WEBVTT

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The $60 million worth of
airplane strapped my ass, then
the next generation radio
content

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in my ears.

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I like to think I'm flying into
this genre.

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On Jestig, it's Adam Curry.

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In a world where TV networks,
movie studios and record labels
still think they can govern

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what you see in here.

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One man has the power to return
control of entertainment to the
masses and make big

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media corporations wet their
tiny little pants.

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From Pod Show, home of the
world's most dangerous new
content comes the daily source
code

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with Adam Curry.

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Delta, share it Charlie, five,
nine or one.

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[ Music ]

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Come and round, I need a better
life.

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This is the life for me.

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It's completely pot safe.

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And what that means, well,
hopefully we'll be exploring
that in today's show.

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It is daily source code episode
591 coming to you from the curry
manner in the

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affluent suburb of Suri known as
Gulford west side of the G-town
be represented.

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It's good to be back home.

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Man, let me tell ya.

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It's good.

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It's really, really good.

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I didn't sleep a wink on the
plane back from San Francisco.

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I don't know what it was.

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Actually, I do know what it was.

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It was a combination of just as
not being tired.

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And the fact that it still was
despite the the subvant
recording schedule which took
place

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a little bit earlier in the
evening than the normal.

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I just didn't get to bed on
time.

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What can I say?

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By the time that the flight
arrived was only like an hour
after I normally would have gone

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gone to bed.

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So it just didn't work.

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And some weird people on the
plane just exuding a weird vibe.

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Oh, one of them being Joan
Rivers, well known in the United
States and in the United

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Kingdom, of course.

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In fact, I think she furthered
her career for many years in
Britain before taking over

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tonight's show a couple times
for Johnny Carson.

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Then she became a huge household
name in the States.

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I've actually been on a couple
of her talk shows in the in the
MTV era, in the MTV

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days.

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And so she was she was kind of
it was weird because she was
city.

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I wasn't like a 10k.

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My seat is usually 12k or 11k or
10k.

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I like to be on the right hand
side right across from the
massage center in the

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Virginia upper class, which is
so that means I'm not looking at
other people.

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Other people aren't looking at
me.

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The only person I can be looking
at is the person who's actually
getting a treatment.

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Which is nice because I can
observe them.

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And so this is like a little
island.

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And when we were aborting the
plane and I was on pretty early
and I was chill and

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reading a book.

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Joan Rivers is just circling
around.

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You know, like she was almost
like on a confessional just
walking.

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And at first I was like, who's
that man?

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That's that someone is having
some problems walking.

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Oh, it's because she's old.

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Oh, my God.

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It's Joan Rivers.

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And the face was just amazing.

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And I couldn't help but stay.

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And I was kind of like peering
over my glasses pretending to
read my book.

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Now I've been on her show.

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So I think she recognized me.

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She didn't say anything.

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And it wasn't that moment where
I could say, hey, Joan.

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But boy, oh boy, pretty
frightening.

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And love the woman to death.

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She's in her 70s.

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I'm not quite sure how old she
is.

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But the face lift is just an
amazing piece of work.

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And she got a massage later.

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And I could see the girl.

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Massaging her very softly is
nothing.

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Like, you know how my
grandmother when she was.

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She passed away when she was 98
years old.

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Unbelievable.

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Lifetime.

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And my grandfather as well.

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Both of them passed very
shortly.

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Very closely each other.

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And but, you know, I remember my
grandmother's back in her 90s.

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And it looked just like Joan
Rivers back.

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It was, it was just surprising.

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You know, we're all going to get
old.

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And we're all going to look
fucked up into crap.

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But it'll be the first one, of
course.

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But, um, man.

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It was just nothing like the
representation on television.

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I hadn't seen her in person in a
long, long time.

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Anyway.

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So, no sleep.

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No rest for the week.

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I did chill a little bit on the.

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It was so beautiful when I came
home.

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It was just spectacular weather.

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Very much like what I left in
San Francisco.

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Only not as hot, which is nice.

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And today is another beautiful
day.

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I've been looking at it that
since I don't have to do, um,

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serious stuff in the morning on
a time basis.

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I've actually gotten some life
back this week.

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I'm going to do some flying in
the mornings.

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I'm, uh, right after I dropped
Christina off at school.

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I'm going to go over to, uh, to
the airfield.

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I'm going to grab the Delta
Sierra.

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And I'm just going to, you know,
do a couple of circuits.

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Maybe I'll go down a goodwood.

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I just need to fly and I need to
fly by myself and the weather is
so perfect for it.

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So, and I'll do us.

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I'm sure, uh, let me get through
tomorrow first.

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Because, you know, it's always
little, uh, tense, you know, uh,
intense,

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uh, flying again after a couple
of weeks and, and flying with
myself.

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And so let me just get my chops
back and make sure everything's
okay.

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And then I'll record a show.

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Well, uh, either flying a
goodwood or doing some touching
goes and, uh,

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we'll, we'll see if I can
multitask.

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I'm stretch it at our night.

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Hey, today will be a savant-free
Monday.

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Um, reason for it is, of course,
uh, uh, just didn't really have
time to come up with a topic.

08:22.240 --> 08:25.240
Think of a, uh, a savant to
approach.

08:25.240 --> 08:29.240
So, today we will be talking
about something which warns, uh,
the help of many a savant.

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Some of whom I may know, but you
may know some and, uh, we might
even have to get some government
officials involved.

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It's going to be, uh, yeah, it's
going to be quite a big
conversation.

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But the savants, it's definitely
something that's catching on.

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[ Music ]

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If not now, then who?

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If not anyone who's gonna be a
friend.

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Hey, Adam is Jason Jarrett.

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I'm just listening to the DSC on
590.

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Make the show just going from
strength to strength.

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It's a great show.

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Have a great week.

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Cheers, Mike.

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Yeah, Jason.

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Thank you so much.

09:39.240 --> 09:41.240
Yeah, a lot of good response to
the food bar Friday.

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So, uh, maybe we'll, uh, you
know, I want to be careful not
to get set in any certain
format.

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It's, uh, it's dangerous, but
I'd say nine out of ten people
really love the savant segment.

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So, uh, I want to do more of
that.

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Maybe I'll incorporate it more
into, you know, in a flow and
not have something at the set
time in the show.

09:59.240 --> 10:03.240
I do want to get more people on
the show and I love talking to
people, uh, live.

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I love doing it unedited, trying
to keep it short, trying to move
the conversation along,

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keep it relevant.

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It's difficult.

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I have to be honest.

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It's, it's not easy to do, uh,
but I'm enjoying it immensely.

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And the amount of people who
are, um, uh, sending me emails
and saying, look, I can be

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the savant of this or the savant
of that.

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And check this one out.

10:25.240 --> 10:31.240
If somebody's, Sultan of
savants, I humbly come before
you to offer my services as an
energy

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savant.

10:32.240 --> 10:35.240
As atomic rod atoms, I have
worked hard to refine my craft.

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And I'd like to share my art
with DSC listeners.

10:38.240 --> 10:42.240
I run a tiny company that is
developing the ability to build
emission-free,

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atomic engines safe enough and
clean enough to be surrounded by
people.

10:46.240 --> 10:51.240
We want to put them in a
basement, so large buildings,
install them on commercial
ships,

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supply them to developing
nations, and even build them in
the backyards of certain

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affluent people.

10:57.240 --> 11:01.240
As you might imagine, I spent a
lot of time trying to understand
the competition,

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and the obstacles that are
innovative company will face as
we expand.

11:05.240 --> 11:10.240
I'm sure that a man, as worldly
as you, can come up with dozens
of interest in questions.

11:10.240 --> 11:13.240
You might be surprised and
possibly entertained by the
answers.

