WEBVTT

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It's the Daily Source Code, with
the multinational, Adam Curry.

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Good job, Cindy.

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Good waiting, Cass.

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Thank you, buddy.

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I am from Holland.

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Isn't that beer?

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Bringing the show to the US.

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They said I might want to get a
bit of American in me.

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I hope you're the first time.

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Delta's Yeracharling.

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489.

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It was $16 million worth of
airplane strapped to my ass.

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Did the next generation radio
content in my ears?

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We don't need no sticky and
dirty.

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I like to think I'm flying into
the future.

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Fantastic.

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It's Adam Curry.

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Charlie, what are you doing with
daddy's computer?

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I don't know.

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Danny, Josh, Scott.

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Hey, we train hotcasters.

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Seriously early in the day.

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Hey, it's DSE for a line.

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[ Music ]

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Ain't gotta gotta work no more

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Ain't gotta work

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Ila Brown, I quit, brand new on
the pod save music network, and
you probably know her.

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A C, she was season five
American Idol Finalist, place
number 13, and of course perform

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for 35 million viewers. She's
put all of her CDs tracks up on
the pod save music

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that were really like this
stuff. Apparently she did the CD
in just under two weeks,

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right after American Idol
Contract expired. She also went
to the NCAA to play for

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Boston College Eagles. I mean,
why not? She's also easy on the
eyes. Influences,

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Celine Dion, Natasha
Beningfield, Disney songs,
Mariah Carey, and so many more.
No idea

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if she's single. She's probably
Sagittarius. Everybody, oh,
thank you Jersey Todd

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for pointing that one out to me,
man. Always right on dude.
Coming to you from the curry

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cottage in the affluent suburb
of Suri known as Gilford. It's
the daily source code episode

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for 89 beautiful, beautiful
crisp sunny day today where
we've definitely just, you know,

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November 1st, I played pod save
for piece boom. We're into
winter all of a sudden. It's
cold.

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First sub zero temperature. I'll
be sending rate, of course. I
think we had one or two degrees
below

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zero last night, some frost on
the ground this morning. But it
really is that nice.

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You know, as long as there's no
clouds in this sunshine, it's
great for two reasons.

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One, it makes you feel really
good with that crisp air
outside. And two, there's a much
less

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or almost zero risk of icing
when you're flying in sub zero
temperature. You don't want
clouds

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when it's freezing. Or even when
it's, I mean, even if it's nine
or 10 degrees on the ground up
at

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altitude, it could be freezing
and could get your icing, could
make your fly really, really
bad.

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No, I'm saying, yes, it's
Thursday. Amy Mac. Here to save
my ass. Amy.

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Hey, baby. That's right. It's
time to exercise with Amy Mac.

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I'm ready. All right. I think
you're going to be pleased with
today's exercise.

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Oh, yeah, I always have Amy, you
know that. It requires some
stability, but not a great deal
of movement like last week.

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Hold on, hold on.

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Did you feel those kicks the
next day? Wait a minute, wait a
minute. Hold on, Amy.

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Hold on. I got to take off my
bathroom. I just want to be
prepared, you know, before you
get me doing stuff.

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Let me open it the out. The
second microphone here.

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Let me just check the second.
Oh, hey, hold on. Why isn't no
working? What the hell?

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Oh, oh, sorry. Didn't mean to
hurt you like that. Yeah.
Testing one two.

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Yes. Okay. Had to turn on the
Phantom Power. Okay. Back to Amy
Mac.

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That's what I thought. All
right. Let's do it.

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Okay. Let's get started. Okay.
I'm ready.

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Stand tall. Stand shoulder with
a part.

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Feet shoulder with. Now lift
your right leg up and straighten
it out in front of you.

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Okay. Good. Now balance and
hold. Okay. I'm balancing and
holding. Great.

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You probably feel this in your
leg. Yeah, my thigh. Yeah. Now
take that leg and make eight
small circles to the left.

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While holding your balance.
Okay. One two. Head tall,
stomach squeeze, three, two, and
eight.

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And put it down. Now eight small
circles to the right.

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I'm sorry.

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Please, that's that. Keep it
from to be over.

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Excellent. Bring that right leg
down.

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Shake it out. Okay. Shake it
out. Good.

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And take your left leg up and
straighten it out in front of
you.

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Okay. It doesn't go all the way
out in front of you. Really?

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Now balance. Okay. I'm
balancing.

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Breathing and being small
circles to the left.

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One two. Squeeze everything.

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Yeah. Yeah. Woo.

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Full circles. Don't just wiggle
in play.

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Okay. Okay. Okay. I did it. And
now circle to the right leg.

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Oh, I've heard enough. One two.

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Stand up tall. Yes. Yes. Yes.
Yes. Yes.

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You know exactly. I'm sorry.

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Bring it. Well, that seemed
pointless.

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It really works all those
stability muscles and pills and
endurance for the legs and butt.

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As you practice, you'll be able
to balance longer and do more
circles.

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Well, that's it for me. Visit me
over at fitness.patchow.com

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And until next time.

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Okay. Okay. I can turn off the
second microphone.

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There we go. It's better. Okay.
Thanks, Amy.

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Did that show launch officially?

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I think this now officially on
pod show plus the exercise.

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So you can all do all 12
episodes of exercise.

08:54.200 --> 08:57.200
Back to it's a 12 step program
that we have here.

08:57.200 --> 09:03.200
Also fitness attack, Amy Max
regular podcast is now also
available on Espanol.

09:03.200 --> 09:10.200
With pod show diva Marta.

09:10.200 --> 09:13.200
Catching my breath here for a
second. Let me just check my
notes.

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Let me see what I got going on
today.

09:16.200 --> 09:19.200
Oh, yeah. This was pretty
important.

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I was aware of this, but I kind
of forgotten about it.

