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[ Music ]

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Wake up.

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Wake up.

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Wake up.

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Wake up.

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Wake up.

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Wake up.

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Wake up.

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Wake up.

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Wake up.

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Wake up.

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Wake up.

06:02.000 --> 06:03.000
Wake up.

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Wake up.

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Wake up.

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Wake up.

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Wake up.

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Baby.

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Since you weren't here before
the show.

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Yeah.

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Let me just adjust yourself.

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Let me see.

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How's your headphones?

06:16.000 --> 06:17.000
Yeah.

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Yeah.

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You're the one with the problem.

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No.

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I got no problems.

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Hey everybody.

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Baby source code for Friday.

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How's your jet lag?

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My jet lag is fine actually.

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Yeah.

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You actually.

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You always have a jet lag.

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Yeah.

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I live in consistent consistent
jet lag.

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Yes.

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So how are you doing?

06:36.000 --> 06:38.000
I think you balance that out
with the spliff.

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Uh-huh.

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Oh, absolutely.

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Yeah.

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I know.

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I know.

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It's called a self medication.

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I was fine yesterday.

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Actually.

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Hey, I feel good.

06:49.000 --> 06:50.000
You felt good.

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But you really went hardcore.

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Because we got back from San
Francisco on.

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What day was it?

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Day before yesterday.

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It was.

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It wasn't a two day.

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No Wednesday.

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We left on Tuesday on.

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Yeah.

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We were Wednesday.

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And I was conking out.

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I was laying in the chair with a
laptop burning my nuts off and
fell asleep for an hour.

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No.

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You slept deeply in the in the
plane.

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Only for an hour in the plane.

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I didn't sleep a lot in the
plane.

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Yeah.

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Oh, yeah.

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I mean, this plane could be
going down.

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Could be descending at 5,000
feet per minute.

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It wouldn't even notice.

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Uh-huh.

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No problem.

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Oh.

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Yeah.

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So then it came home.

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And so I never slept.

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And why didn't she?

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Why didn't she just go to sleep?

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I just wanted to stay awake.

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I don't want to miss anything.

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Oh, okay.

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Can I?

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Right.

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And miss out to anything.

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So then I came home.

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My parents were here.

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Started to talk right of it.

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We have no idea how you feel.

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They can't remember it.

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Isn't that what parents are for
though?

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I don't know.

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When you're 80, you don't
remember any more.

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How that fell.

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Only only 15 more years, huh?

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What?

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Then you'll be 80.

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Oh, don't.

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How does that feel, huh?

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Yeah.

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You imagine that?

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You imagine that?

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Well, you know what?

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I wish.

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And I hope.

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Wishing.

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And hoping.

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And hoping.

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And wishing.

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That I'll be 80 and healthy.

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Absolutely.

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As well as as healthy as they
are.

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Exactly.

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And then your daughter was
already complaining about us.

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Yeah.

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We'll be bitching even more.

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Oh, I'll be out before you know
it.

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That's what she said yesterday.

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Yeah, that's right.

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She says, I'm leaving the house
when I'm 17.

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Uh-huh.

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Uh-huh.

08:31.000 --> 08:32.000
Why?

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You can't ever clean up your
room.

08:34.000 --> 08:35.000
You can.

08:35.000 --> 08:36.000
Exactly.

08:36.000 --> 08:37.000
Yeah.

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And I'm a little more practical.

08:39.000 --> 08:40.000
Okay.

08:40.000 --> 08:41.000
So what are you going to do for
like friends?

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Have you ever seen kitchen?

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You're just making a cracker?

08:43.000 --> 08:44.000
Yeah.

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It's like World War II.

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Battlefield.

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After she made one cracker.

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Yeah.

08:50.000 --> 08:51.000
Yeah.

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So anyway, I'm pretty much on
schedule.

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Because I slept those hours and
then I stayed up until like two.

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Well, everything went well until
we went out yesterday.

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Well, you already want to get to
that now.

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Hold on a second.

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We can't go that fast.

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We want people.

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You got to build it up a little
bit.

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Yeah.

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But now I feel really shitty.

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It's so funny because I said the
Patricia said, look, we have to
do the show now because

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we're going to miss the sound
like window p-dubs waiting.

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Everybody's waiting for the show
so it can be put into the show.

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And I said.

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So you're sadly said, no
problem.

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Just let me put on some makeup.

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Uh-huh.

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Uh-huh.

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It's audio.

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It's a sound.

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Don't scare you in the face.

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Looking like shit.

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Oh, you're on fire.

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You never look like shit.

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I don't know about not having
the, the temporary teeth in.

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But don't pinch and ignite.

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I know.

09:36.000 --> 09:38.000
Well, on Trucker Tom is
something to say to us.

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Yo, Adam and Patricia.

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Trucker Tom here.

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I think I've come up with a new
name for the Carlos.

09:45.000 --> 09:48.000
You should call it Lady
Patricia.

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And the guy.

09:49.000 --> 09:53.000
I love the interactivity that
goes on between you and
Patricia.

09:53.000 --> 09:59.000
There's something about
listening to two people that
really are buddies.

09:59.000 --> 10:02.000
Forget the fact that you've been
married 20 years.

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You really are buddies and you
just seem to go together so
well.

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And there's something that's
really charming about that.

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Something that's fun to listen
to.

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So Lady Patricia and the guy.

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I think it's appropriate.

10:17.000 --> 10:18.000
You see what's happening.

10:18.000 --> 10:21.000
You can find my podcast at
Trucker Tom.

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And then Trucker Dude.

10:22.000 --> 10:23.000
Hot chill.

10:23.000 --> 10:24.000
Trucker Dude.com.

10:24.000 --> 10:25.000
Trucker Dude.com.

10:25.000 --> 10:26.000
Yeah.

10:26.000 --> 10:28.000
I thought that was in your shit.

10:28.000 --> 10:29.000
Oh, no, no, no, no.

10:29.000 --> 10:31.000
You don't seem to understand
what's happening here.

10:32.000 --> 10:35.000
Is you are completely taking
over my limelight.

10:35.000 --> 10:36.000
It's gone.

10:36.000 --> 10:37.000
It's fading.

10:37.000 --> 10:39.000
I'm pot fading away.

10:39.000 --> 10:41.000
As much information as you
always have.

10:41.000 --> 10:44.000
But it's so imagine.

10:44.000 --> 10:45.000
It's a double edged sword.

