WEBVTT 00:00.000 --> 00:02.600 I can get through this, I can get through this, I can get through this. 00:02.600 --> 00:06.600 Hort City PD, the number one online police drama series is now available. 00:06.600 --> 00:09.700 Subscribe now and get the entire first season on your iPod. 00:09.700 --> 00:13.900 And get ready for an action-packed season 2 coming July 2007. 00:13.900 --> 00:16.200 Hort City.podshow.com. 00:19.800 --> 00:21.600 Wow! 00:21.600 --> 00:25.000 It is Friday, the 13th today. 00:25.000 --> 00:29.700 And you are listening to DSC, 634. 00:29.700 --> 00:33.900 The Fubar Edition, similarly like myself. 00:33.900 --> 00:39.200 This day was fucked up already before it even started. 00:39.200 --> 00:45.400 And now, ladies, all the ladies, let's talk about channels. 00:45.400 --> 00:46.400 All right. 00:47.400 --> 00:50.600 For $60 million worth of airplane strapped my ass. 00:51.600 --> 00:54.400 In the next generation radio content in my ears. 00:54.700 --> 00:57.300 We don't need no sticking, couldn't you? 00:57.300 --> 00:59.800 I like to think I'm flying into the future. 00:59.800 --> 01:00.300 I don't care. 01:00.300 --> 01:03.100 I'll be asking you a matter of theory. 01:03.100 --> 01:05.800 Give me another slide, I can't get through this. 01:05.800 --> 01:08.300 I can't get through this. 01:08.300 --> 01:09.300 Oh! 01:09.300 --> 01:11.300 I can't get through this. 01:11.300 --> 01:13.300 I can't get through this. 01:13.300 --> 01:15.300 I can't get through this. 01:15.300 --> 01:19.300 People are all you ready! 01:19.300 --> 01:20.900 Let's start the show. 01:20.900 --> 01:25.400 You sure are a cup-up man and then the one behind the hood. 01:25.400 --> 01:30.400 Put it on for you. 01:30.400 --> 01:33.300 It's like that thick and won sweet fish. 01:36.250 --> 04:16.900 [ Music ] 04:16.900 --> 04:18.900 Let's make it to my new weekend, make it to my new weekend 04:18.900 --> 04:20.900 Let's make it to my new weekend, make it to my new weekend 04:21.300 --> 04:22.900 Let's make it to my new weekend 04:22.900 --> 04:24.900 Let's make it to my new weekend, make it to my new weekend 04:24.900 --> 04:26.900 Let's make it to my new weekend, make it to my new weekend 04:26.900 --> 04:29.260 Dr. Art Ruthy 04:29.260 --> 04:32.260 We're if you missed it up for us, we're brought it back 04:32.260 --> 04:36.240 Feel a bit of bangers a mess for the NCT incluso back, and black mashed 04:36.240 --> 04:38.540 up with late sports calling out kicking off a foodbark frody on the daily 04:38.540 --> 04:42.940 source code from swanky cereal everybody from the west side of G-town 04:42.940 --> 04:46.780 it is the daily source code episode six hundred and thirty four 04:46.780 --> 04:49.300 Beautiful day, we've got blue skies, we've got a little bit of wind 04:49.300 --> 04:53.260 We got some clouds, but right now locally, it is fantastic. 04:53.260 --> 04:55.460 I've got maximum music, full food bar for you, 04:55.460 --> 04:57.940 all kinds of cool stuff coming your way. 04:57.940 --> 04:59.940 And of course, apologies for the non-family safe 04:59.940 --> 05:01.340 opening the other comic strip blogger. 05:01.340 --> 05:03.380 But hey, who am I to complain? 05:03.380 --> 05:06.660 Yes, because we've got one and only Amy Max. 05:06.660 --> 05:07.660 Mm-hmm. 05:07.660 --> 05:08.660 Amy. 05:08.660 --> 05:09.660 Amy. 05:09.660 --> 05:10.660 Amy. 05:10.660 --> 05:11.660 Amy. 05:11.660 --> 05:12.660 Amy. 05:12.660 --> 05:13.660 Hey, Adam. 05:13.660 --> 05:14.660 Hey, Amy. 05:14.660 --> 05:15.660 Sorry about last week. 05:15.660 --> 05:17.260 Once again, I was confused on my days. 05:17.260 --> 05:19.820 And then I was going to send you one on Friday, four Friday. 05:19.820 --> 05:22.020 And then I figured you're already done recording. 05:22.020 --> 05:24.300 And then you didn't put up the food bar until Saturday. 05:24.300 --> 05:25.300 It's so okay. 05:25.300 --> 05:26.620 Amy was just not on our side. 05:26.620 --> 05:27.300 Don't worry about it. 05:27.300 --> 05:28.300 Don't worry. 05:28.300 --> 05:29.700 Did I mention that I had caffeine today? 05:29.700 --> 05:30.540 Uh-oh. 05:30.540 --> 05:31.540 Anyway, how are you? 05:31.540 --> 05:32.540 I'm good. 05:32.540 --> 05:33.540 Thank you. 05:33.540 --> 05:34.540 How about you, baby? 05:34.540 --> 05:35.540 Everything okay? 05:35.540 --> 05:36.540 Good. 05:36.540 --> 05:37.540 Yeah. 05:37.540 --> 05:38.540 So, I think you're going to love this week's exercise. 05:38.540 --> 05:39.540 Oh, yay. 05:39.540 --> 05:40.540 Okay. 05:40.540 --> 05:41.740 Since you've complained last time about it being too easy, 05:41.740 --> 05:43.540 I haven't been easy for you. 05:43.540 --> 05:44.540 Okay. 05:44.540 --> 05:46.540 Does anyone say doozy anymore? 05:46.780 --> 05:47.540 All right. 05:47.540 --> 05:48.540 Sorry. 05:48.540 --> 05:49.540 I'm going to be on the floor. 05:49.540 --> 05:51.300 So go ahead and get yourself situated. 05:51.300 --> 05:53.300 How long am I back? 05:53.300 --> 05:56.940 You're going to lay on your right side and you're going to prop yourself up with 05:56.940 --> 05:59.220 your right hand. 05:59.220 --> 06:01.020 Now straighten the right arm. 06:01.020 --> 06:02.020 All right. 06:02.020 --> 06:04.580 Make sure that your hand is in line with your shoulder. 06:04.580 --> 06:05.740 Yeah, it is. 06:05.740 --> 06:08.300 Your left leg should be stacked onto your right leg. 06:08.300 --> 06:09.300 Yeah, it is. 06:09.300 --> 06:10.300 It hurts. 06:10.300 --> 06:11.300 Is it woodwork? 06:11.300 --> 06:12.300 Okay. 06:12.300 --> 06:13.300 Are you a triangle? 06:13.300 --> 06:14.300 Okay. 06:14.300 --> 06:15.300 Now, DSC kids, don't try this at home. 06:15.300 --> 06:16.300 Okay. 06:16.340 --> 06:18.340 Take your left leg and lift it up. 06:18.340 --> 06:19.340 Crack. 06:19.340 --> 06:21.340 Now bring it down. 06:21.340 --> 06:22.340 Oh. 06:22.340 --> 06:23.340 Take it forward. 06:23.340 --> 06:24.340 I'm going to get the mic close. 06:24.340 --> 06:26.340 I'm going to bring it back to center. 06:26.340 --> 06:27.340 Forward. 06:27.340 --> 06:28.340 And then up. 06:28.340 --> 06:29.340 Yeah. 06:29.340 --> 06:30.340 Or is this top? 06:30.340 --> 06:31.340 And back down. 06:31.340 --> 06:32.340 It's really hard. 06:32.340 --> 06:33.340 Now to the back. 06:33.340 --> 06:35.340 And then to the center. 06:35.340 --> 06:36.340 Up. 06:36.340 --> 06:37.340 One more time. 06:37.340 --> 06:38.340 Up. 06:38.340 --> 06:39.340 And down. 06:39.340 --> 06:40.340 Don't tell me how to do on the other side. 06:40.340 --> 06:41.340 Deep breath. 06:41.340 --> 06:42.340 Great. 06:42.340 --> 06:43.340 One more time. 06:43.340 --> 06:44.340 And then we're going to switch sides. 06:44.340 --> 06:45.340 Up. 06:45.340 --> 06:46.180 Up. 06:46.220 --> 06:47.180 Forward. 06:47.180 --> 06:48.180 Down. 06:48.180 --> 06:49.180 Down. 06:49.180 --> 06:50.180 Forward. 06:50.180 --> 06:51.180 Back to center. 06:51.180 --> 06:52.180 Back to center. 06:52.180 --> 06:53.180 Up. 06:53.180 --> 06:54.180 Up. 06:54.180 --> 06:55.180 Down. 06:55.180 --> 06:56.180 To the back. 06:56.180 --> 06:57.180 Back. 06:57.180 --> 06:58.180 Center. 06:58.180 --> 06:59.180 Center. 06:59.180 --> 07:00.180 Up. 07:00.180 --> 07:01.180 And back down. 07:01.180 --> 07:02.180 Come down. 07:02.180 --> 07:03.180 Another deep breath. 07:03.180 --> 07:04.180 I'm sweating. 07:04.180 --> 07:05.180 I'm sweating. 07:05.180 --> 07:06.180 I'm sweating. 07:06.180 --> 07:07.180 And switch sides. 07:07.180 --> 07:08.180 Okay. 07:08.180 --> 07:09.180 I'm on left now. 07:09.180 --> 07:10.180 Okay. 07:10.180 --> 07:11.180 Up on the left side. 07:11.180 --> 07:12.180 Okay. 07:12.180 --> 07:13.180 I'm on the shoulder. 07:13.180 --> 07:14.180 I'm straight. 07:14.180 --> 07:16.180 And the right leg goes up. 07:16.180 --> 07:17.180 Down. 07:17.180 --> 07:18.180 Down. 07:18.180 --> 07:19.180 Front. 07:19.180 --> 07:20.180 Front. 07:20.180 --> 07:21.180 Center. 07:21.180 --> 07:22.180 Center. 