WEBVTT

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This is Soccer Girl. I just
listened to the first episode of
Shadow Falls and it's scared me

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crapless.

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Delta Sierra Charlie 433

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I like to think I'm flying into
the future.

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[ Music ]

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When all he knows is you.

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Tell me I will man guess close
to you.

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Know the hell of warrior sunrise
in this grid.

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I kick it off with Mark Mulman.

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Tell me how a man gets close to
you.

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Hey, how you do in everybody.

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That's right.

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It's bright and early.

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It is Wednesday morning in the
curry condo.

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I am going home.

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I can't believe I am going home.

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It's been three weeks to the
day.

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No, three weeks and the day.

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So by the time I get home,

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that'll be tomorrow three weeks
and two days that I've been out
here in

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in Pod Show HQ vicinity.

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And as I said, I'm very much
looking forward to going home.

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But everyone who's been
listening to the daily source
code knows that.

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Man, I must say I'm pretty darn
invigorated.

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Yes, it's been a fantastic
couple of weeks.

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We've really achieved quite a
lot.

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That's just from a personal and
company perspective.

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And I think we've actually had
some fun on the show as well.

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Although I have to tell you, I'm
really looking forward to doing
another show with Patricia.

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So I'm hopeful and confident.

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I'll be able to drag her in
front of the microphone tomorrow
morning when I get home.

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And there's a lot more to go
home into the UK for as well.

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I mean, there's a lot of cool
stuff happening.

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Hello, Adam.

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And if you can hear me above the
den, well, I'm here at London's
old court for the great British

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beer festival 2006.

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And for the very first time,
they're podcasting from here.

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More on that in a moment, but I
can tell you that this morning,
I was a judge for

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one of the heats of champion
beer of Britain.

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And before lunchtime, I'd
already had inside me seven
miles and a bitter.

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So it's now gone 10 o'clock at
night and I'm starting to feel a
bit jaded.

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There's a load of people here.

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It's great fun.

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We've been talking to the
organizers of the event behind
the scenes.

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We've talking to the volunteers
that staff the festival.

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And we're playing some great
podsafe music as well.

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So please do have a listen to
beercast.podshow.com.

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That's beercast.podshow.com.

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Thanks again for letting us use
the podsafe music network.

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And indeed, podshow to host it.

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And please, if you back in
Britain in time, do come down to
World's court for the great
British

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beer festival 2006.

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So cheers for now.

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I'm just going to have one more
for the road.

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Tough job.

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Somebody's got to do it.

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Yeah, slange it.

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Skull.

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Prost.

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Lovely.

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Hey, dude, don't thank me for
the podsafe music network.

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Thank the artists that upload
all their stuff there.

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That's what you should be
thinking.

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And of course, I'm sure you do.

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I haven't listened yet, but I
fully intend on getting a copy
of the show and listening to it.

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I'm on the plane because of
course I've got my 10 hours
coming up.

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My, yeah, it's about nine and a
half or sometimes depending on
the win, 10 and a half hours.

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Now, being here in the condo and
you have to know the condo that
I'm in is it's a beautiful
building

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and it has fantastic facilities.

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It has a wonderful, it has a
movie theater, which I've
actually never checked out at
all.

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It has a swimming pool.

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It's got a hot tub or it's got a
sauna and it has a fantastic
gym.

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And every single time I come
here, I tell Patricia,

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yeah, man, I'm going to get into
the regimen.

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And I'm going to start again.

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I'm going to work out every
single day when I come back from
the office.

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And of course, what has it been
every single day?

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I come back from the office and
I collapse in front of either my
laptop or the television,

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or both, sometimes.

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And if you've listened to the
daily source code before,

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you know that Patricia makes fun
of my physique all the time,

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which of course is exactly what
a guy with my physique wants to
hear.

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And one of the things she keeps
on pointing out is that as the
years grow on me,

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the ass is declining.

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And so I was a little bit
worried about coming home.

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I don't think there's anything I
can do about it now anyway,

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but I was very worried about
coming home and her looking at
me and saying,

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hey, you look at shambles.

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Look at that, you didn't work
out at all.

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Which of course, you know I
didn't work out.

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But we have at Pod Show HQ, a
fantastic show.

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It's the fitness attack with Amy
Mack.

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And if you haven't seen it, you
can just go to podshow.com,

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you can search for a fitness
attack.

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I think it's in rotation on the
home page,

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so you'll probably see it pop up
there as well.