10:45.000 --> 10:48.000
You know, it's like I have all
the shit that I really want to
do.

10:48.000 --> 10:49.000
You know, people send feedback.

10:49.000 --> 10:52.000
Which stuff we don't have time
for when we're on the show
together.

10:52.000 --> 10:54.000
And, you know, promos and all
that stuff.

10:54.000 --> 10:58.000
And then whenever I do those
shows, you know, people love the
fact that I'm playing promos and
feedback.

10:59.000 --> 11:00.000
You know, Adam, you're kind of
boring without Patricia.

11:00.000 --> 11:02.000
You know, it's like, I can't,
um, um,

11:02.000 --> 11:04.000
F-do-fi-do, F-do-fi don't.

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Oh my god.

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What's okay?

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Well, thank you.

11:08.000 --> 11:09.000
It was so sweet.

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Oh, man.

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I, I so want you to meet Trucker
Tom.

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You guys be so funny together.

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He sounds very nice and sexy.

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He's very sexy.

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Oh, he is.

11:17.000 --> 11:18.000
Yeah.

11:18.000 --> 11:19.000
Oh, wow.

11:19.000 --> 11:21.000
If you like guys with Skolls
tattooed on to the back of their
head.

11:21.000 --> 11:22.000
Sometimes.

11:22.000 --> 11:23.000
No, no, no.

11:23.000 --> 11:24.000
Woo.

11:24.000 --> 11:25.000
Woo.

11:25.000 --> 11:27.000
And officially, I know I showed
this to you last night.

11:27.000 --> 11:32.520
last night but I'm just gonna
hold it up again. You are now
officially a nerd. Yeah. This
is, uh,

11:32.520 --> 11:37.960
I'll put a link to it. It showed
up on Valleywag, but Tom Morris
made this, uh, this great, uh,

11:37.960 --> 11:45.080
photo montage. What are the
nerds doing? And it's like, uh,
Mike Arlington and, uh, Cory
Doctro,

11:45.080 --> 11:51.320
Steve Rubel, Steve Jobs, Jason
Calcana, Steve Kilmore. I mean,
good company. Yeah. Uh,

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a whole bunch of old guys and
me. Yeah. Yeah. And the Cory's
are in sunny California. This

11:59.560 --> 12:03.720
beautiful picture of us at, that
was at the gig, I guess at the,
uh, at the three bands in the
city,

12:03.720 --> 12:08.840
the rock show. Yeah. Yeah. So,
but it says, what are the nerds
doing? You are officially a
nerd. Oh,

12:08.840 --> 12:14.520
good. Well, I think it's a big
compliment to be called a nerd.
Yeah, yeah, because I always,
you know,

12:14.600 --> 12:22.200
I was talking to Marta, Marta
Ron. Ron's wife. Ron's wife.
And, um, she said, um,

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we were talking about our
husbands. Oh, boy. Oh, I wish I
had a little microphone on you
then. Yeah.

12:27.960 --> 12:34.600
And she thinks that Ron is a
really sexy man. And I know that
the women always fancy, uh,

12:34.600 --> 12:39.080
Ron Bloom. Yeah. That's true. He
has something. He has that, uh,
comes into the,

12:39.080 --> 12:46.760
male, macho, shining, she's
around. He has that. And we were
talking about our husbands.

12:46.760 --> 12:52.360
And I said, well, you know,
Adam, remember, what was that?
What did we bubble bubble bubble
bubble?

12:52.360 --> 13:00.120
And you bubble bubble bubble
bubble, this is a rondo. That
and slow down. Let's hear what
does Adam

13:00.120 --> 13:02.840
do? And what does wrong do? And
what is wrong do? We're talking
about when they get angry,

13:02.840 --> 13:08.280
when they're tired, how you have
to be understanding because
they're so busy. It's so hard to

13:08.280 --> 13:16.920
live with us, isn't it? We're
living their lives. Oh, man,
give me a break. Yeah. You know.
Well, that's,

13:16.920 --> 13:25.240
that's your, your, um, excuse
me. Um, this investment. You
also, if you, if you're your,

13:25.240 --> 13:32.840
your man, your husband is, uh,
doing something really good and,
and, um, uh, it's successful.

13:32.840 --> 13:39.880
And I don't know what I think
you, excuse me. It's, it's, it's
all to, to back him up and be
there for

13:39.880 --> 13:44.600
him is your investment. And by
the way, that works the other
way around as well. That's what
I mean.

13:44.600 --> 13:50.760
Twenty men who, uh, invested in
their wives. That way around,
yeah, investing, helping them in

13:50.760 --> 13:55.800
what way they want you to help
them. And I have to say with
this, with this venture that
we're doing,

13:55.800 --> 14:01.640
you have been incredibly, uh,
investful. Oh, it's something.
Yeah. You've, you've, you've,

14:01.720 --> 14:04.760
become natural. No, but, you
know, it's the little things.
It's like, okay, so we're

14:04.760 --> 14:08.440
on. I'm going to go to San
Francisco for two weeks. And
then you're like, okay, that's a
shame.

14:08.440 --> 14:13.560
That's a pity. But you're not,
you don't do like, oh, I miss
you and come on. What you do
kind of

14:13.560 --> 14:17.000
at the end of each trip. Of
course. You know, every time the
moment you did, if you didn't
know,

14:17.000 --> 14:20.840
it would be like, yeah, I was
talking about what we said about
our husband. And then

14:20.840 --> 14:27.400
Marta mentioned, she said to me,
Adam is such a nerd. I don't see
him. Uh, so there's nothing

14:27.480 --> 14:35.320
sexy about him. Yeah, how about
that? And yeah, yeah, I can't
see him being a great lover.

14:35.320 --> 14:43.560
Or because I said, Adam is
wonderful. Oh, but don't him.
Wow. Yeah, it's wonderful. And I
can't see him

14:43.560 --> 14:52.600
as a good lover. He, he's so
nerdy. I said, yes. Exactly.
Exactly. Now you hit it. Now you
hit it because

14:52.680 --> 15:00.440
nerdy guys. Yeah. Are the best
lovers. The, the man that you
don't think anything of or

15:00.440 --> 15:06.120
I can't see even doing, you
know, something. Yeah. Those are
the guys. They're still, you
know,

15:06.120 --> 15:12.520
very sexy. They're good. They're
good. They're nerd. Because
we've had time to study.

