WEBVTT

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Delta-Share Charly 728's The Wet
Edition.

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With $16 billion worth of
airplane straps by us.

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And the next generation radio
content in my ears.

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I like to think I'm flying into
this genre.

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On casting, it's Adam Curry.

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[ Music ]

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Hey everybody, how you doing?

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Welcome to the Daily Source
Code, it's episode number 728

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a special Saturday edition
because I just didn't have the
energy

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to bring you on on Friday for a
food bar,

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but everything you'd expect in a
food bar is included in this

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edition and then some.

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No live chat room, no live
calls.

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I've been sitting here inside
the condo for the past 24 hours,

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and it has been the most
atrocious weather I've ever
seen.

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We've got 35 mile an hour winds
gusting to 55.

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Of course, you know, I'm up here
on the 24th floor over looking

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the bay and I'm literally seeing
debris flying up

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up to the height of the 24th
floor, you know, like paper
bags,

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plastic bags, homeless people.

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It's just, it's crazy.

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And I'm here all alone and I'm
feeling a little bit

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melancholy and I thought to
myself, why don't I share a
couple of

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songs in the soundtrack to my
life that kind of fit in with
the mood

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that I'm thinking of right now
because, you know, I'm about
five,

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six thousand miles from home,
and they said it's not supposed
to rain

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in southern or northern
California.

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We've got on board a westbound
seven, 47,

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[ Music ]

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Yeah, I think you've got to be
at least 35 to appreciate most
of the songs I've got lined up
for the breakups in the game.

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This is definitely one from the
70s, Albert Hammond, it never
rains in Southern California or
Northern California for that
matter.

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Especially sad because today is
the Chinese New Year.

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It's what Lisa's being
celebrated here in San Francisco
and Chinatown actually went out
for a walk just before it
started to pour down.

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And they were setting up
bleachers and all kinds of, all
kinds of stuff on Kerney Street
for the route and I feel bad,
man.

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Paper, dragons and fireworks
just don't mix with this kind of
weather. It's stormy outside.

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I don't know why, there's no sun
up in the sky.

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[ Music ]

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He's raining all the time.

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The wonderful sound of Ella
Fitzgerald, not King Cole.

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Stormy weather on Danny Source
Code, episode number 728, from a
very, very wet San Francisco.

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I've been getting a lot of
comments about the new set up,
particularly about being able to
talk to people live on the show.

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And of course, there's pros and
cons to everything.

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And it's really, for those of
you who haven't been listening,
I mean 728 episodes, it's
impossible you heard everything.

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And you may not have been
listening from episode one or
before we even started counting
or before it was even called the
Daily Source Code.

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But it's an experimental show,
you know, we try stuff out.

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And obviously, I have the
capability now to talk to people
live.

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That's very cool.

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And now, of course, we've got to
have something to actually say.

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So there's pros and cons
everyone's picked up on it, but
some people love it.

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Some people think it's, ah, some
people don't love it so much.

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One thing for sure, though, this
business of naked pictures.

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Yeah.

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Oh, great.

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You know, I get no naked
pictures.

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Just when I spend for them all
the time, you sound like a
desperate person.

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That's why you don't fucking get
in.

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Don't go in with your money.

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Thank you.

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Hey, James.

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Thank you very much.

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One more like that.

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Hey, Adam, let's David and
Jackson go calling again.

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They just wanted to give you a
little insight.

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And I know you're growing up.

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I know you probably know this,
but when a woman tells you that
she's going to

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work on getting some naked trees
of it, that means you're getting
exactly nothing.

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Just a little helpful hand from
a guy who has spent the better
part of his life asking

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you know, online chicks for
naked pictures of himself.

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It's a pretty fruitless effort.

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So right here.

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Love you.

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Anyway.

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Right, man.

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Yeah, you're right.

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I should stop doing that.

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You know, my wife hates it when
I do it.

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Well, she doesn't hate it.

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She thinks I sound like a, oh,
kind of what to do.

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Oh, kind of what James said,
like an old perv.

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So, of course, we missed the
food bar Friday.

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I really, I was just too tired.

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I was, uh, knackered.