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Amy Mack does a 60-second
workout.

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And she's also actually helping
all of the pod show employees,

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those who are interested and
motivated twice a week,

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with exercise at the office.

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Which is another thing I didn't
participate.

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What is it made in?

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So I asked for some help.

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And I said to Amy Mack, I said,
you know, Amy,

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I really need to get my ass back
on track,

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because, look, my wife is 15
years older than I am.

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She should have a man with a
much better physique.

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So she says that she has a
program for me

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that I'm going to start with
today.

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Today will be the first day.

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Now it is a quarter to seven
here in San Francisco.

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So it's a little bit early, but
never too early to start.

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Now she said, I needed to have
my wireless mic

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hold on a second, which I have
here.

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Let me just look it up, oops,
that's the receiver side.

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There we go.

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Okay, I'm, uh, how's this?

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That's something we just changed
the location of the microphone
here for a second.

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Okay, so, uh, this is the
wireless mic.

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This is the, uh, the other mic,
G, what a difference, huh?

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Okay.

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And, uh, that's all she said I
would need.

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So let me fire up.

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Episode number one of Amy Max,
daily source code,

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AcerSize.

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AcerSize.

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Yeah, don't leave me back.

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And this is day one of the
AcerSize workout.

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For the next 60 seconds, your
ass belongs to me.

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Uh huh.

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To get this party started, I'm
going to need you to lay down,

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bat on your back.

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For each bed and feed eight
inches apart.

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All right.

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Ready for the next part?

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Yep.

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Okay.

10:00.000 --> 10:02.000
I hope you're wearing your
wireless mic or headset.

10:02.000 --> 10:02.320
Yep.

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I got to need you to put your
arms down your sides,

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calm to this side.

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Don't just seal it.

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Now your favorite part,

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thrust your booty towards the
ceiling and make a bridge.

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Keeping your knees, hips,
shoulders, all in a straight
line.

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Oh, crap.

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Look for two seconds.

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Hold it.

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You'll slowly come back down and
we'll paint nine more times.

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Nine?

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As you were doing this, you want
to make sure your body's on the
heels of your feet.

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You should feel this in the back
of your thighs.

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Your butt and your stomach.

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Don't forget to breathe.

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Keep your stomach in both ways
as tight as possible.

10:30.320 --> 10:34.000
We call this exercise the floor
bridge and it is one of many
that you want to

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through to achieve those bones
of steel.

10:35.600 --> 10:38.160
Use the side to get more fitness
tips.

10:38.160 --> 10:40.800
Check out the fitness attack
podcast at fitness.com.

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Potion.com.

10:41.840 --> 10:44.320
I'm going to do listening so if
you aren't breathing hard for
the next

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minute or two, I'm going to know
you are doing exercise.

10:47.200 --> 10:49.440
Until next time, as you're
saying is.

10:51.440 --> 10:52.080
Oh man.

10:53.040 --> 10:55.440
I didn't feel that in my ass,
Amy.

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I felt it in my back.

10:59.840 --> 11:02.400
How can my back be attached to
my ass?

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My assurse eyes muscles.

11:05.440 --> 11:06.080
Oh crap.

11:06.080 --> 11:07.040
I'm dizzy.

11:07.040 --> 11:08.080
104.

11:08.080 --> 11:08.800
104.

11:08.800 --> 11:09.840
104.

11:09.840 --> 11:10.800
104.

11:10.800 --> 11:11.440
104.

11:11.440 --> 11:12.480
104.

11:12.480 --> 11:12.800
104.

11:12.800 --> 11:13.440
104.

11:13.440 --> 11:14.160
104.

11:14.160 --> 11:14.800
104.

11:14.800 --> 11:16.160
104.

11:16.160 --> 11:17.440
104.

11:17.440 --> 11:18.160
104.

11:18.160 --> 11:18.480
104.

11:18.480 --> 11:19.440
104.

11:19.440 --> 11:20.160
104.

11:20.160 --> 11:21.440
104.

11:21.440 --> 11:23.600
It's time for the 104.

11:23.600 --> 11:25.120
I'll have moment.

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It's not funny.

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I actually am dizzy.

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All right.

11:30.400 --> 11:31.200
This is a 104.

11:31.200 --> 11:31.760
I'll have moment.

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So if you're not interested in
104.

11:34.080 --> 11:34.640
I'll have crap.

11:35.520 --> 11:38.880
You might just want to fast
forward about three and a half
minutes.

