WEBVTT 00:00.000 --> 00:04.560 Delta Sherry Charlie 865. I've got the post idol blues 00:11.250 --> 03:14.000 [ Music ] 03:14.000 --> 03:17.000 That's right, it's exactly how I feel 03:17.000 --> 03:20.000 Like I'm from the rear of my heart 03:20.000 --> 03:24.000 Once again, we watched the DVR recording of American Idol 03:24.000 --> 03:26.000 Yeah, yeah, yeah, yeah, yeah, yeah 03:26.000 --> 03:29.000 Oh, so many songs, I just like, you know, I need something I'm lifting 03:29.000 --> 03:32.000 I need to play some real music 03:32.000 --> 03:37.000 To music that I remember, songs that you can groove to 03:37.000 --> 03:41.000 I got a whole emotional journey for you on this Thursday night 03:41.000 --> 03:45.000 Coming to you from Camp Mofo here in Austin, Tayhouse 03:45.000 --> 03:47.000 Capital of the drone star state 03:47.000 --> 03:50.000 My name's Adam Curry, this is your daily source code 03:50.000 --> 03:53.000 The Delta Sheriff Charlie, off to a rocky start 03:53.000 --> 03:56.000 Nothing with the Jack Daniels can't fix 03:57.000 --> 04:03.000 First on the tap on the old nagging there 04:04.000 --> 04:10.000 Make sure it's still made of the same material 04:13.000 --> 04:15.000 I'm good 04:15.000 --> 07:11.250 [ Music ] 07:16.000 --> 07:22.000 Since the last time we smoke here on the daily source code, which was, there was it two weeks ago. 07:22.000 --> 07:25.000 We've had more people die. 07:25.000 --> 07:29.000 It's just like, we lost a Beastie boy. 07:29.000 --> 07:32.000 We lost Donna Summer, we lost us. 07:32.000 --> 07:36.000 It's like, if this is part of getting all of this, what it means? 07:36.000 --> 07:38.000 Is this what it comes down to? 07:38.000 --> 07:41.000 We're gonna honor some of those folks tonight. 07:41.000 --> 07:45.000 I've just played a couple songs and never here on the radio anymore, 07:45.000 --> 07:48.000 because I guess they're too cool to be played. 07:48.000 --> 07:51.000 You choose pride of the name Malaway and a daily source code. 07:51.000 --> 07:55.000 We're gonna come and the name of our own. 07:55.000 --> 08:00.000 We're gonna come and our own. 08:00.000 --> 09:44.000 [ Music ] 09:44.000 --> 10:14.000 next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see 10:14.000 --> 10:44.000 [ Music ] 10:44.000 --> 10:58.360 and see you in the next video, see you in the next video, see you in the next video, see you in the next video, this assꮵ underway, see you in five, see you in the next video, see you in the next video, see you in the next video, see you on the next video, take care, see you in the next video, see you in the next video, see you guys in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, see you in the next video, so see you in the next video,!! 11:14.000 --> 11:20.000 All right everybody crank that just a little bit we're going to get you ready for the rock and roll for your day 11:20.000 --> 14:07.000 [ Music ] 14:07.000 --> 14:23.000 All right everybody crank that just a little bit we're going to get you ready for the rock and roll 14:23.000 --> 14:39.000 All right everybody crank that just a little bit we're going to get you ready for the rock and roll 14:39.000 --> 14:46.000 Good to see everybody there tuning in live on the stream 14:46.000 --> 14:54.000 Of course predominantly this admins are on this time a night 14:54.000 --> 14:56.000 How you doing 14:56.000 --> 15:00.000 Let's get it. Just take those old records home 15:00.000 --> 15:04.000 I've been listening to him by myself 15:04.000 --> 17:56.250 [ Music ] 17:57.000 --> 17:59.000 Bob is eager to silver bullet band 17:59.000 --> 18:01.000 Old time in Rockin' Roll 18:01.000 --> 18:03.000 That takes me back to 1980 18:05.000 --> 18:07.000 I think it must have been 1981 18:07.000 --> 18:11.000 I was at Salem College in Salem, West Virginia 18:11.000 --> 18:16.000 Playin' that on WITB 18:16.000 --> 18:21.000 Which was an unbelievable ten watts of FM power 18:21.000 --> 18:24.000 Blasting out to all of Salem, West Virginia 18:24.000 --> 18:29.000 And if I remember correctly WITB stood for 18:29.000 --> 18:33.000 Either we're in the basement or we're in to bomb hits 18:33.000 --> 18:34.000 One or the other 18:34.000 --> 18:36.000 But we were actually in to both by the way 18:38.000 --> 18:39.000 Yes, listen, listen, listen, listen 18:39.000 --> 18:42.000 This is your daily source code episode 865 18:42.000 --> 18:43.000 Come on you 18:43.000 --> 18:46.000 From Austin, Tayhouse, the capital of the grown star states 18:50.000 --> 18:51.000 My name's Adam Curry 18:52.000 --> 18:54.000 You're just conjockey on duty 18:58.000 --> 19:00.000 Bringing you an illegal program 19:00.000 --> 19:03.000 And you must repeat this at a three from your player 19:03.000 --> 19:06.000 After done, otherwise I might get arrested 19:19.000 --> 19:22.000 1957, Yohan Holtz was born in Vienna, Austria 19:24.000 --> 19:28.000 1963, the young child was referred to as a new Mozart 19:29.000 --> 19:32.000 1977, his alter ego takes control 19:32.000 --> 19:33.000 Yohan is now a thousand 19:34.000 --> 19:38.000 1982, Falcos forces first international hit 19:39.000 --> 19:43.000 1984, with release of Yohan Roma, Falcos star 19:43.000 --> 19:44.000 Has followed 19:45.000 --> 19:49.000 1985, starting a new Falcos signs where manager Horst Bork 19:50.000 --> 19:54.000 Bork introduces him to Dutch producers, Ballon Bork 19:55.000 --> 19:57.000 Later, that's same here 19:57.000 --> 19:59.000 They create the world white hits 20:06.000 --> 20:10.000 The world's all video is in itself, larger than life 20:27.000 --> 20:31.000 The world's all video is in itself, larger than life 20:32.000 --> 20:36.000 The world's all video is in itself, larger than life 20:36.000 --> 20:37.000 The world's all video is in itself, larger than life 20:37.000 --> 20:38.000 The world's all video is in itself, larger than life 20:38.000 --> 20:40.000 The world's all video is in itself, larger than life 20:40.000 --> 20:41.000 The world's all video is in itself, larger than life 20:41.000 --> 20:42.000 The world's all video is in itself, larger than life 20:42.000 --> 20:43.000 The world's all video is in itself, larger than life 20:43.000 --> 20:44.000 The world's all video is in itself, larger than life 20:44.000 --> 20:46.000 The world's all video is in itself, larger than life 20:46.000 --> 20:48.000 The world's all video is in itself, larger than life 20:48.000 --> 20:49.000 The world's all video is in itself, larger than life 20:49.000 --> 20:50.000 The world's all video is in itself, larger than life 20:50.000 --> 20:51.000 The world's all video is in itself, larger than life 20:51.000 --> 20:52.000 The world's all video is in itself, larger than life 20:52.000 --> 20:55.000 The world's all video is in itself, larger than life 20:55.000 --> 20:58.000 The world's all video is in itself, larger than life 20:58.000 --> 21:00.000 The world's all video is in itself, larger than life 21:00.000 --> 21:01.000 The world's all video is in itself, larger than life 21:01.000 --> 21:02.000 The world's all video is in itself, larger than life 21:02.000 --> 21:04.000 The world's all video is in itself, larger than life 21:04.000 --> 21:07.000 The world's all video, larger than life 21:07.000 --> 21:09.000 The world's all video is in itself, larger than life 21:09.000 --> 21:11.000 The world's all video, larger than life 21:11.000 --> 21:16.000 The world's all video is in itself, larger than life 21:16.000 --> 21:18.000 The world's all video is in itself, larger than life 21:18.000 --> 21:21.000 The world's all video is in itself, larger than life 21:21.000 --> 21:24.000 is now a distant memory. 21:41.000 --> 21:45.000 February 6, 1998, Dominican Republic, 21:45.000 --> 21:49.000 exhausted after a long and restless night filled with alcohol and cocaine, 21:49.000 --> 21:52.000 Falco awakens alone in his car. 21:52.000 --> 21:54.000 He turns on to a main road, 21:54.000 --> 21:58.000 where an oncoming bus approaches at 100 kilometers per hour. 21:58.000 --> 22:16.000 paternal Chissent 22:17.000 --> 22:19.000 What's wrong? 