WEBVTT 00:00.000 --> 00:03.000 You better be careful out there on next couple of weeks you hear me? 00:03.000 --> 00:04.000 Let's close the room. 00:04.000 --> 00:05.000 No. 00:05.000 --> 00:06.000 Two sides. 00:06.000 --> 00:07.000 Some more later. 00:07.000 --> 00:09.000 You better be with us. 00:09.000 --> 00:12.000 I can be with the nearest one family. 00:12.000 --> 00:14.000 All the places you've got to come to my place. 00:14.000 --> 00:16.000 I'm done with you! 00:16.000 --> 00:19.000 Walking Phoenix, Mark Wahlberg, 00:19.000 --> 00:21.000 on October 12th. 00:21.000 --> 00:22.000 Get down! 00:22.000 --> 00:24.000 Two brothers collide. 00:24.000 --> 00:25.000 Maybe you could be killed. 00:25.000 --> 00:26.000 Right? 00:26.000 --> 00:27.000 Right? 00:27.000 --> 00:30.000 We owe the night rated a heart. 00:34.000 --> 00:35.000 Flare prop. 00:38.000 --> 00:40.000 Delta, Sirator. 00:40.000 --> 00:41.000 Six, six, eight. 00:41.000 --> 00:44.000 In a world where TV networks, movies, studios, 00:44.000 --> 00:48.000 and record labels still think they can govern what you see in here. 00:48.000 --> 00:52.000 One man has the power to return control of entertainment to the masses 00:52.000 --> 00:56.000 and make big media corporations wet their tiny, 00:56.000 --> 00:57.000 tiny little pants. 00:57.000 --> 01:01.000 From Pod Show, comb of the world's most dangerous new content 01:01.000 --> 01:06.000 comes the Daily Source Code with Adam Curry. 01:08.000 --> 01:10.000 Sixty million dollars worth of airplay, 01:10.000 --> 01:12.000 strapped to my ass. 01:12.000 --> 01:15.000 To the next generation radio content in my ears. 01:15.000 --> 06:15.000 [ Music ] 06:15.000 --> 06:16.000 We owe the night rated a heart. 06:16.000 --> 06:20.000 We owe the night rated a heart. 06:20.000 --> 06:23.000 We owe the night rated a heart. 06:23.000 --> 06:26.000 We owe the nights rated a heart. 06:26.000 --> 06:30.560 years and he's got it in his little lots of claws and straight say say this and the 06:30.560 --> 06:36.040 all-star jam as DJ loves to do so himself not since USA for Africa has such a 06:36.040 --> 06:42.360 collection of mechastars been assembled for a musical cause of course acquired 06:42.360 --> 06:46.120 from mash of town dot com the official mash-up supplier to the daily source code 06:46.120 --> 06:51.680 after so number 668 coming to you from the west side of G-town in the affluent 06:51.680 --> 06:58.680 suburb of seri known as gilpert in the curry manner 06:58.680 --> 07:03.680 oh what a way to start off the week huh I felt really good I was really old school 07:03.680 --> 07:09.680 we used to make stuff like that with cassette decks and using the pause button 07:09.680 --> 07:13.680 he even has a real ending to it 07:13.680 --> 07:24.680 okay the track of course say say say Paul McCartney Michael Jackson 07:24.680 --> 07:27.840 a couple of friends along for the ride including Paul of course reanna nelly 07:27.840 --> 07:31.520 frittado nine inch nails marie jay blige diner rosrick james and the temptation 07:31.520 --> 07:36.400 saying hey everybody how you doing it is the daily source code it's a 07:36.400 --> 07:41.400 Monday it is Monday afternoon I was intending on being in the London office 07:41.400 --> 07:46.400 but the trains were all messed up there was some some anomaly on the rails 07:46.400 --> 07:50.760 not quite sure what exactly has happened I've been looking at the BBC news 07:50.760 --> 07:55.760 website seem to find out and things so far so well I kind of wait to see if 07:55.760 --> 08:01.560 it clears up and if I'll go in and all I was like perfect I can do I can do 08:01.560 --> 08:05.840 a source code because this morning I really took some time to catch up on email 08:06.000 --> 08:12.000 of course I got back yesterday afternoon from the portable media expo 08:12.000 --> 08:20.440 I left the swanky shareton was around 233 o'clock drove down or where drove east 08:20.440 --> 08:26.640 down whatever drove over to Los Angeles to LAX and hopped aboard the trusty red and 08:26.640 --> 08:32.040 white virgin Atlantic and it was good good flight now a lot of turbulence 08:32.040 --> 08:36.360 actually the first two three hours of the flight but I kind of like that you 08:36.360 --> 08:39.120 know