07:22.180 --> 07:23.180 Up. 07:23.180 --> 07:24.180 Up. 07:24.180 --> 07:25.180 Down. 07:25.180 --> 07:26.180 Out. 07:26.180 --> 07:27.180 To the back. 07:27.180 --> 07:28.180 And center. 07:28.180 --> 07:29.180 Again. 07:29.180 --> 07:30.180 Up. 07:30.180 --> 07:31.180 Down. 07:31.180 --> 07:33.180 Front. 07:33.180 --> 07:34.180 Center. 07:34.180 --> 07:35.180 Back. 07:35.180 --> 07:36.180 Up. 07:36.180 --> 07:37.180 Down. 07:37.180 --> 07:38.180 And back. 07:38.180 --> 07:39.180 And center. 07:39.180 --> 07:40.180 Great. 07:40.180 --> 07:42.180 Take a deep breath. 07:42.180 --> 07:44.180 It's been fun, hasn't it? 07:44.180 --> 07:45.180 I'm sure. 07:45.180 --> 07:46.180 All right. 07:46.180 --> 07:47.180 Until next time. 07:47.180 --> 07:48.180 Oh wait. 07:48.180 --> 07:49.180 Hang on. 07:49.180 --> 07:50.180 Not yet. 07:50.180 --> 07:51.180 What? 07:51.180 --> 07:52.180 What? 07:52.180 --> 07:53.180 No. 07:53.180 --> 07:55.180 I'm not going to tell him about the health of Venice channel yet. 07:55.180 --> 07:56.180 Because it's already. 07:56.180 --> 07:58.180 Did you want to tell him about the channel editor? 07:58.180 --> 08:00.180 Really? 08:00.180 --> 08:01.180 Wow. 08:01.180 --> 08:02.180 What? 08:02.180 --> 08:03.180 All right. 08:03.180 --> 08:04.180 Well, you guys heard it your first. 08:04.180 --> 08:05.180 This is Amy Mack. 08:05.180 --> 08:06.180 What? 08:06.180 --> 08:07.180 You guys heard it your first. 08:07.180 --> 08:08.180 This is Amy Mack. 08:08.180 --> 08:09.180 What? 08:09.180 --> 08:11.180 You guys say your name. 08:12.180 --> 08:13.180 It's ridiculous. 08:13.180 --> 08:16.180 Until next time. 08:16.180 --> 08:17.180 Thanks, baby. 08:17.180 --> 08:20.180 The one and only Amy Mack plays a gentleman 08:20.180 --> 08:24.180 Our ray of sunshine through the clouds of anything. 08:24.180 --> 08:25.180 Amy. 08:25.180 --> 08:27.180 I didn't feel anything in my ass. 08:27.180 --> 08:29.180 Let me rephrase that. 08:29.180 --> 08:33.180 I didn't feel any muscle pull in the glutamus maximus region. 08:33.180 --> 08:34.180 Yeah. 08:34.180 --> 08:36.180 And my arms hurt and my legs hurt. 08:36.180 --> 08:38.180 Nothing else worked. 08:39.180 --> 08:40.180 Health and fitness channel, huh? 08:40.180 --> 08:41.180 Hmm. 08:41.180 --> 08:44.180 I wonder if we'd have that channel editor coming out soon. 08:56.180 --> 08:57.180 Hey there, Adam. 08:57.180 --> 08:58.180 It's pretty Mason. 08:58.180 --> 08:59.180 You're a virtual girl fan. 08:59.180 --> 09:01.180 It's just checking in. 09:01.180 --> 09:03.180 I was hoping you'd like to play a game with me. 09:03.180 --> 09:05.180 You like games, don't you, Adam? 09:05.180 --> 09:07.180 Now there's no handcuffs or feathers involved in this one. 09:07.180 --> 09:11.180 But you seem to know an awful lot about ancient 80s music. 09:11.180 --> 09:14.180 Geekboy stuff like HTML. 09:14.180 --> 09:17.180 Pop this and pop that. 09:17.180 --> 09:20.180 But do you know your pop culture? 09:20.180 --> 09:21.180 Are you ready for it? 09:21.180 --> 09:22.180 You know what I mean? 09:22.180 --> 09:23.180 I got to stop. 09:23.180 --> 09:24.180 Brittany. 09:24.180 --> 09:25.180 What happened? 09:25.180 --> 09:27.180 Something's completely full barred. 09:27.180 --> 09:29.180 I'm only hearing you through the through one channel. 09:29.180 --> 09:30.180 Send it again. 09:30.180 --> 09:31.180 Well, yeah. 09:31.180 --> 09:33.180 Because I definitely want to test my pop culture knowledge. 09:34.180 --> 09:35.180 Maximum music's full barred. 09:35.180 --> 09:36.180 I'm the Danny source. 09:36.180 --> 09:37.180 Come to everybody. 09:37.180 --> 09:38.180 Rockin' it out for the pop team. 09:38.180 --> 09:39.180 Music Network. 09:39.180 --> 09:40.180 Health and digital. 09:40.180 --> 09:42.180 Sweet system. 09:45.180 --> 09:46.180 Now we're freaking out. 09:46.180 --> 09:47.180 You system. 09:47.180 --> 09:48.180 Dayo being gone. 09:48.180 --> 09:49.180 Yeah. 09:49.180 --> 11:56.180 [ Music ] 11:56.180 --> 12:01.180 You're getting down, pushing me out into this town 12:01.180 --> 12:05.180 Now we're waiting outside 12:05.180 --> 12:08.180 So many nights, the time is up 12:08.180 --> 12:11.180 So many nights, the time is up 12:11.180 --> 12:13.180 Yeah, I wanna tell you, it's me 12:13.180 --> 12:15.180 You're getting down, pushing me out into this town 12:15.180 --> 13:16.180 [ Music ] 13:16.180 --> 13:20.180 All right, I'll give you one guess where they're from 13:20.180 --> 13:23.180 Think about it, it looks, it's guns and roses, 13:23.180 --> 13:25.180 Motel crew, speed row, and fuel 13:25.180 --> 13:28.180 You get it yet? 13:28.180 --> 13:31.180 Of course, they're from Sweden, where else? 13:31.180 --> 13:33.180 Hell and diesel! 13:33.180 --> 13:37.180 Hell, hell and they're from Sweden 13:37.180 --> 13:41.180 From the pot safe music network, link to that in the show notes at 13:42.180 --> 13:45.180 Kicking ass of the Mexican music bar Friday 14:01.180 --> 14:03.180 Shea were maximum music, but there's still lots of stuff 14:03.180 --> 14:06.180 Coming into the phone numbers, now that I actually know how to get all the messages 14:06.180 --> 14:09.180 It's almost overwhelming, but there's so much good stuff 14:09.180 --> 14:12.180 Got him, hey, who is this? 14:12.180 --> 14:14.180 I don't want to get my name, it doesn't matter 14:14.180 --> 14:17.180 Listen, I happen to have about this music thing in the copyright board 14:17.180 --> 14:19.180 I happen to know somebody who works 14:19.180 --> 14:26.180 It's a executive at one of the very top level music streaming companies 14:26.180 --> 14:28.180 You know the name and a heartbeat of your heart 14:28.180 --> 14:29.180 Pandora 14:29.180 --> 14:34.180 And just so happens, I was at a little Shindig with the guy 14:34.180 --> 14:36.180 And I'm asked how's the company going 14:36.180 --> 14:38.180 You guys gonna stay in business 14:40.180 --> 14:42.180 Let me just stop for a second 14:42.180 --> 14:44.180 For those of you who don't know the context of this 14:44.180 --> 14:47.180 This is about this coming Sunday, July 15th 14:47.180 --> 14:52.180 When the new royalty rates go into effect for streaming internet radio 14:52.180 --> 14:55.180 Which I've discovered is really two things 14:55.180 --> 15:00.180 It's either radio stations who are broadcasting their signal on the internet 15:00.180 --> 15:04.180 Or it's playlists of music 15:04.180 --> 15:06.180 That are being streamed 15:06.180 --> 15:09.180 Like live 365 Pandora last FM 15:09.180 --> 15:13.180 Even to an extent, Napster and another online music services 15:13.180 --> 15:15.180 Where you rent music 15:15.180 --> 15:19.180 Those fees are going up significantly 15:19.180 --> 15:23.180 And will be calculated on a per listener basis going forward 15:23.180 --> 15:25.180 Actually, there's some of its retroactive 15:25.180 --> 15:29.180 So I guess the question was that you pose to this executive of 15:29.180 --> 15:32.180 And I love the fact that you're calling me anonymously 15:33.180 --> 15:37.180 The question you pose to some exact of a big streaming company 15:37.180 --> 15:40.180 Was are you gonna guys stay in business 15:40.180 --> 15:43.180 And so this is about the regulation that kick off in July 15:43.180 --> 15:44.180 July 15th 15:44.180 --> 15:48.180 So the mood and at least at this particular company is not good 15:48.180 --> 15:52.180 And he told me something that I don't think is widely known 15:52.180 --> 15:57.180 There has been legislation, both in the Senate and the House 15:57.180 --> 16:01.180 That would overturn this copyright board decision 16:01.180 --> 16:04.180 Well, not entirely true, wouldn't overturn it 16:04.180 --> 16:07.180 But it would certainly delay it and provide for some 16:07.180 --> 16:10.180 Some breathing room for people to get their act together 16:10.180 --> 16:12.180 And everyone to figure some stuff out 16:12.180 --> 16:14.180 So it's not a complete overturn of the legislation 16:14.180 --> 16:17.180 But it is a block of the legislation that's absolutely true 16:17.180 --> 16:20.180 And I think that has been posted relatively widely 16:20.180 --> 16:24.180 However, if you notice, you haven't heard me say about that, right? 