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Shall we say.

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But I did, uh, no agenda with
the Johnson of Orac Friday
evening.

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About six, 15 is when we started
to record that.

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And it was a lot of fun.

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You know, we actually ran long
like an hour and 10, an hour and
15 minutes.

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And I was just wiped out nothing
left to say.

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And I, I didn't have the energy
to go and pull everything
together.

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And also this time zone.

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It's a very, very difficult time
zone to do.

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To, uh, to taste people to do
things.

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Because, you know, what is what
time is it now?

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It's Saturday night five minutes
past eight.

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Look at me.

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How sad is my life, huh?

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What, what else could you be
doing on a Saturday night at
eight o'clock?

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I just had my ravioli from Chef
Boyardy sat down.

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Pull out a whole bunch of tracks
from the soundtrack to my life.

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And of course, I scan the Gmail.

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Because we cannot finish a week
without young palettes hit test.

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Oncoming casting with Adam
Curry.

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I Adam, who are you ready to be
stunked out?

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Because he is the new test.

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Bring it on, baby.

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It's young palettes.

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Hey, Adam.

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This is hit test number 110.

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And we're going to start right
away with intro number one.

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Take it.

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Oh, it's all young.

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Oh, you read my mind, man.

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Oh, that's one from my
soundtrack, my life.

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That, of course, is Rupert
Holmes and him.

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No doubt about it.

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Number two.

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Kind of sounds like like the SOS
band or something.

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No, I give up on that one.

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And number three.

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I know it's easy one.

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That would be a bunch of people
to keep the faith.

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And I'd recognize that intro
anywhere.

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And times up.

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And these are the answers.

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Oh, yeah.

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Answer number one is from 1980.

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I got a signal.

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The window.

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There's a pack of cigarettes.

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[ Music ]

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It's me without me.

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Me.

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Me.

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No.

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That's the answer.

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Answer number one, him from 1980
by Rupert Holmes.

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What's this?

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And this is answer number two.

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Oh.

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Who's human hunting?

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86.

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That's his host.

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Zooming there.

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I read that.

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怎麼 him?

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Oh.

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Zooming.

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Jordan Hammer.

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Zooming.

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Zooming.

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Zooming.

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Zooming.

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Zooming.

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Zooming.

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Zooming.

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Zooming.

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Zooming.

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Zooming.

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Zooming who has answered number
two are Rupert Franklin?

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And this is answer number three.

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Oh yeah, from 1992, this is
Banjofi.

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Uh-huh.

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Hold on, hold on.

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Let's go get your children.

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That they're tied to your feet.

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Hold on, hold on, hold on.

16:53.000 --> 16:54.000
Hold on, hold on.

16:54.000 --> 16:55.000
Hold on, hold on.

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Hold on, hold on.

16:56.000 --> 16:58.000
Hold on, hold on.

16:58.000 --> 16:59.000
Hold on, hold on.

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Hold on.

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Hold on.

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Hold on.

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Another great example for the
wall of sounds.

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Banjofi and keep the faith.

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Let's answer number three.

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We need this number 110.

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Oh, so Adam, how did you do
that?

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Two out of three.

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Yeah, I'm Mr. Rita.

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Sorry.

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The answer is to this hit test
and also the iTunes links

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so that you can buy these tracks
online

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or to be found at
hittest.botsho.com.

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Thank you for playing Adam.

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Next week, I'll be back for hit
test number 111.

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So until then,

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have a very nice week.

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And take care.

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Be back.

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Hittest.botsho.com.

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Impolent.com.

17:39.000 --> 17:43.000
J-N-P-O-L-E-T-T-A-C-O-C-O.

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And the cheese just keeps on
coming.

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Another perfect California song.

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This is a wishful thinking.

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Top-down, driving around music.

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Sunshine, and I'm just imagine

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in America's Ventura Freeway.

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Where's it, highway?

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You're gonna be so good.

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Walking down the road.

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There'll be no I long you're
gonna stay here, don't.