it kind of makes reminds me that we're actually flying and that it 08:39.120 --> 08:43.480 happens to the big planes too that's kind of nice and it was good and you just 08:43.480 --> 08:47.440 to kind of decompress and chill a little bit because I had meetings right up 08:47.440 --> 08:50.800 until I left and you know there's so many people that I didn't get to see 08:50.800 --> 08:56.200 this year which is unfortunate but of course I only had you know like a 08:56.200 --> 09:00.480 really a full day and then or no yeah like a full day and then half a day and 09:00.480 --> 09:05.040 a lot of people didn't show up until Saturday so that made it tough pdf was 09:05.040 --> 09:09.440 there pdlb fenton didn't get to see him I also heard that the the buzzout 09:09.440 --> 09:15.080 load buzzout loud seen it's a podcast of undetermined length I listened to 09:15.080 --> 09:19.080 that almost every single day I really would have wanted to meet those guys so 09:19.080 --> 09:25.360 they weren't there but it was good I have to say in all pretty good show not 09:25.360 --> 09:30.160 necessarily you know for the expo itself you know I did check out the 09:30.160 --> 09:34.840 award show and and one of those parties and it was the the room was just 09:34.840 --> 09:39.240 way too big for what was going on you know that was just a theatrical mistake 09:39.240 --> 09:46.000 if anything so not that big a deal and of course next year the show is super 09:46.000 --> 09:48.760 agent Keith yet's getting pretty busy because of course tomorrow are the 09:48.760 --> 09:54.960 digital musical awards if if you haven't read it on curry dot com the plus is 09:54.960 --> 09:59.920 now live we've got our pre DMA coverage running and this is really it 09:59.920 --> 10:03.080 well I'll talk about the plus in a second and the digital musical awards 10:03.080 --> 10:09.320 first let me tell you what happened when when I came back yes today so you 10:09.320 --> 10:11.640 know I'd slept maybe four hours on the plane something like that and you 10:11.640 --> 10:15.320 nothing too spectacular so you know a little bit groggy to say the least a little 10:15.320 --> 10:18.360 bit jet lag of course it was only a four day trip out to Chicago then 10:18.360 --> 10:22.280 you know to California and the from California back to the UK just a quick 10:22.280 --> 10:28.400 turn around all in a week's work so it's okay I really want to take a shower 10:28.400 --> 10:31.840 and wash my hair I hadn't washed my hair in four days you know we're 10:31.840 --> 10:39.480 hair people so that that was just disgusting and so I'm in the shower and you 10:39.480 --> 10:44.480 know I've washed my hair and you know our shower it's look these English 10:44.480 --> 10:49.280 houses they're just not really tall in in the right places you know then I have 10:49.280 --> 10:58.000 the ceiling height that I need their idea of a of shower space can differ 10:58.000 --> 11:03.360 sometimes from that of a Yankee doodle dandy so now I'm taking the shower and 11:03.360 --> 11:08.160 literally I'm so tired I'm leaning against the wall with my with my forehead 11:08.160 --> 11:12.040 kind of like so it's kind of like in the corner between the wall and the glass 11:12.040 --> 11:17.000 the showers there my cheek is pressed up against the press up against the 11:17.000 --> 11:22.880 glass door and just chill on you know the water just running all over me and 11:22.880 --> 11:29.600 I'm you know kind of you know vibe there and I I was probably under that nice 11:29.600 --> 11:35.600 warm shower of love for 15 minutes maybe 20 just you know completely in my 11:35.600 --> 11:41.640 element completely coming coming down from the trip cleansing my my outer and 11:41.640 --> 11:47.280 and inner self and all of a sudden I hear Patricia like screaming and she's 11:47.280 --> 11:50.120 running up the stairs and he's like what's wrong what's wrong and she's she's 11:50.120 --> 11:52.400 like completely freaked out and she's thinking you know it's like there's 11:52.400 --> 11:56.600 something wrong and I'm like and now so I'm pressed up with my cheek against 11:56.600 --> 12:04.880 the against the glass and well here's what happened unbeknownst to me you know 12:04.880 --> 12:09.120 Christina sometimes