11:39.520 --> 11:43.520
We got to a very beautiful place
yesterday at Potio Plus.

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We had a lot of reports from
people saying that they had one
specific page

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on Potio Plus that wasn't
loading fast for them.

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And it wasn't everybody.

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It was basically all over the
globe.

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There were different results.

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And what happened was, is once
you're logged in my page,

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literally would take anywhere
from a minute to five minutes
before it finally loaded.

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This was a problem we've been
working on for quite a while.

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And that we finally fixed it
yesterday.

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And since sale moment brought to
you by Amy Max Fitness Attack,
link in the show notes.

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So we finally fixed it.

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And there was a call out in the
comments on curry.com.

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Actually, not on
dailysourcecode.com.

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By the way, dailysourcecode.com
is going to be the place to
leave comments

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on the show as I have some other
plans for curry.com.

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And so I won't be crossposting
eventually.

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But we still have some work to
do on the way our blog feature
works in Potio Plus.

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Anyway, so there was a call out
to explain exactly what
happened.

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And I'll just try and do it the
way I think I understand very
well what happened.

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But essentially, if you look at
my page on Potio Plus,

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you'll see that it's really
several different modules.

13:04.480 --> 13:10.640
And on the right-hand side, you
have some recommendations of
shows to listen to

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new listeners who was popped up
channels by new listeners or
channels who have just been
created.

13:16.800 --> 13:25.120
And what we found in the code,
and this is really an esoteric
type of problem,

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the hang was actually occurring
when the images for the connect
or the new people,

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the cool people, which I think
is three images, was being
called for that page.

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And the way it was being called
was actually because we're
moving our servers around

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and our images servers changing
in location.

13:44.400 --> 13:50.960
So the developer that built this
particular piece of code put in
a link to an HTTP link.

13:50.960 --> 13:55.920
And you could have referenced it
to the actual directory on the
server where the images live.

13:55.920 --> 14:00.000
But he referenced through a URL,
which of course is a podshow.com
URL.

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What's interesting is that three
of that we have a number of
servers in our cluster for all
this

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load balancing that we need to
do. But three of those servers,
somehow this is the real issue

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that had to be solved. Three of
those servers were somehow
misconfigured.

14:21.680 --> 14:25.680
So when they're actually
requesting something from Potio,
from their own domain,

14:26.400 --> 14:31.840
for some reason, something was
just hanging there for, well,
anywhere from a minute to five
minutes.

14:33.280 --> 14:37.840
So obviously, we all we had to
do was just patch that one line
and figure out what was

14:37.840 --> 14:43.280
misconfigured with the servers.
But essentially, when someone
requests a page from Potio,

14:43.280 --> 14:48.480
the load balancer points you
towards a certain server and it
has intelligence in there and

14:48.480 --> 14:52.320
caching and knowledge. So the
next time you go, it's probably
going to send you to the exactly

14:52.320 --> 14:57.440
the same server for load
balancing purposes. So people
who had already had this error
once were

14:57.520 --> 15:01.760
pretty much getting it every
single time. And it was great,
man. I just sat there yesterday,

15:01.760 --> 15:06.240
well, like, five of us were
going through all the different
scenarios and we found it and

15:06.960 --> 15:10.240
and gosh, darn it, it's so nice
to see it load and so fast.

15:21.520 --> 15:26.720
Learn something new yesterday,
talking about spam. I got an
email from

15:28.400 --> 15:32.560
Nick Zitler. And this is
something I did not know about
Gmail.

15:34.560 --> 15:41.200
So to note about Gmail, you can
curb spam and such and check
this out. When you enter your
email

15:41.200 --> 15:46.800
address into a form or anywhere,
particularly where, hold on, I
just got to pull down the shades

15:46.800 --> 15:51.760
for a second here. The sound is
so nice, but I can't quite see
the screen. There we go.

15:52.720 --> 15:59.360
So you know, let's say you fill
out a form to place a comment
somewhere and there's a
possibility

15:59.360 --> 16:04.720
of the email address mine show
up. Here's what you do. You
enter, so let's say my,

16:05.920 --> 16:13.520
your Gmail address is budhead at
gmail.com, just as an example.
If you enter in your email
address

16:13.520 --> 16:20.560
as follows, which in this case
would be budhead plus, and then
you enter, let's say you were
posting

16:20.640 --> 16:26.880
on, on the Don and Drew forum.
Now we wouldn't spam you with
that. So let's just as an
example.

