WEBVTT 00:00.000 --> 00:07.000 This podcast is brought to you by Pancho and GoDaddy. 00:07.000 --> 00:10.000 Want Killer content with a badass domain name? 00:10.000 --> 00:12.000 This show will give you a special code. 00:12.000 --> 00:15.000 Get great discounts at GoDaddy.com. 00:15.000 --> 00:16.000 GoDaddy! 00:20.000 --> 00:23.000 Delta Sierra Charlie 458. 00:23.000 --> 00:25.000 Okay, Grandpa, just talking to the microphone. 00:25.000 --> 00:26.000 What? 00:26.000 --> 00:27.000 Yeah, right there. 00:28.000 --> 00:31.000 Right, yeah, that thing right there, the big circle. 00:33.000 --> 00:36.000 Well, yeah, that's the pop filter. 00:39.000 --> 00:42.000 No, we're not getting a pop, okay, just read the paper. 00:42.000 --> 00:43.000 Alright, alright. 00:43.000 --> 00:44.000 Yeah, there you go, right there. 00:49.000 --> 00:50.000 Right. 00:50.000 --> 00:52.000 You can't, you're always counting things. 00:52.000 --> 00:54.000 Back in my day, we didn't count everything. 00:54.000 --> 00:55.000 What? 00:55.000 --> 00:56.000 It wasn't all these numbers. 00:56.000 --> 00:57.000 What do you mean? 00:57.000 --> 01:00.000 Just when you did something and you were done with it. 01:00.000 --> 01:01.000 The DSC. 01:01.000 --> 01:03.000 Yeah, that's Adam Curry, he's... 01:03.000 --> 01:04.000 What? 01:04.000 --> 01:06.000 He's a pilot, so say tailwinds. 01:06.000 --> 01:09.000 So I'm off facing tailwinds, like you were a pilot. 01:09.000 --> 01:11.000 Tailwinds, what did I float? 01:11.000 --> 01:12.000 I'm sorry. 01:12.000 --> 01:14.000 Ah, geez. 01:14.000 --> 01:16.000 Yeah, yeah, yeah, yeah, yeah, yeah, yeah. 01:16.000 --> 01:18.000 Yeah, yeah, yeah, yeah, yeah, yeah. 01:18.000 --> 01:20.000 Yeah, yeah, yeah, yeah, yeah, yeah. 01:20.000 --> 01:22.000 Yeah, yeah, yeah, yeah, yeah, yeah. 01:22.000 --> 05:21.000 [ Music ] 05:21.000 --> 05:44.920 I'm really got to thank Jeff Hins for making that suggestion. I no idea they showed up on the 05:44.920 --> 05:48.680 pod save music network Jeff of course from the Friday night dance party podcast. 05:49.640 --> 05:53.560 The Carmen Apicy Project which of course I have a member that coming out. 05:55.400 --> 06:01.160 Now in the pod save music network there's three songs gunna rain days or nights 06:01.160 --> 06:05.160 and what you just heard was nobody knew and the way the Carmen Apicy Project works. 06:05.160 --> 06:14.520 Carmen man he's he's been around. Of course on drums he's a very well-known drummer. 06:14.520 --> 06:19.960 Tony Franklin is on this you know him from blue murder probably from white snake, 06:19.960 --> 06:26.040 Kelly Keeling on bass. He was in baton Rouge and I and I have a feeling that Ron 06:26.040 --> 06:29.000 Ron actually produced a baton Rouge record. I have to ask him about that. 06:32.200 --> 06:38.280 So the the guest solo guitar on nobody knew was Brian May of Queen fame. As if you couldn't 06:38.280 --> 06:42.120 hear that very distinct sound. On the other songs that are also on the P and then you want to check 06:42.120 --> 06:47.000 him out gunna rain guitar solo is by Richie Sambora and days or nights. Michael Butler's going to 06:47.000 --> 06:51.000 love that. That's probably why it's on the pod save music network the new Ted Newgeon doing guitar 06:51.000 --> 06:55.960 solo. Excellent. I mean what a way to kick off a football Friday because we really are all 06:55.960 --> 07:00.440 footballer by the end of the week. Football fucked up beyond all recognition. This is the daily 07:00.440 --> 07:05.160 source code episode 458 everybody how you doing coming to you from Curry Cottage in the 07:05.160 --> 07:10.200 affluent suburb of Surrey known as Gilford. Let me get the Joseph Jaffee stuff out of the way right 07:10.280 --> 07:17.960 away. No in no way have we gotten enough punishment in or any really good ideas. There's some good 07:17.960 --> 07:27.160 comments over at daily source code.com on pod show plus. Let me see comic strip blogger things I 07:27.160 --> 07:32.760 shouldn't let him air the second part of the interview regardless. What was another one that came 07:32.760 --> 07:38.040 in somewhere? What is this? LePierre says you may have held your interview hostage but I think it's 07:38.120 --> 07:44.040 pretty safe to say you held his balls hostage. So so far nothing really earthshattering this 07:44.040 --> 07:50.280 coming. This is kind of normal for a pod cast because it does take a couple days for people to catch 07:50.280 --> 07:55.800 up. So I think we'll have to wait until Monday as we have some suggestions streaming over the weekend. 