WEBVTT

00:00.000 --> 00:13.000
Ladies and gentlemen, I present
Padshal's poet laureate Melvin
P. LeBeth.

00:13.000 --> 00:20.000
Roses are wed, my sweater is
beige. For your domain name
needs, you should go to this
page. GoDaddy.com.

00:20.000 --> 00:34.000
Time for an extra special bonus!
That's right, because I'm a
passionate guy like that.

00:34.000 --> 00:39.000
So as a sit here, touching
myself, I thought to myself, I
should call Mark. I should tell
Mark,

00:39.000 --> 00:44.000
do you love what you're doing
with a chacha? The chacha has
never been so fresh, so
invigorating.

00:44.000 --> 00:50.000
So, um, turning it on. I sit
here every night and the doctor
said it's my homework.

00:50.000 --> 00:56.000
I put the iPod into my ears. I
grab the Vaseline and I turn off
the lights and I crank up the
chacha with Mark.

00:56.000 --> 01:03.000
You'll show more on him, cough.
It makes me happy. It makes me
giddy. It makes a mess of my
sheets and my socks, but that's
okay.

01:03.000 --> 01:06.000
Thank you, Mark. Keep up the
good work.

01:07.000 --> 01:13.000
First, there was brain twisting,
jallin jipper, together, the
principles of mathematics and
cross-all puzzles.

01:13.000 --> 01:16.000
From Japan, the country that
brought you suitable.

01:16.000 --> 01:19.000
Come! Bookaku!

01:19.000 --> 01:30.000
All right, let's see, seven,
one. The four goes here. Wait,
no damn, that's not right.

01:30.000 --> 01:34.000
Holy shit, dude, you just jacked
off on me.

01:35.000 --> 01:39.000
I'm like regular Sudoku, where
you can make mistakes and erase
them with pencil.

01:39.000 --> 01:47.000
Bookaku is much more
challenging, because if you get
even one number wrong, you will
find you and jack off on you.

01:50.000 --> 01:53.000
Oh my eye!

01:53.000 --> 02:01.000
Bookaku is fun for parties,
national parties, retirement
parties, and the occasion in
perfect time for Bookaku.

02:01.000 --> 02:06.000
Today, Little Schmolikko,
Bergonia 13, birthday you are a
man.

02:07.000 --> 02:10.000
My Little Schmolik, somebody get
a towel.

02:10.000 --> 02:14.000
Idiot, days no 13, in Bookaku!

02:14.000 --> 02:19.000
Get Bookaku today! Before
Bookaku, get you!

02:21.000 --> 02:22.000
Bookaku!

02:23.000 --> 02:32.000
You're listening to the daily
source code with Mark Yoshimoto
Nenkov.

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Welcome back, my friends, to the
show that never ends, coming to
you from Gilford, somewhere deep
in the bowels of the UK.

02:46.000 --> 02:49.000
And the bowels are pretty deep
here.

02:49.000 --> 02:58.000
Yeah, guess what, it's me again,
and I'm here at Adam's house,
where something in the attic
smells like corn chips and feet,
and Adam is still unconscious.

02:58.000 --> 03:03.000
You're listening to episode
5-8-2 of the Chacha.

03:03.000 --> 03:09.000
Tell you what, let's start it
all off with some really
kick-ass shit from Kevin Reeves.

03:11.250 --> 07:08.750
[ Music ]

07:10.000 --> 07:16.000
Kevin Reeves with redemption,
fuck yeah man, that's on rocks
like a mother fucker

07:16.000 --> 07:21.000
So hey, welcome to the daily
source code, I'm Mark Yoshimoto
Nemkoff

07:21.000 --> 07:25.000
You know what, I'm declaring
today, Bong hit Tuesday

07:25.000 --> 07:29.000
I found some Adam's stash here
at the manner and I'm a dude

07:29.000 --> 07:31.000
This is some Primo Primo shit,
hold on

07:36.000 --> 07:39.000
Oh fuck, oh my god

07:40.000 --> 07:43.000
That should make Willie Nelson
blind, oh my god

07:44.000 --> 07:49.000
I have no idea where he gets it
from, but so today, yeah today
is, I got to do another one hold
on

07:59.000 --> 08:01.000
Oh shit

08:02.000 --> 08:05.000
Okay, so today is Bong hit
Tuesday

08:06.000 --> 08:14.000
And, oh fuck man, so if you're
in your car, if you're on the
subway, I don't care

08:14.000 --> 08:20.000
Fucking, I pull out that Bong, I
want everybody doing Bong hits
right now

08:20.000 --> 08:23.000
Even, yeah, okay

08:26.000 --> 08:33.000
Oh, right, right, right, so
Adam, right, right

08:33.000 --> 08:38.000
So yeah, yeah, I was going
through his underwear drawer

08:38.000 --> 08:42.000
And it's all thongs, it is, it's
all thongs

08:42.000 --> 08:45.000
And thongs and bolo ties, I
swear to god

08:45.000 --> 08:48.000
So I'm going through Adam's
underwear drawer

08:48.000 --> 08:56.000
And I find his stash, this
beautiful, beautiful stash of,
well, I found that stash too

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But we'll talk about that later

08:58.000 --> 09:02.000
But I also found I swear to god,
you got to see this, it's the
most amazing thing

09:02.000 --> 09:09.000
It's, basically, I found his
show formula

09:11.000 --> 09:15.000
This is one of the most highly
guarded secrets in all of
podcasting

09:15.000 --> 09:20.000
The recipe for the daily source
code that he kept hidden in his
underwear drawer

09:20.000 --> 09:25.000
Right underneath that turtle
shape vibrator that was signed
by Kurt Loader

09:25.000 --> 09:31.000
I don't know if it was actual
signature because the turtle
face on the vibrator actually
looks like Kurt Loader

09:32.000 --> 09:36.000
Anyway, so this is the recipe
for the daily source code

09:36.000 --> 09:43.000
Item number one, play series of
repetitive opening jingles in
order to get those last 20 drags
in on the blunt

09:43.000 --> 09:48.000
Number two, for five minutes
line about my internet
connection in my new house

09:48.000 --> 09:52.000
I'm be sure to give specific
details on download and upload
data rates

09:52.000 --> 09:57.000
Number three, spend 10 minutes
delivering soliloquy on
geopolitical landscape

