WEBVTT

00:00.000 --> 00:10.000
Hey, Adam, man, hey, this is
Alman, yeah, I live up under the
overpass and San Francisco.

00:10.000 --> 00:16.000
You know, I was there when the
day you had to put that bag over
your head to save your hair on
the day we're raining.

00:16.000 --> 00:24.000
We don't mean we could consider
ourselves kind of financially
challenged, but I heard about
this bum rush, the charts thing.

00:24.000 --> 00:30.000
Well, me and the guys were
thinking, if there's any money
to be made, we'd be happy to
volunteer to rush the charts for
you.

00:30.000 --> 00:36.000
You know, because, you know, we
just want to get a little
something to drink and I'll say,
and come on, Adam give us a
chance.

00:36.000 --> 00:42.000
You know, on the DSC 567, let us
know how we can rush the charts
for you.

00:42.000 --> 00:48.000
bum rush the charts. I like
that. I have a financially
challenged bum rush in the
chart.

00:48.000 --> 00:52.000
There's $16 million worth of
airplane strapped to my ass.

00:52.000 --> 00:56.000
Do the next generation radio
content in my ears.

00:58.000 --> 01:02.000
I like to think I'm flying into
the future.

01:04.000 --> 01:12.000
I don't know if it is bum rush
the charts thing is all about,
but you boys, but I put those
charts back the way you found
the way you're all dumber from
tomorrow.

01:12.000 --> 01:16.000
You can't do it's rush rush rush
rush.

01:18.000 --> 01:22.000
There's a place I used to go.

01:22.000 --> 04:55.000
[ Music ]

04:55.000 --> 05:02.000
I'll know that every day, till
you're mine again

05:02.000 --> 05:06.000
I'll be right again

05:06.000 --> 05:13.000
Blacklab, mine again, on March
22, the official bum rock the
charts date

05:13.000 --> 05:15.000
Hey everybody, how are you
doing?

05:15.000 --> 05:20.000
First, I code episode number
567, coming to you from the
afloan suburb of Surinone

05:20.000 --> 05:22.000
Gilford run the westside of
Gtown

05:22.000 --> 05:24.000
It is the curry manner

05:24.000 --> 05:26.480
to my attic on the third floor.

05:26.480 --> 05:29.320
Ah man, I'm still messing with
the sound.

05:29.320 --> 05:33.520
I got a lot of complaints from
people who say that it's all,
well, messed up, essentially.

05:33.520 --> 05:39.120
Ever since I, this is me off,
ever since I, I leave everything
here perfectly and then

05:39.120 --> 05:45.280
I come back and the mix has been
unplugged and this is Yamaha
Alpha Whiskey 16 golf is just,

05:45.280 --> 05:48.000
it's an impossible mixer to save
all your states perfectly.

05:48.000 --> 05:50.000
So, apologies and advance.

05:50.000 --> 05:52.440
Anyway, today of course, bum
rusted charts.

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You've been hearing about it on
this show, you've been hearing
about it on a plethora

05:55.560 --> 05:58.040
of podcasts around the world.

05:58.040 --> 06:03.720
In fact, this seems to be a much
more global event than I even
expected to check out

06:03.720 --> 06:05.560
the promos coming in today.

06:05.560 --> 06:08.840
This is a message from least
trying listeners of the Daily
Source Code.

06:08.840 --> 06:10.840
You might've heard about bum
rusted charts.

06:10.840 --> 06:12.840
You may wonder how you can get
involved.

06:12.840 --> 06:14.040
It's quite simple.

06:14.040 --> 06:17.080
Simply, go to iTunes Music Store
or Australia.

06:17.080 --> 06:18.840
Pay a dollar 69.

06:18.840 --> 06:20.920
Download money again by Black
Lab.

06:20.920 --> 06:23.480
Not only would you get a grize
song, you'd be trying.

06:23.480 --> 06:26.120
They traditionally really pay
for that way, main business.

06:29.240 --> 06:30.600
Yeah, kind of an abrupt ending
there.

06:32.040 --> 06:32.680
Oh, yeah.

06:32.680 --> 06:35.480
So let me just quickly explain
the concept.

06:35.480 --> 06:39.080
And then as you can imagine,
there's a lot of people who've
sent in stuff who are calling in

06:39.080 --> 06:40.120
about bum rusted charts.

06:40.120 --> 06:42.840
So today we'll be more or less
about bum rusted charts.

06:42.840 --> 06:44.840
However, I have to say I'm quite
happy.

06:44.840 --> 06:48.200
Not everyone is, you know,
there's some people asking
questions.

06:48.280 --> 06:49.560
There are some contrarian views.

06:49.560 --> 06:54.680
So I like that because, well, it
gives us something to talk about
from multiple angles.

06:54.680 --> 07:01.160
So the concept here was to see
if the podcasting audiences who
are

07:01.160 --> 07:06.520
clued into this, if we could
actually make a song go to
number one on the iTunes chart.

07:06.520 --> 07:10.760
And as far as we know, this is
actually, you know, this is how
kind of loosely

07:10.760 --> 07:13.960
organized this whole thing is we
don't even know how the iTunes
charts are really compiled.

07:14.840 --> 07:18.280
You know, I presume that they're
compiled based upon download
sales.

07:18.280 --> 07:20.600
Actually, I looked at it this
morning.

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Let me see what is on top now.

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Beyonce and Shakira, beautiful
liar.

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Number one, Fergi with glamorous
number two, A-Con.

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I don't even know that fucking
song.

07:31.320 --> 07:34.680
The hell, can I play a preview
on my allowed to do that?

07:34.680 --> 07:36.680
Let me just say, that's iTunes
still.

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You do that stuff.

07:39.320 --> 07:40.360
We don't vibe, we don't vibe.

07:40.360 --> 07:40.760
All right.

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Okay, Avril Lavigne.

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Number four with girlfriend and
then we get Jim class heroes
with

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Cubid's chokehold.

07:48.600 --> 07:51.880
I'm telling you man, this shit
here I've never heard of before
in my life.

07:51.880 --> 07:53.560
Well, I do like this quince to
find the song.

07:53.560 --> 07:54.280
That's kind of cool.

07:57.080 --> 07:58.040
That's cool.

07:58.040 --> 08:03.400
Anyway, so presumably this chart
is compiled based upon based
upon purchases

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through the iTunes music store.

08:04.760 --> 08:06.920
That's what everyone presumes.

08:06.920 --> 08:08.520
That makes a lot of sense,
obviously.