15:12.520 --> 15:19.480
It's Latin, sexism. It's, it's
hidden, hidden, hidden
sexuality. It's sexuality. It's
sexuality. Absolutely.

15:19.480 --> 15:29.560
Absolutely. It is one big
surprise. After not. Emphasis on
big. So they go nerdy. Big, big,
big. This one was for you.

15:29.560 --> 15:36.200
Big surprise. Yeah. Yeah. Yeah.
You're glad he's young. He's
another message round.

15:36.200 --> 15:44.680
That's his father. It's bigger
than nerds. That's his father.
He's back. I had done this. He's

15:44.680 --> 15:50.520
Mr. The Family, Ed from Tom's
End. I just happened to become a
shit blogger's news agent.

15:50.520 --> 15:55.480
And the film I mentioned, it
comes to it bloggers, because it
comes into my news agent.

15:55.480 --> 16:00.680
And I'm actually into it. That
makes it women's feeding goats.
And you're supposed to have

16:00.680 --> 16:09.320
to buzz as well, presumably to
practice. So by now. Roger's
doing something weird. He's,

16:09.320 --> 16:12.840
so he called into the voicemail
line instead of sending his
usual thing. And he's like

16:12.840 --> 16:16.920
got like this feud going on with
comic strip blogger. Yeah. So
I'm not quite sure. And he's got
this

16:16.920 --> 16:22.600
new phone. And I don't know.
It's a whole thing that's going
on. Well, what was he saying?
That he,

16:22.600 --> 16:27.800
he knows, uh, we're comic strip
blogger, blah, blah, comic strip
blogger. There's some chocolate
in his

16:27.800 --> 16:31.000
butt. Something like that. But
I'm telling you, I just, I
thought it was me.

16:32.200 --> 16:37.720
Huh? Listen, airing this. You
thought it was you that you were
Roger? No, it was me hearing
this.

16:37.800 --> 16:43.240
No, no, no, no, no, no, no.
That's exactly what he said. I
don't know. I'm just trying to
go with

16:43.240 --> 16:47.320
the flow with those two guys. I
don't know. They're into some
kind of feud. Oh, okay. I have
no idea

16:47.320 --> 16:53.240
what you're doing. It's
interesting for us. Yeah. You
know, Roger's small is the
ultimate nerd.

16:53.800 --> 16:57.880
So it, you know, that's why I
put that in there. When you're
talking about. I've never seen
a,

16:57.880 --> 17:04.280
it must be one of a hell sexy
guy there. Roger? He never
knows. Well, you know, surprise.

17:04.360 --> 17:08.840
Uh, I think that although you
may not have seen him, he's
probably seen us. You know, he
does like

17:09.640 --> 17:17.640
sneak in, sneak around the
bushes, the trash and stuff. So.
So as a surprise for

17:18.600 --> 17:23.240
your parents, primarily for your
dad, actually. Oh, I'm not going
to listen. This was it. That was
it,

17:23.240 --> 17:27.800
yeah. Oh, are you expected more?
Oh, yeah, I'm not. I don't know.
No, no, this is it. This is it.

17:27.800 --> 17:31.800
This is it. I'd like it when he
sent it. I hate it when he used
the voice mail, though. It's

17:32.440 --> 17:36.840
very hard to understand. Yeah,
very hard to understand. It's
funny, though, because the more
I

17:36.840 --> 17:42.680
listen to Brits, I can almost
hear Roger's smalls in every
single one thing. I'm not
kidding. Yeah.

17:42.680 --> 17:47.720
I'm not kidding. You listen to
like them. He could be Roger's
smalls easily. Yeah. So,

17:47.720 --> 17:52.760
well, even going to Saintsbury,
it's still sometimes very hard
to understand them.

17:52.760 --> 18:00.040
Uh, Brits. I have to say
hundreds, a hundred times a
pardon or excuse me. Yeah.

18:00.120 --> 18:04.760
Say it again. Excuse me. And I
say it as long and I want to
hear what they're saying. Who
was it that I

18:04.760 --> 18:09.960
called the other day? Um, that I
actually had to ask like five
times. Yeah. Oh, you know, it's

18:09.960 --> 18:14.200
much, it's a much, it's mold. It
was an, uh, it's an Indian
woman, I think. Oh, maybe it was
the

18:14.200 --> 18:19.000
part of something different. Oh,
that's very hard times. Oh, man,
because yeah, because they're
not

18:19.000 --> 18:24.760
they used to hear it here. Yeah,
of course you get used to it. We
don't know that accent. Well, I
do

18:24.760 --> 18:31.720
know. Yeah. That's for sure.
That's so sweet Indian people. I
like them. All Indian people.

18:31.720 --> 18:37.400
No, most of them that I met here
are very nice and very polite. I
think most of the most of them
are

18:37.400 --> 18:44.040
Pakistani, like the drivers who
drive for GM cars. Yeah. They
love you, man. Oh, they do.

18:44.040 --> 18:48.040
Oh, they love you. I'm nice to
them. I have a feeling, yeah, I
have a feeling that, um, that
they

18:48.040 --> 18:53.560
are treated in the UK. Yeah.
Pakistanis are all treated as,
yeah, they do get a bad deal.

18:54.040 --> 18:59.640
And because I see guys getting
out opening the door for you,
bowing, waving to you. Like,
wow,

18:59.640 --> 19:04.520
I'm a princess. You, yeah,
you've got them. But I talked to
them. I want to know where
they're coming

19:04.520 --> 19:10.760
from. Do they have a wife? I
want to know. I want to know.
You know, how they live and
we've always been

19:10.760 --> 19:16.040
like very, very, very
interesting. But it's very
interesting to hear, you know,
actually the

19:16.040 --> 19:21.480
life that they're living and
what it's all about and where
the parents are and the families
are.

19:21.560 --> 19:24.680
We know where their families
are. In the big house in
Pakistan. No, they're in woking.

19:25.480 --> 19:30.280
Some of the families are in
woking. That's it. Some of them
woking. It's interesting because

19:30.280 --> 19:39.320
all people are interesting.
That's right. That's right.
That's right. That's life. Yeah.
So as a surprise

19:40.120 --> 19:46.600
for Patricia's parents and
primarily for your dad, um, I
got tickets to the Sinatra Show
at

19:46.680 --> 19:53.400
London's palladium in London's
West End, which was last night.
And, uh, and, you know, I don't

19:53.400 --> 19:58.600
even know how to categorize this
show because it wasn't a musical
because, you know, there's
really no

19:59.640 --> 20:07.400
no dialogue. It wasn't, uh, it
wasn't a concert because, of
course, you know, it wasn't
there.