07:55.800 --> 08:03.240 Hey Adam it's Carlos again. Just a scene show for five six and I've started upon a punishment. I think 08:03.240 --> 08:13.160 that Joseph should get a set and amount of listeners to your show so I'm increasing your traffic 08:13.160 --> 08:19.960 from his pod cast and anyone who's done that he can play the interview. So thanks bye. 08:20.600 --> 08:28.040 Yo he's already done that really just by I mean that was the whole point I think and that's kind 08:28.040 --> 08:39.080 of where I'm a little torn over this. I see I disagree fundamentally with what Joseph did by saying 08:39.080 --> 08:43.080 I'm not going to air the second half of your interview because you haven't sent me any link love. I just 08:43.080 --> 08:49.560 thought that was really wrong and I think that he still thinks it's a joke and that I'm actually 08:49.800 --> 08:59.080 making a this is some kind of traffic driving thing that I'm into or that we're both doing together. 08:59.080 --> 09:05.560 Not at all. I certainly don't need his traffic. I don't care if he gets I want everyone to be 09:05.560 --> 09:09.960 very successful. It's not about that. It's just about he was rude. It's fucking rude. That's all. 09:11.720 --> 09:16.920 And he keeps sending me email messages. Are we okay? Are we on the right track yet? And it's like 09:17.000 --> 09:23.960 it's not a game. This is real. And it won't be done until I think the listeners have spoken. 09:23.960 --> 09:28.920 At least the listeners to the Charlie because it's bestowed all that crap on you, apologies. 09:29.640 --> 09:37.160 Hey great news today. Let me just bring this up in the outline. One of our very own board members 09:37.160 --> 09:45.400 at Potio Ray Lane became a granddaddy. So we welcome Walker Hugh Torrance Rollinson born at 09:45.400 --> 09:52.920 945 PM last night, Stanford Hospital, 7 pounds, 14 ounces, 20 and 1 quarter inches. 09:52.920 --> 09:57.960 Welcome him to the extended Potio family. Mom and baby are doing just fine. 09:58.840 --> 10:04.440 Looking at the pictures that came in over email today. Granddaddy's doing very fine as well. 10:07.400 --> 10:12.280 Oh man fantastic. The big question is of course. And this is a fantastic opportunity. We know 10:13.240 --> 10:21.240 Ray Lane is a scruncher. Will it carry through two generations of lanes? That is the question. 10:21.240 --> 10:27.160 Hello Adam. Happy birthday. Happy belated birth. That should say from Colorado. Just catching up on 10:27.160 --> 10:34.680 some DSCs from the past week, listening to 454. And after hearing about you to loud of gas incident, 10:34.680 --> 10:39.800 I'm glad to hear that it was nothing more than a butt-puckering experience. Now we pilots, 10:39.800 --> 10:51.960 we get those on occasion to remind us how fallible we really are. And I could tell that it was 10:51.960 --> 10:58.440 that it was one of those experiences for you. My only take on the whole thing is, hey, use your checklist. 10:58.440 --> 11:07.000 Checklists, of course, are designed to keep us out of trouble and to make sure that we 11:07.960 --> 11:14.360 do all the things that we think we can do via routine. But as you know, as soon as we get distracted or change the routine, 11:14.920 --> 11:21.080 that's when things get screwed up. Just like, you know, for getting to put down your landing gear because you dropped your pencil, 11:22.840 --> 11:31.080 you know, it's that sort of thing. So use the checklist, please. I've enjoyed your work since the days of MTV 11:31.640 --> 11:40.200 and hope to hear you for a long time on the DSC. So take care and folder. Thanks, Michael, 11:40.200 --> 11:45.880 I appreciate your comments. That's a good question. I don't know, Robin from Inside Work, he's a pilot. 11:45.880 --> 11:50.600 I think he may be a scruncher. I don't recall. I should write all that down. You know, this wasn't 11:50.600 --> 11:56.040 really a case of following the checklist. This was actually a case of following the aircraft manual, 11:56.040 --> 12:00.760 which is the most interesting thing about it because it really what happened was an accordance with 12:00.760 --> 12:05.400 the manual, but not in accordance with reality. Now, a butt buckering moment, you better believe it. 12:05.400 --> 12:11.240 When you're engine quits anywhere, even if for a second, it's a butt bucker. No kidding. 12:11.960 --> 12:16.440 Dan and Captain Dan and I spent a couple minutes kind of glancing at each other after that. I'm going like, 12:16.440 --> 12:21.000 fuck man. Dude, that could have been really bad. We were really, really lucky. 