22:23.000 --> 22:26.000 The sweat people are not dependent on their sauces 22:26.000 --> 22:27.000 They've been banished 22:27.000 --> 22:31.000 There is also our biggestised parkour of the Grand Gly savage Holy Land. 22:31.000 --> 22:37.000 The village to the Stories of the Air configuration and that we do danger for one of the Gates. 22:37.000 --> 22:42.000 Thank you. 22:43.750 --> 25:54.820 [ Music ] 25:54.820 --> 25:56.820 Do you have this for a million? 25:56.820 --> 26:00.120 This is the amount that exists in our lives, what humans are doing towards... 26:00.120 --> 26:02.020 Throughout Flood. 26:02.780 --> 26:04.780 So I... 26:05.120 --> 26:06.920 I might lose a million Blockchain. 26:07.480 --> 26:09.140 Hold up, hold up. 26:09.620 --> 26:10.720 Hold up, youre- 26:10.720 --> 26:12.080 Boss,ulsar- 26:12.080 --> 26:15.480 Boss,ulsar- 26:15.480 --> 26:17.600 Boss,ulsar- 26:18.000 --> 26:21.200 finite 26:21.250 --> 26:45.200 [ Music ] 26:45.200 --> 26:49.200 gotta be so careful when your cruise is through the way, you know, you gotta be so careful 26:50.200 --> 26:56.200 when your cruise is through a Amazon, which is where I get all my MP3's from, which are honestly purchased by the way. 26:56.200 --> 26:59.200 You gotta make sure you get the right versions. 26:59.200 --> 27:07.200 And guarantee you, you've not heard of something fucking jack-a-fam, or Bob Fam, or Peter Fam, or Tom Fam, 27:07.200 --> 27:11.200 because it's eight and a half minutes long. It is Falco, Rocky Amadeus. 27:11.200 --> 27:16.200 Of course, produced by the legendary Dutch producing duo Balm and Malen. 27:17.200 --> 27:20.200 Actually, when I met those guys, hey! 27:20.200 --> 27:24.200 When I met those guys, it was my first introduction to show business. 27:24.200 --> 27:29.200 Their manager at the time was this crazy fucking guy called Fritz Hirschlund. 27:29.200 --> 27:31.200 And he managed Balm and Balm. 27:31.200 --> 27:33.200 They were going to play another track that they wrote. 27:33.200 --> 27:36.200 And I don't know if they produced it, but I know they wrote it. 27:36.200 --> 27:42.200 And they had kind of basically found Falco, the side of the road, picked him up, 27:42.200 --> 27:45.200 did a remix of this Rocky Amadeus, which is where you just heard. 27:45.200 --> 27:47.200 And then many remixes since then. 27:47.200 --> 27:49.200 But this is the first one they did. 27:49.200 --> 27:53.200 And turn the guy into a worldwide sensation. 27:53.200 --> 27:55.200 Almost overnight. 27:55.200 --> 27:57.200 And of course, he eventually died. 27:57.200 --> 28:03.200 I think he died of a heart failure, but I'm sure it was induced by many other things. 28:03.200 --> 28:07.200 You know, someone just said something in the chat room and everybody. 28:07.200 --> 28:11.200 Someone said, needle on the record, or maybe it was a tweet that I saw something. 28:11.200 --> 28:12.200 What was that song? 28:12.200 --> 28:13.200 Put the needle on the record. 28:13.200 --> 28:14.200 Put the needle on the record. 28:14.200 --> 28:16.200 And the drum beat goes like this. 28:16.200 --> 28:18.200 What was that song? 28:18.200 --> 28:20.200 If you remember that tell me, would you please? 28:20.200 --> 28:22.200 Because I want to play that one for you. 28:22.200 --> 28:29.200 This is another Balm and Balm track legendary music producers from the Netherlands. 28:29.200 --> 28:32.200 This one performed by status quo. 28:32.200 --> 28:35.200 You're in the army now, bitches. 28:36.200 --> 28:40.200 You're on your way to a foreign land. 28:40.200 --> 31:57.200 [ Music ] 31:57.200 --> 32:06.200 Now, you're in the lobby now, it's time to tell me about Fridge Hirschlund who is the manager 32:06.200 --> 32:10.880 Of Bob and the ball on the road that's song in the state of school living covered you're in the army 32:10.880 --> 32:13.680 I like it when nice to see Chuck Macamon in the chat room 32:14.680 --> 32:20.240 Here's what he says. I remember the song going through my head as I was on patrol in Sarajevo in 1993 32:20.240 --> 32:22.240 That's a connection to my damn her friends 32:23.560 --> 32:25.560 This guy was nuts 32:27.760 --> 32:29.760 He's a huge years old guy 32:30.480 --> 32:32.480 More time 32:33.200 --> 32:35.200 Love this oh 32:37.200 --> 32:38.200 me 32:38.200 --> 32:40.200 now 32:40.200 --> 32:42.200 chilling stuff 32:42.200 --> 32:43.200 haha 32:43.200 --> 32:44.200 Love that 32:44.200 --> 32:46.200 courtesy of Amazon MP3 32:47.200 --> 32:49.200 So this years-long guy 32:49.200 --> 32:54.200 He was a very very colorful person in the music business back in the day he was in the UK 32:55.200 --> 32:57.200 Young out with the Seymour Hersh 32:57.200 --> 33:02.200 of Sire records if that rings a bell and Seymour Hersh of course is actually the person who 33:02.200 --> 33:06.200 originally signed Madonna to Sire records and made her 33:07.200 --> 33:09.200 a household name and 33:09.200 --> 33:12.200 I think I visited him once in the UK 33:12.200 --> 33:17.200 I was maybe 18 or 19. It was really weird because these guy were always hanging around young boys and 33:17.200 --> 33:22.200 I felt a little bit uncomfortable and the Seymour was it not her Seymour Stein 33:22.200 --> 33:24.200 I'm sorry Seymour Stein 33:24.200 --> 33:26.200 and 33:26.200 --> 33:28.200 Went to Seymour Stein's office 33:28.200 --> 33:30.200 and he had a fish tank 33:30.200 --> 33:34.200 and the bottom of the fish tank he had a hundred pound note 33:34.200 --> 33:36.200 but in the fish tank were piranhas 33:36.200 --> 33:39.200 He's like ah go ahead man you go ahead and you just grabbed that hundred pound 33:39.200 --> 33:41.200 I'm like ah I think I'll pass on that 33:41.200 --> 33:45.200 But then years later maybe three, four years later I was working on MTV 33:45.200 --> 33:46.200 I was in New Jersey 33:46.200 --> 33:48.200 I get a call it's fridge, here's London the phone 33:48.200 --> 33:50.200 He's like hey man I'm in Surinam 33:50.200 --> 33:53.200 I'm here with the Rebels with Desi Bautorsa 33:53.200 --> 33:55.200 you should Wikipedia that if you want to know what that is 33:55.200 --> 33:56.200 he says 33:56.200 --> 33:59.200 we need to buy this airplane 33:59.200 --> 34:01.200 to transport some weapons out 34:01.200 --> 34:05.200 and I need fifteen hundred dollars 34:05.200 --> 34:07.200 I said you're calling me 34:07.200 --> 34:09.200 yeah because you can do a Western Union 34:09.200 --> 34:13.200 and like you know this guy I don't know 34:13.200 --> 34:14.200 you know 34:14.200 --> 34:17.200 he's a weird guy he did weird things in the music business 34:17.200 --> 34:19.200 you know what I'm going to send it to you 34:19.200 --> 34:22.200 so I send him fifty hundred bucks through Western Union 34:22.200 --> 34:25.200 and it was maybe four or five years later 34:25.200 --> 34:28.200 one day in the mail 34:28.200 --> 34:31.200 three five hundred dollar Western Union 34:31.200 --> 34:33.200 check show up 34:33.200 --> 34:34.200 which was his repayment 34:34.200 --> 34:36.200 I didn't pay me any interest 34:36.200 --> 34:38.200 but he just he did repay it 34:38.200 --> 34:40.200 and I think maybe two months later he died 34:40.200 --> 34:42.200 he just killed over 34:42.200 --> 34:44.200 and I always felt that that was kind of cool 34:44.200 --> 34:46.200 you know it was kind of like the underground code 34:46.200 --> 34:48.200 whatever this guy was into 34:48.200 --> 34:50.200 I did a masala he did one from me back 34:50.200 --> 34:53.200 and that's how the old boys network works 34:54.200 --> 34:56.200 by the way thank you so much chat room 34:56.200 --> 34:58.200 for helping remember this one 34:58.200 --> 35:01.200 of course it was Mars and pump up the volume 35:01.200 --> 35:05.200 I think I was in tour of these guys at one point 35:05.200 --> 35:09.200 although this was kind of the only song they had to play 35:11.250 --> 36:07.200 [ Music ] 36:07.200 --> 36:09.200 I bought the volume 36:09.200 --> 36:11.200 I bought the volume 36:11.200 --> 36:13.200 I bought the volume 36:13.200 --> 36:15.200 I bought the volume 36:15.200 --> 36:17.200 I bought the volume 36:17.200 --> 36:19.200 I bought the volume 36:19.200 --> 36:21.200 I bought the volume 36:21.200 --> 36:22.200 I bought the volume 36:22.200 --> 36:23.200 I bought the volume 36:23.200 --> 36:24.200 I bought the volume 36:24.200 --> 36:25.200 I bought the volume 36:25.200 --> 36:26.200 I bought the volume 36:26.200 --> 36:27.200 I bought the volume 36:27.200 --> 36:28.200 I bought the volume 36:28.200 --> 36:29.200 I bought the volume 36:29.200 --> 36:30.200 I bought the volume 36:30.200 --> 36:31.200 I bought the volume 36:31.200 --> 36:32.200 I bought the volume 36:32.200 --> 36:33.200 I bought the volume 36:33.200 --> 36:34.200 I bought the volume 36:34.200 --> 36:35.200 I bought the volume 36:35.200 --> 36:36.200 I bought the volume 36:36.200 --> 36:37.200 I bought the volume 36:37.200 --> 36:38.200 I bought the volume 36:38.200 --> 36:39.200 I bought the volume 36:39.200 --> 36:40.200 I bought the volume 36:40.200 --> 38:46.200 [ Music ] 38:46.200 --> 39:16.200 yeah, yeah yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, 39:16.200 --> 39:39.200 I don't think it's in this version, but that's totally sucks, I'll just do it for you. 39:39.200 --> 39:43.200 Put the needle on the right and put the needle on the right and it's a drum beat goes like this. 39:44.200 --> 39:48.200 Well, that was a disappointment. 