09:57.000 --> 10:04.000
And partying opinions and
expertise gained from years
spent introducing the latest
music video from CNC music
factory

10:04.000 --> 10:08.000
Number four, playback message
from multi-lingual vampire from
the EU

10:08.000 --> 10:12.000
Number five, fantasize about
girls would call into the show

10:12.000 --> 10:15.000
Number six, play cold pod save
song

10:15.000 --> 10:20.000
Number seven, ruin cold pod save
song with cowbell and or singing

10:20.000 --> 10:23.000
Number eight, flick lighter, set
man or on fire

10:23.000 --> 10:28.000
Okay, yeah, I think this is all
going to be useful shit

10:28.000 --> 10:32.000
So, hold on let me ask Adam what
do you think

10:32.000 --> 10:39.000
Dude chill, okay chill, alright
look you want you want to bang
it

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Dude, you're going to whip the
duct tape come on, dude

10:44.000 --> 10:47.000
Fuck hold on

10:47.000 --> 10:51.000
Oh fuck, I think I set the
cattle prod too high

10:51.000 --> 10:55.000
Oh man, he's probably going to
crap himself now, odd cheese

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I thought that you said about
piracy and the statistical
information about the boss

11:27.000 --> 11:33.000
It may be thick about the whole
concept of being born to run

11:33.000 --> 11:38.000
If I had an endless word to have
phrasing, let tell the format

11:38.000 --> 11:45.000
I truly wrap your legs around
these velvet ribs and strap your
hands across my inches

11:45.000 --> 11:49.000
Is that what you had in mind
when you mentioned that M's
could stay

11:50.000 --> 11:53.000
Well anyway, just some thoughts
to ponder

11:53.000 --> 11:55.000
Goodbye, Mr. Namca

11:55.000 --> 12:02.000
Oh, and please still Adam, I put
the victory set me on the
medicine chest right over the
Tylenol PM

12:02.000 --> 12:09.000
Bro, I think pro grammar at your
command is the melodic pro
grammar program

12:09.000 --> 12:24.000
Oh man, that is oh fuck, what
the fuck is that in there?

12:24.000 --> 12:26.000
Oh, it's like kitty litter

12:26.000 --> 12:28.000
Oh shit

12:28.000 --> 12:32.000
Oh my god, I think he's lacing
his stuff with cat shit

12:32.000 --> 12:37.000
Oh my god, oh, I don't care
whatever it is man

12:37.000 --> 12:39.000
Anyway, so

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So I know Adam hasn't really
talked about second life a whole
lot lately

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But you know, kind of got me
involved in it and I think a lot
of you too

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And something that's actually
happening in second life

12:50.000 --> 12:54.000
CC Chapman sent me a press
release his company crayon

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They're this cutting edge
marketing company and check this
out. They're working with
Coca-Cola

13:00.000 --> 13:06.000
So let me read this press
release Coca-Cola launches
competition to design online

13:06.000 --> 13:13.000
Virtual first Coke machine open
competition invites in world
second life residents and the
public

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To imagine a virtual vending
machine with a limitless
possibilities

13:17.000 --> 13:19.000
Check this out check this out

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Imagine a vending machine that
dispenses entertainment
adventure or happiness

13:24.000 --> 13:28.000
A device that satisfies
curiosities and fulfills virtual
wishes

13:28.000 --> 13:34.000
Coca-Cola is launching an open
contest for second life
residents and the general
population

13:34.000 --> 13:41.000
To design a virtual experience
machine through its virtual
thirst competition second life
is a three-dimensional online
digital world

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That enables user residents to
explore digital universe and
blow lives, you know what second
life is

13:46.000 --> 13:50.000
So let me hold on

13:50.000 --> 13:52.000
Uh, scan up

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But simply we've invited the
world to use the second life
platform to design and prototype
the ultimate Coke machine

13:59.000 --> 14:05.000
Something that delivers an
innovative engaging experience
in second life as defined by its
community of residents

14:05.000 --> 14:10.000
Says Michael Donnelly director
global marketing global
interactive marketing Coca-Cola
company

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So for example, I guess it could
play music from a jukebox or
display fun animation in video

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Or transform the user's
experience and capabilities in
some positive way

14:21.000 --> 14:24.000
So that's pretty fucking cool

14:24.000 --> 14:32.000
So you design this virtual
vending machine right that can
dispense

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Um entertainment and Coke and
whatever right I mean it's
totally outside the box kind of
thinking

14:41.000 --> 14:44.000
And it's not about second life,
right?

14:44.000 --> 14:53.000
It's it's about imagination and
the thing is you could submit
apparently you could submit your
submission

14:53.000 --> 15:00.000
Man, that's it. I'm smoking is
way too fucked up. You could
submit your submission. Yeah,
good job

15:00.000 --> 15:03.000
So you could submit your
prototype

15:03.000 --> 15:09.000
Um, you know, either through
audio a video or whatever

15:09.000 --> 15:13.000
So it says right here go to
virtualthirst.com

15:13.000 --> 15:15.000
That's pretty fucking cool. Now

15:15.000 --> 15:17.000
I don't know about you

15:17.000 --> 15:24.000
But my my idea for the perfect
Coke vending machine involves
you know

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I put in my dollar. I get a ice
cold coke, you know chilled
perfectly and I get a blowjob

15:30.000 --> 15:33.000
Now, you know the machine
doesn't have to give me a
blowjob

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I mean there could you know be a
someone there hopefully a pretty
young girl

15:39.000 --> 15:40.000
I

15:40.000 --> 15:44.000
I'm not picky though if I'm
getting a blowjob for a box and
you know

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Who am I to pick and choose but
that's kind of the concept so
you could design your coke
vending machine

15:52.000 --> 15:56.000
If you want your coke vending
machine to you know

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Dispense coke and play music and
and spread sunshine and
happiness across the globe

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Then you're kind of fucked in
the head, but no, no, you know
what I'm saying

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Then it's it's a great idea.
It's a grand idea

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You know, I'm definitely going
to enter my a blowjob coke
machine prototype though

16:15.000 --> 16:24.000
So I way I can go in second life
when they prototype the thing
and I can stand there with my
avatar and get blown in drink of
virtual coke

