WEBVTT 00:00.000 --> 00:04.000 Hey Tony, what are you doing? 00:04.000 --> 00:09.000 Uh, trying to find something good on the tube, you know, just serve in the channels. 00:09.000 --> 00:12.200 Tony, you'll never find anything like that because you're doing it old school. 00:12.200 --> 00:13.200 That's the old channels. 00:13.200 --> 00:16.600 You need to search the new channels, the podshow channels. 00:16.600 --> 00:19.600 Go over to podshow.com, check out the channels. 00:19.600 --> 00:20.600 You got all kinds of channels. 00:20.600 --> 00:22.600 You got geek brief TV. 00:22.600 --> 00:26.000 Ah, that Kelly Lewis really does something to my hard drive. 00:26.000 --> 00:27.000 Uh, yeah. 00:27.000 --> 00:30.000 And you got channels from music, you got channels from video. 00:30.000 --> 00:32.000 Josie Todd's got a whole bunch of channels over there. 00:32.000 --> 00:33.680 So go check those out. 00:33.680 --> 00:34.680 This is the new wave. 00:34.680 --> 00:39.240 It's a new wave of media and it's the new channel surf and riding the new wave. 00:39.240 --> 00:41.200 You know what I'm talking about, Tony? 00:41.200 --> 00:46.400 Just listen to the DSC 643 and Adam's going to tell us all about the channels. 00:46.400 --> 00:47.400 He calls him Cheddar. 00:47.400 --> 00:49.000 The, like, the cheese? 00:49.000 --> 00:50.000 Yeah, Tony. 00:50.000 --> 00:51.000 You're smart as a whip. 00:52.000 --> 00:57.000 With $16 million worth of airplane strapped to my ass. 00:57.000 --> 01:00.000 Then the next generation radio content in my ears. 01:02.000 --> 01:05.000 I like to think I'm flying into the future. 01:05.000 --> 01:08.000 I'm testing you, Adam Curry. 01:08.000 --> 01:11.000 Feet Furrier in of the sun. 01:11.250 --> 01:56.250 [ Music ] 02:03.750 --> 02:26.000 [ Music ] 02:26.000 --> 02:31.000 Let me, all right, we'll watch it in the front of our hearts 02:31.000 --> 02:33.000 Girl, you never want to kiss me 02:33.000 --> 02:35.000 I love you, it's not here for you 02:35.000 --> 02:38.000 Always want you with me, I'll play Bobby and you play with me 02:38.000 --> 02:42.000 If you smoke that smoke too, that's how much I'm in love with you 02:42.000 --> 03:08.000 [ Music ] 03:08.000 --> 03:12.000 We got that I need you, you must have caught at me 03:12.000 --> 03:14.000 Kid, that's why you don't believe me 03:14.000 --> 03:17.000 Look, you need me 03:17.000 --> 03:20.000 Guilty because you are a Car 03:20.000 --> 03:23.000 Guilty that's right a crazy girl 03:23.000 --> 03:24.000 Guilty that's right a girl 03:24.000 --> 03:27.000 Guilty that's right a DJ 03:27.000 --> 03:28.000 Guilty that's right a girl 03:28.000 --> 04:03.420 [ Music ] 04:03.420 --> 04:07.420 Give me, give me, give me. 04:07.420 --> 04:10.420 I don't know what you know for dinner. 04:11.420 --> 04:14.420 I don't want you to die. 04:14.420 --> 04:17.420 Mash that a lino, watching it die. 04:17.420 --> 04:19.420 I'm just thinking of your pipe. 04:19.420 --> 04:21.420 I ain't no for dinner. 04:21.420 --> 04:23.420 And I'm so good. 04:23.420 --> 04:25.420 I ain't no for dinner, sir. 04:27.420 --> 04:28.420 What? 04:28.420 --> 04:29.420 How the hell? 04:39.420 --> 04:42.420 DJ Max entropy. 04:42.420 --> 04:44.420 The funk with my favorite son. 04:44.420 --> 04:47.420 Of course, CCR mixed up with Black Eyed Peas. 04:47.420 --> 04:50.420 Kicking off episode 643 of the Daily Source Code. 04:50.420 --> 04:51.420 Hey, everybody. 04:51.420 --> 04:54.420 I don't know about you, but I am officially neckard. 04:54.420 --> 04:59.420 I don't know if it's the correct use of the word, but man, man, man, man. 04:59.420 --> 05:00.420 You know, this is tough. 05:00.420 --> 05:04.420 I long for the days when all I have to do is just sit around and make a show. 05:04.420 --> 05:07.420 Boy, what I make a great show for you every single day would be so 05:07.420 --> 05:10.420 perfectly pre-produced. 05:10.420 --> 05:12.420 Sorry about yesterday. 05:12.420 --> 05:13.420 I warned you though. 05:13.420 --> 05:15.420 You know, whenever I say, oh, I think I'll do a show later on. 05:15.420 --> 05:18.420 What happens is I don't get home until nine o'clock. 05:18.420 --> 05:19.420 You know, I have my dinner. 05:19.420 --> 05:22.420 Nine o'clock, of course, I got to watch a big brother while the 05:22.420 --> 05:23.420 dinner is rolling. 05:23.420 --> 05:27.420 By the way, I'm still Brian to win on this thing here in the UK. 05:27.420 --> 05:29.420 And, you know, that's 10 o'clock. 05:29.420 --> 05:32.420 And then essentially, we're taking up until one to pre-produce, 05:32.420 --> 05:35.420 produce, and then, you know, do all the post-production, uploading, etc. 05:35.420 --> 05:36.420 It would be like three hours. 05:36.420 --> 05:38.420 It's kind of what it is. 05:38.420 --> 05:40.420 I just didn't have, I just didn't have, I'm an old man. 05:40.420 --> 05:41.420 I'm sorry. 05:41.420 --> 05:42.420 Just don't have it anymore. 05:42.420 --> 05:45.420 Although I, increasingly, I'm finding people still, you know, 05:45.420 --> 05:47.420 will just won't skip an episode. 05:47.420 --> 05:49.420 And some are like a month behind. 05:49.420 --> 05:51.420 So maybe it's a good way to help people catch up. 05:51.420 --> 05:53.420 In that regard, at least it is. 05:53.420 --> 05:55.420 Hey, the music business is really messed up. 05:55.420 --> 05:57.420 I got this link. 05:57.420 --> 05:58.420 What is it? 05:58.420 --> 06:01.420 Actually, by the way, I want to thank Dr. Art for hooking me up with that, 06:01.420 --> 06:05.420 that mashup that we kicked off with today. 06:05.420 --> 06:09.420 And Dr. Art, he's interested in dental medicine. 06:09.420 --> 06:14.420 The next meeting I have with my professionals is to determine 06:14.420 --> 06:16.420 color and size. 06:16.420 --> 06:18.420 If that helps at all. 06:19.420 --> 06:22.420 So apparently, this is from betanews.com. 06:22.420 --> 06:24.420 I'll put a link in the show notes. 06:24.420 --> 06:31.420 There was a subcommittee of Congress about performers royalties 06:31.420 --> 06:33.420 for being played on the radio. 06:33.420 --> 06:36.420 You've got to read this thing because what's happening now. 06:36.420 --> 06:39.420 It's, you know, amidst all of this debate about, you know, 06:39.420 --> 06:45.420 streaming web radio, paying compulsory fees for all music, 06:45.420 --> 06:47.420 which is not just mainstream. 06:47.420 --> 06:50.420 It's not just any one's music licensed, you know, 06:50.420 --> 06:53.420 signed to a record company or not. 06:53.420 --> 06:55.420 Unless you have a pre-existing arrangement, 06:55.420 --> 06:57.420 such as the Pod Save Music Network. 06:57.420 --> 06:59.420 Now, this is about, you know, 06:59.420 --> 07:01.420 basically it's a bunch of old artists. 