16:24.180 --> 16:25.180 On a mainstream 16:25.180 --> 16:27.180 Well, a couple of weeks ago or so 16:28.180 --> 16:32.180 Apparently of the heads of all these companies that would be affected 16:32.180 --> 16:37.180 And the RIA and these are a couple of executives represented 16:37.180 --> 16:43.180 And you're all brought into a room with some big monkey mucks and cops 16:43.180 --> 16:46.180 Don't honestly know who it was, I don't remember 16:46.180 --> 16:49.180 But it was like, you know, kind of a committee, some big guy 16:49.180 --> 16:52.180 And this guy just sits and down and goes, all right guys, look 16:52.180 --> 16:55.180 We are not going to legislate on this 16:56.180 --> 16:58.180 So wait a minute, so we got Congress together 16:58.180 --> 17:03.180 With all the the mucketing mucks of all these streaming radio companies 17:03.180 --> 17:05.180 And Congress said, we're not going to vote on this 17:05.180 --> 17:09.180 Boy, does this take me back to everything I've been saying for the past two weeks 17:09.180 --> 17:12.180 You know, don't just write your congressman with some bullshit plea 17:12.180 --> 17:15.180 Threaten them, that's the best way to work 17:15.180 --> 17:17.180 They threaten you, threaten them 17:17.180 --> 17:21.180 If you don't vote for what I want, if you don't vote the way I want you to 17:21.180 --> 17:23.180 I will not vote for you, I promise 17:23.180 --> 17:25.180 Guarantee, I'll get you out of office 17:25.180 --> 17:27.180 It's the only thing that works, cut to the chase 17:27.180 --> 17:30.180 You don't have to be nice and political about it 17:30.180 --> 17:33.180 And just story, we don't want to have to vote on this 17:33.180 --> 17:34.180 So we're not going to 17:34.180 --> 17:37.180 So you guys are going to come back in a week 17:37.180 --> 17:40.180 And you're going to tell us how you're going to work this out 17:40.180 --> 17:43.180 You will do this 17:43.180 --> 17:46.180 Now I haven't heard what the result of that was 17:46.180 --> 17:49.180 It might have just been a bunch of FUs and that was it 17:49.180 --> 17:52.180 And if the congress isn't going to vote for 17:52.180 --> 17:56.180 Why would the music industry bother to make a deal with anybody 17:56.180 --> 17:58.180 They force their concerns to help make you just go away 17:58.180 --> 17:59.180 Yeah, they won 17:59.180 --> 18:02.180 You know, we can go back to the 1980s with CDs cost 20 bucks 18:02.180 --> 18:06.180 Um, anybody had to buy them, right? 18:06.180 --> 18:08.180 But anyway, that's not widely known 18:08.180 --> 18:11.180 And that is a God's honest truth as I understand it 18:11.180 --> 18:15.180 Um, and things are just simply not looking good 18:15.180 --> 18:18.180 Last SM sure those guys got bought 18:18.180 --> 18:22.180 But there are a lot of other resources that are either dependent 18:22.180 --> 18:24.180 Or part of another corporation 18:24.180 --> 18:28.180 A lot of lines, those guys are not going to want to spend the money 18:28.180 --> 18:30.180 To stay in business so 18:30.180 --> 18:32.180 I don't know if it's interesting to you or not 18:32.180 --> 18:34.180 It is great 18:34.180 --> 18:36.180 Oh, cool 18:36.180 --> 18:38.180 Holder folder folder folder folder 18:38.180 --> 18:41.180 An anonymous folder, ladies and gentlemen, appreciate the info 18:41.180 --> 18:43.180 Do good intel 18:43.180 --> 18:45.180 Yeah, that's not going to get overturned 18:45.180 --> 18:47.180 That's clear unless it all of a sudden happens today 18:47.180 --> 18:49.180 Um, so I doubt that 18:49.180 --> 18:51.180 And there you go 18:51.180 --> 18:53.180 It's clear there's only one direction 18:53.180 --> 18:56.180 And it's very topical for me because I've been in conversations with 18:56.180 --> 18:59.180 A large European independent record company 18:59.180 --> 19:01.180 And we have a couple of them on the network 19:01.180 --> 19:03.180 It was so great because 19:03.180 --> 19:07.180 As I'm talking about having this company put all of their back catalog 19:07.180 --> 19:09.180 On to the pod save music network and there's some awesome stuff in there 19:09.180 --> 19:13.180 Um, and in fact, I can say it's red bullet 19:13.180 --> 19:15.180 And uh, they have golden earring 19:15.180 --> 19:17.180 You know, I've played some of this before because I got permission 19:17.180 --> 19:19.180 So golden earring 19:19.180 --> 19:21.180 Uh, focus, uh, shocking blue 19:21.180 --> 19:25.180 Um, but his, uh, the sun has his own, uh, his runs a spin and records 19:25.180 --> 19:27.180 Which is a big dance label 19:27.180 --> 19:29.180 Anyway, we had email conversation 19:29.180 --> 19:31.180 And he brought in, um, his buddy Hine 19:31.180 --> 19:33.180 Who is, um, on the board of epitaph records 19:33.180 --> 19:35.180 And, you know, and I said, well in that interesting 19:35.180 --> 19:37.180 Uh, Hine has over a hundred tracks 19:37.180 --> 19:41.180 Uh, epitaph has over a hundred tracks on the pod save music network 19:41.180 --> 19:45.180 So what's happening is this 25% of the music business 19:45.180 --> 19:47.180 Which uh, is made up of independence 19:47.180 --> 19:49.180 They're seeing the light, my friends 19:49.180 --> 19:51.180 They are seeing the light 19:51.180 --> 19:53.180 This, this, the whole conversation was in Dutch 19:53.180 --> 19:57.180 I wish it could translate it because a lot of it just doesn't carry over 19:57.180 --> 19:59.180 But one thing, um, uh, 19:59.180 --> 20:01.180 Villam said Villam is the owner of the record company 20:01.180 --> 20:03.180 He said 20:03.180 --> 20:05.180 Essentially he said, what the fuck? 20:05.180 --> 20:07.180 No guts, no glory 20:07.180 --> 20:09.180 And I love that so much 20:09.180 --> 20:11.180 Right, he's absolutely right 20:11.180 --> 20:13.180 And we're just going to route around it 20:13.180 --> 20:15.180 You know, this whole music thing, this whole license music 20:15.180 --> 20:17.180 These, you know, the 40 most popular 20:17.180 --> 20:19.180 You can't even name 40 most popular songs of the day 20:19.180 --> 20:21.180 Because you probably only can name 20:21.180 --> 20:23.180 The top five or the top ten, if anything 20:23.180 --> 20:25.180 It's the spectacle, it's part of the spectacle 20:25.180 --> 20:29.180 You know, we've been talking about the society of the spectacle 20:29.180 --> 20:31.180 And the, the business works perfectly 20:31.180 --> 20:35.180 Um, you, uh, you create, uh, you've got a star 20:35.180 --> 20:37.180 They have a hit record, uh, then the tabloids jump on top 20:37.180 --> 20:39.180 And then there's all kinds of scandals 20:39.180 --> 20:41.180 And it has to stir around, to wher around 20:41.180 --> 20:43.180 And if you're, timely enough to be out with the tour 20:43.180 --> 20:45.180 Or the album, you can benefit from that 20:45.180 --> 20:47.180 And then of course, the artist self-destructs 20:47.180 --> 20:49.180 And maybe we'll make a comeback later on 20:49.180 --> 20:51.180 It's all about the society of the spectacle 20:51.180 --> 20:55.180 I'm, uh, this is Mark Elso, Los Angeles, California 20:55.180 --> 20:57.180 Listening to 633 20:57.180 --> 20:59.180 A long time listener of, uh, 20:59.180 --> 21:03.180 Well, basically, to Charlie and other podcasts 21:03.180 --> 21:05.180 And, uh, I gotta tell you, you're right on the money 21:05.180 --> 21:07.180 Uh, when it comes to mainstream music 21:07.180 --> 21:11.180 And, uh, when it becomes pot-safe music 21:11.180 --> 21:13.180 And when it becomes, in alternative 21:13.180 --> 21:15.180 For people to listen 21:15.180 --> 21:19.180 And, um, it's just, uh, just bear with me a little bit 21:19.180 --> 21:21.180 Because I haven't thought here 21:21.180 --> 21:25.180 You know, in the States, NFL is really big 21:25.180 --> 21:27.180 And baseball is big, but interestingly enough 21:27.180 --> 21:29.180 They're charging a lot of places right now 21:29.180 --> 21:33.180 For the NFL network to be able to watch 21:33.180 --> 