39:48.200 --> 39:51.200 Bars pump up the volume. 39:51.200 --> 39:54.200 I got to tell you, man, I did these shows late at night. 39:54.200 --> 39:55.200 I got the studio lights off. 39:55.200 --> 39:59.200 All I got is the glow of the monitors here in the Camp Mofo and Austin. 39:59.200 --> 40:04.200 And even though I'm moving on 48, moving up towards 50, 40:04.200 --> 40:07.200 it still feels like I'm back at decibel radio. 40:07.200 --> 40:10.200 Back at the pirate radio station, Amsterdam. 40:10.200 --> 40:14.200 In 1980, I'm going to say 1982. 40:14.200 --> 40:16.200 You know, that song was now yet. 40:16.200 --> 40:20.200 That was around the first time that we were introduced to the Beastie Boys. 40:20.200 --> 40:26.200 And of course, we lost Adam this year, just a few weeks ago. 40:26.200 --> 40:31.200 And I was trying to think about some stories. 40:31.200 --> 40:37.200 And although, you know, I did hang out with him in Montro one time during the Montro Rock Festival. 40:38.200 --> 40:42.200 And this was when they were totally, totally out of their minds. 40:42.200 --> 40:47.200 And remember they were wearing the Volkswagen emblems back in the day. 40:47.200 --> 40:50.200 All the the rap guys had Mercedes stars. 40:50.200 --> 40:54.200 They would steal off the Mercedes and they would wear those on chains around their neck. 40:54.200 --> 40:57.200 And the Beastie Boys all said they burst onto the scene. 40:57.200 --> 41:00.200 And they were wearing the Volkswagen emblems from the rip off of a beetle. 41:00.200 --> 41:06.200 And I remember we were in Montro and they actually showed me how to remove the Volkswagen emblems. 41:06.200 --> 41:10.200 Volkswagen emblem from a beetle. 41:10.200 --> 41:13.200 And I think the beetle actually was turned over at one point. 41:13.200 --> 41:15.200 And mine have been lit on fire. 41:15.200 --> 41:17.200 I can't remember that. 41:17.200 --> 41:22.200 But I do remember back before I met them, which I have fond memories of. 41:22.200 --> 41:26.200 This is a song that you will never hear on the radio. 41:26.200 --> 41:31.200 This is the first track that when we heard this for the first time, 41:31.200 --> 41:36.200 we had an import record company in Amsterdam called Atalos Records, 41:36.200 --> 41:39.200 ATT ALOS Atalos. 41:39.200 --> 41:43.200 And they would get all these import crazy vinyl tracks. 41:43.200 --> 41:46.200 And when we heard this, we played the shit out of it. 41:46.200 --> 41:48.200 It was so awesome. 41:48.200 --> 41:51.200 And of course it was the Beastie Boys. 41:53.750 --> 42:12.200 [ Music ] 42:12.200 --> 42:14.200 The Beastie Boys. 42:14.200 --> 42:15.200 The Beastie Boys. 42:15.200 --> 42:16.200 The Beastie Boys. 42:16.200 --> 42:17.200 The Beastie Boys. 42:17.200 --> 42:18.200 The Beastie Boys. 42:18.200 --> 42:19.200 The Beastie Boys. 42:19.200 --> 42:20.200 The Beastie Boys. 42:20.200 --> 42:21.200 The Beastie Boys. 42:21.200 --> 42:22.200 The Beastie Boys. 42:22.200 --> 42:23.200 The Beastie Boys. 42:23.200 --> 42:24.200 The Beastie Boys. 42:24.200 --> 42:25.200 The Beastie Boys. 42:25.200 --> 42:26.200 The Beastie Boys. 42:26.200 --> 42:27.200 The Beastie Boys. 42:27.200 --> 42:28.200 The Beastie Boys. 42:28.200 --> 42:29.200 The Beastie Boys. 42:29.200 --> 42:30.200 The Beastie Boys. 42:30.200 --> 42:31.200 The Beastie Boys. 42:31.200 --> 42:33.200 The Beastie Boys. 42:33.200 --> 42:50.200 [ Music ] 42:50.200 --> 42:51.200 The Beastie Boys. 42:51.200 --> 42:52.200 The Beastie Boys. 42:53.200 --> 42:55.200 The Beastie Boys. 42:55.200 --> 42:57.200 The Beastie Boys. 42:57.200 --> 42:58.200 The Beasties. 42:58.200 --> 43:00.200 Yeah, yeah, yeah, I got 43:23.750 --> 44:00.980 [ Music ] 44:00.980 --> 44:02.060 Woo 44:04.420 --> 44:05.080 See you 44:08.840 --> 44:10.840 Wow thing, I'm out 44:10.840 --> 44:12.680 Yo, man. Cooky, pussy 44:15.140 --> 44:18.080 Okay, no, nobody here but I 44:18.320 --> 44:19.940 know. oh cookie guess 44:20.080 --> 44:21.720 cookie tonight any boy man. Boy, I was 44:22.280 --> 44:24.080 picked it out 44:24.240 --> 44:26.000 Those cookies 44:26.000 --> 44:33.000 You're serious, I want to talk to your man, cause he goes, all right, let me let me order one then. 44:33.000 --> 44:34.000 Let me get one. 44:34.000 --> 44:39.000 When you want it from any time, man, just like now we should, you know? 44:39.000 --> 44:42.000 This should now, talking now, me. 44:42.000 --> 44:45.000 Just gonna bitch hang up, I think you're ass bitch. 44:47.000 --> 44:48.000 What the hell? 44:48.000 --> 44:49.000 What the hell? 44:49.000 --> 44:50.000 What the hell? 44:50.000 --> 44:52.000 What the hell? 44:52.000 --> 44:57.000 I love the drum fill. 44:57.000 --> 45:01.000 He. 45:01.000 --> 45:02.000 Watch out. 45:02.000 --> 45:05.000 There's a beast. 45:05.000 --> 45:08.000 He's making me it. 45:08.000 --> 45:12.000 Then we weren't tripping balls on that shit, man. 45:12.000 --> 45:17.000 We were like oh my god, I can't believe these guys are so awesome. 45:17.000 --> 45:18.000 Cookie push. 45:18.000 --> 45:20.000 Oh, this is making me itch. 45:20.000 --> 45:21.000 Oh. 45:21.000 --> 45:24.640 Ah, that is the Beastie Boys to me. 45:24.640 --> 45:26.240 Now, this fight for your right stuff. 45:26.240 --> 45:27.840 Yeah, it was great. 45:27.840 --> 45:29.280 Of course it was. 45:29.280 --> 45:31.480 There was nothing like the Cookie Pulse, 45:31.480 --> 45:34.040 which reminds me of another guy 45:34.040 --> 45:34.880 from back in the day. 45:34.880 --> 45:37.200 And don't worry, we're gonna get a whole bunch of other stuff. 45:37.200 --> 45:39.520 I'm just getting started here. 45:39.520 --> 45:41.400 This is blowfly. 45:41.400 --> 45:44.520 And he had the insight, the foresight, 45:44.520 --> 45:47.800 the future vision to know that one day, 45:47.800 --> 45:51.960 we would have a black president of the United States of America. 45:56.960 --> 45:58.240 Ladies and gentlemen, 45:58.240 --> 45:59.680 introduce in the first name, 45:59.680 --> 46:03.400 I'm in the first black president of the United States of America. 46:03.400 --> 46:05.160 Presenting blowfly. 46:05.160 --> 46:06.360 Thank you. 46:06.360 --> 46:08.360 Thank you very much. 46:08.360 --> 46:11.960 And like I promised you, when I was running. 46:11.960 --> 46:14.800 I'm gonna make sure they are chillins and every pot. 46:14.800 --> 46:16.800 Hell, he hooks and every table. 46:16.800 --> 46:18.760 I control peels and every purse. 46:18.760 --> 46:21.800 And we're gonna have a hard day every motherfuckin' weeky. 46:21.800 --> 46:23.800 Thank you. 46:24.800 --> 46:26.960 Good morning, Mr. President, sir. 46:26.960 --> 46:27.960 Good morning, bitch. 46:27.960 --> 46:29.960 I'm at Ms. Clayk. 46:31.240 --> 46:32.400 This shit's gonna be easy. 46:32.400 --> 46:34.560 President, don't do number seven as I ask all day. 46:34.560 --> 46:37.200 And you're bald as any motherfuckin' way. 46:37.200 --> 46:38.600 It's like getting my hair together here. 46:38.600 --> 46:40.240 Where's my fuckin' cocaine? 