16:24.000 --> 16:27.000
I think that'd be fucking
awesome. That sounds like
Saturday afternoon to me

16:27.000 --> 16:32.000
And I'm doing this my online
avatar and second life

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Doesn't have a dick

16:35.000 --> 16:40.000
Yeah, because barely you have to
buy a fucking cock for your
online avatar

16:40.000 --> 16:45.000
There are shops in second life.
I swear to God. I didn't know
this right and

16:46.000 --> 16:53.500
True story when Brittany Mason
was showing me around the town
of Shadow Falls what when they
built the town of Shadow Falls

16:53.500 --> 16:55.000
We did that whole thing

16:55.000 --> 16:59.000
She was showing me a bunch of
other places in second life and
I was I was really like amazed
by

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How creative people got with
their buildings and their little
islands and stuff

17:04.000 --> 17:11.000
And she took me as a place and
it was actually a pretty big ad
agency that had a office in
second life

17:11.000 --> 17:15.000
And so I was running around
naked. I just I hit the button
that said take my clothes

17:15.000 --> 17:20.000
I'm running around naked and you
know and she said you got no
dick

17:20.000 --> 17:24.000
And I was like, oh check that
out. She's like, I'll buy you a
dick

17:24.000 --> 17:30.000
And I felt kind of weird. I felt
a little weird having a strange
online woman buy me a penis

17:32.000 --> 17:34.000
I don't know maybe something I
just have to get over

17:34.000 --> 17:37.000
But I know one way to make my
inhibitions go away hold on

17:47.000 --> 17:50.000
That's definitely catch it. Oh
fuck

17:54.000 --> 17:56.000
Common strip

17:58.000 --> 17:59.000
Common strip

18:01.000 --> 18:03.000
Common strip

18:25.000 --> 18:30.000
Is a club called the man bar and
eighty two great suffix street
in London

18:30.000 --> 18:33.000
WWE dot man bar dot info

18:33.000 --> 18:37.000
They do have a good two for one
decorate night on Tuesday

18:37.000 --> 18:39.000
But I do not want to meet Adam's
hair

18:39.000 --> 18:42.000
Anyway, Markio Shomodonemka fuck
you

18:42.000 --> 18:45.000
I have to go now and pop a
hemorrhoid

18:45.000 --> 18:49.000
Not one of my own, but this none
of your business

18:50.000 --> 18:51.000
Common strip

18:54.000 --> 18:55.000
Common strip

18:57.000 --> 18:58.000
Common strip

19:04.000 --> 19:06.000
Hey Mark, I've got some feedback
for you

19:06.000 --> 19:10.000
When you started talking about
the RIA it really got my blood
boiling

19:10.000 --> 19:12.000
Because here's the deal

19:12.000 --> 19:15.000
The RIA can win and moan all the
wants

19:15.000 --> 19:19.000
But reality is it and the
companies represents our scared
shitless

19:19.000 --> 19:24.000
They are falling way behind as
they stick to their old models
of production and distribution

19:24.000 --> 19:28.000
Sort of like how Adam's remote
control sticks to his inner
thigh

19:28.000 --> 19:30.000
I think you understand me

19:30.000 --> 19:33.000
Point is before the internet
sharing was negligible

19:33.000 --> 19:37.000
And even then it's still
encouraged people to go to
concerts and buy merchandise

19:37.000 --> 19:39.000
Of course this is still
happening

19:39.000 --> 19:44.000
But back then big labels had the
power to produce very few acts
and promote them excessively

19:44.000 --> 19:47.000
Because we only had so many ways
of accessing media

19:47.000 --> 19:51.000
In fact, they would sign good
artists and then bury them in
the vaults

19:51.000 --> 19:54.000
In order to protect their big
cash running acts

19:54.000 --> 19:56.000
This model is fucking dying

19:56.000 --> 19:59.000
The internet has retribulized
the world

19:59.000 --> 20:02.000
And people are getting sick and
tired of the same shit on the
radio

20:02.000 --> 20:04.000
And on the Rax and ATMP

20:04.000 --> 20:07.000
Or whatever other shitty records
store this, drop it

20:07.000 --> 20:12.000
The labels are convinced that
they have to keep a few huge
acts and earn all their cash
from them

20:12.000 --> 20:16.000
And as since they are creating
the piracy that they claim is
hurting them

20:16.000 --> 20:19.000
By over saturating us, the
listeners

20:19.000 --> 20:22.000
I mean, do we really need
another Britney Spears album?

20:22.000 --> 20:24.000
We have no choice but to pirate

20:24.000 --> 20:27.000
If the labels would pull their
heads out of their asses

20:27.000 --> 20:30.000
And promote a wide variety of
good artists

20:30.000 --> 20:33.000
It would dilute musical tastes
across the board

20:33.000 --> 20:35.000
This would make piracy
irrelevant

20:35.000 --> 20:38.000
Because the labels would need
the social aspect of the
internet

20:38.000 --> 20:40.000
To get the word out on their
artists

20:40.000 --> 20:43.000
This is what the positive music
network is doing

20:43.000 --> 20:45.000
And if the labels don't get
their shit together

20:45.000 --> 20:47.000
They're going to get their asses
kicked

20:47.000 --> 20:50.000
And I for one would love to see
that

20:50.000 --> 20:54.000
Oh, and by the way, I hope you
remember to poke some holes in
the closet

20:54.000 --> 20:56.000
Or something so that Adam can
breathe

20:56.000 --> 20:57.000
Take care

20:57.000 --> 20:59.000
Hold on, hold on

20:59.000 --> 21:00.000
Fuck you

21:00.000 --> 21:01.000
Travis, thank you

21:01.000 --> 21:02.000
Travis Martin

21:02.000 --> 21:04.000
With that comment, thanks Travis

21:04.000 --> 21:07.000
And thank you for reminding me
to actually throw some holes in
the door here

21:07.000 --> 21:10.000
You gotta hope it's not too late

21:10.000 --> 21:12.000
Anyway, you know what Travis,
you have a really good point

21:12.000 --> 21:16.000
The record companies, I've
friend to work in the music
business

21:16.000 --> 21:18.000
Over the last five years

21:18.000 --> 21:21.000
So many people who work at
record companies

21:21.000 --> 21:23.000
You know, we're talking suits
and our guys

21:23.000 --> 21:25.000
Whoever have lost their fucking
jobs

21:25.000 --> 21:28.000
Because these record companies
are failing to make money

21:28.000 --> 21:30.000
And they blame it all on piracy

21:30.000 --> 21:34.000
But one of the things that has
always struck me as being
fucking ironic

21:34.000 --> 21:38.000
Is that throughout the history
of maybe the last what?