uses our shower and she had left all kinds of crap 12:09.120 --> 12:13.000 all kinds of products and the lid of something I don't know what the hell 12:13.000 --> 12:16.640 it was but it was a really maybe it's like a thing that's inside a lid of a 12:16.640 --> 12:25.520 jar of some chemical compound had slipped on to the drain of you know of the 12:25.520 --> 12:31.640 shower and so the water had come up and it started to overflow through the 12:31.640 --> 12:35.560 through the door you know there's lots of lots of once it gets high enough 12:35.560 --> 12:40.400 it can basically seep out now it's not that high to begin with so I you know 12:40.400 --> 12:44.160 I don't have my glasses on and I'm vibing against the wall there so I didn't 12:44.160 --> 12:52.920 notice it but water was literally streaming down into the living room into the 12:52.920 --> 12:57.040 the the the den that we have downstairs which isn't really a den yet but it 12:57.040 --> 13:02.040 still has boxes and all kinds of stuff from the move and the water is just 13:02.040 --> 13:06.080 streaming down and there's water everywhere and Patricia is convinced as she 13:06.080 --> 13:10.280 walks in she's convinced that I've passed out or you know something is gone 13:10.280 --> 13:14.000 incredibly wrong and I you know and I'm just shoved up against the wall there and 13:14.000 --> 13:17.720 she thinks I've had a heart attack or whatever and the water you know it's a 13:17.720 --> 13:21.480 tip but it's a perfect scenario right you're sitting downstairs and also in 13:21.480 --> 13:24.000 the water just starts streaming down you walk upstairs and there's your 13:24.000 --> 13:27.000 husband's cheek pressed against the glass you just convinced that was a 13:27.000 --> 13:32.560 garner so that was so that was like a freak out you know and I'm like 13:32.560 --> 13:38.080 what was it going on and it was it was a mess it was like Niagara Falls coming 13:38.080 --> 13:43.800 down that was really really bad now there was a silver lining to all of this 13:43.800 --> 13:48.080 because in the in that den room there were a couple of boxes on the floor and 13:48.080 --> 13:51.560 because the floor was just completely wet they were getting wet so and one of 13:51.560 --> 13:55.360 them was marked books I'm like okay I got to take these books out so and these 13:55.360 --> 13:59.040 are you know some of my my favorite picture books you know coffee table books 13:59.040 --> 14:05.200 and underneath it is a jewelry box and Patricia for a while now she's been 14:05.200 --> 14:09.080 telling Christina and I that she's convinced that there's a box of jewelry of 14:09.080 --> 14:13.040 hers that was stolen somewhere in the move and of course that was the jewelry box 14:13.040 --> 14:18.960 so I was really lucky because that really turned Patricia's move around 14:18.960 --> 14:24.600 I imagine now she's been in the shit for almost two weeks one of which I was 14:24.600 --> 14:29.480 gone even more than that actually with the the kitchen floor being redone 14:29.480 --> 14:33.200 and all kinds of stuff happening and all kinds of dust and a big mess and I 14:33.200 --> 14:36.480 was you know finally perfect and I came home and the candles were lit and 14:36.480 --> 14:41.920 everything smelled nice and the whole house was nice and there I go and and 14:41.920 --> 14:50.200 ruin a good vibe so needless to say no sex yet comic strip comic strip 14:50.200 --> 15:01.720 comic strip so it's always good to come home to your friends hello Adam 15:01.720 --> 15:10.560 hi everybody so I am your friend you know it so take what I will now say 15:10.560 --> 15:18.400 notice criticism or here comes wishing well Adam yes you are sliding into 15:18.400 --> 15:28.480 cannabis induced psychosis that may end up in your death oh no suicide through 15:28.480 --> 15:35.480 some irrational dehumidness cannabis makes you susceptible to various 15:35.480 --> 15:39.560 conspiracy theories absolutely they have their own 15:39.560 --> 15:46.840 superstitious agendas that you don't fucking know cannabis is destroying you my 15:46.840 --> 15:57.640 friend increasing your psychosis stop taking it ps yes comparing comparing 15:57.640 --> 16:03.440 not American free trade agreement to European Union