11:13.240 --> 11:16.240
I know it would have a better
chance of getting this played.

11:16.240 --> 11:19.240
If I now insulted you, or
cussed, or did something
amusing?

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Instead, I will simply sign off
with folder.

11:23.240 --> 11:25.240
No, an atomic rod.

11:25.240 --> 11:28.240
Not at all, man. Not insult. Are
you kidding me?

11:28.240 --> 11:32.240
No, I want to know more about
this. You know, we were in Los
Angeles on Friday,

11:32.240 --> 11:37.240
Ron and I went for, I think,
would it be a final meeting
before we close a deal

11:37.240 --> 11:40.240
with the pretty interesting
organization, which I'll be able
to tell you about.

11:40.240 --> 11:43.240
Hopefully, this week, or
certainly next week,

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shouldn't take too long to close
everything up.

11:45.240 --> 11:49.240
It's a very interesting
partnership we're entering into.

11:49.240 --> 11:55.240
So, when we're on the road, we
really get a time to really just
chat and shoot the

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shit and when you're on an
airplane, you've got the time.

11:58.240 --> 12:03.240
You know, hanging out at, I
don't just remember to say this
about something about our trip
back.

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And we had a really good
conversation about alternative
energy,

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and being, it started actually
with our thoughts about

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the U.S. pulling out of Iraq and
George Bush and dependent on
oil.

12:21.240 --> 12:25.240
And I think that I'm going to
have to invite Mr. Bloom as a
sabond Tom,

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because it's great. Whenever we
have, we can get pretty heated
and heated conversations.

12:29.240 --> 12:33.240
We don't necessarily agree with
each other on topics.

12:33.240 --> 12:35.240
But this was a good one.

12:35.240 --> 12:38.240
So, I'm definitely going to
bring him on.

12:38.240 --> 12:42.240
And one of the things I said
was, hey, you know, this atomic
rod

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atoms, he's got these, you know,
he has a company building nukes
for your back yard,

12:46.240 --> 12:50.240
nuclear reactors, and I'm like,
I totally would be, I'll be all
over that.

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I'd love to try that out. And of
course, Ron immediately says,
oh, yeah,

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yeah, you'll be glowing green.

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You know, and I probably all
stereotypical remarks about
atomic energy about

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a danger and the waste and all
that.

13:03.240 --> 13:05.240
So, we'll have to have atomic
rod on as well.

13:05.240 --> 13:07.240
But today, it is completely
savant free.

13:07.240 --> 13:10.240
Anyway, what I wanted to say is,
so it was just a one day up and
back trip.

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We took, I don't know, the
United Shuttle or whatever it
is.

13:14.240 --> 13:16.240
And on the way back, so we were
a little bit early.

13:16.240 --> 13:17.240
We had a 330 flight.

13:17.240 --> 13:19.240
We were at the airport around
120.

13:19.240 --> 13:22.240
And we wanted to see if we'd get
on the two o'clock shuttle.

13:22.240 --> 13:26.240
And because the automatic
checking kiosk said,

13:26.240 --> 13:28.240
well, you could get on the three
o'clock shuttle,

13:28.240 --> 13:31.240
but you know, you have to print
out your tickets and go to the
gate if you

13:31.240 --> 13:32.240
want to get an earlier shuttle.

13:32.240 --> 13:34.240
So, we printed out our boarding
passes.

13:34.240 --> 13:37.240
And there was a huge line for
the two o'clock flight.

13:37.240 --> 13:41.240
And it was like, I don't know,
it must have been 50 or 75
school kids on some kind of

13:41.240 --> 13:44.240
excursion or convention they
were going to.

13:44.240 --> 13:47.240
And so we're waiting in this
line and it's taken a really
long time.

13:47.240 --> 13:50.240
We're kind of debating, you
know, should we get so we do
even try and wait in this line,

13:50.240 --> 13:53.240
should we just get some of the
eat and shoot the shit about
stuff.

13:53.240 --> 13:54.240
And I see over to the right.

13:54.240 --> 13:56.240
I said, hey, look man, it's ice
cube.

13:56.240 --> 13:58.240
You know, the wrapper ice cube.

13:58.240 --> 14:01.240
And he was kind of over in the
corner with his,

14:01.240 --> 14:04.240
I guess his body guard or his
guy is a minor.

14:05.240 --> 14:08.240
And so I'm looking at the
situation right.

14:08.240 --> 14:11.240
And I'm like, we're desperately
trying to get on this flight to
get back earlier.

14:11.240 --> 14:14.240
There's set 50 to 75 school
kids.

14:14.240 --> 14:15.240
And there's ice cube.

14:15.240 --> 14:18.240
And I said, Ron, I think we
should step out of this line.

14:18.240 --> 14:20.240
I don't think we should try and
get on this flight.

14:20.240 --> 14:21.240
And he says, why?

14:21.240 --> 14:23.240
I said, dude, think about it.

14:23.240 --> 14:25.240
This is always the flight that
crashes.

14:25.240 --> 14:27.240
It has 75 school kids and ice
cube.

14:27.240 --> 14:31.240
And if this thing crashes, we
won't even mention in the
fucking article.

14:31.240 --> 14:33.240
So we went home on the 330.

14:33.240 --> 14:34.240
Yeah, hi, y'all.

14:34.240 --> 14:36.240
I'm going to call on you on this
thing here.

14:36.240 --> 14:39.240
And I hope I got the right
number.

14:39.240 --> 14:42.240
I'm listening over there on that
show.

14:42.240 --> 14:44.240
Now, I used to listen on that
show.

14:44.240 --> 14:47.240
I told him that serious thing
there.

14:47.240 --> 14:50.240
And all of a sudden, it's just
just proof.

14:50.240 --> 14:52.240
Now, I don't know what right to
come with that.

14:52.240 --> 14:56.240
But I tried to y'all in on my
hand radio.

14:56.240 --> 14:59.240
And I can't eat y'all on that
night.

14:59.240 --> 15:02.240
So I hope I got to know my
number here.

15:02.240 --> 15:05.240
And this dude has signs.

15:05.240 --> 15:10.240
And what I was wanting to know
is, that's here and all this
stuff on the daily source

15:10.240 --> 15:19.240
and I don't know about how come
you want to have so many
servants on your show.

15:19.240 --> 15:25.240
Things like that's going to be a
hard thing for you to come by is
to find so many people

15:25.240 --> 15:30.240
who's wanting to, you know, just
do what you want and say, you
know,

15:30.240 --> 15:35.240
don't say what's wrong with the
dude and all, but that's what I
want to call.

15:35.240 --> 15:39.240
The reason I call is, I have a
problem.

15:39.240 --> 15:46.240
Sometime when I'm listening to
the show and I got to show
loaded up on my iPod

15:46.240 --> 15:54.240
and I'm listening to it, it
seems like it's coming in kind
of softly.

15:54.240 --> 15:59.240
Anyway, I don't know if that
makes much sense or if it's
because I need to

15:59.240 --> 16:02.240
get a new something or other.

16:02.240 --> 16:07.240
But if I need to get a new
something or other, I hope you
give me a call because I

16:07.240 --> 16:12.240
could probably help you be a
servant in that regard anyway.

16:12.240 --> 16:18.240
I sure do listen to them shows
and I shall do appreciate them.

16:18.240 --> 16:24.240
And if you won't play this,
you've got my permission to do
it, I guess.

16:24.240 --> 16:32.240
But what I want to say is, how
come when I'm listening to that
show and

16:32.240 --> 16:40.240
talking about servants is, is it
sounds kind of funny?

16:40.240 --> 16:42.240
I don't know.

16:42.240 --> 16:48.240
And it seems like you want to
talk a lot on there about toilet
paper and things

16:48.240 --> 16:53.240
and scratching and folding and
all that.