20:07.400 --> 20:13.240
Sinatra, but he was there. Yeah.
This was just a show, I guess,
we'd have to call it. Sinatra

20:13.240 --> 20:19.400
in the palladium. That's what
the show called. So the way that
this works is there's a, I think

20:19.400 --> 20:26.360
I counted 27 piece orchestra.
Yeah. Right. And they're on
stage in, you know, in a like a
bandstand.

20:27.400 --> 20:32.360
Fantastic. Old guys, right? You
know, older older musicians.
Yeah. Yeah. Yeah. What is old?

20:32.920 --> 20:38.760
Well, I mean, um, I think
they're round about 40 to 60.
Right. Oh, that's what that's

20:38.840 --> 20:46.280
come to be. So the best jazz big
wind. You mean jazz jazz jazz.
Yeah. They, they know how to do
it.

20:46.280 --> 20:51.080
So then they had a, um, kind of
like a ballet. I'd have to say,
uh, another slime.

20:52.920 --> 20:56.840
No, of course, lime means they
would be singing. And they did
sing some, but there was more
dancing

20:56.840 --> 21:02.520
and props on stage and setting
the move. Now you have to know
that my, my dad is a great
musician.

21:03.160 --> 21:09.080
He is, of course, he had big
bands, especially in the time
that Frank Sinatra was big. He
also has

21:09.080 --> 21:15.720
the God-given talent and it is
God-given talent, uh, for
arrangements. Yeah, arrangements
without any

21:15.720 --> 21:19.800
instrument. Yeah. You can just
do it in his head. Yeah. You can
just do it in his head. Yeah.
Music in front of

21:19.800 --> 21:25.640
him and he writes just like
Mozart. Yeah. He'll write like
arrangements when he hears in
his head.

21:25.640 --> 21:31.400
I mean, yeah. It's unbelievable.
It is. So I'm very proud of my
dad and he's one of the best
jazz

21:31.480 --> 21:38.120
saxophone musicians from
Holland. And well, he's getting
old and he's miss, he misses,
you know,

21:38.120 --> 21:42.440
play. He doesn't really play
anymore. Well, yeah. He does now
then with some, with some.

21:42.440 --> 21:47.480
Now those guys are old. Those
are, it's like, you know, sorry.
Well, that's one of the, the,

21:47.480 --> 21:55.320
um, the little, the little CDs
that I made with my dad's big
band were all, they were all,
um,

21:55.640 --> 22:02.920
uh, 80, 70, 80 and even over 80.
I could actually play that if
you want to. Yeah. And I did
that

22:02.920 --> 22:08.680
especially for my dad because he
wanted me to sing with him
again. And I thought, you know,

22:09.720 --> 22:15.160
it's always good. So anyway.
He's your daddy. Oh, cute. Yeah.
You should be pleasing your
daddy.

22:15.160 --> 22:19.640
So the end of song was, of
course, the daddy. Okay. Oh,
yeah. I'll cue that up. We'll
play that in a second.

22:19.720 --> 22:26.440
Okay. So let me, let me finish
explaining what was on stage. So
there's probably 10 women, 10

22:26.440 --> 22:33.720
guys who were, you know,
dancing, singing some of the
choruses, some interaction. I
mean, the real

22:33.720 --> 22:39.000
thing is every single song. And
really, I don't know, this could
only have come from the

22:39.000 --> 22:43.960
Snatcher family because it was
really Snatcher talking about
his life. Yeah. I'd never heard
this

22:43.960 --> 22:49.480
interview before ever. You know
what this was from? Yeah. It's
from, uh, C, it was a CBS

22:49.480 --> 22:57.800
static. C, yes. Yeah. I thought
CBS, um, interviewed at the ever
gave, but never used it. Nobody
ever

22:57.800 --> 23:04.680
used it. So they found it again.
Yeah. And used it this time. So
it was brand new. And why he
tells

23:04.680 --> 23:09.640
all stories. Yeah. No, it was
fantastic. And then what they
did is they had the screens that
were

23:09.640 --> 23:16.120
dropped down. All different
sizes. One was completely
horizontal, uh, you know, thin
vertical ones.

23:16.120 --> 23:21.960
Yeah. And, and hold on. Let me
get there. Let me get there.
Yeah. Let me talk about the
video stuff.

23:21.960 --> 23:27.080
Yeah. Oh yeah. Exactly. The
video. Yeah. Technical stuff.
Um, these were high density
screens.

23:27.080 --> 23:32.200
I mean, these were, um, I must
have been DLP or whatever. I
mean, you know, the screens. It
wasn't

23:32.200 --> 23:36.680
being projected. It was actual
screens. It was beautiful. And
so they did two things,
obviously,

23:36.680 --> 23:40.520
because they had all those
before a whole bunch of
performances, uh, class, some of
the

23:40.520 --> 23:45.160
some performances actually
recognized what they had done is
they had keyed out all the
background.

23:45.160 --> 23:50.920
Sometimes they put different
backgrounds in. And, and the
audio, they did a fantastic job
with

23:50.920 --> 23:57.720
basically getting rid of the
original track and the band on
stage would play, um, the, you
know,

23:57.720 --> 24:03.640
their own version. We're playing
the track. Well, now here's
where I wanted to just say
something

24:03.720 --> 24:08.200
about that. Oh. As good as, and,
and it was technically, this was
an incredible show.

24:08.200 --> 24:11.640
And a whole thing ran on
autopilot, because I was
watching the control booth that
could see it,

24:11.640 --> 24:15.320
you know, on the other side of
the theater. It was just one
person with all the computer.

24:15.320 --> 24:18.680
Drinking coffee had his feet up
on the desk. You know, the thing
was just rolling around.

24:18.680 --> 24:23.640
I was looking at it. Yeah. Of
course. Yeah. Um, there was a,
um, uh,

24:23.640 --> 24:29.400
there's a monitor, um, on the,
on the balcony. Yeah. So that
the, uh, the, well, I guess
we'll just call

24:29.480 --> 24:34.440
actors on stage so that they
could, you know, see the
conductor when, because the
conductor, you know,

24:34.440 --> 24:39.080
he had the click track and he
had all the cues and, and you
know, so you can see exactly
when

24:39.080 --> 24:44.920
when you have to start to sing.
Yeah. So that guy was very, very
important for the show. But what
I

24:44.920 --> 24:51.400
did notice, it was his show,
actually. Well, boy, speaking of
geeky nerds. Yeah. He was
definitely

24:51.400 --> 24:56.200
a geeky nerd. Yeah. You know,
even though it was technically
perfect in an all fit,

24:57.080 --> 25:02.120
there's something about, uh, and
we've seen Sinatra, one of his
last concerts in New Jersey.