is a total bush complete 16:03.440 --> 16:10.880 idiocy existence of European Union is a garanter of peace amongst its 16:10.880 --> 16:20.120 members and americans should shut the fuck about it oh man okay yo yo yeah 16:20.120 --> 16:24.800 who's high now yeah I didn't say the North American free trade agreement I 16:24.800 --> 16:29.040 said the concept of the North American Union that's something completely 16:29.040 --> 16:34.200 different of which of course NAFTA would ultimately play a part I'm not 16:34.200 --> 16:39.040 I don't want to talk about that stuff on today's show the word enough comments 16:39.040 --> 16:42.920 about it anyway kind of shot that word over the weekend or Friday I should 16:42.920 --> 16:50.840 say let me think oh yeah this is excellent so of course you know I've been 16:50.840 --> 16:58.000 on my rampage about the TSA division of the homeland security department the 16:58.000 --> 17:03.360 transportation security agency or is it administration I think it's agency 17:03.360 --> 17:10.080 and you know a lot of people sending me links and stuff and there's lots of 17:10.080 --> 17:13.720 comparable stories and all kinds of nightmares obviously that go on and 17:13.720 --> 17:17.560 I'm sure that was going on with airport security even before 9-11 but the 17:17.560 --> 17:20.400 fact that you can't you know yell and bitch about it now without going to jail 17:20.400 --> 17:27.960 kind of makes it like no fun you know and from the pod safe music network 17:27.960 --> 17:31.960 there's a most awesome song that really puts me in a good mood about the TSA 17:31.960 --> 17:35.720 who by the way you know what are they using to open up my suitcase these days 17:35.720 --> 17:39.400 fucking crowbar I mean the zippers all ripped off and shit and this is a good 17:39.400 --> 17:43.920 bag this is a to me bag it's hard to destroy those but oh yes they've been able 17:43.920 --> 17:50.680 to do it this is Robert Lund part of the funk from the pod safe music network 17:50.680 --> 17:56.520 there must be 50 ways to lose your luggage the problem is all the new 17:56.520 --> 18:04.680 increase security that's what the oh here bag it's service set to me we 18:04.680 --> 20:44.880 [ Music ] 20:44.880 --> 20:53.920 up by me so I really hope it happens Robert Lund 50 ways to lose your luggage right on 20:53.920 --> 21:03.120 fantastic I believe under the the parody clause that's allowed on the podship music network 21:03.120 --> 21:10.000 but you can get sued for anything I guess cancha so it is a big big week for us here at the 21:10.000 --> 21:16.240 London offices BT pod show where starting today actually it started this morning we're covering 21:16.240 --> 21:23.680 the 2007 digital music awards we're doing that in conjunction with a launch of the plus the plus 21:23.680 --> 21:33.040 tv dot com which is you know this is really a brainchild there you go I wrote up a document actually 21:33.040 --> 21:37.120 I posted this on curry dot com I wrote up a dot you know maybe I want to just read to you what 21:37.200 --> 21:44.320 I wrote a bit easier here you go I in September 2006 I wrote an internal poncho document there's a 21:44.320 --> 21:49.440 link so you can actually read that a described streaming video station my underlying thought was a 21:49.440 --> 21:54.800 vision of what MTV might be today had they chosen to stay on their core path of short form video 21:54.800 --> 22:00.400 which today would include top youtube hits podcast episodic series and a healthy dose of talent 22:00.400 --> 22:05.520 with an attitude we made a few different choices in our technical implementation but otherwise 22:05.520 --> 22:09.920 came pretty close to the original concept over the past six weeks we've been testing the system 22:09.920 --> 22:15.120 slowly scaling everything up in preparation for her prime time launch 72 hours of coverage of the 22:15.120 --> 22:20.880 2007 digital music awards this week oh yeah now gone of course big props to Lisa Aaron's who is 22:20.880 --> 22:25.360 pretty much single handedly implemented the plan borrowing resources from anywhere she could 22:25.360 --> 22:30.480 stealing where she had to my personal thanks to everyone from the San Francisco HQ BT pod show in 22:30.480 --> 