08:09.400 --> 08:13.400
So it was kind of like a social
experiment to see if we could
get one particular

08:13.400 --> 08:19.000
track one song onto the chart
and up the chart, hence the bum
rush, the chart idea.

08:19.560 --> 08:23.400
And if you want to find out more
about that, you can go to bum
rushthecharts.com

08:23.400 --> 08:25.000
and all the informations there.

08:26.920 --> 08:32.760
So Black Lab, the song you just
heard, mine again was chosen as
the track that we're all going
to

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go out and buy today.

08:33.640 --> 08:37.240
I've already bought my copy for
99 cents downloaded perfectly.

08:37.240 --> 08:40.920
In fact, what you heard was the
copy that I downloaded from
iTunes.

08:42.440 --> 08:47.640
And the way you do it is you go
to either bum rushthecharts.com
where you can go to the show

08:47.640 --> 08:51.880
notes for the daily source code
at dailysourcecode.com and
you'll see a link there.

08:51.880 --> 08:54.680
And from there you click on the
big ass.

08:54.680 --> 08:57.240
I'm talking about big ass blue
iTunes button.

08:57.240 --> 08:58.680
You can barely miss it.

08:58.680 --> 08:59.960
It's at the top of the page.

08:59.960 --> 09:05.560
There's also some explanation
there because it's an affiliate
link, a good portion of the
proceeds of

09:07.320 --> 09:15.160
this campaign, I should call it,
is going to help kids get
through school, through
scholarship funds,

09:15.160 --> 09:17.720
of course, Chris from the
Financial Aid podcast is
involved.

09:17.720 --> 09:22.040
So you know where that came from
and that just makes it that much
more interesting as a social

09:22.040 --> 09:23.560
experiment because we're doing
some good.

09:25.000 --> 09:29.640
However, the actual reasons and
what we're trying to prove with
this, I think has become a
little

09:29.640 --> 09:36.520
bit misconstrued and I have to
say Eric Bergen, who of course
is my buddy from the Jersey Boy

09:36.600 --> 09:43.960
San Francisco version called in
and and had I think exactly the
right question.

09:43.960 --> 09:48.280
So I'm going to play this for
it's kind of a long comment, but
I it's worth it because with all

09:48.280 --> 09:52.280
this euphoria about bum
rushthecharts and actually I
should just say before we get to
that

09:53.480 --> 09:59.720
that the well maybe I should
hold it to laughter but the news
reports, the amount of reporting
in

09:59.720 --> 10:06.440
mainstream media San Jose
Mercury news did a piece I
believe today were in the
Washington

10:06.440 --> 10:13.720
Post with bum rushthecharts and
you know that that's some I
couldn't actually read the

10:13.720 --> 10:18.440
Washington Post yeah I had to go
register I'm so tired of
registering for news if I just

10:18.440 --> 10:23.240
wait a little bit I'll get a
copy of it from somewhere else.
Eric hey Adam it's Eric Bergen

10:23.240 --> 10:28.840
from the San Francisco cast of
Jersey Boys sending in an audio
comment not about Jersey Boys

10:28.840 --> 10:32.920
believe it or not. Well the
second part is the first first
part I want to ask, did you see
us on

10:33.400 --> 10:37.640
what do you think? Okay dude I
did not see you on Leno because
I live in the UK and I forgot to

10:37.640 --> 10:44.680
set the the Tvo the sky digital
thing I'm sorry. Is it on
YouTube yet or Google I did hear
from Brian

10:44.680 --> 10:50.520
know from the nose on the you
guys kicked whole ass so when
Brian says it then he you know
it's true

10:50.520 --> 10:56.920
so didn't see it love to see it
congratulations love you mean
it. Let me tell you it was the
coolest

10:56.920 --> 11:02.280
thing ever it was out of this
world wild okay anyway ever mind
the second thing this is why I'm

11:02.280 --> 11:06.840
sending in this audio comment I
want to talk about this bum rush
the charts thing here's my

11:07.960 --> 11:14.520
problem with it well first off
let me say I'm not associated
with bum rush the charts I don't
know

11:14.520 --> 11:21.240
anyone who's putting it together
I'm unrelated in in every way
possible all it and let me just
say on

11:21.240 --> 11:28.520
that Eric everybody is unrelated
in every way possible um this is
not a pod show promotion this is

11:29.080 --> 11:35.320
uh as far as I know I think
Chris from financial aid podcast
Mark Yoshimoto Namcoff I think
those

11:35.320 --> 11:39.880
are probably the two main
drivers behind this but this is
not anything you know it's not
like an

11:39.880 --> 11:44.760
official thing just kind of
started which I love so much
because those are usually the
most beautiful

11:44.760 --> 11:48.520
when something just kind of
starts and we all just kind of
want to go and do some all I
know is the

11:48.520 --> 11:55.880
information that has been given
on jelly source code as well as
other podcasts right okay yeah

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here's my feeling on the bum
rush the charts thing I think
it's a I think it's a cool idea
and I

12:00.840 --> 12:10.520
it's something that um I think
is a noble effort but and please
correct me if I'm wrong so let
me

12:10.520 --> 12:17.720
oh Eric don't worry you know I
will let me state this not as a
problem but let me state this as
a

12:17.720 --> 12:25.160
question a let me just play
devil's advocate here while I
think it's a cool idea and I
think it's

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absolutely a a obviously it's
good natured I'm unclear as to
how this bum rush the charts
project

12:37.240 --> 12:45.240
proves that pod casting is a
powerful force in media oh no
boy I care for now

12:46.200 --> 12:54.760
because that's exactly what it
proves but the reasons why well
let there continue so we've
already proven

12:54.760 --> 13:00.200
that the podcasting is a
powerful force because Billboard
magazine picks up the story or
picked

13:00.200 --> 13:06.200
up the story excuse me about the
bum rush the charts project that
already happened so we know that

13:06.200 --> 13:16.680
it's a powerful situation
however it's not as though you
just played this black lab song
on your podcast

13:16.680 --> 13:22.840
and people liked it's so much
that they went out and bought it
either on iTunes or the

13:23.400 --> 13:29.240
music network or whatever it's
not like all these people that
it's not like pod castors all

13:29.240 --> 13:34.840
to sort of discover the song
started playing it and people
loved it so much that it shot to
the

13:34.840 --> 13:39.000
top of the charts okay let's I
just want to interrupt Eric here
because he's getting into
something

13:39.000 --> 13:47.640
very important um you're
absolutely right however if you
believe if you truly believe
that the

13:47.640 --> 13:55.720
way records get to the top of
the chart in either let's just
say the billboard chart as the
quintessential