16:28.320 --> 16:36.800
So you do atom plus Don and Drew
at gmail.com and, and, and
Gmail, then understands that
that is a

16:36.800 --> 16:44.240
specific, a specific email
address that you use. And I
guess then we'll route any, any
mail that

16:44.240 --> 16:49.520
comes through that from that
particular place with that email
address, of course. It'll place

16:49.680 --> 16:54.560
it into your spam folder. So
it'll still come to you, but
it'll be seen as spam and then
it'll

16:54.560 --> 16:59.280
put it into, you know, that kind
of breaks down that I think
about it. What if I sign up for

16:59.280 --> 17:06.080
automatic notification of
comments? Hmm. Anyway, Gmail is
doing something a little bit
smart there.

17:06.080 --> 17:11.840
So, you know, I should just
paste that information into the
show. I don't know if I did a
very good

17:11.840 --> 17:18.480
job explaining it. Wow, there's
a lot of interesting stories. I
don't know if you've been
following

17:18.560 --> 17:25.120
some of the geek talk about Dig
and Netscapes new, well, new,
relatively new.

17:26.400 --> 17:31.040
What we call, what's it called
now social bookmarking site? Of
course, Netscapes is a Jason

17:31.040 --> 17:37.600
Calacanis is kind of taken a
lead from Dig and created his
own version of that. I think
with,

17:37.600 --> 17:44.160
with different different
objectives, perhaps a different
end game in mind, but it is
pretty much the

17:44.160 --> 17:50.880
same idea. But what's happening
now? And when I get this story
from, oh yeah, from Valleywag,

17:51.760 --> 17:59.360
they'd receive an email. It
turns out that media companies
and media companies,
particularly

17:59.360 --> 18:04.320
marketing companies who are
hired by other companies to get
them, you know, to get them

18:04.320 --> 18:11.840
press and PR online are actually
hiring people. So let's say, you
have company A and there's a

18:11.920 --> 18:19.680
story about you in the New York
Times. They will hire hundreds
of people to dig these stories

18:19.680 --> 18:25.680
to get them higher ranking on
the social bookmarking sites.
Nothing legal about it, of
course,

18:25.680 --> 18:33.520
but it is very interesting to
see marketers jumping into the
space and what does this mean
for the

18:33.520 --> 18:38.880
quote, integrity of a place is
like dig. You know, this is
something to keep your eye on.
I'll post a

18:38.960 --> 18:45.040
link to the email that Valleywag
received because I think you'll,
you'll definitely next time

18:45.040 --> 18:51.840
you visit a site like Dig or
NetScape, you'll probably look
at it with new eyes because you
just don't

18:51.840 --> 18:55.920
know any more. Is this really
something people dig or is this
something that is just being
pushed

18:55.920 --> 19:02.240
up the chart for a fee? And
maybe that's an interesting
debate we can have. Is that
okay? Is that not

19:02.240 --> 19:10.480
okay? Can the the real quote,
zeitgeist of a community
actually outweigh the long green
of marketers?

19:11.200 --> 19:16.000
Would love to hear from you.
Send it to Adam at curry.com or
please post it in the comments
at

19:16.000 --> 19:22.960
dailysourceco.com. Are you
interested in psychology and
what makes us tick and personal
growth

19:22.960 --> 19:29.280
in the inner life? In the
integration of mind, body and
spirit, if so, then you need to
get on the

19:29.280 --> 19:36.080
couch with Dr. Dave. As he
interviews leading edge thinkers
from around the broad world of
psychology,

19:37.120 --> 19:44.480
you'll find the shrink wrap
radio psychology podcast at
www.shrinkwapradio.com.

19:46.320 --> 19:50.240
It's all in your mind. You
should really listen to that Dr.
Dave show.