22:34.560 Vincent's crew who have put in months of long hours of work to bring this project to fruition 22:35.440 --> 22:39.120 what else do I say here our backstage past coverage of the DMAs has already started and 22:39.120 --> 22:43.760 includes some familiar faces from our network and the fun is just beginning oh well from today 22:43.760 --> 22:48.800 onwards you can discover great shows music and videos on the plus 24 seven live no jive 22:50.640 --> 22:56.400 so yeah that's and it's interesting because we sent out a press release I think earlier 22:56.480 --> 23:01.760 last week and there was quite a vibe about it people at the expo talking about it and everyone 23:01.760 --> 23:06.640 seemed kind of excited and you know I've been watching it since early this morning and it really 23:06.640 --> 23:11.840 you know actually let me see what's playing right now because you know now we've added 23:13.200 --> 23:21.280 basically VJ segments we've got to OJ Jill Mills, Dr. Cockney I know Natalie Delcante is in the 23:21.280 --> 23:26.080 London office right now doing some segments we're going to do it all throughout the 23:26.080 --> 23:30.400 digital musical awards we've got our own private party area right near the red carpet 23:32.000 --> 23:37.600 actually I've pressed play now come in isn't starting with the hell is this okay here it goes buffering 23:41.360 --> 23:45.920 and you know and it's just basically going to keep going okay what's playing right now so we got 23:45.920 --> 23:53.520 we got the format is really what's most interesting to me is we're setting up an automatic format 23:53.600 --> 23:57.440 we just fill in all the stuff that that runs through podshow dot com it's a great way to 23:57.440 --> 24:03.840 get exposure and if you look at the the plus tv dot com home page you'll see that it's really easy to 24:03.840 --> 24:10.400 click into that particular piece of video whether it's a single clip video or whether it's a music 24:10.400 --> 24:16.400 video or if it's an episode from a show you can click through it you can get archives and of course 24:16.400 --> 24:22.480 you can subscribe to it so it's kind of cool I don't know what is this that's playing it's like 24:23.440 --> 24:30.880 two bunny rabbits beating the shit out of each other cool it's a very angry music videos on this 24:30.880 --> 24:36.480 thing I like it a lot though I'm just going to keep talking for a second see if we hit a VJ segment or not 24:38.480 --> 24:44.240 cry probably not anyway so we'll be covering the digital musical awards you can check it out 24:44.240 --> 24:50.400 live we have hope well it's the same video stream that you find at the plus tv dot com you know we 24:50.400 --> 24:58.080 got to see if it's a second or a promo this is brand in the podshow intern super music video show 24:59.760 --> 25:04.800 so and it's a great way for me to catch up on stuff because we produce so much and we have so many 25:04.800 --> 25:09.840 different producers on the network that it's almost impossible you know to be looking at stuff 25:09.840 --> 25:14.080 so now if I just keep the stream running in the background eventually I'll see something that I like 25:14.880 --> 25:21.200 or I'll see something that I know I should be looking at that very cool very very excited go team good job 25:25.040 --> 25:42.960 Jesus we've got part two of our star wars the force unleashed feature and you can win 25:42.960 --> 25:48.320 copies of juice too for the Xbox 360 that's all on games rezoal tippy found at gamesrezoal dot 25:48.320 --> 25:55.120 beatypotshow dot com excellent math thank you yeah so just one more thing about uh about the plus tv 25:56.880 --> 26:02.800 you know I this so if you look at it what I'm hoping you'll see is that you know this is indeed 26:02.800 --> 26:06.640 the path that MTV could have taken and then maybe they couldn't have even have taken it because 26:06.640 --> 26:11.840 there was a really weird gap where music videos were ubiquitous and you know it would have been 26:11.840 --> 26:16.960 very very hard for them to do the same type of business and increased ratings in less they took 26:16.960 --> 26:21.680 the path I did which was you know more long form and of course eventually long form reality stuff 26:23.040 --> 26:27.440 but I think that this this has kind of that that MTV vibe to it and you know the the way the 26:27.440 --> 26:34.000 videos look are just as important as as the music so you know a lot of thought is going into it 26:34.000 --> 26:42.560 and uh and a very small people are working very very hard to make it work um yeah I'm pretty happy 26:42.560 --> 26:48.720 with it oh anyway uh so there's uh there's been a couple of uh mainstream mockery and fake 26:48.720 --> 26:53.760 re-spottings and sightings and stories uh on both sides of the Atlantic Ocean let me start with the 26:53.760 --> 27:00.080 US first Gary Alexander uh it's gonna tell us how reality programming is made hey Adam Gary Alexander 27:00.160 --> 27:04.640 from the ultimate podcast what's going on um listen I wanted to comment on and I don't know why 27:04.640 --> 27:10.640 I haven't done this before on um you know uh setting up reality shows and things of that nature 27:10.640 --> 27:18.720 uh how the media are the TV networks are kind of pulled a little over I I was involved I was a 27:18.720 --> 27:26.560 cast member on a show on A&E called um called Mary Dim Vegas where I performed weddings for this 27:26.560 --> 27:31.680 wedding chapel here called uh people I think it's wedding chapel as Elvis and we need to hold 27:31.680 --> 27:39.760 whatever motion and um many different other um characters as well and we were the show was uh on A&E 27:39.760 --> 27:45.120 and they filmed a couple things and the first day of filming for some reason I was late 27:45.920 --> 27:51.920 well after about a month of editing they came back to film a couple things that they needed to 27:52.000 --> 27:57.200 like pick up shots well the pick up shots happens to be all of the storyline revolve around 27:57.200 --> 28:02.560 me being late for the first five minutes of the show so they actually had a camera crew get in the 28:02.560 --> 28:09.600 car with me and I just drove down the street and I did like I was on my cell phone calling into work 28:10.320 --> 28:16.320 and during editing it looked like some guy with a camera was you know left my home with me and 28:16.320 --> 28:21.680 traveled with me that entire day and it never happened never happened like that and obviously 28:21.680 --> 28:27.200 that's reality television not the news or anything like that but it's very obvious to see what 28:27.200 --> 28:34.800 goes down on the on the shows and uh I was part of of reality television on A&E part of the 28:34.800 --> 28:40.800 problem you were my no and for fact obviously it's all bullshit so thank you again the ultimate 28:40.800 --> 28:47.040 dot-pot show dot-com thanks late you know late as man late as Gary Xanna yeah absolutely good 28:47.840 --> 28:54.880 it's exactly how it goes how real is that reality now it's almost as real as well forget it 28:54.880 --> 29:03.760 oh wait what's this this is the the promo for the red carpet cool little Chris this is so funny 29:03.760 --> 29:13.520 you know check this out backstage pass digital music awards 2007 yeah I'd love that Olivia 29:13.520 --> 29:19.200 Lisa's gonna ask you one question to some like Deliberty from last year and the girl says yes of course 29:19.200 --> 29:23.440 you can and and then she says who the hell are you yeah I'd love it 29:23.440 --> 29:37.200 pass one to our one six to five six three five seven last one to our one six to five six three 29:37.200 --> 29:44.160 five seven meanwhile back in Blighty more trickery and mockery of foot with the mainstream 29:44.400 --> 29:50.800 I don't it's uh Mike here from Bristol, Elis and Go-Mem we've read this one recently 29:50.800 --> 29:56.640 it's really said yesterday came out the BBC's being caught with its pants down again this time 29:56.640 --> 30:00.880 on a children's television program called Blue Peter which is one of the longest running television 30:00.880 --> 30:07.200 programs in the world they received children over a rig term telephone vote named over the naming 30:07.200 --> 30:14.160 give up of a cat one of the pet's little pets on that program and it was over the naming 30:14.160 --> 30:20.240 and the kids chose one name and the editor or whoever it was chose another name and the 30:20.240 --> 30:24.160 yeah BBC and they've