21:35.180 The NFL 21:35.180 --> 21:37.180 And, uh, so all your favorite bars 21:37.180 --> 21:39.180 And stuff like that 21:39.180 --> 21:41.180 They, they got restrictions 21:41.180 --> 21:43.180 They don't have the, they don't have the, uh, 21:43.180 --> 21:45.180 The games you want to see 21:45.180 --> 21:47.180 So, basically, people go other bars 21:47.180 --> 21:49.180 And stuff like that, but 21:49.180 --> 21:51.180 Oh yeah, well, it's, it's no different from the music business 21:51.180 --> 21:53.180 I mean, sports rights 21:53.180 --> 21:55.180 Oh man, sports sports rights 21:55.180 --> 21:57.180 That's the, that's the big deal in television 21:57.180 --> 21:59.180 That's the big draw, that's where all the money 21:59.180 --> 22:01.180 In fact, that's not where all the money comes from 22:01.180 --> 22:03.180 Drawing audiences 22:03.180 --> 22:05.180 And, um, and because, you know, 22:05.180 --> 22:07.180 A showing this in your bar 22:07.180 --> 22:09.180 Is essentially a public performance 22:09.180 --> 22:11.180 And, of course, that is prohibited 22:11.180 --> 22:13.180 You know, you can do it, but you just have to pay money 22:13.180 --> 22:15.180 Um, and believe me, they've got a force 22:15.180 --> 22:17.180 Out on the ground that goes to every single bar 22:17.180 --> 22:19.180 And they get charged for the music 22:19.180 --> 22:21.180 They play, they get charged for the, uh, 22:21.180 --> 22:23.180 Uh, the television they're showing 22:23.180 --> 22:25.180 It's, uh, hey, it's not illegal 22:25.180 --> 22:27.180 It's not wrong, it's just, you know, 22:27.180 --> 22:29.180 They're basically forcing their customers away 22:29.180 --> 22:31.180 Uh, and their customers, in this case, uh, 22:31.180 --> 22:33.180 Right now, our bars and, uh, public places 22:33.180 --> 22:35.180 And, places where stuff is performed 22:35.180 --> 22:37.180 Then use as well 22:37.180 --> 22:43.180 So, uh, well, they're squeezing out every, uh, last drop of revenue 22:43.180 --> 22:45.180 Which again, is, there's nothing wrong with it 22:45.180 --> 22:47.180 It's what the organization has to do, you know 22:47.180 --> 22:49.180 That's, that's the way the beast operates 22:49.180 --> 22:51.180 They're losing money on sales 22:51.180 --> 22:53.180 So they got to make it up somewhere else 22:53.180 --> 22:55.180 Uh, excuse me, Coca-Cola 22:55.180 --> 22:57.180 Um 22:57.180 --> 22:59.180 What was the point I was going to make about that 22:59.180 --> 23:01.180 Ah, I don't know, what's continued listening 23:01.180 --> 23:03.180 Oops 23:03.180 --> 23:05.180 Where the, uh, here we go 23:05.180 --> 23:07.180 Uh, uh, there was a point I was going to make 23:07.180 --> 23:09.180 I'll come back to it 23:09.180 --> 23:13.180 I'm seeing, and one I'm predicting here is the rise of soccer 23:13.180 --> 23:17.180 And, um, and it's just funny to watch it 23:17.180 --> 23:21.180 Basically the more you control and try to control people 23:21.180 --> 23:23.180 And the more you, you push a bunch of rules on things 23:23.180 --> 23:25.180 People find other 23:25.180 --> 23:29.180 avenues and, uh, as much as, believe it or not 23:29.180 --> 23:31.180 I'm not a soccer fan, but dammit 23:31.180 --> 23:35.180 I just watched Argentina beat Mexico 23:35.180 --> 23:37.180 And somebody was explaining explaining to me 23:37.180 --> 23:39.180 I don't know why, but how I was watching it 23:39.180 --> 23:41.180 But dammit, it was exciting 23:41.180 --> 23:45.180 And, um, and, and that's taken from me 23:45.180 --> 23:47.180 Somebody would never even think about watching soccer 23:47.180 --> 23:51.180 So, if, if you could put the same kind of logic in there 23:51.180 --> 23:53.180 Just the idea that people will actually 23:53.180 --> 23:55.180 Listen to other things 23:55.180 --> 23:57.180 And, uh, it's, it's funny 23:57.180 --> 23:59.180 Because whatever you want to call it 23:59.180 --> 24:03.180 Big media or big paid media or whatever 24:03.180 --> 24:05.180 Restriction media you want to call it 24:05.180 --> 24:09.180 There's always going to be an avenue for other people 24:09.180 --> 24:13.180 To enjoy and it expands itself and it creates 24:13.180 --> 24:15.180 Other opportunities for people out there 24:15.180 --> 24:17.180 So, yeah, big go 24:17.180 --> 24:19.180 Right on man 24:19.180 --> 24:23.180 Yes, indeed, in fact, uh, I noticed something very early on 24:23.180 --> 24:25.180 When you've heard a pod save song 24:25.180 --> 24:27.180 Which, of course, by definition, is not mainstream 24:27.180 --> 24:29.180 Not a hit, it's not being jammed into you 24:29.180 --> 24:31.180 Over and over again, but you hear 24:31.180 --> 24:33.180 One or two times on a different podcast 24:33.180 --> 24:35.180 You start to recognize it 24:35.180 --> 24:37.180 You start to be able to sing along and I realize very early on 24:37.180 --> 24:41.180 Oh, sounds like, wait a minute, this feels just like a, you know, mainstream 24:41.180 --> 24:43.180 It's like I'm sing along to the hits 24:43.180 --> 24:45.180 It's just, it's different hits coming from different places 24:45.180 --> 24:47.180 Absolutely. Now, why do you think we have 24:47.180 --> 24:51.180 Such a beautiful arrangement with British telecom here in the UK? 24:51.180 --> 24:53.180 It's really simple 24:53.180 --> 24:57.180 Just like, um, every, every media company 24:57.180 --> 24:59.180 Um, basically has the same offering 24:59.180 --> 25:03.180 You know, you've got your BBC channels 25:03.180 --> 25:07.180 You've got your, uh, your, uh, your ITV or channel 4 25:07.180 --> 25:09.180 And you can get the same offering 25:09.180 --> 25:11.180 And of course, it's all the triple or quadruple play 25:11.180 --> 25:13.180 Right, so you get your internet, your telephone 25:13.180 --> 25:15.180 And your television 25:15.180 --> 25:17.180 Uh, all through a box 25:17.180 --> 25:19.180 So virgin media has a box, which comes through cable 25:19.180 --> 25:21.180 We have sky, which comes through has a, they have a box 25:21.180 --> 25:23.180 Comes through satellite 25:23.180 --> 25:25.180 And then we have British telecom 25:25.180 --> 25:27.180 Who have just recently put a box into limited release 25:27.180 --> 25:29.180 Called, um, BT vision 25:29.180 --> 25:31.180 And it's IP TV, so television over the internet 25:31.180 --> 25:33.180 That comes through the DSL cable 25:33.180 --> 25:35.180 Um, 25:35.180 --> 25:37.180 Now, all of these companies 25:37.180 --> 25:39.180 Basically go out and spend millions 25:39.180 --> 25:41.180 On the same thing 25:41.180 --> 25:43.180 So they spend millions on getting some movies 25:43.180 --> 25:45.180 They spend millions on getting some, some rights 25:45.180 --> 25:47.180 To some, to some sports in Europe 25:47.180 --> 25:49.180 It's traditionally, uh, football 25:49.180 --> 25:51.180 Or soccer as you would say 25:51.180 --> 25:53.180 But it's all kind of the same thing 25:53.180 --> 25:55.180 You know, there's no differentiator 25:55.180 --> 25:59.180 Uh, unless of course you think of the concept of pod show TV 25:59.180 --> 26:01.180 So that would be something very, very different to have on your box 26:01.180 --> 26:05.180 Now wouldn't it? So that's really the main reason why why we're here 26:05.180 --> 26:07.180 And why it's so exciting, uh, because, you know, 26:07.180 --> 26:09.180 We are there to give people an alternative 26:09.180 --> 26:11.180 Something cool to watch or to listen to 26:11.180 --> 26:13.180 And they're coming 26:13.180 --> 26:15.180 You know, people are secreting out 26:15.180 --> 26:17.180 And in a certain point, it's just like it's not going to be seen 26:17.180 --> 26:19.180 You know, not be labeled as alternative, but just 26:19.180 --> 26:21.180 Good shit 26:21.180 --> 26:23.180 Or maybe not so good shit 26:23.180 --> 26:27.180 Who knows, maybe maybe I might become a big soccer fan 26:27.180 --> 26:29.180 If that happens, it just tells you that 26:29.180 --> 26:33.180 Uh, that those that are trying to control people 26:33.180 --> 26:37.180 We'll find themselves in the loot short end of the stick 26:37.180 --> 26:39.180 Yeah, and uh, maybe it's the same thing with music 26:39.180 --> 26:41.180 Uh, absolutely meant, absolutely 26:41.180 --> 26:43.180 Totally 26:43.180 --> 26:47.180 Totally agree. Of course the whole shame of uh, of the music part is 26:47.180 --> 26:49.180 Is that we're actually being restricted 26:49.180 --> 26:53.180 And we are um, no longer able to share 26:53.180 --> 26:55.180 The soundtrack to our lives 26:55.180 --> 26:59.180 You don't hear the soundtrack to your life anymore, because it's not commercially viable 26:59.180 --> 27:03.180 Because it's not a huge hit and can't be, you know, programmed in 27:03.180 --> 27:07.180 To be shoved down the very thin tubes that traditional mainstream media has 27:07.180 --> 27:09.180 If you're talking about radio 27:09.180 --> 27:13.180 They just don't have time to play all the songs that are part of the soundtrack to your life 27:13.180 --> 27:15.180 But we've got a solution to that, my friend 27:27.180 --> 27:29.180 Hey Adam, how are you doing? 