13:55.720 --> 14:02.040
example you know that's not
because people heard the song
it's because the machine kicked
into motion

14:02.920 --> 14:11.560
and this machine look we know
now for a fact it's been proven
that as recent as 2000 to 2002 I

14:11.560 --> 14:18.520
believe Payola was going on with
some of the largest radio
broadcast companies and some of
the

14:18.520 --> 14:24.680
largest music companies it's the
way it works it's like you know
there's there's tons and tons
and tons

14:24.680 --> 14:31.720
of great music I having I come
from top 40 radio I come from
MTV I know how this works
they're all

14:31.720 --> 14:37.000
just cogs in the wheel of this
great machine which is all based
upon making money which is
fantastic

14:37.080 --> 14:43.080
I love making money but because
of the limited resources which
is what broadcast mainstream
broadcasting

14:43.080 --> 14:49.640
is all about is limited it's you
know is is having a piece of
space on a limited shelf you
know

14:49.640 --> 14:54.360
there are only so many
frequencies only the people who
have lobbied and have made it
their business

14:54.360 --> 14:59.080
to acquire these frequencies
have the frequencies and can
make money off of it which makes
it seem

14:59.080 --> 15:04.840
unfair that there's so much
great music out there that only
a sliver of it actually gets
through

15:04.840 --> 15:09.560
to the public so all right and
but how it gets through the
public is not because the public
is

15:09.560 --> 15:14.280
saying play this for me no the
machine is playing it for you
and by the way it's literally a

15:14.280 --> 15:19.960
fucking machine it's a computer
that is spinning out playlists
across the the clear channel

15:19.960 --> 15:26.440
empire of stations you know it's
programmed it's it's spreadsheet
business almost so yeah it's

15:26.440 --> 15:31.960
you know these independent
promoters look I know this
business that you know this
here's $40,000

15:32.120 --> 15:36.600
you know and I'm expecting 12
spins a week for it that's and
that's probably not enough but

15:36.600 --> 15:40.600
that's exactly how it works and
you know there's no contracts
but you know there's shadow
stuff

15:40.600 --> 15:46.520
and it's just it's okay I'm not
I'm not against it it's uh it's
their businesses what they do we
have

15:46.520 --> 15:55.000
a totally different business so
the mechanics of what's going on
here is showing something very
different

15:55.080 --> 16:01.960
is showing that yes you may have
that very expensive very
well-oiled very fine tuned
machine

16:01.960 --> 16:06.040
which works in conjunction with
the music business by the way
not all radio of course works in

16:06.040 --> 16:12.120
conjunction with the music
business and you know and and
and rules and regulations and
and payoffs

16:12.120 --> 16:17.720
and payments and licenses and
all kinds of stuff and I think
what we're about the proof here
is that

16:17.800 --> 16:25.720
we have a machine too okay now I
do have to say that when songs
are played on podcast they do

16:25.720 --> 16:30.680
move product absolutely when
songs are played on college
radio people go out and and look
for

16:30.680 --> 16:36.680
these songs even if they're not
available through a major label
so any type of promotion you do
is

16:36.680 --> 16:45.400
always going to move the needle
um there is in the way
podcasting works it's uh because
everyone

16:45.480 --> 16:49.480
is kind of their own entity
their own show their own network
and you know they can do
whatever they want

16:49.480 --> 16:55.000
there's no you know forced you
know there's no funnel effect
that makes everyone play one
song at the same

16:55.000 --> 17:01.400
time unless you specifically get
set out to do it so this is more
showing that we have a machine

17:01.400 --> 17:08.280
as well and um it's have you
ever done something to someone
just a fuck with them have you
ever done

17:08.280 --> 17:16.760
that you know just a you know
what do they call it here in the
UK uh are you winding me up
that's

17:16.760 --> 17:22.520
it are you winding me up it's a
wind up basically it's a shot
across the bow I guess and
what's

17:22.520 --> 17:26.680
so I'll tell you what's so
interesting about it to me after
we continue with Eric because
he's

17:26.680 --> 17:32.600
under something good here this
black lab song if this bummer us
the charts project doesn't

17:32.680 --> 17:38.840
do you work and a song gets to
number one the only reason it
has gotten to number one is
because

17:40.840 --> 17:46.200
and I don't want to say you I
don't mean you but you you the
the podcaster or whoever

17:46.200 --> 17:52.760
goes out and promotes the bummer
us the charts project is telling
the audience what to do

17:53.320 --> 17:58.280
the audience is going to do it
because they want to take part
in this project because it it's

17:58.360 --> 18:04.360
cool moving what they do what
they love works yes and it's
about yes thank you exactly and
that's

18:04.360 --> 18:08.600
what it's supposed to prove we
know that if you have a machine
and you put a quarter in the top

18:09.800 --> 18:14.200
that a dollar is supposed to
roll out of the bottom that's
what the the music industry
machine has

18:14.200 --> 18:22.200
been for many many years um
let's just say they've had a
they've had a Mercedes 500 you
know

18:22.200 --> 18:26.680
SEL or whatever and they're
cruising down the road and I
think all we're doing is saying
hey

18:26.680 --> 18:34.520
hey hey hey record industry
we've got a interesting car over
here as well it's um well

18:34.520 --> 18:40.200
it's it's the color of baby crap
and it runs on biodiesel but you
know it's a car and it's working

18:40.200 --> 18:45.240
and it's the understand the
metaphor that's really what it's
about and by the way we're all
in the

18:45.240 --> 18:53.000
car together okay this proves
the power of the audience so
this is not about podcasters you
know

18:53.080 --> 18:57.080
but I have a ton of songs that
I'd love to be number one on the
iTunes music charts but

18:57.080 --> 19:01.800
it's never gonna happen or not
in the foreseeable future
because my audience probably
just isn't

19:01.800 --> 19:06.440
large enough to have a
percentage of people go and do
that going by that song but it
does show that

19:06.440 --> 19:14.200
there is power and um that we
actually have a way of kind of
harnessing that and we do have a
way

19:14.200 --> 19:19.720
of grouping together and doing
stuff you know what I mean if
you had uh for instance that
lower

19:19.720 --> 19:25.960
clap song or the pit hop console
uh if those songs were an iTunes
and you played it and some

19:25.960 --> 19:33.800
other podcasters also played it
and that many people heard it
and then they loved it that much

19:33.800 --> 19:41.800
that they went out and bought it
that would prove it I'm unclear
as to how this someone telling

19:41.800 --> 19:48.200
someone what to buy by saying
this is the song you have to buy
this is gonna prove something