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The strip podcast. I've played
bits from the strip before.

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They always get all the mega
celebrities in Vegas.

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Who do we listen to? Who do we
listen to?

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Oh, Chubby Chakra. That's right.
That was a really good one.

09:37.200 --> 09:40.200
But they've always got some kind
of celebrity hanging out of the
strip podcast.

09:40.200 --> 09:45.200
And they're running a
sweepstakes, which I think is
coming to an end pretty soon.

09:45.200 --> 09:47.200
It's a,

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Oh, that was an all expenses.

09:49.200 --> 09:54.200
It was a trip to Vietnam on a
second. Let me just go to his
page for a sec.

09:54.200 --> 09:58.200
Oh, the deadline's been
extended. Excellent. Let's see.

09:58.200 --> 10:02.200
Help us pick a new theme song
when a prize. Click here.

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Is that it?

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Somehow I don't think that's the
one. Wait a minute.

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Here's the Vegas trip
sweepstakes deadline.

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Okay. Let's see what we got
here.

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Oh, it's from Southwest
Vacations. Excellent.

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Okay. Where do they have?

10:17.200 --> 10:19.200
Just like you. We love Las
Vegas.

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Oops.

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And the strip podcast. Take
advantage of our vacation deal.

10:23.200 --> 10:25.200
The week and experience it
throws those Vegas.

10:25.200 --> 10:27.200
Enter to win a trip to the
strip. There you go.

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That's what it is. Okay. Go
check it out.

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At, of course, I'll put a link
in the, in the show notes.

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Oops. Oh, my words.

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It's SteveFrice.com slash
podcast.

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I'm pretty sure they have the
strip.podshow.com.

10:43.200 --> 10:46.200
I'll put a link in the show
notes so you can find it easily.

10:46.200 --> 10:48.200
Now, what the heck happened to
my notes here?

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I've been using that Google
notebook.

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That's pretty cool.

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Because, you know, it can
synchronize across any browser.

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So you kind of have your notes
nearby.

10:59.200 --> 11:03.200
And at your fingertips,
regardless of what computer
you're on.

11:03.200 --> 11:06.200
So it's definitely very cool.

11:06.200 --> 11:08.200
Ah, remember this?

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Remember this is a November jump
out.

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A trace and a plot.

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I've seen a reason why I jumped
out of trace and should never be
forgot.

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So that's the nursery rhyme.

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I was hoping you guys would come
up with a good rhyme for me.

11:21.200 --> 11:25.200
So then 400 years people still
know about the daily source
code.

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But I think I kind of received a
challenge from a lot of the
different listeners when we
start talking about flying.

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And I checked it out with
Captain Dan.

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And it is actually possible for
us to fly at night on bonfire
night.

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And get some footage of us
flying over the fireworks and
bonfires.

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Or as Chris Rockwell says, who
will be doing camera from the
back seat.

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Go up in a plane and if people
shoot fireworks at me, fuck
yeah, count me in.

11:58.200 --> 12:03.200
And this is actually, and the
reason why I want to do this,
besides the fact that it's just
cool.

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I haven't done any night flying
in a while, is I've been
thinking about doing a video
show called Flying Fools.

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And it's since I'm flying
anyway.

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I meet so many interesting
people at airfields, well,
certainly all across the UK and
different parts of Europe.

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But I do hook up with some
interesting folks.

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I think maybe it would be a cool
show to show aviation from a
little different side.

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And the people that make
aviation happen.

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It might be kind of specialist,
but I think what better way to
start off with the first episode
is me being the flying full
number one.

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Attempting to go film fireworks
and bonfires from the air in the
dark.

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And so of course, Captain Dan is
working on making that happen.

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I think we have to actually pay
to have the airport stay open
longer or open up, especially
for us.

13:01.200 --> 13:03.200
It's going to be interesting.

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Actually, I think we're going to
pull a bunch of guys who want to
do some night flying and they'll
all chip in.

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Now I got to figure out when and
where the bonfires are.

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The final member of the fifth,
which is Sunday, right?

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But then I get this message.

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I had him, it's John from
Gielford here again, just
following up on yesterday's call
about bonfire night seeing
Gielford.

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Just be filling up with text
from there by things, please.

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And I've just noticed that the
sign-up side, the department.

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They're only up in the same
three, bonfire and fireworks.

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That's the night 7 p.m.

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So, wrap up.

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We'll get to family down there.

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And I got all of them.

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He's called sign-up down here,
we're up on that.

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I've looked rough that.

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Here's what I'm flying.

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Yeah, so I totally want to do
that.

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But I got to know, is it
Saturday night?

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You said Saturday night.

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Are you sure you were right
about Saturday?

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What is Sunday then?

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Is Guy Fark, I mean, is bonfire
night?

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Like the night before Christmas?

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Is that the night before the
fifth?

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And someone's going to help me
out here.

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Come on.

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The Brits help the yank out
because I want to do this.

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But if it's Saturday, I have to
know.

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And I kind of planned it all for
Sunday.

14:10.200 --> 14:12.200
So is it Sunday night or
Saturday night?

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Please help me.

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I love the company.

14:15.200 --> 14:18.200
Hey Adam, it's a, it's a friend
in New York City.

14:18.200 --> 14:21.200
David, a polito, that guitar man
from Central Park.

14:21.200 --> 14:25.200
Listen, if you careful what you
wish for, brother,

14:25.200 --> 14:28.200
I know you've been saying that
you'd like I love the company

14:28.200 --> 14:30.200
to become part of the Potio Plus
family.

14:30.200 --> 14:35.200
Well, if you go to
iltc.potio.com, we hooked up.

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And we're bringing you a new
show every day Monday through
Friday

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to show about music, the people
that make music.

14:41.200 --> 14:44.200
Once a week, my buddy said
Bernstein's coming along.