16:53.240 --> 16:54.240
Yeah.

16:54.240 --> 16:55.240
I don't get it.

16:55.240 --> 16:57.240
I don't understand.

16:57.240 --> 17:02.240
But y'all keep up the good work
there and I'm going to listen
for you over their own

17:02.240 --> 17:03.240
series.

17:03.240 --> 17:08.240
I hope y'all come back on there
because I listen to that and I
let my

17:08.240 --> 17:13.240
water listen to that and we sing
y'all there.

17:13.240 --> 17:16.240
Y'all keep listening to that as
you know.

17:16.240 --> 17:18.240
And it's dirt hard for us.

17:18.240 --> 17:20.240
I talk to you sometimes.

17:21.240 --> 17:23.240
Well, there you have it.

17:23.240 --> 17:26.240
That was the serious satellite
radio listener, I guess.

17:26.240 --> 17:30.240
That's the first response I've
received from any.

17:30.240 --> 17:32.240
That's so fucking sad.

17:32.240 --> 17:37.240
Please don't tell me that we
were doing that show and no one
was listening.

17:37.240 --> 17:40.240
That would be, that would just
be so disappointing.

17:40.240 --> 17:41.240
There's no numbers.

17:41.240 --> 17:42.240
There's no arbitron.

17:42.240 --> 17:43.240
There's no rating.

17:43.240 --> 17:46.240
There's no surveys to know who's
listening to what.

17:46.240 --> 17:49.240
But that is the first response I
got.

17:49.240 --> 17:53.240
I'm not quite sure that our
redneck savant was was real.

17:53.240 --> 17:54.240
Hey Adam.

17:54.240 --> 17:56.240
Eric's mother here.

17:56.240 --> 18:00.240
Oh boy, you remember I had that
little conversation with Eric
and

18:00.240 --> 18:04.240
and as a girlfriend both in the
Jersey boys cast.

18:04.240 --> 18:05.240
Mm-hmm.

18:05.240 --> 18:09.240
Oh boy, we're always proposing
all kinds of things of a sexual
nature.

18:09.240 --> 18:11.240
Well, here's Eric Bergen's mom.

18:11.240 --> 18:15.240
Oh, no, and as Allison Lee, the
host of craft cast.

18:15.240 --> 18:16.240
Not scrap cast.

18:16.240 --> 18:17.240
No, yeah, I screwed that up.

18:17.240 --> 18:18.240
I'm sorry about that.

18:18.240 --> 18:19.240
Craft cast.

18:19.240 --> 18:21.240
Scrap cast is cool too though.

18:21.240 --> 18:23.240
Nothing wrong with scrap cast.

18:23.240 --> 18:24.240
Actually enjoy scrap cast.

18:24.240 --> 18:26.240
It's on your podjo network.

18:26.240 --> 18:28.240
But on the host of craft cast.

18:28.240 --> 18:29.240
Got it.

18:29.240 --> 18:30.240
Got it.

18:30.240 --> 18:32.240
So, sorry I missed you and San
Francisco.

18:32.240 --> 18:35.240
I was hoping to be there when
Eric did that interview with
you.

18:35.240 --> 18:38.240
I'm looking forward to hearing
that on Green Room Radio.

18:38.240 --> 18:41.240
And yes, aren't they adorable?

18:41.240 --> 18:42.240
Little love birds out there.

18:42.240 --> 18:43.240
They sure are here.

18:44.240 --> 18:46.240
And they show up Jersey boys.

18:46.240 --> 18:50.240
And it was so much fun getting
to hear them on your show.

18:50.240 --> 18:53.240
And I have one other, I have a
suggestion at them.

18:53.240 --> 18:54.240
Please, please, please.

18:54.240 --> 18:59.240
Can you put a channel on podjo
network for the crafter?

18:59.240 --> 19:01.240
Could be under an art category?

19:01.240 --> 19:03.240
It's a huge category out there.

19:03.240 --> 19:07.240
And it'd be great to, you know,
take advantage of that.

19:07.240 --> 19:09.240
So, that'd be really fabulous.

19:09.240 --> 19:10.240
Appreciate it.

19:10.240 --> 19:15.240
So, I look forward to maybe I'll
run into an LA when everyone's
out there.

19:15.240 --> 19:18.240
Yes, that show is going to Los
Angeles.

19:18.240 --> 19:19.240
Fair exciting.

19:19.240 --> 19:21.240
Big opening in there on May.

19:21.240 --> 19:23.240
And, um, and that's it.

19:23.240 --> 19:25.240
I'm forward to talking to you
again soon.

19:25.240 --> 19:26.240
Take care.

19:26.240 --> 19:27.240
Bye.

19:27.240 --> 19:28.240
Thanks, fellas.

19:28.240 --> 19:32.240
Well, so here's, uh, here's
something interesting about your
request.

19:32.240 --> 19:35.240
Now, first of all, you know,
that we're cranking up this help
podjo

19:35.240 --> 19:37.240
suckless campaign.

19:37.240 --> 19:40.240
And I believe the beginning of
the month.

19:40.240 --> 19:43.240
So, or the first week, so that's
this week and next week.

19:43.240 --> 19:49.240
Uh, we're coming up with a
pretty exciting opportunity for
you to really help us suck less.

19:49.240 --> 19:54.240
Um, and in a little more
structured manner than all of
the fantastic emails and PDF
files,

19:54.240 --> 19:57.240
as well, people are creating
entire presentations of how we
can be better.

19:57.240 --> 19:59.240
I can't tell you how much I
appreciate it.

19:59.240 --> 20:03.240
Most of it, of course, focuses
on the play button, the XML
buttons.

20:03.240 --> 20:04.240
I mean, all that stuff.

20:04.240 --> 20:06.240
We think we can take this a
couple steps further.

20:06.240 --> 20:14.240
You know, first of all, it's not
like we're unaware of stuff
that's confusing, not right,

20:14.240 --> 20:16.240
illogical, et cetera, et cetera.

20:16.240 --> 20:23.240
This program is brought to you
by TythonLPM.

20:23.240 --> 20:28.240
Check out AngieB's unwinded on
wine.potjo.com.

20:28.240 --> 20:32.240
Now what you can do, dear
Allison, and this is one of the
things that's manual right now,

20:32.240 --> 20:35.240
we're going to turn this into a
more of an automatic feature.

20:35.240 --> 20:37.240
You can create your own channel.

20:37.240 --> 20:43.240
You may know this already, but
give it a try, um, by going into
your, uh, into your collection,

20:43.240 --> 20:48.240
and any, uh, podshow, any
podcast, in fact, that you can
find anywhere, you know,

20:48.240 --> 20:52.240
just search for it throughout
the network, you can add that to
your channel.

20:52.240 --> 20:57.240
So why don't you build a craft
crafting channel, whatever you
want to call it,

20:57.240 --> 20:59.240
and then we can promote that to
the program guide,

20:59.240 --> 21:03.240
and then you will, in fact, you
will effectively be maintaining
that channel.

21:03.240 --> 21:06.240
And part of the upgrade that
we're going to be doing, the
next release will be, uh,

21:06.240 --> 21:10.240
these channels will be propping,
you know, we'll have that on
channel pages.

21:10.240 --> 21:12.240
You may have seen the new
channel module.

21:12.240 --> 21:14.240
If you haven't, you need to
check this out.

21:14.240 --> 21:20.240
It's really an awesome way to
manage, uh, your shows that you
listen to, um,

21:20.240 --> 21:24.240
you can, uh, you can also manage
the order that there are all
kinds of stuff that, uh,

21:24.240 --> 21:27.240
that is already good and stuff
that is even better still
coming.