19:51.200 --> 19:59.600
The people are tuning in.
Extremely popular. I've met Dr.
Dave a couple of times and

19:59.600 --> 20:04.400
listened to a show and liked it
very much and I kind of drifted
in and out. I've re-subscribed

20:04.400 --> 20:09.440
I got the show through pod show
plus. There's a lot of good
stuff there. And for those of
you who are

20:09.440 --> 20:14.960
into what your mind is doing,
it's an interesting little piece
of your body. We talk about it a
lot

20:14.960 --> 20:20.640
on the Charlie. What's going on
in your head? You might want to
check it out. Trinkwapradio. Was
that

20:20.640 --> 20:26.560
Trinkwapradio.com? I believe it
is. Still working on the show
notes. You've probably seen that
I'm

20:26.560 --> 20:34.560
no longer posting a long run
down. Interesting debate as well
about this. Some people never go
to

20:34.560 --> 20:39.680
the show notes page. Some will
go to the show notes page. After
they've listened to the show,

20:39.680 --> 20:46.960
which is always kind of been my
hope, is that show notes is more
like a reference

20:48.560 --> 20:52.800
after you've listened to the
show to go. Oh yeah, I want to
go check out that song. But of
course,

20:52.800 --> 20:58.240
exactly the opposite seemed to
be happening. At least for a
majority of people.

20:59.600 --> 21:09.360
And that ascercise gave me
sense. The opposite really was
happening where

21:09.360 --> 21:14.560
people would go to the show
notes, look at the show notes,
and then make decisions about

21:14.560 --> 21:19.680
the actual program attached to
that based upon those show
notes. And so I'm thinking,
well,

21:19.680 --> 21:24.560
you know, if that's really what
people are doing, then I should
probably make the show notes

21:24.560 --> 21:29.840
more attractive, more like a
headline. Now, lure you into the
program. And then of course,
there's

21:29.840 --> 21:36.080
a lot of die hards who want to
treat at least this podcast more
like a weblogg so they can

21:36.080 --> 21:41.680
deep link into specific sections
of it. That I don't like. That's
like, you know, I just paint

21:41.680 --> 21:47.440
the picture and people only want
to be able to see the middle
piece or the right-hand corner,

21:47.440 --> 21:52.640
you know, that I'd rather you
not listen if you're going to do
that. What I do hope is that
we'll

21:52.640 --> 21:58.080
have ways for and we have some
of them, but we have ways for
people through a through pod
show

21:58.080 --> 22:03.040
plus to actually point out
pieces of a podcast and hand off
a piece of a podcast so you can

22:03.040 --> 22:09.600
listen to the whole thing or go
to exactly the point that
someone referenced you. But
really,

22:09.600 --> 22:12.960
I think I have to make it more
of a headline to draw you in.
And of course, the trick is,

22:12.960 --> 22:18.160
is at the same time to also
provide the information for
people who just go there for
reference.

22:18.160 --> 22:22.160
So I'm working on it. And of
course, this takes something
that I don't have a lot of,

22:22.160 --> 22:29.040
which is writing skills. Be
prepared for some weird-ass show
notes as we, as I go through
this,

22:29.280 --> 22:36.000
this very trying period of my
life. The unions are up in arms.
When I say the unions I'm
talking

22:36.000 --> 22:43.040
about after and sag, sag being
the screen actress guild after
being the American Federation of

22:43.040 --> 22:50.080
Television and Radio Artist. The
way it works in mainstream
media, if you actually work on a
union

22:50.080 --> 22:55.760
project, let's just take a
television series as an example.
If that television, you know,

22:55.760 --> 23:00.240
there's a, there are set deals.
It's like a union, you know. So
it's, it's all about
compensation.

23:00.800 --> 23:05.680
And if that program is
distributed in a certain way,
you will get what they call
residuals.

23:06.320 --> 23:11.280
So if it's actually re-eared, in
fact, I did an episode of Swamp
Thing once. Man,

23:11.840 --> 23:17.440
I wish I could find that. I
don't have a tape anymore. I
starred in an episode of Swamp
Thing.

23:17.440 --> 23:25.280
And to this day, I still receive
probably on an annual basis
about $2.60 of residuals

23:25.280 --> 23:31.600
because it'll, it'll air
somewhere on, I think it, air
originally on like the USA
network or

23:31.600 --> 23:37.440
something and then it goes into
syndication for years. This was
probably 12 or 13, maybe maybe

23:37.440 --> 23:44.720
maybe in 15 years ago. So, so
it's old. But, you know, so what
happens when a show like that is

23:44.720 --> 23:50.640
eventually sold through the
iTunes Music Store, which I
always find an interesting
contradiction

23:50.720 --> 23:55.840
in terms it's a television
program being sold through the
music store. But, okay. So you
can download

23:55.840 --> 24:02.320
it and watch it on iTunes or
watch it on your, on your video
iPod. Should I be getting
residuals

24:02.320 --> 24:07.200
from that as well? And of
course, the actors feel that
absolutely they should. But this
is,

24:07.200 --> 24:11.600
you know, it's still kind of
been an experimental period.
And, and, you know, obviously,

24:12.400 --> 24:16.560
I think these production
companies and movie companies
don't want to give up anything.