12:22.680 --> 12:28.440 So the aircraft manual really, you carry that with you, at least I do. We have it within, within 12:28.440 --> 12:33.320 reach, actually, all to always within reach. For instance, let's say that the landing gear 12:33.320 --> 12:38.120 didn't come down, that we didn't get three greens. There is a way to manually pump them down. 12:38.120 --> 12:41.480 I've never, of course, had to do that, and there is a procedure you have to follow, 12:41.480 --> 12:45.000 and you wouldn't need the checklist for that, but really, I guess it's a checklist within the 12:45.000 --> 12:49.880 manual. So we followed the manual, actually. You know, if the, if the right tank is depleted, 12:49.880 --> 12:56.040 switched to the left tank, turns out that the indicators that Sessna makes are pieces of crap. 12:56.520 --> 13:00.920 So it's always flying on both, but I appreciate it, and you're absolutely right. And 13:02.360 --> 13:08.840 regarding landing with your gear up, you know, that really are only two types of pilots. 13:09.800 --> 13:12.760 Those that have made a gear up landing, and those that will. 13:26.040 --> 13:34.840 For Adam in Great Britain, dial plus four, four, two, seven, six, eight, one, three, 13:34.840 --> 13:42.360 seven, five, three, plus four, four, two, seven, six, eight, one, three, seven, six, eight, one, three, 13:42.360 --> 13:47.560 seven, five, three. Thanks for going on the daily source code. Good bye. Oh, 13:47.560 --> 13:54.600 fold it as concha. Jeff Smith, everybody. He heard this shout out. He heard the call. He couldn't 13:54.600 --> 13:59.000 stand those horrible jingles. I was actually they weren't horrible, but these are definitely nice. 13:59.000 --> 14:02.520 Jeff, thank you so much. I love it. So you got the numbers now. They're embedded into your brain. 14:02.520 --> 14:05.720 There should be in your cell phone. Whenever you're hearing something, whenever you think about something, 14:05.720 --> 14:09.720 just pick up the phone and call. You know, they're not to be about the show. Can be about anything. 14:10.520 --> 14:15.000 Of course, sometimes it's about the show. Hi, Adam. This is Mark Furnish from Albany, New York. 14:15.640 --> 14:20.280 I don't fold or scrunched because quite frankly, I don't go to the bathroom. I think. Okay. So 14:20.280 --> 14:24.520 he's pretty much set himself up. He's a full of it, I guess, on toldry. 14:25.480 --> 14:29.960 Anyway, I'm really interested about what you were talking about editing your podcast and taking 14:29.960 --> 14:36.840 up the ears and the arms and things like that. You know, that's a good point podcasting should be raw. 14:37.640 --> 14:42.600 No, hold on a second. I really want you guys to listen to this because he's going to 14:42.600 --> 14:47.800 misunderstand what I'm saying and I think he doesn't really have a grasp of where my head is at, 14:47.800 --> 14:53.240 which granted could take some effort to get in the same headspace. 14:55.400 --> 15:01.480 So exactly that. I just heard me go, you know, I wouldn't edit that. This show is live to MP3. 15:01.480 --> 15:06.280 You know, I record everything in real time, right off a cast blaster, right onto the MP3 file. 15:06.280 --> 15:11.080 I don't take anything out. I don't think I've, I can't recall ever editing a daily source code 15:11.080 --> 15:17.080 post post creation because I like it when it's, you know, there's an energy that you have to have. 15:17.080 --> 15:21.560 And I don't, I don't want to safety net. It makes me, it's, yeah, that's really it. It's like not having a 15:21.560 --> 15:26.200 safety net. So if I want to reduce the arms and arms and if it really bothers the audience, 15:28.120 --> 15:33.080 I'll do it. I'll work on it. My audience will help me in fact. Charlie listeners have done just that. 15:33.080 --> 15:36.760 But I think you take, you're failing to put into consideration the fact that 15:38.040 --> 15:43.560 good people like yourself have the best top-notch podcasting equipment available to you. 15:44.120 --> 15:50.200 Uh-huh. The best top-notch podcasting. Do you hear the hums in the background? Do you hear the 15:50.200 --> 15:55.160 crunching and the crackling? You sound like you're recording from a professional studio, which you are. 15:56.360 --> 16:01.800 Got to stop you, everybody. I'm not. I'm not podcasting from a professional studio. 16:02.360 --> 16:05.560 I have a cast blaster, which will run on any Windows machine. 16:06.040 --> 16:15.720 I have a, uh, a high-l, PR 40 microphone, which pretty much is is like the, I think it's become 16:15.720 --> 16:22.120 some form of standard. It's a very inexpensive microphone. I believe it's under $200. The mixer 16:22.120 --> 16:28.840 that I have is a sound craft, $150. He listened to this potential meter here. Actually, it's not 16:28.920 --> 16:34.440 crackling now, but it's, it's really, really a sub-standard piece of kit. 16:36.280 --> 16:43.000 And that's the loop. The only thing I have is a stereo valve processor, which, again, you can 16:43.000 --> 16:51.080 buy a compressor for $100. So you could be done for about $500. That is not the type of 16:51.080 --> 16:54.920 studio I think you're describing. Which is fantastic. And I wish I could do that as well. 16:55.640 --> 17:00.920 But when you're just working from a common computer microphone and like a free audio program, 17:00.920 --> 17:06.200 like Audacity, your program sounds like shit. And you want to do, uh, 17:06.200 --> 17:10.360 Audacity has nothing to do with your program sounding like shit. It's just a recorder. 