07:01.420 --> 07:03.420 And you see this happening every year. 07:03.420 --> 07:06.420 Cliff Richard started yamoring about copyrights expiring 07:06.420 --> 07:08.420 in the UK after 50 years. 07:08.420 --> 07:10.420 He wants to extend it to 70 years because his shit's 07:10.420 --> 07:12.420 coming up for public domain pretty soon. 07:12.420 --> 07:14.420 I understand why he's pissed off about it. 07:15.420 --> 07:17.420 You know, what we can't just keep changing the rules 07:17.420 --> 07:19.420 when we get old, you know, and they're like, 07:19.420 --> 07:20.420 oh, well, this is going to fuck me up. 07:20.420 --> 07:23.420 This is what this isn't what I signed up for, you know. 07:23.420 --> 07:24.420 Now, what's it? 07:24.420 --> 07:27.420 What did I see that was a Roger Daltre of the Who 07:27.420 --> 07:28.420 was doing the same thing? 07:28.420 --> 07:30.420 And now, this is a different issue. 07:30.420 --> 07:33.420 Judy Collins, who sang, uh, 07:33.420 --> 07:34.420 send in the clowns. 07:34.420 --> 07:36.420 One of the songs I dislike the most, I have to say, 07:36.420 --> 07:38.420 just by coincidence. 07:38.420 --> 07:39.420 She's saying, look, you know, 07:39.420 --> 07:42.420 we get record companies made millions on this. 07:42.420 --> 07:46.420 And then we got nothing out of it because we didn't get paid 07:46.420 --> 07:48.420 for every single time we were played on the radio. 07:48.420 --> 07:51.420 So here comes the big raging debate is broad. 07:51.420 --> 07:53.420 And by the way, that's only in the US. 07:53.420 --> 07:55.420 It's not the same in other countries because there are 07:55.420 --> 07:58.420 performance royalty organizations such as the 07:58.420 --> 07:59.420 SNA, the SNEA. 07:59.420 --> 08:02.420 And I believe CSAC also does some of that as well. 08:02.420 --> 08:03.420 But that's beside the point. 08:03.420 --> 08:06.420 This is really about the United States in this particular 08:06.420 --> 08:07.420 instance. 08:07.420 --> 08:10.420 And, you know, it's like, so they're saying, well, 08:10.420 --> 08:12.420 you know, we're being ripped off by the broadcasters because 08:12.420 --> 08:13.420 they're getting a free ride. 08:13.420 --> 08:15.420 And I have to kind of take the side of the broadcasters 08:15.420 --> 08:17.420 in this because, you know, it is promotional. 08:17.420 --> 08:20.420 And, you know, and it gives you read this. 08:20.420 --> 08:23.420 It's the most absurd thing you've ever read in your life. 08:23.420 --> 08:25.420 I feel bad for artists getting screwed by their 08:25.420 --> 08:26.420 record companies. 08:26.420 --> 08:30.420 But I totally disagree with this whole idea of, you know what? 08:30.420 --> 08:31.420 Fuck you. 08:31.420 --> 08:32.420 Fuck you, Judy Collins. 08:32.420 --> 08:33.420 I'm not going to play your song. 08:33.420 --> 08:35.420 I'll never play your send in the clowns song. 08:35.420 --> 08:38.420 You know, it's, it is about promotion. 08:39.420 --> 08:42.420 You know, if everybody in the world who does something creative, 08:42.420 --> 08:45.420 you know, it just stands in with a handout. 08:45.420 --> 08:46.420 We're going to get nowhere. 08:46.420 --> 08:48.420 You know, there's got to be some hand-offs. 08:48.420 --> 08:51.420 And, clearly, it works because the pod safe music network is growing. 08:51.420 --> 08:54.420 In fact, got a great story about that at the end of the show 08:54.420 --> 08:56.420 about a new band on the network. 08:56.420 --> 08:57.420 And it works. 08:57.420 --> 08:58.420 You know, they understand that, you know, 08:58.420 --> 09:01.420 making money off of the music alone just isn't the way to do it anymore. 09:01.420 --> 09:04.420 And I'm sorry if you feel that you're too old to go out and do gigs. 09:04.420 --> 09:07.420 You know, there used to be a lot of jobs that no longer 09:07.420 --> 09:08.420 exists. 09:08.420 --> 09:10.420 It's just that we're just what happens. 09:10.420 --> 09:12.420 It's what happens with technological innovation. 09:12.420 --> 09:13.420 It really does. 09:13.420 --> 09:18.420 You know, I used to get paid a lot more than I get paid now to do a lot less work 09:18.420 --> 09:19.420 in broadcasting. 09:19.420 --> 09:21.420 It's just the way it works. 09:21.420 --> 09:25.420 We're in a transitional phase, which could last 10, 15, 20 years. 09:25.420 --> 09:26.420 I don't know. 09:26.420 --> 09:30.420 See, there was some, as a feedback about this actually. 09:30.420 --> 09:33.420 Hey, Adam and listeners of the Charlie Howard Greenstein here in New York. 09:33.420 --> 09:38.420 And I just came across an editorial in the bit player blog on the LA times 09:38.420 --> 09:41.420 about the webcasting royalty issues. 09:41.420 --> 09:46.420 There's some research now that says that the, it came actually from my 365 09:46.420 --> 09:51.420 and said that more than 55% of the music played on its channels came from independent artists, 09:51.420 --> 09:57.420 which is a hugely disproportionate share compared to CD sales and regular airplay, 09:57.420 --> 10:00.420 which is usually about 87% of the major markets. 10:00.420 --> 10:05.420 So basically, people who are doing webcasts on things like live 365 are playing a huge amount 10:05.420 --> 10:13.420 more independent music, which basically translates to the fact that the indie music world 10:13.420 --> 10:16.420 has a lot more incentive to keep webcasting alive. 10:16.420 --> 10:28.420 It has a lot more incentive to have a more rich and open and independent and free set of music 10:28.420 --> 10:35.420 for people to play than the majors and the radio stations and the folks who are basically pushing 10:35.420 --> 10:38.420 for the rate increase for independent web gestures. 10:38.420 --> 10:44.420 So some more fuel for the fire is how Greenstein in New York and I hope everyone has great day. 10:44.420 --> 10:45.420 Yeah, Howard, I appreciate that. 10:45.420 --> 10:47.420 Good friend of the show there, Howard is. 10:47.420 --> 10:52.420 But you know what, Howard and others who are looking at this. 10:52.420 --> 10:54.420 First of all, it's all, it's all food bar. 10:54.420 --> 10:57.420 Every single angle you come at this, it's just a waste of energy. 10:57.420 --> 10:59.420 Route around it already. 10:59.420 --> 11:00.420 Just forget about it. 11:00.420 --> 11:04.420 There's no way you're going to change people's minds and be very careful of the Indies. 11:04.420 --> 11:08.420 Because the Indies are in the big, you know, they're at the big table as well. 11:08.420 --> 11:16.420 And, you know, their Indies doesn't necessarily mean independent people who just put their music up. 11:16.420 --> 11:20.420 You know, these are smaller versions of record companies as they exist today. 