14:44.200 --> 14:46.200
You know, the guy that brought
the Beatles to America.

14:46.200 --> 14:48.200
He really wants to meet you, by
the way.

14:48.200 --> 14:51.200
And then, you know, once a week.

14:51.200 --> 14:54.200
Now we're not even quiet.

14:54.200 --> 14:56.200
We do something called the
Wednesday wake-up call.

14:56.200 --> 14:59.200
It's all about music's place in
politics and social

14:59.200 --> 15:00.200
conscience.

15:00.200 --> 15:04.200
This phone numbers that
everybody can call in and kind
of mix it up with everybody
else.

15:04.200 --> 15:05.200
It's really very cool.

15:05.200 --> 15:06.200
Just tell people to show up.

15:06.200 --> 15:08.200
I love the company.

15:08.200 --> 15:09.200
Good.

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Welcome aboard.

15:11.200 --> 15:15.200
David at polito is buddy James
and sit Bernstein.

15:15.200 --> 15:18.200
I mean, is that spectacular or
what?

15:18.200 --> 15:19.200
I love the company.

15:19.200 --> 15:21.200
ILTC.potio.com.

15:21.200 --> 15:23.200
Great to have you guys on the
networking.

15:23.200 --> 15:25.200
I, I so want to hang out with
you guys.

15:25.200 --> 15:27.200
And of course there will be a
New York trip in the near
future.

15:27.200 --> 15:30.200
I was so sick the last time I
couldn't go and hang out with
him.

15:30.200 --> 15:32.200
But I definitely want to chill
with these dudes.

15:32.200 --> 15:34.200
That's a cool, it's cool
company.

15:34.200 --> 15:37.200
Our friend David I polito keeps
in New York.

15:37.200 --> 15:39.200
Very, very excited about it.

15:39.200 --> 15:43.200
So we've been producing, man,
we've been doing so much.

15:43.200 --> 15:45.200
We've been producing shows for
our launch.

15:45.200 --> 15:50.200
We've been signing all kinds of
new podcasts, pod shows,
independent

15:50.200 --> 15:54.200
video producers doing some
amazing, just amazing shit.

15:54.200 --> 15:57.200
And I'm really proud about this
about an acquisition.

15:57.200 --> 15:59.200
I guess we'd call an
acquisition.

15:59.200 --> 16:00.200
We won't own anything.

16:00.200 --> 16:05.200
But we've got none other than
Pete Townsend.

16:05.200 --> 16:10.200
And Rachel Fuller, who will be
joining pod show with in the
attic.

16:10.200 --> 16:12.200
Which is, I've talked about this
before.

16:12.200 --> 16:16.200
And of course I've played a
piece of audio of Pete and
flaming lips doing

16:16.200 --> 16:17.200
Bobo Riley.

16:17.200 --> 16:21.200
Essentially, as the who are on
their on their world tour,

16:21.200 --> 16:23.200
they're now in Los Angeles.

16:23.200 --> 16:27.200
Every single gig, either just
before or after the show,

16:27.200 --> 16:29.200
it kind of depends on what's
going on.

16:29.200 --> 16:32.200
Rachel, who is Pete's
girlfriend.

16:32.200 --> 16:36.200
And Pete's son, who does a lot
of the production of the show.

16:36.200 --> 16:40.200
They sit down with one or
multiple of the bands who opened
up for them,

16:40.200 --> 16:44.200
depending on if it's a festival
or a straight ahead who gig.

16:44.200 --> 16:48.200
And they have this air stream
trailer, which is completely
outfitted

16:48.200 --> 16:51.200
as a production studio audio and
video.

16:52.200 --> 16:54.200
They interview them.

16:54.200 --> 16:57.200
It's just really like a sit down
chill out, have a cup of tea,

16:57.200 --> 17:00.200
play some songs, talk some shit
about the good old days.

17:00.200 --> 17:03.200
And we'll be doing an episode a
week.

17:03.200 --> 17:04.200
I'm really excited about this.

17:04.200 --> 17:07.200
There's also a contest, a
sweepstakes for charity,

17:07.200 --> 17:11.200
that Pete and Rachel have put
together with Pete's,

17:11.200 --> 17:13.200
with the last guitar.

17:13.200 --> 17:16.200
He's promised not never to smash
another guitar,

17:16.200 --> 17:18.200
though the one he smashed in
Tokyo in 2004.

17:18.200 --> 17:21.200
That's been made into a table.

17:21.200 --> 17:25.200
And they'll be, I guess the
sweepstakes,

17:25.200 --> 17:28.200
there's promotion that they'll
be giving that away for charity.

17:28.200 --> 17:30.200
So details on that coming very
soon,

17:30.200 --> 17:33.200
but I just got to play this one
little bit of,

17:33.200 --> 17:35.200
I'm looking at the video here,

17:35.200 --> 17:37.200
so you're only gonna hear the
audio of,

17:37.200 --> 17:40.200
see it's Rachel Pete and the
flaming lips.

17:40.200 --> 17:45.200
And Pete, Pete goes into the
story about a time he dropped
acid

17:45.200 --> 17:47.200
with Keith Moon on an airplane.

17:47.200 --> 17:50.200
You just kind of listen to a
little bit of it, okay?

17:50.200 --> 17:54.200
This is in the attic, in the
trailer, Pete Downson, Rachel
Fuller,

17:54.200 --> 17:55.200
and flaming lips.

17:55.200 --> 17:56.200
I love to become that.

17:56.200 --> 17:59.200
No, I mean, when I took LSD, I
never liked it.

17:59.200 --> 18:01.200
I'd always freaked me out.

18:01.200 --> 18:04.200
I mean, I never could do the
blissful, you know,

18:04.200 --> 18:06.200
see things and be happy and all
that sort of.

18:06.200 --> 18:09.200
So you want to go into a place
where all the lost socks were,

18:09.200 --> 18:10.200
didn't you?