46:40.240 --> 46:42.440 But the bitch's unmooted again. 46:42.440 --> 46:43.440 Ms. Clayk. 46:43.440 --> 46:44.560 Mr. President, sir? 46:44.560 --> 46:45.880 You get your ass in here, please. 46:45.960 --> 46:47.760 Right away, sir. 46:47.760 --> 46:49.560 What did you do in my ship? 46:49.560 --> 46:51.840 Are you constipated, sir? 46:51.840 --> 46:54.480 Mitch, you know what I'm talkin' about my motherfuckin' road all. 46:54.480 --> 46:57.120 Hell, I took you down to the bed, sir. 46:57.120 --> 46:59.560 Oh, I'm talkin' about coke, coke-ing. 46:59.560 --> 47:03.840 You know that white paddache that I put on your pussy when I'm getting ready to eat it? 47:03.840 --> 47:05.320 Oh, that, sir. 47:05.320 --> 47:06.680 It's right in front of you, sir. 47:06.680 --> 47:08.680 Thank you. That'll be all. 47:08.680 --> 47:10.160 Stupid bitch. 47:10.160 --> 47:13.640 If I put you in so good, I'd fire up. 47:13.640 --> 47:15.640 Miss, I'd get over here and get my hair together. 47:15.640 --> 47:16.640 Ugh. 47:16.640 --> 47:18.640 Ugh. 47:18.640 --> 47:21.640 And some bitch-it. 47:21.640 --> 47:23.640 Mr. President, sir? 47:23.640 --> 47:24.640 Shit. 47:24.640 --> 47:26.640 What the fuck you want now? 47:26.640 --> 47:28.640 Mr. Jackson is here to see you. 47:28.640 --> 47:29.640 Mr. Jackson. 47:29.640 --> 47:32.640 Reggie Jackson, Andrew Jackson, a macro Jackson. 47:32.640 --> 47:33.640 What, what's one? 47:33.640 --> 47:37.640 Mr. Superfly Jackson, a the United Pimps Association. 47:37.640 --> 47:39.640 What the fuck you want? 47:39.640 --> 47:42.640 He wants the money you promised him for endorsing you. 47:42.640 --> 47:46.640 I told that dumb motherfucker those assholes that Congress got on a phone frozen. 47:46.640 --> 47:48.640 What the fuck you want from my life? 47:48.640 --> 47:52.640 Well, he stated that payment and coke would be sufficient. 47:52.640 --> 47:54.640 Uh, my last coke. 47:54.640 --> 47:58.640 I'm takin' give it to the motherfuckin' get rid of it. 47:58.640 --> 48:00.640 Just in and out shit. 48:00.640 --> 48:02.640 I thought that shit was gon' be easy. 48:02.640 --> 48:05.640 I got it. I got some weed here somewhere. 48:05.640 --> 48:07.640 Here it is. 48:07.640 --> 48:09.640 Room there a couple of joints. 48:09.640 --> 48:10.640 Hmm. 48:12.640 --> 48:16.640 Mr. President, sir? 48:16.640 --> 48:18.640 Shit. 48:18.640 --> 48:20.640 What you want now, Mr. Clay? 48:20.640 --> 48:22.640 Mr. Paul is here to see you, sir. 48:22.640 --> 48:24.640 Mr. Paul. 48:24.640 --> 48:26.640 Paul Newman, Paul Reveal. 48:26.640 --> 48:28.640 Paul Lanker. 48:28.640 --> 48:30.640 Paul John Paul, sir. 48:30.640 --> 48:31.640 John Paul? 48:31.640 --> 48:32.640 What do you want? 48:32.640 --> 48:35.640 And the weed you are currently smoking, sir. 48:35.640 --> 48:37.640 Shit, too. 48:37.640 --> 48:39.640 I just see what name. 48:39.640 --> 48:41.640 I'm not gonna like this motherfuckin' shit at all. 48:41.640 --> 48:43.640 I'll hug you ever to the motherfuckin'. 48:45.640 --> 48:48.640 Can't sniff no coke, can't smoke no dope. 48:48.640 --> 48:50.640 Damn, I know what I do. 48:50.640 --> 48:52.640 Fuck this bitch again. 48:52.640 --> 48:54.640 Miss Clay, would you come in here, please? 48:54.640 --> 48:56.640 Night away, sir. 48:56.640 --> 48:58.640 Come on, oh, you're leaving, pull off your clothes, 48:58.640 --> 48:59.640 which is fire and sound. 48:59.640 --> 49:00.640 I'm down. 49:00.640 --> 49:02.640 I don't wanna hit it shit this morning. 49:02.640 --> 49:04.640 Can't smoke no dope, can't smoke no dope. 49:05.640 --> 49:08.640 Later, later, I can hear all of that shit later. 49:08.640 --> 49:10.640 Shit this shit. 49:12.640 --> 49:14.640 What is the red spots on your stomach? 49:14.640 --> 49:17.640 That's what I was trying to tell you, sir. 49:17.640 --> 49:18.640 What are they? 49:18.640 --> 49:19.640 We see. 49:19.640 --> 49:22.640 I went to the doctor, and he says I have hurt me. 49:22.640 --> 49:23.640 The happys? 49:23.640 --> 49:25.640 I resigned! 49:26.640 --> 49:28.640 Fuckin' hurt me! 49:28.640 --> 49:37.640 Whoa, fly, the first black president! 49:37.640 --> 49:38.640 Oh, yeah, man. 49:38.640 --> 49:40.640 That was the year of the base 1982, it was. 49:40.640 --> 49:42.640 I remember it well. 49:42.640 --> 49:48.640 And right now, a song that I've been, this is really the whole impetus for me doing this source code. 49:48.640 --> 49:51.640 Just had to kind of get into the mood for it. 49:51.640 --> 49:56.640 Because, you know, on the daily source code, we'd like to play songs that you will not hear on the radio. 49:56.640 --> 50:00.640 So, ever again, because it's all been rolled up into one ball of poop. 50:00.640 --> 50:01.640 Thank you. 50:01.640 --> 50:06.640 I mean, Romney and being capital and clear channel sucks. 50:06.640 --> 50:12.640 So, we still get to share stuff here that you just won't hear anywhere else. 50:12.640 --> 50:16.640 So, we lost another great Donna Summer. 50:16.640 --> 50:24.640 I worked with her a couple of times in a couple of shows, not on television shows, but on gigs, I guess. 50:24.640 --> 50:28.640 And she was always, even the early days, she was in Germany. 50:28.640 --> 50:32.640 And she had a huge career. 50:32.640 --> 50:36.640 And in Germany, I don't know if it's still that way, back in the day, man. 50:36.640 --> 50:38.640 You can make so much money. 50:38.640 --> 50:40.640 Because you just keep going on and on forever. 50:40.640 --> 50:47.640 And it was back in those days when she hooked up with Georgio Moroder, the famous producer. 50:47.640 --> 50:53.640 And by the way, one of our producers at the Noah Genesis show, Dave King actually did the baseline for this song. 50:53.640 --> 50:55.640 It was kind of an ode to him at the same time. 50:55.640 --> 50:57.640 And I was even ending back in fourth of me. 50:57.640 --> 51:01.640 He said, you know, I said, hey, man, it's so awesome that you did that baseline. 51:01.640 --> 51:03.640 I said, I hope you got some kind of royalty for it. 51:03.640 --> 51:07.640 Because it's going to get sold a lot now that Donna Summer has passed. 51:07.640 --> 51:09.640 He said, no, I got paid 160 bucks. 51:09.640 --> 51:11.640 And that was it, buy out done. 51:11.640 --> 51:14.640 And Georgio Moroder is probably in his mid 70s now. 51:14.640 --> 51:18.640 And he's probably enjoying the resurrection of the song. 51:18.640 --> 51:24.640 And I'm going to play you the almost 17-minute long version of Love To Love You Baby. 51:24.640 --> 51:34.640 With that awesome baseline that I think is the actual nucleus of the song, the music cure, if you will. 51:34.640 --> 51:42.640 And if you don't mind, I will slip upstairs and pull myself another jack, or we get into the mood with Donna Summer. 51:42.640 --> 51:52.640 When you're laying so close to now, it's the best of luck that you've been with me. 51:52.640 --> 59:06.250 [ Music ] 59:13.750 --> 01:06:43.640 [ Music ] 01:06:43.640 --> 01:06:51.680 video, see you in the next video, see you in the next video, see you in the next video, good luck 01:06:51.680 --> 01:06:55.220 thing and good luck to see you, see you in the next video, see you in the next video, see you in the next video, 01:06:55.220 --> 01:07:00.560 see you in the next video, see you in the next video, see you for the next video, see you in the next video, 01:07:00.560 --> 01:07:07.800 stay with me , the next one, the next one, the next one, if all of you slow you down, this actually 01:07:07.800 --> 01:07:12.400 turns out hell fun, you will becharge the next video, see you in the next video, see you in the next video, 01:07:12.400 --> 01:07:14.680 Nice and close, rumbling up against each other. 01:07:17.680 --> 01:07:20.680 Now, this is how you pay tribute to someone like Donald Sunder. 01:07:21.680 --> 01:07:24.000 I have a little crap that I play in on the radio. 01:07:25.240 --> 01:07:27.960 Well, yes, rest in peace. 01:07:28.640 --> 01:07:29.960 Fucking Facebook. 01:07:32.720 --> 01:07:34.720 Yeah, I got a choice. 