11:20.420 --> 11:24.420 With smarter marketing plans, I think better packaging ideas, 11:24.420 --> 11:28.420 but essentially the same business model, making money off of the artists. 11:28.420 --> 11:32.420 So, and not, I'm not saying this anything wrong with it, but just be careful. 11:32.420 --> 11:39.420 You know, it's like, it's not like just because independent, independent labels are being played more on web 11:39.420 --> 11:45.420 strip streams that it makes any difference that they would necessarily not want their artists to be compensated per person listening. 11:45.420 --> 11:47.420 I think they probably do in many cases. 11:47.420 --> 11:50.420 Probably because they may actually have a back end deal on that. 11:50.420 --> 11:56.420 So, you know, I don't have the answers, but I do know that whatever we're doing, 11:56.420 --> 12:04.420 it's a lot better in my humble opinion to put all of our energy and resources into routing around this and fire in the entire train wreck. 12:04.420 --> 12:07.420 You know, please, and don't rub or neck while you're driving by. 12:07.420 --> 12:10.420 But let's just drive by. 12:10.420 --> 12:13.420 Today a very exciting day, I think it's been months. 12:13.420 --> 12:20.420 I can't even count the months how long it's been since this savant has been on the show. 12:20.420 --> 12:23.420 And today he returns in true form, my friend. 12:34.420 --> 12:36.420 Hello, I'm Roger here. 12:36.420 --> 12:40.420 You asked us more examples of mainstream media deception. 12:40.420 --> 12:44.420 You have a nice, lovely video called High School House for the intrigue. 12:44.420 --> 12:47.420 There's a thing closely, I noticed it's ever chilly, 12:47.420 --> 12:50.420 you're getting spit roasted with a leaked fat here's old. 12:50.420 --> 12:53.420 But then it seems to be a girl on there, wasn't your age. 12:53.420 --> 12:58.420 So, just another example of a blatant lie surrounding the TV industry. 12:58.420 --> 12:59.420 Why can't this respond? 12:59.420 --> 13:04.420 It's why everyone gets so obsessed about things come for 25 times by a big brother lie. 13:04.420 --> 13:09.420 Yeah, when we spend billions of pounds on a wall based on a lie, no one gives us up. 13:09.420 --> 13:12.420 So, that's something he needs to discuss on your show. 13:12.420 --> 13:13.420 Right now? 13:13.420 --> 13:15.420 Oh, my goodness. 13:15.420 --> 13:20.420 Yes, ladies and gentlemen, a round of applause for Roger Smalls who totally nails it. 13:20.420 --> 13:22.420 What the hell are we thinking? 13:22.420 --> 13:23.420 Yeah. 13:34.420 --> 13:37.420 But you know Roger, and of course your point is so well taken. 13:37.420 --> 13:42.420 Why are we making such a big deal out of being ripped off of a couple of quid for some lies 13:42.420 --> 13:48.420 when there's billions being spent surrounding one huge lie? 13:49.420 --> 13:50.420 Yeah. 13:50.420 --> 13:56.420 By the way, I think the millions still would have spent and we probably still would have gone for a presence in the Middle East. 13:56.420 --> 14:02.420 But the fact that it was brought to us and presented to us as a huge terrifying war on terror lie. 14:02.420 --> 14:05.420 Yeah, that's pretty frickin' offensive for sure. 14:05.420 --> 14:07.420 But I love how you hone right in on that Roger. 14:07.420 --> 14:15.420 By the way, I'm still getting tons and tons of feedback on people's experiences with mainstream media primarily. 14:16.420 --> 14:21.420 And a most banister sent me a great link to a YouTube video which I'll put in the show notes as well. 14:21.420 --> 14:24.420 It's called Reality TV Editing. 14:24.420 --> 14:35.420 If you really want to see the power of television and how you can take one scene, just one scene captured with multiple cameras and how you can edit that to fit the storyline. 14:35.420 --> 14:37.420 I think it's from BBC Four. 14:37.420 --> 14:39.420 So I'm happy that that's up there illegally on YouTube. 14:39.420 --> 14:41.420 Get the link while you can. 14:42.420 --> 14:43.420 It will blow you away. 14:43.420 --> 14:45.420 It's really, really well done. 14:45.420 --> 14:46.420 Just an example. 14:46.420 --> 14:50.420 So the presenter of this show says, okay, so I'm going to tell it really lame joke. 14:50.420 --> 14:52.420 And then he shows two scenarios. 14:52.420 --> 14:55.420 One where people are laughing and the other one where people are going, huh? 14:55.420 --> 15:00.420 And then he shows, okay, I can make this girl look like she's totally coming on to me or like she's totally not interested. 15:00.420 --> 15:06.420 And literally with the same material just by using digital editing techniques, they show you how it's done. 15:06.420 --> 15:08.420 And it's, it's awesome. 15:08.420 --> 15:09.420 Awesome. 15:10.420 --> 15:13.420 It's almost as good as watching the Zen TV experiment. 15:13.420 --> 15:17.420 If you watch Big Brother or any of these reality shows, have a look at this. 15:17.420 --> 15:19.420 And I mean, if look, I love Big Brother. 15:19.420 --> 15:20.420 I know how it works. 15:20.420 --> 15:21.420 I love it. 15:21.420 --> 15:24.420 I totally enjoyed a story unfolding in front of me. 15:24.420 --> 15:25.420 And I do not see it as reality. 15:25.420 --> 15:29.420 I see it as a wonderfully told story done by amazing professionals. 15:29.420 --> 15:31.420 It's no more no less. 15:31.420 --> 15:35.420 That's why it's so easy for me to say Brian to win because I know how this stuff works. 15:36.420 --> 15:38.420 Oh, oh, crikey. 15:38.420 --> 15:41.420 Something from the hell way once again. 15:41.420 --> 15:44.420 We're Mississippi Coast Highway. 15:44.420 --> 15:47.420 And you, my big reggae. 15:47.420 --> 17:22.420 [ Music ] 17:22.420 --> 17:23.420 You suck. 17:23.420 --> 17:25.420 To both the Razzard. 17:25.420 --> 17:26.420 We're fucked. 17:26.420 --> 17:28.420 Both the Razzard. 17:28.420 --> 17:29.420 You suck. 17:30.420 --> 17:31.420 Keep that. 17:31.420 --> 17:32.420 Chiroky. 17:32.420 --> 17:34.420 I think it's pretty clear that Pacifico's 17:34.420 --> 17:36.420 Hellwise has been nominated for a podcast award. 17:36.420 --> 17:40.420 And I have received, probably, 30. 17:40.420 --> 17:41.420 40 different. 17:41.420 --> 17:42.420 Please. 17:42.420 --> 17:43.420 People saying. 17:43.420 --> 17:45.420 Oh, please. 17:45.420 --> 17:46.420 Tell your listeners to vote for us. 17:46.420 --> 17:48.420 This is what I hate about awards. 17:48.420 --> 17:49.420 It's fucking lame. 17:49.420 --> 17:53.420 But I know Mark actually played the music and everything on that song too. 17:53.420 --> 17:55.420 So. 17:55.420 --> 17:56.420 They're not playing it for him. 17:56.420 --> 18:01.220 How many pod show network podcasters are nominated this year? 18:01.220 --> 18:03.260 I wonder, I don't know. 18:03.260 --> 18:06.180 But, you know, it's, I don't believe in awards 18:06.180 --> 18:09.780 that the work this way, I don't believe in awards at all. 18:09.780 --> 18:11.980 I just want to see a nice red carpet show 18:11.980 --> 18:14.180 with hot actresses and beautiful dresses 18:14.180 --> 18:16.460 with millions of dollars worth of diamonds. 