21:27.240 --> 21:31.240
But do that, Allison, let me
know about it because then we
can promote that into a program
guide,

21:31.240 --> 21:35.240
and we can, make that a, uh,
channel, and it will be, you
know, like something that

21:35.240 --> 21:38.240
will be promoted throughout the
network, but you can continue to
maintain it.

21:38.240 --> 21:42.240
So if you feel a show should be
in that channel, or if you feel
a show no longer belongs

21:42.240 --> 21:44.240
in the channel, you'll be the
one that's controlling it.

21:44.240 --> 21:48.240
So, um, please, please help us
out.

21:49.240 --> 22:04.240
Okay, so you don't need to be
sending in any more emails.

22:04.240 --> 22:06.240
I think we pretty much got it.

22:06.240 --> 22:13.240
We have an entire survey that
consists of, uh, I don't know
how many questions it is.

22:13.240 --> 22:15.240
Um, it's a lot, actually.

22:15.240 --> 22:20.240
And if you, uh, participate in
the panel, this is going to be a
gigantic survey,

22:20.240 --> 22:27.240
not only will you help pod show
suckless, but you'll also win
points with which you can get
free stuff.

22:27.240 --> 22:31.240
I don't think this guy was pick
up a Ferrari doing that.

22:31.240 --> 22:33.240
So stay tuned, you'll hear about
it on the show.

22:46.240 --> 22:51.240
And we're here and says hi,
Adam.

22:51.240 --> 22:53.240
I've been listening with much
amusement to your headphone
issues.

22:53.240 --> 22:57.240
And after you're description of,
uh, what you now go through to
avoid the headphone

22:57.240 --> 22:58.240
earlobe problem.

22:58.240 --> 23:01.240
I think it's time to pass on
details of the ones I use.

23:01.240 --> 23:04.240
I myself have fairly big ears
and hates.

23:04.240 --> 23:06.240
I hadn't even considered that.

23:06.240 --> 23:08.240
And hate smaller headphones that
press on my ears.

23:08.240 --> 23:12.240
But a year ago, friend turned me
onto the Senheiser HD 555 model.

23:12.240 --> 23:14.240
I strongly recommend you give
them a try.

23:14.240 --> 23:15.240
They're open headphones.

23:15.240 --> 23:18.240
They leak a bit of noise and
don't block out all outside
noise.

23:18.240 --> 23:21.240
But the airpiece is large enough
to fit my entire ear inside.

23:21.240 --> 23:24.240
As an angled speaker, so my ear
barely touches anything once
they're on.

23:24.240 --> 23:26.240
And the padding has a very nice
velvety texture.

23:26.240 --> 23:28.240
Very familiar with these
Senheiser headphones.

23:28.240 --> 23:30.240
Um, again, here's the problem.

23:30.240 --> 23:37.240
Um, I need to have a closed off
system because I use compression
on my microphone.

23:37.240 --> 23:38.240
Now, what does that mean?

23:38.240 --> 23:44.240
It is intended to pull up
softer, uh, noise and level it
out with louder noise,

23:44.240 --> 23:46.240
which, of course, it limits down
a bit.

23:46.240 --> 23:49.240
So if I were to have an open
headphone like such, you see,

23:49.240 --> 23:53.240
I'm only just opening my
headphone a little bit, just the
tiniest bit

23:53.240 --> 23:56.240
and you already hear it starts
to feed back.

23:56.240 --> 24:03.240
So, um, I will try a Patricia
has a set of AKGs, the 271s,

24:03.240 --> 24:07.240
which I've just huge, um, uh,
what do you call them?

24:07.240 --> 24:12.240
Uh, earpieces.

24:12.240 --> 24:15.240
So they would fit probably quite
comfortably.

24:15.240 --> 24:18.240
But the really the problem is it
fits over the ear,

24:18.240 --> 24:20.240
but then it's right underneath
the earlobe,

24:20.240 --> 24:23.240
which is where, you know, it's
basically rubbing.

24:23.240 --> 24:26.240
And that's what causes the
irritation,

24:26.240 --> 24:27.240
bacteria gets in there.

24:27.240 --> 24:28.240
Of course, these headphones.

24:28.240 --> 24:30.240
And now I'm also cleaning my
headphones.

24:30.240 --> 24:32.240
I should do, you know, you get
like a hygiene kit.

24:32.240 --> 24:34.240
I have that from, uh, from the
aircraft,

24:34.240 --> 24:36.240
including the aircraft
headphones, all that stuff.

24:36.240 --> 24:38.240
It's really important.

24:38.240 --> 24:40.240
So I am kind of looking for the
ultimate headphones.

24:40.240 --> 24:42.240
And here's another, uh, another
example.

24:42.240 --> 24:47.240
Hi Adam, it's AG here again
about your headphone problem.

24:47.240 --> 24:51.240
I think what's happening is
that, uh, if you're using
headphones

24:51.240 --> 24:55.240
for a long period, this can
cause a lot of discomfort

24:55.240 --> 25:00.240
and a guy like you ought to have
the best headphones in the
world.

25:00.240 --> 25:04.240
So I would suggest you take a
look at greater labs headphones

25:04.240 --> 25:08.240
at golf, a Romeo, Alpha, Delta,
Oscar.

25:08.240 --> 25:11.240
I've used them now for several
months,

25:11.240 --> 25:13.240
and I just wouldn't go back.

25:13.240 --> 25:17.240
Normally with headphones to
increase the base response

25:17.240 --> 25:19.240
and the possibility also the
loudness.

25:19.240 --> 25:23.240
You need to clamp them to your
head by pressing your hands

25:23.240 --> 25:25.240
against them with greater labs.

25:25.240 --> 25:28.240
If you do that, you get a
totally opposite result.

25:29.240 --> 25:33.240
They were best when the
equalizer is turned off.

25:33.240 --> 25:37.240
They're not great to look at,
but boy, do they perform better

25:37.240 --> 25:40.240
than any other headphones I've
used?

25:40.240 --> 25:41.240
Hope that helps.

25:41.240 --> 25:42.240
Alright man, thank you.

25:42.240 --> 25:44.240
And I did check out great old
labs that looked at the headset.

25:44.240 --> 25:46.240
I'm not going to have to find a
place where I can try them out

25:46.240 --> 25:49.240
because again, they are not
closed headphones

25:49.240 --> 25:50.240
so they don't fit over the ear.

25:50.240 --> 25:53.240
They are large, and they do have
really big padding

25:53.240 --> 25:57.240
so and there's very directional
speakers in the headphones.

25:57.240 --> 26:00.240
And they kind of look like,
these things look like the roles

26:00.240 --> 26:02.240
of the voice of headphones.

26:02.240 --> 26:05.240
So besides the fact that they'll
probably have a fantastic sound,

26:05.240 --> 26:07.240
which is I don't really care
about the sound.

26:07.240 --> 26:09.240
It doesn't have to sound all
that good.

26:09.240 --> 26:11.240
It's important, but you know
what I'm saying.

26:11.240 --> 26:13.240
That's just my reference.

26:13.240 --> 26:14.240
As long as it sounds good for
you,

26:14.240 --> 26:16.240
but it really has to close off
that sound

26:16.240 --> 26:17.240
so we don't get the feedback.

26:17.240 --> 26:19.240
So I'll see if I can find a
place in London.

26:19.240 --> 26:22.240
I'm going on Friday to Big
Smoke.

26:22.240 --> 26:25.240
Because I guess who's going to
meet me at two o'clock

26:25.240 --> 26:28.240
at the UK crash pad or the
shortage office?

26:28.240 --> 26:29.240
Oh, yes.

26:29.240 --> 26:31.240
Comics trip blogger's going to
be there.

26:31.240 --> 26:33.240
We're finally going to meet in
person.

26:33.240 --> 26:34.240
Hey Adam, it's Mark.