24:17.200 --> 24:21.600
Oh, crap. You know, it's too bad
you're listening to us on
serious stars 102 because you

24:21.600 --> 24:25.760
can't hear the rest of this
story and the last song that
I've got lined up for the source
code

24:25.760 --> 24:30.240
listeners. However, specific
host hellways coming up next,
then we'll bring you Dawn and
Drew

24:30.240 --> 24:35.040
American cliche, which is a show
that is really popping out.
Michael Butler after that,

24:35.040 --> 24:41.040
the Frank Truth with the Brian
Know, all about the life and
times of Frank Sinatra and then

24:41.040 --> 24:46.720
East Radio and Scott Siggler
winds it up with his patio book
adventures between 930 and 10

24:46.720 --> 24:52.080
Eastern Time. And I'll see you
guys again. I'll talk to you
guys again tomorrow from the
cottage

24:52.080 --> 25:00.960
back in the UK. Take care, have
fun with Mark. Okay. Right. So,
a whole story about who sent
this to me,

25:02.800 --> 25:08.000
Bill Berger sent this to me. And
it's a really long story. But it
seems like, you know, we,

25:08.640 --> 25:16.720
excuse me, I think we could
actually run into a, uh, run
into another strike situation.

25:17.360 --> 25:25.200
Because, you know, it's tough,
you know, if you think that you,
that you really deserve to be
paid

25:25.200 --> 25:31.680
for every, um, extra sale of a
product and if that was, uh, not
the initial agreement to go back

25:31.680 --> 25:37.120
and agree to new industry
standards. And I'm watching this
very closely because, uh, if
anything,

25:37.200 --> 25:43.840
the work we're all doing
together is non-union. And, uh,
the main reason is because, you
know,

25:43.840 --> 25:49.680
I don't think anyone is, uh, is
getting really rich off of, uh,
off of the independent vibe yet,

25:50.400 --> 25:56.160
uh, sure, uh, we're making
money. Potcha was making money,
but, you know, the, what I'd be
able to,

25:56.960 --> 26:01.840
uh, finance shadow falls if we
had to do it by, uh, the union
rules. No way. But of course,

26:01.920 --> 26:08.960
those union rules for actors and
producers and directors and
engineers, etc, are based on,
um,

26:08.960 --> 26:14.160
a very rich history of knowing
how much money can be made with
these projects. And we just
really don't

26:14.160 --> 26:21.040
know, um, we really don't know
yet. So it, it may be a little
early for, uh, for union calls,
but I'm,

26:21.040 --> 26:26.000
I'm hoping that it may not be
necessary at all that everyone
will be able to, uh, in fact,

26:26.000 --> 26:31.440
I'm hoping that the marketplace
will be so huge that we won't
even need that. It'll just be

26:31.440 --> 26:36.080
a matter of picking the right
projects and being in contact
and being in the right
communities.

26:36.880 --> 26:43.360
Um, the great example is, uh, is
Jeff Smith. I mean, uh, I hope
Jeff. Jeff, are you listening? I
hope

26:43.360 --> 26:47.760
you're charging people for all
this great work you're doing.
Um, you know, Potcha was
certainly

26:47.760 --> 26:52.480
paying Jeff for, uh, for the
stuff that he does for the daily
source code and, and for other,
uh,

26:52.480 --> 26:58.160
other projects that that we've
hired him for. Um, so I, you
know, I think that we're going
to find

26:58.160 --> 27:02.800
the marketplace is probably
going to eliminate the need for
that and we can just work on buy
out contracts.

27:02.800 --> 27:08.880
But I don't know. I really don't
know. So it's interesting to
follow very closely. And, um,
just, uh,

27:08.880 --> 27:13.120
two more things. Well, one, of
course, the voicemail numbers.
Uh, remember now tomorrow,

27:13.120 --> 27:17.360
we're doing a show with the lady
Patricia. So if you have, uh,
anything for her, uh, make sure
that

27:17.360 --> 27:23.360
you get it in as soon as
possible. Plus one, 201, 65, 65,
65, 7. That's our number in New
Jersey

27:23.360 --> 27:28.080
and in London plus four, four,
two, zero, seven, six, eight,
one, three, seven, five, three.