18:16.460 --> 18:18.980 That's all I really care about when it comes to award shows. 18:18.980 --> 18:21.140 And I'll even look at the magazine 18:21.140 --> 18:23.100 coverage of it later at that, I like, you know, 18:23.100 --> 18:24.340 I like seeing how everybody looks. 18:24.340 --> 18:26.260 That's really what it's for. 18:26.260 --> 18:30.900 You know, from me, who's this from Paul, Paul Parkinson. 18:30.900 --> 18:33.220 Yeah, ITV is admitted that an Alzheimer's patient 18:33.220 --> 18:36.020 who, quote, passes away in the final scene of a documentary 18:36.020 --> 18:37.780 they did actually died three days later. 18:37.780 --> 18:41.380 They're copping to it now, another story of mainstream media 18:41.380 --> 18:42.180 unraveling. 18:42.180 --> 18:44.580 Yeah, it's the big, it's the big deception thing. 18:44.580 --> 18:46.180 How many, there's been so many interesting things 18:46.180 --> 18:49.380 on television, Panorama on the BBC, 18:49.380 --> 18:51.060 did I tell you this? 18:51.060 --> 18:52.900 Maybe I did, no, I didn't, I think. 18:52.900 --> 18:54.180 I think it was Monday night. 18:54.180 --> 18:57.220 They had a huge thing about YouTube 18:57.220 --> 18:59.700 and these happy slap videos where kids are basically 18:59.700 --> 19:00.900 beating each other up. 19:00.900 --> 19:02.660 And other kids' filming on their mobiles 19:02.660 --> 19:06.500 and they put it up on YouTube, which is, you know, 19:06.500 --> 19:08.820 it's not rampant the way it was described. 19:08.820 --> 19:10.260 But yeah, it certainly exists. 19:10.260 --> 19:12.580 And in this country, the happy slapy thing is, 19:12.580 --> 19:15.540 it certainly got a lot of press and was a bit out of control. 19:15.540 --> 19:17.940 I don't think it's all that bad, actually. 19:17.940 --> 19:19.540 School yard fights, I mean, I've been around him, 19:19.540 --> 19:23.140 but just, there was never an audience that was worldwide. 19:23.140 --> 19:25.700 And so I'm not condemning or condoning any of this, 19:25.700 --> 19:27.860 but what was interesting is they went to some 19:27.860 --> 19:30.180 of the big brand sponsors here in the UK, 19:30.180 --> 19:32.420 like O2, a lot of tell-com sponsors, of course, 19:32.420 --> 19:34.100 because, you know, they love advertising on YouTube 19:34.100 --> 19:36.100 and said, hey, you know, here's your brand right next to this kid 19:36.100 --> 19:39.540 getting his head kicked in, how do you feel about that? 19:39.540 --> 19:42.820 So I would say we'd watch some of the profits 19:42.820 --> 19:46.580 of YouTube go down, because I've heard this story 19:46.580 --> 19:48.580 has been repeated in a couple of different countries. 19:48.580 --> 19:50.100 It's being picked up in the States, you know, 19:50.100 --> 19:52.100 advertisers are not stupid. 19:52.180 --> 19:54.420 They do not want to be associated with stuff like that. 19:54.420 --> 19:57.140 That's why I know episodic programming where you have audiences 19:57.140 --> 20:00.020 that are predictable and, and love to be a part of whatever 20:00.020 --> 20:04.020 the community of that show is that that's a valuable property. 20:04.020 --> 20:08.980 You know, just about those, the royalties, 20:08.980 --> 20:12.180 know all that, and the government, and, oh crap, 20:12.180 --> 20:14.740 don't wait, before I get to that, Keith Murray sent me this awesome 20:14.740 --> 20:15.860 picture. 20:15.860 --> 20:18.580 I before and after Photoshop, 20:18.580 --> 20:22.900 I'm almost second, what was this, let me just see. 20:22.900 --> 20:24.420 It was a red book, there you go. 20:24.420 --> 20:26.180 Faith Hill on the cover of red book. 20:26.180 --> 20:28.020 Now I'm not quite sure how they did it. 20:28.020 --> 20:31.300 If they had the original picture or what it was, but 20:31.300 --> 20:34.900 they've done the before, so the before and after the picture 20:34.900 --> 20:36.740 and like an animated gift file. 20:36.740 --> 20:40.020 And so you see Faith Hill who looks stunningly beautiful by the way 20:40.020 --> 20:42.580 without any photoshopping and then you see your photoshopped 20:42.580 --> 20:44.980 and I'm looking at the changes right now and literally 20:45.060 --> 20:49.620 skinnier, shadows, you know, some grooves in her face 20:49.620 --> 20:51.300 diminished a little bit. 20:51.300 --> 20:54.580 Her arm was made much, much skinnier. 20:54.580 --> 20:56.980 Ah, excuse me, it just makes me sick to my stomach. 20:56.980 --> 21:00.580 If ruling a perfectly good woman, ruining her, 21:00.580 --> 21:02.100 and tricking her is all. 21:02.100 --> 21:07.940 Because we want to be tricked by friends, that's why. 21:07.940 --> 21:12.260 So about about the government and royalties and, you know, old people 21:12.260 --> 21:14.580 wanting to change the the laws when they get old 21:14.580 --> 21:17.620 and they affect them negatively, you know, the next presidential elections, 21:17.620 --> 21:18.980 I'm just going to vote for the youngest person. 21:18.980 --> 21:20.660 I don't give a shit who it is. 21:20.660 --> 21:24.340 Just someone who's young, you know, it's sure you don't have the experience. 21:24.340 --> 21:29.620 But, you know, and the youngest person will never win, 21:29.620 --> 21:32.580 but at least we can raise a profile and get something going. 21:32.580 --> 21:34.580 You know, we got to get more young people in politics. 21:34.580 --> 21:35.780 This is crazy. 21:35.780 --> 21:36.980 This is absolutely crazy. 21:36.980 --> 21:38.340 We're not stupid. 21:38.340 --> 21:42.740 Young people in Iran are not stupid, you know. 21:42.740 --> 21:45.700 Now, by the way, I think a lot of our, you know, let the world be 21:45.700 --> 21:50.020 loving, you know, all together, a kumbaya place, that will never work either. 21:50.900 --> 21:55.540 Because there are a lot of stupid people across all countries who could do a lot of stupid things. 21:56.260 --> 22:01.140 But, uh, but no one, no one who's in politics right now represents me whatsoever. 22:01.140 --> 22:02.340 And I'm not even young. 22:03.300 --> 22:08.180 And all these, this shit actually does affect me as a singer, as a blue singer, from, you know, 22:08.180 --> 22:09.540 the old stacks records days. 22:10.180 --> 22:11.300 Hey, Alex Bernie. 22:11.300 --> 22:15.780 And I wanted to call and reply to Captain Adama, who was on. 22:15.780 --> 22:19.380 And you were talking about channels, which I think is a terrific idea. 22:19.380 --> 22:24.900 And he was talking about the fact that he doesn't want podcasts to disappear from his iPod. 22:24.900 --> 22:28.660 But he wants to know whether or not he's listening to them, 22:28.660 --> 22:31.140 and he wants them to kind of fall off the playlist. 