26:34.240 --> 26:37.240
I just wanted to comment real
quickly on the whole Alec
Baldwin thing.

26:37.240 --> 26:40.240
Now, I don't condone this type
of behavior to a child.

26:40.240 --> 26:42.240
But in the case of Alec Baldwin,

26:42.240 --> 26:45.240
I do understand a little bit
where it's coming from

26:45.240 --> 26:49.240
because he, like any of us, is a
product of his environment.

26:49.240 --> 26:52.240
And that environment happens to
be the entertainment industry

26:52.240 --> 26:54.240
where this type of discourse
happens all the time

26:54.240 --> 26:58.240
ranging from topics such as why
didn't my car pick me up on time

26:58.240 --> 27:02.240
to why is there no vanilla
pudding at the craft services
table?

27:02.240 --> 27:04.240
And I'm not even kidding about
this.

27:04.240 --> 27:06.240
So you have somebody like Alec
Baldwin who's just coming off

27:06.240 --> 27:08.240
a reasonably hit show 30 rock,

27:08.240 --> 27:10.240
which has already been renewed
for the fall.

27:10.240 --> 27:14.240
So he knows he has a job that
starts back up sometime in June.

27:14.240 --> 27:17.240
And during his hiatus, he's
shooting a movie.

27:17.240 --> 27:20.240
So he has very limited time to
do that.

27:20.240 --> 27:23.240
And the movie, of course, I'm
sure they've scheduled

27:23.240 --> 27:25.240
around his availability.

27:25.240 --> 27:28.240
But that means they're probably
shooting really long days.

27:28.240 --> 27:32.240
And his ability to actually go
and pick up a phone

27:32.240 --> 27:35.240
and call his family, well,
that's got to be scheduled

27:35.240 --> 27:36.240
into his day.

27:36.240 --> 27:38.240
And I'm probably way ahead at
the time.

27:38.240 --> 27:41.240
So it's got to be very
frustrating when you have
something

27:41.240 --> 27:44.240
a very long, you know, 12, 16
hour day on the set.

27:44.240 --> 27:46.240
And you have a small window of
opportunity

27:46.240 --> 27:48.240
to actually talk to somebody
that you love

27:48.240 --> 27:50.240
and they're not there.

27:50.240 --> 27:53.240
People that with the standard
behavior of any pre-teen girl

27:53.240 --> 27:56.240
and Alec's acrimonious
relationship

27:56.240 --> 27:59.240
with the girl's kuku bird
mother, Kim Bassinger

27:59.240 --> 28:01.240
and the pressure of shooting a
movie.

28:01.240 --> 28:04.240
Well, you know, I think you have
your external influences

28:04.240 --> 28:05.240
right there.

28:05.240 --> 28:07.240
So in my humble opinion, you
know,

28:07.240 --> 28:10.240
pointing a finger at Alec
Baldwin for this type of
behavior

28:10.240 --> 28:13.240
is very much like pointing a
finger at American tourists

28:13.240 --> 28:16.240
in Europe for acting like, well,
Americans or pointing the finger

28:16.240 --> 28:19.240
at somebody from Arkansas when
they come over to your house

28:19.240 --> 28:21.240
at F-Sex with your livestock.

28:21.240 --> 28:23.240
But that's beside the point.

28:23.240 --> 28:25.240
In my experience, most actors
are babies.

28:25.240 --> 28:27.240
And oftentimes, you have to
shrug off their

28:27.240 --> 28:31.240
aberrant behavior as diminished
capacity.

28:31.240 --> 28:35.240
And while I'm no Alec Baldwin
apologist by any means,

28:35.240 --> 28:37.240
though what he did was wrong,

28:37.240 --> 28:40.240
I think whoever leaked this
voicemail to the press

28:40.240 --> 28:43.240
did something even more wrong
and even more hurtful

28:43.240 --> 28:46.240
to that little girl in the long
run.

28:46.240 --> 28:47.240
But there's Hollywood for you.

28:47.240 --> 28:50.240
And if you like this kind of
childish Hollywood behavior,

28:50.240 --> 28:52.240
you can go pick up a copy of my
book

28:52.240 --> 28:53.240
where's my fucking latte.

28:53.240 --> 28:56.240
And other stories about being an
assistant in Hollywood

28:56.240 --> 29:00.240
comes out May 15th available now
on Amazon for pre-order.

29:00.240 --> 29:02.240
Thanks Adam, I'll get you later.

29:02.240 --> 29:03.240
You're such a sleaze mark.

29:03.240 --> 29:06.240
I can't believe you really have
been going there with that
comment.

29:06.240 --> 29:08.240
I'm like, okay, Mark's got an
opinion.

29:08.240 --> 29:11.240
And all it was is just a wind up
to promote your freaking book.

29:11.240 --> 29:13.240
Which, by the way, is a pretty
good book

29:13.240 --> 29:16.240
because I did read it on the
plane going out the San
Francisco.

29:17.240 --> 29:19.240
Yeah, what's your basically
saying

29:19.240 --> 29:22.240
what Robin and Susanne said?

29:22.240 --> 29:25.240
A lot of stuff is going on
Alec's life,

29:25.240 --> 29:27.240
and he wasn't completely
focused.

29:27.240 --> 29:28.240
You know, kids are kids, man.

29:28.240 --> 29:30.240
They do shitty stupid stuff.

29:30.240 --> 29:32.240
They really do.

29:32.240 --> 29:35.240
Hey, I got a voicemail from my
daughter.

29:35.240 --> 29:36.240
I got a play for you.

29:36.240 --> 29:37.240
I'll do that tomorrow.

29:37.240 --> 29:38.240
Okay.

29:38.240 --> 29:40.240
Because right now, I want to
take a few minutes away.

29:40.240 --> 29:42.240
Actually, something else.

29:42.240 --> 29:43.240
This is,

29:44.240 --> 29:47.240
so I was getting ready to leave
on Saturday.

29:47.240 --> 29:50.240
I always take the Saturday
flight and I arrive on Sunday.

29:50.240 --> 29:53.240
That's kind of the way it works
with international time travel.

29:53.240 --> 29:57.240
And I listened to a lot of
podcast.

29:57.240 --> 29:59.240
You know, if people wonder how
come I never go out to dinner,

29:59.240 --> 30:02.240
how come I never show up at
clubs, at premieres,

30:02.240 --> 30:04.240
at all these swanky things,

30:04.240 --> 30:07.240
it's, well, not only do I no
longer get invited,

30:07.240 --> 30:10.240
but it's also because I'm,

30:10.240 --> 30:12.240
I'm doing my job.

30:12.240 --> 30:14.240
I'm listening to stuff.

30:14.240 --> 30:16.240
I'm trying to feel how our
network sounds.

30:16.240 --> 30:18.240
I want to see what other people
are doing.

30:18.240 --> 30:19.240
What's the vibe?

30:19.240 --> 30:21.240
What's the zeitgeist?

30:21.240 --> 30:24.240
And one of the shows I listen to
is show girls.

30:24.240 --> 30:26.240
Now, this is a very interesting
project.

30:26.240 --> 30:30.240
It, it kind of started
organically.

30:30.240 --> 30:33.240
I mean, my mind will just get
the show girls page here.

30:33.240 --> 30:34.240
Hold on a second.

30:34.240 --> 30:36.240
Let me, it's,

30:36.240 --> 30:42.240
I was at some shirts
showgirls.punchow.com.

30:42.240 --> 30:44.240
That's, well, make sure I don't
miss,

30:44.240 --> 30:46.240
miss represented who's on the
show.

30:46.240 --> 30:48.240
I think it came together at,

30:48.240 --> 30:52.240
the podcast new media expo
either last year,

30:52.240 --> 30:53.240
the year before.