17:11.240 --> 17:16.920 And your cast blaster is free for, for anything, uh, 10 minutes are under. I think there's 17:16.920 --> 17:23.320 enough value there to buy it if you want to make longer shows. But Audacity is fantastic. 17:23.720 --> 17:28.760 Now, that's not a real-time live thing, but it will record. It will let you edit. It will let you 17:28.760 --> 17:33.160 process the sound. It will let you do everything that professionals actually do. In fact, if I used 17:33.160 --> 17:38.360 Audacity, my show would probably sound more, quote, professional. Not the sound I'm looking for, though. 17:38.360 --> 17:42.040 Anything you can't have a try to make it feel better. And if that, I think that means kind of like 17:42.040 --> 17:47.640 taking out the other the eyes or quite frankly, it becomes unlicable. I'd really like to see an 17:47.640 --> 17:52.040 experiment from you sometime. And I don't know if it's even possible. But I'd like to see your 17:52.040 --> 17:57.240 record your podcast from a, just a normal computer microphone that you could get at a radio 17:57.240 --> 18:01.560 shack, or I don't know if they have radio checks in Europe, but any kind of computer store, 18:01.560 --> 18:07.640 and using a free audio software program and do your podcast like that to see how it sounds. 18:07.640 --> 18:13.880 Now, you have years of broadcasting experience. So you sound polished as it is, and that's a good thing. 18:13.880 --> 18:19.640 But I'd be really curious to see how a polished podcast you sound using just every day, cheap, 18:19.720 --> 18:26.280 normal equipment on a podcast, and see how it sounds, and not using the expensive equipment that 18:26.280 --> 18:31.160 the top notch podcast is used. I think that'd be interesting. And if you ever do that sometime, 18:31.160 --> 18:36.760 I think it'd be really fun to hear. Take care Adam. All right. So let me just respond to a couple 18:36.760 --> 18:43.800 things there. First of all, the editing and the quality of the studio. I mean, look, there's a lot of 18:43.800 --> 18:49.400 people on the radio who are in million dollar studios that just sound like shit. Don't belong 18:49.400 --> 18:56.760 there whatsoever. Lots of them. So, you know, it's, it's all about just the quality of the content, 18:56.760 --> 19:02.040 and not about the, the quality of the sound, or, but I will do the experiment with you. Hold on a second. 19:02.040 --> 19:09.000 Let me, let me just grab, I do have a cheap microphone. Here we go. In fact, I, I'll, 19:09.880 --> 19:16.120 we'll say that I don't even have a stand, okay? So I'm holding it in my hand now. Now the trick 19:16.120 --> 19:23.640 would be to turn off the processing. Let me see if I can do this. Hello, hello, hello, okay. So this 19:23.640 --> 19:30.120 is me on a cheap microphone with, so I've turned off that stereo valve processor. Nothing is running 19:30.120 --> 19:34.600 through it. I got to tell you, I don't think it sounds all that bad. I really don't. And I still 19:34.680 --> 19:41.480 hear all kind of all the, you know, the, the crackling and the, and I hear a very distinct hum in the 19:41.480 --> 19:48.040 background. So, you know, will this stop people from listening? I just don't see it, dude. And I just don't 19:48.040 --> 19:53.880 see it. Now, the, what I'm talking about is clearly something else. It's about the, about being 19:53.880 --> 19:59.160 people, about being human. This is not about having, you know, in fact, I think that if, if I, 19:59.160 --> 20:03.240 if you don't use professional sounding processing, it's even better because it's so much more 20:03.240 --> 20:07.960 distinctive. Yeah, this, this is what it sounds like. This is what top 40 radio sounds like. 20:07.960 --> 20:15.240 Oh, man. Hey, everybody. It's a hot dragon flavor for us. You 100. Yeah. Yeah. And then we've got to, 20:15.240 --> 20:19.320 oh, sorry. I got to go to this one. And then, of course, you always have the, 20:20.200 --> 20:27.240 WLT, W light FM. You know, then you've got like the news guys. And in the, and in New York, 20:27.240 --> 20:32.680 news today, Bob, Cassinola is standing by for Bob, what you got down the on the street. You know, 20:33.560 --> 20:37.480 so I think it's more interesting to hear just a regular raw sound with all the 20:37.480 --> 20:45.640 warts and the bumps on it. All right. Let me go back. Now, I will say one thing. I have found in, 20:45.640 --> 20:50.600 in the past, that having a great sound in your headphones, which, of course, is just as much 20:50.600 --> 20:57.320 a function of the headphones, as it is a function of a function of, of your setup and your microphone, 20:57.400 --> 21:05.240 it really does motivate. For me, it does. I really feel in tune. And yeah, I just feel like I'm, 21:05.240 --> 21:10.120 I'm in the show a lot more, like it's really, um, enveloping my entire head. 21:11.720 --> 21:15.080 Smoked some of the only herbs seems to help, too, by the way. Those Republicans in the 21:15.080 --> 21:18.680 audience have already purchased CDs that they are non-refundable. 