27:28.880 --> 27:35.600
Righty, Amy Mack. My assur-size
is making me burp. Last night
when I came home, um,

27:36.640 --> 27:41.040
I saw that in my video channel
that I have set up on Potcha
Plus, which I believe is

27:41.040 --> 27:44.480
public. So you can, you can
watch that channel as well. And
essentially, it's the most
recent

27:44.480 --> 27:50.480
episode of a number of podcasts
that I've dropped into that
channel, all video podcasts. The
most

27:50.560 --> 27:56.720
recent, um, release from Ted,
the technology engineering
design conference, which is held
every year.

27:56.720 --> 28:01.200
And, uh, what was it to think
that was Monterey this year? Uh,
there was an, and you know,

28:01.200 --> 28:06.400
this really amazing people, uh,
speak at this conference. And
it's fantastic that they're
making

28:06.400 --> 28:12.080
this available for the public to
watch. Completely sponsored by
BMW, by the way, uh, which I
think

28:12.080 --> 28:17.440
is done at a really classy,
really nice fashion. And I think
it's so, so worth the content
that I'm

28:17.440 --> 28:24.160
getting to sit through, uh, the
same BMW, uh, pre-roll spot and
post-roll. It doesn't bother me
at all.

28:26.160 --> 28:31.360
Was a demonstration of
multi-touch computing. And I,
and I, you have to watch this.
I'll

28:31.360 --> 28:37.120
go, I'll put a link in the show
notes to this. It's going to
blow you away. This is the
interface

28:37.120 --> 28:44.880
I want for my, for every single
computer I use from now on. The
idea being, I'll just kind of

28:44.960 --> 28:51.600
try to explain it. But you have
to see it to believe it.
Imagine, um, um, a large flat
screen about

28:51.600 --> 28:57.840
the size of, I don't know, two
place mats. And, you know, where
if, if you have a, um, if you
have a,

28:59.840 --> 29:07.120
a pen-based computer, like a,
uh, what do they call those
things? Notebook, not crap,
tablet. There you go.

29:08.400 --> 29:12.240
It'll take one touch point. And
that touch point is either going
to be your mouse or it's going
to

29:12.240 --> 29:18.640
be a brush stroke or it's going
to be, uh, uh, uh, uh, a pen
stroke, something like something
like this.

29:18.640 --> 29:23.440
But multi-touch, which
apparently is not all that new
that of technology, it's just
the processing

29:23.440 --> 29:27.680
speed is now quick enough to
actually do something with it.
With multi-touch, you can
actually,

29:27.680 --> 29:32.160
you know, put any number of
pressure points onto this
screen, which is kind of at a, I
don't

29:32.160 --> 29:37.360
like a 45 degree angle in front
of the, the person who is
demonstrating it. So if you put,
you know,

29:37.360 --> 29:41.520
all your fingertips, tops down,
then all those, your fingertips,
all the fingertips would,

29:41.920 --> 29:48.160
would actually do something on
the screen pressure sensitive as
well. So he was showing some
very basic

29:48.160 --> 29:53.760
stuff like, um, uh, a lava lamp,
uh, and you're actually looking
at the screen, okay? So that,

29:53.760 --> 29:58.000
so you're, you're interacting
with the screen at the same
time, which, of course, is cool
because

29:58.000 --> 30:02.800
multiple people could be
interacting with the screen. And
that was just a warm-up, then he
showed

30:02.800 --> 30:08.880
what you could do with pictures.
And it was like, it was
literally like rummaging through
pictures,

30:08.880 --> 30:13.520
but really doing it, you know,
on, on your desktop and
arranging them. And, uh, oh, let
me,

30:13.520 --> 30:19.040
let me make this one bigger and
let me move the table top a
little bit. It, it was, it
totally just

30:19.040 --> 30:23.040
blew my mind. And I don't know
how far we are from application.
I mean, this is how I want

30:23.040 --> 30:29.280
cast blaster to work, man.
Imagine I could be touching
multiple faders and, and, and
buttons,

30:29.280 --> 30:34.720
and it would be responding in
real time while I'm looking at
the actual, at the actual screen

30:35.040 --> 30:40.320
where I'm making these commands,
it goes so far beyond the mouse
and keyboard. And, of course,

30:40.320 --> 30:44.240
you can render a keyboard right
there on the screen. And by the
way, make the keyboard bigger,

30:44.240 --> 30:49.200
smaller, change the keys around,
um, it'll blow you away. That is
something I want you to go to

30:49.200 --> 30:55.680
the show, and let's more check
it out, because it is, uh, it's
astounding. And then last night,

30:55.680 --> 31:01.120
uh, after that, as I was
rummaging through the most
recent shows, um, then I wanted
to catch up on,

31:01.120 --> 31:07.040
I, uh, heard, uh, the latest
from Transdance. This is a
Candace Loopers from Band
Tracks.