21:38.000 --> 21:40.000
20, 30 years

21:40.000 --> 21:42.000
The record industry

21:42.000 --> 21:44.000
Has spent a fortune

21:44.000 --> 21:46.000
Baddling piracy

21:46.000 --> 21:49.000
Whether it's a battling
real-to-real tape

21:49.000 --> 21:50.000
Or cassette

21:50.000 --> 21:51.000
Or dat

21:51.000 --> 21:53.000
When dat recorders came out

21:53.000 --> 21:56.000
Which was the first actual
consumer model

21:56.000 --> 21:59.000
Digital audio recording medium

21:59.000 --> 22:01.000
When dat recorders came out

22:01.000 --> 22:03.000
The record companies

22:03.000 --> 22:04.000
The RAA

22:04.000 --> 22:06.000
Went fucking insane

22:06.000 --> 22:07.000
Spending a fortune

22:07.000 --> 22:09.000
And having hearings

22:09.000 --> 22:11.000
So that they could enforce

22:11.000 --> 22:13.000
What was I think was what was it
called at the time

22:13.000 --> 22:17.000
DCMS or whatever digital copy
management system

22:17.000 --> 22:20.000
So you could not actually hook
up a CD player

22:20.000 --> 22:23.000
The optical output of a CD
player to a

22:23.000 --> 22:25.000
Consumer level dat machine

22:25.000 --> 22:27.000
And make a perfect digital copy

22:27.000 --> 22:29.000
They spend millions of dollars

22:29.000 --> 22:31.000
We'll fuck do you think those
millions of dollars came from

22:31.000 --> 22:32.000
That's right

22:32.000 --> 22:34.000
They came from artist royalties

22:34.000 --> 22:36.000
So instead of taking the money

22:36.000 --> 22:38.000
That they were making from the
artists

22:38.000 --> 22:40.000
And putting it back

22:40.000 --> 22:41.000
Into the business

22:41.000 --> 22:43.000
To invest in new artists

22:43.000 --> 22:47.000
Or even fucking pay their artist
what they're actually worth

22:47.000 --> 22:49.000
They took this money

22:49.000 --> 22:50.000
And they've been doing this

22:50.000 --> 22:52.000
They took this money to fight
piracy

22:52.000 --> 22:55.000
But they've done the same thing
with cassettes

22:55.000 --> 22:57.000
With CD recorders with anything

22:57.000 --> 22:59.000
I mean you look at the history

22:59.000 --> 23:01.000
They've spent a fortune on this

23:01.000 --> 23:03.000
And then every few years or so

23:03.000 --> 23:05.000
Another medium comes out

23:05.000 --> 23:08.000
Another way to copy music comes
out

23:08.000 --> 23:11.000
And then they spend another
fortune going to fight that

23:11.000 --> 23:13.000
That's just the way it has been

23:13.000 --> 23:17.000
Since the fucking invention of
any sort of home recording

23:17.000 --> 23:19.000
Right

23:19.000 --> 23:21.000
And you know who's fault this
fucking is

23:21.000 --> 23:23.000
I'll tell you

23:23.000 --> 23:25.000
It's the fucking lawyers

23:25.000 --> 23:27.000
Because some lawyer basically
says

23:27.000 --> 23:29.000
Hey, you know what we need to
fight this

23:29.000 --> 23:31.000
And they find a way that their
firm

23:31.000 --> 23:33.000
Can make millions of dollars

23:33.000 --> 23:35.000
And I'll tell you why that's not
bullshit

23:35.000 --> 23:37.000
Going back like five years

23:37.000 --> 23:39.000
Actually more than that

23:39.000 --> 23:40.000
Going back a few years

23:40.000 --> 23:43.000
I had a literary manager here in
Hollywood

23:43.000 --> 23:44.000
His name is Daniel Alter

23:44.000 --> 23:47.000
And Daniel told me the story one
day that his lawyer

23:47.000 --> 23:51.000
Was the same lawyer who handles
Metallica

23:51.000 --> 23:55.000
And basically the lawyer went to
Metallica one day

23:55.000 --> 23:57.000
With this whole story about what
was going on

23:57.000 --> 24:01.000
With this company called Napster

24:01.000 --> 24:03.000
And the lawyer said to
Metallica, hey look what's going
on

24:03.000 --> 24:07.000
I think we have a way here that
we can make millions of dollars