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[ Music ]

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Now, of course, I must remind
you that today's daily source
code is brought to you under the
educational auspices of the
organization

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For the preservation, the
soundtrack of our lives, but I
know it's up-sol

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You can find out more about
up-sol

20:58.000 --> 21:02.000
Ask her papa's share of Oscar
Lima.pacho.com

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In other words, everything I'm
playing is illegal

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You can't tell anyone you ever
heard the show or I'll just have
to kill you

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I'm sorry about it

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Hey, this is Paul Smith

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From Kingsville, Florida

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Here's a little sound for the
day's on a 500

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I'm on the backstrapes

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And as you can tell, the cars
are going by

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This is the 50th running of the
Daytona 500 in Daytona, Florida

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It's not you. Get a kick out of
here in the cars go around

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So again, this is Paul Smith

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Check it in from Florida

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41 Mary

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Two kids

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Love the show Adam, right here?

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Love yet? No homo

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How's the singer?

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She stands up

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When she plays

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[ Music ]

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See your bow

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Telling to do

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Yeah, I'll be there

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And I close

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It's been decades since I've
heard that song

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Came across that of my first gen
iPod

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Which of course is still here at
the Curry condo

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Works

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Spurles a singer on daily source
code episode 728

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It is the organization for the
preservation of the soundtrack
of our lives

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Edition

25:37.000 --> 25:39.000
Curly educational

25:39.000 --> 25:42.000
And I can remember exactly where
I was when I heard the song

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How about you?

25:43.000 --> 25:45.000
I got no money

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I ain't that close for my
daughter

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I'm around

25:51.000 --> 25:53.000
Yes, got no money

25:53.000 --> 27:51.000
[ Music ]

27:51.000 --> 27:53.000
I want to hear your cry

27:53.000 --> 27:55.000
Oh no, I can't stop

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I want to hear your cry

27:57.000 --> 28:01.000
This usually makes us perfectly
through the controversy

28:01.000 --> 28:05.000
From the days before it was
fashionable to like friends

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I want to be your lover

28:07.000 --> 28:09.000
You know, I've slept around

28:09.000 --> 28:13.000
I've slept around one stack of
vinyl albums my entire life

28:13.000 --> 28:15.000
Or at least since my 20s

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And it's all prints

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Never played them to completely
virgin

28:19.000 --> 28:21.000
I got to tell you

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That's probably the guy I

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Waffner can't be the guy that I
respect the most

28:25.000 --> 28:27.000
The music business

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But

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Gosh, do I love the stuff he
does

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So for those of you not quite
familiar with the concept of

28:33.000 --> 28:35.000
The soundtrack of our lives

28:35.000 --> 28:37.000
The idea is when you hear these
songs

28:37.000 --> 28:39.000
And you think about them

28:39.000 --> 28:41.000
You're like, oh man

28:41.000 --> 28:43.000
I know exactly where I was when
I first heard that

28:43.000 --> 28:45.000
And it doesn't have to be the
first time you heard it

28:45.000 --> 28:47.000
Because when I hear this song

28:47.000 --> 28:49.000
I always think of

28:49.000 --> 28:51.000
The time I was in Minneapolis

28:51.000 --> 28:53.000
The Twin Cities

28:53.000 --> 28:55.000
Manyapolis St. Paul

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Of all things

28:57.000 --> 28:59.000
Of course, the Mall of America
is there

28:59.000 --> 29:01.000
And I was shooting a commercial
for

29:01.000 --> 29:03.000
Sam Goody's record stores

29:03.000 --> 29:05.000
So they still exist by the way

29:05.000 --> 29:07.000
And so they had it, you know,
we're doing the shoot in

29:07.000 --> 29:09.000
In the Mall of America

29:09.000 --> 29:11.000
And I was staying there for a
couple days

29:11.000 --> 29:13.000
And the second night of the
shoot

29:13.000 --> 29:15.000
I remember I was in my hotel
room

29:15.000 --> 29:17.000
And I was just watching the
Tonight Show

29:17.000 --> 29:19.000
Maybe it was a Letterman

29:19.000 --> 29:21.000
And the phone rings

29:21.000 --> 29:23.000
And it's midnight

29:23.000 --> 29:25.000
I pick up the phone

29:25.000 --> 29:27.000
And voice in the other and says

29:27.000 --> 29:29.000
Yeah, um, it's Adam

29:29.000 --> 29:31.000
Yeah

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Listen, prints wants to invite
you to a party