31:07.040 --> 31:12.640
It's got a new show on the pod
show, Transdance.podshow.com.
It's actually Transdance.

31:12.640 --> 31:17.920
That's good. Just see the link
in the show notes. They got
permission for this, uh,

31:17.920 --> 31:22.000
PLW summer club mix of group is
in the heart through Ioda.

31:22.880 --> 31:27.760
We're now, uh, helping push this
out to podcasts. Very cool. Good
working with you guys.

31:27.760 --> 31:31.120
Happy to play this as well, link
in the show notes, group is in
the heart.

31:33.750 --> 35:46.250
[ Music ]

35:46.780 --> 35:53.740
Now, there's something you can
ask for size too, man.

35:53.740 --> 35:54.740
Group is in the hearts.

35:54.740 --> 36:02.020
The PLW Summer Club makes,
thanks to Iota, the independent
online distribution alliance.

36:02.020 --> 36:05.020
So I think that this is a major
outreach from Iota.

36:05.020 --> 36:09.820
I'm not quite sure how it went
down with Canis Lupus band
tracks, but he was able to put

36:09.820 --> 36:12.020
a link to the song in the show
notes.

36:12.020 --> 36:15.100
So, and he said that he had
permission to play it.

36:15.180 --> 36:17.860
I think that we're so close to
working together.

36:17.860 --> 36:22.580
And in fact, it's so cool
because Iota basically has a
whole different customer base.

36:22.580 --> 36:30.460
They're working for the labels
to help promote the independent
labels product.

36:30.460 --> 36:32.660
And we're all about labels or
artists, doesn't really matter.

36:32.660 --> 36:35.780
We just want people to be able
to share this music.

36:35.780 --> 36:38.940
And of course, we also have a
purchasing system of the
positive music now.

36:38.940 --> 36:42.940
We're not completely rolled out
yet as we have a lot of moving
parts, but there are a lot

36:42.940 --> 36:44.740
of songs already for sale.

36:44.740 --> 36:49.820
And pretty much anyone who
specifically goes and requests
it through the help desk email

36:49.820 --> 36:51.940
at the Potship Music Network can
get it turned on.

36:51.940 --> 36:57.660
So, all we need now is just that
last bit to make it, quote, pod
safe, although I guess

36:57.660 --> 36:59.220
it almost is pod safe.

36:59.220 --> 37:00.980
But, you know, I have no way to
report back.

37:00.980 --> 37:03.380
I have no way to report back to
you guys that I played it.

37:03.380 --> 37:07.820
So, you know, why don't you make
an Iota account or something or
let's work on it.

37:07.820 --> 37:11.620
Please give Michael Butler a
call and try and figure this out
because it's cool.

37:11.620 --> 37:14.460
And I really love playing that
song, and I thank you very much.

37:14.460 --> 37:15.460
Okay.

37:15.460 --> 37:22.660
On my way home to see my girls
to hug with my babies, I'm so
homesick.

37:22.660 --> 37:25.780
Atamacurry.com,
dailysourcecode.com for all of
your comments.

37:25.780 --> 37:30.860
Remember, 20 is an iPod, will be
giving away the iPod to the most
original domain name

37:30.860 --> 37:36.300
as a registered through any
domain name service, but my
recommendation is go daddy $6.95

37:36.300 --> 37:41.540
since if you use the DSC 3 code
upon checkout.

37:41.540 --> 37:44.860
And if not, I'll just see you
tomorrow with a lady Patricia.

37:44.860 --> 37:45.860
Take care, everybody.

37:45.860 --> 37:46.860
Thanks for listening.

37:46.860 --> 37:47.860
Bye.

37:47.860 --> 37:56.420
Another pod show pod guest,
stick it in your ear.

37:56.420 --> 37:58.740
Get this pod cast and more great
ones like it.

37:58.740 --> 38:03.300
On the high performance pod cast
delivery network from pod show
and limelight networks.

38:03.300 --> 38:05.380
I love it.