18:10.200 --> 18:11.200
Yeah.

18:11.200 --> 18:12.200
One.

18:12.200 --> 18:15.200
No, I mean, quite seriously, as
I remember it,

18:15.200 --> 18:19.200
the big mistake I made was
trying to explain this trip that
I had

18:19.200 --> 18:21.200
to Ricky Javez, you know, who he
is.

18:21.200 --> 18:23.200
David, my friend, Dad, I don't
know.

18:23.200 --> 18:24.200
Genius.

18:24.200 --> 18:26.200
He sat there like this, and I
took him,

18:26.200 --> 18:28.200
and then I went up and I went in
the plane,

18:28.200 --> 18:30.200
and I go, oh, she's turning to a
pig,

18:30.200 --> 18:31.200
and I was hearing, you know,

18:31.200 --> 18:33.200
and suddenly, blah, blah, blah,
blah, blah, blah.

18:33.200 --> 18:35.200
I was always in that place where
all the fountain pens

18:35.200 --> 18:37.200
get lost at a bullet point pens,
I'm sticking glasses,

18:37.200 --> 18:39.200
and socks are going at the back
of the hand,

18:39.200 --> 18:40.200
right there.

18:40.200 --> 18:41.200
And I was in this weird place,

18:41.200 --> 18:43.200
and I had a voice telling me, go
back, go back, go back.

18:43.200 --> 18:45.200
Just looking at me like that,
and I said,

18:45.200 --> 18:48.200
anyway, that's really how I
began, you know,

18:48.200 --> 18:51.200
my spiritual thing,

18:51.200 --> 18:54.200
because when I got back in my
body and, you know,

18:54.200 --> 18:56.200
accepted the fact that I'd
actually been out of it.

18:56.200 --> 18:58.200
I wanted, well, where did I go?

18:58.200 --> 19:01.200
And he said, oh, but that
doesn't,

19:01.200 --> 19:03.200
that doesn't convince me that
doesn't convince me.

19:03.200 --> 19:04.200
That doesn't convince me.

19:04.200 --> 19:06.200
You wait until you see this
show.

19:06.200 --> 19:08.200
He goes way into this whole
trip,

19:08.200 --> 19:10.200
into this old experience, he
had.

19:10.200 --> 19:11.200
But there you have it.

19:11.200 --> 19:14.200
Pete Townsend visiting the place
where all the lost socks go,

19:14.200 --> 19:16.200
and where the lost pens turn up.

19:16.200 --> 19:18.200
I love it.

19:18.200 --> 19:19.200
Fantastic.

19:19.200 --> 19:22.200
I'd be kind of avoiding talking
about this next topic,

19:22.200 --> 19:27.200
because I've been following
along with the Bob Gentry,

19:27.200 --> 19:31.200
who's been participating in this
NBC show called

19:31.200 --> 19:33.200
Star Tomorrow.

19:33.200 --> 19:34.200
You can find a start.

19:34.200 --> 19:36.200
Star, no, star tomorrow.

19:36.200 --> 19:37.200
It's start tomorrow.

19:38.200 --> 19:40.200
Star Tomorrow.com.

19:40.200 --> 19:44.200
I'm not quite sure what the,
what the prize is.

19:44.200 --> 19:46.200
And I have a feeling it's web
only.

19:46.200 --> 19:47.200
I'm not quite sure, however.

19:47.200 --> 19:51.200
I'll have you know that he is
through to the final round,

19:51.200 --> 19:54.200
the top five, so it's the final
five,

19:54.200 --> 19:57.200
and he'll be, he'll be vying
for,

19:57.200 --> 19:59.200
for winning this, this
competition,

19:59.200 --> 20:00.200
which, of course, is, you know,

20:00.200 --> 20:02.200
somewhat like an American idol
or whatever,

20:02.200 --> 20:05.200
but just to remind you, who Bob
Gentry is,

20:05.200 --> 20:07.200
I'm a big fan of the stuff he's
doing.

20:07.200 --> 20:10.200
This has been up on the networks
since 2005.

20:10.200 --> 20:12.200
It's upside down.

20:12.200 --> 20:15.200
Back in time on the source code,
everybody.

20:15.200 --> 20:18.200
I've been talking in my last
sleep,

20:18.200 --> 20:20.200
when I'm waking up.

20:20.200 --> 20:22.200
Well, my tongue is tight.

20:27.200 --> 20:30.200
I've been thinking I should
leave

20:30.200 --> 21:28.200
[ Music ]

21:28.200 --> 21:32.200
I've been walking in my last
sleep,

21:32.200 --> 21:34.200
when I'm waking up.

21:34.200 --> 21:36.200
Well, my legs are tight.

21:36.200 --> 21:40.200
I've been thinking I should
leave

21:40.200 --> 21:42.200
but though in the world,

21:42.200 --> 21:44.200
it's a matter tonight.

21:44.200 --> 21:48.200
Well, I've been thinking I
should leave

21:48.200 --> 23:54.200
[ Music ]

23:54.200 --> 23:57.200
until now.

24:01.200 --> 24:02.200
Oh yeah.

24:02.200 --> 24:04.200
So good to hear that again.

24:04.200 --> 24:06.200
Bob Gentry, upside down,

24:06.200 --> 24:08.200
you could find him at the pod
state of music network.

24:08.200 --> 24:12.200
And hopefully the winner of
NBC's Star Tomorrow.

24:12.200 --> 24:15.200
I see, I didn't even realize
this.

24:15.200 --> 24:17.200
He's just, he put up a new song
on October 6.

24:17.200 --> 24:19.200
What does that sound like?

24:19.200 --> 24:21.200
I'm playing this directly from
the web,

24:21.200 --> 24:24.200
by the way, from the pod team
music network.