19:48.200 --> 19:53.400
this is going to prove that pod
casting is powerful well I think
it's a great idea I'm just

19:53.400 --> 19:58.760
unclear as to it's not because
it's not coming from an actual
creative uh it's not coming from
an

19:58.760 --> 20:03.240
audience member or an audience
that actually just wants to
listen to the song it's coming
from

20:03.800 --> 20:09.960
this rule or this this rule of
this project I don't see how
it's actually a uh how it
actually

20:09.960 --> 20:14.920
proves that pod casting is a
powerful force and media so I
just would love to know your
thoughts on

20:15.000 --> 20:22.920
that and and why I'm wrong okay
all right I appreciate it I
really do so the reason why it's

20:22.920 --> 20:27.880
to me this this has already been
proven it it already works and
it's not because of the press

20:27.880 --> 20:32.600
and it's uh and we don't even
have to go to number what we
don't have to hit the chart at
all

20:32.600 --> 20:38.200
what has already happened I
believe I told you this
yesterday is that two major
labels one of

20:38.200 --> 20:43.240
the largest independent labels
and one of the uh a label the
belongs to one of the big four

20:43.320 --> 20:49.400
have contacted me directly and
personally and said quote I
really love this bum rush the
chart's

20:49.400 --> 20:55.160
idea could you do it for one of
our artists do you understand
the significance of that this is
the

20:55.160 --> 20:59.000
music that we're not allowed to
play we're not allowed to play I
mean independent uh label is

20:59.000 --> 21:04.280
a little different but I you
know I'm just bringing that in
to show that you know once
you're big

21:04.280 --> 21:10.360
and once you're growing and and
money's coming in that uh you
know capitalism kicks in and
even

21:10.360 --> 21:13.560
the independent guys they're
into to make money what do you
think they just want to try and

21:13.560 --> 21:18.360
make it on different terms
however both of them set exactly
the same thing how can you can
you

21:18.360 --> 21:26.200
organize this for one of our
artists and I'm thinking of
myself okay I love this because
if we can

21:26.200 --> 21:34.840
make this happen uh and already
have the major uh players in an
well established uh decade old
decades

21:34.920 --> 21:40.520
old industry uh come up and say
hey wait a minute there's
something going on here we have
already

21:40.520 --> 21:46.360
moved the needle we really have
if you take all of the things
together I believe that this
will in

21:46.360 --> 21:53.160
some way probably affect what
podcasters can do I it may
actually turn the tables it may
open up music

21:54.040 --> 22:01.160
to uh you know I'm most
interested in back catalog I
always find that an incredible
shame and

22:01.160 --> 22:08.760
a travesty literally that uh I
can't play um back catalog stuff
from 20 years ago stuff from 30

22:08.760 --> 22:15.720
years ago stuff from 50 years
ago I cannot share that with a
new audience who I know for fact
go out

22:15.720 --> 22:22.760
and actually buy albums and get
interested and buy more songs so
this is about showing an
industry

22:22.760 --> 22:29.080
that we're here that we're
relevant and it shows a whole
massive industries what we're
capable of

22:29.720 --> 22:36.520
now do I hope that one day um a
song will become so popular
which I just don't see how it
can actually

22:36.520 --> 22:44.680
happen but that we would
collectively through audience um
demand that songs would start to
sell

22:45.080 --> 22:51.400
particular songs yeah of course
you know if I had an audience of
10 million uh or maybe 20
million

22:51.400 --> 22:57.160
I'm sure I could do it all by
myself just by by repetition
it's how we buy things people
buy

22:57.240 --> 23:02.120
things because media tells them
to buy things make no mistake
look at the commercials they're
telling

23:02.120 --> 23:08.360
you they literally say go buy it
now get to one free buy it get
to three for the price of two

23:09.160 --> 23:14.200
this is being and by the way we
threaten in commercials if you
don't buy this product you will
never

23:14.200 --> 23:18.760
get laid if you don't buy this
product you'll get pimples and
you'll never get laid it's all

23:18.760 --> 23:24.040
it always comes back to not
getting laid trust me that's how
advertising works it's what
media

23:24.040 --> 23:28.600
as a party if you don't watch
this news you will die just
watch the six o'clock news you
need to

23:28.600 --> 23:32.440
watch this because there's
something poisonous in the air
that will kill you stay tuned
we're

23:32.440 --> 23:37.400
gonna do it in 20 minutes almost
near the end of the broadcast
you know hey how can you not
become

23:37.400 --> 23:42.280
fucked up like Britney Spears I
mean this is what media has
become commercial media

23:43.000 --> 23:48.520
so it's they were playing on the
same terms and it's very
exciting to me because it's such
a small

23:48.680 --> 23:55.320
it's 99 cents it's nothing and
look at the automation of it
look at our machine look at how

23:55.320 --> 23:59.800
that's put together this is
going to register with people
and as I said it already has

24:00.840 --> 24:07.160
and I'm really fucking proud of
it actually so bum rush the
charts dot com or you can go to

24:07.160 --> 24:11.400
the show notes for daily source
code dot com for this particular
podcast you're listening to

24:12.040 --> 24:19.320
and just click on the humongous
humongous blue iTunes link and
it's an affiliate link so money
is

24:19.320 --> 24:26.040
going to help kids get
scholarships and and help show
that we have a machine okay it's
it's built

24:26.040 --> 24:32.760
up of all different pieces but
we do have a machine little
pause there for these serious
satellite

24:32.760 --> 24:37.000
radio listeners as they yes
which stuff boy are they missing
some shit huh having someone

24:37.080 --> 24:41.880
looking over your shoulder when
you're trying to make art suck
hi this is Dave Jackson from the

24:41.880 --> 24:46.040
musicians cool and if you're a
musician that's just been
dreaming of getting that big
record deal

24:46.040 --> 24:50.280
then you've got to come listen
to the latest addition of the
musicians core podcasts where we

24:50.280 --> 24:56.360
interview Paul Durham of the
band black lab he spills the
beans on the music business it's
been a year

24:56.360 --> 25:01.720
of a life a year and a half of
their life the how many years
they spend writing it's all how
many years

25:01.720 --> 25:07.640
of this band working and
sweating blood over those songs
giving those songs getting those
songs to

25:07.640 --> 25:12.360
the point where they were first
class to make it the best
possible rendition of them and
then

25:12.360 --> 25:18.360
the label decided well we need
to need a christening egg yellow
effect this month and so we're
just

25:18.360 --> 25:24.360
going to put this on the show be
sure to go to bum rush the
charts on March 22 let's help
put Paul