21:27.800 --> 21:33.640 George Bush lied about weft the mass destruction. Cleating got a blow job. 21:36.040 --> 21:39.320 So there was deception added to the suction, but 21:40.200 --> 21:51.160 Cleating got a blow job. Now what's worse, starting a war, are keeping your coheibas in a human human door. 21:51.960 --> 21:53.640 Oh! 22:04.120 --> 22:10.360 And who got impeached? And what for? All right. Cling got a blow job. 22:12.600 --> 22:15.320 George Bush vacationed Juan New Orleans drowned. 22:15.320 --> 22:22.320 He sat in a classroom with a tower's falling down. 22:22.320 --> 22:29.320 He fucked up FEMA, which fucked up Katrina. 22:29.320 --> 22:33.320 Not to mention the conventions of Geneva, 22:33.320 --> 22:36.320 with 23 civilians murdered in Haditha. 22:36.320 --> 22:46.320 Now how can a man without a brain, 22:46.320 --> 22:58.320 [ Music ] 22:58.320 --> 23:06.320 Cause a Congress held but act in the face of every fact I have presented here. 23:06.320 --> 23:12.320 The comparison couldn't be more clear. 23:12.320 --> 23:17.320 George Bush authorized leaks of classified information. 23:17.320 --> 23:24.320 To make the case for attacking a sub-renation. 23:24.320 --> 23:30.320 Well, they couldn't shoot him, so they had to shame him. 23:30.320 --> 23:34.320 But if you know a single honest politician, name him, 23:34.320 --> 23:38.320 and you've seen Hillary, can you blame her? 23:39.320 --> 23:45.320 I mean, I'm sorry, Hillary. 23:45.320 --> 23:50.320 We all got a take one for the two. 23:50.320 --> 23:57.320 George Bush, fun, sex head that says that condoms don't work. 23:57.320 --> 24:04.320 If they did it, both your daughters would be framing you, jerk. 24:04.320 --> 24:08.320 Bush lied about his bus for driving drunk. 24:08.320 --> 24:13.320 Clinton's biggest crime was having spunk. 24:13.320 --> 24:17.320 And for choosing a statue, less than statue-esque, 24:17.320 --> 24:25.320 and hiding her under the oval office days. 24:25.320 --> 24:28.320 What else, George? What else have you done? 24:28.320 --> 24:32.320 So research, abstinence, what else have you learned about? 24:32.320 --> 24:38.320 Global warming, missile defense, going a wall from the National Garden. 24:38.320 --> 24:41.320 Fun somewhere, everybody. It's not that hard. 24:41.320 --> 24:46.320 Jack Abramoff, Valerie Plame, Al Qaeda's links to Saddam Hussein. 24:46.320 --> 24:50.320 I will grieve, can you lay our record deficit today? 24:50.320 --> 24:54.320 We're tapping in for leaking water, boarding power, hoarding, 24:54.320 --> 25:03.320 great destroying, crazy, plowing, load of skinless steps. 25:03.320 --> 25:09.320 And to my part, I'll play the pond. 25:09.320 --> 25:13.320 If that's what it takes to get you gun, 25:13.320 --> 25:16.320 I'm on my knees, George. 25:16.320 --> 25:26.320 You can't find that on the pod save music network yet. 25:26.320 --> 25:33.320 Perfect for a Friday. Eric Schwartz, Clinton got a blowjob. 25:33.320 --> 25:40.320 You can't find that on the pod save music network yet. 25:41.320 --> 25:44.320 But David E. Palito, my buddy in New York, 25:44.320 --> 25:48.320 that guitar man from New York who plays in Central Park, who has his own podcast. 25:48.320 --> 25:50.320 I love the company. He's working on it. 25:50.320 --> 25:53.320 I heard this song on his episode of Think104. 25:53.320 --> 25:56.320 I'm telling you, David E. Palito, Eric Schwartz, 25:56.320 --> 25:58.320 these kinds are the dealings of our generation. 25:58.320 --> 26:01.320 This is awesome stuff. These are cool songs. 26:01.320 --> 26:03.320 You can sing along. They have a great message. 26:03.320 --> 26:06.320 Very funny lyrics are just right on target. 26:06.320 --> 26:10.320 I was offended though. I have to be honest about the Hillary Clinton comment. 26:10.320 --> 26:12.320 I don't think that was necessary. 26:12.320 --> 26:16.320 You know, Hillary's not ugly. She's a very intelligent woman. 26:16.320 --> 26:19.320 No, I think she was cute back in the day. 26:19.320 --> 26:23.320 Oh, I can't wait for the voice mail on this one. 26:23.320 --> 26:28.320 We can't transmit because something else is already transmitted somewhere close to the secret storm. 26:28.320 --> 26:30.320 What kind of transformation is it? 26:30.320 --> 26:32.320 Could be a soft phone? Maybe a radio. 