24:27.200 --> 24:29.200
Oh, you know, it's going to be
another

24:29.200 --> 24:31.200
gentry classic for sure.

24:31.200 --> 24:33.200
Listen to that.

24:37.200 --> 24:38.200
Oh, I got to listen that whole
song.

24:38.200 --> 24:41.200
Maybe I'll play it for you on
tomorrow's Who Bar Friday.

24:41.200 --> 24:43.200
Okay, let me see.

24:43.200 --> 24:45.200
Oh, you'll love this.

24:48.200 --> 24:50.200
Trucker Tom here. Hey, guess
what?

24:50.200 --> 24:54.200
My 81 year old mom is
podcasting.

24:54.200 --> 24:57.200
I want you all to join us in
RVing and knowing the good,

24:57.200 --> 25:01.200
the ends and the outs, the good
and the bad and the ugly.

25:01.200 --> 25:04.200
It was her idea. She wanted to
start a podcast.

25:04.200 --> 25:08.200
I just wanted to tell you that
we're not young people anymore,

25:08.200 --> 25:12.200
but we still have a taste for
adventure.

25:12.200 --> 25:15.200
And thanks to cast blaster and
pod show working together,

25:15.200 --> 25:19.200
it was easy to set her up with
the podcast.

25:19.200 --> 25:26.200
Happy to share my mom with the
world at RViddits.podshow.com.

25:26.200 --> 25:30.200
Be good to yourselves and I'll
let you know when we start our
adventure.

25:30.200 --> 25:32.200
Bye, bye.

25:32.200 --> 25:34.200
I'm waiting to hear that first
show is fantastic.

25:34.200 --> 25:37.200
What's your 81
RViddits.podshow.com?

25:37.200 --> 25:40.200
Fantastic. Thank you so much,
Trucker Tom.

25:40.200 --> 25:42.200
And I'm glad that I worked out
with cast blaster.

25:42.200 --> 25:44.200
Once you kind of figured out,

25:44.200 --> 25:48.200
it's really simple because all
you do is you record the show.

25:48.200 --> 25:52.200
You fill out the information,
they show notes and some other
data.

25:52.200 --> 25:54.200
They'll help people identify
what the show is,

25:54.200 --> 26:01.200
what it's about, even your album
art and you click upload.

26:01.200 --> 26:06.200
And that's it. There is no step
three, essentially.

26:06.200 --> 26:10.200
I'd love to hear from you guys
on the voice mail lines.

26:10.200 --> 26:12.200
Lots of Brits calling in these
days.

26:12.200 --> 26:16.200
Even though I'm giving out the
US number pretty much
exclusively these days.

26:16.200 --> 26:17.200
But in case you forgot.

26:33.200 --> 26:35.200
I had a meal for three days.

26:35.200 --> 26:38.200
I've just been listening to four
eight nights.

26:39.200 --> 26:47.200
And your comments regarding the
audio quality of the report from
Jera and Martin Upper in the
city.

26:47.200 --> 26:49.200
And it's what I'm going to say.

26:49.200 --> 26:51.200
I don't know if it's been for
somebody else.

26:51.200 --> 26:54.200
That was produced at my first
podcast of the quarter.

26:54.200 --> 26:56.200
Next that idea makes a product
out of it.

26:56.200 --> 26:59.200
You know, something with bright
colors and big buttons.

26:59.200 --> 27:05.200
For the album coming, you just
know the tomorrow to record
their content on.

27:05.200 --> 27:08.200
So I'd like me chuckle that one.

27:08.200 --> 27:11.200
That's just a photo of that.

27:11.200 --> 27:14.200
And yeah, thank you so much.

27:14.200 --> 27:15.200
Thanks, Neil.

27:15.200 --> 27:17.200
Yeah, I don't know what was up
with that.

27:17.200 --> 27:19.200
That was I still got to get to
the bottom of that.

27:19.200 --> 27:22.200
What they were using up there in
Manchester.

27:22.200 --> 27:25.200
I think Spotlight.podshow.com is
where they've uploaded more
stuff.

27:25.200 --> 27:27.200
I'll check for you and put a
link in the show notes.

27:27.200 --> 27:29.200
Because it definitely was a lot
going on.

27:29.200 --> 27:32.200
I'd up in Manchester in the
city.

27:32.200 --> 27:36.200
And I'm sure that Jill and GD
got GM and GD.

27:36.200 --> 27:37.200
I should say.

27:37.200 --> 27:40.200
They got plenty of new artists
on the podcast music network.

27:40.200 --> 27:45.200
And hopefully it turned a lot of
artists there on to the whole
pod safe music movement

27:45.200 --> 27:47.200
and to pod casting in general,
et cetera.

27:47.200 --> 27:52.200
But the idea of my first
podcast, or actually Katja, who
does Katja's cast,

27:52.200 --> 27:53.200
the Kat's cast.

27:53.200 --> 27:58.200
I should say KAT, C-A-S-C-A-S-T
dot podshow.com.

27:59.200 --> 28:04.200
She actually did a design of my
first podcast recorder.

28:04.200 --> 28:07.200
She never really finished the
technological bit,

28:07.200 --> 28:09.200
and we were kind of halfway
through cast blaster.

28:09.200 --> 28:12.200
But now that I think about it,
this is very much what cast
blaster

28:12.200 --> 28:14.200
might always envision for cast
blaster.

28:14.200 --> 28:16.200
Find that at castblaster.com, by
the way.

28:16.200 --> 28:19.200
You can use it for free for
anything under 10 minutes,

28:19.200 --> 28:22.200
and then there's $50 for a
lifetime license.

28:22.200 --> 28:27.200
Five, actually, should you
change computers five times in
the meantime?

28:28.200 --> 28:31.200
And I think it would be as
simple as creating a new skin.

