
I don't have a lot of them
because you know, and a new
year's kind of came and went

28:58.600 --> 29:02.640
You know, yeah, we celebrated
but it was your weird home. We
just quiet

29:03.200 --> 29:07.960
Christina by the way went to her
first new year's party. So we
picked her up around 1-15

29:09.760 --> 29:13.320
Oh boy, um, yeah, she had a
great time by the way

29:13.880 --> 29:16.920
It was you know a little
frightening from mom and dad as
you can imagine

29:18.760 --> 29:22.200
One of my new years resolutions.
I'm gonna get my audio book up
and rolling now

29:22.200 --> 29:26.280
This is not a story or actually
it's a series of stories that I
did not write myself

29:26.280 --> 29:29.560
But I've enjoyed I enjoyed the
stories immensely when I was a
kid

29:30.560 --> 29:32.560
And it turns out there in the
public domain

29:32.560 --> 29:35.400
And I found it on that the
Gutenberg project and

29:36.080 --> 29:41.080
I will be contributing to
LibriVox which we talked about
last year. Oh sounds good.
Doesn't last year

29:41.640 --> 29:49.600
Which is the open source audio
book collection? I guess we'd
call it and I'm so loving this
because I actually have a
downloaded a book

29:49.600 --> 29:57.120
That I've been listening to and
there is absolutely no
difference between what these
guys are doing and

29:58.120 --> 29:59.320
What um

29:59.320 --> 30:02.440
Audible is doing and I'm a a
customer of audible

30:03.000 --> 30:06.400
But sometimes you know and facts
more often than not

30:06.400 --> 30:10.680
I'll be pretty disappointed with
the quality or with not just the
audio quality

30:11.000 --> 30:14.560
They've they seem to have gotten
that pretty much you know on
track now

30:14.560 --> 30:19.560
But if it's not the audio
quality then it's just the the
general performance quality of
the of the readers or

30:19.600 --> 30:21.600
The speaker some of course are
fantastic

30:22.240 --> 30:29.160
But you know, I listen to this
stuff that is done by quote
amateurs and the only reason
they're quote amateurs because
they're not being paid for it

30:32.040 --> 30:38.520
There's no difference in quality
in fact some of it the quality
is superior and so is the
performance quality

30:38.520 --> 30:40.520
And I think it's great and

30:41.120 --> 30:47.280
You know to be able to to enjoy
these stories and to be able to
pass them on and I'm very
excited about doing that

30:48.240 --> 30:52.400
So I look soon I'll keep you up
the speed but that is one of my
resolutions

30:52.400 --> 30:57.320
I just have to kind of you know
take the time to do it because
it does take time to and I want
to figure out how to do it

30:57.320 --> 31:01.560
And am I gonna do different
voices am I going to do it all
from you know

31:01.560 --> 31:04.760
I just got to figure all that
stuff out one of the resolutions
though and

31:05.960 --> 31:08.640
Speaking of liberal box I was
very excited as you know

31:08.640 --> 31:13.560
I'm excited about the whole
idea, but I was even more
excited when I received the
following audio feedback. Hey
Adam

31:13.560 --> 31:17.040
This is Tom Maris. I have talked
you before

31:17.040 --> 31:21.720
I just thought I'd drop you an
audio comment about what you
said in the DSC

31:22.200 --> 31:24.200
306

31:24.200 --> 31:26.200
You were talking about liberal
box and

31:26.880 --> 31:28.880
So great service

31:28.880 --> 31:37.960
Great thing I've been trying to
start up a open source audio
books kind of a service for
years now and nobody's been
interested

31:37.960 --> 31:39.960
But finally somebody's done it
and

31:40.520 --> 31:46.520
It's worked so and I'm gonna
record something for it, which
is I'm gonna do it because I'm a

31:47.240 --> 31:52.360
I'm a university student study
philosophy and one of my
specialisms is in nature

31:52.360 --> 31:59.080
So I'm gonna do I'm probably
gonna do one of the public
domain translations of nature
and and put that up

31:59.480 --> 32:04.320
In English of course, but most
of the amount public to manage
is only two I think which are

32:04.480 --> 32:07.240
One of them has already been
done by the liberal box people

32:07.320 --> 32:13.320
So that's pretty cool. I just
thought I'd say you asked about
getting stuff in OPML and

32:14.200 --> 32:17.640
You asked you receive I put
together an

32:18.280 --> 32:19.800
OPML file

32:19.800 --> 32:21.800
I've heard about it

32:21.800 --> 32:23.480
opened up my OPML editor

32:23.480 --> 32:25.000
typed it up and

32:25.000 --> 32:27.480
Before the show was even
finished. I put it online

32:28.360 --> 32:33.400
You can get it at host them to
OPML.org slash Tom Maris slash
Librevox dot OPML and

32:34.120 --> 32:36.120
You can stick it in indie pot or
you can

32:36.760 --> 32:42.760
Subscribe to it whatever you
want to do with it. I'll try and
keep it up to date. I'm basing
it on the RSS feed

32:42.760 --> 32:47.320
So when the RSS feed is updated
I'll update the OPML shortly
afterwards

32:47.800 --> 32:52.040
It may take a few hours to get
around doing it, but it'll get
done eventually

32:52.600 --> 32:54.600
Anyway, I love the show. I'm
looking forward to

32:55.400 --> 33:00.040
whole years filled with a daily
source code entertainment and
information and

33:00.360 --> 33:05.000
All the other good stuff. I've
come to expect from from the
podfather himself

33:05.560 --> 33:12.200
Cheers. Bye. Well, all right
Tom. Thank you very much.
Fantastic. I immediately copied
and pasted the link put it into
indie potter.org

33:12.520 --> 33:16.280
Right there on the homepage. I
don't control the audio books
node

33:16.920 --> 33:21.320
So I just plopped it underneath
and said audio books from
Librevox

33:23.080 --> 33:26.760
I hopefully the noted editor of
audio books will

33:27.240 --> 33:31.160
We'll add the Librevox stuff and
we'll add that link until then.
I'll just keep this one on the
homepage

33:31.160 --> 33:35.160
It's kind of the way it works
with these open source
directories or distributed
directories and

33:36.520 --> 33:42.280
By the way, in the coming weeks
because this week is going to be
completing code and

33:42.920 --> 33:48.760
The week of the ninth will be
testing. We're going to open up
the podsafe the pod

33:50.360 --> 33:54.280
Forget about it. We're opening
up goddamn it. We're opening up
our doors

33:54.760 --> 33:57.160
We're going to start slowly, but
we're getting there and of
course

33:57.880 --> 33:59.880
audio books are

33:59.880 --> 34:01.880
totally valid

34:02.600 --> 34:04.600
use of pod casting as

34:04.600 --> 34:10.120
Anything that you want to do in
audio essentially just match it
up right there's no right or
wrong way to do this stuff

34:11.240 --> 34:13.240
Okay, everybody. So

34:13.240 --> 34:18.040
little little secret today. I
did the whole show in my in my
house code stolen from the

34:19.240 --> 34:21.240
names that hotel

34:25.240 --> 34:27.240
The hotel that looks like a
sailboat

34:27.800 --> 34:29.800
there in as in

34:30.360 --> 34:32.360
Saudi Arabia. Come on

34:32.600 --> 34:39.400
Burshalar up. There you go. So
it's a nice long. That's why I
stole a nice long house code and
then I have my bear legs

34:39.400 --> 34:43.720
Underneath that and then my
black ogs. Oh, yeah, so stylish.
Maybe I should go out of your
view really quick