22:31.140 --> 22:32.580 This is not a channel thing. 22:32.580 --> 22:34.420 This is just a basic iTunes thing. 22:34.420 --> 22:39.460 Go in and create a smart playlist that says, put all my podcasts on this playlist. 22:39.940 --> 22:41.460 Keep them sorted out by name. 22:41.460 --> 22:44.420 And you can tell it, play count equals zero. 22:44.420 --> 22:47.220 So once you've played something, the play count goes up to one. 22:47.220 --> 22:48.420 And guess what happens? 22:48.420 --> 22:52.100 When you think the iPod again, it falls off of the playlist. 22:52.100 --> 22:56.020 So your playlist is constantly there and just the podcast. 22:56.020 --> 22:57.140 You haven't listened to yet. 22:57.140 --> 22:58.980 I have a shuffle, and that's what you have to do. 22:58.980 --> 23:01.380 You have to create playlists of your podcast, 23:01.380 --> 23:03.780 because the shuffle doesn't support podcasting. 23:03.780 --> 23:05.700 So I had to figure out the way around it. 23:05.700 --> 23:06.660 But you know what? 23:06.740 --> 23:09.460 That'll work for just a regular iPod listener, too. 23:09.460 --> 23:12.020 So channels is still a great idea. 23:12.020 --> 23:16.260 And now you can create a channel and put it into that smart playlist. 23:16.260 --> 23:18.740 And then, as you listen to the stuff on the channel, 23:18.740 --> 23:20.180 it'll fall off that playlist. 23:20.180 --> 23:23.460 So you're still getting that same kind of interactivity. 23:23.460 --> 23:26.660 And you can still have all the cool features of channels. 23:26.660 --> 23:28.020 And not have to worry about it. 23:28.020 --> 23:30.100 I listened to this already, because you know what? 23:30.100 --> 23:31.780 iTunes will help you take care of it. 23:31.780 --> 23:34.180 So keep up the great work, Adam. 23:34.180 --> 23:36.180 Sorry, I kind of dropped off the grid for a while, 23:36.180 --> 23:37.940 but I'm hoping to be back soon. 23:37.940 --> 23:39.940 Look at for a job, if anything's gone out there, 23:39.940 --> 23:40.740 this is burning. 23:40.740 --> 23:41.380 I'll kill you later. 23:41.380 --> 23:42.020 Hey, man, thank you. 23:42.020 --> 23:43.380 Yeah, I got a job for you. 23:43.380 --> 23:47.380 Create some kind of widget or script or something that sets people's iTunes up 23:47.380 --> 23:50.660 for the, for the pod show channels. 23:50.660 --> 23:52.420 I'll pay you for that, man. 23:52.420 --> 23:53.460 Absolutely. 23:53.460 --> 23:55.460 And for Windows, right? 23:55.460 --> 23:57.700 Because Mac, I know we could do an Apple script or something 23:57.700 --> 23:58.420 relatively simple. 23:58.420 --> 23:59.300 How do you do it? 23:59.300 --> 24:02.740 How do you set someone's smart playlist up like that, 24:02.740 --> 24:04.660 you know, automatically, just to get them going, 24:04.660 --> 24:07.380 because this stuff is hard, you know, people are, 24:07.380 --> 24:09.380 are simplistic when it comes to technology. 24:09.380 --> 24:11.540 The majority, you know, if we really want to get big audience, 24:11.540 --> 24:13.380 we've got to make it even easier than that. 24:13.380 --> 24:15.860 And iTunes doesn't funky shit. 24:15.860 --> 24:19.060 They don't actually take information out of your feed about an episode. 24:19.060 --> 24:21.460 They take the information out of the episode, 24:21.460 --> 24:25.380 which is completely contrary to the way everyone else does it. 24:25.380 --> 24:27.940 So we got to work around that. 24:27.940 --> 24:30.820 And, man, I'd love it if we had some kind of set up script. 24:30.820 --> 24:32.660 There's something you like double click on. 24:32.660 --> 24:35.460 It immediately, it says, okay, you know, 24:35.460 --> 24:36.900 what's your channel? 24:36.900 --> 24:38.180 Not even better. 24:38.180 --> 24:40.580 It's like, you want to put your channel on your iPod, 24:40.580 --> 24:42.580 you click a button, it downloads something, 24:42.580 --> 24:45.140 you click it, it installs, it puts your channel on your iPod 24:45.140 --> 24:48.660 with a smart playlist, the playlist, equal play count, equal zero, 24:48.660 --> 24:49.780 all that stuff. 24:49.780 --> 24:51.860 Get that, I'll pay you for it. 24:53.700 --> 24:56.500 Now, of course, this is all about the channel editing functionality. 24:56.500 --> 24:58.820 And I'm seeing some awesome channels popping up. 24:58.900 --> 25:03.220 I learned, by the way, that by putting my channel feed into a grazer, 25:03.220 --> 25:08.420 golfromio AlphaZuluRomio.com, a grazer widget, 25:08.420 --> 25:12.740 it only takes one more click to put that widget onto my Facebook. 25:12.740 --> 25:15.060 And I don't use Facebook at all, other than to test 25:15.060 --> 25:17.060 shit out on Facebook and it worked. 25:17.060 --> 25:19.700 And it's pretty, pretty freaking nifty. 25:19.700 --> 25:23.060 But it's not, it's not really a fully released feature yet. 25:23.060 --> 25:25.220 You know, remember, I'd kind of alluded 25:25.220 --> 25:26.660 that we're keeping this a bit hidden. 25:26.660 --> 25:30.100 It's not really hidden, but it's not in the logical places 25:30.100 --> 25:32.100 where you might expect it. 25:32.100 --> 25:35.300 And well, as one Charlie had found out, it's, you know, 25:35.300 --> 25:37.460 if you don't know where to go, looking for the cheese. 25:37.460 --> 25:40.020 Well, even if you're a rat, you can't find it. 25:40.020 --> 25:42.900 Hey, Adam, John Arnold here from the photo walkthrough podcast, 25:42.900 --> 25:45.700 out photo walkthrough.btpunchow.com. 25:45.700 --> 25:48.260 Dude, just quickly on the subject of channels, 25:48.260 --> 25:51.060 I've had channels on my pot show account since pretty much 25:51.060 --> 25:55.140 our signed up with pot show, which is way less November, I think. 25:55.220 --> 25:57.300 Anyway, so I really like the idea back then, 25:57.300 --> 26:00.660 and I figured it long last, I ought to go in and have a go with this 26:00.660 --> 26:02.580 cheddar thing. 26:02.580 --> 26:05.380 First thing I did was go to the pot show website 26:05.380 --> 26:08.660 and click on my collection at the top of the page, 26:08.660 --> 26:11.060 because I knew enough about channels to know 26:11.060 --> 26:13.780 that there were channels stuff mentioned in the collection page. 26:13.780 --> 26:16.740 So I went to my collection, and I'm searching down the page, 26:16.740 --> 26:19.620 and there's my channels there, and I can see the two channels 26:19.620 --> 26:21.220 I created a way back. 26:21.220 --> 26:25.060 And I can see an ad show button, and that pops up a little window, 26:25.380 --> 26:29.540 that doesn't look anything like cheddar, and I can see a button 26:29.540 --> 26:32.420 for adding a channel, and that pops up a little window, 26:32.420 --> 26:34.660 that doesn't look anything like cheddar. 