28:31.200 --> 28:33.200
I'm not quite sure how it works,
and when it does applications,

28:33.200 --> 28:36.200
but I'm pretty sure there's a
lot of people who know how it
works.

28:36.200 --> 28:42.200
And I guess if you can create a
photo shop file that can be cut
into bits

28:42.200 --> 28:44.200
or pieces, it can be done.

28:44.200 --> 28:47.200
But Mike is on vacation
currently until,

28:47.200 --> 28:50.200
well, until, remember, remember
the fifth of November.

28:50.200 --> 28:53.200
When he gets back, I'll see if I
can have a chat with him about
it.

28:53.200 --> 28:56.200
And also want to tell you that,
you know, we're all very excited
about the launch of

28:56.200 --> 28:59.200
BTPodShow.com, which is on the
7th of November.

28:59.200 --> 29:02.200
Remember, remember, the 7th of
November.

29:02.200 --> 29:07.200
When we'll be bringing you lots
of flavour from Splenda.

29:07.200 --> 29:12.200
But we're also launching the new
version of PodShow Plus,

29:12.200 --> 29:14.200
to be found at podShow.com.

29:14.200 --> 29:16.200
And I think we've really nailed
it this time.

29:16.200 --> 29:21.200
You know, it's only been, was it
four months since our first
unleash,

29:21.200 --> 29:24.200
and we've learned quite a bit,
and we've figured out,

29:24.200 --> 29:27.200
I think what it really takes to
have a social media network,

29:27.200 --> 29:29.200
so we've really divided it up
into four pieces.

29:29.200 --> 29:31.200
You're going to love this when
it comes out.

29:31.200 --> 29:36.200
Which will be November, I'm
sorry, November 9th.

29:36.200 --> 29:38.200
The second week of November,
whatever.

29:38.200 --> 29:42.200
Somewhere around there, I don't
want to have everyone sitting
around waiting.

29:42.200 --> 29:48.200
We've divided it into people,
which, of course,

29:48.200 --> 29:52.200
is the Plus part, PodShow Plus
music, which, of course,

29:52.200 --> 29:54.200
is the PodSet Music Network.

29:54.200 --> 29:57.200
Shows, which, of course,
encompasses all things,

29:57.200 --> 29:59.200
podcasting, anything that's
serialized.

29:59.200 --> 30:05.200
And then a new addition, videos,
which I think we really got

30:05.200 --> 30:10.200
a cool video system that you'll
be able to upload single videos

30:10.200 --> 30:13.200
to that you know, you may not
want to actually have a show

30:13.200 --> 30:16.200
within RSS feed, or you may want
to take advantage of our online

30:16.200 --> 30:19.200
editing system, which will just
fucking knock your socks off.

30:19.200 --> 30:23.200
Imagine that upload some music,
which you can get from the
PodSet Music

30:23.200 --> 30:25.200
Network, upload some graphics,
some pictures.

30:25.200 --> 30:28.200
You could get that somewhere
from your gallery at PodShow
Plus,

30:28.200 --> 30:31.200
upload pieces of video, and then
you can, you know,

30:31.200 --> 30:35.200
put it all in a timeline, and
put transitions in, and, and,

30:35.200 --> 30:39.200
and out the back end, poop, say,
a full edited video.

30:39.200 --> 30:40.200
It's really fucking amazing.

30:40.200 --> 30:43.200
It's, it's exactly the stuff
that I've been begging for.

30:43.200 --> 30:46.200
So I think you'll really, really
like it.

30:46.200 --> 30:50.200
Also, a way to monetize that if
you don't want to use
advertising

30:50.200 --> 30:56.200
based monetization, or just to
let people embed that

30:56.200 --> 30:59.200
on other pages, you know, very
much the YouTube Google

30:59.200 --> 31:01.200
video concept.

31:01.200 --> 31:04.200
But the nice thing is that you
can easily then put it

31:04.200 --> 31:08.200
into a show at PodShow Plus, you
know, single click stuff.

31:08.200 --> 31:11.200
We've changed how collections
work.

31:11.200 --> 31:14.200
Now you can actually create, um,
I'm just going to

31:14.200 --> 31:15.200
ramble on for a second.

31:15.200 --> 31:17.200
What the hell is that outside?

31:17.200 --> 31:18.200
Mail truck.

31:18.200 --> 31:21.200
Uh, you'll be able to create a
feed of individual items.

31:21.200 --> 31:24.200
So, you know, already you can
say, well, let me just put a
feed

31:24.200 --> 31:26.200
together of, of shows.

31:26.200 --> 31:29.200
So I have my new show, and, you
know, whenever there's a new
episode

31:29.200 --> 31:32.200
of any of the shows that I have
in that channel in my

31:32.200 --> 31:34.200
collection, it'll, you know,
it'll essentially drop out

31:34.200 --> 31:36.200
into my iPod, or I have it on my
Nokia,

31:36.200 --> 31:38.200
and 91 cell phone.

31:38.200 --> 31:41.200
So I'm still liking for the, for
the podcast portion of it.

31:41.200 --> 31:44.200
Uh, but now you could also put
together a feed very much like

31:44.200 --> 31:46.200
gigadile, as you know, Andrew
Grummit created gigadile.

31:46.200 --> 31:48.200
You can see gigadile.net.

31:48.200 --> 31:52.200
Um, so now you can say, well,
I'm just going to put together a
feed

31:52.200 --> 31:56.200
and that feed will only consist
of singular items that I put in

31:56.200 --> 31:58.200
there. So you could even make it
private.

31:58.200 --> 32:00.200
So I could set up a feed for
Patricia.

32:00.200 --> 32:04.200
And whenever I found a, you
know, a great show, not not a,

32:04.200 --> 32:08.200
I'm really an individual
episode, or, or a great, um,

32:08.200 --> 32:12.200
a great video that I wanted to
see, or even just a picture.