25:02.120 --> 25:08.440
Yeah. There's something about
him interacting with the band,
um, you know, the way only he
could,

25:08.440 --> 25:16.760
you know, you may think.
Hoppically go over three, you
know, three, um, beats,
whatever, bars, beats,

25:16.760 --> 25:23.640
bars, that I missed. I really
did not have that, you know,
Sinatra. Of course. And no,

25:23.640 --> 25:28.440
well, but that's the first, you
know, I can sing every single
Sinatra song. I have the last
time

25:28.440 --> 25:33.400
I have all his and Lawrence
Wilkes albums. I remember we saw
him there, and I saw him before
that,

25:34.600 --> 25:41.560
in Las Vegas, coming up through
the curtain, but then through
the band. All right, through the
band.

25:41.560 --> 25:47.160
I came up. I didn't even have
something you was there. Yeah.
That's typical. And then you
could

25:47.240 --> 25:53.080
see, I was in the second row,
you could see his blue eyes.
They were so blue. And I
thought,

25:53.080 --> 26:00.120
no, no, no, you know, they're
all blue eyes. Very, very blue.
And he looks, it's almost like
he looked at

26:00.120 --> 26:10.120
every person in the audience.
You feel so, um, like you, you
get attention from him. It's
wonderful.

26:10.120 --> 26:16.120
Well, he was probably looking at
you and at the guys. No, hey,
darling. Not really. It was
amazing.

26:16.200 --> 26:22.440
And that moment I understood why
this guy was so big. So that is
exactly what I missed last night
at the show.

26:22.440 --> 26:28.120
That was just, it's not there.
Okay. That's my turn. Okay. And
I speak now. You just talked a
whole

26:28.120 --> 26:33.000
time about the whole Sinatra
show. No, I didn't, I didn't
explain what I thought. I wasn't
done yet, but

26:33.000 --> 26:40.040
please, go ahead. Okay. Please,
please go ahead. Well, I think
the most important thing is

26:40.280 --> 26:48.520
that he could have even done it
without the dancers. For me, the
dancers were not even there.

26:48.520 --> 26:52.120
And yes, there's something.
Looking at him at the screen.

26:52.120 --> 26:57.160
Yeah. I can't say something.
Yeah. Here's the problem with
the dancers. And I studied this

26:57.160 --> 27:03.400
for three songs in a row. Yeah.
Not one of the women was hot
looking and not one of the guys
was

27:03.400 --> 27:09.400
hot looking. It was not not one
single one. Could I say, oh,
man, I was waiting. I was
waiting. I was

27:09.400 --> 27:14.440
waiting. No, no, no, no. It was
very sexy. Which one? She was a
little bit fuller and she played

27:14.440 --> 27:20.680
that very sexy woman on the
piano. You know, that Roger
Rabbit with a short hair.

27:20.680 --> 27:26.440
Jessica Rabbit with a short
hair. No long. Long blonde hair.
There are wigs. Okay. But that's
what

27:26.440 --> 27:33.160
they're all wigs. No problem. I
didn't think. Not one single
hottie that the dancers and the

27:33.160 --> 27:39.320
singers were looking like movie
stars. I should have looked like
movie stars from

27:39.320 --> 27:46.600
these days. You know, like an
Ava Gardener, like a Brigitte
Bardo, a like a Malamon row.

27:46.600 --> 27:53.960
They didn't have the glamour
that I found on the screen
exactly. That I'm in so much.
I'm in

27:53.960 --> 27:59.720
holding it. And then underneath
there was a little bit of black
and white, a little fade out

27:59.720 --> 28:06.520
thing going on for me. Remember
the shows that I also have on
tape for myself from the 60s,

28:06.520 --> 28:12.680
the black and white. Not many.
You know, one camera and it was
only a little bit dull.

28:12.680 --> 28:18.680
Switching the lens together goes
up. Not that feeling. I got that
feeling again. Like, you know,

28:18.680 --> 28:25.960
a sixies TV show that was still
not really, you know. Well, so
part of that of course

28:25.960 --> 28:29.400
could have been intentional
because it did start in the 40s
and it got went all the way
through

28:29.560 --> 28:37.560
the 60s. And I think you cannot
draw too much attention. But it
was not the dancers didn't

28:37.560 --> 28:43.640
belong to Sinatra's world. Here
it is. I got, and they tried to
do that. They really,

28:43.640 --> 28:49.400
because all of the Sinatra
footage was black and white. And
they didn't. So they were very
colorful,

28:49.400 --> 28:53.800
actually. I think the contrast
didn't stop. Bryce, lady, you
won't let me talk at all. All
right.

28:54.520 --> 28:59.400
Okay. Go ahead darling. No, you
please. You clearly have a lot
on your mind. I'll wait.

29:00.120 --> 29:08.360
Well, I think they didn't have,
they didn't study the way they
performed in these days enough.

29:08.360 --> 29:13.800
They were in English. They were
English. That was. They were
there, too. They were in 40 and
45.

29:13.800 --> 29:19.240
But the, yeah. But so some of
the actresses won played me a
ferro, which was actually pretty
good.

29:19.240 --> 29:22.840
She had the haircut and
everything. And kind of that
attitude you want to slap her
for.

29:24.120 --> 29:30.280
But there was, you know what I
mean. And then there was, there
was two or three other

29:31.160 --> 29:37.000
pieces where the female, some of
the female actors would sing
along just a little bit with
them.

29:37.000 --> 29:41.400
And with it or speak along in an
English accent, that didn't do
it for me. I was like, no, no,

29:41.400 --> 29:46.120
that's, that's just, just wasn't
right. And why was she doing a
duet with him?

29:47.080 --> 29:49.880
Ah, because they had to have at
least one duet in the show.

29:51.160 --> 29:55.240
I mean, he's done duets. And
actually, you know what? They
had that whole piece of videos.

29:55.240 --> 30:00.200
Nancy was there. They had that
whole, they had that whole piece
of video from Bono.