01:07:35.880 --> 01:07:40.200 After my whole, uh, uh, uh, uh, uh, if you hadn't heard it, I had a reasonable, 01:07:41.200 --> 01:07:46.800 a conversation about Facebook on this week in tech, uh, Leo Lecourt Show. 01:07:48.040 --> 01:07:54.200 And, uh, uh, you know, so, of course, the conversation about this went on and 01:07:54.200 --> 01:07:56.800 more people are talking about, and you know, and the other night, if you get any 01:07:56.800 --> 01:07:59.200 know what, I'm going to go check out Facebook, see what's on. 01:08:00.120 --> 01:08:03.880 The only really thing I ever do on Facebook is they're going to terrorize my daughter's 01:08:03.880 --> 01:08:04.400 friends. 01:08:05.240 --> 01:08:10.000 Now, call them Fag, which is the definition of cyberbullying. 01:08:10.840 --> 01:08:19.000 And, uh, and so, uh, and because I've never on Facebook, I don't get to see anything. 01:08:19.000 --> 01:08:23.840 Because Facebook is so incredibly fucking smart that it, uh, then just basically shows 01:08:23.840 --> 01:08:25.720 like five friends or something. 01:08:26.440 --> 01:08:31.000 And I'm a member of the MTV alumni group. 01:08:32.120 --> 01:08:37.440 And as about 98 people and the people who've worked at MTV over the years, so I check in 01:08:37.440 --> 01:08:44.440 and the first thing I see is Kevin Gill, a great guy who I work with, uh, I think 01:08:44.440 --> 01:08:55.440 878889, um, he started as a floor manager, what will we call that, uh, studio producer, 01:08:55.440 --> 01:08:56.440 I guess. 01:08:56.440 --> 01:09:00.440 There was some other name for it, and they don't want to become a director, it was a great 01:09:00.440 --> 01:09:01.440 guy. 01:09:01.440 --> 01:09:02.440 I loved working with him. 01:09:02.440 --> 01:09:10.080 There are a lot in the beginning, um, and he died, oh man, really, this is, I'm on Facebook 01:09:10.080 --> 01:09:14.440 and all you get is like, this, it's this person's birthday, and that person died. 01:09:14.440 --> 01:09:19.480 And then, uh, another one of my buddies there, um, on Facebook, who I used to work with a lot 01:09:19.480 --> 01:09:23.200 also from the MTV group, I see him and say, hey, man, how you doing? 01:09:23.200 --> 01:09:28.000 He's like, ah, that's a good, I have a lymphoma, like the fuck this Facebook, man, it's 01:09:28.000 --> 01:09:33.000 like, nothing, it's nothing but a big fucking downer. 01:09:33.000 --> 01:09:36.000 It's all as good for when you're born and when you're dead. 01:09:36.000 --> 01:09:42.000 They actually should have a status, this person's dead, you know, be good. 01:09:42.000 --> 01:09:43.000 You should be able to change that. 01:09:43.000 --> 01:09:44.000 Hey, I'm dead now. 01:09:44.000 --> 01:09:46.000 Look, my Facebook profile. 01:09:46.000 --> 01:09:51.000 And what happens is it go away, as your profile just expire eventually, and then it's, uh, 01:09:51.000 --> 01:09:54.000 all run. 01:09:54.000 --> 01:09:59.000 Someone should make a parody, 50 ways to leave my Facebook. 01:09:59.000 --> 01:10:08.000 Problem is all inside your head, she said to me, the answer is easy if you take it logically. 01:10:08.000 --> 01:12:30.000 [ Music ] 01:12:30.000 --> 01:12:35.000 I'm on the bus, because you don't need to discuss much. 01:12:35.000 --> 01:12:38.000 Just drop off the key. 01:12:38.000 --> 01:12:43.000 And get yourself free. 01:12:43.000 --> 01:12:48.000 So anyway, so people were posting like RIP Kevin. 01:12:48.000 --> 01:12:50.000 Like, what are you going to do? 01:12:50.000 --> 01:12:52.000 Are you going to post in there? 01:12:52.000 --> 01:12:54.000 Oh, yeah, RIP. 01:12:54.000 --> 01:12:58.000 It's like, if you post on Facebook that you miss someone, 01:12:58.000 --> 01:12:59.000 then it's all good. 01:12:59.000 --> 01:13:00.000 And then you feel good. 01:13:00.000 --> 01:13:03.000 This is very, very bad. 01:13:03.000 --> 01:13:06.000 You know, I'm going to blow that shit up. 01:13:06.000 --> 01:13:08.000 I think about how to do that. 01:13:08.000 --> 01:13:10.000 We got to blow that shit up. 01:13:10.000 --> 01:13:16.000 Anyway, must have been last week, maybe 10 days ago, 01:13:16.000 --> 01:13:20.000 there was an awesome rainstorm here in Austin. 01:13:20.000 --> 01:13:24.000 And we got rainstorms that bring you thunder and lightning, 01:13:24.000 --> 01:13:26.000 like little house on the prairie, 01:13:26.000 --> 01:13:30.000 is as you've never seen a storm like this in your life before. 01:13:30.000 --> 01:13:32.000 So awesome. 01:13:32.000 --> 01:13:37.000 And I immediately went to Amazon started downloading thunder 01:13:37.000 --> 01:13:39.000 and lightning and rain songs. 01:13:39.000 --> 01:13:41.000 And I was like, ah, they would be so great. 01:13:41.000 --> 01:13:43.000 And I waited and waited and waited. 01:13:43.000 --> 01:13:45.000 And of course, the weather just got better. 01:13:45.000 --> 01:13:48.000 And we just don't get enough rain here. 01:13:48.000 --> 01:13:51.000 So what I want to do is I want to play this kind of little set 01:13:51.000 --> 01:13:53.000 that I have of rain songs. 01:13:53.000 --> 01:13:55.000 And you store this away. 01:13:55.000 --> 01:13:56.000 You know, you're going to download. 01:13:56.000 --> 01:13:58.000 You've already downloaded this obviously. 01:13:59.000 --> 01:14:01.000 Store this show away. 01:14:01.000 --> 01:14:02.000 And one of those days, 01:14:02.000 --> 01:14:03.000 it's going to be raining. 01:14:03.000 --> 01:14:04.000 It's going to be lightning. 01:14:04.000 --> 01:14:05.000 It's going to be thunder. 01:14:05.000 --> 01:14:07.000 It's going to be just crazy. 01:14:07.000 --> 01:14:11.000 And you're going to pull this episode of the daily source code right out 01:14:11.000 --> 01:14:12.000 of your MP3 player. 01:14:12.000 --> 01:14:14.000 You say, ah, yeah, this is great. 01:14:14.000 --> 01:14:16.000 You're going to find your loved one. 01:14:16.000 --> 01:14:18.000 You're going to cut it up. 01:14:18.000 --> 01:14:19.000 You're going to watch the rain. 01:14:19.000 --> 01:14:21.000 And listen to all these songs. 01:14:21.000 --> 01:14:31.000 I can't stand the rain. 01:14:31.000 --> 01:16:39.000 [ Music ] 01:16:39.000 --> 01:16:42.000 I can't stand the rain 01:16:43.000 --> 01:16:45.000 I can't stand the rain 01:16:46.000 --> 01:16:48.000 I'm behind the waves, back in the day 01:16:49.000 --> 01:16:50.000 Your kneestorms are made 01:16:50.000 --> 01:16:52.000 And we're just talking about rain 01:16:52.000 --> 01:16:53.240 You know, thunderstorms and rain 01:16:54.000 --> 01:16:55.000 These days, of course, rain stands for the Devil 01:16:56.000 --> 01:16:58.000 That's what Rihanna sings about 01:16:58.000 --> 01:16:59.000 But that's the whole of their story 01:16:59.000 --> 01:17:02.000 If you were for Lehman Bay 01:17:02.000 --> 01:17:05.000 So for this guy, man, I love this fucking song. 01:17:05.000 --> 01:17:06.000 Oh, Bruno Mars. 01:17:06.000 --> 01:17:08.000 There's some more feet out of my door. 01:17:08.000 --> 01:17:10.000 It will rain. 01:17:10.000 --> 01:17:11.000 Great, too. 01:17:11.000 --> 01:17:17.000 Because it would take a whole lot of my dedication. 01:17:17.000 --> 01:17:20.000 To realize what we used to have, 01:17:20.000 --> 01:20:47.000 [ Music ] 01:20:47.000 --> 01:20:53.000 If I lose you pain, wait, wait, wait, wait, wait, wait, wait. 01:20:53.000 --> 01:20:58.000 Ah, I don't often play new songs on a daily source code. 01:20:58.000 --> 01:21:02.000 But this is just such an unbelievable track. 