24:07.000 --> 24:09.000
That is exactly what happened

24:09.000 --> 24:11.000
I am not fucking making this up

24:11.000 --> 24:15.000
The idea to sue Napster was not
Metallica

24:15.000 --> 24:17.000
It was their fucking lawyers
idea

24:17.000 --> 24:19.000
Oh shit hold on serious 102
listeners

24:19.000 --> 24:22.000
You're going to have to go to
dailysourceco.podshow.com

24:22.000 --> 24:24.000
To download the rest of the
podcast

24:24.000 --> 24:26.000
And hear me say fuck a bunch
more times

24:26.000 --> 24:27.000
Catch you later

24:27.000 --> 24:28.000
Okay

24:28.000 --> 24:31.000
So yeah, the whole thing

24:31.000 --> 24:33.000
Was cooked up by a fucking
lawyer

24:33.000 --> 24:35.000
And I'm sure it's the same thing

24:35.000 --> 24:37.000
At the record companies

24:37.000 --> 24:40.000
With how the RAAA manages to

24:40.000 --> 24:42.000
You know spend their fucking
money

24:42.000 --> 24:43.000
Badling piracy

24:43.000 --> 24:44.000
Now

24:44.000 --> 24:45.000
Granted

24:45.000 --> 24:48.000
If you go to a record company

24:48.000 --> 24:50.000
A lot of times a lot of the
suits there

24:50.000 --> 24:51.000
Are lawyers

24:51.000 --> 24:54.000
Because they come up in the
entertainment ranks

24:54.000 --> 24:55.000
They know the business

24:55.000 --> 24:57.000
They know the finances blah blah
bullshit

24:57.000 --> 24:58.000
Whatever

24:58.000 --> 25:00.000
A lot of the suits at any major
record company

25:00.000 --> 25:01.000
The major suits

25:01.000 --> 25:03.000
We're talking the guys who run
the fucking business

25:03.000 --> 25:04.000
They're all fucking lawyers

25:04.000 --> 25:06.000
I'll tell you what with the
exception

25:06.000 --> 25:08.000
Of this fucking douchebag

25:08.000 --> 25:10.000
That runs the universal music
group

25:10.000 --> 25:12.000
This fucking Doug Morris guy

25:12.000 --> 25:14.000
Now remember this is the guy
that called

25:14.000 --> 25:16.000
All iPod users

25:16.000 --> 25:17.000
Pirate

25:17.000 --> 25:19.000
And we said all iPods

25:19.000 --> 25:22.000
Are full of pirated music

25:22.000 --> 25:24.000
You know that Doug Morris guy

25:24.000 --> 25:25.000
Doug

25:25.000 --> 25:26.000
Doug Morris

25:26.000 --> 25:27.000
You music.com

25:27.000 --> 25:29.000
That Doug Morris guy

25:29.000 --> 25:32.000
Who I think is the biggest
fucking scumbag

25:32.000 --> 25:33.000
In the music industry

25:33.000 --> 25:34.000
Doug Morris

25:34.000 --> 25:35.000
If you can hear me

25:35.000 --> 25:37.000
Fucking blow me you fucking
piece of shit

25:37.000 --> 25:38.000
You know what

25:38.000 --> 25:39.000
I swear to God

25:39.000 --> 25:40.000
It's like

25:40.000 --> 25:42.000
The fucking bullshit

25:42.000 --> 25:44.000
That the universal music group
has perpetrated

25:44.000 --> 25:46.000
On their artists

25:46.000 --> 25:47.000
Their listeners

25:47.000 --> 25:48.000
Is a fucking sin

25:48.000 --> 25:52.000
And here's a guy who started his
fucking career as a songwriter

25:52.000 --> 25:55.000
And this guy doesn't give a fuck
about the artist on his label

25:55.000 --> 25:58.000
Again, here's a fucking company

25:58.000 --> 26:01.000
That is spending countless
millions of dollars

26:01.000 --> 26:04.000
Fucking fighting piracy

26:04.000 --> 26:05.000
Right?

26:05.000 --> 26:07.000
You know they're trying to
eliminate all their videos

26:07.000 --> 26:09.000
Off YouTube and all that

26:09.000 --> 26:10.000
I mean come on

26:10.000 --> 26:12.000
Do you honestly think that
anybody

26:12.000 --> 26:14.000
Is fucking copying the audio

26:14.000 --> 26:17.000
From the video on YouTube

26:17.000 --> 26:19.000
And listening to it on their MP3
player

26:19.000 --> 26:21.000
I mean a video

26:21.000 --> 26:22.000
A music video

26:22.000 --> 26:26.000
They're all created as a fucking
commercial for the song

26:26.000 --> 26:27.000
Right?

26:27.000 --> 26:30.000
Remember MTV when they used to
fucking play videos

26:30.000 --> 26:31.000
Right?

26:31.000 --> 26:33.000
What do you think all that
content was?

26:33.000 --> 26:34.000
This is freebie shit

26:34.000 --> 26:36.000
MTV was not paying

26:36.000 --> 26:38.000
To fucking play these videos

26:38.000 --> 26:40.000
So in the same way

26:40.000 --> 26:42.000
It's like how is how is YouTube

26:42.000 --> 26:44.000
Showing these videos

26:44.000 --> 26:46.000
Anything other than a

26:46.000 --> 26:48.000
You know a way to market this
shit

26:48.000 --> 26:50.000
That otherwise people would
never see it

26:50.000 --> 26:52.000
What the fuck is the difference?

26:52.000 --> 26:53.000
I don't get it

26:53.000 --> 26:55.000
Okay, maybe I'm missing
something

26:55.000 --> 26:57.000
Maybe I'm fucking taking too
many bong hits

26:57.000 --> 26:59.000
And I just don't fucking get it

26:59.000 --> 27:00.000
But anyway

27:00.000 --> 27:03.000
And the other thing Travis, I
think you totally nailed

27:03.000 --> 27:04.000
Is that

27:04.000 --> 27:06.000
You have these record companies

27:06.000 --> 27:08.000
And same thing with the movie
industry

27:08.000 --> 27:09.000
Or the book industry or whatever

27:09.000 --> 27:11.000
They rely on a blockbuster
release

27:11.000 --> 27:13.000
To fucking pay for everything
else on their slate

27:13.000 --> 27:15.000
That doesn't do so well

27:15.000 --> 27:17.000
And when you get into that kind
of mentality

27:17.000 --> 27:19.000
Where you rely on the
blockbuster

27:19.000 --> 27:21.000
Then you are going to go after
it

27:21.000 --> 27:23.000
The easy fucking sell bullshit

27:23.000 --> 27:25.000
And you're eventually going to
say

27:25.000 --> 27:26.000
You know what?