29:33.000 --> 29:35.000
Paisley Park Studios

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Are you interested in going

29:37.000 --> 29:39.000
And I said

29:39.000 --> 29:41.000
Are you kidding me? Yes

29:41.000 --> 29:43.000
Says good because the car's out
in front

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So I throw on jacket

29:45.000 --> 29:47.000
Going downstairs

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It's about a 25 minute drive

29:49.000 --> 29:51.000
From the hotel I was staying in

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And you roll up on the highway

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Passed the Paisley Park Studios

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And it's completely illuminated
in purple

29:57.000 --> 29:59.000
It was just phenomenal sight

29:59.000 --> 30:01.000
You know, rolls up

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Walk in the front door

30:02.000 --> 30:04.000
It's all pristine white except
of course for this

30:04.000 --> 30:06.000
Uh, for this purple glow

30:06.000 --> 30:08.000
Over the end and you got this

30:08.000 --> 30:10.000
It was just so spooky, you know

30:10.000 --> 30:12.000
Really dark and just this purple
building

30:12.000 --> 30:14.000
Which was illuminated

30:14.000 --> 30:16.000
Go through a metal detector
first

30:16.000 --> 30:18.000
Which was kind of funky

30:18.000 --> 30:20.000
Excuse me and I walk in

30:20.000 --> 30:22.000
To this room this huge room

30:22.000 --> 30:26.000
Which consisted of it was just a
big white space

30:26.000 --> 30:28.000
Along one side was just about
the

30:28.000 --> 30:30.000
The longest

30:30.000 --> 30:32.000
Buffet snacks and dinner

30:32.000 --> 30:34.000
I'd ever seen

30:34.000 --> 30:36.000
As a DJ

30:36.000 --> 30:38.000
In the middle with

30:38.000 --> 30:40.000
You know it's into that typical
DJ set up

30:40.000 --> 30:42.000
Actually none of the middle but
over to the other wall

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With with speaker stacks

30:44.000 --> 30:46.000
And he was playing this this
print stuff

30:46.000 --> 30:48.000
These tracks that I never heard
before my life

30:48.000 --> 30:50.000
It was like this

30:50.000 --> 30:52.000
It was just unreleased stuff,
you know

30:52.000 --> 30:54.000
And I was wow I can't believe it

30:54.000 --> 30:56.000
And the most beautiful boys and
girls in this place

30:56.000 --> 30:58.000
All kind of dancing

30:58.000 --> 31:00.000
And

31:00.000 --> 31:02.000
You know so I hung out and
actually

31:02.000 --> 31:04.000
One of the extras who

31:04.000 --> 31:06.000
Who was on the shoot

31:06.000 --> 31:08.000
What was her name again?

31:08.000 --> 31:10.000
Um, willow I think her name was

31:10.000 --> 31:12.000
I guess right willow because I
remember

31:12.000 --> 31:14.000
My sister's name

31:14.000 --> 31:16.000
And um, I don't know if she was
an extra on the shoot

31:16.000 --> 31:18.000
I'd met her either

31:18.000 --> 31:20.000
Earlier or the day before

31:20.000 --> 31:22.000
And you know so we're talking a
little bit

31:22.000 --> 31:24.000
And like wow this is pretty cool

31:24.000 --> 31:26.000
And prints is standing over in
the corner

31:26.000 --> 31:28.000
Next one of the speaker stacks

31:28.000 --> 31:30.000
And so I say to Willow

31:30.000 --> 31:32.000
Who I think he actually went out
with her for a while

31:32.000 --> 31:34.000
I don't know if it was during
that period or before

31:34.000 --> 31:36.000
After whatever

31:36.000 --> 31:38.000
And I said oh I got to go over
and say hi to him

31:38.000 --> 31:40.000
Because damn yeah this is very
cool that he invited me

31:40.000 --> 31:42.000
And there were a couple people
standing around

31:42.000 --> 31:44.000
She said oh no no no you
shouldn't do that man

31:44.000 --> 31:46.000
Is it well why not?