26:32.320 --> 26:33.320 Can we listen to it? 26:33.320 --> 26:35.320 Let me get the frequency first. 26:37.320 --> 26:42.320 This is a generally speaking podcast network update. 26:42.320 --> 26:45.320 Hi, everybody. My name's Cliff Ravenscraft. 26:45.320 --> 26:47.320 And I'm Stephanie Ravenscraft. 26:47.320 --> 26:51.320 Together, we record and produce the generally speaking weekly loss podcast, 26:51.320 --> 26:55.320 a fan-based podcast devoted to the hit ABC show loss. 26:55.320 --> 26:59.320 From the beginning, our purpose has been to take the casual loss viewer 26:59.320 --> 27:02.320 and turn them into lost a hollocks. 27:02.320 --> 27:08.320 It's work, too. We have thousands of listeners from all over the world, including some of the cast from the show. 27:08.320 --> 27:14.320 Each week, we review the current episode of Lost, where we break the show down into two main segments. 27:14.320 --> 27:17.320 Character analysis and exploring the mystery. 27:17.320 --> 27:20.320 We also keep everybody up to date with Lost and the news. 27:20.320 --> 27:24.320 You can learn who's going to be interviewed on what TV talk show, 27:24.320 --> 27:30.320 and where you can find access to special deleted scenes on the net and things of that nature. 27:30.320 --> 27:34.320 And of course, we're always happy to take a call from our listener line, 27:34.320 --> 27:37.320 where you can be part of our show with your own thoughts and theories. 27:37.320 --> 27:42.320 Here's a clip from a call we received from someone who any lost a hollock would recognize. 27:42.320 --> 27:45.320 Hey, Cliff, Stephanie, it's for it. 27:45.320 --> 27:48.320 Um, heard you guys calling, honey. 27:48.320 --> 27:51.320 We want to invite you to come and get Lost with us. 27:51.320 --> 27:57.320 You can find us on the web at generally speakingpodcast.com. 27:57.320 --> 28:01.320 And if you listen to the generally speaking, weekly Lost podcast, 28:01.320 --> 28:04.320 you'll understand why thousands of our listeners are saying to themselves. 28:04.320 --> 28:06.320 We're going to need to watch that again. 28:06.320 --> 28:08.320 I got to tell you, I'm a big lost head. 28:08.320 --> 28:10.320 Is that starting again? Has the new season started? 28:10.320 --> 28:13.320 Of course, I only watch it on, I buy it on iTunes. 28:13.320 --> 28:15.320 And I usually have a marathon with myself. 28:15.320 --> 28:17.320 I have two types of marathons. 28:17.320 --> 28:18.320 One is iTunes. 28:18.320 --> 28:22.320 When I see a Lost on iTunes, so I load it up. 28:22.320 --> 28:23.320 And I load it up on the computer. 28:23.320 --> 28:26.320 I've really tried the video I pod on the airplane. 28:26.320 --> 28:29.320 And I start to hurt my neck after a while. 28:29.320 --> 28:32.320 And my wrist gets limp. 28:32.320 --> 28:37.320 And then, of course, there's the problems when I'm watching Lost. 28:37.320 --> 28:40.320 So I watch it on the computer in iTunes. 28:40.320 --> 28:44.320 And then I have Comcast cable at the condo in San Francisco. 28:44.320 --> 28:46.320 And I always have a marathon of ontourage, 28:46.320 --> 28:49.320 because you can get those on demand. 28:49.320 --> 28:51.320 Everything's blurring together, my friends. 28:51.320 --> 28:53.320 It really is. 28:53.320 --> 28:56.320 But still, you know, the really nice cinematic stuff, 28:56.320 --> 28:58.320 like Lost, I can't watch that on a small screen. 28:58.320 --> 29:00.320 That's insulting to myself. 29:00.320 --> 29:04.320 I'm not even getting half the, I wind up watching episodes of Lost. 29:04.320 --> 29:06.320 Again, on television. 29:06.320 --> 29:08.320 Of course, I like it. 29:08.320 --> 29:11.320 But I've just amazed by the information that I actually missed 29:11.320 --> 29:13.320 by watching it on a small screen. 29:13.320 --> 29:16.320 Something to be said for that, I think. 29:16.320 --> 29:18.320 Hello, I don't reach again here from UK. 29:18.320 --> 29:20.320 I'm just driving back from work. 29:20.320 --> 29:22.320 It's just gone midnight. 29:22.320 --> 29:23.320 I just listened to the entire stuff. 29:23.320 --> 29:26.320 It was a great person that was on Radio 4 today. 29:26.320 --> 29:29.320 So it's all due away. 29:29.320 --> 29:31.320 It's Thursday now. 29:31.320 --> 29:32.320 No. 29:32.320 --> 29:33.320 Sorry. 29:33.320 --> 29:34.320 It's well. 29:34.320 --> 29:35.320 No. 29:35.320 --> 29:37.320 Oh, shit. 29:37.320 --> 29:39.320 This is why I don't like stuff edited out. 29:39.320 --> 29:41.320 How beautiful is this? 29:41.320 --> 29:42.320 It's all like, anyway. 29:42.320 --> 29:45.320 It's now Friday, but it was Thursday Thursday night. 29:45.320 --> 29:47.320 Probably one of about half past eleven. 29:47.320 --> 29:50.320 And it was called at three cool trees. 29:50.320 --> 29:52.320 It's just quite a good radio program. 