27:29.180 --> 27:31.180 Right, man, how are you? 27:31.180 --> 27:33.180 So hit this number, 78. I'm ready. Again, three very short clips 27:33.180 --> 27:35.180 And the three answers, so you know how everything works 27:35.180 --> 27:37.180 Oh, this is number one 27:37.180 --> 27:39.180 Oh, please, John 27:39.180 --> 27:41.180 Steven to me one more time 27:41.180 --> 27:43.180 Frankie goes to Hollywood 27:43.180 --> 27:45.180 Relax 27:45.180 --> 27:47.180 That was pretty easy. Come on, crank it out baby 27:47.180 --> 27:49.180 Give me some tough ones 27:49.180 --> 27:51.180 And number two 27:55.180 --> 27:57.180 Let the music play Shannon 27:57.180 --> 28:01.180 Oh, yes, 1984 28:01.180 --> 28:03.180 And number three 28:11.180 --> 28:13.180 I think you got me on the third one there, John 28:13.180 --> 28:15.180 Of course, I'll be saying oh crap when I hear it 28:15.180 --> 28:17.180 And times up and these are the answers 28:17.180 --> 28:19.180 Number one 28:23.180 --> 28:25.180 From 84, Frankie goes to Hollywood 28:25.180 --> 28:27.180 This is relax 28:27.180 --> 28:29.180 Relax 28:29.180 --> 28:31.180 When you want a second to it 28:31.180 --> 28:33.180 Relax, don't do it 28:33.180 --> 28:35.180 When you want to come 28:41.180 --> 28:43.180 When you want to come 28:45.180 --> 28:47.180 And so number one Frankie goes to Hollywood 28:47.180 --> 28:49.180 I know what this is 28:49.180 --> 28:51.180 So number two, also from 84, Shannon 28:51.180 --> 28:53.180 We started 28:53.180 --> 28:55.180 Yeah 28:55.180 --> 28:57.180 Oh man, that was the jam back in the day 28:59.180 --> 29:13.180 Yeah, what was number three 29:15.180 --> 29:19.180 And so number two, Shannon and let the music play and this is answer number three 29:19.180 --> 29:21.180 It's with me, Houston 29:21.180 --> 29:23.180 Oh 29:25.180 --> 29:27.180 Okay 29:29.180 --> 29:31.180 Oh 29:33.180 --> 29:35.180 Oh 29:37.180 --> 29:39.180 Oh, yeah 29:45.180 --> 29:47.180 Whitney Houston from 1987 29:47.180 --> 29:49.180 As handsome number three and so emotional 29:49.180 --> 29:53.180 And that concludes hit test number 78 29:55.180 --> 29:57.180 Well, Adam, I hope you had them all and you did well 29:57.180 --> 29:59.180 Um, I had fun 29:59.180 --> 30:01.180 Creating these answers 30:01.180 --> 30:05.180 It was difficult to bring these tracks back to about 30 seconds 30:05.180 --> 30:07.180 But I did it and it was kind of fun to do 30:07.180 --> 30:09.180 So 30:09.180 --> 30:13.180 Um, the answers and iTunes links can be found at hittest.partsio.com 30:13.180 --> 30:17.180 And I'll be back probably next week 30:17.180 --> 30:19.180 With hittest number 79 30:19.180 --> 30:21.180 So until then, take care 30:21.180 --> 30:23.180 Bye bye 30:23.180 --> 30:25.180 Hittest at gmail.com 30:25.180 --> 30:27.180 info.com 30:27.180 --> 30:31.180 www.gmail.com 30:31.180 --> 30:33.180 Alright everybody, how about that for a Friday 30:33.180 --> 30:37.180 Fix from the organization to the preservation for the soundtrack of our lives 30:37.180 --> 30:39.180 Everything used under the fair use doctrine 30:39.180 --> 30:41.180 Just thinking about Shannon let the music play 30:41.180 --> 30:43.180 Just a personal anecdote about that 30:43.180 --> 30:45.180 When I went to West Virginia to go to college 30:45.180 --> 30:47.180 And I was planning on studying communications 30:47.180 --> 30:49.180 And so I'm in BF West Virginia 30:49.180 --> 30:51.180 Actually 30:51.180 --> 30:53.180 New Clarksburg 30:53.180 --> 30:55.180 And 30:55.180 --> 30:57.180 And my roommate is Ty Hamilton 30:57.180 --> 30:59.180 Ty is from Trenton, New Jersey 30:59.180 --> 31:01.180 Black Kid and I was from Holland 31:01.180 --> 31:03.180 I wasn't really a white kid 31:03.180 --> 31:05.180 And we'd never met each other 31:05.180 --> 31:07.180 So we're in, you know, in a relatively small dorm room 31:07.180 --> 31:09.180 And we're kind of like hey man, how are you doing? 31:09.180 --> 31:11.180 Like scoping each other a little bit 31:11.180 --> 31:13.180 He pulls out his boom box 31:13.180 --> 31:15.180 I pull out my boom box 31:15.180 --> 31:17.180 And that was going to be the defining moment 31:17.180 --> 31:19.180 You know, I'm sure he expected some incredible 31:19.180 --> 31:21.180 My boom box instead 31:21.180 --> 31:23.180 I clicked it on and played a tape 31:23.180 --> 31:25.180 From the radio station that I had been working 31:25.180 --> 31:27.180 At the pirate radio station Amsterdam 31:27.180 --> 31:29.180 Called radio decibel and the song that I played 31:29.180 --> 31:31.180 Was Shannon let the music play 31:31.180 --> 31:33.180 And then he showed me how to 31:33.180 --> 31:35.180 How to a body pop 31:35.180 --> 31:37.180 I know it sounds real 80s 31:37.180 --> 31:39.180 But it was a very defining moment in my life 31:39.180 --> 31:41.180 I have to tell you 31:41.180 --> 31:43.180 Y'all pull that, thank you once again 31:43.180 --> 31:45.180 Body brought to you by Coca-Cola 31:45.180 --> 31:47.180 This summer when you buy Coke 31:47.180 --> 31:49.180 You get music 31:49.180 --> 31:53.180 You can win an iPod or free songs or nightchains 31:53.180 --> 31:57.180 You're outer, I'd like to make a motion 31:57.180 --> 31:59.180 To rock this mother out 31:59.180 --> 32:21.180 [ Music ] 32:21.180 --> 32:23.180 The official musicologist of the Cha Cha 32:23.180 --> 32:25.180 And well, the hardest working lawyer in podcasting 32:25.180 --> 32:27.180 Yeah, that's the new title 32:27.180 --> 32:29.180 But listen, I've got a great, great band 32:29.180 --> 32:31.180 And a great, great story for you 32:31.180 --> 32:33.180 I got somebody called The Seed Dragons 32:33.180 --> 32:35.180 And I got a great, great story for you 32:35.180 --> 32:37.180 I got somebody called The Seed Dragons 32:37.180 --> 32:39.180 And I got a great, great, great story for you 32:39.180 --> 32:41.180 I got somebody called The Seed Dragons 32:41.180 --> 32:43.180 And I got somebody called The Seed Dragons 32:43.180 --> 32:45.180 And I got a new York city 32:45.180 --> 32:47.180 Actually, it's really just one guy 32:47.180 --> 32:49.180 And some other guys went like all bands 32:49.180 --> 32:51.180 But it's Darrell Thurston 32:51.180 --> 32:53.180 And Darrell's been around for a really, really long time 32:53.180 --> 32:55.180 He was a session artist 32:55.180 --> 32:57.180 He was heard on HBO Showtime 32:57.180 --> 32:59.180 He was heard in Madison Square 32:59.180 --> 33:01.180 Garden when the next came out 33:01.180 --> 33:03.180 And he's really been around for a long time 33:03.180 --> 33:05.180 But he finally got back to writing songs on his own 33:05.180 --> 33:07.180 And he's come up with a great one 33:07.180 --> 33:09.180 That's up on the pot safe music network 33:09.180 --> 33:11.180 This song is called Sweet The Lion Island 33:11.180 --> 33:13.180 And I'm absolutely loving it 33:13.180 --> 33:15.180 It's just kind of got this great kind of bird's feeling to it 33:15.180 --> 33:17.180 And it just kind of