25:24.360 --> 25:30.520
and black lab on the top of the
iTunes charts then check out the
interview in musicians
cooler.com

25:32.040 --> 25:38.040
yo yeah you may be surprised but
what he has to say remember
black lab had a mainstream

25:38.040 --> 25:41.960
big record label deal they were
dropped they fought to get their
songs back and now they're

25:41.960 --> 25:48.200
sharing them with the world and
making them the first input and
output of the machine that

25:48.200 --> 25:53.160
we're proving does exist it's
the machine of you the audience
this is not podcasters this is
the

25:53.160 --> 26:00.840
audience okay and by the way
audience you you people there
all over the world you can put
the link

26:00.840 --> 26:05.480
on your weblog as well you know
you can put it anywhere you want
and you can participate it

26:05.480 --> 26:11.400
is about you showing that you
can make happen what you want to
have happen you know so if we
have

26:11.400 --> 26:17.640
tens of thousands of people
buying this song you know yeah a
thousand people will buy
different songs

26:18.440 --> 26:23.080
when they hear them on podcasts
and it may not move the charts
but it is happening it's for
real

26:24.680 --> 26:27.480
I will talk about other stuff
today besides bum rush the chart
at promise

26:28.280 --> 26:34.600
from rush the charts can can we
buy them the UK or not I don't
know be useful if I know because

26:34.600 --> 26:42.920
I wouldn't mind you know doing
something this and just right
yeah of course you can and it
will

26:42.920 --> 26:46.760
there's a separate chart I
believe for the UK for every
territory every country there's
a separate

26:46.760 --> 26:52.040
chart so please keep your eye on
your local chart and let me know
if you see any movement or
anything at

26:52.040 --> 26:58.920
all actually let me um let me
just check out iTunes right now
this thing doesn't refresh
automatically

26:58.920 --> 27:03.080
is that I thought there was a
webpage where you could check
this stuff out but I guess I'm
wrong I have to

27:03.080 --> 27:11.880
go into iTunes specifically
every single time let me see uh
what do I look for under the M
and uh nothing

27:12.680 --> 27:19.640
look I bought it I know I know I
registered for one vote oh man

27:20.600 --> 27:28.200
hey there's so much uh
excitement about Twitter I don't
know if you've seen this or try
to

27:28.200 --> 27:35.400
yourself I I did register and I
immediately I almost immediately
turned it off and and I realized
as I was

27:35.400 --> 27:42.280
listening to the latest tweet
it's a tweet 91 which I still
haven't finished listening to
that

27:42.280 --> 27:47.640
uh the reason why this I think
this is exploding is because it
is the quintessential app that
has

27:48.360 --> 27:55.240
suddenly shown Americans
specifically Americans what SMS
text messaging is all about you
know

27:55.240 --> 28:05.880
for Europeans uh and UK of
course proud member of the EU uh
but yeah we've been text
messaging for years

28:05.880 --> 28:11.720
for years it is part of our
culture I text message with
Patricia and it's always been
amazing to me

28:11.800 --> 28:17.400
how how few people use this in
the United States mainly because
a lot of the cell phone services

28:18.280 --> 28:26.120
in the early days were not I'm
not entirely sure of the
technical details of this but I
know

28:26.120 --> 28:31.960
that they did not use the GSM
protocol which I believe also
includes the SMS you know the
short messaging

28:31.960 --> 28:38.440
service and and by the way it's
it's become what do you call you
know how you don't search for

28:38.440 --> 28:43.880
something you Google something
so you don't you know send a
message to someone through your
cell

28:43.880 --> 28:51.080
phone and so I'm gonna send you
an SMS I'm gonna SMS you which
is kind of hot and so I believe

28:51.080 --> 28:58.120
that this is all of a sudden has
shown uh people in the US the
text messaging is really useful

28:58.120 --> 29:02.760
and really really cool for short
messages which is exactly what
it is but you know the idea

29:02.760 --> 29:07.960
being able to send a group SMS I
mean that's that's kind of like
built into my phone already you

29:08.440 --> 29:12.920
know now of course this is the
opposite of of me determining
who's going to receive

29:13.640 --> 29:18.280
it's more of a published
subscribe mechanism which of
course is is fantastic for the
blogger's

29:18.280 --> 29:22.200
fear because everyone's like wow
it's just like a weblog and of
course there is just like a
weblog only

29:23.080 --> 29:29.000
with a very specific use but for
me the signal to noise ratio on
Twitter forget about it I use

29:29.000 --> 29:34.840
my SMS text messaging for
business you know I do not want
all kinds of shit cluttering up
my

29:35.000 --> 29:42.200
inbox and besides that it's
annoying you know unless you use
your your text message unless
you

29:42.200 --> 29:47.960
don't use your text messaging
and you know you check it like
your email once once or twice a
day

29:47.960 --> 29:51.800
and then go through all the
Twitter things you know then it
makes a lot of sense and you can
have

29:51.800 --> 29:55.800
some fun with it but this is you
know it's like when someone
really needs to get me a message

29:56.680 --> 30:01.320
whether it's my family or
whether it's my business
associates you know SMS text
messaging pretty much

30:01.320 --> 30:06.200
assures that I'm going it's not
like an email in fact it is the
better version of an email
because

30:06.200 --> 30:11.800
it costs money in some cases I
think it even costs money to
receive text messaging depending

30:11.800 --> 30:17.160
on where you receive I think if
you are roaming in another
country it will cost you money
to receive

30:17.160 --> 30:23.880
a text message it definitely
always costs money to send one
from your phone but I like it
very

30:23.880 --> 30:28.200
much for for that very reason
because the stuff I get on there
I consider to be of high value

30:28.280 --> 30:33.560
because someone has my personal
number first of all so I've
given them that or they they may
have

30:33.560 --> 30:38.760
gotten it from somewhere else
but I've given them that they're
going to be identified when they
send

30:38.760 --> 30:43.480
their message yeah you can spoof
it and all that stuff but it's
great you know I love it so I

30:43.480 --> 30:48.920
I hate having a whole bunch of
noise in there that is just in
fact I only follow one Twitter

30:49.720 --> 30:56.600
account and that's a comic strip
blogger I found that an an I
unbefriended everybody I you
know

30:56.680 --> 31:02.840
I've sent one or two messages
and I'm like now I don't this
not for me it really isn't
because

31:02.840 --> 31:07.880
I don't want to be a one way
street if I'm if I'm
communicating in some type of
protocol so I

31:07.880 --> 31:12.120
don't want it to be only send no
receive and then I'm just not
going to send because I got to