29:52.320 --> 29:56.320 It was about how Nashville, a lot of control of the reckoning. 29:56.320 --> 29:58.320 It's literally a channel as mentioned. 29:58.320 --> 30:01.320 And sort of just basically how no one had a complete stop of it. 30:01.320 --> 30:02.320 So you might want to listen to it. 30:02.320 --> 30:04.320 It was quite musical. 30:04.320 --> 30:09.320 A lot of things that I know you've been saying in this sort of some sort of perspective 30:09.320 --> 30:14.320 of how the whole thing is managed by business. 30:15.320 --> 30:21.320 Well, when you think we have quite as much an experience of it, 30:21.320 --> 30:23.320 you just don't notice. 30:23.320 --> 30:30.320 But hearing that from the CRS, then, you know, that was very clear message anyway. 30:30.320 --> 30:32.320 Well, I would like to check it out. 30:32.320 --> 30:34.320 I'm treating it on BBC. 30:34.320 --> 30:36.320 Listen again on the website. 30:36.320 --> 30:41.320 And I say it was called three calls from the trees. 30:41.320 --> 30:45.320 And it was not half past eleven on BBC right there for one Thursday. 30:45.320 --> 30:46.320 Anyway, thanks so much. 30:46.320 --> 30:47.320 Right. 30:47.320 --> 30:48.320 Hey. 30:48.320 --> 30:49.320 Yeah, you know what? 30:49.320 --> 30:50.320 I have. 30:50.320 --> 30:51.320 It's good to have. 30:51.320 --> 30:53.320 I have a set of amount of time. 30:53.320 --> 30:57.320 I set aside every single morning for, for my daily round of podcast. 30:57.320 --> 31:00.320 And I always have a couple of what I would call mainstream slots. 31:00.320 --> 31:01.320 I have a channel. 31:01.320 --> 31:02.320 I actually built up. 31:02.320 --> 31:04.320 And then that channel just feels stuff in. 31:04.320 --> 31:06.320 I think I call it the news channel. 31:06.320 --> 31:08.320 You can get it off of my podshowplus site, 31:08.320 --> 31:09.320 Adam.podshow.com. 31:09.320 --> 31:12.320 And you can subscribe to my entire channel if you like. 31:12.320 --> 31:14.320 And use that. 31:14.320 --> 31:16.320 And listen to the same things I've listened to in the morning. 31:16.320 --> 31:24.320 So I, I, I, I, I, I dropped one MPR show and the New York Times front page to listen to that program. 31:24.320 --> 31:26.320 Of course, I'll have show notes. 31:26.320 --> 31:29.320 I'll have a link in the show notes at dailysourcecode.com to the BBC. 31:29.320 --> 31:34.320 Listen again service, which is kind of, it's pretty cool because you can find what you want. 31:34.320 --> 31:35.320 But you don't have a lot of control. 31:35.320 --> 31:38.320 It's all streaming and you can get a jump ahead a minute. 31:38.320 --> 31:41.320 Or, you know, or 15 minutes. 31:41.320 --> 31:44.320 It's, I don't really dig how they're doing that. 31:44.320 --> 31:47.320 But yes, this is a show you must listen to. 31:47.320 --> 31:49.320 I really recommend it. 31:49.320 --> 31:54.320 And I can understand how you wanted to call in the minute the minute you heard that. 31:54.320 --> 31:59.320 It really talks about how this stuff works, you know, how clear channel functions, 31:59.320 --> 32:02.320 how the, and the country, country music business. 32:02.320 --> 32:04.320 Wow, man, you want to talk about cut throat? 32:04.320 --> 32:05.320 Oh, yeah. 32:05.320 --> 32:07.320 So give that a listen. 32:07.320 --> 32:11.320 If you want to know why, what we're doing is such an incredible revolution. 32:11.320 --> 32:12.320 Hey there. 32:12.320 --> 32:13.320 It's Angie B. 32:13.320 --> 32:16.320 I love spirals and the chill cast. 32:16.320 --> 32:21.320 And I just started a brand new video blog over on Podshow called, 32:21.320 --> 32:23.320 Chillin' of Angie B. 32:23.320 --> 32:24.320 What do you know? 32:24.320 --> 32:29.320 If you've ever been curious to put a face to the voice, well, this is your chance. 32:29.320 --> 32:34.320 I'm just going to be talking about my life and career and whatever else comes to mind. 32:34.320 --> 32:37.320 It should be lots of fun and I'm just getting started. 32:37.320 --> 32:43.320 So, once you head on over and check it out at AngieBchat.podshow.com. 32:43.320 --> 32:44.320 Hope to see you there. 32:44.320 --> 32:46.320 Oh, Angie. 32:46.320 --> 32:50.320 So, Angie's already cut her side of hidden desires. 32:50.320 --> 32:53.320 Which is a drama we're doing together. 32:53.320 --> 32:55.320 So, I have to cut my lines and it'll have to interspersed. 32:55.320 --> 32:58.320 I'm going to do that this weekend along with a new perversion for profits. 32:58.320 --> 33:00.320 So, that should be out either Sunday night or Monday. 33:00.320 --> 33:01.320 It's going to be really busy. 33:01.320 --> 33:06.320 A Ron's coming to town, he's flying today, so he'll arrive tomorrow, mid afternoon. 33:06.320 --> 33:07.320 Of course, he'll be completely wrecked. 