26:34.660 --> 26:38.660 And if I click on the text from my channel name, 26:38.660 --> 26:41.300 it says click it to edit this channel, and if I click on that, 26:41.300 --> 26:45.220 it pops up a window that, guess what, doesn't look anything like cheddar. 26:45.220 --> 26:48.660 So I'm sitting here thinking, how the hell do I get to cheddar? 26:48.660 --> 26:51.460 So I start browsing through curry.com, 26:51.460 --> 26:54.420 and I find your post new media, new pot show media channels, 26:54.420 --> 26:56.820 and I click on one of those, and eventually I'm looking at 26:56.820 --> 26:58.580 somebody else's channels, and I'm thinking, 26:58.580 --> 27:02.580 you're hang on a minute, maybe if I click on the person's profile, 27:02.580 --> 27:04.660 and then click on the view my channels button, 27:04.660 --> 27:08.180 then I'll get to the cheddar thing, and guess what, that works. 27:08.180 --> 27:11.140 So I just wanted to give you some feedback that. 27:11.140 --> 27:14.820 You seem to have two interfaces to channels right now on the website, 27:14.820 --> 27:19.220 and it isn't as in so many other things on the pot show website, 27:19.220 --> 27:23.380 entirely natural or intuitive, how you might find these things. 27:23.380 --> 27:25.940 So even though I've been a long time pot show user, 27:25.940 --> 27:27.860 and even though I know the pot show website, 27:27.860 --> 27:30.900 probably better than most, I still couldn't find cheddar, 27:30.900 --> 27:33.060 not without having to do a lot of searching, 27:33.060 --> 27:35.620 way more than your typical users going to want to do. 27:35.620 --> 27:38.420 So I figured I'd just give you that little bit of feedback, 27:38.420 --> 27:40.660 up to you whether you use it on the show, 27:40.660 --> 27:43.700 but in case you do, repill. 27:43.700 --> 27:44.740 All right, sir. 27:44.740 --> 27:45.940 Yeah, back at your buddy. 27:45.940 --> 27:49.460 Yeah, I'm not going to use that on the show because it's too embarrassing. 27:49.460 --> 27:52.660 No, no, as I said, we purposely did not put it anywhere else. 27:52.660 --> 27:54.900 The only way to get to the cheddar functionality 27:54.900 --> 27:58.340 is go to your profile, click on my channels, 27:58.340 --> 28:01.220 and then you'll see edit channel. 28:01.220 --> 28:03.060 From there, you can also create a new channel, 28:03.060 --> 28:05.380 if you click on the edit channels button. 28:05.380 --> 28:07.380 That's the only way to get to it. 28:07.380 --> 28:09.860 But it's also the best way to display your channels, 28:09.860 --> 28:13.540 because that's where all your channels are in one beautiful place. 28:13.540 --> 28:15.300 So yeah, of course, it's not consistent. 28:15.300 --> 28:20.260 And we are working on changing crap around. 28:20.260 --> 28:22.020 Had a very interesting day yesterday. 28:25.780 --> 28:29.460 We found something really nice. 28:29.460 --> 28:32.260 We found that a lot of the shows that we have. 28:32.260 --> 28:34.740 In fact, just about every single show that we have on our network, 28:34.740 --> 28:36.500 I'm talking really about UK only now, 28:36.500 --> 28:38.260 because that's where I've been focusing a lot of my attention 28:38.260 --> 28:40.980 for the past weeks. 28:40.980 --> 28:44.180 There is a print publication out there that loves the content 28:44.180 --> 28:45.220 that that show makes. 28:45.220 --> 28:48.580 So the first example of this new thing that we've kind of discovered, 28:48.580 --> 28:53.220 working as news of the world, huge tabloid, weekly newspaper, 28:53.220 --> 28:56.580 9 million readers, really big. 28:56.580 --> 29:01.620 And Dr. Cockney, as the editor's already had guessed, 29:01.620 --> 29:04.100 completely resonates with their audience. 29:04.100 --> 29:08.340 So we've struck a deal, and this deal is really, really beautiful. 29:08.340 --> 29:10.740 All of these newspapers, all magazines, 29:10.740 --> 29:12.740 they all want to get into the video game, 29:12.740 --> 29:15.540 because it's really the only way they can differentiate 29:15.540 --> 29:18.900 between what they do in print and what they do online, 29:18.900 --> 29:22.180 which is still also just words and pictures. 29:22.180 --> 29:24.180 But they're not set up to do this. 29:24.180 --> 29:26.340 They have no department. 29:26.340 --> 29:28.740 They don't, the bandwidth is too expensive. 29:28.740 --> 29:30.740 You know, all these reasons, but they have the content 29:30.740 --> 29:34.500 and the knowledge of what an existing audience already wants. 29:34.500 --> 29:37.540 So we're forming these partnerships, 29:37.540 --> 29:38.980 and the first one is with the news of the world, 29:38.980 --> 29:42.740 and it's really awesome, because they get Dr. Cockney, 29:42.740 --> 29:45.140 co-branded as a news of the world, 29:45.140 --> 29:46.980 and they promote them in the newspaper. 29:46.980 --> 29:49.780 And then obviously, we have to split revenue with them 29:49.780 --> 29:52.100 on selling ads, but that's really easy. 29:52.100 --> 29:53.780 So we're going to do two more with news of the world. 29:53.780 --> 29:57.700 Yesterday, I met with the editor of OK Magazine, 29:57.700 --> 30:02.660 who, by the way, is Smokin' Hot, 32 Smokin' Hot. 30:02.660 --> 30:03.860 And this was very interesting. 30:03.860 --> 30:08.100 So we went to her building this, the northern shell building, 30:08.100 --> 30:08.820 whatever it is. 30:08.820 --> 30:11.700 It's one big publishing conglomerate, Richmond Desmond, I think, 30:11.700 --> 30:13.300 his name is. 30:13.300 --> 30:17.140 And she said, OK, well, a glad deal here for the meeting. 30:17.140 --> 30:18.100 It's like 130, right? 30:18.100 --> 30:18.900 Just let's go. 30:18.900 --> 30:20.020 So we went out. 30:20.020 --> 30:23.460 And we had a meeting over a bottle of white wine. 30:23.460 --> 30:25.300 And you know, you guys, you know me, I don't drink. 30:25.300 --> 30:27.620 So I, you know, just to be courteous, I drank, 30:27.620 --> 30:29.940 like a whole glass and a half, whatever. 30:29.940 --> 30:31.060 Great meeting. 30:31.060 --> 30:32.900 Totally understands it. 30:32.900 --> 30:34.820 We have some shows that fit into her category, 30:34.820 --> 30:36.900 and she'd actually like to create something with us, 30:36.900 --> 30:37.460 fantastic. 30:37.460 --> 30:40.660 Next meeting is with, 30:40.660 --> 30:43.060 wow, it's a call, the Daily Express. 30:43.060 --> 30:44.820 Another one of these fabulous magazines. 30:44.820 --> 30:48.340 And they're looking at some other shows that we have on the network. 