30:01.080 --> 30:07.400
Yeah. Which was that at the
American Music Awards. It was
some award show. Very good.

30:07.400 --> 30:11.560
It was a damn good speech. I
don't know who the, the speech
wrote that. He wrote that.

30:11.640 --> 30:15.800
He wrote. Oh, yeah. Oh, yeah.
The tough. That definitely wrote
that. That was a good speech.
Wasn't it?

30:15.800 --> 30:21.080
My God. Yeah. And we're not big
Bono fans. No. But listening to
that, I was like, wow. Wow.

30:21.080 --> 30:25.480
Totally. Yeah. Do you think you
didn't even talk about that?
Absolutely. Of course we didn't.
We didn't talk

30:25.480 --> 30:29.480
about the show at all. I wasn't
allowed. No, I don't want to
talk about the show. No,

30:30.360 --> 30:35.720
yeah. Um, I have your CD. It's
not pod safe. You realize that,
right? So we could get arrested,

30:35.720 --> 30:40.680
go to jail and be Bubba's bitch.
Is that daddy? Yeah, you want me
to play that one? Yeah. Okay.

30:40.680 --> 30:45.640
Hold on a second. So you want to
set it up? You want to. So my
dad is being big band with me.
Just,

30:45.640 --> 30:50.840
you know, for my dad. Well, I
mean, you do a little more set
up than that. I mean, it's an
actual CD that you

30:50.840 --> 30:57.720
believe. Well, a couple of songs
we recorded real fast in a
studio in Rotterdam. She dumped
Rotterdam.

30:58.280 --> 31:04.760
And we gave it away when I had
my cosmetics because made a
company for Christmas, you know,
just.

31:04.760 --> 31:09.320
So the band is, it was actually
your dad's big band at the time.
Was the big old band? It was a
big,

31:09.640 --> 31:16.280
small big band. And the guys
were all 80 years old, right?
Yeah, but great musicians. All
right. Let's give it a shot
here.

31:16.280 --> 31:20.840
I'm playing this off the other
computer. So I have no idea what
kind of luck we'll have. Here we
go.

31:23.750 --> 34:39.800
[ Music ]

34:39.800 --> 34:43.400
Oh, we want the best for me.

34:45.800 --> 34:46.280
Yeah.

34:48.440 --> 34:49.080
That's sweet.

34:49.080 --> 34:52.760
You're so amazing. Half way
through the song, just like,
okay, turn it down. I've heard
enough.

34:53.480 --> 34:55.320
No way, man. This is awesome.

34:55.480 --> 35:01.240
Now, one thing that really
irritated me about that song,
no, about the CD.

35:01.240 --> 35:03.240
I about to know about the
Sinatra.

35:03.240 --> 35:06.600
Oh, can I just kind of just back
and out this for one second
then?

35:06.600 --> 35:12.120
So Patricia Pye and the John Pye
Orchestra with Daddy written by
Bobby Troop and in memory

35:12.120 --> 35:15.080
of the fabulous Julie London who
sang the song originally.

35:16.040 --> 35:17.560
Yeah. Yeah. Don't give me that
look.

35:17.560 --> 35:19.720
Is she dead? Yeah.

35:19.720 --> 35:20.920
Oh, I didn't know that.

35:20.920 --> 35:24.200
Yeah, she's dead. The people who
represent her music, by the way,
are not dead.

35:24.520 --> 35:29.000
Remember how much they charge us
for using that for a TV
commercial Holy Cranky?

35:29.000 --> 35:29.880
Let me tell you.

35:31.160 --> 35:33.400
Great stuff, great stuff. I love
that to you.

35:33.400 --> 35:37.720
And isn't a good that I them
such a lazy bugger that I hadn't
sent that to that guy yet, but I
still had it.

35:37.720 --> 35:40.200
Yeah, maybe now I'm going to
send it. Well, he has it.

35:40.200 --> 35:43.960
He doesn't know. I'm going to
send this to you. He wants the
CD. He's a collecter.

35:43.960 --> 35:48.120
So one thing that I always hate
because in a musical,

35:49.000 --> 35:53.160
Yeah. That's why I didn't do a
musical yet.

35:54.600 --> 35:59.320
Now you know that can you talk
into the micro musical people?
Yeah. They sing.

35:59.320 --> 36:05.080
They all sing like that.

36:06.360 --> 36:12.600
Everything is like that. And you
always know. Especially like
that.

36:12.600 --> 36:14.840
And you know exactly when
they're going to go into a song,
right?

36:14.840 --> 36:18.200
Because then they start the
movement starts to slow down and
then all sudden.

36:18.200 --> 36:21.640
Oh, they start to sing. But oh,
you hear me. Yes.

36:22.840 --> 36:30.680
In the conversation. But the
girls who sing and I think if
you have a show about Frank
Sinatra,

36:31.240 --> 36:35.960
you know, make sure that if
somebody sings in that shows,
sings exactly the way you

36:35.960 --> 36:43.560
sang in these years. Yeah. Yeah.
40, 50. And so they, they, I
don't know what

36:43.560 --> 36:48.600
sound was. But the moment they
start to sing, it was all like,
I can occur.

36:48.600 --> 36:54.440
Doesn't go with and the hands,
and that I'm speaking Dutch
because my parents are here.

36:55.160 --> 37:01.800
And then they do a piece of and
do sisters kind of thing. Yeah.
That didn't work at all.

37:01.880 --> 37:06.360
The little costumes aren't. Now,
I am the best. First of all,
those costumes were wrinkled,

37:06.360 --> 37:12.280
ill-fitting. And you see that
too. And some of the shoes were
wrong. I hate to say,

37:12.280 --> 37:16.040
but I've gotten a real eye for
things and clothing. And he's
really dirty. That's for dirty.

37:16.680 --> 37:21.000
Did you see that too? Okay. The
Frank Sinatra had. But in
general, in general,

37:21.000 --> 37:25.560
this was a good show. No. No.
What I wanted to finish that.
And so they did the end

37:25.560 --> 37:33.000
sisters thing together. You
know, the suits. I didn't fit
that well. You see those little
things.

37:33.000 --> 37:37.720
Little things. Little things.
Little things. I see those
things. And I think it seems to
me that they

37:37.720 --> 37:42.760
paid a lot of attention to the
technical parts of the show.
Exactly. And just, and then it's

37:42.760 --> 37:47.160
right. And it's like they had
some choreographer who was only
responsible for the
choreography. But

37:47.160 --> 37:51.800
no one looking at the total
picture and saying it doesn't
quite all match the nail
together.