01:21:02.000 --> 01:21:10.560 Bruno Mars, it will rain, and this is Daddy's source code episode 865 coming to you from a 01:21:12.560 --> 01:21:18.480 virtual theater of rain. Well, I just want you to imagine that 01:21:19.120 --> 01:21:21.120 Stark outside 01:21:21.120 --> 01:21:23.120 We've got 01:21:24.000 --> 01:21:26.000 Brain coming down 01:21:26.960 --> 01:21:31.440 Been here a little bit of thunder very very slightly in the background there 01:21:32.080 --> 01:21:37.040 Some lightning flashes and the temptation slowly come on 01:21:38.080 --> 01:21:41.920 We're ending three play and they know 01:21:56.640 --> 01:22:00.720 The girl is found another and gone away 01:22:01.920 --> 01:22:06.720 With her with my future my life is still with bloom 01:22:06.720 --> 01:22:11.920 So day after day I still locked up in my room 01:22:11.920 --> 01:22:18.960 I know to you in nights I'm strained but I wish you wouldn't rain 01:22:19.760 --> 01:22:22.720 Oh yeah, yeah, yeah 01:22:22.720 --> 01:23:58.960 [ Music ] 01:23:58.960 --> 01:24:02.240 I need to wait and spare tears my ass 01:24:02.240 --> 01:24:05.280 Oh, let it rain 01:24:05.600 --> 01:24:07.280 Oh 01:24:08.000 --> 01:24:10.000 Tentations 01:24:10.000 --> 01:24:12.480 On your Charlie I wish you would rain 01:24:12.480 --> 01:24:18.000 Will as you knew to the program so we used to call it Charlie and those you were listening or chuckle heads 01:24:18.000 --> 01:24:21.360 This is our rain block that we're playing for you today and 01:24:23.440 --> 01:24:25.440 This guy I kind of like 01:24:26.000 --> 01:24:28.480 Country dude for you here on the source code 01:24:31.280 --> 01:24:33.280 Something sexy about the rain 01:24:35.440 --> 01:24:37.440 This name is Kenny Chesley 01:24:41.680 --> 01:24:45.040 Something sexy about the rain 01:24:45.040 --> 01:28:59.760 [ Music ] 01:28:59.760 --> 01:29:03.360 Feels like kisses on my skin 01:29:06.960 --> 01:29:13.440 For longer term chuckle hedge you'll know that I am a sucker for an ever song 01:29:14.960 --> 01:29:20.240 And when Miss Mickey and I did our hotpockets 2008 to her and that was pretty much the only thing you could hear 01:29:22.080 --> 01:29:24.240 On the radio across this great land of ours 01:29:25.920 --> 01:29:27.920 As country stations 01:29:27.920 --> 01:29:32.240 I'm playing various degrees of commercial versions of country, but I like this one. Can you 01:29:32.880 --> 01:29:35.360 Something sexy about the rain and 01:29:36.320 --> 01:29:39.520 And of course if we're gonna play some rain songs 01:29:39.520 --> 01:29:42.480 We can't leave out the legendary Diner Washington 01:29:56.250 --> 01:30:53.600 [ Music ] 01:30:53.600 --> 01:30:59.440 To every word of love I heard you whisper 01:31:02.560 --> 01:31:07.440 The rain drop seemed to play a sweet refrain 01:31:10.480 --> 01:31:16.400 Oh spring is here to meet it's still set down 01:31:17.040 --> 01:31:21.040 I'm going to go back to September 01:31:24.080 --> 01:31:25.040 In the rain 01:31:27.440 --> 01:31:29.760 I sat that's September 01:31:32.480 --> 01:31:34.480 In the rain 01:31:36.320 --> 01:31:39.200 And that's what you tune into the show for Les Jim 01:31:40.240 --> 01:31:46.160 For a musical education to give you stuff that you would never hear otherwise to expose you 01:31:46.160 --> 01:31:50.640 To music that is just out there and you never hear on the radio anymore 01:31:50.640 --> 01:31:55.680 Diner Washington September in the rain and when you hear the rain clattering against the street 01:31:56.560 --> 01:31:57.200 Hence the 01:31:59.280 --> 01:32:04.880 Maybe it's asphalt but it could be cobblestones I think cobblestones we better and you just want to wish 01:32:04.880 --> 01:32:06.880 Look to you and you want to go 01:32:08.750 --> 01:32:30.160 [ Music ] 01:32:30.160 --> 01:32:36.400 I'm singing in the rain, you're singing in the rain 01:32:37.520 --> 01:32:43.200 What a glorious feel, and I'm happy again 01:32:43.840 --> 01:32:54.240 I'm laughing at clouds, so dark up above the sun's in my heart 01:32:54.240 --> 01:33:00.640 And I'm ready for love, let the storm make clouds change 01:33:01.360 --> 01:33:03.680 Everyone from the place 01:33:05.760 --> 01:33:11.520 Come on with a rain I've a smile on my face 01:33:12.000 --> 01:33:24.640 I want to down the lane with a happy refrain just singing singing in the rain 01:33:26.800 --> 01:33:32.080 Dancing in the rain 01:33:37.600 --> 01:33:39.600 I'm happy again 01:33:39.600 --> 01:34:46.250 [ Music ] 01:34:49.200 --> 01:34:56.120 As a movie, you gotta check out our Netflix, an American in Paris, Jean Kelly, I'm singing 01:34:56.120 --> 01:34:57.120 in the rain. 01:34:57.440 --> 01:35:01.440 It's a staple, we all know, but do you ever hear that song anymore? 01:35:01.440 --> 01:35:03.440 I don't think so. 01:35:06.250 --> 01:37:25.520 [ Music ] 01:37:25.520 --> 01:37:33.600 I won't know, have you ever seen a rain, I'll bend down the thing, I just love the chatter 01:37:33.600 --> 01:37:37.200 with this hour of the night, people trying to guess what song is going to be next, 01:37:37.680 --> 01:37:43.040 clear water revival, have you ever seen the rain, and yes, I have a couple that I'm going to bring in the 01:37:43.040 --> 01:37:48.800 you wouldn't expect, but I will not play it's raining men, I don't think so, that's the shit you 01:37:48.800 --> 01:37:55.280 here on top 40 radio, no, no, no, this is the kind of stuff you wouldn't expect, taking you back to the 01:37:55.280 --> 01:38:04.080 early A's baby, aren't you's Jones with the rain? 01:38:04.080 --> 01:41:38.960 [ Music ] 01:41:38.960 --> 01:41:48.720 all your charge counts, I stuck in on every piece of jewelry, I have a bunch, that's right, everything, 01:41:48.720 --> 01:41:55.360 everything, if flat with none, I don't want you to be going to don't look in that closet, 01:41:55.360 --> 01:41:59.520 because you ain't got nothing, everything you came here with is packed up and put you in the cash 01:42:07.760 --> 01:42:13.120 I can get soups, Gucci handbag, blues diamonds, I can give you things that couldn't even pronounce, 01:42:14.560 --> 01:42:19.280 and I can't be in that weather vise, because you're still young, that's right, you're still young, 01:42:19.280 --> 01:42:22.000 I hope you learn a valuable lesson from all this, that's right bitch, you know, 01:42:22.960 --> 01:42:28.000 I'm gonna find somebody like me one of these days, I'm still there, you know what I mean, people talk like that, 01:42:28.000 --> 01:42:31.600 you know what that attic can't come with, I'm supposed to be shooting a crump kick, I saw you with, 01:42:31.600 --> 01:42:37.120 I just missed, I swear, seller rabbit tricks are made for kids, no tricks are made for kids, 01:42:37.120 --> 01:42:43.840 you said you had it, I can't flick without the milk, I'm torn just Jones, in the rain, 01:42:43.840 --> 01:42:48.480 and yeah, okay, damn Andrea, because I love you so much, 01:42:49.840 --> 01:42:56.880 I don't really have it when it rains, I'm only happy when it's complicated, 01:42:56.880 --> 01:46:22.640 [ Music ] 01:46:22.640 --> 01:46:32.640 I think they played the very first public gig at like an MTV video musical wars and they 01:46:32.640 --> 01:46:37.640 were on, I think that was one of those weird shows where they didn't, where they had the 01:46:37.640 --> 01:46:45.400 VMAs in New York, and garbage was like, they were on the balcony or something. 01:46:45.400 --> 01:46:51.040 I kind of recall both the entrance to, maybe the entrance to Radio City Music Hall, 01:46:51.040 --> 01:46:57.360 surely, what's her name again, Shirley Manson, I'd say it's kind of hot, I don't like 01:46:57.360 --> 01:47:01.680 her, that's for day of injury, a garbage, I'm only happy when it rains, now here's 01:47:01.680 --> 01:47:09.960 what he didn't expect, I knew I'd get you, with what those one-head wonders, blind 01:47:09.960 --> 01:47:15.920 melon, remember them, remember that guy used to piss on the audience from time to time, yeah 01:47:15.920 --> 01:47:19.360 not much of a career after that, it's not good when you treat your customers that way, 01:47:19.360 --> 01:47:28.360 but here's no right on the source code, I like to say it's pretty plain, I like watching 01:47:28.360 --> 01:49:55.360 [ Music ] 01:49:55.360 --> 01:50:10.360 I don't understand why I sleep all day, scared I don't understand why I sleep all day, then I don't understand what I'm saying 01:50:10.360 --> 01:50:13.360 You want to learn running around like a bumblebee? 01:50:13.360 --> 01:50:15.360 I think it's for a lot of us. 01:50:15.360 --> 01:50:17.360 No rain, blind melon here. 01:50:17.360 --> 01:50:19.360 And you did a source code episode 865. 01:50:19.360 --> 01:50:21.360 Yeah, we got a rain thing going on. 01:50:21.360 --> 01:50:22.360 I don't know. 01:50:22.360 --> 01:50:23.360 I just kind of felt like it is. 01:50:23.360 --> 01:50:26.360 Nine minutes to one AM here in Austin, Texas. 