27:26.000 --> 27:27.000
It makes more sense

27:27.000 --> 27:28.000
To fucking promote

27:28.000 --> 27:30.000
You know 10 Britney Spears
clones

27:30.000 --> 27:31.000
That we know all

27:31.000 --> 27:34.000
You know sell a few hundred
thousand units

27:34.000 --> 27:36.000
Then trying to promote new
artists

27:36.000 --> 27:39.000
That may only sell 30, 40,
50,000 units

27:39.000 --> 27:40.000
Their first time out

27:40.000 --> 27:42.000
You know nobody wants to develop
a new artist anymore

27:42.000 --> 27:44.000
In the same way that media

27:44.000 --> 27:46.000
A television, especially

27:46.000 --> 27:49.000
Doesn't want to give a
television show

27:49.000 --> 27:51.000
Any sort of chance to build an
audience

27:51.000 --> 27:53.000
If you don't fucking build an
audience right away

27:53.000 --> 27:54.000
You're gone

27:54.000 --> 27:56.000
And that is exactly

27:56.000 --> 27:57.000
The kind of fucking mentality

27:57.000 --> 27:59.000
That is going to fuck the record
industry

27:59.000 --> 28:00.000
Right in the ass

28:00.000 --> 28:02.000
Unless they're into that kind of
thing

28:02.000 --> 28:03.000
And then

28:03.000 --> 28:04.000
You're regardless

28:05.000 --> 28:08.000
The mentality of the record
industry

28:08.000 --> 28:11.000
Has always been to protect

28:11.000 --> 28:13.000
What they fucking currently have

28:13.000 --> 28:15.000
And not evolve

28:15.000 --> 28:17.000
Which is why they're fucking
dying

28:17.000 --> 28:19.000
Which is why the record industry

28:19.000 --> 28:21.000
Is fucking hemorrhaging right
now

28:21.000 --> 28:22.000
And they sit around

28:22.000 --> 28:24.000
And they have no fucking idea

28:24.000 --> 28:25.000
What to do?

28:25.000 --> 28:27.000
It's it's sad and pathetic

28:27.000 --> 28:28.000
So here we go

28:28.000 --> 28:29.000
Record industry

28:29.000 --> 28:31.000
I'm going to tell you what to do

28:31.000 --> 28:32.000
First thing you do

28:32.000 --> 28:34.000
It's called a PCH comment line

28:34.000 --> 28:36.000
At 1-800-875-099-5

28:36.000 --> 28:38.000
And I'll set your shit straight

28:38.000 --> 28:41.000
Because the new methods of
distribution over the internet

28:41.000 --> 28:44.000
Are slaying the record companies

28:44.000 --> 28:46.000
And what you're going to see is
that

28:46.000 --> 28:48.000
As record companies

28:48.000 --> 28:49.000
Have fewer

28:49.000 --> 28:51.000
Resources for distribution

28:51.000 --> 28:53.000
They're going to rely on

28:53.000 --> 28:57.000
Basically they're the top few
distribution outlets they have

28:57.000 --> 28:58.000
And of course

28:58.000 --> 29:00.000
You know what scares the fuck
out of me

29:00.000 --> 29:05.000
Is the number one distribution
outlet for music in the United
States

29:05.000 --> 29:07.000
The number one distributor of
music

29:07.000 --> 29:08.000
Wal-Mart

29:08.000 --> 29:09.000
Wal-Mart

29:09.000 --> 29:11.000
Conservative fucking Wal-Mart

29:11.000 --> 29:13.000
Okay Wal-Mart who basically says

29:13.000 --> 29:15.000
Oh no we want to distribute that
because it's

29:15.000 --> 29:16.000
It's too controversial

29:16.000 --> 29:18.000
Okay

29:18.000 --> 29:20.000
So Wal-Mart

29:20.000 --> 29:23.000
Sounds more records than anybody
else in the United States

29:23.000 --> 29:26.000
So what you're going to see are
fewer choices on the racks

29:26.000 --> 29:28.000
And as a result

29:28.000 --> 29:31.000
The record industry is going to
have to rely on

29:31.000 --> 29:33.000
More and more blockbuster hits

29:33.000 --> 29:34.000
And when they don't have them

29:34.000 --> 29:37.000
Because their audiences are
being drawn away

29:37.000 --> 29:38.000
By more and more choices

29:38.000 --> 29:40.000
Guess what's going to fucking
happen

29:40.000 --> 29:44.000
So I feel like Nikita Kruzchev
banging my fucking shoe on the
podium