33:07.320 --> 33:12.320 So, I'm pretty sure Saturday evening and Sunday and Monday and Tuesday and Wednesday, 33:12.320 --> 33:15.320 I'll be in the city in this, if London town. 33:15.320 --> 33:21.320 We've got some pretty cool stuff working on with something special for us on Wednesday. 33:21.320 --> 33:23.320 I'll tell you about that later on next week. 33:23.320 --> 33:26.320 So, it's busy, but I'm going to be able to get some of this stuff out. 33:26.320 --> 33:28.320 Time for another perversion for profit. 33:28.320 --> 33:29.320 And, Angie, I loved it. 33:29.320 --> 33:30.320 I loved it. 33:30.320 --> 33:31.320 I loved just sitting there watching you. 33:31.320 --> 33:33.320 That was incredibly cool. 33:33.320 --> 33:36.320 Angie just sitting there with a microphone. 33:36.320 --> 33:37.320 Nice. 33:37.320 --> 33:41.320 Porsons of the show brought to you by the Accurate Target cast about the Accurate. 33:41.320 --> 33:43.320 I was at the RDX SUV. 33:43.320 --> 33:45.320 Find that at Accurate.podshow.com. 33:45.320 --> 33:49.320 And if you want to hear all of the finalists for the podshow ad challenge, 33:49.320 --> 33:51.320 create the earthling commercial. 33:51.320 --> 33:53.320 All of the, so you can go to ad challenge. 33:53.320 --> 33:55.320 A podshow.com to see what that was all about. 33:55.320 --> 33:57.320 Of course, now you can't enter anymore. 33:57.320 --> 34:00.320 The finalists, though, and we'll be doing more ad challenges. 34:00.320 --> 34:01.320 I'm sure of it. 34:01.320 --> 34:06.320 The finalists for earthling, you can find an earthling.podshow.com. 34:06.320 --> 34:12.320 And there's another guy on podshow who I always rest on. 34:12.320 --> 34:14.320 No, I don't mean that. 34:14.320 --> 34:16.320 I have his support. 34:16.320 --> 34:19.320 Every single end of the week. 34:19.320 --> 34:24.320 When Friday comes around, I know that I won't have to worry about the music, 34:24.320 --> 34:27.320 because the music college is on the scene. 34:27.320 --> 34:28.320 His name. 34:28.320 --> 34:31.320 I'd like to make a motion too. 34:31.320 --> 34:33.320 I was like really stupidly dramatic. 34:33.320 --> 34:34.320 I fucked it up. 34:34.320 --> 34:36.320 You're on her. 34:36.320 --> 34:38.320 Please don't bang that gavel. 34:38.320 --> 34:42.320 You can try this cowbell out. 34:42.320 --> 35:12.320 [ Music ] 35:12.320 --> 35:14.320 I'm a gentleman now. 35:14.320 --> 35:16.320 He's Jersey. 35:16.320 --> 35:18.320 I'm a man. 35:18.320 --> 35:19.320 Yeah. 35:19.320 --> 35:20.320 I'm a man. 35:20.320 --> 35:21.320 I'm a man. 35:21.320 --> 35:22.320 No. 35:22.320 --> 35:23.320 What's up? 35:23.320 --> 35:24.320 I'm happy for our Friday. 35:24.320 --> 35:27.320 He's Jersey Todd, the official musical, just of The Cha Cha. 35:27.320 --> 35:28.320 Hey. 35:28.320 --> 35:30.320 You got your cowbell out. 35:30.320 --> 35:31.320 Yep. 35:31.320 --> 35:32.320 I'm here. 35:32.320 --> 35:33.320 All right. 35:33.320 --> 35:34.320 Hey listen. 35:34.320 --> 35:35.320 I've got some really, really special for you today. 35:35.320 --> 35:36.320 Devon, 35:36.320 --> 35:37.320 Allmond's Honey Tribe. 35:37.320 --> 35:38.320 Yeah. 35:38.320 --> 35:39.320 Devon, Allmond. 35:39.320 --> 35:40.320 Sound familiar? 35:40.320 --> 35:41.320 Yeah. 35:41.320 --> 35:42.320 Allmond brothers. 35:42.320 --> 35:43.320 Yeah. 35:43.320 --> 35:44.320 Devon's of the family. 35:44.320 --> 35:45.320 And don't think of this as just an Allmond brothers. 35:45.320 --> 35:48.920 off because this is great stuff coming out of live wire recordings. 35:48.920 --> 35:52.360 They stuck a ton of stuff on the pod save music network very, very quietly. 35:52.360 --> 35:55.120 Go out and find it because they're all good stuff. 35:55.120 --> 35:59.880 And Devon Almond's Honey Tribe has this great song out called Torch. 35:59.880 --> 36:00.880 You're gonna absolutely love it. 36:00.880 --> 36:03.160 You're gonna put a dent in that silly cowbell. 36:03.160 --> 36:04.160 So check this out. 36:04.160 --> 36:07.200 This is Devon Almond's Honey Tribe on the Daily Source Code. 36:08.750 --> 38:59.320 [ Music ] 38:59.320 --> 39:17.920 I'm ready for Rockstar Supernova. 39:17.920 --> 39:21.760 Wow, Jersey Tyler, the official musicologist of the Charlie, thank you so much for 39:21.760 --> 39:22.760 Devon Alman. 39:22.760 --> 39:27.120 You can find that on the Podsave Music Network links in the show notes at DailySourceCode.com. 39:27.120 --> 39:31.120 Have a great weekend everybody, perversion for profit coming up after the weekend as well 39:31.120 --> 39:33.120 as a whole another week of the Charlie. 39:33.120 --> 39:47.120 Adam at podshow.com DailySourceCode.com and have a good weekend, bye-bye. 39:47.120 --> 39:51.840 Get this podcast and more great ones like it on the high performance podcast delivery 39:51.840 --> 39:55.120 network from Podshow and Limelight Networks. 39:55.120 --> 39:57.120 I love it.