30:48.340 --> 30:49.940 They'd also like to work with us on. 30:49.940 --> 30:53.380 And again, the model is, you get the promotion in the newspaper. 30:53.380 --> 30:54.820 The video lives on their site. 30:54.820 --> 30:56.580 It also lives at VT Podgetta.com. 30:56.580 --> 30:57.940 It's all served from the same place. 30:57.940 --> 31:01.540 And we get just tons and tons of new viewers. 31:01.540 --> 31:04.660 And it's unbelievable what's happening with the good doctor. 31:04.660 --> 31:06.100 So the proof is in the pudding. 31:06.100 --> 31:09.140 And then, oh, and by the way, had a beer. 31:09.140 --> 31:12.580 Went to some terrace with this editor, had a beer. 31:12.580 --> 31:14.580 And then the third one was this, 31:14.580 --> 31:15.940 this is named Bill Richardson, I think, 31:15.940 --> 31:20.420 a famous sports editor for the express. 31:20.420 --> 31:21.860 I think the Daily Star was the other one. 31:21.860 --> 31:23.220 He's the express. 31:23.220 --> 31:24.660 Yeah, it was three o'clock in the afternoon. 31:24.660 --> 31:27.380 Oh, let's go out and we'll have some spritzers. 31:27.380 --> 31:28.660 It's like, it's like five o'clock. 31:28.660 --> 31:30.420 It's like, I've done three meetings. 31:30.420 --> 31:31.700 And I'm completely wasted. 31:31.700 --> 31:34.900 And of course, it was a beautiful day yesterday. 31:34.900 --> 31:37.620 So what happens if you, with me is like one glass 31:37.620 --> 31:40.180 alcohol consumed at any time is going to make me woozy. 31:40.180 --> 31:43.780 But then it's warm and you had like three glasses of alcohol. 31:43.780 --> 31:44.820 But what a day. 31:44.820 --> 31:49.060 And then I walked from like, God knows where I was back to the office. 31:49.060 --> 31:49.860 Got lost. 31:49.860 --> 31:53.380 You know, I wanted to walk in the streets of shortage for about an hour. 31:53.380 --> 31:55.620 Finally rolled into the office around six. 31:55.620 --> 31:57.780 You know, the people still work in there. 31:57.780 --> 32:00.420 The portable airco units are on high blast. 32:00.420 --> 32:03.060 You know, basically just recirculating warm air. 32:03.060 --> 32:05.620 I had to take off my shirt and walk around my wife beaters. 32:05.780 --> 32:08.340 It was that that disgusting. 32:08.340 --> 32:12.260 But I'm very, very excited because it seems like we found some perfect matches, 32:12.260 --> 32:17.220 some perfect partnerships to really, really get our network of programming out there. 32:17.220 --> 32:19.540 And what a way to do it. 32:19.540 --> 32:21.060 Never knew that that would work. 32:21.060 --> 32:23.060 Very, very interesting. 32:23.060 --> 32:25.780 So while I'm out here, shit's happening back state side. 32:25.780 --> 32:26.500 Yeah, we had them. 32:26.500 --> 32:30.020 This is John and K.C. calling a long time listener. 32:30.020 --> 32:33.140 Um, do you have a brother in Kansas City? 32:33.140 --> 32:39.780 Because I'm driving here and there is a red Chevy pickup with personalized license plates. 32:39.780 --> 32:42.100 Like to say, pot father on it. 32:42.100 --> 32:44.820 And the dude driving could be your brother. 32:44.820 --> 32:47.140 He looks just like you and blonde hair. 32:47.140 --> 32:48.660 That's kind of scary. 32:48.660 --> 32:52.580 So are you actually just pretending to be over in England? 32:52.580 --> 32:55.460 And you're actually here in the middle of America, uh, podcasting. 32:55.460 --> 32:58.100 Hmm, conspiracies around. 32:58.100 --> 32:58.740 Thanks a lot, man. 32:58.740 --> 32:59.700 Let me show you how to talk about it. 32:59.780 --> 33:02.740 Dude, dude, dude, get a picture already. 33:02.740 --> 33:04.340 You got to get a picture of this. 33:04.340 --> 33:06.020 This is unbelievable. 33:06.020 --> 33:08.980 It's very possible that there's some guy getting late in Kansas City. 33:08.980 --> 33:14.340 And, you know, identity theft is lame when you're getting late for it. 33:14.340 --> 33:16.180 And the original identity doesn't. 33:16.180 --> 33:17.540 That just totally sucks. 33:19.380 --> 33:20.100 Get me a picture. 33:20.100 --> 33:22.340 Kansas City, let's work on this together. 33:22.420 --> 33:31.460 Hey, this is Ron from zip-71101 podcast. 33:31.460 --> 33:33.940 So I'm glad that you are listening to Trucker Tom. 33:33.940 --> 33:38.900 Trucker Tom is a great guy and you'll enjoy his podcast every single day. 33:38.900 --> 33:42.180 Not only that, have you seen Finding America? 33:42.180 --> 33:45.620 His new HD high definition video podcast. 33:45.620 --> 33:47.780 If not, you need to get on board. 33:47.780 --> 33:51.060 It's a great podcast and you'll enjoy every single minute on it. 33:51.140 --> 33:55.780 And while you're at it, come on over to zip-71101.com and take a listen. 33:55.780 --> 33:56.580 See you there. 34:04.420 --> 34:05.780 Hey, Adam, it's Matt from Games Weasel. 34:05.780 --> 34:06.580 Hope you're well. 34:06.580 --> 34:08.820 We've got two rhythm games on the show this week. 34:08.820 --> 34:13.300 We've got Parapama, the rapper on the PSP versus Elite Beat Agents on the DS. 34:13.300 --> 34:16.740 We've also got a great feature on the God of War game for the PSP. 34:16.740 --> 34:20.340 And we're given away Final Fantasy Fables, Choker Boatails for the DS. 34:20.420 --> 34:23.300 Check it out at gamesweasel.btpodshow.com. 34:23.300 --> 34:25.540 Right on Matt, I like that show. 34:25.540 --> 34:27.700 He's doing a video version too, which is going to be pretty cool. 34:28.420 --> 34:30.100 Whole new type of format. 34:30.100 --> 34:31.060 Very, very interesting. 34:32.180 --> 34:34.100 Early in the week, I got a call from me. 34:34.100 --> 34:38.180 It was last week, got a call from Guy and New Zealand who countered me by saying that 34:38.180 --> 34:41.940 Australians are ugly and they sleep with their family members and with sheep. 34:42.900 --> 34:48.260 And I parade and said, but no, I've only seen cute Australians. 34:49.220 --> 34:52.100 Wow, I'll leave it up to those boys and girls down under to respond. 34:53.140 --> 34:55.940 Hey big fellow, I feel Walker calling in from Australia. 34:56.500 --> 35:01.300 I just wanted to take the opportunity to respond to the Kiwi who was on the DSC yesterday. 35:02.660 --> 35:04.100 Let me just say this. 35:04.100 --> 35:06.260 No, I haven't got a mallet. 35:07.380 --> 35:09.540 No, I'm not ugly. 35:09.540 --> 35:11.700 The maybe not as good looking as the big headfag. 35:13.060 --> 35:16.020 Looking at my wife, she's gorgeous. 35:16.020 --> 35:17.060 I couldn't want more. 35:18.500 --> 35:21.780 Three good looking sons, not a mallet to be seen. 35:23.700 --> 35:25.380 Mate, we're just typical Australians. 35:26.740 --> 35:29.940 Not ugly, no mallets, just normal. 