29:44.000 --> 29:45.000
You know we will fucking bury
you

29:45.000 --> 29:47.000
But guess what record companies

29:47.000 --> 29:48.000
RIA

29:48.000 --> 29:50.000
We're going to bury your mother
fucking asses

29:50.000 --> 29:52.000
And it's going to be fun to
watch

29:52.000 --> 29:54.000
Hey questions comments

29:54.000 --> 29:56.000
Let me know

29:56.000 --> 29:57.000
Send me an email

29:57.000 --> 29:59.000
At where is Adam Curry at
gmail.com

29:59.000 --> 30:02.000
Or you can send one to Adam
Curry's gay

30:02.000 --> 30:03.000
At gmail.com

30:03.000 --> 30:06.000
Mark Yosin Mode and NMK

30:06.000 --> 30:08.000
Well my god

30:08.000 --> 30:10.000
I was being a daily source code

30:10.000 --> 30:11.000
Look now

30:11.000 --> 30:13.000
I thought the point of this
whole Adam going away

30:13.000 --> 30:17.000
Saying was to reduce the almost
factor on the DSC

30:17.000 --> 30:19.000
Well anyway

30:19.000 --> 30:20.000
I guess he'll do

30:20.000 --> 30:21.000
Let's go on on man

30:21.000 --> 30:23.000
Then that is what I'm going to
do

30:23.000 --> 30:24.000
Let me show you

30:24.000 --> 30:26.000
Nice little surprise

30:26.000 --> 30:27.000
Kind of the DSC this morning

30:27.000 --> 30:29.000
And find you co hosting at door

30:29.000 --> 30:31.000
Substitute hosting at home

30:31.000 --> 30:34.000
Anyway

30:34.000 --> 30:37.000
Calling in regards to your RIA

30:37.000 --> 30:39.000
Major record label

30:39.000 --> 30:40.000
Inquiry

30:40.000 --> 30:42.000
Pun intended of course

30:42.000 --> 30:43.000
Anyway

30:43.000 --> 30:44.000
It seems to me like

30:44.000 --> 30:47.000
Although we end up talking about
this in great detail

30:47.000 --> 30:50.000
These should seem to be becoming

30:50.000 --> 30:52.000
More and more muddy

30:52.000 --> 30:54.000
As time goes on

30:54.000 --> 30:55.000
And here's a deal

30:55.000 --> 30:56.000
As you know

30:56.000 --> 30:57.000
Because you want to create this
for the show

30:57.000 --> 30:58.000
Talking about

30:58.000 --> 31:01.000
Major record labels with me not
so long ago

31:01.000 --> 31:04.000
Or some major record labels are
screwed anyway

31:04.000 --> 31:06.000
Anyway

31:06.000 --> 31:07.000
Anyway

31:07.000 --> 31:09.000
It seems like there are two
components of this

31:09.000 --> 31:10.000
The date although they are not
defined

31:10.000 --> 31:12.000
One is a legalistic component

31:12.000 --> 31:14.000
The second is a moralistic
component

31:14.000 --> 31:17.000
And more realistic component
comes from

31:17.000 --> 31:18.000
The legalistic end

31:18.000 --> 31:20.000
That is to say that

31:20.000 --> 31:23.000
This technique is technically
illegal

31:23.000 --> 31:26.000
To quote unquote pirate music

31:26.000 --> 31:27.000
However

31:27.000 --> 31:29.000
And the RIAs

31:29.000 --> 31:32.000
Justifications seem to come from

31:32.000 --> 31:33.000
While this is illegal

31:33.000 --> 31:35.000
Therefore we have the right to
do

31:35.000 --> 31:36.000
X, Y, and Z

31:36.000 --> 31:38.000
They're being resisted

31:38.000 --> 31:40.000
However because of the
moralistic end

31:40.000 --> 31:42.000
Which comes from the legalistic
end

31:42.000 --> 31:44.000
Although it is technically
illegal

31:44.000 --> 31:47.000
It is due in part to the
lobbying

31:47.000 --> 31:49.000
Of the government

31:49.000 --> 31:51.000
We are a double way

31:51.000 --> 31:53.000
These people have much more
leverage money

31:53.000 --> 31:54.000
And power

31:54.000 --> 31:56.000
Than the other side

31:56.000 --> 31:57.000
Being the end user

31:57.000 --> 31:58.000
The consumer

31:58.000 --> 32:00.000
New and me and all the other
cool people

32:00.000 --> 32:01.000
Actually pay for music

32:01.000 --> 32:02.000
And

32:02.000 --> 32:03.000
Dan

32:03.000 --> 32:04.000
Dan

32:04.000 --> 32:05.000
Where'd you go?

32:05.000 --> 32:07.000
Dan Patterson cut off there

32:07.000 --> 32:09.000
I don't know

32:09.000 --> 32:11.000
I'm thinking he might have been
silenced

32:11.000 --> 32:13.000
By the RIA

32:13.000 --> 32:14.000
He knew too much

32:14.000 --> 32:16.000
They had to keep him quiet

32:16.000 --> 32:17.000
Dan Patterson

32:18.000 --> 32:20.000
Are you on the bonnet Tuesday?

32:20.000 --> 32:22.000
On the daily cold sore

32:22.000 --> 32:24.000
Yeah

32:24.000 --> 32:26.000
And

32:26.000 --> 32:28.000
Oh we got another comment

32:28.000 --> 32:29.000
Hold on

32:29.000 --> 32:32.000
Similar to Adam Roger here

32:32.000 --> 32:34.000
I was going to be in the
Guilford

32:34.000 --> 32:37.000
I was wandering by the

32:37.000 --> 32:38.000
Curry Cottage

32:38.000 --> 32:40.000
And I was wondering if I could
stop

32:40.000 --> 32:42.000
In for a

32:42.000 --> 32:44.000
Jolly Good Rogering today

32:44.000 --> 32:46.000
Anyway

32:46.000 --> 32:47.000
Goodbye

32:47.000 --> 32:49.000
Fuck I don't have Roger Smalls

32:49.000 --> 32:50.000
Is a jingle

32:50.000 --> 32:52.000
Here I can't find it on Adam's

32:52.000 --> 32:53.000
Laptop

32:53.000 --> 32:54.000
Hold on

32:54.000 --> 32:55.000
No

32:55.000 --> 32:56.000
I can't find it

32:56.000 --> 32:57.000
So I don't know

32:57.000 --> 32:58.000
I don't even remember how

32:58.000 --> 32:59.000
How's it go?

32:59.000 --> 33:01.000
Roger Smalls

33:01.000 --> 33:02.000
Roger Smalls

33:02.000 --> 33:03.000
You really creepy guy

33:03.000 --> 33:05.000
You want to lick Adam's balls

33:05.000 --> 33:06.000
I don't know

33:06.000 --> 33:07.000
Something like that

33:07.000 --> 33:09.000
What I did find on this laptop

33:09.000 --> 33:10.000
Oh my god

33:10.000 --> 33:12.000
There is so much porn on here

33:12.000 --> 33:13.000
I can't but

33:13.000 --> 33:14.000
Panda

33:14.000 --> 33:15.000
There are pandas fucking

33:15.000 --> 33:17.000
That's the kind of shitties got
here

33:17.000 --> 33:18.000
And it's

33:18.000 --> 33:19.000
Hold on

33:19.000 --> 33:21.000
Oh no

33:21.000 --> 33:22.000
Haha

33:22.000 --> 33:23.000
My bad

33:23.000 --> 33:24.000
Those aren't pandas

33:24.000 --> 33:25.000
That's actually

33:25.000 --> 33:27.000
Ed Asner fucking Rosie O'Donnell

33:27.000 --> 33:28.000
Hey Mike

33:28.000 --> 33:29.000
How's it going

33:29.000 --> 33:30.000
In Adam's attic there

33:30.000 --> 33:32.000
Causing too much trouble

33:32.000 --> 33:33.000
Inviting the Guils around

33:33.000 --> 33:34.000
I hope

33:34.000 --> 33:35.000
Anyway

33:35.000 --> 33:36.000
Jeff

33:36.000 --> 33:37.000
Yeah

33:37.000 --> 33:38.000
Can you cue the music?

33:45.000 --> 33:46.000
Moving forward

33:46.000 --> 33:47.000
Going on into

33:47.000 --> 34:02.600
[ Music ]

34:02.600 --> 34:03.600
feminine

34:03.600 --> 34:04.600
Yes

34:04.600 --> 34:06.000
Good morning

34:06.000 --> 34:06.600
You can't

34:06.600 --> 34:07.500
Good morning

34:07.500 --> 34:08.600
You're so cute

34:08.600 --> 34:09.000
Dominive

34:09.000 --> 34:10.000
Gonzard

34:10.000 --> 34:11.000
How would tic-d motorcycle

34:11.000 --> 34:12.000
Did you sit on it?