30:53.240 --> 30:55.240
It was, it's been building.

30:55.240 --> 30:57.240
And essentially, it's a
combination of,

30:57.240 --> 31:01.240
a pod show affiliated female
podcasters

31:01.240 --> 31:02.240
and Frank McMahon,

31:02.240 --> 31:03.240
who, of course,

31:04.240 --> 31:06.240
produces room-a-girls uncut.

31:06.240 --> 31:08.240
And here we go.

31:08.240 --> 31:10.240
Each episode of Cali Lewis,

31:10.240 --> 31:11.240
from Geet Brief TV,

31:11.240 --> 31:13.240
share from Rock and Roll TV,

31:13.240 --> 31:15.240
KFC, from the pod check podcast.

31:15.240 --> 31:17.240
So I don't think it's actually
on the network anymore.

31:17.240 --> 31:19.240
Angie B, from the chill cast,

31:19.240 --> 31:21.240
soccer girl from soccer girl
incorporated

31:21.240 --> 31:24.240
and Carla and Karen from
room-a-girls,

31:24.240 --> 31:25.240
along with Franklin McMahon,

31:25.240 --> 31:28.240
and they bring insights into
everything from world events,

31:28.240 --> 31:30.240
entertainment technology, as
well as behind the scenes.

31:30.240 --> 31:31.240
Okay.

31:31.240 --> 31:33.240
It's a fun show because you
hear,

31:33.240 --> 31:35.240
it's kind of like,

31:35.240 --> 31:37.240
in a way it's like the view.

31:37.240 --> 31:39.240
Only it's all done through
Skype,

31:39.240 --> 31:41.240
so it's a little tougher to

31:41.240 --> 31:45.240
instigate a real conversation
amongst the participants.

31:45.240 --> 31:48.240
But Frank has a really good job
of kind of,

31:48.240 --> 31:50.240
it's more like McLaughlin group.

31:50.240 --> 31:52.240
There you go, Frank.

31:52.240 --> 31:55.240
Frank really manages the
conversation.

31:55.240 --> 31:57.240
It's really interesting because
women

31:57.240 --> 31:59.240
often have a different
perspective on things from men,

31:59.240 --> 32:01.240
who are in joy listening to it
immensely.

32:01.240 --> 32:03.240
So Saturday, I'm listening to
the most recent episode,

32:03.240 --> 32:04.240
episode number six.

32:04.240 --> 32:06.240
And then listen to what I hear.

32:06.240 --> 32:08.240
Yeah, the pod show has a current
limit.

32:08.240 --> 32:11.240
I'm hoping they're going to be
upgraded this week,

32:11.240 --> 32:12.240
and they have it.

32:12.240 --> 32:14.240
Right now, just happened today.

32:14.240 --> 32:16.240
Yeah, they have a limit on.

32:16.240 --> 32:18.240
So now that we're doing HD,

32:18.240 --> 32:19.240
and Apple TV and stuff,

32:19.240 --> 32:20.240
the shows are getting bigger.

32:20.240 --> 32:21.240
Yeah.

32:21.240 --> 32:23.240
That's many people here.

32:23.240 --> 32:24.240
We'll be affected by it.

32:24.240 --> 32:26.240
In fact, we should all.

32:26.240 --> 32:28.240
We should all complain about it
over there, huh?

32:28.240 --> 32:29.240
What are you saying?

32:29.240 --> 32:30.240
There's a limit on something?

32:30.240 --> 32:31.240
Well, it's true.

32:31.240 --> 32:32.240
Yeah.

32:32.240 --> 32:33.240
I think it's 200 megabyte,

32:33.240 --> 32:36.240
which is, I mean, if you're
doing MP3s in audio,

32:36.240 --> 32:39.240
and smaller like 5, 10-minute
videos,

32:39.240 --> 32:40.240
it's fine.

32:40.240 --> 32:43.240
But once you get into like
higher res and Apple TV,

32:43.240 --> 32:45.240
format and longer shows,

32:45.240 --> 32:47.240
you upload a pod show.

32:47.240 --> 32:48.240
It uploads,

32:48.240 --> 32:49.240
but it doesn't take.

32:49.240 --> 32:51.240
It doesn't actually go the
distance.

32:51.240 --> 32:52.240
Yeah, wow.

32:52.240 --> 32:54.240
It could do is give you an error
message

32:54.240 --> 32:55.240
or warn you beforehand.

32:55.240 --> 32:57.240
It could totally stay like, you
know,

32:57.240 --> 32:59.240
no files over 200 MB.

32:59.240 --> 33:00.240
You know, they'll be easy,

33:00.240 --> 33:02.240
but no, just says nothing.

33:02.240 --> 33:04.240
Hey, let's all complain.

33:04.240 --> 33:05.240
Yeah.

33:05.240 --> 33:06.240
It's working on it.

33:06.240 --> 33:07.240
It's all complain.

33:07.240 --> 33:08.240
Let's all complain.

33:08.240 --> 33:09.240
It's like two minutes.

33:09.240 --> 33:11.240
It's like, let's all complain.

33:11.240 --> 33:12.240
Let's not complain.

33:12.240 --> 33:14.240
You know, I'm all for, you know,

33:14.240 --> 33:16.240
it's amazing that the listeners

33:16.240 --> 33:18.240
are more productive,

33:18.240 --> 33:19.240
proactive,

33:19.240 --> 33:22.240
and inspiring than these women

33:22.240 --> 33:24.240
when it comes to helping pod
show suck less.

33:24.240 --> 33:25.240
You know,

33:25.240 --> 33:27.240
first of all,

33:27.240 --> 33:28.240
an upload limit,

33:28.240 --> 33:30.240
which was chosen at random,

33:30.240 --> 33:32.240
many, many moons ago,

33:32.240 --> 33:35.240
200 MB was indeed quite an
amazing amount

33:35.240 --> 33:37.240
per episode availability

33:37.240 --> 33:40.240
for upload and storage space

33:40.240 --> 33:43.240
before there was any HD or Apple
TV.

33:43.240 --> 33:46.240
And it's quite easy for us to up
that limit.

33:46.240 --> 33:48.240
I don't believe any other
service

33:48.240 --> 33:50.240
allows you to upload that much.

33:50.240 --> 33:51.240
And there's a couple of reasons
for it.

33:51.240 --> 33:53.240
The main one being you don't
want to,

33:54.240 --> 33:55.240
you know, hand out like a
gigabyte

33:55.240 --> 33:57.240
because that's exactly what
people,

33:57.240 --> 33:58.240
or even 500 megs,

33:58.240 --> 34:00.240
people can store an entire movie
there.

34:00.240 --> 34:02.240
But that's just one minor
problem.

34:02.240 --> 34:05.240
Also, it's not completely free.

34:05.240 --> 34:07.240
You know, if you do go ahead,

34:07.240 --> 34:09.240
buy a 50 gig,

34:09.240 --> 34:11.240
buy a 100 gig hard drive.

34:11.240 --> 34:13.240
So after X amount of episodes,

34:13.240 --> 34:14.240
your hard drive will be full.

34:14.240 --> 34:15.240
You can calculate the price.

34:15.240 --> 34:16.240
It costs actual money,

34:16.240 --> 34:18.240
but it's certainly willing to
consider it.

34:18.240 --> 34:20.240
In fact, I've already asked for
the

34:20.240 --> 34:22.240
allotment to be up.

34:22.240 --> 34:25.240
My general feeling is let's make
it 500 megabytes.

34:25.240 --> 34:27.240
But what just really earned me,

34:27.240 --> 34:28.240
you know,

34:28.240 --> 34:29.240
let's all complain.

34:29.240 --> 34:30.240
Let's complain.

34:30.240 --> 34:32.240
Why don't you be productive?