really, really works for me 33:17.180 --> 33:19.180 I think it's going to work for you too 33:19.180 --> 33:21.180 Check this out 33:21.180 --> 33:23.180 It's The Seed Dragons with Sweet The Lion 33:23.180 --> 33:25.180 On your Food Bar Friday 33:25.180 --> 33:27.180 Check this out 33:28.750 --> 36:37.180 [ Music ] 36:37.180 --> 36:42.180 And no one else can make me feel this way 36:43.180 --> 36:48.180 My thanks as always to the official music colleges of the Charney, Sir Jersey Todd 36:49.180 --> 36:54.180 See Dragons and Sweet Delilah, you need to wake me up in the middle of the night to give me a sound like that 36:55.180 --> 36:56.180 That's 60s kind of 36:57.180 --> 37:01.180 I would call it the era of the pirate ships in the North Sea 37:02.180 --> 37:04.180 Those of you old enough to know what the hell I'm talking about 37:05.180 --> 37:06.180 Nice, really, really nice 37:07.180 --> 37:10.180 Oh man, I'm not even halfway through my list of stuff to do for you today 37:11.180 --> 37:14.180 Already at 36 minutes and that's without a check 1, 2, 1, 2 at the beginning 37:15.180 --> 37:21.180 Today, if all things go according to plan, I can't promise it because it's not my call to make 37:22.180 --> 37:25.180 But if all goes according to plan, we may be able to push cheddar live 37:26.180 --> 37:29.180 Which means we'll be able to be messing around with channels all weekend long 37:30.180 --> 37:32.180 You'll know how it's there 37:33.180 --> 37:39.180 If you go to, if you have an account on pod show, you go to your profile page 37:40.180 --> 37:42.180 So mine is adam.podshow.com 37:43.180 --> 37:45.180 And at the top there there's a box and you click on my channels 37:46.180 --> 37:47.180 And it'll look the same 37:48.180 --> 37:50.180 Only there will be different options to play the channels 37:51.180 --> 37:52.180 And you'll also see an edit channel button 37:53.180 --> 37:54.180 That's really all that you have to look for 37:55.180 --> 38:01.180 I don't know if I do anything better than you, but this is the way I see channels 38:02.180 --> 38:05.180 This is for your call, I had to know what's what our control is 38:06.180 --> 38:10.180 In your iTunes, you've got your podcast feed 38:11.180 --> 38:16.180 So you've got your list of big busy news, daily source code, blah blah blah 38:17.180 --> 38:20.180 Your channel is just an RSS feed, that's all it is 38:21.180 --> 38:23.180 Put in the channel manager on pod show website 38:24.180 --> 38:27.180 You're actually controlling what gets dumped into that feed 38:28.180 --> 38:31.180 Oh James, I love it when you're on the money 38:32.180 --> 38:34.180 Regardless of what it is, it does not have to be described 38:35.180 --> 38:37.180 Somebody else's feed, it does not have to be described 38:38.180 --> 38:42.180 XML or RSS, it's just it's 38:43.180 --> 38:46.180 It's as easy as dragging a dropping an icon into a box 38:47.180 --> 38:50.180 That's exactly what it is James, you don't have to know about feeds or anything 38:51.180 --> 38:53.180 You just say, hey, here's an episode or here's a show 38:54.180 --> 38:56.180 I want to put it into the channel, drag, drop, done 38:56.180 --> 39:01.180 It's the files that you will top of yourself from other places on the network 39:02.180 --> 39:03.180 I like that top up yourself, yeah 39:04.180 --> 39:08.180 RSS feeds, so I can get for my wife, for her podcast channel 39:09.180 --> 39:12.180 On iTunes, which she never updates, I can now create a channel for her 39:13.180 --> 39:17.180 And drop in the favorite YouTube best of YouTube video 39:18.180 --> 39:21.180 Or a favorite daily source code or an accident house 39:22.180 --> 39:25.180 One episode at a time, all the entire feed 39:26.180 --> 39:31.180 Do it, for example, I'm going to take 2-10 of best of YouTube 39:32.180 --> 39:35.180 I'm going to drop that into a little bit, that's my feed 39:36.180 --> 39:40.180 Then the next time my wife opens a iTunes and syncs a iTunes to podcast 39:41.180 --> 39:43.180 It then goes to that feed, the one that I've created 39:44.180 --> 39:46.180 Which will now call the channel 39:47.180 --> 39:51.180 And it will pull them, what I've dropped in that book of media content 39:52.180 --> 39:54.180 James, hold on, let me give you a boing 39:54.180 --> 39:56.180 Oh, yes, I love it when you're right on the money, dude 39:57.180 --> 39:59.180 So I control the RSS feed from within potential 40:00.180 --> 40:01.180 Yes, does that make sense? 40:02.180 --> 40:04.180 Yeah, even better than that, as you're roaming around pod show 40:05.180 --> 40:09.180 If you find a show or an episode you like, you can just click get it 40:10.180 --> 40:12.180 And then you can add it to the channel right from there 40:13.180 --> 40:14.180 You can just say, oh, okay, I'm just going to add this to the channel 40:15.180 --> 40:16.180 Just pop it right in 40:17.180 --> 40:19.180 One after even go to the channel manager, you can just add it as you're surfing along 40:20.180 --> 40:21.180 And any channel 40:21.180 --> 40:23.180 Sound like what it's after 40:23.180 --> 40:26.180 The reason that it works so well as far as I'm concerned 40:27.180 --> 40:30.180 It's because I can take instead of going to my friends and send them an email 40:31.180 --> 40:33.180 Go and check the send them a net download this download the other 40:34.180 --> 40:37.180 I just give my friends my RSS feed 40:38.180 --> 40:39.180 And see, stick that on iTunes 40:40.180 --> 40:43.180 And every time you want iTunes all sent or I don't get it 40:44.180 --> 40:47.180 You get all the stuff that I wanted to show you today at work 40:47.180 --> 40:50.180 But instead of me taking 20 minutes out of the way to tell you all about this 40:51.180 --> 40:52.180 You just download it anyway 40:53.180 --> 40:54.180 Off you feed 40:55.180 --> 40:56.180 And that's all it works 40:57.180 --> 40:59.180 Because it's so all in comparison 41:00.180 --> 41:01.180 You wear 41:02.180 --> 41:04.180 And then the RSS starts getting complicated 41:04.180 --> 41:06.180 I can take their feed and put them into one for me 41:07.180 --> 41:10.180 Swat and take bobs and jones and clairs and sanders feed 41:11.180 --> 41:14.180 And put them into one feed for me and don't let in my iTunes 41:14.180 --> 41:17.180 So I don't have to subscribe to each individual one direct in iTunes 41:18.180 --> 41:19.180 I just put all their feed in my feed 41:20.180 --> 41:23.180 So now I've got my wife's feed and my friend's feed 41:24.180 --> 41:25.180 And they will come in the iTunes 41:26.180 --> 41:27.180 Yes, where it's complicated 41:28.180 --> 41:29.180 You can stick those two in the one feed and pull that in 41:30.180 --> 41:31.180 Put that right 41:32.180 --> 41:33.180 Yes, that's right 41:34.180 --> 41:35.180 That's right 41:36.180 --> 41:39.180 James, I was smiling from just a shit eating grin 41:40.180 --> 41:41.180 From ear to ear when I heard that 41:42.180 --> 41:44.180 Just before the show, exactly James 41:45.180 --> 41:46.180 And a couple caveats to that 41:47.180 --> 41:48.180 I think when we push cheddar live 41:49.180 --> 41:51.180 We won't have the get channel 41:53.180 --> 41:54.180 Functionality live yet 41:55.180 --> 41:57.180 Because we really don't know how that's going to work 41:58.180 --> 42:00.180 We really don't know what the result is going to be on scale 42:01.180 --> 42:02.180 You know, if 42:03.180 --> 42:04.180 Who knows 42:05.180 --> 42:06.180 I really just don't know 42:07.180 --> 42:09.180 So we want to make sure that we're not going to bring the site to its knees 42:09.180 --> 42:11.180 If everyone's putting channels and channels and channels on the first day 42:12.180 --> 42:14.180 So it's all beta and it's all going to be ugly 42:15.180 --> 42:17.180 And it's not about the interfaces about the functionality 42:18.180 --> 42:19.180 We're not going to promote this heavily 42:20.180 --> 42:22.180 It's just you and me guys, essentially we're going to know about this 42:23.180 --> 42:24.180 And one other thing I wanted to say 42:25.180 --> 42:26.180 In our philosophy 42:27.180 --> 42:30.180 Which, by the way, is not far from the philosophy of Apple 42:31.180 --> 42:33.180 When it comes to operating systems and formats 42:34.180 --> 42:35.180 But that's a different conversation 42:36.180 --> 42:38.180 What if you had a channel of PDFs 42:39.180 --> 42:41.180 Do you think those would play in the dashboard? 