01:50:26.360 --> 01:50:27.360 I'm Adam Curry. 01:50:27.360 --> 01:50:31.360 You're a rainy DJ on duty with an original. 01:50:31.360 --> 01:50:34.360 That, of course, you can't leave out of a rain set. 01:50:36.250 --> 01:53:13.360 [ Music ] 01:53:13.360 --> 01:53:18.360 How I love the rainy day that my happy way. 01:53:18.360 --> 01:53:20.360 I feel inside. 01:53:20.360 --> 01:53:24.360 You may think this is like totally lame and I'm plainly strong. 01:53:24.360 --> 01:53:26.360 Believe me, this is good for you. 01:53:26.360 --> 01:53:30.360 I saw we were watching the final episode of American Idol. 01:53:30.360 --> 01:53:33.360 By the way, I think it's cool that that Philip Phillips guy won. 01:53:33.360 --> 01:53:35.360 Because he was definitely the most talented. 01:53:35.360 --> 01:53:39.360 But you know, then they get the stuff that they play today. 01:53:39.360 --> 01:53:46.360 Rihanna comes out with a total Illuminati pyramid all seeing eyeball crabs, 01:53:46.360 --> 01:53:48.360 zombified pieces, shit. 01:53:48.360 --> 01:53:50.360 Like, you know, this is the kind of stuff. 01:53:50.360 --> 01:53:52.360 It will actually lift your heart. 01:53:52.360 --> 01:53:55.360 Believe me, it will make you feel really, really good. 01:53:55.360 --> 01:54:00.360 Particularly if, I mean, I know. 01:54:00.360 --> 01:54:02.360 I know. 01:54:02.360 --> 01:54:06.360 This is really stretching, but I just couldn't resist it. 01:54:06.360 --> 01:54:09.360 Listen to all the falling rain. 01:54:09.360 --> 01:54:13.360 Telling me just what if you like me. 01:54:13.360 --> 01:55:44.360 [ Music ] 01:55:44.360 --> 01:55:52.360 All right, 10 points for the says there in the chat room. 01:55:52.360 --> 01:55:57.360 You got to write the cascades. 01:55:57.360 --> 01:56:01.360 About the time I was born, listen to the rhythm of the falling rain. 01:56:01.360 --> 01:56:06.360 That song of course translated into at least 50 different languages. 01:56:06.360 --> 01:56:10.360 Every single country in the world has a version of that song. 01:56:10.360 --> 01:56:12.360 It was such a hit back in the day. 01:56:12.360 --> 01:56:14.360 Way before the interwebs. 01:56:14.360 --> 01:56:22.360 All right, let's wrap up this rain block that we have here with a sad song. 01:56:22.360 --> 01:56:26.360 But again, a real song. 01:56:26.360 --> 01:56:31.360 I've seen fire and I've seen rain James Taylor on your source code. 01:56:31.360 --> 01:56:37.360 Just yesterday morning they let me know you were gone. 01:56:37.360 --> 01:59:17.360 [ Music ] 01:59:17.360 --> 01:59:21.360 It's just a few things coming my way this time around. 01:59:21.360 --> 01:59:24.360 Many different interpretations of what this song is about. 01:59:24.360 --> 01:59:27.360 But I asked James Taylor about her once. 01:59:27.360 --> 01:59:31.360 He said he wrote it after coming out of a very deep depression. 01:59:31.360 --> 01:59:34.360 So that's what we used to do back in the day. 01:59:34.360 --> 01:59:39.360 You'd be depressed and then you feel really crappy about things that happen in your life. 01:59:39.360 --> 01:59:44.360 And you know either you write a song about it or you find someone who would written a song. 01:59:44.360 --> 01:59:48.360 You'd play that song and you'd feel better and it could lift your spirits. 01:59:48.360 --> 01:59:50.360 And these days you know we just take a pill. 01:59:50.360 --> 01:59:52.360 Like a riddle. 01:59:52.360 --> 01:59:53.360 Not really. 01:59:53.360 --> 01:59:54.360 I don't know. 01:59:54.360 --> 01:59:55.360 They don't want it. 01:59:55.360 --> 01:59:56.360 They don't want it. 01:59:56.360 --> 01:59:58.360 They eventually will make you kill yourself. 01:59:58.360 --> 02:00:00.360 So there you go. 02:00:00.360 --> 02:00:01.360 All right. 02:00:01.360 --> 02:00:02.360 I'm going to wind this now. 02:00:02.360 --> 02:00:03.360 I'm drunk now by the way. 02:00:03.360 --> 02:00:06.360 I've had three glasses of Jack hefty glasses of mine. 02:00:06.360 --> 02:00:10.360 And that's just shock glasses of a real glasses. 02:00:10.360 --> 02:00:14.360 I did want to pay tribute to Robin Gibb and actually, 02:00:14.360 --> 02:00:18.360 while I'm at it, Maurice Gibb and Andy Gibb. 02:00:18.360 --> 02:00:20.360 Three of the Gibb brothers gone. 02:00:20.360 --> 02:00:23.360 Barry Gibb still left over. 02:00:23.360 --> 02:00:28.360 And the you know, I've been paying it a little bit of attention to mainstream media. 02:00:28.360 --> 02:00:30.360 How they've been portraying it. 02:00:30.360 --> 02:00:33.360 And it's talk about the BG's about the disco. 02:00:33.360 --> 02:00:35.360 It's like that's so much bull crap. 02:00:35.360 --> 02:00:41.360 If you really know your music history, these guys wrote so many amazing songs. 02:00:41.360 --> 02:00:47.360 And they really did emerge on the scene back in the days of the kinks of the Beatles, 02:00:47.360 --> 02:00:48.360 the Rolling Stones. 02:00:48.360 --> 02:00:50.360 And they've always gotten a really bad rap. 02:00:50.360 --> 02:00:53.360 But of course, that's how mainstream works. 02:00:53.360 --> 02:00:55.360 You know, you do a couple songs. 02:00:55.360 --> 02:00:58.360 And they really only did a couple songs for Saturday Night Fever. 02:00:58.360 --> 02:01:01.360 And also they're the disco kings. 02:01:01.360 --> 02:01:04.360 And I know that they personally were very frustrated by it because 02:01:05.360 --> 02:01:09.360 I met them several times when they had their one album out. 02:01:09.360 --> 02:01:12.360 What's the name of the song? You win again? 02:01:12.360 --> 02:01:15.360 Which was a huge number one hit everywhere. 02:01:15.360 --> 02:01:18.360 They were one of my shows. 02:01:18.360 --> 02:01:22.360 And I remember they were like, you know, they didn't come out and say it as such. 02:01:22.360 --> 02:01:26.360 But I knew that they were very, they was like, you know, like fuck that. 02:01:26.360 --> 02:01:30.360 And Robin was a very, very cool guy. 02:01:30.360 --> 02:01:32.360 It's total geek, by the way. 02:01:32.360 --> 02:01:35.360 He had the geekiest watches. 02:01:35.360 --> 02:01:38.360 And he was into all kinds of technology shit. 02:01:38.360 --> 02:01:40.360 And it's just been bad luck for this family. 02:01:40.360 --> 02:01:42.360 It's just been really, really sad. 02:01:42.360 --> 02:01:45.360 So I wanted to play a song from the BGs. 02:01:45.360 --> 02:01:48.360 Who, of course, their music goes back to the very early 60s. 02:01:48.360 --> 02:01:52.360 This is one of my all-time favorite BG songs. 02:01:53.750 --> 02:04:37.360 [ Music ] 02:04:37.360 --> 02:04:50.360 That the chill for me. 02:04:50.360 --> 02:04:55.360 Almost here, the warble in the 45 on the record player when they digitized this. 02:04:55.360 --> 02:04:56.360 Can't you? 02:04:56.360 --> 02:04:59.360 Maybe it was the real, the real, the BG's. 02:04:59.360 --> 02:05:03.360 I started a joke here on your daily source code episode eight, six, five. 02:05:03.360 --> 02:05:04.360 I hope you're enjoying the show. 02:05:04.360 --> 02:05:06.360 It's been a weird one. 02:05:06.360 --> 02:05:08.360 But I mean, that kind of mood. 02:05:08.360 --> 02:05:10.360 I'm going to be 48 on September 3rd. 02:05:10.360 --> 02:05:12.360 And I'm so fucking happy. 02:05:12.360 --> 02:05:13.360 I'm alive. 02:05:13.360 --> 02:05:14.360 And I feel good. 02:05:14.360 --> 02:05:15.360 I'm healthy. 02:05:16.360 --> 02:05:19.360 And this is, I was not going to John about this. 02:05:19.360 --> 02:05:21.360 John, see the Vorac. 02:05:21.360 --> 02:05:23.360 I think it was off air. 02:05:23.360 --> 02:05:28.360 It's like, you know, you get older and just people are dropping around you. 02:05:28.360 --> 02:05:30.360 And it's like, what the hell, man? 02:05:30.360 --> 02:05:35.360 I mean, why am I so lucky? Why do I get to stay around? 02:05:35.360 --> 02:05:37.360 And I really don't care. 02:05:37.360 --> 02:05:40.360 I'm just happy I'm here. 02:05:40.360 --> 02:05:44.360 And I'm going to share as much of that love that I get from the music with you guys as I can. 02:05:44.360 --> 02:05:47.360 This is one of my favorite songs. 