31:12.120 --> 31:17.960
get that's a clean channel for
me I don't want it to I don't
want it to pollute it in any way

31:19.240 --> 31:23.400
I just wanted to point that out
as an observation that and I
also I don't know if Twitter is

31:23.400 --> 31:29.160
catching fire as much in the
rest of the world as it is in
the in the US but I think it's
good because now

31:29.160 --> 31:37.960
finally people in the States
understand how incredibly
convenient and reliable SMS
messaging is

31:38.520 --> 31:45.320
SMSing. SMSing. Hey look who's
here is the candy man. Hi Adam
it's Luke your

31:45.960 --> 31:54.440
800 BFF splinter go daddy. Hey
listen I'm sure that this rum
rush to charge is very important
but

31:55.240 --> 32:03.400
I would like to talk about
something else. My colleague
Phil from the UK is going on a
week long trip

32:03.400 --> 32:08.360
through the Sahara on on Sunday
and while you may think what's
special about that but

32:09.320 --> 32:16.680
actually what he will be doing
together with his partner Susie
is to run full length marathon

32:17.640 --> 32:23.880
every day so they are going to
run a full marathon through this
haira desert every day next week

32:25.000 --> 32:30.680
and they are doing that to
support a charity in the UK
which is helping kids with the

32:31.320 --> 32:38.440
learning disability starting
that's pretty important charity
for you know to give kids a good
start

32:39.320 --> 32:45.560
in education and so yeah I could
send you the links to their
website so I mean it's

32:45.560 --> 32:52.120
difficult to explain those of a
voicemail comment and I hope
that you and your listeners
could

32:52.120 --> 32:59.240
have a look and maybe give their
support to the charity. Hey Luke
are you calling from the
bathroom man

33:00.200 --> 33:05.800
sounds like you're in the loop.
On the website you can you can
follow where they are

33:06.600 --> 33:13.160
you can send them also some
emails to support them through
the website and the email will
be printed

33:13.160 --> 33:18.360
out and they will go to their
tent I understood so that it's
something even my assistant is
not doing

33:18.360 --> 33:24.840
so I think it's pretty amazing I
mean I'm already out of breath
if I walk two flights of stairs
here

33:24.920 --> 33:32.840
into PowerPoint Palace and let
alone run a full-time full
length marathon every day in
this

33:32.840 --> 33:38.920
haira desert so I hope I hope we
could all support that that's
what and thanks in advance for

33:38.920 --> 33:44.360
all your support thanks by Luke.
You can tell Luke's in sales man
it's pretty funny talking about
the

33:44.360 --> 33:50.600
powerpoint palace you know that
shit is I think I saw Jack
Osborn when he had a series
where he was

33:50.600 --> 33:56.360
doing the unbelievable things
with his new tone down body and
his new healthy spirit in mind
and

33:56.360 --> 34:03.400
he I think he did one of those
tracks and he did the first day
and I mean and he he just
couldn't

34:03.400 --> 34:08.840
continue maybe he did a little
bit of the second day but this
this literally kills people
there

34:08.840 --> 34:15.640
people die on this it's an
amazing track so I just can't
believe I can't believe someone
would do it

34:15.640 --> 34:20.680
as shit man is like can I just
send let me just send money all
right please send me those links
Luke

34:20.680 --> 34:26.520
because I I want to just send
money for the kids I'm way too
lazy and I like life way too
much to

34:26.520 --> 34:30.600
participate and something like
that but hats off to those guys
they got my attention for sure

34:30.600 --> 34:37.000
which of course is exactly why
you do stuff like that but man
that's that's no joke I loop by
the way

34:37.000 --> 34:44.600
who turned me on to something
called the cloud in London it's
actually in the UK but it's

34:44.680 --> 34:53.080
really prevalent in London it's
this blanketing Wi-Fi network
which is nothing super new and
of

34:53.080 --> 34:57.480
course you know don't please
don't send me all the comments
about phone and all those yeah
yeah and

34:58.280 --> 35:04.280
but what I did like about or
what I do like about the cloud
is that you don't log in to an
access

35:04.280 --> 35:09.640
point every single time with the
any hundred you basically look
up the MAC address that's the

35:09.640 --> 35:15.080
the physical ethernet adapter it
has it's kind of like an IP
address only for the one layer

35:15.080 --> 35:21.720
down in the stack for the for
the hardware and any of those is
just as unique as an IP address

35:21.720 --> 35:29.400
or even more unique as an IP
address I should say and it and
and the minute your device in
this

35:29.400 --> 35:35.320
case I'm using the the the
internet tablet the n800 the
minute it goes searching for an
access

35:35.320 --> 35:40.280
point and it hits the the cloud
the Wi-Fi zone the cloud I think
is what it's called it's going

35:40.280 --> 35:45.080
to automatically register log on
any kind of course then do stuff
it updates my news aggregators

35:45.080 --> 35:51.160
a built-in news aggregator but
yesterday so you understand the
concept right it's like 995
maybe

35:51.160 --> 35:54.920
that's a promotional offer but I
think it's 995 a month is really
it's not a lot of money

35:56.360 --> 35:58.920
check it out at the train
station boom it kicked in

35:58.920 --> 36:06.120
run and I were having lunch boom
it kicked in even at the office
I was getting a Wi-Fi

36:06.680 --> 36:11.560
access point from the cloud it
wasn't even using the office
access point didn't even know it

36:11.560 --> 36:16.600
and here was the cool thing we
went to have some lunch at the
hawkston which is a hawkston
hotel

36:16.600 --> 36:22.120
it took fabulous hotel by the
way which is right across the
road from the crash pad and
shortage

36:23.000 --> 36:28.920
and and they have free Wi-Fi so
you know and I've already been
there before so it automatically

36:28.920 --> 36:36.840
connected we had a conference
call and it took Ron I think a
good five or eight minutes maybe

36:37.640 --> 36:43.400
to call in through his cell
phone was having trouble getting
the carrier getting a signal
inside

36:43.400 --> 36:48.920
the building and and as often
happens you know you go through
you have to dial all these

36:48.920 --> 36:54.200
extra long numbers because 800
numbers sometimes are recognized
and meanwhile I had already

36:54.200 --> 36:59.960
dialed in and I was listening to
the fabulous hold music in when
I'm stereo but through two

36:59.960 --> 37:05.800
head you know two ear buds
because that's what comes with
the 800 is two ear buds in a
microphone

37:05.800 --> 37:11.800
two ear buds in the microphone
and I was already on mutant
ready to go for free no cost