35:29.940 --> 35:32.260 An idea saying most Kiwi's are just the same. 35:33.300 --> 35:37.220 I've been thinking about your Kiwi caller and I reckon he's the guy he's been 35:37.220 --> 35:39.540 causing with a trouble in the sheep paddock next door. 35:40.340 --> 35:46.100 So Kiwi, believe those sheep alone, get down to a good Aussie beach or up into the mountains 35:46.260 --> 35:50.420 into the snow and get it with some real good looking Australians. 35:51.140 --> 35:52.420 You might just get a surprise. 35:53.140 --> 35:54.180 Hey, have a great day. 35:54.980 --> 35:57.620 Blue pill, but turning red, oh good, folder. 35:57.620 --> 35:58.180 All right, man. 35:59.300 --> 36:04.500 Yeah, there's always been a bit of an animosity between the Australians and the New Zealanders. 36:04.500 --> 36:05.940 That's why he's calling him a Kiwi. 36:05.940 --> 36:08.180 I love the, the reminding me of the pink Floyd song, though. 36:08.180 --> 36:12.180 I was like, hey Kiwi, leave those sheep alone. 36:12.500 --> 36:13.140 Damn, damn, did him. 36:13.860 --> 36:18.500 I can just hear the recorders clicking on all over New Zealand as we speak. 36:18.500 --> 36:19.460 Yeah, so I'm in trouble. 36:25.300 --> 36:26.580 Come on on, man. 36:26.580 --> 36:27.780 And prolific programmer. 36:27.780 --> 36:29.620 Hi, I am prolific programmer. 36:29.620 --> 36:31.060 Yeah, two things. 36:31.060 --> 36:35.300 First off, one to express me condolences for Yan Polet sauce. 36:35.300 --> 36:41.220 I mean, Yan, you're, you're like, you make the show more worth listening to. 36:41.220 --> 36:45.620 Now, as would be every Friday with your, it tests nine joy playing along. 36:46.340 --> 36:48.740 Second thing, Adam regarding the channels, 36:48.740 --> 36:50.420 editor, your new cheddar feature. 36:50.420 --> 36:54.420 I can't seem to figure out how to activate it on my channels. 36:55.700 --> 36:56.500 That's all. 36:56.500 --> 36:57.380 Cheers. 36:57.380 --> 37:00.020 Oh, I prolific programmer in reverse order there, my friend. 37:00.020 --> 37:05.220 If you have existing channels, then you have to do perform some kind of edit for it to kick in. 37:05.220 --> 37:08.100 So click on, you know, go to one of your existing channels. 37:08.820 --> 37:10.260 Move something around, move it back. 37:11.140 --> 37:12.100 That's how you activate it. 37:12.100 --> 37:14.500 Just have to make one edit, essentially. 37:14.500 --> 37:17.380 There is no save button just with the minute you start editing it does it. 37:18.580 --> 37:23.620 And then, you know, I've received such an outpouring of love and good thinking and 37:23.620 --> 37:28.660 nice thoughts for a Yan Polet producer of the hit test for the daily source code. 37:29.540 --> 37:33.540 He and his wife witnessed a real family tragedy. 37:33.540 --> 37:36.100 They lost a, they lost a unborn baby. 37:36.820 --> 37:40.420 And most comments that come in, people say, 37:40.420 --> 37:43.540 well, actually, here, listen to this one and this is very, very common. 37:43.540 --> 37:47.060 I've received a lot of these and I don't want to do a whole like, you know, 37:47.060 --> 37:48.900 Yan, Yan thing. 37:48.900 --> 37:50.660 But I do, well, listen to the comment. 37:52.500 --> 37:56.900 Adam, I'm so sorry for Yan and his wife. 37:56.900 --> 38:02.740 You recognize long and hard over when you can tell people about something like that. 38:03.140 --> 38:06.740 And when you go public with the idea that you might be having a trial, 38:06.740 --> 38:12.340 and I can only imagine how hard it must have been for Yan to finally come to the conclusion 38:12.340 --> 38:17.620 that, wow, it's not gonna be safe now, I can tell people and then to have something like this happen. 38:18.420 --> 38:23.780 I know that this is probably not gonna make the podcast, and you know what it probably should, 38:23.780 --> 38:29.700 but I know that Yan is a friend of yours and you probably take form in the same way that I would 38:29.780 --> 38:34.500 take for close friends, so I just want to take them home to say, I'm sorry for you, 38:34.500 --> 38:39.300 and then for Yan and for everyone who's touched by this, and I hope everyone is well. 38:39.300 --> 38:41.620 Thanks a lot, it's Bernie and I'll talk to you soon. 38:41.620 --> 38:43.380 Oh, man, it's beautiful, thank you. 38:43.380 --> 38:46.740 And, well, you know my theory about these things. 38:47.620 --> 38:51.060 The good and the bad, it's documented in our memories throughout our lives, 38:51.060 --> 38:55.380 and it usually happens through something that we call the soundtrack to our lives. 38:55.380 --> 38:58.900 And I think that this next song is going to be embedded into this moment 38:58.900 --> 39:03.140 and in my soundtrack forever. Jersey Todd sent this one, he says, Adam, 39:03.140 --> 39:07.300 don't know if you want to check the song out, it's very sad, it involves one of my favorites, 39:07.300 --> 39:09.540 Kevin Birdick who lost an infant daughter as well. 39:10.820 --> 39:14.500 So again, thank everyone for all that outpouring of love, and let's make this a part of the 39:14.500 --> 39:17.940 soundtrack to our lives in memory of Yan and Victorings' daughter. 39:21.250 --> 42:23.540 [ Music ] 42:23.540 --> 42:35.380 For ever embedded in the soundtrack to our lives, Kevin Burtick, too good for this world. 42:36.420 --> 42:39.460 You know, I have some other stuff I was going to play for you, but I think we should just leave it 42:39.460 --> 42:45.220 at that, leave the last tones of Kevin Burtick roaming throughout your mind, because this is what 42:45.220 --> 42:50.260 good friend of mine, Tony Khan, who does a WGBH morning stories and has been involved in this 42:50.340 --> 42:56.820 movement from early on, would call humanity. Here we are, Jersey Todd, a guy, I don't know him, 42:56.820 --> 43:03.140 I've never met him, I've never met John Palette in person, either. Listen to all these people connecting, 43:03.700 --> 43:08.020 people who clearly are connecting at a very deep and very spiritual level with each other 43:08.020 --> 43:13.940 through technology and through art, that we're creating ourselves without any other help or intervention 43:14.020 --> 43:21.220 from any other organization or governmental body. It's a beautiful thing, if I never make a freaking 43:21.220 --> 43:26.820 dime with this stuff, ever again, it won't make a difference because this, this is truly what it's 43:26.820 --> 43:32.500 about, when you can touch someone through media. I'll try and do another one for you tomorrow. 43:33.300 --> 43:38.340 I am flying tomorrow morning, taking the lovely lady Patricia to the Netherlands, so it will be 43:38.340 --> 43:43.780 a late one, but at least I'm home, and I'm not in the city. DannySourceco.com, Adam at podshow.com, 43:44.500 --> 43:46.100 kiss somebody today, will ya?