34:12.000 --> 34:12.600
He just he

34:12.600 --> 34:17.240
getting any of the things and
you just can't pump it out, oh
it's crazy. Anyway this is

34:17.240 --> 34:21.320
Derek from Sydney Australia and
if you remember that jingle from
last year that's the

34:21.320 --> 34:25.880
potty for cancer jingle and you
know we're getting excited again
because May is when we're

34:25.880 --> 34:31.720
having the world's biggest
morning tea. What it is is we're
raising money for cancer and
it's

34:31.720 --> 34:36.040
it's been, it's been affected by
this lately and it's just crazy
that like people should

34:36.040 --> 34:39.720
be able to get on with their
lives and do pot casting and
anything they want with having
to

34:39.720 --> 34:46.280
bother with some crazy disease
so we're donating money to cure
it basically and well not

34:46.280 --> 34:50.200
basically we're going to cure it
it's going to be great the day
we see it on the front page

34:50.200 --> 34:55.400
on the newspaper but at the
moment we're just donating money
for the research so you can
donate

34:55.400 --> 35:00.840
money by going to potty for
cancer.com or you can you know
get some out of it as well if
that's

35:00.840 --> 35:07.400
enough for you by buying a
limited edition mug or stine
from my cafe press store which
there's

35:07.400 --> 35:12.040
links on potty for cancer.com
and they're really limited the
ones that were available last
year

35:12.040 --> 35:17.080
can't get him anymore this year
2007 mugs only get him this year
and of course all the profits

35:17.080 --> 35:22.280
from their sales are donated to
the cause then on the 24th of
May the official day for the
world's

35:22.280 --> 35:27.080
biggest morning tea you can join
me on Skype and we can have a
massive Skype session as we

35:27.080 --> 35:31.480
did last year it was great and
we can just have a morning tea
and a matter where you are in
the world

35:31.480 --> 35:34.920
it's going to be morning here
Australia but it might be like
midnight where you are so it can

35:34.920 --> 35:40.600
be exciting have teens, scones
and stuff like that you know
some big ease we're really
exciting so

35:40.600 --> 35:45.320
check out potty for cancer.com
and try not to get too addicted
to this song. Catch you later

35:51.800 --> 35:56.440
the pride of Sydney Australia
Derek J. Steen it's also the
host of a show called the

35:56.440 --> 36:03.320
pot show about nothing which is
at nothingpot show.blockspot.com
or the pot show about nothing

36:03.560 --> 36:10.040
pot show.com so yeah potty for
cancer definitely check that out
thank you Derek really
appreciate

36:10.040 --> 36:15.880
you sending that in Derek's a
great guy Derek really is a
fucking amazing dude and he's
doing

36:15.880 --> 36:20.520
some really cool shit in
Australia. Hey real quick before
we go on to talk about one last
thing

36:21.240 --> 36:26.680
do you know what a stumble squad
is? I learned this from Chris
Penn from the Financial Aid
podcast

36:26.680 --> 36:32.440
Chris Penn evil genius Chris
Penn and I don't know if you've
hooked up with stumble upon

36:32.440 --> 36:37.800
at stumble upon.com it's a
really cool way to actually find
new websites you kind of put
this thing

36:37.800 --> 36:44.280
in a toolbar of your browser and
you click on it it just kind of
randomly kicks out a website
based

36:44.280 --> 36:49.080
upon you know your preferences
the things that you like so if
you click that you like

36:50.120 --> 36:56.200
books or movies or fisting boom
it'll click out a website based
upon like something that you're

36:57.160 --> 37:01.240
interested in and you know
basically you give it thumbs up
thumbs down whatever or give it
a review

37:01.240 --> 37:07.800
you know that kind of thing but
it's a really it's an amazing
marketing tool as well because
what

37:07.800 --> 37:16.440
you do is if you are inclined to
right you get a bunch of friends
together and you help each other
out

37:16.440 --> 37:21.640
like if somebody says hey check
out my page and give it a thumbs
up then you know apparently the
more

37:21.720 --> 37:28.360
thumbs up response is something
gets the more frequently it's
delivered to anybody who clicks
on

37:28.360 --> 37:34.680
the stumble upon button in their
toolbar so check it out stumble
upon.com and I was thinking you

37:34.680 --> 37:41.240
don't be amazing we should
create a big stumble squad and
all help each other out
promoting

37:42.040 --> 37:47.160
you know our shows or stuff or
anything crazy you're doing on
the web so I don't know

37:47.160 --> 37:53.000
shoot me an email fuck maybe I'm
just some kind of crazy optimist
maybe maybe it's the shit in

37:53.000 --> 37:57.160
Adam's Bung I swear to God this
stuff is amazing hold on one
more

38:01.880 --> 38:09.320
fuck oh so I'll tell you what
let's get out of here with a
song and nothing could be more

38:09.320 --> 38:15.640
appropriate on Bung hit Tuesday
then a little Lewis Taylor
somewhere right now Andrew
Grummit's going

38:15.640 --> 38:21.720
fuck yeah courtesy of our
friends over at Hacktone Records
from the album of the same name

38:41.250 --> 42:18.420
[ Music ]

42:18.420 --> 42:33.420
Who you and when you're storming
I get so clever

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Who you and when you're storming
I get so clever

42:43.420 --> 42:49.420
Who you and when you're storming
I get so clever

42:49.420 --> 42:58.420
Who you and when you're storming
I get so clever

42:58.420 --> 43:08.420
Who you and when you're storming
I get so clever

43:08.420 --> 43:26.420
Who you and when you're storming
I get so clever

43:26.420 --> 43:36.420
Who you and when you're storming
I get so clever

43:36.420 --> 43:42.420
Who you and when you're storming
I get so clever

43:42.420 --> 43:50.420
Who you and when you're storming
I get so clever

43:50.420 --> 43:54.420
Who you and when you're storming
I get so clever

43:54.420 --> 43:58.420
Who you and when you're storming
I get so clever

43:58.420 --> 44:02.420
Who you and when you're storming
I get so clever

44:02.420 --> 44:06.420
Who you and when you're storming
I get so clever

44:06.420 --> 44:10.420
Who you and when you're storming
I get so clever

44:10.420 --> 44:14.420
Who you and when you're storming
I get so clever

44:14.420 --> 44:18.420
Who you and when you're storming
I get so clever

44:18.420 --> 44:22.420
Who you and when you're storming
I get so clever