37:12.360 --> 37:23.800
I love it let me see I speak in
of unbelievable things we're
achieving with music podcasting

37:24.760 --> 37:29.320
you're Adam it's good in Seattle
I wanted to let you know that I
am driving home from work

37:30.040 --> 37:37.560
listening to a metal band from
Ecuador and you are solely
responsible for that I just want
to

37:37.560 --> 37:43.400
point out the impact all of your
years of action and working for
people who enjoy media

37:43.400 --> 37:49.160
have taken and I really
appreciate that this is awesome
you rock. Oh man I'm actually
I'm quite

37:49.160 --> 37:54.200
lame but I really appreciate you
saying that because that that is
entirely what it's about and

37:54.200 --> 38:00.440
I told you when I played that
song in Pablo from Ecuador
called Pablo from Escobar and
Pablo from

38:00.440 --> 38:05.480
Ecuador called in and said you
know dude here's a metal band
they've had some number one hits

38:05.480 --> 38:10.040
and they're really big here and
and I played it and I was a
little apprehensive because I
don't

38:10.040 --> 38:15.960
play a lot of metal on the show
and then I realized like who
cares who cares if you don't
like

38:15.960 --> 38:23.320
it you're just going to fast
forward it's no big deal yeah
man it's working absolutely it
is working

38:24.920 --> 38:26.520
love it

38:29.880 --> 38:34.120
he had his he had the phone
number programmed into his phone
which is something I recommend
you do

38:34.760 --> 38:38.680
I'm going to give you these
numbers with a handy little
jingle which will haunt you

38:38.680 --> 38:43.240
throughout the rest of your day
as you'll be singing this over
and over again the point is put
this

38:43.240 --> 38:48.440
into your cell phone right now
and use the plus so you know you
could do oh oh if you're in the

38:48.440 --> 38:55.080
state you could do 01144 but
just do plus four four well if
you're in the US it's going to
be

38:55.080 --> 38:59.880
plus one and trust me you just
want to do it because you're
going to find yourself one day
in some

38:59.880 --> 39:04.520
area that's not going to
understand just the 201 or the
10201 put the plus in front of
it

39:04.520 --> 39:08.440
it's different on all phones how
to get the plus sign but please
do it and here's that jingle
that's

39:08.440 --> 39:09.880
going to haunt you forever

39:25.240 --> 39:29.560
just looking at the the time
here almost 40 minutes I got a
hurry up we got the

39:29.560 --> 39:31.560
dinner with Dr. Cockney tonight

39:47.720 --> 39:50.520
all right is it embedded in your
brain yet

39:50.520 --> 39:54.120
Adam Hi Charles I would just
want to do a bit of always for
us that does the

39:54.120 --> 40:02.920
put your own light the female UK
voice because I like a voice I'd
come out I might want to

40:02.920 --> 40:10.040
maybe use her on or or not at
least it's like a real phone her
yeah I think

40:10.040 --> 40:17.480
male foot man yeah yeah let me
just say something about those
are the tags that we have

40:17.480 --> 40:22.280
at the end of every show that
come out of the UK it's
interesting you say that because
there was

40:22.360 --> 40:28.760
quite a discussion we auditioned
number of voices I have no idea
who they are I did at one point

40:28.760 --> 40:32.120
but I don't know anymore it's
not really not important because
I was just listening to the
voices

40:32.120 --> 40:37.000
listening to the reads and I
said hey I really like this
voice and I got a lot of
pushback people

40:37.000 --> 40:45.080
saying well you know is it no I
got a feeling that I don't know
and maybe it's maybe it's not a

40:45.080 --> 40:52.120
stereotypical you know media
voice or something you it's just
I really liked it it happens
with a lot

40:52.120 --> 40:58.840
of stuff that I don't know I
think that one of the things I
pride myself on is I think I can
spot

41:00.040 --> 41:07.080
product and media and talent
that I believe will resonate
with an audience and it
resonated with you

41:07.640 --> 41:12.360
and I appreciate it I'll find
out who it is now let you know
if you want a caller for or
something

41:12.360 --> 41:17.160
for yourself remember it's voice
work only okay I hope you're
getting the right idea here

41:17.160 --> 41:22.040
so they come and say to me I'm
something that made me laugh she
said you're the food bar boy

41:22.040 --> 41:27.480
and he wants made a mistake you
replied to one of my emails with
your two bar boy at gmail.com

41:27.480 --> 41:31.480
so I knew what she was getting
out there I wonder how many
other people understood what she
was

41:31.480 --> 41:36.280
getting out there because don't
see your personal personal
secret email address but of
course the

41:36.280 --> 41:48.360
big secret anyway maybe no no
I've changed it now though I'm
using the Google apps for my

41:48.360 --> 41:52.760
domain I've got to call the
Google peeps because I'm having
some trouble with my MX records

41:52.760 --> 41:56.520
yes it's a very long story you
don't want to hear about it's a
curry dot com still isn't fixed

41:56.520 --> 42:01.320
either let me see okay just to
wrap it up and I do have a very
cool song from the

42:01.320 --> 42:05.000
pot to music network I want to
play for you the end of this bum
rest of charge edition

42:05.000 --> 42:10.680
of the daily source code uh
first two more quick promos of
people participating in uh in
the campaign

42:10.680 --> 42:16.280
hey there Adam it's Jennifer it
was so great to see you in New
York last week and I hope you

42:16.280 --> 42:20.920
enjoyed the tasty dinner that
chef Mark prepared for you oh
yeah in honor of bummer's the

42:20.920 --> 42:26.120
charge stay I wanted to let you
know that for the first time
ever I'm featuring a musician on
food

42:26.120 --> 42:32.360
philosophy I found bohal on the
pot safe music network and I've
used his music ever since
because

42:32.440 --> 42:38.200
I just love it and you've played
him a couple of times too on the
DSC so I was happy to hear that
you

42:38.200 --> 42:45.400
found him and he and I had a
chance to talk about that and
also the sassy rhythms of food
and music

42:45.400 --> 42:51.320
so you can check that out at
foodphilosophy.podshow.com and I
also wanted to address

42:51.320 --> 42:58.120
Mark Yoshimoto Namcoff's comment
on the power of new media
because that really hit home for
me

42:59.000 --> 43:04.600
since chef Mark and I started
the culinary podcast network to
take back food media and to

43:04.600 --> 43:10.440
feature the kind of content we
wanted to hear and see so we are
with you all the way and we are
so proud

43:10.440 --> 43:17.480
to be a part of this movement
and DSC listeners can check out
all of our shows at
culinarypodcastnetwork.com