32:12.200 --> 32:16.200
Then I can put it into that
feed, and it will automatically
update

32:16.200 --> 32:18.200
on, uh, on that private channel
we have on podgeo

32:18.200 --> 32:20.200
plus or on her iPod or on, well,

32:20.200 --> 32:24.200
G, her set top box or any of the
other myriad of distribution

32:24.200 --> 32:26.200
devices. We've been working on
with people.

32:26.200 --> 32:28.200
So I'm, I'm really getting
excited about this.

32:28.200 --> 32:31.200
Look for that to launch second
week of November.

32:31.200 --> 32:33.200
Oh, sorry. Hey, Adam, my name is
Logan,

32:33.200 --> 32:35.200
and I'm a broadcast journalism
student, CSU Fresno.

32:35.200 --> 32:37.200
I'm also working on filmmaking,
screenwriting,

32:37.200 --> 32:39.200
which brings me to my question.

32:39.200 --> 32:43.200
Online video has finally been
taken up by major broadcasters.

32:43.200 --> 32:47.200
The big four TV networks are now
supplying back episodes for
free.

32:47.200 --> 32:49.200
Cable shows. You can now buy on
iTunes,

32:49.200 --> 32:51.200
and even shows like Battlestar
Galactica,

32:51.200 --> 32:53.200
producing quote unquote
webisodes

32:53.200 --> 32:55.200
that are intended exclusively
for an online audience.

32:55.200 --> 32:59.200
Right now our independent video
podcasts are predominantly

32:59.200 --> 33:01.200
nonfiction,

33:01.200 --> 33:03.200
Dignation Room of Rules, Gaper
TV,

33:03.200 --> 33:05.200
or the other variety show type.

33:05.200 --> 33:07.200
Tiki Bar TV or Askin Ninja
easily come to mind.

33:07.200 --> 33:09.200
So finally, my question.

33:09.200 --> 33:13.200
Has podcasting matured enough to
lure professional

33:13.200 --> 33:15.200
if not union talent for dramatic
and genre shows.

33:15.200 --> 33:17.200
And our advertisers and podgeo

33:17.200 --> 33:21.200
ready to begin work with show
creators and producers

33:21.200 --> 33:23.200
on making shows with a good
production value.

33:23.200 --> 33:25.200
Thanks, Adam. I love the source
code,

33:25.200 --> 33:27.200
and I'm always glad to see a new
one up here on my iPod.

33:27.200 --> 33:31.200
Yeah, buddy. Well, let me answer
this question for you.

33:31.200 --> 33:33.200
First of all, I take slight
offense to the

33:33.200 --> 33:35.200
quote good production values.

33:35.200 --> 33:37.200
That's horseshit.

33:37.200 --> 33:39.200
You can create good production
values

33:39.200 --> 33:41.200
if you're in an attic somewhere,

33:41.200 --> 33:43.200
or let's anywhere in the world

33:43.200 --> 33:45.200
that you have a computer.

33:45.200 --> 33:47.200
You can create something with
great production values.

33:47.200 --> 33:49.200
I mean, that's just horseshit.

33:49.200 --> 33:51.200
There's nothing to do with
someone who's quote professional
or not.

33:51.200 --> 33:53.200
Is the industry ready?

33:53.200 --> 33:55.200
Yeah, what are you talking
about?

33:55.200 --> 33:57.200
I mean, I've been doing this for
almost two years.

33:57.200 --> 33:59.200
No, I've been doing it for two
years.

33:59.200 --> 34:01.200
I'm a code professional.

34:01.200 --> 34:03.200
Lots of people are in it.

34:03.200 --> 34:05.200
Now, what are we doing about
that?

34:05.200 --> 34:07.200
Yeah, absolutely.

34:07.200 --> 34:09.200
We're opening up a studio in Los
Angeles.

34:09.200 --> 34:11.200
We have a studio now in London.

34:11.200 --> 34:13.200
You know, it's office studio.

34:13.200 --> 34:15.200
So, you know, there's work going
on.

34:15.200 --> 34:19.200
That's cool. That's kind of in
the background.

34:19.200 --> 34:23.200
We're working on licensing

34:23.200 --> 34:27.200
with ASCAP BMI to expand that if
it all possible.

34:27.200 --> 34:31.200
But, you know, forget about
whether that's possible or not.

34:31.200 --> 34:35.200
There's plenty, plenty of
professional talent on the pod
save music.

34:35.200 --> 34:37.200
Now, work, look at what's coming
on board.

34:37.200 --> 34:39.200
Look at the fantastic artists
who we have.

34:39.200 --> 34:41.200
There are definitely mainstream
names.

34:41.200 --> 34:47.200
Yeah, we've been working with
people here in the UK with the
OJ

34:47.200 --> 34:49.200
and Olivia.

34:49.200 --> 34:51.200
They're quote unquote
professional talent.

34:51.200 --> 34:55.200
The only thing that will be
problematic is the concept of
union.

34:55.200 --> 34:59.200
This is the one thing that
really has to change across the
board.

34:59.200 --> 35:03.200
We've changed it in music
licensing with the pod save
music network license.

35:03.200 --> 35:07.200
We'll have to do something
similar with the talent

35:07.200 --> 35:09.200
because it's just not going to
play out.

35:09.200 --> 35:13.200
You know, the audiences aren't
going to be large enough

35:13.200 --> 35:15.200
and it's just not going to make
any sense

35:15.200 --> 35:19.200
with the free distribution model
that, you know, that's the path

35:19.200 --> 35:21.200
that we seem to be going down.

35:21.200 --> 35:25.200
There's no way you can tell
anymore where something's been
played or repropagated.

35:25.200 --> 35:29.200
So it's pretty much going to be
buy out for everybody when they
do something.

35:29.200 --> 35:35.200
Or a share in revenue, either
one, but not like a union where
you have unionized rates.