37:51.800 --> 37:58.280
The harmonies from the so-called
Andrew Sisters kind of thing
that they did wrong. Wrong
harmonies.

37:58.280 --> 38:01.880
Yeah. Wrong harmonies. Because
the Andrew Sisters' harmonies
were wrong. The lead.

38:01.880 --> 38:05.800
Now the lead. No, no, no. In
these days, the lead was always
in the middle.

38:05.800 --> 38:15.800
Then you had the third force,
the higher, the third harmony
was up there above the middle.

38:15.800 --> 38:20.840
And then you had the lower voice
under there. So the lead was
always in the middle.

38:20.920 --> 38:25.640
Right. And the lead sometimes
took over from the other. That
they shifted, right?

38:25.640 --> 38:29.240
Yeah. Right. Right. Right.
Right. Right. Right. Right.
Right. And that made it so
fantastic.

38:29.240 --> 38:34.360
And they got it all wrong. And a
lot of people have that wrong.
No. We made a study of that and
we did

38:34.360 --> 38:39.480
the best thing and we had an
award for that. I don't have, I
don't have any star sisters
stuff.

38:39.480 --> 38:42.440
Well, that's time with you next
time. Next time I want to go to
jail.

38:43.880 --> 38:45.800
In general, though, how would
you rate the show?

38:45.960 --> 38:53.240
I really enjoyed it. But that's
because I'm a for in Sinatra
fan.

38:53.240 --> 39:01.800
Yeah. And I think that even he's
set his charismatic. He's great.
He's one of that. We never will.

39:01.800 --> 39:08.360
We never, never, never will have
another Sinatra. We won't say
that. But not like that. You
know?

39:08.360 --> 39:16.200
Yeah. The guy lived, lived to
sing and his voice and easy
sings very easy. And I so I
enjoyed that.

39:16.200 --> 39:21.800
And even I said, I told you
already that even without the
dances would have been a great
show.

39:21.800 --> 39:26.360
Yeah. You know, because he's
still, even not being alive. He
still did it.

39:26.360 --> 39:31.480
So ladies and gentlemen, the
Patricia Pi rating for Sinatra.
From one to ten?

39:31.480 --> 39:35.720
Yes. Very big eight. Oh, okay.

39:35.720 --> 39:40.280
And that's because of the two
points is because of the dancers
and singers.

39:40.280 --> 39:44.280
Oh, really? It would have been a
ten if they would have been a
ten if that was a little bit
more perfect.

39:44.280 --> 39:48.600
Yeah. Now, it's a bit poor. If
you plan on going to the Sinatra
show,

39:49.480 --> 39:54.760
it's at the London Playedium.
Yeah. About half a block down.
There's a cafe.

39:55.560 --> 40:01.000
But go and see it because it's
amazing. It's definitely see the
show. But if you're going to see
the show,

40:01.560 --> 40:07.640
do not repeat, do not go into
cafe logic, which is half a
block.

40:07.640 --> 40:11.480
We were like, look at six, 30.
We have an hour before the show.
This is a cafe.

40:11.480 --> 40:16.040
So why don't we just pop into
the cafe and we'll have a quick
bite to eat. It took us four.

40:16.040 --> 40:21.800
It took him 40 minutes for
fucking sushi. Yeah. I mean, and
they were very apologetic.

40:21.800 --> 40:24.840
But they're like, oh, yeah.
Well, all of a sudden, all the
people came in the same time.

40:24.840 --> 40:28.760
Well, you're in the theater
district. Hello. You're next to
the Playedium.

40:29.720 --> 40:34.360
You know, you're going to have
people in there. You noted they
have to be on time. That's
sucked.

40:34.360 --> 40:38.680
That really does not stand. So
we missed the actual half of the
opening number.

40:38.680 --> 40:43.000
Yes. They let us in, which is
nice. Yeah. But it's, oh my god.
When you talk to them and I
said,

40:43.000 --> 40:48.760
can we come in a little bit late
because we're still waiting? But
that was unforgivable. Let's
just

40:48.760 --> 40:53.800
just put it different. I sent
you to go talk to them. Because
I know if I go to talk to the
guys and

40:53.800 --> 40:58.200
say, hey, if we come in later,
is that okay? They'll look like,
it's screw you. But when you
walk and

40:58.200 --> 41:02.920
you look killer last night, you
had your new shoes on. You had,
you didn't take it. You're
handbag.

41:02.920 --> 41:06.520
I was in the French tonight. You
were told they were, you know,
they, they probably were saying,

41:06.520 --> 41:10.760
you have to go to the back stage
door. The back stage door is
there. You aren't you in the
show?

41:10.760 --> 41:13.800
We weren't in the show. She had
a new good shoot shoot. What did
you say?

41:13.800 --> 41:17.800
Well, we went with the train by
train. As we say, pardon me,
ma'am.

41:18.680 --> 41:20.440
Is that the cat the shit on your
shoe?

41:20.760 --> 41:31.080
Oh, yeah. Okay. So, but in
general, it was good. And in
your dad, he was, he, the

41:31.080 --> 41:36.360
morning he said, I was stoned.
He said he was completely stoned
because the music

41:36.360 --> 41:40.760
got into his head. And he was,
he was separate. I can see it.
He was separating the
arrangements.

41:40.760 --> 41:46.760
Oh, yeah. He was listening to
every single bit. Edge of his
chair. Only staring at the
orchestra.

41:46.760 --> 41:52.520
Yeah. That's right. And he, just
to see my dad, and that's where
we, we went actually,

41:52.520 --> 42:00.120
to see my dad enjoyed the so
much. Nice, huh? So much. I know
that was just, that was the most

42:00.120 --> 42:06.440
beautiful part of the evening.
Hey, Adam. This is Jeff. Just
out of Nashville. Can I see?

42:06.440 --> 42:12.440
I was calling this message,
actually, is for Christina
begging her to start her own
show.

42:12.440 --> 42:19.160
Because I live in Nashville near
Nashville, which is a town full
of shitty music. They're very

42:19.160 --> 42:26.840
few rareties here that are
actually good, such as Matthew
Eagle. And anyway, I need to
know about

42:26.840 --> 42:33.880
some good music. So please,
please, I beg you, start your
own show. Thank you very much.