43:18.040 --> 43:23.480
now I'm off to download me some
black lab so have a great day
Adam and I'll see you again soon

43:23.480 --> 43:29.800
by the way thanks for the kiss
on the cheek. Oh yeah yeah hang
out with Chef Mark and Jennifer

43:29.800 --> 43:34.520
in New York I didn't even tell
you that Chef Mark cooked for me
he had brought food for myself
and

43:34.520 --> 43:40.680
sales we go weasel Greg and it
was funny because you know I
said no hotel I made them go
warm it up

43:41.880 --> 43:45.640
because I tell you there's a
couple of things you can do for
somebody when you cook for
someone

43:45.640 --> 43:50.600
that's a real love man that
really is and I appreciate it
and we're going to be doing some
big

43:50.600 --> 43:58.360
things with the culinary podcast
network peeps or is we just say
Adam damn food shows those guys

43:58.360 --> 44:04.520
yes how we shall them we got
some damn food shows uh speaking
of which sponsors for this
program

44:04.520 --> 44:10.520
title and all PM check out Angie
Bees brand new show it's unwind
on wind dot pod show dot com

44:11.320 --> 44:15.960
to get you in the mood it's the
only show that is actually
designed to put you to sleep
which I think

44:15.960 --> 44:23.400
is a pretty spectacular full
just coffee uh the gourmet
blends of course and a splendour
yeah I was

44:25.800 --> 44:33.560
let me see final thought for
today this is from Nigel you
know I always read Nigel's
emails

44:33.560 --> 44:39.880
the minute I see him pop into my
inbox because he always turns me
on to some amazing projects
amazing

44:39.960 --> 44:47.080
music he brought uh he brought
Tom's Dolby to my attention and
he's all over the place so this
is one

44:47.080 --> 44:52.440
of his uh it's not a personal
email even uh which Gmail a
nicely identifies whether it's
sent to

44:52.440 --> 44:56.840
me as the primary recipient or
not but it doesn't matter hi all
really pleased to announce that

44:56.840 --> 45:04.680
60's icon sandy show will be
joined the pod safe revolution
from Monday the 26th of March
now sandy

45:04.760 --> 45:11.080
show I actually put some uh he
put some great uh bio
information here that liked the
way it was

45:11.080 --> 45:15.480
written so I'll read it to you
because this is exactly what I
would have said the original
brick girl

45:15.480 --> 45:21.240
chiseled cheekbones
sophisticated pop operas
independent girl about town
other worldliness

45:21.240 --> 45:27.720
impossible glamour voice of an
angel bear face and showfooted
in a way kind of the Kylieman no

45:27.720 --> 45:35.240
good for day I would say uh
first number one hit when she
was 17 uh two more before she
was 21 hits all

45:35.240 --> 45:43.720
over the over Europe the United
States uh the UK Russia uh first
British recording star to
perform

45:43.720 --> 45:48.680
behind the iron curtain the last
to perform in Iran uh first
British to artist to win the

45:48.680 --> 45:53.720
Eurovision song contest first
British female artists to
produce and own her masters and
copyright

45:53.720 --> 45:59.320
ding ding ding ding pay
attention there let me read that
one more time the first British
female artist

45:59.320 --> 46:06.520
to produce and own her masters
and copyright a leader in the
field of pod safe music because
she

46:06.520 --> 46:13.160
is now chosen to put out it what
is this girl power knocked into
a cocked hat that's must be

46:13.160 --> 46:21.240
British woman power there you go
and uh let me just look um he
put a uh how do I get to the
link oh

46:21.240 --> 46:28.280
hey uh Google notebook changed
you click on a link and then it
says change or test link and it

46:28.280 --> 46:35.240
opens it up in a new window
thank you it's Google dudes what
you appreciated let me see

46:35.240 --> 46:44.040
Sandy's let me see if she's
still hot oh man oh yeah ha ha
hold on gallery it notice how

46:44.920 --> 46:51.080
uh it's using the same words as
a porn site oh shit coming soon
uh I hate that hold on

46:51.080 --> 47:00.840
Sandy's Shaw dot com oh she's a
milky she's definitely milky oh
man they don't have it so uh
it's

47:00.840 --> 47:06.920
too bad the uh the gallery uh
the gallery has no pictures
there are pictures throughout
the site

47:07.080 --> 47:17.160
oh I don't like the welcome to
Buddha world drawing that's kind
of harsh um okay so uh you

47:17.160 --> 47:21.640
remember puppet on a string the
course you don't because we
can't play that song anymore you
why should

47:21.640 --> 47:28.520
you know fucking music history
well Sandy Shaw's back she owns
her own masters and copyright so
of

47:28.520 --> 47:35.160
course makes total sense for her
to cut a new version titled
puppet got a brand new string

47:36.920 --> 47:44.680
bit of an old dude James Brown
now enjoy it it's part safe

47:46.250 --> 50:33.920
[ Music ]

50:33.920 --> 50:54.920
Oh yeah, I so weird, the other
version that I have in my head
is so incredibly different

50:55.920 --> 50:58.920
Pop it, got a brand new string,
it's Sandy Shaw

50:59.920 --> 51:01.920
A leader of a generation of
musicians

51:01.920 --> 51:06.920
And I think taking a fine
position once again at the front

51:06.920 --> 51:09.920
Leading into the pot-sake music
revolution

51:09.920 --> 51:11.920
Alright everybody, please

51:11.920 --> 51:14.920
If you do anything today, let's
show them something

51:14.920 --> 51:16.920
Go to bumrushthecharts.com

51:16.920 --> 51:19.920
Buy the song from Black Lab

51:19.920 --> 51:21.920
Through the affiliate link on
that page

51:21.920 --> 51:24.920
It's a big ass, you'll see it

51:24.920 --> 51:28.920
It's going to be in the show
notes as well at
DailySourceCode.com

51:28.920 --> 51:30.920
And of course you can always
send me an email

51:30.920 --> 51:32.920
That's Adam at poncho.com

51:32.920 --> 51:34.920
And I will be back tomorrow

51:34.920 --> 51:36.920
We'll find out how we did with
the bumrush

51:36.920 --> 51:39.920
And it'll be a full bar body

51:39.920 --> 51:41.920
Another poncho podcast

51:41.920 --> 51:43.920
Stick it in your ear

51:43.920 --> 51:51.920
The best and the brightest

51:51.920 --> 51:54.920
Saved up Daily by the sharpest
minds in content delivery

51:54.920 --> 51:56.920
Pot-show and limelight