35:35.200 --> 35:37.200
I just don't see that happening.

35:37.200 --> 35:39.200
There's too many variables.

35:39.200 --> 35:40.200
We've ready for it.

35:40.200 --> 35:43.200
Dude, we're deep into it, right
in the middle of it.

35:43.200 --> 35:45.200
And it's very, very exciting to
me.

35:45.200 --> 35:48.200
And we're getting lots of
refugees from the broadcast
industry.

35:49.200 --> 35:52.200
One last song for you today from
British Columbia.

35:52.200 --> 35:54.200
I've played her before on the
show.

35:54.200 --> 35:58.200
And I like her.

35:58.200 --> 36:02.200
Yeah, and when she's got the
Levi's on,

36:02.200 --> 36:04.200
and she's got,

36:04.200 --> 36:06.200
oh, that's second.

36:06.200 --> 36:10.200
Do I have the right, I'm
thinking, do I,

36:10.200 --> 36:13.200
is this the right, I don't think
I have the right song queueed
up.

36:13.200 --> 36:15.200
Crap, how do I do that?

36:16.200 --> 36:17.200
Oh, I see what I did.

36:17.200 --> 36:19.200
I queueed up the same song
twice.

36:19.200 --> 36:20.200
Hold on.

36:20.200 --> 36:21.200
Here it is.

36:21.200 --> 36:23.200
It was right underneath it.

36:23.200 --> 36:26.200
Yeah, cowboy hat and Levi's
cowboy boots and Levi's.

36:26.200 --> 36:27.200
That's what it is.

36:27.200 --> 36:29.200
It's a little bit of country on
the DSC,

36:29.200 --> 36:31.200
and it's coming from something
that ain't hard on the eyes.

36:31.200 --> 36:33.200
Kelly Brock.

36:34.200 --> 36:38.200
I wonder,

36:38.200 --> 36:41.200
this cowboy wearing a country?

36:46.200 --> 36:47.200
Yeah.

36:47.200 --> 36:49.200
I love to watch and walk.

36:49.200 --> 36:52.200
That boy could put in a healthy
girl in shock.

36:52.200 --> 39:16.200
[ Music ]

39:16.200 --> 39:19.200
In his cowboy boots, Levi

39:22.200 --> 39:24.200
Damn

39:25.200 --> 39:28.200
Like that, Kelly Brock, cowboy
boots and Levi

39:28.200 --> 39:30.200
I've learned while surfing the
internet

39:30.200 --> 39:32.200
Number one, entering your email
address on some websites

39:32.200 --> 39:34.200
Is an open invitation to spam

39:34.200 --> 39:36.200
Number two, before forwarding an
email about the ghost

39:36.200 --> 39:38.200
Of a dead boy appearing in the
theatrical film

39:38.200 --> 39:39.200
Three men and a baby

39:39.200 --> 39:41.200
Check Snopes.com first

39:41.200 --> 39:42.200
Number three

39:42.200 --> 39:44.200
Spyware, then forms you that you
have spyware

39:44.200 --> 39:45.200
Is not very helpful

39:45.200 --> 39:46.200
Number four

39:46.200 --> 39:48.200
The FBI will never send you an
email

39:48.200 --> 39:51.200
The warning about your visiting
40 illegal websites

39:51.200 --> 39:53.200
They'll simply bust down your
door

39:53.200 --> 39:56.200
Never, ever, Google the
Toronto-based quartet

39:56.200 --> 39:58.200
The barricade ladies on a
computer at work

39:58.200 --> 40:01.200
Number six, Bill Gates and
Microsoft are not tracking this
email

40:01.200 --> 40:03.200
And fording it to 15 other
people

40:03.200 --> 40:06.200
Will not get Walt Disney signed
to send you free passes

40:06.200 --> 40:07.200
To Walt Disney World

40:07.200 --> 40:11.200
There is no such thing as a
national do not email registry

40:11.200 --> 40:14.200
Number eight, there is no ousted
prints in Bangladesh

40:14.200 --> 40:16.200
Willing to share $15 million
with you

40:16.200 --> 40:19.200
Closing one porn pop-up window
opens 15 more

40:19.200 --> 40:21.200
And number 10, everything as
your service provider

40:21.200 --> 40:23.200
Will solve most of these
problems

40:23.200 --> 40:27.200
Unfortunately, the remaining few
will take some common sense

40:27.200 --> 40:30.200
If you want a great deal on
domain name, go to godaddy.com

40:30.200 --> 40:33.200
Use checkout code dsc3

40:33.200 --> 40:36.200
For domain name for entire year
for $695

40:36.200 --> 40:39.200
To Maro, Fubar Friday, fucked up
beyond dollar pair

40:39.200 --> 40:41.200
We'll have great music, I'm sure
the music college is jersey

40:41.200 --> 40:45.200
Todd will check in more promos,
more shit to talk about

40:45.200 --> 40:49.200
And please let me know, bonfire
night, Gilfuck, Gilfuck's

40:49.200 --> 40:52.200
Guy Fox, when am I supposed to
be flying?

40:52.200 --> 40:53.200
When can I actually see
something?

40:53.200 --> 40:55.200
When can you shoot a rocket up
my ass?

40:55.200 --> 40:57.200
Let me know, Adam at podshow.com

40:57.200 --> 41:00.200
And show notes for today's
episode daily source code.com

41:00.200 --> 41:02.200
Take care everybody, talk to you
tomorrow, bye

41:02.200 --> 41:06.200
Another podshow podcast, stick
it in your ear

41:11.200 --> 41:14.200
Yet this podcast and we're great
ones like it

41:14.200 --> 41:17.200
On the hyperformance podcast,
delivery network from podshow

41:17.200 --> 41:19.200
And line-white networks

41:19.200 --> 41:21.200
I love it