42:42.180 --> 42:45.180 Could be. What if you had a channel of pictures from a gallery 42:46.180 --> 42:48.180 What if you had a channel of blog posts 42:49.180 --> 42:51.180 I mean all of a sudden you're seeing that you can mesh together 42:52.180 --> 42:53.180 Feeds of all kinds of different content 42:54.180 --> 42:56.180 And you can become a broadcast or a producer 42:57.180 --> 42:58.180 A distributor of information 42:59.180 --> 43:02.180 Extremely valuable stuff in the interconnected world 43:03.180 --> 43:05.180 And I've been talking about this all week 43:06.180 --> 43:07.180 Hopefully that'll go live today again 43:07.180 --> 43:10.180 You'll know if you go to your profile page and you click on my channels 43:11.180 --> 43:13.180 You'll see that there's different ways to output it 43:14.180 --> 43:16.180 Not just to put it on your iPod James, but you can also say, hey, just play it right here 43:17.180 --> 43:20.180 So if you're not near your iTunes, you can just log into your account 43:21.180 --> 43:23.180 Any web browser and enjoy your channels on the dashboard 43:24.180 --> 43:27.180 Right from poncho.com or put it into Windows Media Player 43:28.180 --> 43:30.180 Or some other player that'll handle everything 43:31.180 --> 43:32.180 It's a big one 43:33.180 --> 43:34.180 I'm really excited about 43:38.180 --> 43:39.180 Hey podcast business 43:40.180 --> 43:43.180 My name is loosegagging and I'm inviting you to my Los Angeles Music Awards showcase 43:44.180 --> 43:47.180 Well, I've got nominated for best alternative song with my track what I 43:48.180 --> 43:50.180 And if you're in the alley area, Sunday July 15th 43:51.180 --> 43:52.180 Come on over to the parliament 43:53.180 --> 43:55.180 It's a 3, 3, 8, 7, motor Avenue, West LA 43:56.180 --> 43:58.180 And from more information and tickets, you can go to my website 43:59.180 --> 44:00.180 Which is over at nooshscalgan.com 44:01.180 --> 44:05.180 That's n-o-u-s-h-s-k-a-u-g-e-n.com 44:05.180 --> 44:07.180 And see it show you my teeth 44:26.180 --> 44:29.180 This is Busy Kajou and each and every week on Solipsistic Nation 44:30.180 --> 44:33.180 I play the absolute best from all genres of electronic music 44:33.180 --> 44:37.180 This week we'll delve into grime and dubstep and their love child grime step 44:38.180 --> 44:42.180 We'll hear a music from focus, tecmatics, DJ Flex and much much more 44:43.180 --> 44:47.180 Plus interviews with Leo from grime step international and the lads from the UK connection 44:48.180 --> 44:54.180 Quick rapping with like the electronic hip hop sounds that's based in some sort of Jamaican groove 44:55.180 --> 44:58.180 It's really hard to explain it without using the term grime 45:03.180 --> 45:06.180 The drum sculpt is made of a blue bric and it's brought it back to the room 45:07.180 --> 45:08.180 The past is made of kind of bad enough 45:09.180 --> 45:11.180 The drum sculpt kind of just brought it back in with these blue grimes 45:12.180 --> 45:13.180 Cut them out and I'm feeling it messed up 45:14.180 --> 45:15.180 I think it's just being in a back to the room 45:16.180 --> 45:17.180 Join us at Solipsistic Nation.com 45:18.180 --> 45:19.180 For mix of grime, dubstep and grime step 45:20.180 --> 45:23.180 With base frequencies so low you'll fill it in your bones 45:23.180 --> 45:26.180 So we want a T.F.I.S.A.A.C. Nation.com 45:27.180 --> 45:28.180 What's up together? 45:28.180 --> 45:31.180 The page nine and you're listening to the daily source code 45:31.180 --> 45:33.180 Look in for your mind's eyes 45:34.180 --> 45:35.180 Hell yeah 45:36.180 --> 45:37.180 Marcus Kaos checks it 45:38.180 --> 45:39.180 Bring us another page nine 45:40.180 --> 45:41.180 Mark the pussy 45:42.180 --> 45:43.180 I'm from our front end 45:44.180 --> 45:46.180 Laced in transmittions of anonymity 45:46.180 --> 45:49.180 There'll apply's wasted space in my vicinity 45:49.180 --> 48:47.180 [ Music ] 48:47.180 --> 49:17.180 I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'll't, I'm not, I'm not, I'm not, I'm not, I'm not anymore, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not. I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm not, I'm 49:17.180 --> 49:21.420 is that you've knocked you on the ground agnag recipe? 49:21.420 --> 49:24.280 Yeah that's right well you'd rather talk to my wife but you know we just 49:24.280 --> 49:28.380 called we wanted to call you the pod father and announce our a year at the 49:28.380 --> 49:34.460 wheel podcast video cast and you know and we're gonna drive around for a whole 49:34.460 --> 49:40.300 year and talk to people and videotape them and podcasts. Yeah exactly and 49:40.300 --> 49:43.540 you should go on and explain the adamant that said I'm creeped like I'm an 49:43.540 --> 49:48.340 gateway. It's because you watched how you were coming from Stanford so 49:48.340 --> 49:55.780 yeah I think. Anyway you know I year at the wheel.com. Yeah check it out it can be 49:55.780 --> 49:59.260 so much fun and hopefully we won't get arrested anywhere. Yeah we end up 49:59.260 --> 50:03.900 watching a DC November I'm super Tuesday November 4th and we're gonna go 50:03.900 --> 50:07.860 like to stirge his bike rally and the Republican National Convention so we're 50:07.860 --> 50:11.780 mixing it up because we're gonna cover the election for a whole year. And you 50:11.780 --> 50:15.900 know podcasting is basically ruined our life so we just thought we'd go 50:15.900 --> 50:19.500 with it you know we've started we've been podcasting for four years we got thrown 50:19.500 --> 50:23.940 out of a town because of it and no embrace the hate. Okay look this is such a 50:23.940 --> 50:29.260 long message okay bye yeah Mr. Curry. Thanks thanks for making me feel old 50:29.260 --> 50:34.460 at the rear very in there. Okay very interesting. The reason of course why I 50:34.460 --> 50:39.100 find this interesting is I think this is a perfect tie in for the one and only. 50:41.780 --> 50:59.500 If you recognize the tune sing along. Okay you kids now I'm not quite sure 50:59.500 --> 51:02.860 about you getting thrown out of a town and in fact that only kind of enhances 51:02.860 --> 51:07.180 the appeal to me. I like rebels. I think this is what I've been looking for and 51:07.180 --> 51:11.020 just hit me just before the show that I'd like to make you guys an offer. Now 51:11.020 --> 51:14.700 let me just play a little open kimono here on the free Trinity Project. 51:14.700 --> 51:20.500 A whole lot of water under the bridge. I see it as a very very complicated 51:20.500 --> 51:24.500 to do with multiple people and you were the first ones who well you're of 51:24.500 --> 51:27.580 course you're not offering this to me but you're going to be on the road for a 51:27.580 --> 51:31.780 year. Now I've been trying to get this Trinity Project set up and I know that 51:31.780 --> 51:37.380 it's going to take money and resources and effort to really pay it off and make 51:37.420 --> 51:42.020 it work and we want to have lots of people involved. They need to have expenses 51:42.020 --> 51:48.380 covered or at least that because it's a big deal. It's driving a car that can 51:48.380 --> 51:53.500 fall apart easily. So we went searching for some sponsors. We got some 51:53.500 --> 51:59.100 interest from Nokia and due to all the talk about that Tom Tom go became very 51:59.100 --> 52:03.380 interested in fact that they come out with their new summer GPS products. So 52:03.380 --> 52:06.460 they come out with their new products, the GPS products in the summer and 52:06.460 --> 52:11.380 believe it or not we also got some significant interest from Mercedes Benz who of 