42:33.880 --> 42:38.120
Thank you very much. Oh, thank
you. Everyone from Nashville to
go thank you very much. I think

42:38.120 --> 42:42.600
she's going to do it today.
Yeah. Right. Who's this? Dude,
did you eat my French vanilla

42:42.600 --> 42:51.240
strawberry yogurt? Dude, dude,
don't, don't eat someone's
yogurt. Hey, dude. I didn't even
eat it.

42:51.240 --> 42:56.680
No, I didn't eat anything. Did
you eat my French food? I did. I
had the generic brand of corn
flakes.

42:56.680 --> 43:04.120
I thought I didn't even like it.
Oh, did you eat the white? Hey,
did you eat it? No, she didn't

43:04.120 --> 43:08.040
hear it. No, it was on that
phone. Listen to this. Give her
the headphones for second. Give
her the

43:08.040 --> 43:13.320
headphones. Don't go away on.
Don't you dare leave. Just put
the headphones on. Put them on.
Put them on.

43:13.320 --> 43:18.680
I'll play it for you here,
comes. Hey Adam, this is Jeff.
Just out of Nashville,
Tennessee. I was

43:18.680 --> 43:26.680
calling this message actually
for Christina begging her to
start her own show. Because I
live in Nashville

43:26.680 --> 43:32.520
near Nashville, which is a town
full of shitty music. They're
very few rareties here that are

43:32.600 --> 43:40.120
actually good, such as Matthew
Eagle. And anyway, I need to
know about some good music. So
please,

43:41.240 --> 43:49.160
please, I beg you, start your
own show. Thank you very much.
There you go. Okay, I'll do it
just for the

43:49.160 --> 43:55.960
people Nashville. Are you going
to do it today? Yeah. Just bring
up some MP3s. We've got the
theme song.

43:57.560 --> 44:01.800
Christina's really worried
about, well, will I be boring? I
don't think you'll be boring.

44:01.800 --> 44:06.520
I am kind of boring. Just talk
about the vanilla stuff your mom
stole in eight.

44:08.760 --> 44:15.480
Okay. Okay. So we'll do it later
today. Okay. Okay. But dad, I'm
going to go to a gig later.

44:16.200 --> 44:23.800
What gig? I'm not sure yet. What
time? At the back line? Yeah.
What time? Seven. Did she clear
this with you?

44:23.800 --> 44:28.600
I did. I didn't plan on with you
yet. I ran it through the
authorities first. The real

44:28.600 --> 44:33.480
the real boss, the real word.
Okay. We want to do the show
before you go then. Okay. I'll
go get some stuff right

44:33.480 --> 44:38.280
now. Get a couple MP3s and we'll
just do a show. It'll be
fantastic. Okay. Go out. Here
mom.

44:39.080 --> 44:49.080
You yogurt steel. Yeah. And it
was actually not light. And I
don't like that. So you
shouldn't eat that eater.

44:49.720 --> 44:54.120
I'll be playing a song on them.
I'll play a song and then we'll
wrap up the show for today.
Okay.

44:54.120 --> 45:01.080
Well, you don't want to hear the
song. You just rip your
headphones off like that. It's
the booty voodoo.

45:03.750 --> 47:14.600
[ Music ]

47:14.600 --> 47:44.600
Hey, hey, hey, hey yeah, yeah,
yeah, yeah, yeah, yeah yeah,
yeah, yeah, yeah yeah, yeah,
yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah, yeah, yeah
yeah, yeah yeah, yeah, yeah,
yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah, yeah, yeah
yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah yeah, yeah,
yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah, yeah , yeah,
yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah, yeah, yeah,
yeah yeah, yeah, yeah, yeah
yeah, yeah, yeah, uh, yeah yeah,
yeah, yeah, yeah yeah yeah

47:44.600 --> 47:48.640
She can not stir originally from
Australia now from California

47:49.240 --> 47:53.800
Leakholder with the foodie and
the booty foodie coming up next
on serious stars one-o-two

47:53.960 --> 48:01.160
We've got Madge Weinstein's East
Radio followed by Pacific Coast
Hellway Dawn Drew then the
Gilmore Daily podcast and we
wind it up with which it all

48:01.160 --> 48:03.160
rather for its groove grass

48:03.800 --> 48:05.800
Right here on one-o-two

48:06.920 --> 48:08.600
So I will see this weekend, huh?

48:08.600 --> 48:13.400
You know, it was nice that our
daughter went to with us last
night. It's she and she enjoyed
herself

48:13.480 --> 48:17.160
And walking around with her. I
noticed nobody's looking at me
and

48:18.280 --> 48:21.320
You guys look killer together
and you're walking through water
loostation

48:21.880 --> 48:23.880
Wow, that is the new and
improved

48:24.920 --> 48:29.800
Yeah, yeah, it's a perfect mix
of of you and I isn't it

48:30.040 --> 48:33.400
Yeah, okay, well, what does that
mean we look so good?

48:33.400 --> 48:40.120
Oh, it's you got the good things
from me and the good things from
you. Yeah, so yeah, that's
right. Yeah, it's true. Yeah,
you're long legs

48:41.000 --> 48:43.000
That's about all that's good in
me. I guess

48:43.800 --> 48:45.400
You're brain

48:45.400 --> 48:50.600
Hey, baby, so I won't see you
this weekend. I'm gonna go see
my mom and since she's in the
hospital and visiting hours at
the end of the day

48:50.680 --> 48:55.000
You too late to fly back some
staying overnight, so yeah,
well, I've seen enough of you.
No

48:55.720 --> 48:58.520
Actually thanks. We had a great
time. Didn't we?

48:59.000 --> 49:00.360
We had a fantastic time

49:00.360 --> 49:02.360
We had a fantastic time.
Absolutely

49:02.600 --> 49:05.240
It's good to do that now and
then. I think people without

49:05.960 --> 49:10.440
With children should should do
that absolutely get away get
away go do it. Yeah, and

49:10.520 --> 49:16.040
And I'll see you at the palace
big opening night Saturday night
and and Monday will be back.
You're gonna be on the show
Monday

49:16.920 --> 49:18.920
I might okay

49:18.920 --> 49:20.200
I love you. I love you, too

49:20.600 --> 49:24.200
Another pod show pod cast stick
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49:32.040 --> 49:39.240
Get this pod cast and we're
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49:40.440 --> 49:42.520
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