02:05:47.360 --> 02:05:48.360 I love this woman. 02:05:48.360 --> 02:05:50.360 Chuck a con through the fire. 02:05:50.360 --> 02:05:55.360 I look in your eyes and I can see. 02:05:55.360 --> 02:05:59.360 There's nothing interesting. 02:05:59.360 --> 02:09:25.360 [ Music ] 02:09:25.360 --> 02:09:31.360 Through the fire, to the limit to the war. 02:09:31.360 --> 02:09:36.360 Through the limit to the limit to the war. 02:09:36.360 --> 02:09:40.360 All right, to know how songs bring back memories, right? 02:09:40.360 --> 02:09:43.360 I think I was 20 years old. 02:09:43.360 --> 02:09:51.360 It was in the tiny, tiny apartment of a grown-man to Esther. 02:09:51.360 --> 02:09:55.360 An Esther, ah, Esther Tollin. 02:09:55.360 --> 02:10:00.360 She was the lead singer of the Novo band. 02:10:00.360 --> 02:10:03.360 Oh, man, it's coming back to me now. 02:10:03.360 --> 02:10:06.360 It was like a one-hit wonder band, the Novo band. 02:10:06.360 --> 02:10:10.360 They had a, what's the name that's song? 02:10:10.360 --> 02:10:13.360 Let's see, like, a soap and book of knowledge. 02:10:13.360 --> 02:10:15.360 Let's go dancing. 02:10:15.360 --> 02:10:19.360 And I'd been on television for maybe six months or so. 02:10:19.360 --> 02:10:21.360 And it was an Utrecht. 02:10:21.360 --> 02:10:26.360 And as she'd been on the show, and then she was doing a gig somewhere with the band, 02:10:26.360 --> 02:10:29.360 with the Novo band, never heard from again. 02:10:29.360 --> 02:10:32.360 And she said, yeah, you should come and watch us or watch the show. 02:10:32.360 --> 02:10:35.360 And I went down and, and I remember that. 02:10:35.360 --> 02:10:40.360 I was, I was like completely smitten about her, completely. 02:10:40.360 --> 02:10:44.360 When back to her apartment, and we were making out just, 02:10:44.360 --> 02:10:46.360 I got to, I got to play the song for it. 02:10:46.360 --> 02:10:47.360 She played this song. 02:10:47.360 --> 02:10:49.360 Chaka Khan through the fire. 02:10:49.360 --> 02:10:53.360 And it was like this, one of those magical moments. 02:10:53.360 --> 02:10:56.360 Ah, 30 years ago. 02:10:57.360 --> 02:11:01.360 Alright, now let's fast forward to 2012. 02:11:01.360 --> 02:11:05.360 I promise I play this one for my lovely Miss Mickey, 02:11:05.360 --> 02:11:10.360 the woman who I will marry on July 16th. 02:11:10.360 --> 02:11:12.360 This was for you, baby. 02:11:16.360 --> 02:11:21.360 Her absolute, one and only favorite Neil Diamond track. 02:11:22.360 --> 02:11:25.360 Jack on the rocks, or love on the rocks. 02:11:25.360 --> 02:11:27.360 Love on the rocks. 02:11:29.360 --> 02:11:31.360 He knows the price. 02:11:31.360 --> 02:14:28.360 [ Music ] 02:14:28.360 --> 02:14:33.360 And all I wanted is a smile. 02:14:36.360 --> 02:14:40.360 I think all the jazz singer, 02:14:41.360 --> 02:14:44.360 on Netflix will watch that. 02:14:44.360 --> 02:14:46.360 That'll get her in the mood. 02:14:46.360 --> 02:14:49.360 You'll diamond love on the rocks. 02:14:49.360 --> 02:14:52.360 He's going on tour. 02:14:54.360 --> 02:14:57.360 He's starting in a week or so. 02:14:57.360 --> 02:14:59.360 All right. 02:14:59.360 --> 02:15:01.360 Let's see what time is it now. 02:15:01.360 --> 02:15:02.360 115. 02:15:02.360 --> 02:15:04.360 And I'm kind of keeling over. 02:15:04.360 --> 02:15:06.360 It's been a very long day. 02:15:06.360 --> 02:15:08.360 We got the no agenda show this morning. 02:15:08.360 --> 02:15:11.360 Which means I usually get a very, very early. 02:15:11.360 --> 02:15:13.360 Of course, after going to bed very late. 02:15:13.360 --> 02:15:15.360 Because that's usually how it works. 02:15:15.360 --> 02:15:17.360 Reading government legislation. 02:15:17.360 --> 02:15:18.360 All kinds of other stuff like that. 02:15:18.360 --> 02:15:19.360 But I'm so happy. 02:15:19.360 --> 02:15:21.360 I was able to share a couple of good tunes with this. 02:15:21.360 --> 02:15:23.360 And buddies in the chat room, no agenda street.com. 02:15:23.360 --> 02:15:27.360 Where you can always hear some kind of crazy ass show going on. 02:15:27.360 --> 02:15:28.360 Thank you. 02:15:28.360 --> 02:15:29.360 Get most laid for. 02:15:29.360 --> 02:15:33.360 Connecting me into the live sort stream. 02:15:33.360 --> 02:15:34.360 Thanks. 02:15:34.360 --> 02:15:37.360 Everybody in the chat room who was hanging out and keeping me company. 02:15:37.360 --> 02:15:40.360 I'm going to play one last song. 02:15:40.360 --> 02:15:41.360 It's one of those long ones. 02:15:41.360 --> 02:15:42.360 It's a live version. 02:15:42.360 --> 02:15:43.360 It's eight minutes. 02:15:43.360 --> 02:15:45.360 A little over eight minutes. 02:15:45.360 --> 02:15:47.360 And there's just one. 02:15:47.360 --> 02:15:51.360 One part in this song that gets me every single time. 02:15:51.360 --> 02:15:53.360 And I'll be singing it really, really loudly. 02:15:53.360 --> 02:15:55.360 I won't come back after it though. 02:15:55.360 --> 02:15:57.360 Because nothing like your mom is saying, 02:15:57.360 --> 02:16:00.360 I know why you ain't going to sing that song, girl. 02:16:00.360 --> 02:16:03.360 But I'm talking about. 02:16:04.360 --> 02:16:06.360 Ready, right? 02:16:06.360 --> 02:16:09.360 Tonight is the night. 02:16:09.360 --> 02:16:11.360 And if you haven't had your night tonight, 02:16:11.360 --> 02:16:14.360 I want you to go and find your love one on half that night. 02:16:14.360 --> 02:16:15.360 So they come out and share. 02:16:15.360 --> 02:16:17.360 And all the love. 02:16:17.360 --> 02:16:19.360 Because you know you can make love. 02:16:19.360 --> 02:16:20.360 Like no one else. 02:16:20.360 --> 02:16:22.360 You don't have a real good chance. 02:16:22.360 --> 02:16:23.360 That's right. 02:16:23.360 --> 02:16:24.360 That's right. 02:16:24.360 --> 02:16:25.360 We have it, man. 02:16:25.360 --> 02:16:26.360 Is that all right with you? 02:16:26.360 --> 02:16:27.360 That's all right, Betty. 02:16:27.360 --> 02:16:28.360 Thank you so much. 02:16:28.360 --> 02:16:31.360 Now, this is a tune that I compose. 02:16:32.360 --> 02:16:37.360 And it's called tonight is the night. 02:16:37.360 --> 02:16:38.360 See you soon, everybody. 02:16:38.360 --> 02:16:40.360 That you make me a walk. 02:16:40.360 --> 02:16:41.360 A source code. 02:16:41.360 --> 02:16:44.360 I never intended recording this song. 02:16:44.360 --> 02:16:47.360 It was a personal point. 02:16:47.360 --> 02:17:01.360 [ Music ] 02:17:01.360 --> 02:17:13.360 You see, it's the story of a young girl making love for the very first time. 02:17:13.360 --> 02:17:23.360 Now, when I finally got a melody, I took it home and I played it for my mother. 02:17:23.360 --> 02:17:27.360 And I got to tell you a little bit about my mother. 02:17:27.360 --> 02:17:29.360 You see, I come from one of those pretty large families. 02:17:29.360 --> 02:17:31.360 And I'm the baby of the family. 02:17:31.360 --> 02:17:34.360 And you know, you never grow up to your mother. 02:17:34.360 --> 02:17:38.360 I never forget the way she looked at me when I played it for her. 02:17:38.360 --> 02:17:42.360 She said, I like the music. 02:17:42.360 --> 02:17:46.360 You know, baby, the melody is really nice. 02:17:46.360 --> 02:17:49.360 But I know you're not going to sing that song. 02:17:49.360 --> 02:17:53.360 But we've used the right home by the beginning. 02:17:53.360 --> 02:17:56.360 And if it came one of my biggest records too, 02:17:56.360 --> 02:17:59.360 So I want you to do this for me if you will. 02:17:59.360 --> 02:18:09.360 Everybody, think back to your very first time. 02:18:19.360 --> 02:18:25.360 Now give it a little while longer, because I know some of you have to think back a little bit further than others. 02:18:27.360 --> 02:18:30.360 Come on now, I want you to play catch up. 02:18:30.360 --> 02:18:33.360 And I don't want you waiting till I get to get some of my songs to hear. 02:18:33.360 --> 02:18:35.360 Oh yeah, now, remember? 02:18:35.360 --> 02:18:43.360 Now, whether it was good, or you just smiled and it was good. 02:18:43.360 --> 02:18:49.360 All the other hand, if it was not so good, here's my stone. 02:18:49.360 --> 02:24:06.360 [ Music ] 02:24:06.360 --> 02:24:19.360 And I hope you'll be happy.