34:32.240 --> 34:34.240
It's not complaining.

34:34.240 --> 34:36.240
Like we're evil.

34:36.240 --> 34:37.240
And oh,

34:37.240 --> 34:39.240
you could have at least given
that some,

34:39.240 --> 34:40.240
is that Angie B?

34:40.240 --> 34:42.240
It's unbelievable, Angie.

34:42.240 --> 34:43.240
Ah.

34:43.240 --> 34:45.240
Okay, hold on.

34:45.240 --> 34:46.240
I'm just getting worked up here

34:46.240 --> 34:48.240
because the real anger is about
to come.

34:48.240 --> 34:49.240
Okay.

34:49.240 --> 34:50.240
Address is quoted from a bucket.

34:50.240 --> 34:53.240
I was doing some web surfing
with weekend.

34:53.240 --> 34:55.240
I saw a story that just scared
the hell out of me,

34:55.240 --> 34:57.240
and I thought I should give you
a call about it.

34:57.240 --> 34:58.240
It's a story that was,

34:58.240 --> 34:59.240
and it was,

34:59.240 --> 35:02.240
and it was in daily chaos in a
couple of other places

35:02.240 --> 35:03.240
about the I,

35:03.240 --> 35:06.240
and their royalty collection
system.

35:06.240 --> 35:09.240
How they're collecting royalties
now.

35:09.240 --> 35:11.240
With a compressor,

35:11.240 --> 35:12.240
can say,

35:12.240 --> 35:14.240
compulsory license,

35:14.240 --> 35:16.240
which means that they connect,

35:16.240 --> 35:19.240
like life is now for sounds that
are even given,

35:19.240 --> 35:20.240
given from,

35:20.240 --> 35:25.240
are they even good permission to
have their music played
royalties free,

35:25.240 --> 35:26.240
that are collecting music,

35:26.240 --> 35:29.240
and then the artists are asked
to register with the I,

35:29.240 --> 35:30.240
to get their money.

35:30.240 --> 35:31.240
But they're just holding this
money,

35:31.240 --> 35:33.240
and the I,

35:33.240 --> 35:36.240
is trying to collect it on
anything,

35:36.240 --> 35:38.240
on any kind of streamed music,

35:38.240 --> 35:39.240
so we don't have a choice.

35:39.240 --> 35:41.240
They sound like the story could
be,

35:41.240 --> 35:43.240
or it is about like this whole
system,

35:43.240 --> 35:44.240
makes it sound,

35:44.240 --> 35:47.600
makes you tell us we can't ever
have toxic music and that scares
the hell out of

35:47.600 --> 35:52.800
maybe can I'm sure that does for
a lot of podcasters use the
podzic music that work music

35:52.800 --> 35:57.200
does we know that those are some
already given their permission
to allow us to play the music

35:57.200 --> 36:00.800
I don't mean to sit here you're
thought to bother and I thought
just bring us to your

36:00.800 --> 36:04.800
attention and if we can start a
conversation about it it does
set it we should be calling

36:04.800 --> 36:09.680
our our Congressional
representative is because it's
the GAMPS can see what the RAA
is doing

36:09.680 --> 36:13.120
if all the smoke they're
collecting from these artists
who brought you in their
permission

36:13.120 --> 36:18.560
they don't want their royalty
collected so I'm like some of
getting screwed here if I

36:18.560 --> 36:24.400
some of the co-incularism so I'm
potentially I'm thicker yeah go
excuse me Corey thank you so

36:24.400 --> 36:29.120
much and I received several
emails about this and you know
my previous conversation with

36:29.120 --> 36:38.000
Doc Serals about web radio and
the copyright royalty boards
legal win I believe which

36:38.560 --> 36:45.200
goes into effect on the 15th of
May which I understood to be a
different form of pricing

36:45.200 --> 36:50.400
for licensed music and you know
my stance on that it's like okay
these guys own their music

36:50.400 --> 36:55.680
if they want to jack up the
rates for other people to use it
in novel ways such as web radio

36:55.680 --> 37:02.480
so be it you know that's the
it's applying demand so they're
going to diminish their the
demand

37:02.480 --> 37:08.960
for this stuff and because of
the because the prices just too
high so and I'm okay with that
you know

37:08.960 --> 37:14.560
it's a bummer and I wish that I
could play all kinds of all
these some I have been able to
get

37:14.560 --> 37:19.520
away with because I know the
owners of all the copyright but
most things that I'd like to
play

37:19.520 --> 37:24.560
now and if I've played it then
I've totally broken the law and
I'm quite aware of it but what
was

37:24.560 --> 37:28.880
pointed out so two things first
of all I always thought it was
daily cost but didn't make so
much

37:28.880 --> 37:35.360
sense now so the daily chaos but
it spelled Delta Alpha India
Lima Yankee Kilo Oscar Sierra

37:37.040 --> 37:44.000
really delved into this this new
rate hike and found something
very interesting it appears that

37:44.000 --> 37:49.920
sound exchange which is it's
members are several large labels
and one or two large independent

37:49.920 --> 37:59.440
labels who are members of the
RIA have received a statutory
and compulsory license or that
they are

38:00.640 --> 38:07.040
they are allowed to enforce a
statutory statutory compulsory
license which means

38:08.240 --> 38:13.440
and let me just quote something
from the article here let's see
this two quotes I should give
you

38:13.440 --> 38:17.680
the recent US copyright office
ruling regarding web casting
designated sound exchange to

38:17.680 --> 38:22.480
collect and distribute to all
nonmembers as well as its
members the library of Congress
issued

38:22.480 --> 38:27.120
is this decision with rates in
terms to govern the compulsory
license for webcasters internet

38:27.120 --> 38:32.800
only radio and simulcasters
retransmissions so this is from
the sound exchange FAQs now the

38:32.800 --> 38:38.880
sound recording copyright owners
and that means anyone who has
created interestingly enough

38:40.400 --> 38:44.800
it doesn't necessarily have to
be music but if you've recorded
a sound recording

38:45.440 --> 38:51.920
then you are a so called SRCO so
I'm actually also an SRC and
that's really interesting hold
on to

38:51.920 --> 38:57.600
that thought for a second so the
sound recording copyright owners
are subject to a compulsory

38:57.600 --> 39:01.440
license for the use of their
music sound exchange was
established to administer the
collection

39:01.440 --> 39:07.040
and distribution of royalties
from such compulsory license
taken by non interactive
streaming

39:07.040 --> 39:12.560
services that you satellite
cable or internet methods of
distribution so there's a whole
bunch of

39:12.560 --> 39:19.520
big huge pitfalls in this and
the first being what is internet
radio and what exactly is a

39:19.520 --> 39:25.360
non interactive streaming
service now from an experiential
and from a technical standpoint

39:25.360 --> 39:31.520
the difference between streaming
audio and downloading it there's
really not a lot of

39:31.520 --> 39:37.120
difference in fact there's all
kinds of little gotchas in these
are laws of articles of law

39:37.760 --> 39:43.680
about the difference between
streaming that does or does not
temporarily maintain you

39:43.680 --> 39:49.280
is not temporarily maintained on
your computer which with the
progressive download is arguably

39:49.280 --> 39:54.320
exactly the same so the point
that Cory was making and others
are saying hey you know if this
is

39:54.320 --> 40:00.880
a compulsory license it means
that regardless of what type of
if you're not even distributed

40:00.880 --> 40:04.400
if you don't even have a record
deal if you just make a song you
put a creative

40:05.360 --> 40:11.600
commons license on it or if you
use the podcast music network
license it is a license by the
way

40:11.600 --> 40:16.720
it even states as such so when
you sign up as a podcast or
producer you are agreeing to the

40:16.720 --> 40:21.600
license when you sign up as an
artist or as a label and you put
songs up there you are agreeing