31:46.000 --> 31:48.000
Oh you know because you're
really tall and you're white

31:48.000 --> 31:52.000
I said I kind of bullshit is
that

31:52.000 --> 31:54.000
If he's got a problem with that
then I'm leaving

31:54.000 --> 31:56.000
I'm leaving

31:56.000 --> 31:58.000
So I walk over to him

31:58.000 --> 32:00.000
First thing I noticed he's not
all that small

32:00.000 --> 32:02.000
He really isn't

32:02.000 --> 32:04.000
Maybe he was wearing some heels
but didn't you?

32:04.000 --> 32:06.000
He's not like a midget

32:06.000 --> 32:08.000
Not a big guy

32:08.000 --> 32:10.000
So that was the first thing I
noticed

32:10.000 --> 32:12.000
I say hey you know I want to
thank you very much for inviting
me

32:12.000 --> 32:14.000
And he knew everything

32:14.000 --> 32:16.000
He said oh yeah you know

32:16.000 --> 32:18.000
I'd seen that Halloween episode
you did on MTV

32:18.000 --> 32:20.000
And yeah I didn't knew about my
daughter

32:20.000 --> 32:22.000
And we talked for I don't know

32:22.000 --> 32:24.000
15 20 minutes and it was just
you know

32:24.000 --> 32:26.000
I was but I'm not a fan boy

32:26.000 --> 32:28.000
But I was completely blown away
by that

32:28.000 --> 32:32.000
And and then he kind of
disappeared after a while

32:32.000 --> 32:34.000
And then probably

32:34.000 --> 32:36.000
I'd say around 2015 to 30

32:36.000 --> 32:40.000
The whole bunch of guys and
black suits came into the

32:40.000 --> 32:42.000
Into the into this white room
that we're all in

32:42.000 --> 32:44.000
And they started flashing
flashlights on the ground

32:44.000 --> 32:46.000
Just like click click click on
and off

32:46.000 --> 32:48.000
And everyone just you got it

32:48.000 --> 32:50.000
It was the signal

32:50.000 --> 32:51.000
It was like the bat signal

32:51.000 --> 32:52.000
Everyone got their coats

32:52.000 --> 32:54.000
Put them on and left

32:54.000 --> 32:56.000
It was definitely

32:56.000 --> 32:58.000
Definitely one of the

32:58.000 --> 33:00.000
The coolest show business
moments I've ever witnessed

33:00.000 --> 33:02.000
And obviously

33:02.000 --> 33:04.000
A cut right at the beginning

33:04.000 --> 33:06.000
To the soundtrack of my life

33:08.750 --> 33:28.000
[ Music ]

33:28.000 --> 33:30.000
He's trying to tie

33:30.000 --> 33:32.000
Yeah

33:32.000 --> 33:34.000
He's trying to tie

33:34.000 --> 33:36.000
Oh yeah

33:36.000 --> 33:38.000
Oh

33:38.000 --> 33:40.000
How's it going Adam it's jersey
time

33:40.000 --> 33:42.000
The official musical just of the
chat chat

33:42.000 --> 33:44.000
Hey dude, I know my week off of
Valentine's Day

33:44.000 --> 33:46.000
But I wanted to bring you
something really nice

33:46.000 --> 33:48.000
For a football Friday

33:48.000 --> 33:50.000
You see on the positive music
network

33:50.000 --> 33:52.000
Is a song by David Martin

33:52.000 --> 33:54.000
And the interesting story about
David Martin is

33:54.000 --> 33:56.000
That he met his wife when he was
15 years old

33:56.000 --> 33:58.000
And he recently put out an album
of

33:58.000 --> 34:00.000
Ten songs all dedicated to his
wife

34:00.000 --> 34:02.000
It's an absolutely beautiful
album

34:02.000 --> 34:04.000
And he actually calls it the
ultimate love letter

34:04.000 --> 34:06.000
I think this is a really really
special song

34:06.000 --> 34:08.000
And I think it really really is
going to break out

34:08.000 --> 34:10.000
As a mainstream kind of hit

34:10.000 --> 34:12.000
Check this out

34:12.000 --> 34:14.000
It's called Something Your Eyes

34:14.000 --> 34:16.000
The notes this guy hits

34:16.000 --> 34:18.000
He's jersey time

34:18.000 --> 34:20.000
I'll check you next week

34:20.000 --> 37:34.000
[ Music ]