been caught with their pants down on it so you don't find that actually on 30:24.160 --> 30:28.720 the BBC's websites and apparently they've got to find by off-com fifty thousand pounds over 30:28.720 --> 30:32.400 which is probably not allowed many for BBC although that is public statement anyway 30:32.400 --> 30:37.200 which comes from our license money for the year while you pay 150 years in effort television 30:37.200 --> 30:45.280 is an UK think it is and I don't know I'm got to leave but I just a little point I think the actual 30:45.280 --> 30:50.560 name for the cat was socks but they've been receiving all the children and their program was designed 30:50.560 --> 30:56.080 for uh my laptop at 15 year old 16 year olds and it was a telephone vote we've created them 30:56.080 --> 31:00.480 telephone numbers as well so they must make a lot of money off of that that's a little red pill 31:00.560 --> 31:08.160 blue bell for me yeah man screw those guys we've got our own tricks to play look here's Jill Mills 31:09.440 --> 31:15.200 this is so funny Jill Mills is going through all the all the nominees and with her Jill Mills 31:15.200 --> 31:22.400 attitude it's very very funny I love this it's like a real station hold on we turn out 31:22.480 --> 31:31.520 is that the real deal he makes me piss myself of it's a nice Jill fantastic okay let me see yeah there 31:31.520 --> 31:36.400 was one more thing I wanted to play for you this is a really crazy guy that I found on the 31:36.400 --> 31:44.160 podcast music network yeah his name is Waldruiro he's from Jersey of course check this out 31:44.240 --> 31:54.960 influences Zappa Pearl Jam Beethoven Nobel who Matu Final Fantasy video games Paul Oconfold 31:54.960 --> 32:02.800 Madlib the unicorns black Sabbath the John Williams Kojo condo video game music so apparently 32:02.800 --> 32:10.000 this guy is completely nuts about video game scores and and he does all kinds of really interesting 32:10.080 --> 32:15.200 classical stuff and I presume it's all synthesized although it sounds really really good and 32:15.200 --> 32:22.320 I have to say it almost sounds like the real deal final bit here in his in his bio on the PMN 32:24.720 --> 32:30.080 I'm also here I'm heavily influenced by video games films et cetera final fantasy games 32:30.960 --> 32:37.280 cast Olania Castlevania John Williams Tommy Tolarico Kojo condo et cetera but I'm also into 32:37.280 --> 32:44.560 Beethoven and the other classical composers my sound displays that I discovered the full orchestra 32:44.560 --> 32:53.760 and never went back well damn straight this is uh the maple leaf rag just listen to the quality of the 32:53.760 --> 32:56.000 shit 32:56.250 --> 34:53.750 [ Music ] 34:53.760 --> 35:00.720 Yeah, they have some dynamics right there, boi, I'll tell you. 35:00.720 --> 35:04.600 Walt Ribeiro, the Maple Leaf Rag, you can find a link to that on the podcast and music 35:04.600 --> 35:09.840 network from the show notes for this program, dailysourcecode.com. 35:09.840 --> 35:14.960 So tomorrow no idea if I'll be able to update, I think I have to go in pretty early to 35:14.960 --> 35:15.960 get ready. 35:15.960 --> 35:23.280 The show starts around 6 p.m., sorry, dinner at 6, it's like a combination of awards, dinner 35:23.320 --> 35:27.840 slash show, it'll be kind of fun, they got some good names there this year, so you 35:27.840 --> 35:35.280 can check out dma.podshow.com, if you find out want to find out more about the awards, 35:35.280 --> 35:42.720 also watch the dma coverage on the plus dv, let's see what else, backstage pass.podshow.com 35:42.720 --> 35:50.400 and of course the plus dv.com. So tomorrow maybe morning evening, tomorrow night late or Wednesday 35:50.400 --> 36:03.760 for sure, we'll be back with more of the show another podshow podcast. Stick it in your ear. 36:03.760 --> 36:08.960 This podcast is brought to you by podshow and go day. This show will give you a special 36:08.960 --> 36:15.120 code to get great discounts at godaddy.com. Got something to say, log it with your fruit 36:15.360 --> 36:21.120 log from goday. 36:21.120 --> 36:27.200 The best and the brightest served up daily by the sharpest minds in content delivery, podshow 36:27.200 --> 36:28.160 and lightweight.