40:21.600 --> 40:25.600
to a license it is an actual
legal document it's a license
it's not just some kind of

40:25.600 --> 40:30.400
really nearly thing it was well
thought out cost a lot of money
hit lawyers fees to get it
exactly

40:30.400 --> 40:36.880
right and also working with the
community to do that to hone it
to make it even better that
would

40:36.880 --> 40:44.240
technically mean that if you
created a web radio let's so
let's just call the stream for
now

40:44.240 --> 40:49.920
of Ponsa music or music license
under a different license such
as the creative commons

40:49.920 --> 40:57.680
that you would still as a
webcaster you would still be
liable for fees and as I read it
with

40:57.680 --> 41:03.040
and you know and I do understand
what a statutory license is it
means essentially no one has to

41:03.760 --> 41:08.240
contact you only have to contact
anyone just by the fact you're
doing it means you pretty much
agree

41:08.240 --> 41:16.560
to do it so that that could be
very gnarly now again this is
not because I don't

41:17.120 --> 41:21.760
think people should be able to
make money off of their art but
we have a license in place

41:21.760 --> 41:26.160
seems to be working very well
there are alternative ways of
making money with your music

41:26.160 --> 41:33.440
through concerts and merchandise
and yes even just selling it
directly a DRM free so the the

41:33.440 --> 41:39.840
danger here is that this type of
statutory and compulsory license
could pretty easily be applied
to

41:39.840 --> 41:49.680
podcast and it's just one easy
step away so that is fucked up
and that's definitely not okay

41:50.560 --> 41:56.160
so I'm going to need to find
some savants to talk about this
and they will have to be in
legal

41:56.160 --> 42:01.680
profession I'm going to get
Brian Longest who did the
original drafts of the podcast

42:01.680 --> 42:07.360
music license and who is a
lawyer he is also a director of
operations he's a copyright
lawyer

42:07.360 --> 42:16.400
patent lawyer and some other
kind of lawyer he's a fucking
lawyer I'm going to have to ask
him to

42:16.400 --> 42:26.400
delve into this because I did
find while looking so it's the
US copyright office that makes
this law

42:27.280 --> 42:36.960
and and says okay this is what
statutory means and this is what
compulsory means and this is how
it

42:36.960 --> 42:43.360
works now I just want to say as
a brief side note there is a
bill that has been introduced to
stop

42:44.240 --> 42:54.640
this particular hike in fees for
webcasters for streaming radio
and I will put a link to that

42:54.640 --> 43:00.720
in the show notes and I think
it's good that they're
intervening and if anything
trying to slow

43:00.720 --> 43:06.800
down this may 15th deadline but
they're not talking about the
compulsory nature of the license

43:06.800 --> 43:12.960
they're only talking about the
the fee structure so you know
it's not really applicable to
what I'm

43:12.960 --> 43:18.400
talking about right now this is
this is a very dangerous place
that we're in I think because

43:19.120 --> 43:26.080
and let me just what is the word
I'm looking for waiver here we
go so now I'm looking at the

43:29.120 --> 43:39.760
at a copyright law see I'm not a
lawyer I'll put a link to this
as well title 17 chapter 92

43:40.160 --> 43:44.640
one whatever the hell it is
transfer and waiver the rights
conferred by subsection A that's
where

43:44.640 --> 43:50.160
discusses the compulsory license
may not be transferred but those
rights may be waived if the
author

43:50.160 --> 43:56.720
expressly agrees to such waiver
in a written instrument signed
by the author such instrument
shall

43:56.720 --> 44:02.320
specifically identify the work
and uses of that work to which
the waiver applies and the
waiver

44:02.320 --> 44:08.160
shall apply only to the work and
uses so defined in the case of a
joint work prepared by two more

44:08.160 --> 44:12.640
authors a waiver of rights under
this paragraph made by one such
author waves such rights for all
authors

44:13.520 --> 44:18.640
so if I read this properly and
this is what I need some help on
this is where I'm going to get
the

44:18.640 --> 44:24.160
savants to work and maybe jersey
taught I know it taught I I know
you only do like ambulance

44:24.160 --> 44:28.400
chasing work but you could at
least have a look at the
articles because you're much
better at reading

44:28.400 --> 44:35.280
that stuff than I am it appears
to me that you may be able to
put a waiver in place and in
essence

44:35.280 --> 44:40.880
the creative commons or the
positive music license would be
exactly that now I don't know if

44:40.880 --> 44:45.840
that means we have to send off
all these waivers to sound
exchange so that they can know
that

44:45.840 --> 44:53.840
anything played by these artists
is exempt that will have to look
into now I do think it is

44:53.840 --> 44:58.720
interesting and that's what I
just stumbled on a couple of
minutes ago they're talking
about

44:58.720 --> 45:04.640
sound recording so in essence
that would also mean that if
someone used the daily source
code

45:05.760 --> 45:12.240
because I sang on it because I
sang on it right so that just
constitute this entire thing is

45:12.240 --> 45:17.600
one big hip hop song wrap with a
little bit of a chorus in the
middle then I could also start
to

45:17.600 --> 45:22.800
collect fees and probably you
know if we don't get any further
I could probably edit the

45:22.800 --> 45:26.880
audit the shit out of them
because you're even if you're a
non member you're allowed to
audit

45:27.440 --> 45:33.360
and say okay how many times is
my shit played we could really
follow them up so before calling

45:33.360 --> 45:38.000
for a complete jihad on this I
want to get some savants
involved if you're a lawyer if
you

45:38.000 --> 45:43.280
understand this if you have
access to a copyright lawyer
please I'm also calling out to
the electronic

45:43.280 --> 45:49.760
frontier foundation where you
guys in this and and to creative
commons I think that they should

45:49.760 --> 45:56.400
be all over this as well so
before we start reaching out to
congressman and and and
government

45:56.560 --> 46:00.640
let's get our story straight
because I don't want it to be
just about the fees I want it to
be

46:00.640 --> 46:05.680
specifically about this
compulsory license so let's be
let's be really really specific
about what we're

46:05.680 --> 46:11.520
looking at here so that'll do it
for today but I do want to keep
the vibe alive and keep you in

46:11.520 --> 46:17.520
some good hope and good spirits
so a song will typically do that
you know what I'm saying

46:18.400 --> 46:22.080
natives of the new dawn one of
my favorites from PMN

46:22.560 --> 46:28.880
no matter how shitty how proud
just look outside it's gonna be
a good day

46:30.880 --> 46:40.160
I'm going to talk about the bad
thing on my friend all the fact
that we are here

46:40.160 --> 51:09.960
[ Music ]

51:09.960 --> 51:28.800
You can find that song through
the link in the show notes at
theedicstorescode.com

51:28.800 --> 51:32.720
Natives of the new dawn, it's
talking about it a good day.

51:32.720 --> 51:36.320
You know how I've been talking
about the soundtrack of our
lives for the past a couple

51:36.320 --> 51:37.320
shows.

51:37.320 --> 51:41.880
I always suddenly remember that
I played this song when my mom
was really ill.

51:41.880 --> 51:45.760
Just took me back for a minute
there.

51:45.760 --> 51:47.760
But let's think about the good
days.

51:47.760 --> 51:50.120
And we'll meet here tomorrow for
another one of them.

51:50.120 --> 51:53.600
DailySourceco.com, Adam and
podshow.com, take care of
yourselves.

51:53.600 --> 51:54.600
See you tomorrow.

51:54.600 --> 51:57.440
Another podshow podcast.

51:57.440 --> 51:58.560
Stick it in your ear.

51:58.560 --> 52:07.200
The best and the brightest.

52:07.200 --> 52:11.520
Saved up daily by the sharpest
minds in content delivering
podshow and limelight.