37:34.000 --> 37:39.000
Come on, it's all to hold me

37:39.000 --> 37:43.000
Oh, Todd, man

37:43.000 --> 37:45.000
You did it again

37:45.000 --> 37:49.000
David Martin, something in your
eyes

37:49.000 --> 37:52.000
From the pod save music network,
fantastic

37:52.000 --> 37:57.000
I think I'm going to add that
one to my personal soundtrack to
my life collection

37:57.000 --> 37:59.000
Cool, man

37:59.000 --> 38:01.000
That was good, that was really,
really good

38:01.000 --> 38:05.000
So I'm going to do some extra
work on today's show

38:05.000 --> 38:08.000
And I'm going to find links to
every single song I played

38:08.000 --> 38:11.000
And with those in the show notes
at dailysourcecode.com

38:11.000 --> 38:13.000
So that you can go and purchase
them

38:13.000 --> 38:15.000
Because I know what always
happens when I play some of
these tunes

38:15.000 --> 38:17.000
Just people say, oh, man, I love
that song

38:17.000 --> 38:18.000
How can I get a hold of it?

38:18.000 --> 38:20.000
So I'll put in probably Amazon
links

38:20.000 --> 38:23.000
So I'll see if I can find MP3s
because Amazon sells them

38:23.000 --> 38:24.000
DRM free

38:24.000 --> 38:29.000
And if I have to, I'll resort to
the iTunes music store

38:29.000 --> 38:31.000
So it looks like the weather's
going to be pretty bad

38:31.000 --> 38:32.000
Tomorrow as well

38:32.000 --> 38:34.000
But Monday, when the week starts
off again

38:34.000 --> 38:36.000
You know what happens, right?

38:36.000 --> 38:39.000
You know what happens after the
big rain storm

38:39.000 --> 38:41.000
When the sun comes out

38:41.000 --> 38:43.000
From behind the clouds

38:44.000 --> 38:47.000
It's when you see the rainbow,
my friends

38:47.000 --> 38:51.000
And that is something you want
to connect with

38:51.000 --> 38:53.000
And here's a frog to tell you
about it

38:53.000 --> 38:54.000
Why not?

38:54.000 --> 38:59.000
There's so many songs about
rainbows

38:59.000 --> 39:05.000
And what's on the other side?

39:05.000 --> 41:31.000
[ Music ]

41:31.000 --> 41:35.000
The lovers, the dreamers, let me

41:35.000 --> 41:38.000
Doesn't get much cheeseier than
that

41:38.000 --> 41:40.000
And I love it

41:40.000 --> 41:42.000
And I'm not ashamed of it

41:42.000 --> 41:43.000
Come with the frog

41:43.000 --> 41:45.000
And the rainbow connection

41:45.000 --> 41:48.000
Rappin' up episode 728 of the
Daily Source Code

41:48.000 --> 41:50.000
Links to all these songs that
show notes

41:50.000 --> 41:51.000
at dailysourcecode.com

41:51.000 --> 41:54.000
I hope you enjoyed listening to
this program

41:54.000 --> 41:56.000
on your Saturday night or your
Sunday morning

41:56.000 --> 42:00.000
Or, of course, if you're down
under on your Wednesday lunch
break

42:00.000 --> 42:02.000
I'll be back on Monday for sure

42:02.000 --> 42:04.000
With another edition of the
Daily Source Code

42:04.000 --> 42:05.000
I hope you tune in then as well

42:05.000 --> 42:06.000
Adam at podshow.com

42:06.000 --> 42:07.000
Dailysourcecode.com

42:07.000 --> 42:09.000
Live your life with passion

42:09.000 --> 42:11.000
And enjoy your freedom

42:11.000 --> 42:14.000
Another podshow podcast

42:14.000 --> 42:16.000
Stick it in your ear