52:11.380 --> 52:15.420 course love the whole idea that they're car or they're one of their models as 52:15.420 --> 52:18.900 being used. Although not entirely representative of the current Mercedes Benz 52:18.900 --> 52:25.660 line I might add out point out. So here's what I propose to you guys. I would 52:25.660 --> 52:31.660 love nothing more than to have you spend a year at the wheel in Trinity and 52:31.660 --> 52:36.860 here's the commitment I'll make. We will make sure that she stays on the road. 52:36.860 --> 52:41.420 Either we'll do it or we'll do it withheld from Mercedes Benz who may have to 52:41.420 --> 52:47.260 provide a sweep up van pick up all the bits behind her but that should be 52:47.260 --> 52:51.660 relatively doable. I think the engine will hold together just by every single 52:51.660 --> 52:57.540 part has been replaced so that should work. To cover your expenses not just the 52:57.540 --> 53:01.220 expenses of what you're doing but really for producing the content I'd like to 53:01.220 --> 53:06.060 compensate you. I'd like to pay you to do that and that's where I'd like the 53:06.060 --> 53:09.460 community to kick in and help you guys determine where you're going to do 53:09.460 --> 53:14.180 where you're going to go. And can you imagine how awesome it will be to have a 53:14.180 --> 53:23.460 biodiesel car show up on super Tuesday? I mean it seems so logical to me. 53:23.460 --> 53:27.460 So there you go. I think we finally have something. I don't know if I can get 53:27.460 --> 53:30.820 the sponsors in but I will commit if you guys will commit to staying on the road 53:30.820 --> 53:35.740 for a year and doing it in Trinity I'll commit to keep the car on the road and I 53:35.740 --> 53:41.980 will compensate you guys for doing this and for let's see actually I'm looking 53:41.980 --> 53:45.660 at the year to wheel.com see sponsored you guys have any sponsors yet no 53:45.660 --> 53:52.260 not yet. Okay so if you're interested let me know because I think we finally 53:52.260 --> 53:56.860 have something and we can still you know hit all the people who are interested 53:56.860 --> 54:00.180 in participating because you'll just stop by say hi to everybody and we'll 54:00.180 --> 54:04.580 create podcasts and video stuff and we'll cause a ruckus and we're going to get 54:04.580 --> 54:08.180 noticed. I know we will and it's all about independence. You too seem like 54:08.180 --> 54:15.060 very independent spirits. So and apparently you know you can do this. You can 54:15.060 --> 54:22.140 f off for a whole year and drive around. I'm insanely jealous. So that's my 54:22.140 --> 54:26.300 thought. I'd love to hear from you guys open kimono time really appreciate the 54:26.300 --> 54:31.620 feedback. All right one more song for today then. One of new black lab 54:31.620 --> 54:36.900 comes out you can't help but play it. No I'm saying I mean guys are such friends 54:36.900 --> 54:41.780 of the Charlie. Don't know if this is up on the PMN yet but Neil sent the 54:41.780 --> 54:44.780 to me so happy to play it. 54:46.250 --> 57:54.580 [ Music ] 57:54.580 --> 58:06.580 I'll go down before it's through. It's not the secret that I've got one last chance to show you the real you. 58:06.580 --> 58:14.580 Black Lab brand new and of course big friends of the show. 58:14.580 --> 58:21.580 Man it's almost been an hour. It's been quite a ride. It's been a very vocal aggressive maximum music 58:21.580 --> 58:27.580 full bar Friday. I'm almost fatigued from doing all this today. 58:27.580 --> 58:30.580 It's Friday. 58:30.580 --> 58:39.580 Well the final thought for this week is all about the society of the spectacle red pill blue pill stuff. 58:39.580 --> 58:44.580 So let's just say that we all are caught in the society of the spectacle and whatever 58:44.580 --> 58:50.580 the spectacle of the day is the spectacle du jour. We pay attention to it and get completely sucked into it. 58:50.580 --> 58:57.580 So stuff like the earth is going to explode and die. We're going to die of horrible diseases. 58:57.580 --> 59:03.580 A Britney Spears is the best thing since sliced bread. And Paris, Hilton going to jail. These are all spectacles. 59:03.580 --> 59:10.580 And of course what's really happening is that people are starting to basically take the red pill 59:10.580 --> 59:16.580 and unhook from the matrix and they're finding alternatives. They're finding different music, different programming, 59:16.580 --> 59:21.580 different media, different people, different connections, different contacts, mainly throughout the internet. 59:21.580 --> 59:24.580 And that is really the revolution. 59:24.580 --> 59:29.580 And you know, revolutions aren't just one single event. They often take many, many, many events 59:29.580 --> 59:35.580 and many, many years to finally push through. And I think that we're kind of in the same situation. 59:35.580 --> 59:44.580 So instead of trying to convince people to unplug from the matrix, instead of trying to give them the choice of taking the red pill, 59:44.580 --> 59:51.580 I think we have to create our own spectacle. So things like a year at the wheel with free Trinity, that's a spectacle, 59:51.580 --> 59:57.580 things like bum rush the charts, that's a spectacle. You know, we have to create these spectacles to get people to say, 59:57.580 --> 01:00:02.580 Oh, wait a minute. There's another spectacle over there and jack into our matrix. 01:00:02.580 --> 01:00:07.580 And then it's very easy for us to slip them the red pill. You know what I'm saying? 01:00:07.580 --> 01:00:11.580 So keep that in mind. Oh, and there's one other thing I was thinking about last night. 01:00:11.580 --> 01:00:15.580 It is time for me once again to post a link to the Zen TV experiment. 01:00:15.580 --> 01:00:20.580 I've done it probably about twice a year for the past three years. 01:00:20.580 --> 01:00:24.580 And it's time to post it once again. If you really want to know what television is doing to you. 01:00:24.580 --> 01:00:36.580 Right down to the heart of this whole flap. I don't know if you were following it. The BBC had a trailer running for a documentary about the queen. 01:00:36.580 --> 01:00:43.580 And Annie Leibowitz and one scene was photographing the queen. And she asked the queen if she could take the crown off. 01:00:43.580 --> 01:00:49.580 And the queen made some remark cut to the queen's storming off. Well, it turns out, and I love this. 01:00:49.580 --> 01:00:53.580 It turns out that that was a setup. The queen didn't actually storm off. 01:00:53.580 --> 01:01:01.580 In fact, they took footage of her walking into the room and made it seem like she got pissed off about the question and walked off with a photo shoot. 01:01:01.580 --> 01:01:05.580 And they had to apologize to the queen because it didn't happen that way. Oh, gee. 01:01:05.580 --> 01:01:09.580 You mean you're telling me that television lies? No. 01:01:09.580 --> 01:01:13.580 You're not actually going to tell me that they fake stuff to make it more interesting? No. 01:01:13.580 --> 01:01:17.580 You're not going to tell me that happens through video editing. Are you? No. Oh, my gosh. 01:01:17.580 --> 01:01:20.580 There's gambling going on here. No. 01:01:20.580 --> 01:01:26.580 So you take this as MTV experiment. And then you tell me. Next week when you call and you tell me, 01:01:26.580 --> 01:01:31.580 if you don't think that you are completely blue-pilling yourself when you're watching mainstream media. 01:01:31.580 --> 01:01:34.580 And that my friends is the final thought of the week. 01:01:34.580 --> 01:01:46.580 Today at resourceco.com, Adam at podshow.com, I want you to have yourselves a fantastic weekend. 01:01:46.580 --> 01:01:50.580 And I'll be back here on Monday. Please join me. Bye, everybody. 01:01:50.580 --> 01:01:54.580 Another podshow podcast. Stick it in your ear. 01:01:54.580 --> 01:02:02.580 The best and the brightest. 01:02:02.580 --> 01:02:07.580 Saved up daily by the sharpest minds in content delivering podshow and limelight.